#mati ghar

[iwantdoraemon]

>>

Ek toh iss aadmi ko ghar aate hi mujhse ladna hota hai, daru ke nashe mein kuch bhi bakta hai totla bol kar. Me 3 saal se divorce maang rahi hu, abhi bhi divorce ki baat ki toh bolta hai meri saari udhaari chuka phir divorce dunga, matlab itna besharam behaya aadmi hai, mera sab kuch lene ke baad bhi chain nahi pada. Galti khud karta hai ke jab account mein ek paisa nahi hai toh kisi ko lakho ka cheque bana ke dene ki kya zarurat, khud ko dedh hoshiyar samjhta hai na ye, aagyi saari hoshiyari thikane. Phir bhi blame mujhe karta hai ke me manhoos hu. Mard aise hi hote hai, aurat pe blame daalna aata hai, khud ki galti galti nahi hai mere bole hue shabdo ne iski zindagi kharab kar di, wah re Balaji wah, ye hai aapka bhakt, itni izzat karta hai apni biwi ki. Maine isko gusse mein bura bola, lekin mann se kabhi iss aadmi ka bura nahi chaha, aaj bhi nahi chahti, par ye chahta hai ke me tadpu aur tadapti rahu iss shaadi mein jeevan bhar, itni nafrat hai isko mujhse ye mujhe nahi pata tha.

Aur bc itni bhukh lagti hai mujhe raat ke iss waqt mein par sala neeche ke gate bandh kar dete hai ye log, kitchen mein ja bhi nahi sakti, 3 saal mein yaha itni bhukhi mari hu, ro ro ke tadpi hu ye sirf me janti hu, aur iss aadmi ko kuch mahine kya hue tadapte hue dialogue pe dialogue marta hai ke meri kya zindagi thi ab kya hogyi, bhai maine toh pehle bhi tumhare baarein mein yahi sab suna tha islye toh mere ghar wale nahi chahte the ke yaha shaadi karu, mati meri maari gayi thi jo maine kari shaadi. Mera aur mere bacche ka jeevan toh upar wale ke hath mein hai agar iske jail jane se ya marne se hi mujhe chutkara milega toh manzoor hai mujhe. Me jeena chahti hu par iss rishte se nikal kar, isne apni mardta batadi, mard aise hi hote hai jo aurat ko blame karte hai har waqt, ye bhi waisa hi nikla. Mujhe aur mere bacche ko tadpa raha hai apne sath aisa jeevan dekar, isko bahut maza aa raha hai, upar wala sab dekhta hai, sabka hisab upar wala lega, ye aadmi abhi bhi nahi sudhra, aage toh umeed hi kya rakhu iss mard se. Sala account mein paise bhi nahi hai ke khana order kar saku😐

Bc pizza add kar dia cart mein par sala mann nahi kar raha ₹450/- kharch karne ke. i mean jab paise nahi hai toh faltu nahi udana chye mujhe. Bhukhe rehne ki aadat hai toh uss aadat ko continue kar lena chahiye, headache ke aath aur stomach mein gud-gud ke sath neend aa jaye bas😑

[starfriday]

खादी... along with “अस्त्र-शस्त्र” will now become “ब्रह्मास्त्र” of India’s Progress

Khadi and Village Industies Commission Celebrated 77th Independence Day

Khadi and Village Industries Commission celebrated the 77th Independence Day with gaiety and patriotic fervor today. Shri Manoj Kumar, Hon'ble Chairman, KVIC hoisted the national flag at KVIC, Head Office, Mumbai and a tricolor rally was organised by Khadi and Village Industries Commission, Vile Parle (West), Mumabi, which was led by Shri Manoj Kumar, Hon'ble Chairman of KVIC.

Speaking on the occasion, Hon'ble Chairman, KVIC said that this tricolor flying in the sky is not merely a piece of cloth, it symbolizes the sacrifice, struggle and dreams of innumerable freedom fighters, who believed in the power of unity and unwavering determination and dreamed of building an India, a great India, with the values of justice, freedom, equality and brotherhood. Today the dream of all those sacrifice is being fulfilled under the leadership of Hon’ble Prime Minister Shri Narendra Modi ji. He said that under the leadership of Hon’ble Prime Minister Shri Narendra Modi ji Har Ghar Tiranga-2.0 and Meri Mati, Mera Desh programme has lit the flame of nationalism in the entire country.

Talking about the glorious history of Khadi, he said that from independence to sovereignty, where on one hand Khadi became the pride of the national movement under the leadership of revered Bapu, on the other today it is the pride of 'Atmanirbhar Bharat' under the leadership of Hon’ble Prime Minister Shri Narendra Modi. He said that Khadi, which Bapu made the strongest weapon of struggle against the British rule during the Swadeshi movement, now after 2014 the 'craftsman of modern India' and the 'creator of self-reliant India', Prime Minister Sh. Narendra Modi ji has made Khadi most powerful, efficient and successful means of poverty alleviation, artisan empowerment, food security, women empowerment and unemployment eradication. Hon’ble Prime Minister not limiting Khadi to a cloth, has made Khadi a weapon for poverty eredication, hunger, unemployment, development of rural India, women empowerment, upliftment of artisan. Hon'ble Chairman, reiterating the words of the speech delivered by the Hon'ble Prime Minister at the National Handloom Day celebrations organized at Bharat Mandapam, Delhi on 7th August 2023, said that "Khadi is the cloth for the one who will be proud of himself and one’s country". But at the same time, for the one who weaves the dream of a self-reliant India and gives strenth to Make in India, Khadi is not just a cloth, it is a weapon as well. Mentioning the contribution of Khadi and village industries in the economic progress of the country, he said that Khadi will now become the Brahmastra of India's progress along with weapon.

The Prime Minister himself told from the dais that before 9 years the turnover of Khadi and Village Industries was between 25 to 30 thousand crores rupees, but today it has crossed more than one lakh thirty thousand crores rupees. In the last 9 years, an additional Rs. 1 lakh crores have been invested in this sector and that amount has gone to the poor, dalit, backward, very backward and tribal brothers and sisters associated with Khadi and Village Industries sector in the villages, which has played an important role in getting them out of poverty and providing food security. As per the data of NITI Aayog, 13.5 crore people have come out of poverty in India in the last 5 years.

Quoting the achievements of Khadi and Village Industries, the Hon’ble Chairman, KVIC said that under the leadership of Hon’ble Prime Minister Shri Narendra Modi, the wages of Khadi artisans have increased by about 233% since 2013-14. In the financial year 2014-15, where the turnover of Khadi and Village Industries products was Rs. 33 thousand crores, it has increased by 306% to reach the highest level of Rs.1.34 lakh crores in the financial year 22-23, which is the best achievement ever.

Similarly, in the financial year 2014-15, the production of Khadi and village industry products was Rs. 27 thousand crores, while in the financial year 22-23, it has reached to Rs. 95 thousand crores with an increment of 48%. In the last 9 years, the production of Khadi fabric has also seen an unprecedented growth of 260 percent, while the sales have increased by 450 percent.

The Hon’ble Chairman further said that Khadi and Village Industries Commission has also established a new milestone in employment generation in the country to eradicate unemployment, as a 'weapon'. KVIC has created more than 9.5 lakh new jobs during the financial year 2022-23 with an increment of 70% through Khadi Vikas Yojana, Gramodyog Vikas Yojana, SFURTI Yojana and Prime Minister Employment Generation Program (PMEGP). Talking about the last 9 years, more than 50 lakh new people have got employment through our schemes so far.

Talking about the possibility of some new schemes in the future, the Hon’ble Chairman said that for the first time Khadi denim has been manufactured with the help of National Institute of Fashion Technology (NIFT) to popularize Khadi, which will be available at Khadi stores very soon. Similarly, the silk cloth “Lotus Silk” manufactured from the stem of lotus flower by the artisans of Manipur will soon be made available for sale in the market. Apart from this, KVIC is going to launch a new scheme namely Kushal Karigar Vikas Yojana. Under this scheme, toolkits will be provided along with the training to the electricians, plumbers, chaiwalas, mobile and AC repairing and maintenance, coming under the service sector. In his address, he talked about the launching of Gramin Silai Samriddhi Yojana very soon to provide maximum opportunities to women power in the rural areas with the inspiration of the Hon’ble Prime Minister. Under this scheme women will be provided training as well as sewing machines.

On this occasion, Shri Shirish Kedare, Member, KVIC; Shri Vinit Kumar, Chief Executive Officer, KVIC; Shri Pankaj Bodkhe, Financial Advisor, KVIC; Dr. (Smt.) Sanghamitra, Chief Vigilance Officer, KVIC; Shri Satya Narayan, Jt. CEO, KVIC and a large number of officers and employees of KVIC were also present.

[miguelmarias]

TOP 2020

25/12/2020

 A)    Great movies made since 2015 seen for the first time in 2020: 

Buoyancy(Freedom;Rodd Rathjen, 2019)

Les choses qu’on dit, les choses qu’on fait(Emmanuel Mouret, 2020)

L’Île au trésor(Guillaume Brac, 2018)

Le Sel des larmes(Philippe Garrel, 2019/20)

Ghawre Bairey Aaj(Home and the World;Aparna Sen, 2019)

Undine(Christian Petzold, 2020)

Happī awā(Happy Hour;Hamaguchi Ryūsuke, 2015)

Netemo Sametemo(Asako I & II;Hamaguchi Ryūsuke, 2018)

Adolescentes(Sébastien Lifshitz, 2013-9/20)

Family Romance, LLC.(Werner Herzog, 2019)

Demain et tous les autres jours(Noémie Lvovsky, 2017)

Gamak Ghar(Achal Mishra, 2019)

Lunana:A Yak in the Classroom(Pawo Choyning Dorji, 2019)

Semina il vento(Sow the Wind;Danilo Caputo, 2020)

Objector(Molly Stuart, 2019)

La France contre les robots(Jean-Marie Straub, 2020)

Paris Calligrammes(Ulrike Ottinger, 2019/20)

Un film dramatique(Éric Baudelaire, 2019)

 B)    Great movies made before 2015 seen for the first time in 2020: 

Là-Haut, un Roi au-dessus des nuages(Pierre Schoendoerffer, 2003)

Pangarap ng Puso(Demons/Whispers of the Demon/Hope of the Heart;Mario O’Hara, 2000)

Les Films rêvés(Eric Pauwels, 2009)

La vida en rojo(Andrés Linares, 2007/8)

Come Next Spring(R.G. Springsteen, 1955/6)

Song of Surrender(Mitchell Leisen, 1948/9)

Adventure in Manhattan(Edward Ludwig, 1936)

Strannaia zhenshchina(A Strange Woman;Iuli Raízman, 1978)

Chastnaia zhízn(Private Life;Iuli Raízman, 1982)

Málva(Vladimir Braun, 1956/7)

Zhila-byla devochka(Once There Was a Girl;Viktor Eisimont, 1944)

The Unknown Man(Richard Thorpe, 1951)

Aisai Monogatari(Story of a Beloved Wife;Shindō Kaneto, 1951)

Practically Yours(Mitchell Leisen, 1944)

A Summer Storm(Robert Wise, 1999/2000)

Lettre d’un cinéaste à sa fille(Eric Pauwels, 2000)

Sombra verde(Untouched;Roberto Gavaldón, 1954)

Fantasma d’amore(Dino Risi, 1981)

Adieu, Mascotte(Das Modell vom Montparnasse;Wilhelm Thiele, 1929)

Mori no kajiya(The Blacksmith of the Forest;Shimizu Hiroshi, 1928/9;fragment)

Zwischen Gestern und Morgen(Between Yesterday and Tomorrow;Harald Braun, 1947)

Last Holiday(Henry Cass, 1950)

Dialogue d’ombres(Danièle Huillet & Jean-Marie Straub, 1954-2013)

Out-Takes from the Life of a Happy Man(Jonas Mekas, 2012)

Nice Time(Claude Goretta & Alain Tanner, 1957)

Aloma of the South Seas(Alfred Santell, 1941)

A Feather in Her Hat(Alfred Santell, 1935)

La Danseuse Orchidée(Léonce Perret, 1928)

Underground(Vincent Sherman, 1941)

Time Out(in Twilight Zone-The Movie)(John Landis, 1983)

Lackawanna Blues(George C. Wolfe, 2005)

Janie(Michael Curtiz, 1944)

Dernier Amour(Léonce Perret, 2016)

Jeunes Filles en détresse(Georg Wilhelm Pabst, 1939)

Kisapmata(Blink of an Eye;Mike De Leon, 1981)

La Dernière Lettre(Frederick Wiseman, 2002)

The Lady of the Dig-Out(W.S. Van Dyke II, 1918)

Their Own Desire(E.Mason Hopper, 1929)

 C)    Very good movies made since 2015 seen for the first time in 2020: 

Zumiriki(Oskar Alegria, 2019)

Atlantique(Mati Diop, 2019)

J’accuse(An Officier and A Spy;Roman Polanski, 2019)

Richard Jewell(Clint Eastwood, 2019)

Alice et le Maire(Nicolas Pariser, 2019)

Contes de Juillet(July Tales;Guillaume Brac, 2017)

Dark Waters(Todd Haynes, 2019)

Ofrenda a la tormenta(Fernando González Molina, 2020)

Nomad:In the Footsteps of Bruce Chatwin(Werner Herzog, 2019)

Into the Inferno(Werner Herzog, 2016)

The Zookeeper’s Wife(Niki Caro, 2017)

Journal de septembre(Eric Pauwels, 2019)

La Deuxième Nuit(Eric Pauwels, 2016)

Kaze no denwa(Voices in the Wind;Suwa Nobuhiro, 2019/20)

Da 5 Bloods(Spike Lee, 2020)

Izaokas(Isaac;Jurgis Matulevičius, 2019)

A Metamorfose dos Pássaros(Catarina Vasconcelos, 2020)

Tabi no Owari Sekai no Hajimari(To the Ends of the Earth;Kurosawa Kiyoshi, 2019)

La Nuit d’avant(Pablo García Canga, 2019)

My Mexican Bretzel(Nuria Giménez, 2018-9)

Domangchin yeoja(The Woman Who Ran;Hong Sang-soo, 2019/20)

Öndög(Wang Quanan, 2019)

Hatsukoi(First Love;Miike Takashi, 1959)

Million raz pogivaet odin Cheloviek(One man dies a million times;Jessica Oreck, 2018/9)

The Two Popes(Fernando Meirelles, 2019)

Félicité(Alain Gomis, 2016/7)

Salt and Fire(Werner Herzog, 2016)

Ni de lian(Your Face;Tsai Ming-liang, 2018)

Qi qiu(Balloon;Pema Tseden, 2019)

River Silence(Rogério Soares, 2019)

Charlie’s Angels(Elizabeth Banks, 2019)

La boda de Rosa(Iciar Bollain, 2020)

Guerra(War;José Oliveira & Marta Ramos, 2020)

My Thoughts Are Silent/Moyi dumky tykhi(Antonio Lukich, 2019)

Namo(The Alien;Nader Saeivar;co-script-Jafar Panahi, 2020)

Los silencios(The Silences;Beatriz Seigner, 2018)

Terminal Sud(Rabah Ameur-Zaïmeche, 2019)

Tu mérites un amour(You Deserve a Lover;Hafsia Herzi, 2019)

Les Misérables(Ladj Ly, 2019)

Padre no hay más que uno(Santiago Segura, 2019)

Honeyland(Tamara Kotovska & Ljubomir Stefanov, 2019)

Izbrisana(Erased;Miha Mazzini & Dusan Joksimovic, 2018)

This Is Not A Burial, It’s A Resurrection(Lemohang Jeremiah Mosese, 2019)

Primero Enero(Darío Mascambroni, 2016)

Lahi, Hayop(Pan, Genus/Genus Pan;Lav Diaz, 2020)

 D)    Very good movies made before 2015 seen for the first time in 2020: 

Topaze(Marcel Pagnol, 1936)

The SIGN OF THE RAM(John Sturges, 1947/8)

Abandoned(Joseph M. Newman, 1949)

Bewitched(Arch Oboler, 1944/5)

La Femme du Bout du Monde((Jean Epstein, 1937)

The Outcast(William Witney, 1954)

Saadia(Albert Lewin, 1953)

Un monde sans femmes(Guillaume Brac, 2011)

Dishonored Lady(Robert Stevenson, 1947)

Always Goodbye(Signey Lanfield, 1938)

A Blueprint for Murder(Andrew L. Stone, 1953)

Bedevilled(Mitchell Leisen, 1955)

That Forsyte Woman(Compton Bennett, 1949)

The Miracle(Irving Rapper, 1959)

The Madonna’s Secret(Wilhelm Thiele, 1946)

The Town That Dreaded Sundown(Charles B. Pierce, 1976)

Grayeagle(Charles B. Pierce, 1977)

Barricade(Peter Godfrey, 1949/50)

Tomorrow is Forever(Irving Pichel, 1945/6)

David Harum(James Cruze, 1934)

The Vanquished(Edward Ludwig, 1953)

Keisatsukan(Uchida Tomu, 1933)

...Enfants des courants d’air(Édouard Luntz, 1959, short)

The Winds of Autumn(Charles B. Pierce, 1976)

Suddenly It’s Spring(Mitchell Leisen, 1946)

Uchūjin Tōkyō ni arawaru(Warning from Space;Shima Kōji, 1956)

Swiss Family Robinson(Edward Ludwig, 1940)

Ludwig der Zweite, König von Bayern(Wilhelm Dieterle, 1930)

Faithless(Harry Beaumont, 1932)

Botan-dorō(Peony Lanterns;Yamamoto Satsuo, 1968)

Ginza 24 chou(Tales of Ginza;Kawashima Yūzō, 1955)

Goodbye Again(Michael Curtiz, 1933)

Lines of White on a Sullen Sea(D.W. Griffith, 1909)

You Gotta Stay Happy(H.C. Potter, 1948)

Cave of Forgotten Dreams(Werner Herzog, 2010)

Riff-Raff(Ted Tetzlaff, 1947)

The Moon is Down(Irving Pichel, 1943)

The Bride Wore Boots(Irving Pichel, 1946)

Adventures in Silverado(Phil Karlson, 1948)

The Stolen Ranch(William Wyler, 1926)

Congo Maisie(H.C. Potter, 1940)

Marcides(Mercedes;Yousry Nasrallah, 1993)

Hell’s Five Hours(Jack L. Copeland, 1958)

Daniel(in Stimulantia;Ingmar Bergman, 1967)

Diên Biên Phú(Pierre Schoendoerffer, 1992)

Canyon River(Cattle King;Harmon Jones, 1956)

Dos Basuras(Kurt Land, 1958)

Smart Girls Don’t Talk(Richard L. Bare, 1948)

The Big Shakedown(John Francis Dillon, 1933/4)

Corvette K-225(Richard Rosson;p.,collab.Howard Hawks, 1943)

The Gay Deception(William Wyler, 1935)

The Invisible Woman(A.Edward Sutherland, 1940)

Rage in Heaven(W.S. Van Dyke II;collab.Robert B. Sinclair,Richard Thorpe, 1941)

Wild Side(Sébastien Lifshitz, 2004)

I bambini e noi(Luigi Comencini, 1970//7)

The House Across The Street(Richard L. Bare, 1948/9)

The Doughgirls(James V. Kern, 1944)

The Love Trap(William Wyler, 1929)

Torch Song(Charles Walters, 1953)

The Meanest Man in the World(Sidney Lanfield, 1942/3)

Cole Younger, Gunfighter(R.G. Springsteen, 1958)

Ballerine(Gustav Machatý, 1936)

Via Mala(Josef von Báky, 1945//8)

Sky Giant(Lew Landers, 1938)

Les Invisibles(Sébastien Lifshitz, 2012)

Promène toi donc tout nu(Emmanuel Mouret, 1998)

A Story for the Modlins(Una historia para los Modlin;Sergio Oksman, 2012)

Something in the Wind(Irving Pichel, 1947)

Spoveď(Confession;Pavol Skýkova, 1968)

Guilty Hands(W.S. Van Dyke II;collab.Lionel Barrymore, 1931)

Atto di accusa(Giacomo Gentilomo, 1950)

Suspense(Frank Tuttle, 1956)

This Is The Night(Frank Tuttle, 1932)

Escape in the Fog(Oscar ‘Budd’ Boetticher,Jr., 1945)

The Price of Fear(Abner Biberman, 1956)

Happy People:A Year in the Taiga(Werner Herzog, 2010)

Urok(The Lesson;Kristina Grozeva & Petar Valchanov, 2014)

Le Naufragé(Guillaume Brac, 2009)

Lili Marlen(Peter Mihálik;script.Dušan Hanák, 1970;short)

Deseo(Antonio Zavala Kugler, 2013)

  E)     Great movies that improved by new watchings: 

Shanghai Express(Josef von Sternberg, 1932)

The Best Years of Our Lives(William Wyler, 1946)

Till We Meet Again(Frank Borzage, 1944)

Man’s Favorite Sport?(Howard Hawks, 1963/4)

Along The Great Divide(Raoul Walsh, 1951)

Hondo(John V. Farrow, 1953)

Where The Sidewalk Ends(Otto Preminger, 1950)

Mrs. Miniver(William Wyler, 1942)

Driftwood(Allan Dwan, 1947)

‘Good-bye, My Lady’(William A. Wellman, 1956)

Touch of Evil(Preview version, 1975;not later ‘improvements’)(Orson Welles, 1958)

Le Crabe-Tambour(Pierre Schoendoerffer, 1977)

Unfinished Business(Gregory LaCava, 1941)

Madigan(Don Siegel, 1968)

Big Business(James Wesley Horne;s.Leo McCarey, 1929)

Putting Pants on Philip(Clyde A. Bruckman;s.Leo McCarey, 1927)

The Runner Stumbles(Stanley Kramer, 1979)

Yushima no Shiraume(Romance at Yushima;Kinugasa Teinosukē, 1955)

David Harum(Allan Dwan, 1915)

The Virginian(Cecil B. DeMille, 1914)

Island in the Sky(William A. Wellman, 1953)

All About Eve(Joseph L. Mankiewicz, 1950)

L’Eclisse(Michelangelo Antonioni, 1962)

The Roaring Twenties(Raoul Walsh, 1939)

The Plainsman(Cecil B. DeMille, 1936)

JLG/JLG-Autoportrait de décembre(Jean-Luc Godard, 1994)

‘Je vous salue, Marie’(Hail Mary;Jean-Luc Godard, 1984)

La Roue(Abel Gance, 1923)

They All Laughed(Peter Bogdanovich, 1981)

Innocent Blood(John Landis, 1992)

An American Werewolf in London(John Landis, 1981)

The Thing Called Love(Peter Bogdanovich, 1993)

Into the Night(John Landis, 1985)

The File On Thelma Jordon(Thelma Jordon;Robert Siodmak, 1949)

The Little American(Cecil B. DeMille, 1917)

In Our Time(Vincent Sherman, 1944)

The Hunters(Dick Powell, 1958)

Phase IV(Saul Bass, 1974)

L’Honneur d’un Capitaine(Pierre Schoendoerffer, 1982)

Backfire(Vincent Sherman, 1948//50)

Five(Arch Oboler, 1951)

Somewhere in the Night(Joseph L. Mankiewiz, 1946)

A Man Alone(Ray Milland, 1955)

Die Geiger von Florez(Paul Czinner, 1926)

Living on Velvet(Frank Borzage, 1934/5)

La Recta provincia(Raúl Ruiz, 2007//15)

La Noche de enfrente(Raúl Ruiz, 2012)

Carrie(Sister Carrie;William Wyler, 1951/2)

The Spiral Staircase(Robert Siodmak, 1945/6)

The Paradine Case(Alfred Hitchcock, 1947)

L’Amore(Una voce umana+Il Miracolo)(Roberto Rossellini, 1947/8)

The Heiress(William Wyler, 1949)

 F)     Very good movies watched again 

Bluebeard’s 10 Honeymoons(W.Lee Wilder, 1960)

The Five Pennies(Melville Shavelson, 1958)

Take a Letter, Darling(Mitchell Leisen, 1942)

Escape(Joseph L. Mankiewicz, 1948)

Appassionatamente(Giacomo Gentilomo, 1954)

Así como habían sido(Trío)(Andrés Linares, 1986/7)

San Antone(Joseph Kane, 1953)

The High and the Mighty(William A. Wellman, 1954)

Taki no Shiraito(The Water Magician;Mizoguchi Kenji, 1933)

The Web(Michael Gordon, 1947)

The Buccaneer(Anthony Quinn;s.Cecil B. DeMille, 1958)

The Buccaneer(Cecil B. DeMille, 1938)

Desire Me(uncredited:George Cukor/Jack Conway/Mervyn LeRoy/Victor Saville, 1946)

Flaxy Martin(Richard L. Bare, 1948/9)

Swing High, Swing Low(Mitchell Leien, 1937)

Death Takes A Holiday(Mitchell Leisen, 1934)

Irene(Herbert Wilcox, 1940)

Beloved Enemy(H.C. Potter, 1936)

The Cowboy and the Lady(H.C. Potter, 1938)

Der Golem, wie er in die Welt kam(Paul Wegener, 1920)

Mia madre(Nanni Moretti, 2015)

Hell On Frisco Bay(Frank Tuttle, 1955)

Stormy Weather(Andrew L. Stone, 1943)

The Milky Way(Leo McCarey;w.Harold Lloyd, 1936)

Pietà per chi cade(Mario Costa, 1954)

Repeat Performance(Alfred L. Werker, 1947)

Das indische Grabmal:1.Die Sendung des Yoghi,2.Der Tiger von Eschnapur(Joe May, 1921)

Julie(Andrew L. Stone, 1956)

The Member of the Wedding(Fred Zinnemann, 1953)

Winterset(Alfred Santell, 1936)

The Right to Romance(Alfred Santell, 1933)

As Young as You Feel(Harmon Jones, 1951)

You’ll Never Get Rich(Sidney Lanfield, 1941)

The Woman Accused(Paul Sloane, 1933)

Foma Gordeiev(Mark Donskoí, 1959)

The Parent Trap(David Swift, 1961)

High Wall(Curtis Bernhardt, 1947)

Mr. Lucky(H.C. Potter, 1943)

Un Marido de Ida y Vuelta(Luis Lucia, 1957)

The Safecracker(Ray Milland, 1957/8)

She’s Funny That Way(Peter Bogdanovich, 2014)

Oh...Rosalinda!!(Michael Powell & Emeric Pressburger, 1955)

Caribbean(Edward Ludwig, 1952)

Harper(The Moving Target;Jack Smight, 1966)

For You I Die(John Reinhardt, 1947)

Crashing Hollywood(Lew Landers, 1937/8)

Le Souvenir d’un avenir(Chris. Marker & Yannick Bellon, 2001)

Susan Slept Here(Frank Tashlin, 1954)

Bishkanyar Deshot(In the Land of Poison Women;Manju Borah, 2019)

Pollyanna(David Swift, 1960)

A Tale of Two Cities(Jack Conway;collab.Val Lewton & Jacques Tourneur, 1935)

Café Society(Woody Allen, 2016)

Shadow on the Wall(Patrick Jackson, 1949/50)

Tonnerre(Guillaume Brac, 2013)

Le Jouet criminel(Adolfo G. Arrieta, 1969)

‘Once more, with feeling!’(Stanley Donen, 1959)

The Shopworn Angel(H.C. Potter, 1938)

The Absent Minded Professor(Robert Stevenson, 1961)

Gavaznha(The Deer;Masud Kimiai, 1974)

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Home Decor Bohemian

Meethi-Mishti Nu Mati Ghar: An Earth House Creating A Playful Environment | SferaBlu Architects + Naman Shah Architects - The Architects Diary

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12 Astonishing Home Interior Pictures Awesome Ideas

Home Decor Bohemian

Meethi-Mishti Nu Mati Ghar: An Earth House Creating A Playful Environment | SferaBlu Architects + Naman Shah Architects - The Architects Diary

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12 Astonishing Home Interior Pictures Awesome Ideas

Home Decor Bohemian

Meethi-Mishti Nu Mati Ghar: An Earth House Creating A Playful Environment | SferaBlu Architects + Naman Shah Architects - The Architects Diary

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12 Astonishing Home Interior Pictures Awesome Ideas

Home Decor Bohemian

Meethi-Mishti Nu Mati Ghar: An Earth House Creating A Playful Environment | SferaBlu Architects + Naman Shah Architects - The Architects Diary

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12 Astonishing Home Interior Pictures Awesome Ideas

Home Decor Bohemian

Meethi-Mishti Nu Mati Ghar: An Earth House Creating A Playful Environment | SferaBlu Architects + Naman Shah Architects - The Architects Diary

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Meethi-Mishti nu Mati Ghar / SferaBlu Architects + Naman Shah Architects Meethi-Mishti nu Mati Ghar / SferaBlu Architects + Naman Shah ArchitectsНашими клиентами этого проекта были две девушки; 3 и 9 лет соответственно. Дом должен был быть построен для них в соответствии с их прихотями и в соответствии с их чувствительнос... Подробнее: https://decor.design/meethi-mishti-nu-mati-ghar-sferablu-architects-naman-shah-architects/ #Архитектура #Ахмадабад #Дома #ЖилаяАрхитектура #земляноестроительство #НаФейсбуке #УтрамбованнаяЗемля #decordesign

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Suraj har roj isliye nikalte honge ki ab bhi duniya baaki hai.. Ma, mera bhaagta aankh aur bhaagta man aur uske peechhe sarir, kaap rha hai aur ab bhi bhaag rha hai. Ye sab gyaanendriya jin k roop m andar hai aur saari ikshaawo ka lobh deti rahti hai aatho pahar. Ab man marne ko hai. He Shri Radhe Krishna hme is paapi aankho se aapko dekhne do, in kaano se aapko sun ne ka aashirwaad do, in naak se aapko ehsaash karne ko niraakaar aakaar do, in haatho ko aapke charan dhone ka saubhaagya do, in jihwaa ko aapke gaan japne ko mati do, aur in sab k saarthi man ko apni jyoti pradaan karo. In pairo se is antheen duniyaa ko hm naap nhi paayenge. Ye harek waasna k daldal m chhatpata rha hai din raat. Aap inhe apne ghar bula lo. Ye sar matiheen ho chuka hai ya fir ab tak jaroor Avgati ko prapt ho gya hoga aap ise sadgati pradan karo.

Chhatpataata man kuchh aur hi dekh rha hai din bhar..