#mag: cosmopolitan
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can we go back to teenvogue and cosmo quizzes please?
#90s#90s aesthetic#90s fashion#90s style#a/w 2023#autumn#autumn fashion#autumn style#fall style#fashion#teen vogue#cosmopolitan#cosmo mag#Spotify
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i found mom's old Fantasy Cosmopolitan mag and you'll never guess who was the centerfold
#dungeon meshi#delicious in dungeon#chilchuck#chilchuck tims#burt reynolds eat your heart out#click for better quality
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。˚❀ drew & jd for cosmopolitan mag ·ꕤ.゚
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꒰◌ ˚₊ ˴ (⠀ MASTERLIST ) : welcome mayuri. ͟͟͞♡
✦.˚ about enhypen's barbie doll! ๑゚˛𓍊𓋼
her profile. 🝮 background. 🝮 personal facts. dislikes — likes. • the lookbook. • inside phone. most iconic yuri things. • inside her barbie purse.
relationship with enha. • relationship with others. mayuri's love status. • inside the family tree. ♡︎ yungwon. ⁂ yeeseung. ⁂ yurjay. ⁂ yurake. yughoon. ⁂ yunoo. ⁂ yuiki. 🝮 i-land relations.
✦.˚ all i—land episodes! ๑゚˛𓍊𓋼
looking for all the i—land episodes? click here please.
✦.˚ all scenarios! ๑゚˛𓍊𓋼
looking for all the scenarios? click here please.
✦.˚ look through her eras! ๑゚˛𓍊𓋼
looking for all her eras? click here please.
✦.˚ social media post! ๑゚˛𓍊𓋼
yuri stan accounts. • yuri on instagram. • stan twitter. yuri on twitter. • yuri on weverse. • yuri on tiktok.
✦.˚ youtube videos! ๑゚˛𓍊𓋼
enhypen being whipped for yuri. • idols caring for yuri. yuri in a nutshell with nct's jisung. • 04 liners moments. yungwon being in love. • maknae funny moments.
✦.˚ en—clock & en—log! ๑゚˛𓍊𓋼
looking for all en—clock and en—log videos? click here.
✦.˚ additional information! ๑゚˛𓍊𓋼
yuri's aesthetic. • alphabet with yuri. • incorrect quotes. music covers she did. • the 04 liner friend group.
special stages: [ 2023 MAMA ] YOONxYURI I JUST + AROUND ( hitchhiker remix ver. ) [ 2024 SBS ] ANTONx YURI INTRO SOLO STAGE GAYO DAEJEON.
magazines: cosmopolitan magazine. • allure may 2023. bazaar korea magazine 2023. • korea vogue. • elle mag azine. • marie claire magazine. • noblesse magazine.
articles: 12th, december, 2021. • 5th, march, 2021. • 25th, december, 2023. • 14th, february, 2024.
credits to @skzinka for the layout ! < 3
#໒◌ 𓈒 𝐘𝐔𝐑𝐈 ୨୧#enhypen 8th member#enha 8th member#enhypen female member#kpop addition#enhypen addition#enhypen added member#kpop extra member#kpop oc#kpop female oc#enhypen eighth member#enhypen reactions
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Probably a very silly reason to want a mv to win but baby got back probably made some people turn against cosmopolitan. I mean Ik cosmo still posts articles about how skinny and "healthy" bodies are more desirable than fat and "unhealthy" bodies today but the difference is that nobody takes the magazine seriously anymore compared to the 90s where they were seen as a legit respectable mag until around baby got back was released.
"So Cosmo says you're fat, well I ain't down with that!"
Thank you Sir Mix-a-Lot.
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TF Rise of the Beasts: A Basic Guide to Writing/Drawing for Fashion in 1994
Someone sent me a message that has now disappeared (!!) which was asking for some tips on what was stylish in 1994, for the purposes of writing a time period accurate ROTB fic.
I'm sorry I don't remember their username otherwise I'd tag them, but I figured I'd provide some notes here just in case anyone else might find it helpful for ROTB fic writing or fanart! :)
1994 Style: The Coolest Magazines
So as far as I remember, there were three big fashion/culture magazines at the time:
Sassy Magazine - This one was aimed mostly at women, but was hugely popular and would be a good place to look for styles for Elena!
i-D Magazine - This is a British publication but had international distribution by the 90s. Most of their early 90s issues featured fashion shoots from both large brands and indie fashion houses, with an emphasis on styling outfits. The articles were pretty good, and covered pop culture, music, and other similar topics. This one includes styles for both men and women, and was one of the only mainstream magazines to include what would now be recognised as queer fashion (they featured Boy George etc. as cover models, too).
The Face - This one is also British but had international distribution, mostly in large cities like LA and New York (which means it's fine to reference for ROTB's setting). Similar to i-D, it featured articles on fashion, music, culture, and highlighted some subculture styles which were harder to find in other more popular magazines like Vogue at the time. This included more "casual" outfits being featured, typically as part of style guides. This one had men and women's fashion, and also featured queer celebrities or genderbending style!
And of course, any magazines from 1994 would be good to look through-- Just keep in mind that magazines like Vogue, Cosmopolitan, etc. were primarily aimed at women only (most of the menswear mags for fashion were still finding their audience at this time), and typically only featured higher end fashion, so not a lot of it was actually reflective of what people were wearing on the street.
Look at Sewing Patterns!
For the best idea of fashion and style in terms of what the average person was wearing in 1994, look up sewing patterns!
Simplicity and McCall's brand sewing patterns provide the best idea of what most people were wearing on a day to day basis.
General Style Notes
Patterned vests were in style for all genders. Typically this was layered over a long sleeved shirt or turtleneck. Some guys would just wear a vest over a tank top or even just by itself, but that was more rare. The backs of the vests were typically left plain, so the pattern was often only on the front of the vest. Some vests were made of velvet, or thickly embroidered fabric.
Denim!!! Oh my god, people loved denim. Denim everything. Double denim (jeans and a jean jacket or a denim shirt) was a popular look, although this started to taper off gradually. Usually this was styled with a patterned vest, scarf, or accessorised with a felt or denim hat.
In terms of fit, everything was slightly long, or slightly baggy. Sometimes both. Coats were baggy in the arm and shoulder, which was a carry over from the 80s trend of shoulder pads. Shoulder pads persisted into 1995-1998, mostly in women's wear, although men's jackets and suits often had high or wide shoulders too.
1994 is where fuzzy fabrics and nylon/synthetic fabrics started getting popular; This is most noticeable in the windbreaker trend, in which a lot of windbreakers were nylon/polyester or made of textured cotton/poly blends.
Quick note on early 90s synthetic fabrics: They hadn't gotten the textures quite right yet, so even though there were some minor improvements on the late 80s synth textiles, most of these fabrics were still terribly scratchy and somewhat uncomfortable to wear, unless you had a long sleeved garment underneath. This is why you might see a lot of people wearing multiple layers of long sleeved shirts or jackets, even though it might seem excessive!
90s synthetic fabrics tended to be scratchy and crinkly, and could actually cause skin irritation in some people if you were sweating a lot--Which is why you mostly see winter clothing made out of this stuff, they were intended to only be worn in layers. Most 90s jackets that used synthetic fabrics were shell jackets, meaning only the outer layer was synthetic and the lining was either polyester or cotton in most cases.
Popular department store brands were Tommy Hilfiger, United Colours of Benetton, Moschino, and Burberry.
Popular department stores were Dillards, Burdines, JC Penny, Macy's, and Bloomingdales.
Popular runways in 1994 were Alexander McQueen and Vivienne Westwood, which were partially influenced by 80s punk and the new Grunge trend.
Bucket hats for adults were starting to become more popular, but they were already popular in children's wear, so Kris could have a bucket hat!
Facial piercings were not common, although they were starting to get a little more popular around this time. Typically this was only a nose piercing-- Anything other than that would get you stared at and judged pretty harshly. Only subcultures like goths or punks had multiple facial piercings, or lip rings/eyebrow piercings, for the most part.
Tattoos were also less common, unless you were in a particular style subculture.
Belts were a very popular accessory, with large belts and belted coats being super popular. Thinner belts were often worn two at a time, or a thin belt with an extra long end left hanging down out of a beltloop. Most jeans were worn belted, with the shirt tucked in.
There was a fine line between fitted and baggy and just looking messy-- This is why belts were so popular, as it helped create more shaping to big coats and shirts. This became less of a thing as the bagginess went out of style, but for a while a lot of people wore belts out of habit, even after clothing trends switched over to being more fitted.
Flannel shirts became huge amongst all genders, and were typically tied at the waist and not buttoned or left fully open. Men would wear flannel shirts tied at the waist, with a solid block colour t-shirt underneath.
Graphic tees existed, but were not actually as popular as they are today; They were considered more of a kid/teenager thing. Band shirts were ever-popular, though! The print technology/quality at the time was a little rough, so expect any graphic tees to deteriorate quickly after a couple washes-- It was normal to see most letters/designs very patchy or flaking apart on graphic tees, which is part of why so few of them survive in vintage stores today unless they were printed in a more high end way.
Patterned fabrics were big as a statement piece, and not just for vests. A patterned shirt or jacket would be paired with block colours, and typically any accessories would be made out of the same patterned fabric so they'd match. For women's wear, headbands and scrunchies would be made to match a shirt or jacket. For men's wear, a belt would sometimes be made out of the same fabric as a patterned shirt.
Converse shoes remained ever-classic, and were one of the most popular sneaker/trainer brands. Nike was also super popular. Kris might have had some light-up Nikes, as they were a top item for kid's clothing. "Street shoes" in general were pretty popular as part of an athletic and every day look. High tops were the most popular, but platform sneakers started to get pretty popular, too.
Short shorts and baggy shorts!!! For all genders! This was the summer look of 1994, tank top and patterned shorts with a long sleeve t-shirt tied at the waist over top. Knee length baggy shorts in patterned fabrics were super popular. Short shorts were typically for the workout/jogging crowd, but were fairly popular outside of that during summers.
Knits were pretty popular, especially with synthetic wool and acrylic textiles becoming more common. Patterned sweaters/jumpers and chunky knits were among the top sellers, but this started to taper off a bit towards the mid-90s as it was a hold over trend from the late 80s. They still remained a commonly worn item, though.
In terms of sunglasses, funky tint lenses were starting to get popular, with blue, yellow, pink, and green tint lenses in bottlecap sunglasses or round lenses being a significant trend for a while. Round lenses for sunglasses were fashionable, but people also wore Ray Ban Aviators as a style classic. Smaller lenses were getting more and more popular in general, leading to oval glasses with wire frames becoming a common glasses frame style for both sunglasses and regular prescription wear. This was in contrast to the 80s, were large plastic chunky frames were popular.
The trend of making everything a little longer and baggier than it needed to be applied to most clothing items, including pants/trousers-- Jeans were often cut a little long, so rolling up the cuffs made a come back for a while, and yes, patterned baggy puffy trousers were popular for a couple seasons (although 1994 would have been near the end of that trend).
In terms of fine textured hair, feathered and fluffy hair was the goal, with volume being the biggest consideration for all genders. For black hair, Bantu knots got pretty popular for a while (you can see this reflected in some film/media well into the late 90s/early 2000s), and natural hairstyles were starting to make a big come back in contrast to the highly permed 80s.
For accessories, headbands, hats, and necklaces/bracelets were the big ones (as belts became less popular over time). Earrings tended to be plain hoops/studs or big chunky statement earrings, with very few options in between. Clip-on earrings were still really popular at this time. Fake small hoop earrings were also worn, instead of getting multiple ear piercings. For men, ties and scarves were the key accessories. Digital watches became popular accessories for all genders, and were part of both casual and professional wear.
Socks! White or black, almost always cotton. Sometimes white with a couple stripes at the top. Leg warmers were more of an 80s thing, although in some areas they were still worn in 1994, typically only as part of gym gear by this time but sometimes outside of that. Knee high socks started getting popular (especially paired with shorts or skirts), and socks in weird colours or patterns also started getting more popular, but they weren't super common and tended to be hard to find or more expensive. White socks with lace tops were popular among little girls and teens, whereas the sporty striped socks were more often found in men's departments.
Leggings as they exist today were not a thing outside of the gym, same with yoga pants-- Instead, it was just tights. Thick, relatively uncomfortable tights. These were usually office wear or for special occasions, or when someone felt like dressing nicely. The skin colour ones mostly went out of fashion for casual wear and were mostly for office attire; Thick black tights that you couldn't see through were the default for most casual outfits around this time. Some people still wore the skin colour ones for casual outfits, but the black ones were seen as more stylish for most of what was in style.
Colour palette: You had three main options -- Denim, Block Brights, and Earth Tones. There were of course other options, but these three are probably the most common. Pastels and block brights were especially popular for kids.
Makeup trended towards natural looks or Earth tones. Burgundy shades were popular lip colours, and browns were popular eyeshadows. If you wanted to look cutting edge, you went for metallic eyeshadows in blues, with a sharp orange-red lip colour-- But this was not an every day look! Blush was used, but sparingly, unless you were going out for an event. Subcultures had their own distinct makeup preferences, which did not generally permeate popular style guides. The modern internet makeup guru culture did not exist, and most people got their makeup advice from magazines, close friends, or TV shows. Avon makeup was popular, as was Clinique. Drug store brands included Eckerds, which was an affordable option if you couldn't go to a department store.
For perfumes, CK One and Tommy were among the most popular. Calvin Klein was a mainstay in perfumes, following the success of their perfume Obsession in 1985, which is a scent that most people will associate with that decade! A lot of people continued to use it well into the 90s.
This is all I can think of at the moment, but I wouldn't mind adding more if this was helpful or interesting for anyone! :)
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Lol. Gisele 👑
Cosmopolitan mag 2000
#gisele bundchen#supermodel#fashion#gisele#models#beautiful#model#beauty#queen#icon#2000s supermodels#supermodels#90s supermodels#ubermodel#professional#the queen#naomi campbell#linda evangelista#mario testino
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Harvest Tomatoes
Following up yesterday's Little Farmer Jun is the fruit of the harvest!
We continue on with the (many) figs that were inspired by Gong Jun's November 2022 Cosmopolitan Magazine shoot. There's a ton of them.
The inspiration for this cutie is this:
This magazine cover is not the one I have, I got this cover:
Outstanding! But, we're not here to talk about A+ purchasing decisions, we're here to talk about this little man:
This sweet little guy, wheelbarrowing his way across the Pacific to me. Safe and sound in his little polystyrene cocoon.
Like a number of figs in this series, there was absolutely no way this fig was going to stand up on its own. In this case, on the cart. It was too heavy towards the back and toppled right over when I tried it. Usually I can at least take a header pic if I prop the fig up against my backsplash there, but for this one I just immediately put it on a fig stand. It was just too unstable. I wasn't going to take any chances on the cart breaking!
I put a tiny bit of glue on the wheel and each of the ... uh ... wheelbarrow... stands? What are those called? Anyway, I glued that cart down, it's not going anywhere.
You can see we would have needed much wider, uh, stands in order for the cart to hold up the weight of that big ol' head.
Speaking of big ol' heads, I find Junjun's little khaki hat here adorable. It's like, fascinator size! Not to scale in the slightest, but ever so cute for it.
Look at all those beautiful tomatoes! I know people were incredulous at Junjun biting into a tomato for the photo shoot, but let me tell you. When I was a kid, I used to work at a local farmer's market on the weekends selling flowers with my uncle, and I would wander around the market when we had slow times. A great farm fresh tomato really is like nothing else - a glorious burst of flavor and juicy texture that literally tastes like summer. So you go on with that tomato, Junjun!
Tomato solidarity aside, I love how packed this cart is, it makes for a great visual presentation.
Junjun covered in tomatoes wasn't where I saw this mag shoot going, but like I said in yesterday's post, I don't even question this sort of stuff anymore. There's no denying the harmony of the red tomatoes with the cart and the contrast with his clothing is a great pop of color.
I really love how the fig maker designed the 3-D nature of his open shirt. This must have been a difficult fig to engineer, just given all the details here. His hair also looks fantastic - they really got those curving bangs that look so great in the photo shoot.
Speaking of details, here's a close up of all those tomatoes that wonderfully 3-D shirt. You can actually see the modeling on his abs there too! No detail spared for sure.
More detail of the other side of the cart. There is a LOT of tomatoes in that cart. Pour one out for the overworked and probably underpaid photographer assistants that have to set up these fashion shoots. What a perk though. I'd artfully place tomatoes around Gong Jun for free, no problem.
Here's a good view of how well this wheelbarrow was modeled. It may not stand up on its own, but it looks fantastic.
And the other side. I like the blue soles on his Hogan boots a whole lot.
The boots are all we really see (and yet more tomatoes) from this angle!
No box art or box cards for the figs in this series unfortunately.
There will be more figs in this series to come, and more figs outside of this series too. Literally every single photo in this shoot was turned into a fig by some enterprising fig maker! I'd call that a successful photo shoot for sure.
Material: Resin and a whole ton of tomatoes
Fig Count: 419
Scene Count: 29 (I don't think this counts)
Rating: The sweetest fruit of the harvest
[link back to Master Fig Index for more posts]
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Mabel Cadena Serving Looks pt. 1
If ya know- then you know I've been super busy trying to find photoshoots of Mabel. 🥹
I wasn't super stoked about the cosmopolitan shoot. But hey- I'm cheer her on no matter what. Anyways. I went beep bopping onto her insta and realized that I've been missing out. So I figured I'd bless y'all with some of her stuff!
Here's the link to her article in Meow Mag
This is the link
And here are some of the pics from it! Check it out! I'm sure supporting her stuff will garner her more opportunities. (I'm literally rooting for the entire Black Panther cast. 🥹)
#mabel cadena#namora of talokan#namora#black panther wakanda forever#talokanil#talokan#mabel cadena serving looks#fashion#i'm cheering for everyone
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I learned the word "décolletage" from Cosmopolitan mag many years ago, and dammit, today we put it in a fic. 🤓
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1990s Trip Hop Playlist
Bad news and great news with this week's playlist post, folks. The bad news is that, once again, a Spotify version of one of these has shrunk because a song was removed from the platform, but the great news is that over on YouTube, I finally found a song that I've been looking to add for well over a year now to my 90s trip hop playlist. I'd actually tried to upload this track to my own channel before and was forbidden from doing so, but today, while I was updating, I managed to find it: the "Instrumental Mix" of Washington, D.C. duo Thievery Corporation's "Lebanese Blonde." In case you're familiar with the vocal version of this song, this isn't just a version that strips out the singing; this one has slightly different instrumentation to it too—namely Spanish guitar—and is really reflective of what the TC guys have always been about: weaving together different sounds from various parts of the world in order to yield some terrific cosmopolitan lounge beauty 😌.
I also learned this week that a handful of other songs that are in the YouTube version of this playlist had been taken down since the last time I updated it too: three from Paris' DJ Cam ("Mad Blunted Jazz," "Life," and "Gangsta Shit"), and one from Edinburgh's Boards of Canada ("Everything You Do Is a Balloon"). But fortunately, I was able to find other uploads of those same songs and retain them for the playlist.
Also in this update comes a couple adds from the pioneering German label that I've been writing about for weeks now in these playlist posts too: Harthouse, which was co-founded and run by the legendary Sven Väth in the early 90s, and began as a big outlet for trance and hard trance, but then broadened its horizons by the mid-to-late 90s before shutting down for good. There's Frankfurt group Hacienda's organ-jazzy "Nightmare of Max," whose title may be a play on the great Nightmares On Wax—whose own "Mission Venice" and "Fishtail Parker" also appear in this playlist too, by the way—and some chunky and groovy trip hop-blues from Berlin's Jiri.Ceiver called "Ycool," which also appears in my 90s downtempo and German downtempo YouTube playlists too. "Nightmare of Max" has under 300 YouTube plays and "Ycool" has a little over 140.
Hacienda - "Nightmare of Max" Jiri.Ceiver - "Ycool" Thievery Corporation - "Lebanese Blonde (Instrumental Mix)"
And this playlist is also on YouTube Music.
So while the Spotify version of this playlist has been pared down to a mere 34 songs that clock in at a little over 3 hours, the YouTube one has now grown to 61 songs that clock in at 5 hours and 50 minutes 😯. Lots and lots of super dope and rarer trip hop goodies to be found in that YouTube one, including:
a song by the great Squarepusher (operating under his government name, Tom Jenkinson) called "Vogon & I," that was once on Spotify, but isn't anymore
a remix by legendary IDM duo Autechre of their own nebulous and mysteriously related project Gescom's "Mag"
an incredible track from that same Gescom project called "Leritue (Gibber MIx)"
and a cinematic British breakbeat-trip hop interpolation of famed New York street poet Gil-Scott Heron's "The Revolution Will Not Be Televised," by an act called Genaside II.
And lastly, if 5 hours and 50 minutes of trip hop sounds a bit too overwhelming for you, I've got a couple shorter playlists that focus on specific years of the genre too.
1996 Trip Hop: YouTube / YouTube Music 1998 Trip Hop: YouTube / YouTube Music
Enjoy!
More to come, eventually. Stay tuned!
Like what you hear? Follow me on Spotify and YouTube for more cool playlists and uploads!
#trip hop#electronic#electronic music#music#90s#90s music#90's#90's music#playlist#spotify playlist#spotify playlists#youtube playlist#youtube playlists#youtube music playlist#youtube music playlists#Spotify
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MINGYU takes the cover of COSMOPOLITAN mag
Dino for ARENA HOMMES mag
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Ok, this is the post where i'm going to get potentially stupid and sinful (for tumblr) and mix politics and fandom. and it might suck. Obviously we don't live in a world with this brand of supernatural shit, this is just a metaphor, an you're welcome to say 'this is a bad metaphor" and disregard it, or argue, or argue about any other aspect of it. And in a sense i think this works because The Magnus Archives is about fear and all that icky shit. So maybe it only works that far. So if you've listened to TMA...
this is also basically a response to this post https://landofspaceandrainbows.tumblr.com/post/716770248396800001/jambeast-captainjonnitkessler and this post https://jambeast.tumblr.com/post/716765867387617280/ok-i-think-i-figured-out-what-the-fuck-is-going on @jambeast 's blog and that whooole discussion.
but basically, this is an interesting discussion, but there's a lot of fraught bs going on, elsewhere in the chain - and a lot of it is basically ok, it's argument.
ok, this is kinda falling apart here, i'll try to put it back together. I'm seeing at least two threads here.
first part: somewhere along the reblog chain there's bringing up the idea that some people may just be seeing their culture as "default" and "less religious" and therefore "less scary" and other cultures as "less familar" "more religious" and "scary" which is - sort of a good point in many cases. there's a rather neat sounding line about "the call to prayer sounding unfamiliar, but the sound of church bells sounding as comforting background noise" cool, or semi-cool. and genuinely well said. but then it connects it to "being privileged which... ehhh. that's when things get dicy.
but i'll be coming back to that way later.
Ok, back to the magnus archives.
Thinking about Gerry Keay and Agnes Montague.
Thinking about Jared Hopworth and Mike Crew and Jon Sims.
Like the fire, the lighters, all that jazz. Like i think it can be easy to wonder why would anyone talk about leaving families, communities, books behind except as an act of coercion. "why would anyone burn a book?" "why would anyone burn a house?" "why would anyone leave a family or community unless it's some sort of forced plot?" but what if you grew up in Mary Keay's library? Or in Hilltop House? Would you walk in then? Would you find a volume to burn?
Likewise, i don't find the boneturner's tale and ex altiora frightening. I bet Jared hopworth doesn't mind the boneturner's tale too much I bet mike crew enjoys ex altiora. The statements, properly organized hepl people research, understand, and hunt down problems, and help keep Gertrude Robinson and Jon Sims going more viscerally.
But you might say, that's a fucked up implication because those are all monsters. and separately from being monsters, they all hurt people. Which, fair. But it's a metaphor, and maybe a bad one. And plus we all sort of like them. Jon, yes, gertrude, michael, helen, mike crew - maybe. And as above, Agnes? also a monster. and Gerry - hopped up on so much weird shit, just dripping with Eyes, so whatever. If we respect them, we might be able to extend that.
But basically all the above have reasons to team up when Fucked UP shit is about to go down, no one likes the Eternal Circus of The Extinction. We've seen it work.
Anyway, there's reasons not everyone is gonna like the web or the desolation or whatever, there's reasons why people don't like being infested with bad community and oppositely why people aren't gonnal like the idea of the stuff they like going away - and why they'd fear it's burning, even when it's not particularly likely to happen at that exact moment, because fear goes deep like that.
So in my ideal world, all the cosmopolitan atheists can go watch MAG 169: Fire Escape (which tbf, i almost couldn't watch straight through because it shows a deep connection and comfort that at this point I cannot have, except in little bits hedged about with nomadism and desolation. - but it's good!)
And all the people who have found a tradition they like can go listen to MAG 4: Page Turner and MAG 59: Recluse and MAG: 67 Burning Desire
And both could listen to Scrutiny, ig.
But anyway, like, even normies don't always like dumbshit hegemony. atheists and agnostics and freethinkers wouldn't benefit from more normative religiosity, and neither do members of minority religions. even normies and christians hate jacked up abortion bans, and even if they don't hate them they can still suffer under them.
In any case, i remember the messed up stuff i saw, and am getting away from. and it's mostly bad atheist shit. so sometimes atheists raise my hackles up, but i suspect now that's because i'm my own kind of "off". we probably don't want to hear from eachother all that much.
----
but anyway, back to the beginning. sometimes people fear cute little bugs because they aren't familiar. there's cute little bugs everywhere and they're mostly harmless, and they're even there being cute in horror movies. But if someone's afraid of fire, or someone's taking a flamethrower to cute little bugs, sometimes it's because they're "privileged" and never went camping or out of bug spray or had a cockroach in their house. But they could have seen fucking Jane Prentiss or have lived at Hilltop House. And assuming things can be ok in most circumstances until it gets really fucking weird.
And this is the fucking weird everybody's hurt website.
and none of this makes hurting bugs ok - but it does require A Different Response, JFC.
Most of the time, the people who have the most reason to hate and fear church bells are the ones who grew up hearing them. And the ones who fear the call to prayer may have grown up hearing it. And there's a separate issue of what it's ok or not ok to do about that.
----
Ok stepping down from the metaphor, holy hell the assumptions. And the republican agenda now sucks.
But basically when some hardcore "burn the past" type on here calls something "surface level fun" it's basically a compliment - though you may disagree or find the worldview twisted. because the "deeper than surface level stuff" in their experience is always UGLY. Likewise when someone speaks of "culture" and "underpinnings to everything" they can be talking about something that's been genuinely nice to them.
But it's gonna be hard to work together, if it's even worth it, because like, when you hear "of course people are going to leave their communities and families" if you have a nice place - there's a history of forced removal and so that's gonna bring up some very ugly questions about "WHY they would leave". But if you've been in a rough circumtance, "the second the door opens, people will walk out, and resources open that door" will make sense because you walked out. And people going "of course the Suffering is worth it for our stability and continuation." is gonna sound SUS as hell, because.... that's also what every sketchy relationship on the fucking earth is justified by. But sometimes it's more a matter of a minor suffering for something wanted. etc.
But there is a reason that if we ever do form an Atheist - Theist alliance (and given they're ok with dumb insular in-jokes) i'd like it to be called
Leitners & Lighters
or the Gerry Keay and Mike Crew society.
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The non-profit Internet Archive has been in the news a good bit in recent weeks, after losing a high-profile legal challenge from four major U.S. book publishers over the digital archive’s National Emergency Library that launched in 2020 during the pandemic to lend e-books for users stuck at home during lockdowns and self-quarantines.
Put simply, the publishers — HarperCollins, Hachette Book Group, John Wiley & Sons and Penguin Random House — challenged the Internet Archive’s practice of lending multiple copies of some of their digital books at the same time. The Internet Archive has lent digital copies of books for well over a decade, but only the number of books the library physically had on hand (basically, the same way a brick and mortal library can only lend the amount of book copies it physically has in house). The Internet Archive argued the expanded lending library fell under fair use, while the publishers characterized the practice as “mass copyright infringement.”
The publishers won the case, which looks to put a stop to the expanded digital lending practice. The Internet Archive isn’t giving up the fight, planning to appeal the ruling.
But even without that emergency library, the Internet Archive still has a whole lot to offer. From concert archives, classic films, TV shows, software and the internet itself via the Wayback Machine web page archive.
Thousands of old concerts
If you’re reading Paste, there’s a decent chance you’re a music junkie. To that end, you could spend weeks getting lost in the internet Archive’s massive Live Music Archive. The collection includes more than 200,000 concerts from artists as varied as The Grateful Dead, My Morning Jacket, Blues Traveler, Elliot Smith, Guster and hundreds more. If you love live music and are looking for a new spot to find some performances, it’s one of the biggest archives out there. And, of course, it’s all free.
The Internet Arcade & Console Living Room
Want to revisit some of the classic arcade and console games from the 16-bit era (and before, and a bit after)? The Internet Archive is home to a massive catalog of classic video games, one of the few places where these works are being preserved and made available for fans to discover and revisit. Visitors can emulate thousands of games straight from your web browser, including arcade classics like NBA Jam, Pac-Man, Defender and more. The Console Living Room project is much the same, featuring classic video game console games available to play thanks to emulation from a web browser.
The Magazine Rack
Print might not be the mainstay it once was as many publications have gone digital-only. But there are still decades upon decades of old print magazines, which represent a snapshot of the world as it was at that moment in time. The Internet Archive’s Magazine Rack project features more than 300,000 digitized magazines, ranging from mainstream publications like Cosmopolitan, Sports Illustrated and Esquire; to video game and tech mags like GamePro, Retro Gamer; and even classic issues of TV Guide. It’s useful for research, and a great way to revisit some print journalism and reporting that would otherwise be lost to history.
Vast films and TV libraries
The Internet Archive is also loaded with films and TV shows, especially a lot of older and obscure titles that can prove hard to find on modern streaming services. Want to revisit Disney’s Song of the South (a racist piece of period cinema that has largely been erased from the Mouse House’s repertoire) for some reason? It’s there. Looking for classic black and white films and westerns? You’ll find plenty. On the TV side, you can find archived newscasts for posterity, along with seasons of television shows ranging from Farscape to Kojak, 1990s-era TV movies and hours upon hours of old children’s shows. It’s a big mishmash, but there are plenty of gems hidden in the stacks.
The Wayback Machine
Trying to track down an old article from 10 or 20 years ago? Want to relive the Yahoo! homepage as it looked a decade (or two) ago? The Wayback Machine is an invaluable resource for internet historians, archiving more than 800 billion web pages and counting from across the internet. It’s an amazing resource, as easily the biggest and most expansive archive of the internet available to the average person.
Still a whole lot of books
This is still a library we’re talking about, and yeah, there are thousands upon thousands of books. From the classics, newer releases and public domain materials. If you’re just wanting some fresh books to read, the Internet Archive can keep you in books until the end of the world. Then probably a little longer than that, considering they never stop adding new books to the archive.
#Libraries#Digital Libraries#6 Great Internet Archive Collections To Enjoy As The Digital Library Fight Continues
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