#me rambling in the tags about marinette for a simple adrien edit: it's more likely than you think

[espurr-roba]

being adrien is suffering

[ladylynse]

Hello, I apologize if you have already answered what I am about to ask. When you write a story how do you develop the plot? And do you ever think about plot holes? If so how do you prevent those?

Hi, Anon. Thanks for asking!

I start with my idea. Sometimes it’s as simple as “it would be hilarious if Maddie saw Phantom get hit with the Booo-merang when she knows it reacts to her son”. Sometimes it’s a paragraph or two or ten of random ideas smushed together(technical term)--this is more or less the stage my DPxML fic is at. There’s a lot of me going, “Oooh, this would be fun” or “ooh, or I could do this”, and I’ll actually talk to myself like that in my notes. It’s long, ramble-y, grammatically incorrect, and basically the equivalent of me brainstorming some sort of initial idea, the root of the story. (I’m already rambling, so the rest of the answer will be under a read more.)

I then start doing a bit of research on stuff I’ll need to write the story. Depending on how long I’ve been in a fandom, this can be very basic stuff (people’s names) to more specific things (what day does Adrien have fencing?) and will always include some sort of cheat sheet for myself if the characters use slang (like Randy. And Jake.). If I come up with any ideas--or potential ideas--while doing that, I jot them down. Even if it’s a couple lines of dialogue or a way to end a scene, at some point, if I can write that scene into the story (eg Gwaine saw Merlin’s eyes glow gold.) All of this starts in my initial fic document and eventually gets moved to a scrap file associated with that fic. Do not delete ideas/scenes/dialogue/anything even if you aren’t currently using it. You might be able to recycle them into a different fic or later in the current story.

Then I start writing. To see if it’ll work. Even if I don’t have a very clear idea of where things are going yet, and certainly no idea of the end. Sometimes I need to try a few different ways to start a story (Reflections went through various iterations. Mockingbird and my DPxML fic are still in that stage) before I find one that seems to flow. That’s when I look at the situation the characters are in (or about to be in) and try to figure out their actions and reactions to the stuff I’m putting them through. And then I try to let that drive the plot. It’s something I’ve gotten better at over time--making it less obvious that the characters are doing that because that’s the way I want the story to go--but my best plots tend to be character-driven. (This may or may not help you avoid some plot holes. Depends on what the plot hole is. It’ll hopefully help you cut down on the “well, why didn’t they do that like they always do?” sort.)

If you need a character to do something that’s not in character for your plot to go the way you want, you need to give them a reason to act out of character (eg Danny not telling Jake his secret because there’s a paranormal studies/ghost hunters convention in town--and because Jazz keeps ragging on him). If you can’t give them that reason, then you need to find another way to achieve what you want to happen without them doing that--or change your initial idea for the plot. Even if you start with a plan in mind, you will probably have to tweak it at some point. This is normal. You’re just adapting to your story. Sometimes, a story will get away on you--it’ll write itself in a direction you weren’t expecting or past the point where you’d initially figured it would end (hello, Treachery)--but, at least in my experience, if it’s the characters driving the story that way, and you let them, it can actually turn out to be a better story than what you’d initially planned. (Again: Treachery. The unplanned part ie second half is much better than the planned part.) It’s just a matter of keeping them reasonably in character so that things don’t get too out of hand. 

I only think about plot holes once I notice them. Honestly, I’ve gotten good at patching. If something doesn’t occur to me, I can’t prevent writing it in. It’s not so much plot hole prevention for me as adaptation of the story to make it more acceptable once I realize it’s there.

Sometimes, when I’m editing a chapter or rereading something to remind myself of the story thus far/what’s happened, I’ll see something that doesn’t work that I’d missed before. (Random note on the ‘remembering what’s happened’ bit: if you plan a long fic taking place over multiple days, do yourself a favour and make a timeline for yourself in your scrap file. So much easier. That’ll allow you to make accurate references like “last week” and “three days ago”. I did this with Shattered and regretted nothing.) Once I notice a plot hole, I consider the damage. Have I posted something where it’s already stated? If I haven’t, repairing it typically isn’t that hard, though of course it depends on what it is--you just need to give it some justification, shaky or otherwise, or do a bit of rewriting to patch it up. Once it’s firmly written in and you don’t notice it until chapters later, your best bet is writing in justification for it later. In some cases, this involves you turning your plot hole into a plot point. It may be a small plot point or it might be a significant one that will actually shift your intended story a little bit. I did this a lot with my earlier Doctor Who crossovers. I got quite good at retroactive patching there, and my plot hole turned into foreshadowing, although in all fairness all of those involved time travel to one degree or another so that made things a bit easier; I didn’t have to stick to the rules of the actual universe. 

So here’s a plot hole of mine that’s recent that you might have noticed if you’ve read Down the Rabbit Hole: the note on Toby’s bed. Why...why are they communicating that way? Why go to the trouble of sending a note to him that way? Why not just phone or text or email? I missed that initially. And now I see it. And now I have justification (that hasn’t yet appeared in-fic) for not communicating by normal 21-century means. Depending on how things go, it might be hinting at something bigger, or it might just be a small one-off thing.

Now, in case you’re interested in my disaster of a ‘planning paragraph’, this was how Masks began--and please bear in mind I’d seen ten episodes, subbed, at this point and wasn’t entirely sure on what stuff was called:

Blademaster. Fights with knives. Unless it’s someone fromAdrien’s fencing class; the transformation could make that thing deadly sharp.That’s better, actually. Go with that. Marinette actually beats Adrien to thetransformation because she was skulking around waiting for him to come outafter class/lesson/club/whatever it is is over (to just ‘happen to be there’and try to ask him to catch a movie or something in casual conversation) andheard the commotion, while he got caught up in the fleeing people beforemanaging to sidestep and transform. Ladybug hasn’t managed to get the swordaway from Blademaster in the meantime and nearly gets the cord of her luckycharm thing cut for her trouble. Chat Noir shows up and pretty much fences withhis quarterstaff thing until Blademaster starts to cheat, at which point hevaults over him and tags him from behind, hoping the distraction is enough forLadybug to free herself from whatever she ended up in. Evil moth guy isdemanding the gems, so Blademaster starts trying to take a slice out of ChatNoir, who evades rather than parries, trying to draw Blademaster awayfrom…something…and Ladybug takes over when he’s backed into a corner and needsto turn to scale the wall. She yells at him to get the something away if he’sfigured out what Blademaster is after—she hasn’t, yet; just that the blade isprobably what the akuma is in—and Adrien, being there for the transformation,knows exactly what happened and can oblige. But he isn’t long out the door whenhe hears Ladybug scream; Blademaster had either grabbed another blade orsomehow acquired something sharp—I’ve never fenced; I’m not entirely sure howsharp those things are—and while avoiding one blow, she jolted off the courseof the other and got her earlobe sliced off/the gem ripped out. Blademaster hasa gem—moth guy is rejoicing and demanding he now get the other one—andMarinette, with one hand clamped to her ear, has to get out of there despitethe pain because as much as she needs to get Tikki (?) back, she doesn’t wantto risk her identity and—more importantly—she’s not sure how much longer shecan remain upright. She hits the change room or office or something, aiming fora first aid kit or at least a wad of toilet paper, and Chat Noir is shocked theLadybug is gone. He manages to defeat Blademaster and retrieve her gem, but itis inactive, and while he manages to catch the dark butterfly in a fencingmask, he doesn’t have the means to banish its evil OR to erase the ill that hashappened here; that’s Ladybug’s turf. But how is he supposed to return hergem—return her—when he doesn’t knowwho she is, and his own transformation is wearing off? (Marinette will bepulling a new hairstyle or modelling a hat or just plain skipping school—ifthere IS school; what day was fencing class again?—and getting Alya to coverfor her with her parents on the pretence that she’s trying to work up thecourage to do something with Adrien, perhaps, and she really doesn’t want tohave that conversation with her mom,when in reality she’s just trying to find Tikki. Not sure what happened withTikki, exactly. Needs to regain energy, which Plagg (?) would know and informChat Noir accordingly, but with them trying to keep secrets from each other….)

and that will give way to notes like this:

Tikki, PlaggMiracle Stones/MiraculousHawkmoth

Ladybug – lucky charm at end, always ends up with somethingshe doesn’t know what to do with at first and then figures it out; yo-yocompact; BOTH EARRINGS for the miracle stones…but maybe ripping one out woulddeactivate the other. She is the ONLY ONE who can cleanse the akumas. Chat Noir – (allergic to feathers), ancient destruction/cataclysm; batonYeah, if that ring comes off, the Kwami is forced out and the detransformationis right awayPlagg is SUCH a glutton, he’ll even chase after stuff he thinks is food

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Okay. Adrien picks up Tikki and Miracle Stone, so Marinettefinds nothing and tries to track down Chat Noir, but Tikki, once recovered, canjust tell Adrien who Marinette is. Problem solved. That’s not fun. Unless Tikkidecides to respect Marinette’s wishes?

Or maybe they each find one earring, and Tikki isn’t wellbecause they’re divided?

Adrien and Marinette can both find nothing—Marinette because she hasn’t achance to look, Adrien because he doesn’t know TO look—but unless Tikki’strapped there, she gotta be able to get out.

Wait, Adrien’s chivalrous. He’ll respect Ladybug’s wishes.Even if he hates it

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If Plagg can’t see, when they transform, Adrien won’t beable to see, either.

“What do you mean, I can’t transform?”“If we transform, this thing would get sucked in, too, and you won’t be able to do anything.” [lines from the Rogercop episode]

Statue set on green stone (granite?) with the top edgejutting out about chin height for Adrien

-------------------------Nope, gonna have to go back and change Blademaster’s restoration to Phillipebecause that DOES seem to be after Ladybug’s restoration. [turns out I was right the first time with this, but I’d checked with someone else and they’d thought no one changed back until after the Miraculous Ladybug bit, so I’d changed my initial plans here, and a few months later we got an episode that confirmed that, no, the magic link just needs to be broken, things don’t need to be fixed yet.]