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pastorfutureletthembe · 1 day ago

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Checkmate ♚

Apparently a temporary AR (Otome) game is coming soon and the artwork for it is just breathtaking! It is also full of details I want to explore OF COURSE. My brain is doing tetris things again, oops.

Looking for a senseless meta about chess pieces? You're in the right place, come on in~

>> Chess Theme

White vs Black

The first topic is obviously the chess theme. Of course, this part is to be taken with a grain of salt since the pieces aren't correctly disposed on the board. However, the characters themselves are walking on their respective squares except for Vein (because he's all powerful and he's above your stupid rules. Probably). Notably, Liu Xiao himself seems to be leaving a white square. And if there is any meaning to it, I'd like to believe it makes a gray character out of him.

Now, what can we say about the chess pieces themselves?

White: rook, pawn, knight

Black: rook, mystery piece, king

Each character is paired with a chess piece.

The most reassuring clue to me is that a white piece has been given to Xia Fei. Which, there is a fat chance this makes an ally out of him. He might be only a Pawn ♙ for now. For those who are not familiar with chess, a Pawn can only move ahead, never back, one square at a time. It has some cool move too but it depends on the game you want to play. If the path is open, a Pawn can reach the other side of the board, turning it into a Queen ♕. If a Pawn can only move ahead in small range, a Queen literally rules over the whole board. She's quick, vicious and dangerous once she has enough space to move as she pleases. Of course, he can also be a mere Pawn, a tool to manipulate Lu Guang and Cheng Xiaoshi.

Cheng Xiaoshi and Vein both getting paired with a ♖ Rook ♜ could mean they use the same kind of power or are equivalent in some ways. Rooks have a large range, can move horizontally and vertically, ahead or back. They are better used when paired with other pieces, though, cause a lonely Rook ♖ is an easy pray. I think the main focus here is the similarity more than the piece itself. Lu Guang seems to be the one being punished and haunted, but Vein probably offered his power to Cheng Xiaoshi (or Lu Guang, according to the last Yingdu Chapter PV). My personal theory is that Vein mirrors or shadows Cheng Xiaoshi's shape because he is the source of his power. Vein's position, if there is any relevance to it, keeps Lu Guang's Knight ♘ from moving at the center, his natural and most efficient position.

Toppled King

Liu Xiao has two pieces by his side, a King ♔ and a mystery piece. The merch revealed the later to be a Bishop ♝.

Note that only amateurs tend to topple the King. It is regarded as some kind of pop culture-only approach to chess. Because of this, let's take a look a what an actual checkmate is (where we don't get to step on the vainquished).

Checkmate is any game position in chess in which a player's king is threatened with capture and there is no possible escape. In chess, the king is never actually captured. Checkmating the opponent wins the game. The player loses as soon as their king is checkmated. In formal games, it is usually considered good etiquette to resign an inevitably lost game before being checkmated. (cf. wikipedia)

If Vein, the current character we might recognize as the ultimate villain of the season, is only a Rook ♜, equivalent to Cheng Xiaoshi, who does the King ♔ represent? My personal opinion is Time, Fate itself. The song "Mastermind" supports this theory, and Lu Guang himself really is defying the natural order to save Cheng Xiaoshi, after all. It would make perfect sense. Stopping the clocks at a tournament is the sign of surrender. So basically, the game is over when one gives up and stops when the King has nowhere to go.

The character of Liu Xiao is given a lot of care in this specific artwork. He actually always stood out, since his very first appearance in the season 2 artworks, walking past Lu Guang and Cheng Xiaoshi's portray, looking away from us. Here, again, he's not interested in the audience, focuses on the photograph of what fans reckon as Lu Guang from "Dive Back in Time".

The truth is, he's playing the long game, he has no time to spare, and he regards people as puppets. There has been theories about him having a hidden agenda, independently of Vein, using/working with Li Tianchen and Li Tianxi for his plan. His intervention in "Trial Train" speaks volume of his strategic mind, "they wanted to escape but didn't realize I blocked the exit a long time ago". Also, one hundred years wouldn't be enough to escape.

This merciless sharpness makes the Bishop perfect for Liu Xiao. Funny story, the Bishop ♝ is not actually a priest, but it represents a war elephant. Historically, the war elephant's main use was to charge the enemy, break their ranks, and instill terror and fear. That's fitting.

Another possibility regarding the toppled King could be that it refers to Liu Xiao's background. The fallen piece could be a resolved situation but the motivation behind Liu Xiao's intent to manipulate the timelines. Perhaps he played this game before and lost. Does Lu Guang know him or is Liu Xiao a mere stalker? Did they play this same game together or against each other?

There's a lot that can be speculated but it is hard to say what these pieces represent for now. As I said before, this read is based on popular imagery of what chess is, not on the actual strategy on the board itself. Secondly, these three new characters we have yet to meet, they don't have a defined role in the canon, not until Yingdu Chapter finally aires.

>> Tokens

Each character is giving a object. I guess it might be relevant to the type of gameplay the AR game will offer but for the sake of this meta, we're still gonna try to understand why those in particular.

Cheng Xiaoshi has a camera. I don't think it deserve further analysis, his powers exist through the lens after all.

Xia Fei has a clock. Guess the time? 10:10. For those unaware, it is a very recurrent time. Put the promotional poster aside, I recommend you pay attention to the time on the clock in the Studio, above Lu Guang's head, right before the gang gets a ominous call from Xu Shanshan's phone at the end of 1x09. If it should mean anything about Xia Fei himself: I won't say it enough but, really: DO NOT TRUST HIM. Or, you know, perhaps he's doomed: it is worth mentioning that except for Xia Fei's Pawn ♙, each character is affiliated to a piece which can move forward and backward on the board.

Liu Xiao has a gear. I find this one intriguing because, so far, this object has belonged to Cheng Xiaoshi's imagery (cf. "BREAK!"). For someone on an ambitious project such as controlling timelines, he is giving a small tool that cannot be used on its own, is part of a machine. Could be relevant to the way he does things, never getting his own hands dirty, working through others. Or it could be that he's himself just another player, played by fate. Or perhaps, he has the missing piece that Lu Guang needs to save Cheng Xiaoshi, who knows?

Vein is already using his own item: the pipe. He's the only one owning his object and aware of it.

>> The Case Study of Lu Guang

Because of course, our favorite character is actually the shadiest of all, I will dedicate a whole section about him specifically. Why do I insist on calling Lu Guang shady? We know and we see his chess piece is white. But you have to take a closer look to make out the White Knight ♘. The value of a Knight ♘ is equivalent to the Bishop's ♝. But ultimately, it worth less than Cheng Xiaoshi's Rook ♖.

L shaped path

Moving only in an 'L' shaped path, knights ♘ are the most effective from the centre of the board. This is because they get a broader reach in all directions from the central part of the board.

Now, this is very important. Why should it be a mystery that Lu Guang's piece is a knight? What is a knight ♘? The answer resides in the mechanism of his maneuver.

Part of the idea of the knight maneuver is to flank. And since the Knight is not a horse but a man on a horse, the odd maneuver reflects the knight's ability to guide the horse he's riding (to an extent). In other words, since the Knight comprises two entities (the man riding the horse), the move should sensibly consist of two parts as well, to reflect the added agility of the athletic horse. Conversely, the Knight has access to a maximum of eight squares (as opposed to the "equal" Bishop's maximum of 13) because the horse is still an animal with a mind of its own.

Note that if you place a Knight ♘ somewhere on the margins, its efficacy will diminish exponentially. Additionally, if he only moved two squares, straight or diagonally, the Knight ♘ would always be restricted to the color squares that he started the game on.

Lu Guang being the Knight ♘ doesn't only means that he moves unconventionally. It is reflective of his duality. Perhaps, the fact he's using his power and Cheng Xiaoshi's. There is another aspect of him we could address here:

Burning Palace

youtube

For one thing, "BURNING PALACE" brings back the theme of strategy board game with the checkers this time (you see black pieces falling). It also settles the Four Heads from playing cards. The fact they bothered to mention it implies a fourth character.

Xia Fei: ♠

Liu Xiao: ♣

Vein: ♦

The fourth color ♥ is missing and I'm secretly convinced that it's Lu Guang's color.

Enygmatic Tokens

The portray behind Lu Guang is Lu Guang himself, from "Overthink". This image appears in the first bridge, when the lyrics goes "how did my sight got stolen once more?", superposing Lu Guang's face with mysterious shapes, erasing his eyes/power. This particular line comes to confirm what we already know: Yingdu Chapter isn't a resolution, let alone a happy ending, but a repeat of a tragic event in an unchangeable node. The end is the same, once again. Lu Guang's hope and happy ending has been stolen once more. And stolen also implied that there is an intent behind this failure. A portray is still a photograph though, and it can be used to dive back in time.

What is the most curious to me is the familiar eagle on Lu Guang's chest. Eagles belongs to Cheng Xiaoshi's imagery so why does Lu Guang is wearing them here?

An interesting take would be that Yingdu Chapter isn't actually from Lu Guang's perspective, but from Cheng Xiaoshi's, diving in a picture taken by Lu Guang. This would be some kind of plot twist and would definetely makes the big reveal easier but not less painful.

I'll probably make a whole meta about this symbol at some point but in the meantime, I'll let you know the eagle is associated with strength, power, wisdom, and freedom. The eagle's ability to soar high in the sky was believed to be a symbol of divine protection and spiritual guidance. Additionally, eagles are tied to the sun. Some people see them as signs of a bright future on the horizon. As a symbol of light, they embody both the intensity and heat of the sun as a fearsome force of nature and the warmth and benevolence of the heavens.

This positive symbolisms are deeply rooted in Cheng Xiaoshi's nature, but if Yingdu Chapter actually brings us back to one earlier repeat, we can assume that Lu Guang had a brighter outlook on his mission.

The glasses are back and I'll say it again: once is weird, twice is a coincidence and thrice it's a pattern. The portray shows Lu Guang without eyes but his item is a pair of glasses. Might be a subtile hint of denial there. As far as glasses go, pink is a peculiar color. It helps to 'voir la vie en rose', as the french say: "look at the world through rose-coloured glasses." Meaning, being delusional.

Might it be the eagle of the glasses, I'd say they're both representative of Lu Guang's state of mind at the time: hopeful.

Edit: I recommend you take a look to these threads regarding this very same artwork: | X | X | X | I don't agree with everything but it's always cool to have other perspectives.

#link click #shiguang dailiren #时��代理人 #lu guang #cheng xiaoshi #meta #liu xiao #xia fei #vein #yingdu chapter

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