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blueskyscribe · 2 months ago

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In my opinion Season 3 is easily the worst season of Earthspark.

It's thematically incohesive (don't trust Decepticons, but also Prowl is a prick for not warming up to Megatron immediately), Optimus is unlikeable and bitchy, Thrash's only character trait is cowardice like he's Scooby Doo or something, no good resolution for Starscream, Breakdown and Bee's friendship is broken up because ?????, the Quintessons are impersonal, unengaging enemies compared to the Decepticons (who just jet into space, bye), and a lot of parts are just really boring. (The Fairmaestro episode and the movie night episode being the biggest offenders.)

There were scenes I liked in Season 3, moments I liked, and I liked Prowl. But overall this season was hit by Ultra Magnus' Cloak Syndrome.

You know how in Netflix's War for Cybertron series Ultra Magnus goes on his own to parlay with Megatron? And he's wearing a Mysterious Cloak? And you could tell the writers were biting their lips thinking about the epic moment when it was revealed to be Magnus? But it's undercut by the reality that Transformers have very distinct sizes, colors, and silhouettes, so it's complete unbelievable that even a single Decepticon would wonder whose giant shoulder stacks those were?

Yeah, that's how I feel about Season 3 Earthspark. And just Earthspark in general tbh. We don't get a natural story driven by who the characters are. The characters live in service to story beats, whether they make sense or not.

The writers were like "It would be dramatic if Breakdown chose the Decepticons over Bee. So let's have him do that." No setup, no instances or flashbacks of Shockwave or Soundwave saving Breakdown's life or bonding moments with other 'Cons or anything to show why Breakdown would pick them over Bumblebee, who he has risked his life for before.

The writers were like "It would be cool to have a scene where Optimus and Megatron reconcile! So we'll start off this season with Optimus being mad at Megatron." No reason for it; he's just mad so that later, like the Maltos, we can clap our hands when it gets resolved.

By contrast look at the Beast Wars episode "Gorilla Warfare".

BW Dinobot scoffs at Optimus Primal's gentle and curious nature as he studies a flower. Later when Primal gets infected with a "go apeshit" virus, Dinobot is like "Well I'm sorry for the guy but this strategically good, his anger will win us the war." But then Primal's blind rage nearly gets him killed and Dinobot realizes how much the Maximals depend on not just Optimus' strength, but his calm wisdom.

The episode ends with Dinobot sitting by Primal's bed, waiting for him to wake up so he can tell Primal he's glad he's back to normal, and Dinobot leaves the flower from the start of the episode by his bedside as an oblique apology. THAT was a conflict that made sense, that arose from the core of who the characters were, and that was resolved based on a character's growth. And it all happened in a half-hour!

Like some of these ideas in Earthspark WOULD work if they were fleshed out . . . I could imagine Breakdown having a bond with other Decepticons and really caring for them; sure, I can write my own fanfic. But if I'm watching a TV show and it's a Big Plot Point then it is the job of the writers to show me that, on the screen. I shouldn't have to be filling in their lack of storytelling with "uh maybe offscreen--" and "what if--".

#earthspark #season 3 #Earthspark spoilers #spoilers #Thrash #Breakdown #Bumblebee #Breakbee #(more like broken up Bee am i right)#Megatron #Optimus Prime #Prowl #War For Cybertron #Ultra Magnus #friends I cannot tell you how hard I laughed at Magnus' stupid little cloak #best moment from that whole trilogy #oh WFC Optimus Prime screaming ''TELL ME YOU FORGIVE ME'' at Megatron is another example of this unearned attempt at an Epic Moment

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my-rose-tinted-glasses · 1 month ago

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[As usual I can't write about this show, so once again these are just thoughts, that I have been writing, leaving in my drafts, deleting a bit, writing some more, and so on. ]

Tis better to have loved and lost?

So, this cliché, of all things, is what's been on my mind since I finished LITBC. I hate this quote. It's not important why right now, I just do. But put it another way. Are things only good if they last? Is the joy, the love and the happiness somehow erased if it doesn't last forever? This is what has been swirling around my brain these past few days while I recover from the pain this show put me through.

Young was never the happiest guy. All through this series, and the novel, he has spoken of his loneliness and sadness. Which is why ultimately, he doesn't fight for Gyu-ho or even is surprised when things don't work out. I think, when looking backwards, is easy to embellish the past, to make it more than it was. To make it happier, crazier, sometimes more tragic even. But what I appreciate about this flashback, is how it all seems so normal. It's a snapshot, a moment outside of reality, because they're on holiday, but we get to see all sides. They fight, they make up. They get rained on, and they have sex. They are wet and uncomfortable but they are together. Like a small representation of their relationship as a whole. The first time we saw them in Bangkok, it was a blip. It was just happy.

And watching these moments,a part of me is sad. The happy ending lover is sad. The little whimpering voice that goes, but they loved each other so much, why can't they stay together???? 😭

And this is where rewatching the final two episodes after rereading the final part of the novel, kinda helped turn a corner and put a damper in my own suffering.

There's a feeling in those last seconds that is nowhere to be found in the novel. Hope. In the novel, he hasn't moved on. He's still stuck in the loss of the relationship with Gyu-ho. There's nothing in it that tell us that he'll be okay from now on. That he turned a page, and can now remember Gyu-ho with a smile. Instead he's still just sad, "crumbling away, little by little."

So, in that way, the show is definitely a less sad. Because like Young, I'm now able to see this relationship in a different way. As something precious that Young got to experience at least once in his life. He got the chance to open himself completely to another person, and be loved for who he was.

Of course the presence of the T-aras throughout contributes a lot to the lighter feeling of the series and specially these last moments. In the novel, he would stay in bed for days on end, and neglect his appearance and hygiene. But here we got to see the T-aras bursting into his place, forcing him to clean himself up and get out of the house. And the fact that he's closer to Eun Su, also made me feel like he's less alone, and maybe there's a deeper friendship there than I believed there was before. And perhaps he will trust him enough to tell him about Kylie. Or even the whole group.

I'm still undecided about the father subplot being added. I mean, since the author is the screenwriter, I'm not gonna say it's wrong, but I could've certainly gone without it. I just don't see what it actually added to the story besides just another person that Young couldn't count on. I already knew he was not present in his life, I didn't need to know he was an even worst human being.

I still wanna rewatch the whole thing to pay attention to the different parts, and the different ways in how they were shot, because I was too focused on all the feels to appreciate anything else.

#love in the big city #litbc book club #rose rambles #I'm also still undecided about making an edit for the last part of the book #because it's just so different from the show

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beanghostprincess · 1 year ago

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What’s so fascinating about shuggy that makes you go this wild? Aren’t shanks completely over this guy? And buggy just bitter? Am I interpreting it wrong?

I'm not gonna ask whether you want the short or the long version, because I'm gonna give you the longest, gayest version no matter what you tell me. So. Yeah. I think I'm kind of crazy about them but in a very normal way (I just lied on the internet). I'm gonna answer your last three questions before actually getting into the subject of why Shuggy makes me go so wild:

(Spoilers: manga ch.1082 and that Wano flashback)

Shanks being "completely over this guy" would be a very simple way to put his feelings for Buggy into words, I think. Although the fandom exaggerates the way he feels for him (turning into obsession and just complete depression) for fun or for angst purposes (I must say I don't really dislike it and I do believe Shanks still holds Buggy close to his heart in this way, and if we talk in a shippy way, he's definitely the clingy one) I think Shanks isn't completely over Buggy. At least not in the cynical way some people say. I think that after parting ways, Shanks accepted Buggy leaving him. I don't think he quite understands his reasons (he never will, tbh) but accepted his decision. I think he tried to choose the more mature way (not that he had other options) and moved on. But moving on doesn't mean forgetting or being completely over someone, because I wholeheartedly think that even if Buggy isn't on his mind 24/7, he's still one of the most important people in Shanks' life and story. Buggy is there in the back of his mind like a catchy song you can't get rid of, you know? It itches sometimes, too, but Shanks can't do anything about it so he just lives with it. To Shanks, he would gladly reconnect with Buggy and go back to the way they were in the blink of an eye, but he knows it can't be. I think Shanks has moved on but the second somebody mentions Buggy he goes into nostalgia mode and thinks about their times together back when they were just kids with endless dreams aboard the Oro Jackson. I think Shanks has more things to worry about than his past to be the way the fandom portrays him, but that doesn't mean he has completely forgotten about it and doesn't want Buggy back. Because he definitely does.

Buggy is- He isn't just bitter. I don't think you can say Buggy is just bitter when Shanks' decision was what determined his whole life. Leaving the thing about the map and the devil fruit aside (which also affects the story but we know his resentment isn't really about that) Buggy has every right to feel the way he does towards Shanks. Perhaps it's just that I find this pathetic clown to be very relatable, but I will always be both a Buggy apologist and defender. I'll probably get into a more detailed version of this later, but Buggy isn't just bitter. Buggy is rightfully frustrated at how his life ended up to be without Shanks. "But he's the one who left Shanks"... Is he, though? He did leave Shanks physically, but Shanks was the first to break the relationship. The thing about Buggy that I absolutely love is how his character portrays envy and jealousy into a... I wouldn't say healthy way, but at least not a damaging way to Shanks. Despite fighting all the time, they obviously loved and cared for each other. Being best friends and the youngest of the crew, always together in both the worst and best of their moments, etc. So Buggy, even though he lived as Shanks' shadow, that isn't why he's resentful towards him. He could be angry about that, right? Just bitter Roger chose him to keep his legacy alive instead of him. But no. Buggy chose to follow Shanks instead because he trusted him. Because he thought "Well, I might not be able to follow my dream, but Shanks will do it for us as our captain's legacy". Which makes sense because they were so damn close. They're always together. Like. Just watch/read the Oden flashback. Their presentation was even together, lmfao. And when they talk about them, they mention them together. The whole thing about Shanks not going to Laugh Tale to take care of Buggy? It's just- It's just so obvious that they were best friends and intended to be together forever. Buggy was willing to follow Shanks until the end of the world until Shanks hesitated when asked about following Roger's steps (Buggy doesn't actually say he'll be in Shanks' crew, but the way he reacts to Shanks' words makes me think he would've accepted to go with him as a co-captain until... Well. Yeah. That happened). And like, I get it. Shanks knew they were too young. Shanks knew they needed to grow up and live more experiences as pirates before going to Laugh Tale and for the One Piece. For Shanks it's just a little pause before they actually fulfill their dreams. But for Buggy? For Buggy, his whole world is crumbling down because the person he trusted the most literally told him he wasn't going to follow their dream. For Buggy, Shanks doesn't take the role of Roger's legacy seriously enough, so it's unfair. It's unfair that he had to leave his dream behind for him. It's unfair that he trusted him. It's unfair that Shanks didn't believe in himself. It's unfair that their captain died. It's unfair that now Buggy has to be completely on his own, with no ability to swim and no map to follow because Shanks also ruined that for him. So, yeah, Buggy is a bit more than just bitter, and rightfully so. It's classic miscommunication because obviously, Shanks wasn't going to give up on going to Laugh Tale, but Buggy takes it that way. And he also sees it as Shanks doubting himself and the dream and it's unfair that the one who got the straw hat is the one to hesitate, and the one who didn't get anything is the one who wants to fight for their dream. Buggy is more than just bitter. I know it's played for laughs, but his grudge towards Shanks is deeper than that.

You are not interpreting it wrong, tbh. I think the fandom just exaggerates their behavior and in canon you pretty much have to analyze the characters to fully understand them. If you're not a fan of these two characters, their whole relationship can feel like "Oh, they were just friends in the same crew" even when it's way deeper than that. Although I think chapter 1082 (my favorite chapter ngl I've read it so many times google instantly shows it to me when I look for the page where I read OP) explains what I just said pretty well from Buggy's POV.

So now onto the real question, what's so fascinating about Shuggy?

I'm gonna be honest with you, before writing this I have to say that I have a tendency to love these types of ships. Soukoku (BSD) and Satosugu (JJK) are no exception and they follow the same "former BFFs/partners who turned into enemies and are very very gay". The reason I like these three ships so much is probably because of personal experiences I'm not gonna talk about, but somebody mentioned something very interesting about lesbians/sapphics relating to these ships because we always have this experience about having a really close girl bff that we have a crush on, but since we don't acknowledge the real feelings, it ends up in a very toxic way that leads only to resentment and nostalgia. And, you know, as a lesbian who has been through that I can confirm wholeheartedly that this is why Shuggy is so important to me (considering Shuggy a ship for the lesbians in my heart </3)

Leaving that aside and the fact that childhood best friends to lovers is like my favorite trope, I just think their characters are so perfectly written. And it's surprising because they barely have scenes talking about each other or being with each other (Marineford is Shuggys' Roman Empire atp, although I will always remember that first flashback in episode 8 in the anime. That changed my life fr). But their story is made with so much care and love for the characters (it's obvious Oda likes Buggy a lot) that you can feel it. At least I do. Because although not having many scenes they've completely taken over my heart and soul.

Shanks is a very complicated character due to lack of information and the fact that we know he hides something deeper, but he is, after all, a symbol of hope and dreams. At least for our main character. Shanks is the main reason why Luffy becomes a pirate and there are so many parallelisms between them that I can't count them. I find it so ironic that the symbol of hope and freedom Luffy follows is actually somebody who crushed somebody's dreams and hopes. Talk about irony, right? And then we have Buggy, who's the complete opposite. With Buggy's first appearance (and honestly all of his scenes until the Wano flashback and chapter 1082) we think he's one of the bad guys. And yeah, all of them are like that because they're pirates and yadda yadda. But I'm talking about "bad guy" as in "bad bad person with no hopes and dreams and that is just interested in being feared and powerful". And he is a failguy. A very funny one, too. But he's so much more. And the fact that this comedic relief character that's always played for laughs when it comes to his own misery turns out to be the one who has the biggest of dreams and the biggest of heartbreaks about it? It just shatters my heart.

Shuggy makes me go wild because of Buggy, mostly, ngl. I wouldn't like Shanks this much if it wasn't for Shuggy, probably (I love him a ton outside of his relationship with Buggy, but you know, it makes things a lot easier). I like Shuggy because the topics the ship touches are very emotional and angsty and they crush me completely. Buggy living in Shanks' shadow? Buggy wanting to follow Roger's steps and following Shanks instead because his self-esteem disappeared the moment his captain's legacy ended up on Shanks instead of him? The trust he had in Shanks? The way Shanks hesitates and the way Buggy refuses to follow somebody like that? Buggy running away on his own because he gave up his dream for somebody who doesn't even treat it the way it deserves? It's just heartbreaking. Especially if you have in mind that they just lost the man that raised them.

Buggy then becomes somebody that people make fun of and ridicule, and they don't even think about the possibility of him being part of the crew of the king of the pirates. And when they find out, they can't believe it. They don't talk about this much, but I think that it must hurt so fucking much to be seen this way. He was just as important as Shanks. Roger loved him too. And to this day, being Shanks' shadow still haunts him. I love the angst Shuggy has. It breaks me and I love it.

Then, (and this is something I adore) with the creation of Cross Guild, Buggy has the chance to get out of Shanks' shadow. He's surrounded by two guys who only think about money and stability and business and... It's boring, isn't it? It's not flashy! And I think he has this realization of "this is my chance to prove I'm worth something. This is my chance to actually go for my dream. Mine" because these two idiots keep talking about boring things instead of following their dreams and aspirations and bigger things! And it just shows how much Buggy truly cared about Laugh Tale and the One Piece and how much he has had to wait for it. And this has nothing to do with Shuggy, I just really love this fucking clown.

Oh, and I forgot to mention that I love Shanks making Buggy lose the map and eat the devil fruit. Because, okay, in retrospect it feels very stupid because it was a simple accident. But just hear me out- Even though it was an accident, Buggy lost his ability to swim for powers he didn't want. He lost the ability of independence, because what's a pirate on his own if he can't swim? He lost his individuality that night, and we see him depend on others constantly throughout the show. And Shanks mentioning that Buggy is a great swimmer? Oh, fuck you Oda for making me cry so early in the show. Then, the map. He lost his individuality and then he lost the only thing that led him to a future with treasures and his dreams. Then again, losing his independence because he couldn't just go on his own without a map. Fucking great. The fact that Shanks jumps to rescue him the second Buggy starts to drown haunts me at night, too. They're just so-- Ugh.

But Shuggy is not everything about Buggy's resentment and angst. And it's not about Shanks missing him and wanting his best friend back because he doesn't know what happened for him to run away so easily.

It's also about unconditional love, and I am so passionate about that. Shanks care and love for Buggy is something the fandom exaggerates but... These people are not wrong, tbh. Shanks gave up his dream to go to Laugh Tale (postponed it) to stay with Buggy and take care of him because he was sick. Shanks is a very selfless person all the way, and when it comes to Buggy it seems that he doesn't hesitate to put him first (in serious situations. Their usual arguments don't count. They're just stupid, and love to argue and fight like the divorced couple they are). And besides, this happens right in the same episode after Toki gets sick and Oden wants to take care of her but she forces him to follow his dream and leave her behind. Like- What the actual fuck. Ah, yes, parallel the main couple in the Wano arc. I'm sure that's not romantic at all. The difference is that Shanks stayed. And god, does that hurt. Especially when he says they'll go on their own one day, because it shows he cared about Laugh Tale too (I mean, ofc, but from Buggy's POV it's just different).

To end this I also want to say that, leaving the whole deep analysis behind: Their personalities just match. They're funny to watch. They're cute. They have an angsty story behind them. They won't stop arguing like little kids but they care for each other still. They are chaotic. They're just... Perfect for each other.

Hope you liked my tiny essay about them because I could've kept going on and on and on about it, but some people (like me, sadly) have to wake up early tomorrow to work instead of just posting about gay fictional characters (somebody please pay me to do these things and I'll stay on tumblr 24/7).

#TL;DR: they're very in love and angsty and i love childhood bffs to lovers #they make me go insane as you can see #i am so not normal about them #one piece #red haired shanks #buggy the clown #shuggy #shanks x buggy #buggy x shanks

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0aurelion-sol0 · 4 years ago

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SNK keeps on being amazing. ( A rant that is not really one. )

133.

Just this panel alone is able to confirm everything that I wanted from this manga.

Eren's condition has always been what I suspected.

Ever since he sided with his brother Zeke, who manipulated Marley in attacking Eldia to retrieve the founder and other titans. Something THEY DIDN'T WANT TO DO, because they were being pressured by many other countries and were not as powerful as before due to their lack of powerful weapons like the ones in the Middle Eastern Alliance which were able to PIERCE through the fucking Armored Titan.

THIS resulted in the fucking festival and we know what happened then. Dozens of people died including children continuing the cycle of hate that has been started for god knows how long. And Eren WILLINGLY took a part in it because he wanted his actions to be a little easier while he was going to genocide the whole fucking world.

INCLUDING his own island because let's be honest when Eren is done with the Rumbling, destroying every ecosystems. EVERYTHING that keeps a planet alive, his little island won't live for long.

"The ground... It's crying." CHAPTER 131 said by one of the goddamn kids he fucking killed.

Marley is now sure, let's fucking kill all Eldians.

He did his attack on Liberio, he betrayed everyone. Crushing Hange's every possibilities of finding a peaceful way of settling things down after having been hidden MANY useful informations by Eren, Zeke and his group but also the Azumabitos.

Sparking a civil war inside Eldia, leading to an Eldian supremacist group cause let's be honest when Floch killed that Marleyan and than gave his little first king Fritz speech, it was like seeing Hitler all over again and the Klux Klux Klan.

I MEAN... FLOCH OF ALL PEOPLE! A guy who has PTSD after seing dozens of his comrades died, their faces exploded by fucking thrown rocks. He bastardized Erwin's ideologies and no matter how good willing he was, he was just a dead man walking acting like a fool.

He also betrays his own party now, the Jeagerist by allowing the very people they tried to stop the power to stop him. By activating the Rumbling, he also caused the death of Eldians inside the walls as we've been shown with Hitch.

AND THE WORST... destroy every connection he has with his friends. Hurting them, putting them in danger by the very group he created and the Titans.

Oh but that's not all...

He uses the titan the same way Marley did it, with oppression and violence. He is not stopping the cycle of hate, he is continuing it. And it will have repercussions inside the very group of people he tried to defend.

People killed each other inside the walls and they will kill each other without it. Mikasa as shown us that when her parents got murdered and she almost became a slave.

And he killed Hange with these same titans. I don't care if they sacrificed themself. He didn't live up to what he preached. They died and Hange was someone close to him and was concerned with his well being. Maybe it was too late but they also had many other priorities as Hange was commander. They also fell into depression because of their position. One of his mentors and friends, one who tried to talk with him while he was in that cell planning to destroy the world...

talking to himself...

At this point, you know where I'm going with this. We've all suspected it, we all know it. Let's not be blind about it.

Eren is influenced by the Attack Titan. Not Ymir (at least I hope so and I think so), not Kruger and certainly not Grisha.

It's pretty clear now.

I mean Eren's change happens off screen, every time we see him he is completely different from what we used to know of him.

He barely cares about his friend and don't give me the bullcrap of (hE dOeS tHiS fOr tHeM.) If he was he would have secured them and put them in a place where they wouldn't interfere, he would have tried to convince them. HE WOULD HAVE COMMANDED FLOCH NOT TO HURT THEM.

He would have not commited genocide after knowing what it led to with Reiner, Annie and Bertholt.

That's not Eren. And the stupid argument of "hE's aLwAyS bEeN vIoLeNt". That's just bullcrap and it just destroy every bit of beautiful empathy we have seen of him. With Mikasa, Armin and Historia. Levi who he respected a lot.

It just isn't coherent. Every action he does is not coherent since the timeskip.

NOW HE'S CHALLENGING HIS FRIEND ? WTF ?

I mean is no one questionning this, doesn't it seem off from what we've seen of him.

Eren is no strategist BUT... he isn't stupid. Every sane person would know that these actions will not benefit anybody.

But... they still happened.

If we look back again, here is Eren being positive trying to put Armin in a good mood.

The outside world... endless possibilities. It's a man who wonders.

Yet, AT THE RIGHT MOMENT... he has a flashback of Faye. And his face just change.

Isn't it just weird ? Like at the right moment where he can have a positive outlook on thing. NOPE.

And this has been going and going and going...

Here:

Chapter 130.

Eren arrives in Liberio what does he see.

A flashback of his mother's death

I mean it's pretty clear now.

_________________________________________

Eren has been influenced and convinced by the Attack Titan that there's no way out. He's been reliving past memories of his and others, past memories that were traumatic. It put him in a state of depression and dread through 5 FUCKING YEARS. On top of that, he is able to see the future and what he saw will happen and has happened hence his reaction to Sasha's death.

A fucking mental breakdown.

Jesus Christ, I don't know if I've ever cursed that much in my life.

It's impossible to stop what is going to happen, because what is going to happen, needs to happen.

But as we know Sasha is in the afterlife with Erwin, Hange and the others. And we have been confirmed that this is the afterlife. So we have time-travelling, afterlife, 13 years curse, people who can turn into titans, parallel dimensions and Eren who can see through birds.

But the fandom said, no, the prospect of him being manipulated by the Attack Titan is impossible even after knowing it has special abilities.

I MEAN...

Umm... This has happened before. And I saw no one complain.

So why this ?

Is impossible ?

Especially when Eren's whole arc is about questionning his perspective of the world and becoming in control of his violence and rage. Having an agency. HELLOOOO!!!????

What better way of having the main threat of that being the very thing that causes all of his problems and his powers.

Doesn't this remind anyone of anything ?

Yep. The Uprising Arc. And who ? Historia, the girl whose all life, she couldn't act as herself or have any real agency.

Yes, you know the girl whose pregnant and decided to live the rest of her life Little House On The Prairie style. ( I mean I don't think it's her but... that's what it's looking right now. )

And who is a descendent of Ymir Fritz. With too much uncanney similarities between the two.

They could have said the Founder, Eren Jeager or something else but no they said... "It's the Attack Titan."

And it's not Ymir, if she was the one to control Eren. Why wouldn't she free herself on her own if she's able to do that ?

And in 131, she was clearly in a position where she was questionning her choice.

And perhaps she probably tried to stop Eren but the Attack Titan took over him and her. Using her powers as she is the founder.

And now just like Eren, she has no eyes. She is still a slave. Why ? I thought Eren freed her. So ? This is the only logical explanation right now.

I mean when is the last time we saw Eren.

He was sleeping inside his titan in 131. Having a dream about seeing his "sight" of freedom as a kid. And also potentially watching things with birds.

It's just weird. If he was fully in control, the characters wouldn't have questionned it and none of this weird shit would be happening.

He clearly doesn't have a free will.

This requires too much energy and Eren is a normal Eldian, not one of Royal Blood. Being both in Paths, watching this " sight ", communicating, watching with birds, moving his titan which is enormous and the thousands of colossal titans is clearly hard and too dangerous for only one person to do.

Isayama has fooled us all and me in the process.

All this time, it was that goddamn thing pulling the strings. And with the help of Isayama since he is the goddamn author of this series

In chapter 88, we learn the true meaning of Shingeki No Kyojin.

The beauty of the japanese language, as confusing as it is, can be translated by Attack On Titan, at least for us american and western audiences.

( yes because as someone pointed out in the comments, it's a mistranslation but since I don't understand how to give credit by linking because I don't understand how it works, i can't credit. So you can find the person in the comments. DO NOT JUDGE ME, tumblr is not the best place to post sometimes. )

But it's not the Attack on Titan anymore.

It's the Attack Titan.

( piece of shit is it's surname. )

#shingeki no kyojin #snk #attack on titan #eren jeager #snk eren #aot spoiler #snk spoilers #aot eren #the attack titan #I DON'T CARE WHAT YOU THINK #THIS IS WHAT I CHOOSE TO BELIEVE #EUREKA #snk 133 #aot 133 #snk chapter 133 #ymir the first #ymir fritz

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johnkrrasinski · 4 years ago

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i want your midnights;

full masterlist

Pairings: Bucky Barnes x female!reader

Word count: 1,749

Warning: fluff!! pure feelings

Summary: this one’s written for the @mypoisonedvine‘s festive writing challenge with the prompt “kissing at the new year’s eve count down.” there was only one person that you wanted to celebrate new years with and it was bucky barnes, the love of your life.

a/n: not my best work but eh, i needed some holiday fluff with bucky. comment and reblog if you like!

⭒☆━━━━━━━━━━━━━━━━━━━━━━━━☆⭒

You straightened the skirt of your dress, trying to make yourself look presentable as you took a deep breath. To say you were nervous would be an outrageous understatement. You haven't played for a big crowd, let alone a crowd in awhile. The last time you were standing with identical emotions swirling through your stomach was when you were in your adolescent years. It wasn't because you grew bored of it, it was simply because you grew up and life had its funny way of surprising you. This occupation wasn't merely a job, it was a lifestyle. And this lifestyle didn't allow you to think that you'd ever have the chance to revisit this forgotten passion.

But here you were. About to perform one of your favourite songs on the grand instrument placed in the centre of the room and you feel like your stomach was sinking. You were good and you were adored. Suck it up and don't be a coward!

The ticking clock shows that it was three hours away from midnight. And the party was in full swing because it's New Year's Eve and Tony Stark was a man of flamboyant parties. And may God help you if he discovered your hidden talent.

"You should sing on New Year's Eve! Entertain the guests before midnight. What's better than live music at a party?"

"I don't know, Tony... I haven't sung in so long."

"You literally just did two minutes ago!"

"Okay first, that was in my room where no one was watching and second, you weren't supposed to see that!"

Tony walked up to the mini stage with a microphone in one hand and a glass of Champagne in the other. "Ladies and gentlemen, can I have your attention? I shouldn't be asking, after all, you were invited to my party." The elicited a few chuckles from the guests. "Let me start by thanking all of you for coming here tonight..."

Tony's speech was muffled by the grasp around your waist by a familiar pair of arms. "Nervous?"

"Extremely." You smiled despite the averment.

"Baby, don't worry. I've heard you sing and you have one of the loveliest voices in the world."

"You're just saying that cause you're my boyfriend, Bucky..."

"That's true, but the latter is also true."

You turned around in his arms and threw yours around his neck. "Thank you for the encouraging words. I feel a bit lighter knowing that you'll be in the crowd."

"My pleasure, darling." He kissed you with his hands still on your waist, holding you close but Tony's words disrupted your moment.

"We have a special and exclusive performance tonight. Please welcome, my friend, ____ ____!“

The soft claps welcomed you and it was your turn to take the stage.

"Good evening, everybody. I'm y/n and I hope you enjoy my performance tonight."

A sprightly "whew!" was heard and you instantly recognized Clint's voice.

Your fingers pushed the first few notes of the intro and the sound immediately changed the atmosphere in the room.

"There's glitter on the floor after the party, girls carrying their shoes down in the lobby..." You sang to the microphone. "Candle wax and Polaroids on the hardwood floor, you and me from the night before but..."

"Don't read the last page but I stay when you're lost and I'm scared and you're turning away, I want your midnights but I'll be cleaning up bottles with you on new year's day." You still hadn't dared to gaze at the audience so you focused on looking down on the black and white keys.

"You squeezed my hand three times in the back of the taxi, I can tell that it's gonna be a long road. I'll be there if you're the toast of the town babe," you didn't know why but your heart drove your gaze to the crowd and you instantly found the person you were singing for. "...Or if you strike out and you're crawling home..."

"Don't read the last page but I stay when it's hard or it's wrong or we're making mistakes..." You didn't look away. You couldn't. Not when the love of your life was staring right back at you with those warm steel blue eyes. "I want your midnights, but I'll be cleaning up bottles with you on New Year's Day." You meant every word.

"Hold on to the memories, they will hold on to you, hold on to the memories, they will hold on to you, hold on to the memories, they will hold on to you." This time your eyes wandered to the crowd, familiar and strange faces staring back at you with contented looks and you hoped these words would cling to them.

"...And I will hold on to you." Because they did to you and you did to the man standing a few feet away from you but your hearts and your minds remained connected.

"Please don't ever become a stranger whose laugh I could recognize anywhere, please don't ever become a stranger whose laugh I could recognize anywhere..." A brief flashback played in your mind; the lovers turned strangers, the friends turned enemies, the loved ones turned ghosts. You barely heard from them anymore these days, but you could still remember their laughters, an epitome of the good memories. You hoped that this dynamic ragtag group of vigilantes would never turn into one of those tragedies. Another buried name that goes up to the monument.

"There's glitter on the floor after the party, girls carrying their shoes down in the lobby, candle wax and polaroids on the hardwood floor," your heartbeat hummed the euphonious melody, "...You and me forevermore." There he was. Smiling at you. Always smiling because you were the light of his life and his simpers were genuine and frequent now.

"Don't read the last page, but I stay when it's hard or it's wrong or we're making mistakes, I want your midnights, but I'll be cleaning up bottles with you on New Year's Day, hold on to the memories, they will hold on to you, and I will hold on to you." You chanted the closing lyrics and when the last note resonated, the guests' claps were louder this time, invigorating your confidence.

Everyone returned to their own things; catching up with their friends, laughing on the couch and drinking by the bar and Natasha was even standing behind it like a professional part-time bartender. Some were slow dancing and the others are already a little too drunk.

"That was beautiful, doll."

"You think so?"

"I know so. You got a gift, you shouldn't hide it from the world."

"I'm not trying to hide it, Bucky. I just... I didn't have the time with the world-saving and all. And music makes people happy, but it doesn't save lives."

"Well, if I don't know when I'll see you play again, then I'm glad at least we got tonight. And you're wrong, doll. You certainly saved me."

"Your words will be the death of me, Barnes."

Everyone gathered around, watching the big screen displaying the countdown to midnight. As the numbers go down, the more energized people become. Your arms were tangled with Bucky's, not wanting to be far away from the person you loved the most seconds before the year finalizes its chapter.

For a moment there, you felt happy. You looked around to see your teammates with smiles on their faces, stress-free and humans. This job hadn't allowed you to be just a human living a normal life. But tonight was one of the rare moments where all of you could just be normal people celebrating holidays.

And then there was Bucky, the man who had lived for a century, whose entire life was stolen away from him, and the man that your heart chose to fall in love with, and you were lucky enough that he chose you too. You had spent two Christmases together, and now you were entering another new chapter together, and there was no one else you'd rather wake up with an awful hangover with. There was no one else who would be there to give you Advil in the morning and deal with your mess.

5,4,3,2,1...

"Happy New Year!"

You and Bucky kiss, as all the cheers and noises, faded into the background. Bucky grabbed you close by the waist, and you had your arms around his neck trying to hold onto his lips as long as possible. You ran your fingers through his hair, feeling all the overwhelming affection you had for him. Bucky felt it too deep in his bones, who would've thought that despite all the atrocities his hands had to commit, someone as beautiful and wonderful as you would love him despite it all? Would kiss him on New Year's Eve and would stick with him through another year?

"Happy new year, darling."

"Happy new year." You couldn't fake the smile forming on your face. “I can’t believe it’s our second New Year’s together.”

“There’s no one else I’d rather spend the rest of my New Years with.”

“Are you saying you’re willing to spend the rest of your New Years dealing with my cranky hangover moods and pulling my hair back when I throw up?”

“As long as it’s you, I’m ready for pretty much anything. You’ve had my back and picked up my mess when I was at my worst, doll and I didn’t deserve it, but you did so without asking for anything, and I’m willing to do the same for you.”

You nearly teared up at his words, the past two years hadn’t always been the smoothest road with rainbows and butterflies for you two. You stuck with Bucky through his nightmares, panic attacks and his therapy sessions and you loved him despite all his open wounds and permanent scars, and Bucky had never felt luckier to have fallen in love with you too along the way. It began with a friendship and bloomed into something deeper, and the last two New Years that you had spent together reminded you that you could walk through every hurricane that life threw at you as long as you were together.

“You always knew how to calm down my fears and lift up my spirit and I’m eternally grateful for that.”

“Guess we’re just perfectly imperfect for each other, huh?”

“Guess we are.” He kissed you again with a huge smile on his face and zest for writing the first page of 365 pages with you.

#bucky barnes x reader #bucky barnes imagine #bucky barnes fanfic #bucky barnes one shot #bucky barnes fic #bucky barnes fluff #sebastian stan x reader #sebastian stan x you #sebastian stan imagine #sebastian stan fanfic #sebastian stan fic #sebastian stan one shot #sebastian stan fluff #bucky barnes au #myfestivevine

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romqnticstylez · 3 years ago

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"There are treatments available for you," she said. "I called you here because I'm worried about you. I come from a place of compassion. Everyone has had some form of post-traumatic stress, including myself. Which is why I have to say that I know you're not eating." Her eyes watered. "I can't lose another student. I'm not losing you, Potter."

Her tears caught him off guard. "Why would you lose me?"

"Potter, I am one hundred and forty-three years old. If you think I don't know where anorexia leads—"

The word ignited him. She knows. She's going to make you eat. She's going to make you gain weight and Draco won't ever come back.

"Then why did you keep me with the Dursley's," he shouted, standing. An overwhelming dizziness made him grip the chair. "You knew what they were doing to me! You knew how they were as people! And you let me live with them! You made me go back to them year after year even though I had a Godfather, even though I had the Weasley's—even when there were safer options, I was forced to be alone with the worst people and no one came to help me! I was alone and scared and abused and no one came to help me even though you all knew!"

His hands were shaking. Fuck, he hadn't even heard the word in any context to what he was doing. Anorexia.

No, that's not it. You don't have that. She's blowing this way out of proportion.

"And here you are assuming I have some stupid eating disorder that I don't. After I was housed with people who taught me since I was a kid that skipping meals was the right thing for me to do. If you didn't want me to do such a thing, you should have gotten me out of there and taught me yourself, because no one ever has. No one ever told me that starving for days at a time wasn't normal. Don't give me this bollocks of how you care about my health now, when you all kept me in an abusive household for my entire life."

"Dumbledore was in charge of your care. I expressed my concerns before each holiday, but he was adamant—"

"That was part of Dumbledore's plan then. Make me miserable, so I wanted to die. So when the time came, I was excited about the relief. He didn't think I'd live. And now here I am broken and abused and expected to function like a normal human being when I've never had normal? Expected to handle life. To have resiliency, to have energy. To eat properly. To greet each morning with a song a-and a form of gratitude." He looked at Dumbledore's portrait. He was still fast asleep in it.

"He wanted to keep you safe in the Muggle world—"

"But I wasn't safe there! I've never been safe. There are only a few moments in my entire life that I've ever felt safe. Hogwarts, sometimes. The Weasley's. With Draco. Even then, sometimes. But guess what, I watched people die in front of me at Hogwarts, so every time I turn a corner, I have a flashback. The Weasleys lost their son and I can't look them in the eye anymore. And Draco hates me and he doesn't remember me. So where do you expect me to find normalcy? To know how to be?" Tears fell down his face.

"Potter, I'm sorry. I truly am. I would be upset if that happened to me, too."

If you don't think I hate dumbledore then you are absolutely wrong ☠️ I would murder and torture him without blinking

let’s go make dumbledore a ghost get him in halloween spirit

#the fact he’s already did isn’t the point #harryandginnydeservesbetter #ask

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opbackgrounds · 5 years ago

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I'm not sure under which catagory this will fit but can you give your opinion on the relationship between Doffy and Roci? More specifically whether or not Doffy really loved Roci; and if he did, did Roci wrong Doffy as a brother? In my mind Cora-san did nothing wrong and it's mainly Doffy's fault that they ended up where they were; but i'm curious Thank you ❤

First things first, no I don’t think Cora did anything wrong, and, no, I don’t believe Cora was right saying that Doffy was inherently evil.

Secondly, this ask made me reread Law’s flashback for the first time since it was initially released, so while things are fresh in my mind I’m hardly an expert. My friends tell me that frees me to make an unbiased analysis, but I fully admit my stance on this isn’t 100% settled. I might change my mind on somethings later on, and that’s okay.

With that out of the way, let’s talk about feelings, and how they betray us.

I find Doflamingo difficult to write about because there’s so much about him that remains ambiguous even after the conclusion of his arc. One Piece villains don’t tend to be super complicated by themselves as much as how they interact in a complicated world.

Take Crocodile. What drives his actions during the Alabasta saga are simple: He wants military might after a failed attempt at the New World. The details of his backstory and the nature of his failure are fuzzy, but the basic motivation is pretty cut and dry.

Not so for Doflamingo. There are some hints that he wants to become the Pirate King, but for a decade he’s carved for himself a comfortable role in the underworld maintaining the status quo among the Four Emperors, gaining wealth and prestige on the slave market dealing black market weapons. Maybe all he wants is to laugh while watching the world burn. Who knows, not me.

What makes analyzing Doffy and Cora difficult specifically is that Cora is a liar. Seriously, I don’t think there’s a major character in that entire flashback that he’s not dishonest with. So you get moments like this

Mixed with moments like this

Making it difficult at times to know where exactly Cora stands. I mean, if he truly believed Doflamingo was born a monster, that there wasn’t a scrap of decency in his body, would he really have hesitated to shoot, even knowing he was about to be killed?

There is a lot of ambiguity in the characters of Cora and Doffy. To paraphrase Shrek, they’re like onions, with lots of layers to dig through. At the end of the day I think there are multiple valid interpretations that stay true to the text, and unless Oda decides to go Word of God in an SBS or something it’s going to stay that way.

For what my two cents are worth, I don’t think even Cora knows how he feels about Doffy. On the one hand, he’s made it his life’s work to limit the destruction Doflamingo can wreck on the rest of the world, but on the other, he’s fighting against his blood brother. Cora I think was right when he said that he and the other executives understood Doflamingo better than anyone else in the world

Because remember, Cora was there. He saw Doffy kill their father in cold blood. He heard his brother vow revenge even as the rest of the family begged for mercy from the enraged mob who nailed them to a wall. He’s seen the rage Doflamingo is capable of and the lengths he’ll go to in order to get back at those he thinks have wronged him.

Oda has always struck an interesting balance been Nature and Nurture within the series. I’ll touch on it more when I write on the Celestial Dragons as a whole, but you can’t really look at the environment Doffy grew up in and say that he had any chance and becoming anyone else that he did.

Cora and his parents were, at best, outliers within the culture of Mariejois. You know that the family had slaves before they decided to live like normal people because as a child Doffy asks if they can buy more. You get the implication that Homing never had the strength of will to correct his son’s misbehavior, nor did he have any idea of what he was getting his family into (his idea of a “comfortable life” is a giant freaking mansion) and after his death Trebol and the rest fed Doffy’s worst traits, molding Doflamingo just as much as an adult Doflamingo molded the children left in his care

So while Doflamingo always had a strong will and a mean streak, neither did he ever have a character like Sengoku to set him on the straight and narrow. You can’t tell me that if during the Void Century the Donquiote family decided to stay and rule Dressrosa and the Nefertiti family abandoned Alabasta for Mariejois that eight hundred years later that’s not at least a chance that Vivi ends up as a super villain with a god complex while Doffy is ruling as a good, wise king.

So in wrapping this up, I think the relationship between the brothers is messy and complicated. For as much as Doflamingo spouts how much he values his blood brother during the first half of the flashback, he was pretty damn quick to assume that Cora had betrayed them after he ran off with Law (and to be fair, he was right). I think there was always a part of Doflamingo that doubted his brother, because he disappeared for eight years, and because of the supposed “weakness” Cora showed when they were children. I think there’s some truth to the statement that Doffy values the four other executives more than Cora

Putting a very twisted spin on the found family trope that One Piece puts so much emphasis on. I think Doflamingo expected Cora to betray him because he’d been betrayed by his “own kind” so many times before: By his father, and then by the Celestial Dragons as a whole, who I think people tend to forget tried to kill him when they found out he had learned their big secret

(As an aside, I love Oda’s attention to detail—the silhouette of the armor is exactly the same as what we see at Mariejois itself)

At the same time, I think Doffy was genuinely disappointed when his suspicions about Cora were correct. Doflamingo gave his brother everything, including a seat at his right hand, only for Cora to throw it back in his face. Doflamingo had planned for Cora to eat the Op-Op Fruit and give up his life to give him immortality, but Cora refused to be controlled.

And if there’s anything Doffy hates, it’s not being in control.

For his part, I think Cora told himself often enough that his brother was a monster that he mostly believed it. Whether or not it’s true or not doesn’t really matter, because Cora believed his brother was beyond saving. The fallen god had become a devil that needed to be put down for the sake of the world.

And yet he couldn’t pull the trigger.

It’s unfortunate for him that Doffy didn’t have those second thoughts.

#opbackgrounds #one piece #long post #Doflamingo #corazon #character analysis #sarc talks

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afigurelikeadoll · 3 years ago

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Her tears caught him off guard. "Why would you lose me?"

"Potter, I am one hundred and forty-three years old. If you think I don't know where anorexia leads—"

The word ignited him. She knows. She's going to make you eat. She's going to make you gain weight and Draco won't ever come back.

His hands were shaking. Fuck, he hadn't even heard the word in any context to what he was doing. Anorexia.

No, that's not it. You don't have that. She's blowing this way out of proportion.

"Dumbledore was in charge of your care. I expressed my concerns before each holiday, but he was adamant—"

"He wanted to keep you safe in the Muggle world—"

"Potter, I'm sorry. I truly am. I would be upset if that happened to me, too."

Oh my god, what fic is this 😭

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roimp · 3 years ago

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Her tears caught him off guard. "Why would you lose me?"

"Potter, I am one hundred and forty-three years old. If you think I don't know where anorexia leads—"

The word ignited him. She knows. She's going to make you eat. She's going to make you gain weight and Draco won't ever come back.

His hands were shaking. Fuck, he hadn't even heard the word in any context to what he was doing. Anorexia.

No, that's not it. You don't have that. She's blowing this way out of proportion.

"Dumbledore was in charge of your care. I expressed my concerns before each holiday, but he was adamant—"

"He wanted to keep you safe in the Muggle world—"

"Potter, I'm sorry. I truly am. I would be upset if that happened to me, too."

The only people I hate more than myself are Umbridge Snape and Dumbledore

aaaaaaa😭😭😭

I love reading these types of fics my bookmarks are filled lol

ikr I hate dumbledore too🔪

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lordeasriel · 4 years ago

Text

a memory: a man with a mission

Chapter excerpt from my WIP sci-fi novel, The Timekiller. If you check it out, I’d love to hear your thoughts and feedback. The novel is divided into normal chapters, that follow the present timeline and its plot, and the memory chapters which are flashback chapters of different moments, like memories, telling key events from the past (and future).

December 23, 1946.

Duke’s powers manifested in a way he couldn’t quite understand. He was a man hailing from the far gone future, born amongst robots and artificial intelligences, raised in a world where the AI had rebelled against the humans and their oppression. He was a war child, for all intents and purposes, yet he never quite felt like a soldier. There was a scholarly aspect to him that made him stand out amongst his peers in the resistance and what granted him the alias The Duke, which was often shortened to just Duke; his name had only been known by his fiancé and a few friends, close friends.

He walked into a pub, in London, in an environment that was the most foreign thing he had ever seen, despite the fact he had been to London in his own time. He was shocked to realise his attempt to time travel that far in the past had worked, but he quickly gathered his wits, and stole clothes so he would fit in, and suddenly he blended wonderfully into the post-second war background world, with matte colours and broken buildings, yet with a spirit of renewal only known to those who have witnessed mayhem - and survived.

Doing justice to his scholarly spirit, Duke had done his research in the time he wanted to visit, and thus he knew vaguely how to communicate, and what to say and how to say it. How to dress, what to order for food and drinks, and how the culture worked. It was hard work, but he managed just fine, asking for a pint at the bar, while glancing around the place.

There weren’t many people there, but there were only a few tables vacant, despite the fact it was nearly christmas. Cold weather mostly sent the people in, couples, elderly men, veterans and so on; it was a workers’ pub, mostly, so not many posh people were to be seen. He kept a quiet, low profile, watching around, looking aimlessly. He had to wait until the far night to do what he had come here to do, so spending his time amongst folk was a good idea. He realised these people had good food and drinks and peace.

“Poor lass.” The barmaid told him, a tough looking woman with red hair, cleaning up the glasses in front of him. He raised his eyebrows, inquisitively. She nodded in a specific direction. “She’s been sitting there all day, sipping her lukewarm pint. That has to be the tenth moron who has been to nag her.”

Duke hummed, slightly uninterested, but the woman didn’t mind his lack of interest.

“Ah, she keeps on saying she’s waiting for someone, but I think her lad might have stood her up, oh yes.” Duke nodded, just to appease her sense of communication, drinking his beer quietly. “Do you know her?”

He lowered his glass, and turned to see in the direction the barmaid had pointed out. In the corner of the bar, a few meters away from him, there was a woman occupying a single table, holding a glass mug of beer with a dishonest disinterest. She was dressed simply, with a plain skirt and white blouse, her coat on the chair she was sitting, her hair done modestly, keep in those hair nets Duke thought were so funny.

She raised her eyes to him, and her bland expression disappeared, replaced by the smallest hint of a smile. She would have been in her thirties, maybe late twenties, or so he guessed, strong eyebrows and light-coloured eyes that glittered under the soft, warm light of the pub. Something about her was disconcerting, he felt as if the entire room was staring at her, as if she was the sole focus of a picture and the only thing worth looking at. She was pretty, but it wasn’t that that made her such a magnet of attention, it was something else. It scared him, astonished him. He locked eyes with the woman, and he blushed for no reason he could explain.

“Never seen her.” He said, truthfully. He turned away because the woman’s gaze was making him uncomfortable. Somehow he felt she knew what he was doing in that time period, but the mere idea sounded insane to him. How could she know?

“She’s been looking at you an awful lot, though.” The barmaid smiled at him, a bit wicked. “Hope you aren’t the married type.”

Zohariel watched him from her chair, intensely, her fingers fidgeting on her lap as she was focusing on expanding her presence so he would be drawn to her. Usually she did the opposite, quieting down her spirit so people’s lives wouldn’t get caught in the strength of her being, but this time she wanted him to notice her. She needed him to, otherwise he would commit the worst mistake of his life.

He looked, at last, confused and intrigued. No doubt he had a dozen questions, and no doubt she could have answered them patiently and carefully and gently, but he had a determination in his eyes that made her wary. One tiny wrong move, and the timeline would’ve gone to hell and Zohariel would be in an even bigger mess. She was intent on avoiding that. Unlike him, she knew who he was and his entire fate, but she never shared that with him, not until a long time in the future.

He resisted her presence, as much as he could. She had expected that. He was strong-willed and his abilities had a similar root to hers, no doubt her own fault. He sideeyed her from his place, wary; while her presence was strong thanks to her different frequency, she couldn’t control how people reacted to it. Some were attracted to her, some were terrified, some hated her on principle; it was a roussian roulette of psychology and emotion. Zee was beginning to feel hopeless when he finally moved towards her table, two mugs of cold beer in hand and he stood in front of her, his jacket too big for him, a clear sign those clothes didn’t belong to him.

“Do you mind?” He asked, quietly, almost shyly. It was rather unbecoming of him: she has expected him to be more forceful.

“Not at all.” She gestured with her chin to the chair across her.

Everyone at the pub watched as that strange fellow, for no apparent reason, sat down with that even stranger woman, whose attention had been craved by many, all whom she denied politely, so gently it was nearly cruel.

He slid the mug at her, pacifyingly. She let go of her empty one and closed her grip on the new one, a hint of a smirk on her lips.

“Rumour has it you have been dumping men left and right, tonight.” He said, taking a sip from his mug, his eyes locked onto hers. There was faint music playing in the background, an old tune, filled with white noise. The conversation resumed as Zee toned down her presence as much as she could.

“I enjoy the loneliness.” The corners of her mouth twitched up; he observed her carefully. She knew he was trying to figure her out; people from his time spot were terribly suspicious of anything odd.

“Yet, I’ve been told you can’t take your eyes off me.”

“You’re an odd one.” She said, jokingly, but there was enough truth in it to satisfy him. It didn’t, however.

“So are you.” He crossed his arms over the table, and she leaned in to whisper back at him.

“And together, the two of us make quite a pair in this trivial place.” She tilted her head. He hummed, the closest thing to a laughter he could give her. She leaned back on her chair, her drink in hand. “You look like a man on a mission, if you don’t mind me saying it.”

He hummed again, and his eyes lost focus and he was invaded by a sadness she was well familiar with. He wouldn’t know, of course; there was so much he didn’t know.

“You have no idea, miss.”

“Oh, I might.” She blinked slowly, but he barely reacted. He didn’t believe her, and she could scarcely blame him. Most time travelers struggled in their first months, even years; it was not the sort of thing one could easily adjust to. But Zee didn’t have time to do things subtly; Duke was about to make a very common mistake between time travelers who just discovered their powers: he thought he could change history. “Tell me, what brings you here?”

“Just passing by.”

“How vague! You sound as if you don’t want to talk, yet you’re the one who approached me.” Her amused tone sparked something in him, but by his attitude, it was probably something bad.

He looked at her, puzzled, baffled. She knew how this conversation would follow, it always happened the same way, the few times she had done it before, when she was still with the League. I don’t know why I did it, he would say, his senses betraying him, his mind being engulfed by the everlasting presence of her high frequency.

Being from another universe, Zohariel’s atoms vibrated in a frequency suited for her own universe, and her frequency was so high that in the universe she lived in, she disturbed the natural order of things. Some resisted it for longer, like Duke, but it was pointless; in the end, she could change their lives dramatically by simply existing in the same vicinity for long enough.

“I don’t know why I did it.” He said, looking around, carefully. “You were looking at me.”

“Was I?”

“Yes. A lot. Why?”

“I don’t know, I do a lot of things for no good reason.” She finished her glass and put it down with a soft noise. Her eyebrows had a crease between them, more about doubt than confusion. “You may not want to hear it, but I have some advice for you.”

“Really?”

“Yes. That which is consuming you right now, it is the sort of ailment that afflicts every one of us. You don’t believe I understand, I know, but I do." She sighed when he shook his head. "Grief is overwhelming. It feeds off our energy, our hopes, our fears. But it will pass, eventually, or at least fade to something bearable. Until then, you must persevere."

"How do you know I'm grieving?" There was a legitimate curiosity in his question.

"It's in your eyes." It was true, anyone who looked at him would have seen the pain he was in, but she knew more than just that. She knew everything and more. My responsibility, she often repeated to herself, my fault. Everything he was and would be and do was on her head and she wanted to make sure he didn't do anything stupid. "All over your face. You could use a shave, no offense. I like the beard, but these folks… They're on a different time."

"More free advice? Who would have thought?" He mocked, but there was very little malice in his attitude. He thought of her as odd, quirky. A weird woman in a weird time spot.

"What can I say, I appreciate being helpful and advice from me is a common item to spread around." She raised her eyebrows, amused. "I hope you will heed my words."

"I don't believe you told me your name."

She smiled, sweet and mischievous.

"While my advice is free of charge, my name is a luxury item, in this silly metaphor." She tapped at his hand, gently, and he pulled away as if she had given him a shock. He checked his watch and she observed, quietly, hopeless, intrigued. He brushed his thighs before he stood up, and Zohariel thought he looked exhausted.

He must be, she thought, he probably has no idea how to properly time travel.

The first mistake of a rookie was to go back or forth in time without mastering their powers, which could also be translated to, without knowing how to go back to their time spot. They'd get stuck, and create anachronisms which would then trigger the League. If they did little damage and were untrained and not dangerous, the League would do nothing more than fix the issues, and give them a reprimand and invite them in - very few people refused an invitation like that. However, as Zohariel knew because she had used the League's rating system, Duke was to be considered a red alert threat; he was an anachronist who would stop at nearly nothing to achieve his goal and neither would the League. Worst fate was to have his memories deleted and have him do mild paperwork, while keeping him on his own time spot. It was cruel, in Zee's opinion; worse even than just erasing his existence entirely.

"I appreciate your kindness, but you don't really understand." He nodded before walking out of the pub. Zee watched, almost as if that was a film.

She knew where he was going and she knew she had to stop him before the League did.

#my*writing #writers on tumblr #scifi #writeblr #writblr

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kylermalloy · 5 years ago

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So, I'm curious, what is your favourite TO episode? If you are able to make a choice ;)

Oh, oh! This is one ‘favorites’ question I have no problem answering.

My favorite episode is and has always been the season 1 finale, “From a Cradle to a Grave.” Honestly, I think this is where the show peaked in its writing. I was on the edge of my seat the entire episode, just loving the excitement, the tension, the themes, and all the narrative threads coming together in one culminating, sweeping episode.

This episode is everything I love about the show. Murder, mayhem, and family :) But seriously! (Omg am I going to have to do a blow-by-blow of the episode? I think I might.)

In that case, the rest goes under a cut. (Spoilers for TO ahead!)

The episode begins with Hayley giving birth, induced by the witches who betrayed Klaus. It’s in the church, that unholy horror of a murder museum.

Intercut with the rose-tinted flashback of pregnant Hayley and Klaus feeling their baby kick, Hayley gives birth as her voiceover promises a safe home and family to “Zoe…or Caitlyn, or Angela.”

*irony* but it hurts.

Klaus and Hayley are, for once, united in the fight for their child. They’ve been at each others’ throats all season, and in the past neither have had trouble getting their way. But in this crucial hour neither the Original hybrid or the uncontrollable mama wolf can do anything.

Can I say: I love love LOVE that look Klaus and Hayley share after the baby is born. Hayley asks to hold her, and they share this…look. Listen, I’m not much of a klayley shipper, but their partnership is golden. They’ve reached a tentative agreement at this point that they’re both going to play a role in raising the baby they created. The trust and pride and satisfaction between them in this moment, despite the horrid circumstances, melts me.

And then Hayley dies.

Klaus screaming NOOOOOOO is all of us in this moment.

Oh! And I almost forgot—Klaus being pinned to the wall in that Christlike pose. That was NOT an accident. It helps tie in to the larger theme they’re going for, that Elijah expounds for us later. He’s not a sinless, perfect Christ figure—in fact, he’s the opposite. He’s the monster under the bed, the devil in the night. One might even go so far as to say he’s the symbol for everyone to pin their problems to. The ultimate scapegoat. Not to say he didn’t exert some effort of his own to get there—this is the price he has to pay for his sins. Crucified, figuratively, forced to watch helpless as his newborn daughter is taken from him and her mother slaughtered.

Then Elijah bursts in. (Bless Daniel Gillies’s funky lil run, it gives me joy in the bleakest of times)

And this, oh goodness, this quiet grief they share over Hayley. Klaus has held her body since he woke up, I’m guessing, this woman who carried his child, chafed against every controlling measure he tried to impose on her, whom he holds some degree of respect and fondness for.

And Elijah, dear Elijah. He pinned all his hopes (hee) to this woman, this werewolf Madonna and her child. He gave her more space in his heart than he’d given anyone, including women who’d haunted him for centuries. And now she’s dead, just like anyone who’s had the misfortune of sparking his affections.

Klaus healing Elijah—HEY REMEMBER EARLY IN THE SEASON WHEN KLAUS BIT ELIJAH AND LEFT HIM TO SUFFER?! Now, Klaus offers his blood without compunction, without hesitation. This time it’s Elijah who hesistates. You have to wonder, is he deliberating which nightmare he would prefer—the torture of wolf venom, or the torture of Hayley’s death and her baby’s disappearance?

“You were bested? My invincible brother?”

Klaus doesn’t rise to the bait like he normally would. He barely reacts. He’s broken. He wanted too much—he played king and gained the whole world, but lost his soul. And then his kingdom.

You see why I love this episode?

We move to the graveyard, where we see not only Klaus and Elijah trapped in a maze, but the witches preparing for a sacrifice. Let’s not gloss over their costume change, either—in the church, for the birth, they were all clad in black. But here, as they prepare for their worst atrocity yet, infanticide, they wear pure white, like they’re going to a christening or something. *irony*

Then comes *the speech* from Elijah, the one that mirrors the pilot so perfectly (I know them both by heart, thank you very much.) In the pilot, Elijah’s speech is rousing, patient, and encouraging. Here, he has lost his patience. Here, he tells us what we’ve been seeing throughout the entire season.

“This is the world you created, Niklaus. All your scheming, the enemies you have made every day do your miserable life—what results did you expect? That your child would be born into a happy life? That the mother would be alive, to know her daughter? That we could live and thrive as some sort of family?”

“That was your fantasy, brother, not mine—”

“No, brother! This was our hope. This was our family’s hope. And now she is gone.” (And then we realize that he’s not just mourning the baby, that family he imagined—he mourns Hayley.) “Do you understand? I let this person in. I let her in. I don’t let people in.”

And Klaus’s reaction! This Klaus, with compassion he deserves only for his closest family—this is the Klaus that melts me. This is the scene that slaps. This is how we tie a bow on a season—nay, a millennium—of brotherly tension. They’re not healed; nothing could truly heal the damage they’ve done to each other (or the damage others have wrought on them) but it’s a start.

And Hayley wakes.

Before I go on, let me mention Marcel. Ally, enemy, friend, surrogate son to Klaus (and that could be all in one episode!) He’s destined for death by hybrid venom, having led his vampires into a massacre. All his attempts to rally his people have failed. He’s lost the city, and his vampires have been slaughtered by Guerrera werewolves. He has almost nothing left.

He goes out, armed to forcibly obtain Klaus’s blood and heal his friends—but he upon finding Klaus he makes very on-brand choice. He saves the baby.

He does what the combined efforts of Klaus, Hayley, and Elijah can’t. He wins Klaus’s trust back by saving his newborn daughter. He protects the innocent instead of contributing to the feud. He murders the girl he once tried to save from the Harvest. And he gets to meet his baby sister.

It’s strategy and heart all in one. It’s very Marcel.

He reconciles with Klaus, and Klaus heals him. They are healed—to some degree.

Then Klaus gets to hold his child for the first time, and we all die.

This is what the season has been building up to. Yes, it’s been building to Klaus being toppled off his throne, yes it’s been building to the splintering of his ego, but THIS is what we’ve been promised since the beginning—before the beginning of the show, even. The Original hybrid, brought to his knees by this child. His child. Someone he loves without reservation. Someone who doesn’t fear him. Someone innocent, who carries none of the burdens of their family. Someone who inspires hope in the hopeless. Someone he would kill for, or die for. (he does both)

And I can’t, I just can’t with them. I love the way JoMo handles the baby in this episode—very gingerly, a little awkwardly. It’s probably been a long time since Klaus has handled a baby (one that he hasn’t eaten D: ) and it’s just. so. endearing.

Meanwhile, Davina has…brought Mikael the destroyer back to life? I remember reading somewhere that Josh was supposed to die in this episode, and while I wouldn’t dare wish to deprive Josh of the happiness (and subsequent heartbreak) awaiting him in s2 and beyond, I think Davina’s motivations would’ve made more sense here if she were seeking to avenge her friend’s death. But I digress. Davina resurrects Mikael. Oh dear.

I haven’t mentioned Genevieve yet! She is one of my favorite antagonists. At first, she seemed to come out of nowhere, and I suspect she might have stepped into the narrative hole that was originally filled by Sophie Deveraux, but regardless I like her conflict. A witch cheated out of life (by an Original, no less!) and coerced to murder by her coven, living and dead. An apologetic killer. Yikes.

Klaus and Elijah then discuss how to protect the baby (and I swear in the opening shot it looks like they’re holding hands—but alas, it’s just a trick of the camera angle.) and Hayley helps them determine that they need to send her away. And let me say, Phoebe Tonkin impressed me more with her acting in seasons 2-3, but she hurts me here too. Ouch.

We get a few expository scenes—Francesca spins the werewolf attack into a gang war (she’s not wrong), Marcel makes a deal, Oliver is still an arrogant brat, and Davina plans to keep Mikael as her secret weapon (you poor child).

Then we get the most painful scenes in the episode, because even though we know this tragedy is a lie, it’s still a loss. The baby did not die, but their pain over losing her is real. Elijah says as much: “grief, after all, is grief.”

Klaus and Cami share a scene, and this is one of my favorites of them. Klaus admits that he finds her…beautiful. And for that reason, she should stay away from him. Whether you read this as romantic or not, it’s still so good. This is a woman Klaus pinpointed as being useful, intelligent, insightful, and strong enough to handle his psyche. They began with a rather twisted relationship (let’s save that essay on autonomy for another day, shall we?) but by the end of the season they’ve shared some experiences and gained more sympathy and respect for each other. And Klaus, in his moment of clarity and grief, recognizes that he is fundamentally not what she needs. (Or we could say this is all part of the lie. We’ll never know.)

Also, let me give a shoutout to the music in this episode! The two songs that play toward the end, Open Hands and Shallows are stellar. Speaking of the end! Let’s get into the biggest surprise this episode has for us.

“In what world will she be safe without her father? Who can protect her better than we?”

“There is one person.”

Rebekah. The thousand-year-old beauty queen I honestly thought we’d never see again after her exit in episode 16. The Original sister, the girl who loved too easily, who broke her brother’s heart and incurred his wrath. Who left to live her own life, who only could leave after her favorite brother set her free. Who always wanted what she couldn’t have, a family of her own.

And here she is, smiling at Klaus even though last time they screamed themselves hoarse in a graveyard and he put an enchanted stake through her chest, inches from her heart. She loves and hates him in equal measure, but she has nothing but love for this newborn baby. It’s a peace offering and the ultimate gesture of faith. Klaus could not trust anyone else in the world with his daughter, but he will hand her over to his beloved sister. It is the PERFECT way to end the season, especially with their parting words. Rebekah wants to know the baby’s name.

“Hope. Her name is Hope.”

They’ve been planning this gimmick from day ONE, I’m telling you. Ever since the pilot, when Elijah asks, “who’s more pathetic—the man who sees hope to make his family whole again? Or the coward who only sees the world through his own fear?” And I don’t care how cliche and gimmicky it is—if I did, I wouldn’t be watching this CW show. It’s perfect. This is what the baby means. She is the hope for this broken, broken family. She’s no savior—she doesn’t have to do anything but exist. But she reminds these siblings who, after a thousand years of bloodshed and fighting, are “the definition of cursed—always and forever,” that they can be better. They don’t have to remain the shells of who they were. They can pick up the pieces and begin a new chapter.

And that’s what this episode does for me, folks. It’s honestly too much to handle. I cannot watch this episode like a normal person—I writhe and scream and laugh maniacally and recite the lines. It’s a trip.

This episode concludes the season so strongly. It’s actually a major part of why I rank season 1 as my favorite! I did an official ranking of all 5 TO seasons a while back, which was a lot of fun.

#the originals #original groupies #asks #aeruthien #thanks for sending this in!#mymeta #to 1x22 #klaus mikaelson #elijah mikaelson #hayley marshall #hope mikaelson #marcel gerard #this got long but i'm not even sorry #i cannot express deeply enough my love for this episode #i was gonna find gifs of all the scenes but lbr i don't have that kind of patience #just enjoy my words #kylerrambles

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