#meta knowledge y'know

[limulusamebocytelysate]

Help I Accidentally Made My DnD Antagonists Operational Security Too Professional And Now I've Written Myself Into A Hole - a tale in furious brainstorming for solutions

[raayllum]

So one of the things I’ve been thinking about today is that more than just S4 is the “Empire Strikes Back” esque segment of the saga; all of Arc 2 (S4-S6) is going to be like this. At most, we might get a significant win at the end of S5, but S6 is going to end terribly, and S4 inevitably will with Aaravos getting out of his mirror. 

Could I see Aaravos trying to get Callum to work for him rather than against him once the kid has more than one arcanum under his belt? Yeah, maybe. The kids and co. could’ve proven to be a thorn in his side in say, S5, shit is hitting the fan, and Aaravos has leverage to offer, something of “join me and I’ll spare your loved ones.” I think once their dynamic has been built up something like this could not only be in character for Aaravos but something Callum could, very very reluctantly, agree to or at least consider - once Aaravos has the upper hand, and legitimate leverage over him. 

But right now in S4, the kid seems to be just a means to an end, nor does Aaravos have legitimate leverage that Callum would want beyond the short term protection of his loved ones (if they were put in danger by Aaravos) at this point, tbh. Maybe someday - but a long way off

[theabstruseone]

I slept in and just woke up, so here's what I've been able to figure out while sipping coffee:

Twitter has officially rebranded to X just a day or two after the move was announced.

The official branding is that a tweet is now called "an X", for which there are too many jokes to make.

The official account is still @twitter because someone else owns @X and they didn't reclaim the username first.

The logo is 𝕏 which is the Unicode character Unicode U+1D54F so the logo cannot be copyrighted and it is highly likely that it cannot be protected as a trademark.

Outside the visual logo, the trademark for the use of the name "X" in social media is held by Meta/Facebook, while the trademark for "X" in finance/commerce is owned by Microsoft.

The rebranding has been stopped in Japan as the term "X Japan" is trademarked by the band X JAPAN.

Elon had workers taking down the "Twitter" name from the side of the building. He did not have any permits to do this. The building owner called the cops who stopped the crew midway through so the sign just says "er".

He still plans to call his streaming and media hosting branch of the company as "Xvideo". Nobody tell him.

This man wants you to give him control over all of your financial information.

Edit to add further developments:

Yes, this is all real. Check the notes and people have pictures. I understand the skepticism because it feels like a joke, but to the best of my knowledge, everything in the above is accurate.

Microsoft also owns the trademark on X for chatting and gaming because, y'know, X-box.

The logo came from a random podcaster who tweeted it at Musk.

The act of sending a tweet is now known as "Xeet". They even added a guide for how to Xeet.

The branding change is inconsistent. Some icons have changed, some have not, and the words "tweet" and "Twitter" are still all over the place on the site.

TweetDeck is currently unaffected and I hope it's because they forgot that it exists again. The complete negligence toward that tool and just leaving it the hell alone is the only thing that makes the site usable (and some of us are stuck on there for work).

This is likely because Musk was forced out of PayPal due to a failed credit line project and because he wanted to rename the site to "X-Paypal" and eventually just to "X".

This became a big deal behind the scenes as Musk paid over $1 million for the domain X.com and wanted to rebrand the company that already had the brand awareness people were using it as a verb to "pay online" (as in "I'll paypal you the money")

X.com is not currently owned by Musk. It is held by a domain registrar (I believe GoDaddy but I'm not entirely sure). Meaning as long as he's hung onto this idea of making X Corp a thing, he couldn't be arsed to pay the $15/year domain renewal.

Bloomberg estimates the rebranding wiped between $4 to $20 billion from the valuation of Twitter due to the loss of brand awareness.

The company was already worth less than half of the $44 billion Musk paid for it in the first place, meaning this may end up a worse deal than when Yahoo bought Tumblr.

One estimation (though this is with a grain of salt) said that Twitter is three months from defaulting on its loans taken out to buy the site. Those loans were secured with Tesla stock. Meaning the bank will seize that stock and, since it won't be enough to pay the debt (since it's worth around 50-75% of what it was at the time of the loan), they can start seizing personal assets of Elon Musk including the Twitter company itself and his interest in SpaceX.

Sesame Street's official accounts mocked the rebranding.

[effen-draws]

OKAY it's going to take a while to get to the point with this one but-- de meta time. You see I realised just now that the skua which is referenced throughout the game is a y'know a skua. Like Great Skua skua, like Stercorarius Skua.

And ALRIGHT that might be my bilingual brain that's slow on the uptake (all my bird knowledge is in Danish so forgive me) because perception literally points it out:

BUT HEY. HEY. I DON'T KNOW HOW MANY OF YOU KNOW WHAT THE GREAT SKUA'S WHOLE DEAL IS BUT IT IS NOT NICE. SO LET ME TELL YOU A LITTLE ABOUT THEM BEFORE I GET INTO THE MEAT OF THIS META:

Skuas are a type of predatory bird that primarily lives off of stealing other marine bird's food. Basically they're very good at outmanouvering and bullying other birds until the unsuspecting gull or tern (for an example) drops the fish it had caught. But The Great Skua takes that a step further as the largest of its kind. Becuase it will straight up kill to rob another bird, while also consequently getting the other bird as a meal in the process. Like, killing gulls and puffins are just a regular part of its diet along with the theft.

AND IN CASE THIS ISN'T ALREADY OBVIOUS: THE GREAT SKUA IS AN INSANE BIRD TO HAVE AS A HERALDIC/SYMBOLIC BIRD.

But then I thought; well yes of course the first bird that the nations of Mundi would find as a proof of reality would be the Great Skua. Of course the colonisers would have their first proof of discovering "the New New World" be this bird. Of course the people who after seeing this skua, this living proof that there was more out there to exploit, would then go to other isolas to steal and kill to sustain themselves. Of course the people that established the Suzerain of Revachol, which was (to quote Joyce) "the greatest concentration of wealth mankind has ever seen", would be justified by a Great Skua.

Of course the future foundations of the capitalist world in Elysium would see a skua, the bird that lives of off kelptoparasitism, as their proof of a New New World and new new oppertunities.

And then it only makes sense that The Great Skua became the symbol of the discovery of Insulinde; Mundi's most "promising" steal.

[ponett]

I spent a whole sunday reading through immortal hulk with the free trial, is there anything else good you would recommend to go through before the week's end? (I dont read many comics, the last one was I read was archie megaman)

Oh hell yeah, glad my tweets exposed at least one other person to Immortal Hulk. It's great

Admittedly I've only really started reading a variety of Marvel comics recently. I've liked characters like Spider-Man and the X-Men all my life, but I've only recently gotten over my aversion to just diving into random popular 616 stuff and not worrying about having the full context for everything. (I was finally like, oh yeah, I don't have to put up with the MCU and most of the cartoon adaptations being extremely mid, I can just go jump around and read the good stuff.) So I'm not the best person to ask. But here's stuff I've been enjoying recently:

Fantastic Four (2022) by Ryan North of Dinosaur Comics fame. Easily my highest recommendation here. Extremely fun and funny and heartfelt and creative science adventures. Immediately made me care about the Fantastic Four way more than I ever have. I subscribed to this one immediately upon catching up, and I hope North stays on for a good long while. (On a related note, I need to read North's Squirrel Girl run soon.)

Unbelievable Gwenpool (2018). As a series about a normal human girl transported into the comic world and getting by with her knowledge of comics, it's EXTREMELY meta, but instead of just going "haha isn't this all so dumb and tropey?" it ends up being a story about searching for meaning in superhero comic books where creative teams change all the time and the status quo reigns supreme. It's good stuff that goes some wild places. My only real gripe is the inconsistent art.

And they're only a few issues in and are still setting things up, but I'm enjoying the new Ultimates and Ultimate Spider-Man comics, which pick up following the Ultimate Invasion miniseries and the Ultimate Universe one-shot.

And uh... actually that's all the Marvel stuff I've been reading recently aside from Claremont X-Men - which is of course very good, but it's not as easy to recommend as these shorter, more standalone runs.

Some other relatively self-contained Marvel stuff I'd like to read soon:

Immortal Thor, the current series by Immortal Hulk writer Al Ewing that I hear is just as good

Ms. Marvel (2014)

Hawkeye (2012) by Matt Fraction

Spider-Man: Life Story

The Vision (2015)

And I hear Miles Morales: Spider-Man (2022) is pretty good and has Miles doing some crazy shounen anime shit while still being a street-level series, so I'm interested in checking that out

I'm also open to recommendations! I'm aware of many of the big hits, but, y'know, there's always gonna be good stuff that gets buried given the sheer volume of comics Marvel puts out every year

[incarnadinedreams]

Hot Take Time #2309209 (edit: actually this isn't a hot take it's lukewarm at best. it's a room temperature take) but I really don't understand the argument "mo dao and gui dao are different and therefore everything WWX does is completely fine!"

Like, yes, it's a difference that plays into the public discourse vs. real truth themes of the novel to a degree, and I of course absolutely appreciate all the explanations and meta around the nuances and differences. But like. What he actually does with it is... still not good whether it's mo dao or gui dao? And there are many very significant reasons that gui dao is still not great? (Which I won't get into here because there are other people far more qualified with cultural/genre knowledge who have written about it way better than I ever could anyway)

Like y'know. The several hundred people he tortured to death, the thousands of desecrated graves, the mini-harem of pet zombie girls he kept after the war for purely entertainment purposes...? Like, those behaviors aren't inherent to the method (well, except the method sort of uniquely facilitating the keeping of pet ghosts), but they're not... good...? (Note: 'morally good' is completely different than 'fun & sexy, having a great time torture-bonding with shidi, etc'.)

I just cannot agree that keeping a little harem of pet ghost girls nor anything that happened with the Wens is being "gentle with the dead, empathetic and respectful". Even WWX thinks his past self was kinda cringe with it and went way too far!

I do think there's meant to be a significant amount of ambiguity about what elements of his downward spiral are caused by the corrosive nature of his method vs. the trauma of the Burial Mounds and his own, internal, homebrewed mental crisis. The alcoholism, rapidly shifting moods, anger and inability to control his temper, before and after the war. How much of it is Wei Wuxian and how much of it is the impact of the resentful energy he's using, and the use/proximity of the Yin Hu Fu?

I do think there's a reason why there's just as much brutality carried out by characters using orthodox cultivation methods. But in the end, his behavior was a problem, and the novel hints that the methods were impacting his mental state, and it was overlooked because of his usefulness to the war effort, but it did significantly damage his credibility leading up to the parts where he is in the right, which is also part of the point of the story. And you know. The subject of Jiang Cheng's whole 'the flower that blooms alone' monologue in the cave.

Anyway. 'He's using gui dao not mo dao and there's a difference' is super not the same thing as 'Wei Wuxian is morally justified in every action'?

Anyway this book is a lot more fun to me when you approach it from 'look what absolutely insane things these boys will do when they go absolutely feral for each other, it's so cool' with a side of 'look how fucked up he is now, that's hot' and not, like, trying to somehow figure out how to make pet ghost girls into a moral ideal.

So much of the story, for me, is about what desperate, wild lengths a person will go to for survival and revenge when pushed, and then what do you do after? When the danger is past and the revenge is done, what then? How do you come back from that?

[monkberrymoonsdelight]

A Monkberry Moon Delight lyrical analysis because it is the greatest song of the 20th century

Monkberry Moon Delight is a song from Paul McCartney's 1971 album Ram. The song is generally considered to be surrealist 'nonsense' lyrics a la Lennon's late Beatles work like 'I am the Walrus' and 'Glass Onion'. But if we know anything about Paul (and Lennon-McCartney in general), he tends to put deeper emotions into his songs, often with out meaning to and without his direct knowledge:

"I don't write anything consciously, Sometime when I'm pissed off with John over Apple business a line might creep in." - Interview with Disc And Music Echo (Nov. 20, 1971)

"Songwriting is like psychiatry; you sit down and dredge up something that's inside, bring it out front." - Interview with Robert Palmer for the New York Times (April 25, 1982)

" But in a song, that's where you can [share your innermost thoughts]. That's the place to put them. You can start to reveal truths and feelings." - Interview with John Wilson fork BBC 4's (May 24, 2016)

And my favorite because it's y'know...in a song: "And when I'm gone, I leave my message in my song" - Beware My Love (Wings at the Speed of Sound, 1976)

All that being said, in my opinion, Monkberry Moon Delight is a projection of Paul's feelings of anxiety about his post-Beatles public/critical reception and his reaction to John Lennon's antagonism post-divorce. Specifically, he details his writing of Too Many People as a response to John's antagonism and the making of Ram as an attempt to recapture public attention/praise.

For context: Monkberry Moon Delight was first written/demoed at some point from May-August 1970 on his farm in Scotland. Paul's late 1969-1970 Scotland era is complicated. He often describes it as being one of the most difficult periods of his life because of the break-up of the Bealtes, the Apple financial troubles, his frayed relationship with John, and starting a whole new life which all compounded into a deep depression and alcohol abuse.

Let's start with the title and chorus. In Paul's own words, Monkberry Moon Delight comes from his kids mispronunciation of the word 'milk' and establishes MMD as a fantastical drink like 'Love Potion No. 9'. I think Paul obviously hides behind the surrealism of the lyric but its association with family and domesticity makes an interesting contrast. Though he is happy to be in his escapist domestic fantasy in Scotland, he juxtaposes this with the underlying pressure to be acclaimed (especially after being considered the greatest artist in the world for ten years). Though the song has a peppy, jaunty beat there is an air of anxiety developed through the songs key of C minor and the staccato of the piano and bass parts. His vocals also have a similar strained desperation like 'Oh! Darling'.

The lyrics:

So I sat in the attic, a piano up my nose

And the wind played a dreadful cantata

Paul starts with himself, writing. 'The attic' may be a reference to John Lennon's recording studio that he had built in his attic in Weybridge where he and Paul would often go to write.

"We nearly always went up to his little music room that he'd built at the top of the house, Daddy's Room, where we would get away from it all. I like to get away from people to songwrite, I don't like to do it in front of people. It's like sex for me" - Many Years from Now. Whether or not this is a direct reference to 'Daddy's Room', Paul is known to prefer small, confined spaces for songwriting.

'Piano up my nose' to me shows a rapt attention, leaning so close to his piano its almost up his nose. He is intently and passionately composing his 'dreadful cantata', this cantata I believe refers to "To Many People". Based on this record of the order of demos on the Ram cassette, it seems that Too Many People may have been written (or at least recorded) before Monkberry, which furthers my belief that Paul is making a meta narration of the writing of his song which he recognizes was very pointed or dreadful.

Sore was I from a crack of an enemy's hose

And the horrible sound of tomato

Here he describes what spurred him to writing this song, and this album as a whole. The 'crack from an enemy's hose' could refer to Allen Klein's treatment of Paul during the final months of the Beatles and his attempted mishandling of the release of McCartney (1970). (Note: The crack could also be from Phil Spector, the press, Ringo, George, Yoko or John; Paul is kind of getting shit from all sides right now). The 'sound of tomato' implies the idea of throwing tomatoes at an artist to express dislike or dissatisfaction, referencing the poor critical reception of McCartney (1970).

Ketchup, soup and puree

Don't get left behind

Ketchup, soup, and puree; liquidy tomatoes because splat, splat, splat go the critics. And ketchup because catch up pun.

Don't get left behind is the central theme of this song. He is worried that the public is going to forget about him while he's depressed, away in Scotland, and making critical flops. This is him desperately clinging onto the hearts of the public. Because we all know how much Paul needs to be liked.

When a rattle of rats had awoken

The sinews, the nerves, and the veins

The 'rattle of rats' could be any of the number of people who were getting on his nerves, sinews, and veins (pissing him tf off) in 1970. This could again be referencing the great "Let's all gang up on Paul McCartney" game of 1970 but because of the subsequent lyrics, I think this may be more specifically about John (and Yoko). Either way, it was these rats who annoyed him into getting to work.

My piano was boldly outspoken

And attempts to repeat his refrain

'Boldly outspoken' again connects this song to TMP. The line is similar to the TMP lyric 'This is crazy and baby, it's not like me' in the sense that both show how audacious he sees this songs as. In 'attempting to repeat his refrain' I think Paul is using the 'well he started it' justification for TMP because he's sees it as a repeat, of him rising to John's level of insults.

So I stood with a knot in my stomach and I gazed at that terrible sight

Of two youngsters concealed in a barrel, sucking Monkberry Moon Delight

Ah yes my favorite moment in all of music ever. This is the verse that really convinced me that this song may be referencing JohnandYoko. The 'youngsters in a barrel' alludes to John and Yoko's bag piece, where they would get into a black bag for...peace? As seen in Get Back, this particularly irked/disturbed Paul. "Go get in your bag. The Merseybeat award for couple of the year, goes to John and Yoko" (Get Back Episode 2). He also refers to them as 'the young lovers' in Get Back during the infamous January 13th 'and then there were two' conversation. Even though it makes him nervous and sick, part of Paul releasing TMP and Ram is to face up to the JohnandYoko powerhouse which was a non-insignificant portion of his early 1970 criticism.

Well I know my banana is older than the rest

and my hair is a tangled baretta

Here I think he is reasoning to the listener, the public, over why he thinks they've abandoned him. Paul recognizes that he has been in this music game a long time (so people may have grown bored of him) and has been depressed (and thus out of the game), his tangled 'baretta' of hair like the wily depression beard he grew out while in Scotland.

Also banana = dick, just so everyone is clear (can anyone find that banana poem from his poetry book? Also this just perpetuates my tinhat theory that all the banana milkshakes Paul got in Paris were just **** **** but I digress). Also something about Paul likening songwriting with sex so him not being 'musically desirable' is because...his music dick is old? Ok Paul.

I leave my pajamas to Billy Budapest

And I don't get the gist of your letter

This is the one lyric I am pretty unsure about. Not that every line has to fit perfectly into my interpretation but I genuinely could not make heads or tails of it. My initial interpretation was that this was referring to Billy Shears, and how during this period the Paul is dead theory regained popularity. This reference adds to the feeling of dissolution he builds in this verse.

But mike on the Beatles Bible seems to remember Billy Budapest as being a children's pajama designer though I have found not evidence of this. However going with this shot in the dark, leaving his pajamas to Billy Budapest could draw back to the theme of his current domesticity and occupation with his children.

The letter in question I believe refers to the infamous letter John and George wrote to Paul changing his McCartney release date that they had Ringo deliver which really set Paul off and kind of began the messiness of the divorce.

Catch Up, cats and kittens

Don't get left behind

Finally we get the pay off to the ketchup-catch up pun and see the resurgence of the theme; Paul feeling like he's falling behind his contemporaries and desperation to catch up.

In typical McCartney fashion, Monkberry Moon Delight is a seemingly shallow and superfluous song but actually reveals a lot about his inner turmoil at the time. Him dealing with the rejection by the critics and John by turning to his piano and creating the absolute banger that is Monkberry. This is why MMD is one of Paul's best, because of how quintessentially Paul it is. Veiling tough emotions behind ambiguous and surreal lyrics masked by a fun and light melody. Oh, the juxtaposition! Oh, the Lennon-McCartney of it all.

Anyways this is a barely organized rambling of thoughts but Monkberry Moon Delight deserves a mega analysis because it is genuinely one of the best songs Paul McCartney has ever made.

[avaantares]

Wait, Zhao Yunlan's gun is actually a...?!

(I've never claimed production meta for @guardianbingo before, but after the amount of time and research I put in on this, I feel like I've earned the "Zhao Yunlan's Gun or Whip" square, haha)

SO. GUYS.

Maybe this is something fandom as a whole figured out back in 2018, but I, who didn't hear of Guardian until 2020, did not realize until now and I need to share the knowledge because when I finally noticed, I made an unholy sound.

I've tracked down where Zhao Yunlan's gun came from -- or at least, what it most likely started as. Not the in-universe dark-energy-maybe-uses-bullets-maybe-doesn't-device-that's-best-not-thought-about-too-long, but rather the actual fake-steampunk-revolver-that-is-best-not-looked-at-too-long-because-it's-awful prop.

Y'know, this disaster:

I was actually working on a different Guardian Bingo fill and needed to look something up for continuity, so I'd flipped through a couple of episodes at super high speed trying to find a scene. As luck would have it, one of my skips forward happened to land on the scene I screencapped above, when ZYL confronts Zhang Shi.

Normally we don't get this clear (or this stationary) a shot of the godawful gun prop. I'd assumed all along they had just taken a plastic gun, glued some extra bits and bobs on it to make it look fancy, and hit it with some dry brushing (fun fact: you can watch the paint flake throughout the series; check out the top of the barrel and the side of the cylinder in the above screenshot!) to make it look #steampunk like the abandoned aesthetic of 25% of the show (as I've said before, I have theories about what happened in preproduction, but that's another post). This sort of thing is exactly what I've done for cheap cosplay weapons or background props for film work that aren't going to be seen at HD detail range.

Anyway, since the detail showed up better here than in other shots, I paused the video to look at the random screws and hex bolts (why??) they'd glued on it, since I recalled that I had the aforementioned gun/whip bingo square to fill.

That's when I noticed a detail that had eluded me before: An inverted V shape at the bottom of the grip.

Only looking more closely, that's not an inverted V. It's a symbol that I've seen a whole series of variations of over the past 15+ years... every time there's a new installment of the Assassin's Creed video game series:

So I started hunting. The principal weapons in each game turned up no matches, but eventually I found a gun that looks almost exactly like ZYL's:

It's not a perfect replica, but the details are certainly all there: The stylized logo; the leaves and swirls on the grip; the feathers up the back; even the Victorian scrollwork beneath the barrel.

Now, what's really interesting is that this gun isn't actually from the AC game series. It's part of an elaborate fan project by artist David Paget that started as a class assignment back in 2014. Even though it gathered a bit of steam in the AC fandom and generated a couple of forum role-play groups, OCs and the like, nothing about this artwork was ever connected to a real Assassin's Creed title. So why would there be a physical version of a gun that was only someone's fanart?

This is where the smoking gun (*rimshot*) goes missing, because I can't prove any of this, and it's been long enough that digging through the archives of the internet to find answers is going to take way more time than I can afford to spend on a project I'm not getting paid for. But there are two likely possibilities:

Scenario A: Some employee in a toy factory somewhere in China got told, "This Assassin's Creed franchise is really big, so we need to be producing replicas from those games to sell. Work up some designs." So the employee Googles "assassin's creed gun," finds David Paget's very professional-looking art, and whips up a replica to mass-injection-mold without realizing it's not actually from a game. Later, someone on the cash-strapped Guardian production team needs a gun to mod, and finds a cheap toy revolver on clearance after several years of sitting in storage because there was little demand for a replica of a gun that was never in a game. They buy several, glue hex bolts on the cylinder for reasons unknown, and poof! Instant pseudo-steampunk!

Scenario B: Other fans were involved in the design. Someone did build a 3D model of David Paget's design that's still available on Sketchfab (screenshot below), and it's not unreasonable to assume that other fans could have thought it looked cool and built 3D printable models. Later, someone on the cash-strapped Guardian production team needs a gun to mod, and acquires the 3D print file of one of those models from the interwebs. They mod the file a bit, print some, glue hex bolts on the cylinder for reasons unknown, and poof! Instant pseudo-steampunk!

Personally, I find Scenario A far more likely than Scenario B, for two reasons: First, the hero prop looks more injection molded than 3D printed, especially given the technical state of 3D printing back in 2017-8. And second... Budget-challenged dramas do have a history of picking up bulk video game replicas and using them as cheap props. I made a post back in 2019 about the WoW Horde shields we spotted in a different drama...

Anyway, no firm answers about the source of the hero prop -- the world may never know! -- but we have now confirmed that in some alternate universe (possibly one of the first eighty?), Zhao Yunlan and/or Zhao Xinci is an Assassin.

Wait, wait, wait... *recalls mechanics of how the whole Assassin's Creed frame story is supposed to work* Uh... so... who wants to write a genetic memory explanation for the whole Kunlun -> [lots of lifetimes] -> Zhao Yunlan thing?

.

(I did actually check the catalogue of a friend of mine who makes replicas of props from various media franchises to see if he'd done a commission of the David Paget design, since a surprising number of his custom pieces actually do end up on film and television, but while he has a gorgeous replica of a revolver that actually appears in an AC game, it appears he has not done the Zhao Yunlan gun. I didn't really think it likely, since he's in the U.S., but you never know.)

[percheduphere]

How do you think Mobius will live his life in the timeline? Many theorize that something happens to Don and Mobius takes his identity so his sons live with a father. I prefer that Mobius reflects on his old life, realizes he can’t live it, and creates his own life.

Oh, boy, Anon. I have a lot of fanfic ideas for this, but let's get into the meta-analysis side of this before we get into the rabbit hole that is my washer-dryer machine of an imagination.

Mobius is not doing well. He is going through the stages of grief. I've written an extensive meta here regarding the darker aspects of his character and how he's at risk by the end of the series. I also wrote a brief meta here regarding how his grief might manifest.

With this in mind, I actively HATE the idea of Mobius spiraling to the point he becomes "corrupted". I don't what Michael Waldron did to Wanda. I guess you could make the argument that it would be interesting to see a man emotionally unravel in such a way, but I hold Mobius's unshakable kindness dear in my heart. I don't ever want him to lose it because it is essentially his superpower.

[Sidebar: comics canon House of M notwithstanding; Marvel and DC comics canon are consistently horrible in their characterization of exceptionally powerful women: Wanda Maximoff Jean Grey/Phoenix; Carol Danvers/then Ms. Marvel; Rogue; on and on; I'll throw Sylvie in here, too, because why not, it's true.]

I see Mobius mourning Loki for two years. Two years because, statistically, that is how long it takes for most people who've lost an intimate loved one to get out of clinical depression. During this period, I see him losing weight, wandering aimlessly between timelines, trying and failing to copy Don's life by taking a job that involves jet skis or aquatics more generally. B-15 would make a point to check-in on him and know he's not doing well, but Mobius, because he does not want anyone to worry about him, because he is used to being the person who keeps people together, insists he's fine.

MY FANFIC IDEA

I see Mobius eventually recognizing he needs a therapist, which he will find ironic and deeply troubling, but he's not about to give up on trying to live for Loki's sake.

And in his conversations with his therapist and B-15, Mobius will come to realize that he can still use his key strengths outside of the TVA: analyzing people, deconstructing what makes them tick, using that knowledge to help the other person, similar to a therapist but more active in support. Mobius is very well-suited to become a social worker of troubled and at-risk youth. I think he should pursue this and ...

Mobius will choose a branched timeline in the late 90s/early 2000s. There, he will meet a war-orphaned, thirteen year-old Wanda Maximoff, who is friendless and struggling to understand the nature of her powers (magic). Mobius is drawn to her right away. It takes time, but he eventually gains Wanda's trust.

Red. Red is Wanda's color. It's in her hair, her cheeks, her magic. Now that red reaches Wanda's eyes, filled with tears her anger stoppers. "You saw what I can do. What I did. The other kids call me a 'witch' 'cause that's what I am. A witch. A monster."

Mobius sits next to the young girl on the stoop. The sun winks at them through the green tree boughs, and he wonders, for a moment, what Loki might think of him now, finding solace in a child who needs solace.

"That's not true. You're not a monster, but I tell you what: witches are pretty cool." Mobius grins, knocking his knee against hers. The fabric of his slacks shakes, still too loose. "Y'know, my best friend has magic just like yours, except it's green instead of red."

Wanda peers at him, hopeful and dubious. "Really?"

"Yup. He had a tough time, too, being different." He leans closer to her, sharing a secret. "But things got better. You should've seen him. He was--is-- magnificent. You're magnificent."

Her lips purse into an embarrassed smile. She drops her head, thoughtful, and tucks her hands beneath the fold of her knees. "Where is he now? Do you still see him?"

The question is innocent, as all things are with a soul of thirteen. She doesn't mean to hurt him. Mobius knows this. So he takes the thorn of her words and presses it against his ribcage. His throat works. The ache comes and goes but never fully abates.

"Well," Mobius sighs. "He had to move on. Life is like that sometimes. People come and go. Things happen and ... there's not much you can do except hope they're okay. That they're happy and safe."

He can't look up. Not at the tree or the sun. He worries if he does, he'll start to cry, and that won't do when this girl who reminds him so much of his wily god has finally cracked a smile.

"C'mon," he says, rising to his feet. "Let's get you something to eat."

"McDonald's?" Wanda brightens.

Another thorn. He takes that one too and thinks of pretty roses.

"Whatever you want, kiddo."

[cookinguptales]

I was reading your latest meta and it got me thinking, mostly the part about how Guillermo's trigger is being undervalued and I agree but also I think he takes Nandor's shit because he knows Nandor actually values him. Like in seasons 1 and 2 there are times when he thinks about killing him, but all starts to change when Nandor saves him from Topher and then Guillermo's like now I know my master cares for me. I think Nandor was very loving by vampire standards from the start, he's just a little better at showing it now, but the big change is not his behaviour, it's that Guillermo is aware that Nandor cares. The bit in 5x01 about the cute montage or even his smile at the cinema proves it. Like we're supposed to think haha he's delusional how funny, but he's not actually, he knows Nandor loves him even when he laughs at him or is being rude. And while Guillermo has gotten more and more secure in the knowledge of how Nandor truly feels, Nandor doesn't have that... at all. If anything each season gives him more reasons to fear abandonmet, there was always the risk of Guillermo leaving and now there's this new fear of him staying and still not being there for him emotionally. The turning is just the icing on the cake. I think to fix things and to make it work between them eventually Guillermo will need to prove to Nandor that he lives him for him and that he doesn't want to leave him ever. I'm not saying marrying Guillermo will fix Nandor, but I'm not not saying it lol

*looks at her entire body of work on ao3* yes, these are subjects I also think about a lot. lmao

No, you're right, these are things I really love about the show. Like I was saying in that meta post, you really do have to look at Nandor's actions through the lens of vampiric norms. Nandor absolutely does not treat Guillermo well by human standards, but by vampire standards... he's downright eccentric, how into his familiar he is. That comes up a lot, actually. Other vampires are weirded out by how devoted Nandor is to Guillermo.

I mean, just look at how we've seen other vampires treat their familiars, including even other vampires in the same house. They're completely disposable. They have them fight like pokemon. They put them down when they get a hangnail. They keep them in dog cages. They've completely dehumanized familiars because they are glorified food.

Like... maybe even worse than food? Like maybe tainted food. Vampires regularly fall for (and turn) humans, but there's such a distaste for familiars. At least other humans are free, y'know? They don't debase themselves the way familiars do. I think that's what disgusts the vampires far more than familiars' intrinsic humanity. It's the servility. The willingness to sacrifice their own. (Vampire shall not kill vampire, etc.) The fact that they take orders, something that most vampires clearly chafe against.

(Side note: it's so interesting that Guillermo, who clearly wants to be a vampire so he is no longer constrained by social norms, has willingly taken on a role that's even more constrained and submissive for years. That's a whole meta post in and of itself, though.)

But despite the blatant disrespect that vampires have for familiars, the open manipulation they use to keep them in line, the total dehumanization they engage in... Nandor doesn't. He protects his familiar. He plays one-on-one games with his familiar. He confides in his familiar. He does what his familiar says, partially to make him happy and partially because he is willing to acknowledge that his familiar is often right. These are all totally foreign behaviors to most other vampires.

Guillermo does come off as delusional at the beginning of the series, but we quickly realize that he's not wrong. Nandor was willing to sacrifice his life (and the lives of the other vampires) to save Guillermo at the Council. He did apologize to Guillermo and try to make it up to him after letting him down at the club. He did save Guillermo from Topher, even if he wasn't emotionally capable of admitting why. Guillermo was right.

Guillermo, we come to realize, actually knows these vampires better than literally anyone. And that's part of why he's been rewarded with a very strange relationship, for a familiar. It's also why he can see through Nandor's surface shittiness to what lies beneath. (Which is occasionally more shittiness, but is often something much softer.) You're right, his smile at the movies really did speak volumes. He knew why he was there, even if Nandor was being a crab at him.

The only thing he doesn't seem to get about Nandor is how easily he can hurt him. I think he's finally, finally starting to understand how much power Nandor has given him. Like... I remember when Nandor went off to join the cult and Guillermo was like "I guess now I know how it feels." He genuinely had not considered up until that moment how badly it had hurt Nandor when he'd left him. He hadn't considered that he had that power over him.

But I think Guillermo gets it now more fully than he ever has in the past, and I think he'll only get it even more by the end of this season. He knows that Nandor has abandonment issues, but he's never seen the way those issues are attached to him specifically. Nandor always plays it off like he didn't miss Guillermo when he was gone, and Guillermo used to believe him. But he's finally seeing how fucking weird Nandor gets when he's worried about Guillermo leaving him. He started to see it in s4, with the wedding stuff, but he's really seeing it now.

Nandor is upset. He's upset purely and only because he thinks Guillermo doesn't want to be with him anymore. And Guillermo really can't ignore that anymore -- and isn't, for that matter. It's really killing him, I think, to finally realize just how much he means to Nandor right after doing something that will damage their relationship, perhaps irreparably. He's finally putting all the pieces together and realizing that even he didn't see how much he means to Nandor.

Nadja and Laszlo, however, know just how fucking weird Nandor's behavior towards Guillermo is and always has been. They know exactly what Guillermo means to him, though they're a little fuzzier on why. (Though thankfully, they are also starting to see the light.) So they understood immediately what the consequences of all this would be.

I do think that Nandor mostly just needs irrefutable proof that Guillermo wants to be with him. He has been damaged by all the times that people have left him in the past, and he's been even more damaged by all the times Guillermo has left him in the past. I do think a large part of why he won't turn Guillermo is because he's afraid that he'll leave once he no longer needs anything from him. I do think that's why he has such weird, unhinged, possessive behavior towards Guillermo's attention. I do think that's why he concocted an entire fucking wedding.

I don't know that marrying Guillermo would completely assuage his fears, especially considering the way that all of Nandor's past marriages have ended, but it sure wouldn't hurt. lmao. I think Nandor probably wants to be the wife this time, too.

I think he just needs something real and tangible that will make him believe fully that Guillermo will never, ever leave him. And hell, who knows? Maybe that'll be Guillermo being turned, knowing that Nandor might kill him for it, and still sticking around.

[stop-breaking-my-heart-telltale]

if dorian didn't show up, do you think louis would have shot minnie?

I do. I know some people think either he wouldn't have or he would've missed so that's why the writers had him shoot Dorian instead, but mmmmmm no, I don't personally think so. I like to think that if he had taken the shot, his shaky hands would've caused him to shoot her fatally.

Mostly because I'm already so normal about the fact that of the Ericson crew, Marlon and Louis are the only ones with a body count. Well, that we know of, but shown to us in the game, at least. Plus, we know it's Louis' first kill.

Like yeah, Clementine and AJ become part of the crew and they have bigger body counts, and if we're counting indirect kills caused by actions, then Tenn has a count... and I guess everyone has blood on their hands for blowing up the boat... but I'm talking about killed directly with a weapon like....... I lied, I'm not normal about that at all, Louis and Marlon are the ones who have killed someone in Louis' route. I'm also not normal about the fact that Louis kills Dorian and then even as he's clearly in shock, he tries to go with Clementine to get AJ, and then later on when they talk about it, he says it feels like bile but not quite and he's glad he has it in him to do it.... listen, listen, listen... I'm obsessed with that.

Anyway, so if Louis shot Minerva, I think he would've accidentally killed her and can you imagine? He's already enough of a mess after killing the woman who pinned him down and tried to cut his finger off [or succeeded] but he knew Minerva, they were friends before the twins were taken. Even Violet couldn't kill her even though that would've been the smarter thing to do, and we know thanks to meta knowledge that killing her would've saved lives, but Violet couldn't, and I don't think Louis would intentionally either.

Speaking of Violet, if Louis killed Minerva, I hate to think about what that would've done to Vi. I think she might've actually left at that point, like what was planned before it got changed to her being burned. I don't think she would've attacked Louis over it, though, like yeah she attacked Clementine in the cell but Louis? I don't know, but I don't think so just because it's Louis and he'd be a mess about it anyway.

Though if he did kill her, it would be a neat parallel to draw... y'know, because Louis forgave AJ for killing Marlon even though he was pissed and heartbroken, and Violet was annoyed with him the entire time... but could she ever forgive Louis for killing Minerva? Y'know? We already have a similar parallel with AJ shooting Tenn, but still.

If Clementine killed Minerva in that moment, though, then I could see Violet attacking her since in her eyes, Clem proved her right.

So yeah, I get why they added the Dorian kill to his route. It adds another compelling element to Louis as a character, but we also need Minerva alive for episode 4; Louis can't kill her, he can't miss, and he's not going to stay with her because we need Violet to stay on the boat and him to be on shore for all routes.

[nothorses]

Hi there! I have a quibble that I hope comes across as good faith and not anon hate: you quote statistics from the 2015 Transgender Study in a way that I think decontextualizes them. For example, trans men are more likely to be denied coverage for surgery (but not top surgery, which is considered cosmetic for trans women. Also, FFS was not included in the study and is almost never covered). Trans men face more harassment from police but trans women are more likely to be incarcerated, etc.

The point of the post (which is here) was just to debunk the myth that trans women are categorically "more oppressed" across the board. The stats I pulled were just a number of (fairly random) examples to that end, and I clarify in the text of that post, in reblogs, and in subsequent posts that the point is not to create a definitive list of The Ways Transmascs Are Most Oppressed- it's to demonstrate that the common assumption that trans women always have the highest rates of violence/discrimination in all areas is, y'know, patently not true.

All of those statistics represent only a narrow slice of a much more complicated issue.

To use your first example, "trans men are more likely to be denied coverage for surgery (but not top surgery, which is considered cosmetic for trans women. Also, FFS was not included in the study and is almost never covered"...

From the 2015 USTS Report:

"Transgender men (57%) were more likely to be denied surgery coverage than transgender women (54%) and non-binary people, including non-binary people with female on their original birth certificate (49%) and non-binary people with male on their original birth certificate (35%)" (p.95)

To my knowledge, the USTS did not actually outline surgery coverage rates for specific surgeries. But they do talk about the rates at which different people want, or have had, specific surgeries:

So, right off the bat: you can see FFS (Facial Feminization Surgery) reported in Figure 7.14. But what strikes me more about these charts in this discussion is that it really does speak to a more complicated issue on the whole.

You could absolutely say trans men (26%) have top surgery more than trans women (11%), but that would also be misleading. 97% of trans men have had or want to have chest reconstruction or reduction, compared to 51% of trans women who have had or want augmentation mammoplasty... well, yeah, it makes a bit of sense that trans men have had this kind of surgery more. They want it more.

But for kicks, let's look at the "have had" vs. "want someday" ratios, for a better picture of what those denial rates might be: 37% of trans men who wanted top surgery (97%) have actually had it, vs. 27% of trans women who wanted it (51%). We don't know that "denied coverage" is the reason all of these people have not gotten it yet, but it's probably a factor; and yes, that does indicate a 10% gap with trans men ahead.

And for kicks, let's apply that same concept to a few other procedures. To use your other example, 14% of trans women who want FFS have had it. But that's also not a super popular surgery for trans women; electrolysis/laser hair removal is the most popular, and 50% who want it have actually had it. In comparison to the most popular surgery for trans men- top surgery; 37% who want it have had it- that's a 13% gap with trans women ahead.

Granted, electrolysis is generally less invasive and more accessible (though it also requires repeated appointments), but I also couldn't tell you how often it's covered by insurance.

You might also compare bottom surgery rates: 66% of trans women want or have had vaginoplasty, vs. 27% of trans men want metoidioplasty (meta), or 22% want phalloplasty (phallo). Of trans women who want it, 18% have had it. Of trans men who want it, 7% (meta) or 15% (phallo) have actually had it. That's a gap of 3% or 11%, with trans women ahead in both cases.

You may also note that for trans women, surgical procedures are not super popular; vaginoplasty is the most sought-after surgery, and it's also third on the overall list of procedures for trans women. Trans men do not have non-surgical transition procedures listed (or generally available, afaik). Which is, imo, important context for another relevant statistic: "Transgender men (42%) were more likely to have had any kind of surgery than transgender women (28%)".

My point is, again, just to say that this stuff is complicated. I grabbed those statistics because they were a quick way to demonstrate the more general point that this is not a black-and-white issue, that trans men do not oppress trans women (and vice versa!), and that trans men are not actually More Privileged In All Areas.

And like, yeah, when you look closer at the issues those statistics reference, there are more layers- that's the point! It's a 300 page document, you could have a lot of conversations around all of these numbers and what they mean.

The fact that I didn't have all of those conversations in that post was not an attempt to hide these complexities. It was a request that we start to engage in them, especially without gearing it toward the question "who has it worse?", when the actual questions we need to be answering are "why does that happen?", and "how do we solve it?"

What I wonder, also, is- what is your point in bringing this up? The examples you brought up were lacking context, and in one case fully untrue. I want to assume good faith as well, but your ask comes off as if you're trying to argue that transmascs never actually struggle in a comparable or unique way.

[raayllum]

Because @kradogsrats got me thinking about it with their Harrow and Pip and Viren meta so now I'm throwing in two adjacently related cents

The first is that there is absolutely a fucking Premonition going on with dreams in the show (specifically Viren and Callum's dark magic dreams as well as Janai's nightmare) which only makes sense because all of these are 1) connected to Aaravos and subsequently star magic, and 2) dark magic which loops right back around to Aaravos

There are multiple times that images and ideas are relayed to characters who would have no way of knowing these things in the present

For example, Viren is surprised and asks Kpp'Ar about his arm, even when we know that Viren was the last person to see Kpp'Ar before he got coined, and presumably would've already been hurt / Viren would've been aware it had happened. But that doesn't seem to be the case given the dialogue

This also means that the answer Kpp'Ar gives either has to be not truthful and purely something Viren concocted (about something he didn't know had happened), which wouldn't make sense from a character or an audience standpoint, because in an episode titled "Old Wounds" we're going to remember the one visible wound we see on screen. So if the wounds are real and Kpp'Ar is truthful, there's some wonky magic knowledge time space stuff going on (which does sound like Star and adjacent dark magic to me)

We see this again with Janai's dreams concerning Khessa evolving past the point of a reoccurring nightmare to one that actually gives her, again, what we're supposed to assume is the Truth, even though Janai was leagues away from Aaravos (although she did hear his voice) and the lack of discerning his whisper wouldn't suddenly go away for no reason

And we Know there's some overlap between the dark magic dreams and the current reality happening outside the dreams, considering Viren's material reality in 5x02-5x03 directly informs his dreaming reality ("You keep moving" -> "We have to keep moving" as one example)

Most notably with the flower, Claudia begins discarding it in the dream before she drops it in real life, with Claudia receiving the flower in real life before it appears with her in the dream. So the interplay is not consistent moving in one direction solely to the other, but very much does exist

We even see this noticeably (upon rewatches) with Callum's dark magic dreams featuring foreshadowing for future seasons. Not only does having the Key represent dark magic in the dream make extra sense because it is connected to Aaravos, who is also connected to dark magic of course, it likewise has the Ocean rune on display in particular, hinting at things that haven't yet come to pass, but things that very much will

Why does this matter? Well... when Harrow does show up in Callum's dark magic dream, he is notably chained down

Or, y'know, caged like a bird

Now, this could just be because TDP likes its poignant but hella on the nose symbolism on a regular basis. It likes to use a variety of symbols concerning freedom, with a multitude of metaphors just in this episode alone: navigating a storm and steering a ship; keys and chains; the key; and verbally, books to go along with the idea of fate and destiny being "written" or being rewritten by yourself. And I'm willing to bet that that's Most of it

But also... the Claudia with the flower, Kpp'Ar with his arm, the cube with the Ocean rune, and all that stuff... alongside how blithering little we know about Star magic at the present. Hopefully "Dreamer's Nightmare," which focuses the princes and a town beset by horrible nightmares pre-series and set to come out early August 2024, could give some answers if S6 hasn't dropped by then

Regardless leads me to my second thing regarding what actually happened in that goddamn kindly bedroom between Harrow and Viren (innuendo half intended)

I think Harrow's soul got split

The main reason this makes sense to me is twofold on a plot level and then there's 1-2 things thematically, but let's talk about the most concrete stuff first

1) There is a significant chunk of time between the last possible chance Viren could've done the spell and when we see the binding actually fall

Now to be fair, there's a delay between Runaan's binding falling off and Rayla's (because story constraints) but it's worth noting that as Runaan makes his way to the balcony, only then does it begin to loosen. He's left the room and (rightly) assumed his job is done probably because he knew he was growing weak and still needed to send the arrow, but it's clearly something that gave Harrow a bit of time to like, Live. If Harrow had fully died earlier than that in some capacity, the bindings would have fallen off ahead of time, so Runaan did something and we know (thanks to the Flowers) that Moonshadow elves can enchant objects tied to souls, not bodies, even if other people can be fooled by their appearances

So although the novelization and the show indicate that Viren did something shady as hell ("If Viren wanted to defy his former friend one last time, he'd have to do it tonight"), it isn't something that could've fully killed Harrow at that time

Hence the split. As Kradogsrats pointed out, the Soulfang serpent spell is something that due to the unique nature of the specimen as well as it's not exactly something you can practice (S4 even emphasizes how specific ingredients have to be sometimes in order for a spell to work correctly as well as multiple TDP short stories showing what can go wrong if you lose concentration) it was something that could've gone so wrong so easily.

Some of his soul had to have stayed in his body (but possibly left Harrow momentarily unconscious). Maybe Viren thought he had failed and killed him, and that would explain why he does nothing in the hallway while the assassins are attacking (he seems to kind of know but not fully get what Runaan's binding means in 1x08), although he does seem to have a hint of reservation about Callum being there in the hallway, which wouldn't make sense if he was sure that Harrow was dead, because then who was gonna give a shit that Callum was there?

Another part of his soul could've gone in the bird, as the Soulfang was in the room and so was Pip (quite prominently displayed). Viren at least attempting the spell and it being partially successful would explain why dream!Harrow imprisons him further (after all, why not let it be Kpp'Ar, who literally got coined?) in addition to Pip. Harrow has Runaan's arrow in him during the imprisonment scene as well, so it seems likely that both Viren and Runaan had an equal hand in ruining Harrow's body on that level

The main reason I can see there being at least a partial piece of Harrow's soul in Pip is well

2) Runaan and Ezran

Even if we disregard the thematic irony of Harrow being trapped in the physical symbol of freedom (a bird), there is the fact that Ezran being able to talk to animals is like... the biggest tell that something is coming around with this goddamn bird.

Like Ezran's ability to talk to animals thus far has not had a lot of plot relevance, okay, outside of season one. Like him with Ava and the spider is the last time it's directly core relevant in ways that would be hard to get around. Like his bond with Zym could exist regardless as well as seeing through his eyes. Even if being able to talk to animals absolutely helped set that up, it's not necessary for Ezran to have the communication ability per se to have what he has with Zym, and thus far even as more animals have been introduced (most notably Stella) it hasn't really come into play.

The main reason to give Ezran an ability like this is so that he can talk to Pip. The main reason to remove Pip from the castle as of S2 is because - even in the original plans where Ezran didn't go home in 2x09, he would still would have off screen after S3 and inevitably run into Pip. So there's clearly something with the bird that will become evident upon him interacting with Ezran, hence why they've been separated.

At the same time, I don't think Harrow can wholly be in the bird just because that removes some of Runaan's teeth (and Ezran's subsequent potential beef with him) in ways the show just... doesn't do? I always think about how easy it would've been for Harrow to have no knowledge of what Viren had done with the egg/Zym until it was already over (which 1x02 kinda indicates) only for 3x06 to go "No, Harrow was fully conscious and complicit, even if he had reservations and it wasn't his idea." Our mistakes indeed. So I don't think it'd make sense to let Runaan completely off the hook, especially when we just spent two seasons giving Viren an atonement arc and showing that he can grow and change (and it'll be Runaan's turn afterwards -- especially because within the narrative of the show, killing Harrow is the Only Tangibly Bad thing he's really done, so if he's absolved of that than he doesn't really have a point of being here to the same degree).

Continent Split in Two

If Harrow's soul was split in two, not only would reconciling that (aka maybe letting it Leave Pip, the way the Moonshadow troupe and Sarai's breath had to be released) be a way for the boys, particularly Ezran, to get another shot at processing their father's death... It would also reflect the divide of Xadia itself because of dark magic, and how that literal rift metaphorically, magically, and literally, is being healed and mended over.

It would also have an interesting parallel of Claudia (presumably whether Viren lives past s5 or not) having to likewise learn to let her father go and cope/grieve in a healthier manner, and it would mean that Harrow never comes back fully formed (because Ezran has to keep being King, narratively / arc wise) but we finally understand what truly happened to him.

[writtenonreceipts]

Imagine an AU where Lily dies but James lives. Snape will be a dead man once James learns he technically was responsible for leaving him a widow and Harry without a mother

*sobs in jily* but for real.

I would devour feral James, ngl. I reblogged a post yesterday about that James/Percy Jackson coding or whatever it was...and you know James would seek revenge for Lily. BUT the thing about that being...it's James. And from what/how I interpret his character...he would go a little insane (ie sirius and remus reeling him in). But he would be so meticulous in his planning of revenge. Like full on Count of Monte Cristo revenge in place. I think, for all his immaturities that we saw demonstrated, Jame was a lot of growth and knowledge and deviance. Like, bro is an animagus, helped create an enchanted map, joined the order--we've seen his brains at work and for me, he'd definitely set a revenge plot of the century.

I feel like someone's done this plot before, fic wise?? If so, link me the story and I'll read/share! pretty please :)

Now, if I were more mentally stable and able to actually...y'know write... i've got ideas

so if we got the monte cristo route: james'll hide away and vanish without a trace to mourn and raise his son and keep him safe all while developing a plan, pooling his resources for what to do

and you know that sirius is with him, screw the pureblood patriarchy etcetc. Remus, now canonically it's been discussed they were on the outs/not as trustworthy of him for interesting and valid reasons that would be explored for plot (there's a meta post about this somewhere), but I think if Lily were to die, Remus would lend a hand in any way he could. And it may be in secret so that not even James or Sirius knows what work Remus is doing behind the scenes in gather intell until the end

(Admittedly, I am a slight peter apologist, I think his character/the archetype/trope/theme is really interesting and I'd like to explore it more) For the sake of this story, there does still need to be a traitor, and Peter inadvertently causes that. Or knowingly causes it...plot would tell.

And then severus knows theres something/someone after him. Dark alley's trailing voices--Does Voldemort suspect something?

He gets to Hogwarts for protection

Years pass and boom bam there's a change up at the ministry and who is this up and coming man that no one knows much about? It's James Potter but with a new and secret cool name so he can screw with Severus.

*insert political plot I can't articulate rn that mirrors Kelsier's plan in mistborn*

Snape dies.

(that last point is all that matters)

end

[cuprohastes]

Dave The Human vs. Religion

The question of religion had come up, as it does.

Dave The Human, female Tsin muttered something at a high pitch at her tablet and Dave the human, formerly Dave the Atrix, formerly also Dave the Human performed some epic side-eye.

Gondy was filling in for the Atrix member of the group, still slightly scarred from having her helmet smacked hard enough to split during the recent disintegration of the station due to Von Neumann's Space squid.

Raxy, her Little Guy was stuffing his face in a way that you don't normally see on an Atrix that size. This suggested to the Daves that the Little Guy was shortly going to be upskilling, getting certified and getting referred to as female...

Given Atrix really just looked at the whole gender thing and opted out, and the whole male/female thing was labelling for other people's benefit, the Daves formed an unspoken and instant agreement that helping Raxy bulk up was their new hobby.

For two people from radically different biologies and cultures, the Daves were staggeringly similar as though some cosmic author had created them with the same voice.

Tsin Dave waggled the tablet. "Homeworld want to make sure everyone's complying with off-world best practices. They want to ensure that we're... ugh: 'Maintaining tradition in line with oof-world guidance'" she grumped.

"First I'm a heretic and a sky-demon and now they want to make sure I'm the right sort and not making you lot think less of us with my wicked deviant ways."

Gondy paused, as did Rax.

"graaaaak?" Rax said, around one of the mysterious and never explained purple bread rolls.

Meta-note about the purple bread rolls: They're actually Ube potato bread rolls. They're steamed in the Caffeteria. The food services are very aware that everyone who encounters them assumes they're a food from some other species culture. It's the little things that make the day to day fun.

"You never heard about that?" Dave The human said. "Oh well hum..."

Dave the Human gave his buddy full points on her mastery of colloquialism and settled in.

"So there's this legend that many years ago the People - 's us - had an idyllic land, and the concept of evil was unknown. Then one day, Sky Demons, jealous of our ways and our purity of soul absolutely pounded the knekp out of the place and only those of us in the Great Underground Halls, who were devout enough survived. And since that day, to leave the ground is to attract the attention of the Sky Demons."

Gondy raised a claw.

"Boats are OK. Water is theologically still ground."

Gondy put her claw down.

Dave the human said, "That sounds like..."

Dave The Human answered, "Nope, it was Orbital Bombardment. Nation-on nation. The shelters were built because it was a strong possibility that things would get all... ker-blammy."

"Yeesh!"

"Yeah. And the religious angle kind of got shuffled in as this agreement that when everyone got out, nobody wanted to be dancing around pointing claws at other countries and trying to blame them, while it was everyone's fault. Can't really blame them but for a thousand odd years that was the official line."

Gondy said "Wow! I never knew that!"

Dave The Human nodded. "Yeah yeah, it's been pretty common knowledge for a century or so, but still, when we got back into space after the Wallandernoooks showed up to trade, it was a major, major problem and uh well, leaving the Homeworld means you're a Heretic and in league with the Sky Demons according to the Dogma soooo..."

"Huh. And that means...?"

"Not much. Kind of lightly excommunicated. Not really welcome back home where things are a little more traditional. But y'know. No biggie. We're all colonists out here anyway, and we still get Homeworld support. It's just we also have to get audited that we're not giving Homeworld a bad name." She paused and took a long drink of mekp. "Aaaaand this time they want to know if we have a shrine to show you filthy heathens that we're still the number one proper pious type heretical sky demons. F.M.L."

Gondy, Rax and Dave pondered this.

"Gondy... what do Atrix believe in?" Asked Dave the Human.

"Graaak."

"Yeah, Rax, I guess 'some places are lucky' covers it. You know.... good moss, cool rocks, just got a good vibe. The sort of place you can drop a bunch of... what do you call them? Possums."

Dave the Human choked on his water. "Possums?!"

"Grak." Commented Rax and Gondy pulled her tablet out and poked. "Yeah... human smalls." She said, holding up a picture of a possum mis-labelled as an infant human.

"Huh. You guys are adorable when you're young" cooed Dave The Human, who Dave previously rated as about as maternal as a meat grinder.

Dave let it go for now, suspecting this would yield hilarious dividends at some future time, and turned back to Dave the Tsin.

"Ok, this is shaping up to be another wacky hi-jink. What's the gig?

"Gotta build a shrine."

"Any shrine?"

"Pretty much. It's got to be location appropriate. Y'know. The god of the place. To show we're uh... friendly to the local divinities? On theological good terms?"

"OK but... we're all godless atheists, apart form the ones who aren't. Who are you going to build a shrine to?

"Yeah that's kind of it. I mean I don't want to be the grit under anyone's scales..."

"Ohhhh," said Gondy, "Oh oh! Rax, call Garf! I have an idea..."

Several weeks later, the Tsin named Walks-between-Waves arrived as part of the Tsin welfare and general ambassadorial circuit.

O'Patel and Big Ma performed the proper greetings and paperwork, and Dave presented herself.

Walks-Between-Waves ("Just call me Waves") walked up and declaimed, "Heretic, and blasphemer. You bones will never lie with the ancestors, and your meat will rot. You and the demons you dwell with are denied! Cast out as the foul beasts you are. How are you doing? Well I hope?"

Dave bowed, small hands together, big ones outstretched.

"Oh yeah. They're all very nice here." She said. "Did they change the words of the castigation?"

"Oh, no, but some of it needed translating for human language a little," Waves said and added, "such a fun language! Quite the fad back home. And since you're hmm, officially human, I couldn't resist. Now, I believe you have something to show?"

O'Patel looked bemused and said sotto voce to Big Ma, "I think this is going to go well!"

Dave led Waves to the common area where, true enough, there was a shrine. It was made of old pieces of the station recovered from it's partial disassembly. 3D printed and painted panels along the sides showed Tsin, Atrix and Humans, helping each other climb up the sides, to the top of the shrine where someone had creatively frosted some glass and lit it with shifting lights to suggest something exciting and pleasant waited. The thing dripped with moss and a small water feature played down from the back into a shallow bowl of stones.

"Ah!" Said Waves. "Very impressive. Going for extra credit?"

"No..." said Dave. "It's a group effort. Once we started, everyone wanted to help. Especially after we found a small god for the Station that everyone liked... Their name is Arepo."

[phoenixcatch7]

Y'know what my knowledge of bayonetta may be limited to badass witch lady but I'd still like to hear about your Third Eye crossover thingy

Omg what a thing to wake up to thank you so much :D!!!

To quickly summarise, Bayonetta is an unhinged fast paced fighting game (trilogy) about an immortal witch with demon summoning gun wielding powers, who hunts angels for their halos to earn money and feed the demon contracts so they don't eat her instead. It's incredibly campy and shameless, but behind the scenes it's got some seriously well researched lore and a wealth of world building that drew me to writing for it. It's visually gorgeous and amazingly cohesive.

So what started it all was a meme going around the smash bros community a few years ago when joker and bayonetta joined, about how she was joker's mother. And I, having played both games (but not smash, ironically), was instantly hooked. I really wanted to see a story exploring that, but there was only a handful of fics or comics that, while good, weren't what I was looking for.

So I started writing my own. It's a story about joker (I'm using the name Akira for him) being the blood son of bayonetta, and his life being raised by her and fellow witch Jeanne, who in this fic is living with them and co-parenting hehe. It's following him through his trials and tribulations of being the son of the last witch (they were all killed off in a very violent war with their counterparts the sages), his own training to be a witch via time travel (it's a whole thing) and - in the second half - the circumstances around being forced to leave his small circle of protection and being pulled under government scrutiny after saving shidos victim, where any wrong move risks exposing the last dregs of the supernatural to people who would want to ruin everything.

I'm purposely keeping it unclear how Akira was conceived/born, or who the other parent is (if there even is one), because it's not really relevant and I like the mystery! It's also unclear if Jeanne and bayonetta are in a steamy relationship or just doing a besties cohabitation thing for the sake of the kid, but again it's on purpose ;). And lets me avoid writing romance LMAO.

Unsurprisingly, it's the world building that's really making me struggle, but the general gist is that the afterlife is VERY convoluted.

So, in p5 you've got the meta verse and the sea of souls, which is where persona come from. Persona, who are mythological, literary or historical figures. You can summon persona and kill them to make weapons and accessories. Though you don't lose your persona upon entering reality again, it can't manifest.

In bayonetta, there's three planes of reality. You've got the obvious paradiso and inferno, and then purgatorio, a second layer of earth's reality where the games all primarily take place, where living things become faint shadows oblivious to your chaos - though they will freak out when you blow up their car! Angels and demons alike can be summoned to this plane, (though they often show up regardless lol), being sometimes mythological, literary or historical figures but usually just generic mob enemies (hey, just like persona!). Certain enemies can be taken to a guy to be killed and turned into weapons and accessories. There's a lot of similarity!

So, in Third Eye, the sea of souls that living humans cannot reach is referring to the three planes of reality, where angels, demons and human souls can be pulled into the meta verse to become persona. Awakening a 2nd tier persona is an evolution of the user's soul, strengthening it and making the magics easier. It's a third equivalent to the witch/sages, which is going to be VERY relevant in the second phase.

Also, in the second game, spoilers, there's a blue kid called loki who uses tarot cards to fight, who ends up being the amnesiac god of free will trying to save humanity from his evil counterpart loptr who wants to take control of humanity and remake the world in his image, and eventually he sacrificed his life to do so, with a promise to one day be reincarnated.

So that's where philemon was while Igor was taking over his velvet room :D.

Thank you so much for asking ^u^! If you're curious about more I'd be delighted to talk about it, especially the details of jokers altered persona ;)...