#maybe because the filming was done in covid times BUT it's sam raimi he would reference his friends
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miraculousbohemian · 2 years ago
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thedeaditeslayer · 4 years ago
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Moonshine, shotguns, buried cash: Bruce Campbell on 'The Evil Dead' in East Tennessee.
There are plenty of structurally sound homes scattered throughout East Tennessee's woods for tourists to enjoy, yet some prefer to visit the ruins of a Morristown cabin. Of course, it's the only cabin in the state once surrounded by demonizing trees and where zombies could be found locked in the cellar. A handful of circumstances led a Michigan film crew to East Tennessee in the late '70s to film the low-budget movie "The Evil Dead." More than 40 years later, the film is till very much alive in horror-enthusiast circles, with a special virtual screening scheduled for Jan. 23. The screening will include behind-the-scenes commentary from producer and actor Bruce Campbell, who recently spoke with Knox News about his time in East Tennessee and what's next for the "Evil Dead" franchise.
Check out our conversation with Campbell and visit bit.ly/WatchwithBruce to purchase tickets, starting at $25.  
How'd you end up in East Tennessee?
The crew planned to shoot the film in Michigan, but as delays got longer and the weather got colder, the thought of shooting outdoors in the North sounded less appealing.
"There were plenty of isolated cabins in Michigan that would have done the trick, but we went south," Campbell told Knox News.
The crew connected with folks from Tennessee's film commission, who then connected them with a local to drive them around.
"And we checked out half a dozen different possible places and finally found this creepy-ass place outside of Morristown," Campbell said.
He visited the cabin a few years back, although there's not much left of it.
"But it's private property, you know — 'Stay the hell off,'" Campbell said. "The usual deal (in) Tennessee: Shoot first, ask questions later. I never encourage people to go see it because part of the placed burned down in the '80s, but part of the fireplace still exists."
That hasn't stopped people from showing up at conventions with bricks to show Campbell, as the site has become a tourist destination of sorts.
Was the cabin as scary as it looks?
Fans of "The Evil Dead" might be surprised to learn the cabin was more scary than it appeared on screen.
"It had no power," Campbell said. "It had cow s--- on the floor. We had to knock doors and ceilings out and stuff. There was a lot of work to do. The locals showed up after a thunderstorm and said, 'Hey, have you seen Clara?'"
The story goes that people were once killed in the cabin during a storm, but Clara ran off.
Clara was rumored to come back to the cabin during storms and would have been an old lady at the time of filming "The Evil Dead."
"And so we were waited to see with bated breath if anyone caught out of the corner of their eyes some old woman crawling through the underbrush whose name happened to be Clara," Campbell said.
What was your experience in East TN?
Coming to East Tennessee in 1979 was a "fascinating cultural experience," Campbell said.
"It was all new," he said. "In 1979 you knew Tennessee was not Michigan. ... It changed in Kentucky, and we drove down."
Being that Campbell was a producer, he went to a bank to take out $10,000 in cash that he recalls smelling like dirt. He asked the woman at the bank if he was imagining the smell.
"Oh yeah, people still bury it in their back yard," he recalls her saying.
The crew tried their first moonshine in Tennessee, which they acquired along with marijuana from a local.
"We learned a lot about moonshine," Campbell said. "Too much. Too much."
Why did you decide on horror?
Campbell's early "Super 8" movies were slapstick style — "very 'Jackass'-like," he said.
But that changed after "The Evil Dead" director Sam Raimi, Campbell's high school friend, went off to college.
"He was sort of studying humanities or something and studied like the Sumerian book of the dead," Campbell said. "And that kind of caught his attention."
They knew they wanted to get into the movie industry after high school; they just didn't know what kind of movie to make.
"We sort of thought horror would be pretty safe," he said. "It's cheap, you don't have to have name actors, you can use regular street clothes and cars. Nothing had to be glitzy or fancy. If we did a comedy, you'd have to have John Candy or somebody. But, in this case, you were off the hook. Horror was very forgiving."
Raimi was interested in the subject matter, Campbell said. Once "The Evil Dead" story was selected, he was all in.
"We also thought no holds barred," Campbell said. "This movie is potentially unrated. Let's not pull any punches."
What were some low-budget tricks?
Being that the film was low budget, Campbell said, there were some tricks the crew used to make shots work.
"Every hour of every day on that shoot we were faking it," he said.
The moonshine they couldn't drink went onto the fire just before cameras rolled to make the flames roar.
"So we learned how to do that real cheaply," he said. "We learned to just use a real shotgun with real ammunition. That was just the easiest way to do it. ... The shadow passes over the window, you turn and you blow the window out with the shotgun just standing right there — no safety glasses, no earmuffs, no nothing.
"So simpler times, but stupider times. Hell yeah."
How do you illustrate fear on camera?
Illustrating fear on camera is just like illustrating any other emotion: You fake it, Campbell said.
He remembers someone at a Q&A criticizing his "Evil Dead" performance for being over-the-top.
"Sir, excuse me," Campbell recalls saying. "Can you verify sitting in that chair right now how you would react if your (girlfriend's) eyes turned white and she flew up into the air and got possessed and tried to rip your throat out? Would you react like Clint Eastwood? I would scream like a girl."
Campbell said his performances are "protected" by the fact no one knows how they actually would react. And while many modern films require even more faking, due to computer technology replacing sets, "The Evil Dead" had an advantage.
"You don't see anything anymore," Campbell said. "At least with the first 'Evil Dead,' you're in a real cabin in the middle of nowhere in the Deep South in 1979. I mean, it was weird as --- already.
"So, the nice little edge that 'Evil Dead' gets is it's a little docu-horror once you get deeper into the shoot and we all get a little crazier."
Why have you stuck with the franchise?
One of the reasons Campbell continues to be a part of the franchise is his love for his Ash character.
"He has no skills," he said. "In this case, the guy who saves the world from evil multiple times is — by the time he gets to the TV show, he's doing mescaline, he's drinking his ass off, he smokes reefer constantly. This is my kind of hero."
What will the screening be like?
The virtual watch party and live commentary will be different than what some fans are used to. Campbell will have the ability to stop and start the movie to share his thoughts.
"My problem with commentary always in the past is you see something that triggers it — a stunt or a punch in the face — and you tell about what happened," he said. "But then, you tell that story and you look back and you missed three other stories you could have told if that film hadn't just rolled along."
What's it like to watch yourself?
When asked what it's like to watch a young version of himself on screen, Campbell explained how being an actor is a double-edged sword. On one hand, every bad photo taken of Campbell is out there for the world to see.
"But then your best work is documented," he said. "That's what's awesome. Because a lot of guys go, 'I remember back in the day the chicks thought I was hot.' And most people are like, 'Yeah, yeah — sure pal.' At least I can suggest a couple of movies that I go, 'Well, this is me when I could do s---.'"
What's next for 'Evil Dead'?
Campbell said he's planning to shoot the next  "Evil Dead" movie in New Zealand later this year. The film will be set in a modern-day urban setting.
While he couldn't share much about the film, he did emphasize that "it's out of the woods."
"That's the best thing to say," he said.
Campbell also has a film called "Black Friday," in which he plays a manager at a toy store invaded by aliens on Black Friday. Campbell said he's interested in doing a drive-in tour and that it would make "a whole lot of sense" to show 'The Evil Dead' somewhere near Knoxville.
"Maybe I'll see you there in East Tennessee with this new movie," he said.
What are the challenges of COVID-19?
Campbell filmed during the COVID-19 pandemic in December, even though he had no clue what to expect.
"The whole crew looks like Darth Vader," Campbell said. "In proximity, you have to go beyond the mask. You have to put the shield too. The good news is Tom Cruise would shout at us, of course, if we had any problems with COVID."
In all seriousness, he said. the industry has been doing a good job taking precautions making sure work can be completed safely.
"Everything's more complicated, but it can still be done," he said.
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thedeaditeslayer · 4 years ago
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Crash Palace Interview: Catching Up with Dana DeLorenzo.
This interview briefly brushes over Ash vs Evil Dead and Dana’s latest projects.
Even though it has been over two years since Ash vs Evil Dead has been on the air, fans still clamor for their favorite badass, Deadite slaying heroine, Kelly Maxwell. Dana DeLorenzo, the actress behind her is equally adored and cherished by admirers of the Sam Raimi legendary horror franchise.  
So, as always, I was thrilled to speak with her about life after Ash, her latest movie, the heartwarming holiday comedy, Friendsgiving and what she has on the horizon. Welcome to the Crash Palace Interview with Dana DeLorenzo…  
The Denouement of Ash vs Evil Dead Crash Palace: Thanks for speaking with me, Dana. It’s always a pleasure. Let’s talk about life after Ash vs Evil Dead. As you know, Lee Cronin is helming the latest installment in the Evil Dead franchise, Evil Dead Rise. Fans were hoping that the Ghostbeaters would be a part of that venture. While we know it is going in a different direction, do you think Kelly Maxwell could show up some time in the future?  
Dana DeLorenzo: One can dream, right? Let me take this moment, right off the bat to say something I say often because I mean it, and I can’t say it enough. People who know me know this is not fan service. I say it when I’m not doing interviews; I say it to my closest friends and my family on the regular.
I am so grateful to the fans of Ash vs Evil Dead and the Evil Dead franchise all over the world. They have truly been my Jiminy Crickets throughout this insane, bizarre year that is 2020. They have gotten me through so many of the toughest days, just by keeping the bloody love alive. With every year that passes, even though we haven’t filmed a season of the show for three years, it feels like it’s fresh because of the fans .
So, to all you Ghostbeaters out there: I thank you from the bottom of my heart. I hope I get to meet all of you someday. But I can’t convey enough how your passion and love of the show has gotten me through this 2020 roller coaster; thank you for keeping Kelly’s ass-kicking spirit alive! On that note, I have really missed the show, I’ve missed playing Kelly. I posted some things recently about Ash vs Evil Dead, photos I hadn’t looked at in a while. I miss it a lot. I like to keep hope alive that someday, somewhere, the Ghostbeaters will be reunited. Even just for a quick Ghostbeaters fist bump.
Is Kelly Maxwell going to show up in this film? No. I won’t say never, but from what I understand, this is an alternate universe for Evil Dead Rise, separate from Fede Alvarez’s movie with Jane Levy and it’s separate from Ash vs Evil Dead. It’s a new adventure in the Evil Dead universe. And I can’t wait to see the new blood and guts journey Lee Cronin takes us on. I would like to think in the Ghostbeaters’ universe, we’re still kicking it and we’re still fighting evil. But I am loving that the fans are clamoring for it! They can keep pestering Rob, Sam and Bruce the way they have for twenty-five years before Ash vs Evil Dead came to be — their persistence is what got me that dream job.
So, if they want to continue to pester to bring us all back, I won’t stop them! Because we know the fans have the power to persuade. It might take another twenty-five years. But I am always down to play with those guys and our great crew.  
CP: Do you keep in touch with anyone from the show?
DD: Yeah, I try and keep up with what everyone is doing and shoot them a message to tell them I miss them like the sap that I am. I just miss seeing their faces every day, you know?  I miss Lucy’s face pretty hard, and not just because she’s ‘Lucy Flawless’! She’s got new shows left and right, she never stops! Ray and I randomly text Pablo and Kelly’s catchphrases to each other. “How are you holding up? / What is happening?!” We said that pretty much every episode so it still makes me laugh. Arielle and I chat often even though she lives in Australia, she’s like my little sister! Bruce often responds “ in character” with the latest Snapchat filter. He loves those — just check his Twitter feed — and it’s all my fault. I showed him how to make them while filming Season 3. He could probably do a show solely with Snapchat characters — I’d watch.  
Fall from Perpetual Grace
CP: Let’s shift gears for a moment and talk about another series that you appeared on. You had a great run on EPIX with Perpetual Grace, LTD working with the talented Jimmi Simpson, Luis Guzman and of course, Jacki Weaver and Sir Ben Kingsley. There was some talk about a possible movie to tie up all the storylines after the show ended. Do you know if that is in the works?
DD: I have no idea, but I really hope that happens. Steven Conrad is a genius and so was that cast. If you haven’t seen or become a part of the cult following of Patriot on Amazon or Perpetual Grace, you should. But the people he casts and the stories he writes and the beauty of the cinematography, all  create a piece of art that is in its own category. He has such a strong point of view, aesthetic and vision, you always know when you’re watching a Steven Conrad show.
I’ve been very lucky to be part of two shows where both casts were like extended family. Like Luis Guzman. We  talked recently, I adore him. Side bar: I feel like in a crazy, crossover world, Luis could be Pablo’s other uncle because of his giant heart and comedic delivery. Anyway, we’re both working on my friend Joe Ahern’s indie comedy, The Disappearance of Toby Blackwood, which he co-wrote with Doug Mellard. And I can’t wait for people to see Luis slay the screen, yet again. The filming process is pretty innovative during COVID, where everyone but the two main characters filmed their parts at home using an app. These guys were doing it before anyone else, so kudos to them.  
Friendsgiving: The Gift that Keeps on Giving
CP: I had the pleasure of watching Friendsgiving the other night and it was an enjoyable holiday film. You had some hilarious bits as Kat Dennings’ wise cracking sister, Barbara. What drew you to the project?
DD: Thank you for watching the film and I’m so glad you enjoyed it! It’s the kind of original comedy we all need right now.
I knew I was auditioning for Kat Dennings’ (Abby)  sister Barbara, whose part of Abby’s Jersey-Italian family. Within the first two lines of that family exchange, I was cackling. I’m drawn to anything that grabs my attention on the page and holds it for the entire sitting of reading the script. Those lines of dialogue, the way the family members are unapologetically who they are, and the fact they mean well but are constantly giving you their two cents when you don’t want it or ask for it, hooked me. And that kind of art-imitating-life comedy held up for the rest of the script for me. Nicol Paone hit it out of the park, both on the page and behind the lens. And I’m pretty sure it’s loosely based on a Thanksgiving that Nicol and Malin Ackerman shared.
The subject matter was also relatable. I’ve celebrated Thanksgiving with my family as well as a couple of Friendsgivings. And the bottom line is, the holiday is just dysfunctional, always. It might be a lot more fun with your friends but it’s still going to be dysfunctional.
That concept makes me laugh. It’s not funny when you’re the one going through the stress and drama of Thanksgiving. However, it’s very funny watching someone else go through it. It’s cathartic. That’s why I loved it.  
CP: With so many talented actors in the cast, do you have any behind the scenes anecdotes?
DD: There was a lot of laughing in between takes. It’s always a good sign when the crew laughs. Abby’s (Kat Dennings ) Jersey-Italian family was cast perfectly, and the actors were so damn funny! Rose Abdoo plays our mom, Nadya Ginsburg as Aunt Anna and Johnny Williams plays Uncle Sal. Like I said, it was already funny on the page, and Nicol being a New Jersey Italian herself really captured the essence of those family conversations. The actors brought Nicol’s words to life, and on a few takes she let us riff.  In one scene the Aunt Anna character was telling the scripted story of a sexual gesture; I remember laughing so hard at her adlibbing additional euphemisms for that particular act by referencing Italian food.
One of my favorite things Nicol did was add some of the funniest ad-libs and bloopers in the end credits. I love seeing those! Now everyone who sees the film will get to see those behind the scenes moments.  
The Show Must Go On
CP: When we were coordinating this interview, you told me that you were going into the studio to do voiceover work. Can you give us a hint about this upcoming effort?
DD: The show features a cast of familiar faces that might have worked together recently. I just realized what everyone is probably going to think when they read this.  
CP: Sorry everyone, it isn’t Ash vs Evil Dead. However, you have more work on the way. According to IMDb, you have completed a short film called PCH. What else can your fans look forward to?
DD: The Disappearance of Toby Blackwood which I mentioned before but we’re still filming that. I am so excited about this voiceover project because it’s completely original in every way, it really hasn’t been done before. And of course, Friendsgiving is out now in select theatres and VOD. It’s the perfect film to watch this Thanksgiving when we can’t celebrate as we usually do. You can laugh at the characters’ holiday drama and maybe even be grateful to take this year off.  
CP: Will you be appearing at any virtual conventions like Bruce and Ted are doing for Wizard World events?
DD: There are a couple in the works. But in the meantime, I’ve teamed up with this new platform called, Real Talk Live, which is both an app and on the web. It’s like a virtual convention where you can live video chat one on one, basically like a Zoom call. You can schedule the video call in advance or whenever catch me whenever I’m live. I think it’s a great solution, and personally I’m really looking forward to connecting with Evil Dead fans this way until live events pick back up. And it’s accessible worldwide so this will be great to finally see the amazing fans I hear from overseas. I miss interacting with them in the flesh, hearing their stories and seeing their badass cosplays! And do I miss pose-punching them in our epic photos. So I end with this, because I can’t say this enough: “Thank you, Ghostbeaters! I love you more than Ash Williams loves his Delta!”  
Many thanks to Dana DeLorenzo for spending time with me at Crash Palace. For those of you that haven’t had the chance to catch Friendsgiving, it is available online by buying or renting it as a video-on-demand on iTunes, FandangoNow and VUDU.
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