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#meaning i probably need to use another model's hair physics as well and somehow transfer them on zack's hair too or smth like that maybe
emeraldblonde · 9 days
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I tried to mod something and the good news is, it didn't crash the game. 🥳 The bad news is, not what I was looking for lmao.
Like, don't get me wrong. I've seen way worse (the stuff of nightmares) on a modding channel I've been teaching myself this stuff lately, so. It's not like I completely fucked this thing up or anything like that.
It's just... I still gotta ask though.
What went wrong here?
#personal#my mods#(sort of kjdkd)#i was just lamenting this stuff on a fandom discord channel. saying i'm at my wits' end here and about to quit this shit#i tried following a tutorial on a modding channel and i got the whole thing working for the most part#he's sized correctly. animations seem to work. nothing is stretching apart from hair. the textures are all fucked up now but yeah#but because what i'm trying to do here is a little different than what that tutorial does#(they still keep pointing to that very same tutorial though)#it seems that either i did something wrong. maybe i skipped some important part?#(because one answer claimed if it's a model extracted from the same game it doesn't need to be rigged or weight-painted)#but then that video tutorial also says you need to separate some parts so that nothing's stretching etc.#which is obviously a thing that's happening above. that hair is in fact stretching. A LOT#i'm guessing because cloud and zack have different hair. so they must have different hair physics or something#but then. i also learned on that channel that zack doesn't have his own animations. because he's neither playable/non-playable#because he only appears in this one cutscene towards the end of the game. he has his own model and textures though#so i don't know whether that means he doesn't have his own physics either or...?#meaning i probably need to use another model's hair physics as well and somehow transfer them on zack's hair too or smth like that maybe#i don't know. i'm so confused#like i've put so much effort into this. so many retries already. i'm getting sick of the shaders input part actually lmao#and i'm so close but i'm stuck!#i tried asking for help on a modding channel but because my question didn't get answered in a couple of hours i chickened out and deleted i#and now i'm like i need help. i just don't know what i did wrong 🙈 i need strength and courage
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atamascolily · 4 years
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more CotJ meta, because apparently I cannot be stopped
I don't understand how essence transfer works in Children of the Jedi.  It seems... wildly inconsistent depending on what is narratively convenient at the time.
I don’t know why Callista is able to make the jump from her original body to the Eye of Palpatine’s gunnery computers and then from the computers to Cray’s body without (much) issue, while poor Nichos couldn’t. Maybe it's because Callista had received secret Jedi training from her master that Nichos didn’t have access to? Or because it would interfere with Hambly’s plot to give Callista Cray’s body? 
(I think we all know the answer to this, but I’m gonna go through all the arguments anyway.)
Luke does float the idea of Cray creating a droid-body for Callista to inhabit, which Cray and Callista both reject, but for wildly different reasons.
   “You said Djinn Altis showed you—taught you—to transfer your self, your consciousness, your … your reality—to another object. You’ve done it with this ship, Callista. You’re really here, I know you are …”
   “I am,” she said softly. “There’s enough circuitry, enough size, enough power in the central core. But a thing of metal, a thing programmed and digitalized, isn’t human, and can’t be human, Luke. Not the way I’m human now.”
So Callista’s argument is basically that a giant ship is big enough to contain her spirit, but a droid wouldn't be? How did Exar Kun manage this, then? I mean, granted, he was evil, and had low standards for ethics, but still... I don’t get it.
I get her main point here: she believes she's more "human" as a ghost than she would be as a droid, or with her spirit somehow “translated” as a series of zeros and ones, as Cray was somehow able to do with Nichos. And I can see why she wouldn’t want that kind of existence for herself. But I still don’t get how consciousness works in this novel, and why Callista can’t transfer herself--her real self--into a different object, the way she did before, instead of being “translated” by Cray into a digital copy.
This also begs the question of how much Callista's HUMAN spirit is influenced by thirty years in the computer core, which the novel doesn't address, but fics like Deaka's "Blue Screen" on FFN are fortunately there to fill the gap.
Here’s Cray’s take on Luke’s request to “fix” Callista:
   “To turn her into what Nichos is? To cannibalize parts from the computers, wire together enough memory to digitalize her, so you can have the metal illusion around to remind you what isn’t yours—and can’t be yours? I can do that … if that’s what you want.”
   ...“Not the way you and I are human.” Cray came over to them, her blond hair catching fire glints in the greasy light. “Not the way Nichos was human. I should never have done it, Luke,” she went on. “Never have … tried to go up against what had to be. My motto was always ‘If it doesn’t work, get a bigger hammer.’ Or a smaller chip. Nichos …”
   She shook her head. “He doesn’t remember dying, Luke. He doesn’t remember a switchover of any kind. And as much as I love … Nichos … as much as he loves me … I keep coming back to that. It isn’t Nichos. He isn’t human. He tries to be, and he wants to be, but flesh and bone have a logic of their own, Luke, and machinery just doesn’t think the same way.”
   Her mouth twisted, her dark eyes chill and bitter as the vacuum of space. “If you want me to, I’ll make you something that’ll hold a digitalized version of her memories, her consciousness … But it won’t be the consciousness that’s alive on this vessel. And you’ll know it, and I’ll know it. And that digitalized version will know it, too.”
So Cray rejects it because she doesn’t want Luke to make the same mistake she did: of seeing a replica as the original. And she makes a point of calling herself out on her attachment to Nichos, so much so that she warped and twisted her life to try and hold onto to him when she couldn’t. And she’s telling Luke not to do the same thing with his own life--which he will of course ignore.
I'm used to thinking of identical digital files as interchangeable, but that's not the case here when you're downloading human consciousness. There's also this idea that the droid/digital versions isn't "real," which is also worth chewing on, but a whole 'nother philosophical debate in and of itself.
But Cray's other point is also worth considering: the body we inhabit has qualities of its own that are impossible to deny; they shape our experiences of the world. This is why I'm absolutely floored that nobody ever follows up on Callista's experiences in Cray's body--how she's able to just smoothly take over, and the only issue ("software bug"?) is that she can't access the Force. This is... probably not how it works. I wrote a fic about this, but it only scratched the surface of the story possibilities for dysphoria and "body-as-a-character".  
(I solve this problem of essence transfer in other fics by arguing that it only works smoothly--i.e., with minimal dysphoria and a complete transfer of Force powers--if your spirit jumps to a physical clone of your original body. This explains why clone!Palpatine can access the Force, while Callista can't, because Cray's body 'recognizes' Callista's spirit as foreign to itself and is continually fighting her, so much so that all her Force abilities are tied up in holding her in that body--which is also Force-sensitive.)
Also, re: robot bodies and human consciousness, I’m reminded of a passage in Yeats’ “Sailing to Byzantium” here:
   Once out of nature I shall never take    My bodily form from any natural thing,    But such a form as Grecian goldsmiths make    Of hammered gold and gold enamelling    To keep a drowsy Emperor awake...
"Sailing to Byzantium" is all about what it means to be old in a failing body, right from the opening line--"That is no country for old men". And while it's poetry and there are a lot of ways to interpret, one valid take is that it's about shedding your bodily form to become a robot/artificial construct so you can live forever, and I have a lot of Feels about that in relationship to Star Wars. (Paging Anakin Skywalker!) But I digress.
Going back to CotJ.  an additional problem is that any physical components will be carrying the malvirus of the Will:
   “Thank you, Cray. And don’t think I’m not tempted. I love you, Luke, and I want … I want not to have to leave you, even if it means … being what I am now, forever. Or being what Nichos is now, forever. But we don’t have the choice. We don’t have time. And any components, any computers, you take from this ship, Cray, will have the Will in them as well.
I don’t know why she can’t jump to an object unconnected with the Will--like, say, her lightsaber. Isn’t Exar Kun using a big statue of himself as an anchor? I mean, it’s kinda of impractical compared to being inside a computer, but maybe it could be a temporary thing until Luke is able to build her a ship of her own??
(A lightsaber would be a really good choice as an anchor because of the kyber crystal inside, which Callista may or may not have a working relationship with if you hold them to be sentient or partially sentient beings...? There's fic potential there, that's all I'm saying.)
(As a further aside, in my Star Wars/Portal crossover “Testing Limits,” I postulate that the Will is a GLaDOs-like uploading of a human consciousness into digital form. I still believe that holds true for canon, even though there’s not much supporting evidence other than that the Will is set up as foil to Callista and it adds to the incredibly Gothic atmosphere. Either the Will is human consciousness, or it’s modeled after human consciousness for maximum Uncanny Valley effect because Luke is always describing it as having a presence and malevolent intentions, and Callista is always fighting it.)
So Barbara Hambly spends a lot of time establishing that Cray's body is the only viable (hah!) option for Callista, which will be important later on. But let's get back to Nichos for a minute, and his failure with essence transfer. 
It's weird because at the beginning of CotJ, Cray talks about Nichos transferring his SPIRIT to the droid body using the Force and Ssi-ruuk entechment--which sounds eerily identical to what Callista did thirty years earlier--but they know something's wrong right away when Nichos can't use the Force. Cray's all "I can fix that, it's a technical difficulty!" but Luke knows better. Everyone knows, except for Cray.  
I think THAT is the moment where Luke and Cray should have had a Talk, when it was absolutely clear to everyone that whatever Cray was doing hadn't worked--that she'd succeeded in making a digital copy, and the original Nichos was actually dead.
Instead, Cray buries all her considerable energy into "fixing" Nichos mechanically. She believes with enough research, she can shape the droid Nichos into a human being... which doesn't solve the fundamental problem and misses the point entirely.
He heard her voice, its usual brisk sharpness honed to the brittleness he’d heard in it more and more in the past six months...
“It’s really just a matter of finding a way to quadruple the sensitivity of the chips to achieve a pattern, instead of a linear, generator. ... Hayvlin Vesell of the Technomic Research Foundation spoke in an article of going back to the old xylen-based chips, because of the finer divisibility of information possible. When I return to the Institute—”
“That’s what I’m trying to impress on you, Dr. Mingla—Cray.” Tomla El’s voice was a murmuring concert of woodwinds. “This may not be possible no matter how finely you partition the information. The answer may be that there is no answer. Nichos may simply not be capable of human affect.”
“Oh, I think you’re wrong about that.” She’d gained back the smooth control in her voice. She might have been speaking to a professional colleague about programmatic languages. “Certainly a great deal more work needs to be done before we can dismiss the possibility. I’m told also that in experiments with accelerated learning, at a certain number of multiples of human learning capacity, tremendous breakthroughs can occur. I’ve signed up for another accelerator course, this one in informational patterning dynamics …”
Her voice faded down the corridor. A great deal more work, thought Luke, hurting for her, pressing his hand to his brow. It was Cray’s answer to everything. With sufficient effort, sufficient maneuvering, any problem could be surmounted, no matter what the cost to herself.
And the cost to herself, he knew, had been devastating.
I actually really like Cray's arc in this novel--that she's forced to drop the perfectionism and workaholism she uses to block her considerable pain, and comes to accept the situation as it is, and finds peace in doing so. I just wish this realization didn't culminate in assisted suicide, that's all.
(That said, this scenario gets 100% creepier if you imagine flipping the genders here--if “Dr. Mingla” was a male scientist resurrecting his female lover in a droid body. I wonder if Luke would have intervened sooner in that case, instead of just assuming Cray had everything under control because she was an expert?)
While we're on the subject of "by any means necessary" and "avoiding one's problems": in contrast to Cray, Callista's original decision to transfer her spirit to gunnery computer to watch over it is framed as laudable. But even there, there are hints all is not well:
“It wasn’t … so bad, after a time. Djinn had taught us, had theoretically walked us through, the techniques of projecting the mind into something else, something that would be receptive, to hold the intelligence as well as the consciousness, but he seemed to regard it as cowardly. As being afraid or unwilling to go on to the next step, to cross over to the other side. Once I was in the computer …”
I.e., there's a reason why essence transfer is mostly practiced by the Sith--because it's a kind of clinging to life, or a version of life, rather than embracing what is and moving on...
Also, I don't see anything in this explanation that requires computing capacity, as Callista will claim later, so... *shrugs* I don't know what's happening there. CotJ has this weird relationship between the Force and tech, where Luke can physically manipulate objects with his mind, even though the Force is only generated by "life", but Irek remote-starting the Eye of Palpatine or controlling Artoo-Detoo is seen as "impossible" and novel. And yes, Irek does have special training and tech augments to help him, and I like the implication this is a specialized skill, but...like I said at the beginning, I don't get how this all works except for “narrative convenience” and “authorial fiat”. 
Anyway, CotJ strongly implies that Cray was misguided to cling to Nichos and to pursue "life" for him at all costs, for both Nichos and herself. Yet somehow when Callista does it, it's okay, because Luke loves her... even though Callista herself is way more ambivalent about what she's done, and her acknowledgment that
“Everything has to be paid for... I should have known there would be a risk... I might have guessed there would be a price.”
And I think that's one reason I like Children of the Jedi so much: that there IS a cost, that there ARE consequences, and not even magic space wizardry can fix or solve every problem. I like that Callista pays a price for the ethically dubious act she does--somewhat, but not entirely mitigated by circumstances, and by Cray's eagerness to participate in this (unprecedented?) experiment.
Also, you want more nightmare fuel? I just realized last night we only have Callista's word for what went down on the ship in its last moments--that, and it seems 100% in keeping with Cray's state of mind leading up to this, to the point where Luke was afraid to leave her alone because he was worried she was going to hurt herself. It gets even creepier when you realize Callista's ghost immediately volunteers to sit with Cray after Luke realizes this,  and I can't help but wonder what happened between the two women when Luke isn't around to witness it.
Callista's account at the end makes it sound like Cray realized at the last minute that she wanted to follow him--that it was an impulsive decision, somewhere in between stunning Luke and stuffing him into the shuttle and the destruction of the Eye of Palpatine--but I wonder. I really wonder. Cray and Callista clearly had time to plan a "what if Luke doesn't cooperate?" scenario and leave a recording for him to find in the shuttle, so I wonder how exactly the whole "you can have my body, I don't want it" conversation went down. There's a fic in there for sure.
But even taking Callista 100% at her word, I like the irony that she chooses to go along with Cray's scheme in part because she's so in love with/emotionally attached to Luke (just as Cray can't let go of Nichos and Luke can't let go of Callista)--only to eventually realize that there's something she values more than her relationship with him, namely her own life, and her own relationship to the Force, which has always been a part of her life and is now "missing". Cray chooses to die for love, Callista chooses to live for love... only to set it aside, because LIFE is more important to her than her love for one specific human being... just like she sacrificed her own life to destroy the Eye, and left her first lover in the process... PARALLELS, Y'ALL. I LOVE ME SOME NARRATIVE FOILS, YO.
Anyway, this got long and rambling, but I believe my initial thesis that essence transfer is wildly inconsistent and the results depend almost entirely on narrative convenience still stands.
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