#maybe once I manage to make a lot of pages then it'll be a proper magazine

[legallybrunettedotcom]

Thinking about my zine so if you got any ideas for it, feel free to share w me, or if you want to actually write something or create, that'd be cool too. It should be 90s related or it can be about sth before 90s (like the Madchester thing I did), but you can also make cheeky contemporary references. But you should have a 90s mindset 😁😁😁 like music, film, fashion, pop culture, books too actually, you can make a quiz, really anything.

[greentrickster]

For the Great God Airplane AU, this time I've been thinking a bit more about Airplane and Shen Jiu having another, proper meeting after Shang Qinghua's regained his divine memories. Because, while it was... nice to hear that open acceptance, that Shangdi was glad that Shen Jiu managed to become Ninth Road, that even his creator thought the fate he'd written for Shen Jiu was too harsh... the fact remains that he still wrote it. Still allowed it to happen.

(He came down from Heaven and incarnated to witness these long-destined events, and to save the world... but not early enough to save Shen Jiu.)

And that sort of thing leaves questions, especially after having had a bit over ten years to think on it (to stew on it (for, for all that they love him, his heavenly siblings openly love Airplane Shangdi best of all things, so he's never even considered speaking to them on this subject))). And the most important question is simply...

Why?

Why allow this to happen?

If you love this world and its people so much, if you wanted to save them from destruction, why let the events leading to it play out in such a way? Why try and change it as a man instead of an all-powerful god?

Why?

They're sitting in one of An Ding's gardens, near enough Shang Qinghua's leisure house to ensure privacy, but nowhere they ever encountered each other in Ninth Road's first life. Shang Qinghua had been getting a breath of fresh air before his newest Official chose this moment to pop up next to him again, as refined and skittish as a street cat still learning how to trust. And, as the one who created him, Qinghua knows exactly how close to truth that comparison is, and mentally rearranges his schedule to prioritize this discussion before doing his best to answer in a way someone who hasn't been there from the beginning will properly understand. In the end he pulls a book out of his sleeve, holding it in his hands.

"Okay, so, books have a lot of words in them, right? And when you're first writing the book, it's fairly easy to go back and check over what you've written, make changes, correct mistakes. But once- once it's published? And there are people out there reading it, buying their own copies? After that it's- I can edit my own copy as much as I want, and it'll be the most accurate version, because I'm the author, but I can't go and just... edit everyone else's copy as well, you know? Maybe if it was just one or two copies that I gave to friends, but not-not everyone's.

"And this- my story. About you and Luo Binge. 'The Grand Fate of the World,' if you want to use your heavenly siblings' term for it... Imagine that as a book. Not just one book, a whole series of books, a series that's millions of words long, and everything in this world has its own set of them. Like, look," he bends down and scoops up a handful of dust, letting it sift between his fingers to blow away in the breeze once he's upright again. "Every single particle of dust I just picked up? Had the equivalent of its own copy of that story inside it. And it's the same for every speck of dust, every drop of liquid, every sliver of bone, every breath of air, every tiny piece of anything that makes this world. And- and I couldn't go through and edit every single copy of those stories, not even as Shangdi, not without- ...not without taking the world apart into nothing again and completely remaking it.

"And by the time it all started to feel really real to me, more than just a chance to tell a story I'd wanted to write more than anything in my last life, but tell it right this time.... by the time I reached that point, it was- hundreds of years had passed, and- and the world was full of people, real, living people, and I had my Officials, and they were part of this world too, and- and they were all real and I couldn't just... erase them like they were words on a page, you're all full of stories, but you're not just words on a page, you're real people."

He says it with such quiet intensity that it's startling. Ninth Road is so used to seeing Shang Qinghua as slippery, untrustworthy, nervous, perhaps overworked, he's never seen him talk about something he's truly passionate about.

About something he truly cares about.

And it is obvious, in this instant, that Shang Qinghua, that Airplane Shangdi, truly cares about this world and its people. Cares about them more than he has words to properly express, even as a god or a writer.

"And I couldn't fix it as Shangdi," Shang Qinghua continues, oblivious to Ninth Road's musings, "I couldn't- I'm really powerful like that, but for something so big and delicate, it's either scrap the whole project and start over or get right down deep inside and try to fix things from there. And I just- what would be the point of making it all again, if I did just start over? It wouldn't be the same, and this world's kinda a hot mess in a lot of ways, but... that's part of why I like it so much! But I broke it, or set it up to get broken, so... I had to come down and fix it. But then I couldn't do it on my own, so... so I asked for help. And you answered. And Cucumber-bro answered. And... now we're here, and- and I'm sorry. I'm sorry, I didn't- I should have done it better right from the beginning, I should have- fuck, thank-you. You saved my world. You saved everyone. You saved me. I'm so glad you're the one who answered when I asked, thank-you."

It's... sincere. Too sincere for one with a face as thin as Ninth Road's, and praise too high for the part he played. "It was Shen Qingqiu who did as you say, not this Official."

Shangdi fucking scoffs at this. "Cucumber-bro may have done the legwork, but he wouldn't have been able to do a damn thing if you hadn't answered my call. And I know you, Ninth Road, I know you didn't actually believe you'd actually get anything for doing what you got asked! Nothing can get done if there's no room to do anything, and you gave it all up to make room. And I'm god and I'm right, so just- just be polite and say 'you're welcome' for once, because I'm an obnoxious little shit and I won't stop thanking until you get that you genuinely did something worth being thanked for! So there!"

...

...there's not a lot you can really say to a rebuttal like that, other than the world's stiffest, most awkward, "You're welcome," to which he gets a big smile, another equally big "Thank-you!", and some free gossip on what stupid things Shang Qinghua's martial siblings have done recently.

It's... kind of nice.

Not nice enough for Ninth Road to feel inclined to inform Airplane that there are technically two Luo Binghes running around in this world now, but still... nice.

(And it's not like he needs to tell him, he'll figure it out for himself.)

(Eventually.)

[yoiku]

Just some thoughts and wonderings about my comic project under the cut. Comments and thoughts are very welcome if you might have any!

Now that I've finished the first sketchbook of comic draft (119pages), scanned all of them and sorted them into chapters... I'm thinking a lot about what kind of update frequency and page amount I should be going for. All I know is that as a start I want to post the entire starting chapter (15pages) so people can get an idea of what's it going to be like. Maybe I'll figure out a suitable pace once I've digitized/drawn clean a small amount of pages, to see what kind of pace I can draw them with in general. (I'm sure it'll get faster once I get used to the layout and tools and all that.) But I'm still wondering what kind of chunks should I update with to have a good "rhytmn" so to say, so that it doesn't feel like it's updating too few pages at a time and people would feel like it's difficult to stay on top of the story over time. That is to say, people like to read (web)comics differently anyway, some won't bother to check small updates weekly/biweekly etc, and will rather come back to read when there's been a bigger chunk of new pages. So far my chapters seem to be around 20 pages, with few being 30-40... Would be cool to be able to update a whole chapter/month and the larger ones bi-monthly... But I don't think I could keep up a pace like that, esp with the latter chapters that will have huge amount of backgrounds to be drawn. So I'm pretty sure I have to go with smaller chunks. Personally i feel like 2-3 pages/week seems doable, but I also feel like that's not very fitting with how the pace of the comic is. So maybe 4-6pages biweekly would be better...? I will of course have a longer break every now and then so I can keep up with the draft and allow myself proper breaks too, but generally I would reaaaally like to do my best to keep up at least somewhat of a steady pace >_< I know I work better with structure and clear plans, but I'm also absolutely terrible at keeping any routines and schedules of my own making.(And nobody can predict artblocks or depressive episodes q_q)

I've also struggled over trying to figure out the name/title for the whole thing for a few months now. I've browsed thesaurus for words and their meanings so much with no real progress x_x

And another topic of many questions has been I will I publish it. Am I just going to make a site of my own for it that I can fully manage myself (shitton of extra work tho and probably some costs...) Am I going to publish it on something like Tapas.io and maybe be able to make some ad revenue money on the side? Am I going to start a patreon to publish it on? (would definitely turn away people even if it's 1$/month to get access to it)

Another thing that definitely throws some sticks in the gears about the publishing bit is that I'm planning on having the spicy bits of the comic be optional. So people who aren't interested in reading sexual content can skip the spicy bits without it making too big of a difference in the depth of the story. Vast majority of it is fluff after all. Buuuut. The spicy bits. Part of me really wants to put those behind a small paywall like patreon, because boy would I need some extra monies and boy do I know that people who are into spicy content are often willing to pay for it too if it hits their interests. But this whole separation of parts in the chapters will make it difficult or weird to try and publish on places like Tapas etc, that have separate sections for PG/adult rated comics. Also if I'd simply publish it as an adult one and it will be 80% fluff... I think people who search for spicy comics will keep interest in it - meanwhile it would also not find the audience that will never even search through the adult section. If I published through my own site via, say... squarespace, I could throw a link to patreon or such at the point where the spicy chapters would be...? OR I could just upload all of it with the spicy bits and just put in clear a clear warning and option to skip past the spicy bit for those uninterested. + I could do the thing that public uploads are slower but you can access new pages earlier through Patreon. This would make it optional for everyone which would be the... kindest choice I feel, while still giving me the possibility of making some few monies perhaps. (one can hope eh)

I'm also thinking about putting other illustrations and content through the "patreon timegate" that many artists do -peeps who want to see content earlier/access some extra content can pay for it if they want. I don't think I could do enough content for a patreon to keep it interesting enough if I wasn't working on the comic. So that whole things is still a big question mark as well.

Many big think. Brain heavy.

[the-hetchia-universe]

So i found i miciti disney of phantom blot!

And i wanted to share the translated version of the interview ! ( and i like he has some kinda story behind the interview. The extras will be on a reblog post.)

"If I didn't have a heart of gold..."

Meeting within the walls of the prison with the one who likes to call himself a villain unique in style, intelligence and personality. A true emperor of crime, if it were not for the too much sensitivity that makes him hate violence and has prevented him on various occasions to get rid of the enemy Mickey, for now.

When it was decided to dedicate a volume - and a coin - to The Phantom blot, it was prudently placed towards the end of the series, in the belief that sooner or later the person concerned would be available for the ritual interview.

The reasoning did not make a wrinkle: more than six months would have been enough for him to try to pull off one of his famous shots, which would have been followed by the probable (not to say inevitable) arrest, and so it would have been easy to meet him in the cooler.

And instead, time has passed and no news of the lantitante Phantom blot has been heard.

That he had decided to take a long vacation or, even worse, to retire permanently from...business?

The only hope of not being forced to write with blank pages was placed in the major expert of the black character and his nemesis for sixty years, and that is Mickey. Who immediately reassured us. "No, Phantom Blot doesn't know what the holidays are," he said convinced.

"And as for the idea of retiring, I don't think it ever even crossed his twisted mind. He's not the type to sit on his hands, and even if he was, he'd never retire before he took me off the streets. He swore it to me... and he's not the type to break his word."

But then how did you explain him not talking about himself for so long? 

"He's on a break," sentenced Mickey. "he's preparing a big score... and I know which one too!"

At the Mousetown Research Center, very advanced studies were underway on a device to make people invisible. Very secret studies, of course, but not for Phantom Blot, as revealed by an ingenious electronic bug system discovered by chance at the Center.

There was no doubt that he was the one who planted them.

"Invisibility has always been his dream," Mickey said.

"And with that device, he'd have one that's perfectly good, not the handcrafted one that gives him his black cloak in the night."

the bug hadn't been removed, so as not to put the Phantom blot on the forewarning so that we could catch him red-handed at the appropriate time. Which, unfortunately, wouldn't be for a few months at the earliest. And to hasten the time was not even talked about it: even if it had been possible, an interview would hardly have been a sufficient reason to speed up the work.

I was already resigned to having to give up the interview when I had a dazzling idea. What if he just pretended to finish the job? A nice, exclusive benefit performance by Blot and his bugs and...

"And he'll bite for sure, because he doesn't know that we know that he knows!" exclaimed Mickey.

"Besides, if he has to act sooner than expected, he won't have the time to get his plans right, and it'll be easier to neutralize him. And there is another advantage: even if he gets away with it, he will have nothing to steal. But he won't get away with it..."

Mickey was a good man (not that it took long: all the precedents were in his favor) and so here I am, in Mousetown prison, visiting the blackest black character in the Disney world.

Who receives me in his usual cell. I'd like to describe him, but how do you tell something you can't see? The room, in fact, is in total darkness...

Interviewing an invisible subject is not the best, but taking notes in the dark is impossible...can't you turn on a light?

PB: Yes, but then you'll miss the right dark atmosphere.

Patience, I'll work on my imagination.

PB: I hope you've had enough. Anyway, I'm keeping the cloak and hood. Without them, I wouldn't be me anymore. Even the warden lets me wear them when I'm in jail. He has respect for my personality...

Me too, I assure you. You've always been my favorite negative character. The best villain. And don't get me wrong, when I say "bad"...

PB: There's no need to add anything else. I get it. On the other hand, how could you define me differently? Well, maybe instead of "bad," you could use the term "evil." I think it suits me better and is more exclusive. I'm the only one who's evil, and the comic book pages are full of villains.

And no one remotely has my class. Not to mention style, intelligence and personality.

Modesty, on the other hand, is quite common among you criminals...

PB: If you think you're funny, you're very wrong. I'm not immodest, I'm just telling it like it is. I'm not the kind of guy who's special, I'm not the kind of guy you're looking for.

That's what Floyd Gottfredson thought, too... 

PB: He's designed me. You ever wonder why I made myself look so much like Walt Disney?

As a joke, if I'm not mistaken.

PB: Pff! That's the official version. The truth is, he wanted to pay tribute to a great man by making him play a great character. And who could you find better than me? Walt and I have a lot in common.

Certainly not a criminal record.

PB: Obviously not. But we're both geniuses.

With very different results, though. His career has been a little bit better than yours. Speaking of which, can you explain the long hole between your first compo, in 1939, and your return to action, in 1955? Sixteen years is a long time: what have you been doing in all that time?

PB: If you had that imagination you boasted about earlier, you wouldn't ask me such a question. It's obvious I've been in prison. Serving my long sentence and figuring out how to get revenge on the man who put me away. You should have known better. And if you're really a fan of mine, you should know that I almost succeeded. I had a diabolical plan, a revenge so subtle that only I could have imagined it. Nothing crude, no direct violence. Mickey sabotaged himself with his own hands! I hope you publish the story of my return to the scene, so that readers will also appreciate my genius.

It's the first of this volume, a real classic. You really missed nothing because you're getting rid of your enemy. In this regard, can you explain me why, even though you had several times - and since your first encounter - the possibility to eliminate Mickey directly, you never did it?

PB: Because I'm too sensitive. I hate violence and I could never get my hands dirty. I wish I could. It would be so easy to just get the rat out of the way! But instead I'm forced to make deadly contraptions or studying very complicated subjects. Imagine that once, in order to get rid of my hated enemy, I managed to erase it from the mind of every inhabitant of Mousetown. Of course, as you can gather from my presence here, it didn't help. Do you know what that crude Pete once said to me, who I often share a cell with? That without my good heart, I'd be the emperor of crime! I hate to do this, but I have to agree with him.

Yeah, if it hadn't been Mickey in his way... He's blacked you out plenty of times!

PB: Yeah ! That's some low-rent humor. Why don't you also say that it's...stained my career? I don't mind anyway, because I'm tenacious, me. I'll never give up. I know what I'm worth, and I know the day will come when I can get rid of Mickey once and for all. That is, if luck doesn't keep on helping him, of course. That nosy little chap's always got a dose to envy even Gladstone.

You're not saying that to console yourself? The way you're putting it, it sounds like Mickey doesn't deserve any credit for putting you in jail. I'll grant you that sometimes he got away with it because your sensitivity prevented you from giving him the coup de grâce, but to say that he beats you regularly just because he's lucky, seems too much.

PB: Is that what you think? Then let us examine this latest supposed success of the brilliant detective, the genius of investigators, the terror of criminals. Tsk! I was preparing a perfect score, according to a schedule studied in detail... and what happens? That those scientists realize much earlier than expected the invention that I was so interested in, thus forcing me into a hasty action that led to my arrest. Mickey was there waiting for me, but if I'd had time to make a proper plan, I'd have done it under his nose, always snooping around. Grrr! And you're telling me he's not lucky?

Well, yeah, maybe a little. I'll grant you that it's not his fault, but the case, if the microplashes you had installed at the Research Center were discovered. But he was the one who figured out you planted them and had the idea to leave them where they were so you wouldn't get suspicious. And the fact that the invention was ready before its time is not a stroke of luck, but simply... false news.

PB: What?! You made that up. I don't believe it!

And it hurts, because I know what I'm talking about. I'm the one who gave him the idea. I went to consult him to find a way to interview you... Hey! Why did you get up? You don't want to...

PB: ...hurt you? No! I hate violence, you know that. I just want to hug you to show my appreciation! You are living proof that Mickey beats me just because he is lucky. But do you realize? I ended up in jail because of an interview!

That we can continue...

PB: Ah no! Even if I'm not angry with you, I don't talk to my worst enemy's allies. It's a matter of principle... that brings us to the end. So I'd be grateful if you'd leave. And on your way out, turn off the light!