#mega man chaos also has “what happens if a world gets memed while Already having meme ocs in it” thanks to crocker's antics

[duckapus]

So I got the idea that the second batch of MRU universes (the batch that Mega Man Chaos is part of) is going to have all four of them be experimental in some way.

For Mega Man Chaos we obviously have the deliberate split-anchor setup. Though, it's not going to be a 50/50 split like the incidental split Avatars were. Instead each is going to be specifically written with 80% of the code, obviously with an overlap in the extra 30%, because according to the Grid's projections it will theoretically make their universe more stable than average rather than the slight decrease that Cole, Sally and the Arles had to deal with and they want to test that.

Then the second one is Splatoon 3 to see what, if any, effects a fully customizable character becoming the Anchor will have. Yes this will end up bringing in slightly modified versions of my Agent OCs from my Squid Memes AU (basically their names, personalities and designs are the same but I have to remove anything directly tying them to the SMG4 universe).

The third will actually be Super Mario 64, because they want to see how the same game will develop differently as a meme cycle server under different circumstances.

And I still haven't figured out the fourth.

[captain-aralias]

8, 15, 17, 28 for the writer meme, if you didn’t already get any of those

8. Share a snippet from one of your favorite dialogue scenes you’ve written and explain why you’re proud of it.

i just answered this, but since it’s you, i’ll go for some blake ;) hm.... 

i must say, i think i have written some pretty great dialogue for blake’s 7 in my time. here’s one of my favourite bits - 

“It’s a quality operation,” Vila said. “They wouldn’t skimp on a thing like that. You want a boyfriend, Blake – and I want to go to Del Ten. Give me your promise that we can spend a week there once we find Docholli and I’m your man.”

“Vila, once we’ve found Docholli, we will have the key to finding Star One,” Blake pointed out.

“Are there any dancing girls on Star One?”

“I very much doubt it.”

“Then I’d still rather go to Del Ten,” Vila said.

“Couldn’t you wait?” Blake suggested. “Until after we blow up Star One?”

“After you blow up the Federation’s weather control systems, you mean?” Vila said. “And throw the civilised world into chaos? Right, I’m sure that would be a lovely time to take a holiday. Got any more suggestions like that, Blake? Perhaps I should invest in the stock market at the same time.”

“Two days,” Blake said. “I could give you two days on Del Ten.”

“A week!” Vila repeated.

Blake shut his eyes, and pinched the bridge of his nose between his thumb and forefinger. He willed himself to find the strength to complete this conversation and make the right choices.

“Oh, Blake,” Vila said kindly. “You really need this, don’t you?”

Blake felt a hand rest on his shoulder and looked up into Vila’s sympathetic eyes. “Yes,” he said with relief. “I’m sorry, Vila. I don’t want to put you in this position. But I really do need this.”

“You’re going to have to give in then,” Vila told him in the same kindly tone as before. “Unless,” he said, a twinkle in his eye, “that is, you want to ask Avon to be your boyfriend...”

i could have quoted this entire scene - even this is a lot. i love writing blake and avon, i love writing avon and vila, but i really really love writing blake and vila together because there are some lovely moments in canon to draw on. they’re two characters who have very little in common except that they’re both smart. this conversation is about how blake - who almost always gets his own way - now needs something he can’t just demand that vila does, and that gives vila the upper hand repeatedly throughout this conversation. blake, even though he knows this is an awkward conversation and really should be better prepared. 

i also like the different lengths of the dialogue - it has a good patter. 

it’s also funny, and funny because it’s cruel to someone (in this case blake, not usually), which is very blake’s 7. also also - it ends with vila insinuating what is essentially the plot - i.e. that avon will have to pretend to be blake’s boyfriend by the end of the story - and this is a trick that i always enjoy for a section end. the audience is like - oh ho, wouldn’t that be simply TERRIBLE? ;) ;) 

good times.

--

15. If you could choose one of your fics to be filmed, which would you choose?

hm - not sure. maybe right now ... ‘Hang the Moon’? it’s got a lot of good action that would translate well to film, and i have a very clear idea of how most of the scenes look.

it would be kind of weird, though, right to have a film of a ‘carry on’ fanfic before we have a ‘carry on’ film. so i’m finding it quite hard to visualise. 

i would have loved to have written some dialogue for blake’s 7 people to actually say (assuming they remembered how to do the voices properly, paul darrow). i would be so embarrassed to present paul darrow with my porn, though (although ‘An Apple Cleft in Two’ would be so great, though, as it’s practically a bodyswap - i love the idea of seeing the real stephen pacey pretending to be blake, and paul darrow just being so angry), so it would have to be some sort of gen. 

ok - i think i choose ‘Showdown’ because it basically is ‘Duel’, so I know the Beeb could have staged it. it’s got some mega emotion that gareth would have done beautifully, too - 

Blake extracted his hand slowly from Avon’s. He pressed his fingers against Avon’s wrist and waited, but there was no pulse. He let the hand drop and tried the artery in Avon’s neck, but he knew he was just prolonging the inevitable. Avon was dead.

He forced himself to look back at the man who had been his friend.

Avon looked peaceful. The blood spattered on his face was not his – it was Travis’s and had fallen from Blake’s cheeks like tears. Blake screwed his eyes shut again in an attempt to stop it, and in the darkness Sinofar’s voice said,

“So – the battle is over.”

--

17. Do you write your story from start to finish, or do you write the scenes out of order?

i almost always write in order. when i think of a scene that is in the future, i will usually write some notes about it, but try not to write it because i very much build on (in my head? i dont know how much comes through in what gets written) what i wrote before in terms of how people think and feel/i do a lot of dialogue call-backs. 

there are a few occasions where i go ahead and write something that happens later, but then i feel like i really screw myself when i try and go back and write the missing piece. i have to re-write everything i wrote previously to make it make sense... ‘Greener Grass’ actually is an example where i didn’t write out of order on purpose, but i thought i’d start with simon’s section which introduces all the bodyswap stuff fine, but it was too heavy with the bodyswap plot AND the introduction of the agatha-isn’t-here/get simon’s magic back stuff. there was just too much going on.

so then i had to write an intro section for baz, which i thin is good - it frames the story as baz’s story, which i know is what rainbow would want, and gives us calm before the storm ... as well as giving me an opportunity to write the exposition i needed. 

but i had to go back an edit the next section a LOT to make room for it. which i hated. 

28. Share three of your favorite fic writers and why you like them so much.

i’ll do two batches. 

blake’s 7: 

x_los is my girlfriend, but i knew her first as an amazing writer. i wouldn’t have written half the things i did for b7 if she hadn’t started writing these epic, involved political stories, and she writes great porn. i really am not interested in david copperfield/uriah heep, but she thinks baz is a cat killer who does not deserve the time of day, so there you go. we’re in different fandoms now. 

elviaprose is not only a great writer (the foot fettish fic is incredible, given that neither she nor i have a foot fettish as far as i know), she’s also really engaged with other people’s writing and i love that. it’s really good fun. 

judith proctor  - i wanted to put in a second generation fan, and i was tempted to go for willa shakespeare (so good, so plotty, so porny) or nova (such pain!), but i have to go for judith. judith taught us all how incredible blake is. her love for this character, and the way that she always writes him as smart but flawed, and attractive to avon because he is smart and principled, rather than for any other reason, is fundamental to any of us reclaiming him for the future. (it’s probably not a surprise that the authors i like really influence me as a writer, but worth calling it out - i am very much saying that as well). Touching Life! so good.

carry on:

we have some amazing writers, thank you fandom <3 three of my very very predictable favourites (the same three, i think, who wrote my favourite fics of last year) are: 

@basic-banshee - what can i say? (insert long pause while i think of what to say.) i mean, we all know Ban is a great writer. it’s a pleasure when the most popular writer in the fandom is also a genius. i love all her secondary characters and that she spends so much time with them. she writes the way i want to - lots of good tropey stuff, great fun AUs, and plotty plotty good plot stuff. also - she always writes the most perfect endings that just make you feel GOOD. 

@sharkmartini - i think we share a lot of the same ideas about what we like in fics i.e. we like the same tropes, we like that baz is a vampire, we think the same things are hot and romantic. i love the way sharkmartini plots this and she always writes great dialogue. also, i do think we owe snowbaz smut to her - maybe it wasn’t the first-first, but ‘Monster Under the Bed’ (which is SO good, honestly still one of my absolute favourite things) seems to have influenced so much of what came after it. 

@krisrix - also an amazing artist, but for me an even better writer. the smut is amazing and sexy while also at the same time being really tender. kris also writes beautiful, long amazing kisses - and again, endings that are so beautiful and tender. also - let us talk about the plotty things! i love writers who mix plot and romance (or even dare i say - smut) because i love to have all the things in one fic. What Stays and What Fades Away is so smart and interesting. and, of course, kris has written my all time most favourite trope - fake relationship.