#maalai

[kingmabry]

He was a very young man in his early twenties, yet Sri Ramana Maharshi had a peaceful countenance and radiant eyes of a sage.

Arunachala Aksharamanamalai

The title of the lyric poem, Arunachala Aksharamanamalai, means "the bridal garland of letters for Arunachala".

Mana Malai is the wedding-garland which symbolises the union of the bride with the bridegroom. It also means sweet-scented garland.

Aksharamanamalai may also mean "the garland that serves as the insignia of marriage with the undecaying (akshara) Lord".

The phrase contains the name of Bhagavan Sri Ramana too — aksharamana. It is significant that the hymn is composed of 108 verses — a number that is supremely sacred.

Of the hymns on Arunachala composed by Sri Ramana, the Arunachala Aksharamanamalai was the earliest. The very name Arunachala had fascinated Sri Ramana right from his childhood. It was in search of Arunachala that he had left his home as a lad of seventeen. In the note that he left behind, he had stated that he was going in quest of his Father, and that no one need go after him.

After arriving at Tiruvannamalai, he stayed there till the end of his earthly life. To him, Arunachala was no mere hill. It is the visible symbol of the Absolute Spirit.

He found no contradiction between his Advaita experience and devotion to Arunachala. In fact, there can be no opposition between jnana and bhakti at the highest level. That view which holds that there is no place in Advaita for either God or devotion is clearly mistaken. There is an old Sanskrit verse which says that it is by the grace of God that even the inclination towards Advaita comes to a few. What is called God in the language of religion and mysticism is the same as the Absolute of Advaita. In bridal mysticism, the devotee considers himself to be the bride of God. He employs the intimate language of love in conversing with his Lord. All the processes connected with carnal love are observed to take place between the devotee-soul and the bridegroom, except the carnality. The devotee pines for, cringes, cajoles, chides and quarrels with the Beloved. There are courtship, union, separation, and reunion. In that phase of mysticism which is known as bridal mysticism, the mystic revels in the love-play with the Divine. The culmination of this sadhana, however, is the Realisation of non-duality. Love is never satisfied so long as the dualistic consciousness lasts. Where twoness is, there is no true love. Love is oneness; ananda is Advaita; the Atman is rasa. In Sri Ramana’s love-litany we have this clearly taught. Even in the first verse of the hymn, he speaks of the ‘I am Arunachala’ experience. When love matures and realises itself, there is nothing but Arunachala. Arunachala is all; all is Arunachala. This is the plenary experience which is Advaita.

[sembulapeyalneerpol]

gvm is annoying and unfortunately it is in his copaganda incel films we get some of the best of kollywoods romantic soundtracks, like the harris jayaraj + thamarai collabs are unmATCHED

[dame-qui-kuovi]

FANFIC

-Hietala

-Söpö tämmöi suht lyhyt

-Paska murre tietämys⚠️⚠️

-Kirotus virjeet

-Täs menee tapahtumat eri aikajanassa mitä kirjassa.

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Päästyään Komppanian kanssa lepopaikoille Koskela käveli korsulle ja istui sängylleen väsyneesti. Leväten päänsä seinään hän sulki silmänsä. Ei hän yleensä kärsinyt omantunnon tuskista tai erityisestä vihasta. Mutta kun Lehto ampui vangin hän oli ensimmäistä kertaa pitkään aikaan päässyt kosketuksiin sen luontoisten tuntemusten kanssa. Että pitikin päästä Lehto sen kanssa.. Loppu matka käveltiinkin hiljaisesti ja kaikki oli aavistuksen eleettömänpää.

Hietanen oli seurannut yksikseen vähän Koskelan perässä ja avasi yllättävällä voimalla korsun oven. Hän oli Itsekkin sekunnin hämillään voimasta jonka syyttömään oveen purki. Palaten mahdollisimman vaivattomaan ulkoasuun Hietanen nyökkäsi Koskelalle. Suu puristettuna viivaksi ja kulmien muodostaessa pienen rypyn ei esitys tehonnut kumpaakaan. Kiusaantuneena Koskela raapi ohimennen nenänsä vartta ja etsi lattian tasolta jotain mitä katsoa.

-Lehto ja häne vihasa. Ampus ny viel sellasseet mitkä tarkotuksel ja luvallisest pitäski.

Hietanen aloitti ajatustensa purun.

-Mm. Olis mun pitäny joku muu laittaa se ryssä kuskaamaan. Lehtohan siinä eniten vihoissa oli. Tai silminnähden ainuuna.

Koskela vastasi eleettä. Hän nyppi sormillaan pediltä pieniä jäkälän paloja tai mitä muuta siihen oli metsästä kulkeutunut.

-Ei se ny su syys ol.

Koskela katsoi Hietasta tympääntyneenä ja totesi:

-Vastuu on minulla.

-Ei sit käykkä kieltämine. Mut sul o työ antta sitä vastuut muillekki. Ja meil muil vastuu täyttä tehtävä niiku sää se annoit...

Hietanen oli hetken hiljaa punniten sanojensa tehoa:

-Äl sää ala itteäs syyttämä. Sää annoi käsky ja Lehto se teki väär.

-Niin kai.

Hietanen ravisteli vakavuuden harteiltaan. Ei se liiaksi aikaa nille sopinutkaan. Hän käveli sängylle istuen Koskelan viereen ja laittoi toisen kätensä lepäämään tämän olalle ja hieroi. Koskela tunsi ilman keuhkoissaan raskaana hetken. Toinenkin käsi löysi luutnantin olalle ja tämä jännittyi aavistuksen.

-Rentoudu ny vähä. Ei täst muutte mitää apu oo.

Hietanen sanoi huvittuneesti.

Koskela rentoutti vaivautuneesti olkiaan. Sotilas arvo ei ollut Koskelalle erityinen ylpeys, jota hän kantoi. Se oli hänelle vain neutraali nimike. Kuitenkin hän tunsi nöyrtyvänsä jotenkin lopullisesti. Se vähäinenkin virallisuus, jonka Koskelaan toi lähinnä upseerin takki ja merkit poistui Hietasen käsissä. Miehestä jäi se aikuisuuteen varttunut Hämäläinen maalais poika. Hietanen myötäili Koskelan rentoutunutta olemusta. Koskela henkäisi hitaasti.

-Sää ole stressaantunu.

Hietanen "torui" ja pudisteli päätään.

Koskela hymähti ja sanoi sarkastisesti:

-Niinkö meinaat?

Hietanen painoi molemmat peukalonsa Koskelan niskaan ja tämä ähkäisi pienestä kivusta minkä jännittyneiden lihasten painaminen aiheutti. Hietanen hymyili ilkeästi.

-Kyl mää sit tosissani Meinaan.

Hietanen eteni sormillaan Koskelan niskassa painellen ja hieroen. Koskela taivutti niskaansa antaen tälle enemmän tilaa. Hietanen jatkoi puhellen itsekseen.

-Mää jo luuli ettet sää an ittes rentoutuu ikin. Mut kyl Jumala näyttä pystyvä kaik moisi ihmeisii.... Niii i.. tai jospa se oon mää jol niit yliluonnolisia voimi o? Mää usko nii et, ei o mont poika täs Maas, jotka osa tanki tuhota ja saada sut rentoutuu kunnol. Kui voi ihmine ol noi hito rauhalline, mut ei ikinä rento. Mää ku olen ain mieltäny ne asia aik saman laisiks jutuiks... Mut ei ne vissikä oo sit.

Koskelaa huvitti Hietasen puheet. Hän huomaamattaan hymyili koko sen ajan, mitä alikersantti höpisi. Hänellä oli vihdoin rento olo. Pitkästä aikaa Koskela hymyili niin pitkään ja aidosti. Hietanen ei varmaan itse ymmärtänyt kuinka lähellä ihmettä hän todellisuudessa oli. Koskelalle hän oli ainut päivittäinen lohduttava ja motivoiva asia.... Hietanen liuvutti sormensa miehen niskahiuksiin. Koskela säpsähti ajatuksistaan ja vetäytyi vaistomaisesti kauemmas ja juoksi kädellään hiuksensa kerran läpi vähän hämmentyneenä.

-Mik sul tuli?

Koskela räpsytti silmiään pari kertaa.

-Ei mikään. Se vaan..

-Antteeks. En mää halu tehdä sul epämukava oloo, päi vastoi.

Epävukavaa oloa? Hietanen oli kääntynyt tulkintansa kanssa aivan väärälle tielle. Koskela näytti vaikealta.

-...No... ei se suoranaisesti ollut epämukavaa. Enemmän päin vastoin.

-Mik sul sitte tuli?

Hietanen kysyi varoen.

Koskela avasi suutaan, mutta sulki sen. Niin kuule sen jos ite tietäis. Mitä aikuinen mies sillä lailla hyppelehti. Hietanen katsoi edelleen Koskelaa. Luutnantille ei tullut mieleen mitään mitä sanoa. Skenaariot mitä voisi tapahtua tulvivat kyllä vaivatta mieleen.

Hän huokaisi ja tuli taas lähemmäs. Varovasti hän etsi Hietasen käden omaansa ja kuljetti takaisin niskaansa. Hietanen seurasi liikettä hiljaa ja hellästi silitti Koskelan niskaa ja eteni takaisin niska villoihin sieltä upottaen sormensa tämän hiuksiin. Koskela sulki silmänsä ja Hietanen veti tätä lähemmäs tutkien mielenkiinnolla Koskelan kasvoja, joilta näki jännityksen sulavan. He olivat siinä kummallisessa asennossa jonkin aikaa. Koskelasta tuntui, että Hietanen olisi lohduttanut häntä. Yhä siitä Lehto jutusta? vai tästä jostain vaikeasta aiheesta mikä ilmestyi heidän välilleen?

-Ville..

Koskela avasi silmänsä. Rohkeat kolme sekuntia hän vastasi alikersantin katseeseen. Sitten poskia alkoi polttaa ja katse oli pakko laskea pois. Hietanen katsoi tätä odottaen ja puhtaalla mielenkiinnolla. Sitten hän jatkoi.

-Mää todella toivo, et mää ymmärsi sua nyt oikke. Vaik ois se reilumpa jos sää vähä auttasit..

Hietanen siirsi peukalonsa silittämään vasten Koskelan poskea. Molemmat istuivat epävarmoina muutamia sekunteja kunnes Koskela veti Hietasen lähelle ja suuteli tätä huulille.

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🫡😙

[kdram-chjh]

Cdrama: Spring Flower, Autumn Moon / Love Better Than Immortality (2019)

Maalai mangum neram | Female version|Love better than immortality | chinese mix tamil |

Watch this video on Youtube: https://www.youtube.com/shorts/74owpsadqCI

[therukurals]

having an oru maalai throwback inspired gc and just thamarai’s lyrics!!!!

“i saw her face in the distance, and there i lost myself”

[deshamukalamu]

Thiruvallikeni Parthasarathy Perumal temple Bhogi Andal kalyanam sarathy Perumal mada veedhi purappadu and andal nachiyar udan maalai maatruthal PC saitej (at Parthasarathy Temple, Triplicane) https://www.instagram.com/p/CnZwmjKv_rd/?igshid=NGJjMDIxMWI=

[my-music-1460]

Exploring Karthik’s Lesser-Known Masterpieces

Singer Karthik has carved a niche for himself as one of the most versatile and soulful playback singers in Indian music. Known for his mellifluous voice and emotional depth, Karthik’s journey from a budding talent to a celebrated artist is a testament to his dedication and artistry. From lending his voice to countless chart-topping hits to working with some of the most iconic composers, Karthik has become a household name in the world of music. His ability to connect with listeners across languages and genres has solidified his place as a musical icon. This article delves into the inspiring journey of Karthik, the milestones he has achieved, and the indelible mark he continues to leave on the industry.

1. Early Life and Inspirations Karthik was born into a music-loving family that encouraged his artistic aspirations from a young age. Growing up in Chennai, a city known for its rich musical heritage, Karthik was surrounded by a culture that celebrated classical music and cinema. Inspired by legends like Kishore Kumar, S.P. Balasubrahmanyam, and Yesudas, Karthik developed a deep appreciation for melody and rhythm. He began training in Carnatic music, which laid the foundation for his impeccable vocal techniques and range.

2. Career Breakthrough Karthik’s big break came when he was noticed by the legendary A.R. Rahman during a recording session. Recognizing his raw talent and versatility, Rahman gave Karthik his first opportunity in playback singing. The song “Nendhukittaen” from the Tamil film Star marked his debut in 2001. The success of this track opened doors for him in the South Indian film industry, and he soon became a sought-after vocalist. Over the years, Karthik collaborated with several notable composers, including Harris Jayaraj, Ilaiyaraaja, and Pritam, which further solidified his position as a leading playback singer.

3. Signature Style One of the defining aspects of Karthik’s singing is his ability to adapt his voice to suit the mood and emotion of the song. Whether it’s a romantic ballad, an upbeat dance track, or a soulful melody, Karthik’s vocals bring a unique charm to each genre. His impeccable diction and emotional delivery have made his songs resonate deeply with listeners. Tracks like “Behka” from Ghajini, “Ava Enna” from Vaaranam Aayiram, and “Oru Maalai” from Ghajini showcase his ability to convey a wide range of emotions.

4. Achievements and Accolades Over the course of his illustrious career, Karthik has received numerous awards and accolades. He has won several Filmfare Awards, Tamil Nadu State Film Awards, and other prestigious recognitions for his outstanding contributions to music. Karthik’s versatility has allowed him to perform in multiple languages, including Tamil, Telugu, Kannada, Malayalam, and Hindi, making him a true pan-Indian artist.

5. Global Reach and Fan Following Karthik’s voice transcends borders, earning him a dedicated fan base not only in India but also among the Indian diaspora worldwide. His live performances and concerts are a testament to his popularity, as he effortlessly connects with audiences through his captivating stage presence and powerful vocals. Additionally, his work on international collaborations and independent music projects has showcased his ability to blend Indian musical traditions with global sounds.

6. Contribution to the Industry Beyond playback singing, Karthik has also contributed to the industry as a composer and mentor. He has composed music for films and independent projects, showcasing his multifaceted talent. Moreover, Karthik is deeply committed to nurturing young talent and often conducts workshops and mentoring sessions for aspiring singers. His dedication to music and passion for sharing his knowledge have made him a respected figure in the industry.

Conclusion

Singer Karthik’s journey is a shining example of how passion and perseverance can pave the way to greatness. From his humble beginnings in Chennai to becoming one of the most celebrated playback singers in Indian cinema, Karthik story is one of resilience and talent. His ability to connect with audiences across languages and genres has not only enriched the music industry but also inspired countless aspiring artists. Karthik’s melodious voice, coupled with his unwavering commitment to his craft, ensures that his legacy will endure for years to come.

[ra13sa]

Smule இல் "🅒🅡 மாலை சூடும் வேளை/ Maalai Soodum Velai" பாருங்கள்

#Smule இல் இந்த அருமையான "🅒🅡 மாலை சூடும் வேளை/ Maalai Soodum Velai" ரெக்கார்டிங்கைப் பார்த்தேன்: https://www.smule.com/sing-recording/1338282518_4974538204

[ringtonesnk]

ringtonesnknet #Hindiringtones #TamiRingtones #MalaysianRingtones #KoreanRingtones

ringtone #ringtones #bestringtones #freeringtone #ringtonesong #mp3ringtones #ringtonesound #newringtone #mobileringtone

[matchfinderindiamatrimony]

Navigating Nadar Matrimony - Customs and Cultural Significance

Introduction

Navigating Nadar matrimony involves understanding and honoring its deep-rooted customs and cultural significance. The Nadar community, known for its rich traditions and familial bonds, celebrates weddings with elaborate rituals that signify unity, respect, and spiritual blessings. This essay explores the customs and cultural significance of Nadar matrimony, providing insights into how these practices shape marital unions within the community and for more click here Verified Nadar Matrimony Profiles.

Customs in Nadar Matrimony

Nadar matrimony begins with the matchmaking process, where families traditionally consult horoscopes ('Jatakam') to ensure compatibility between the prospective bride and groom. Once compatibility is established, the families proceed with the engagement ceremony ('Nischitartham'), marking the formal agreement for marriage. This ceremony is a joyous occasion where blessings are exchanged, and the couple's commitment is publicly recognized.

The wedding rituals in Nadar matrimony are steeped in symbolism and tradition. The 'Panda Kaal Muhurtham' determines the auspicious timing for the wedding, ensuring blessings from celestial alignments. Leading up to the wedding day, the bride and groom observe rituals such as 'Vratham' (fasting) and 'Pallikai Thellichal' (sprinkling of sacred water), which purify and prepare them spiritually for the union.

During the wedding ceremony, the bride is adorned in traditional attire like the 'Madisar' (nine-yard saree) or 'Pudavai', symbolizing grace and purity, while the groom wears traditional 'Veshti' or 'Panche'. The exchange of garlands ('Maalai Maatral') signifies acceptance and mutual respect between the couple, followed by 'Kanyadaanam', where the bride's father gives her away to the groom, symbolizing the transfer of responsibility and blessings for a prosperous marriage.

The 'Saptapadi' is a pivotal ritual where the couple takes seven steps around the sacred fire ('Agni'), each step representing vows and promises for a harmonious and enduring marital life. The 'Mangalya Dharanam' follows, where the groom ties a sacred thread ('Mangalyam') around the bride's neck, symbolizing their lifelong bond and commitment.

Cultural Significance

Nadar matrimony rituals hold profound cultural significance, reinforcing values such as respect for elders, unity of families, and the sanctity of marriage. These rituals not only unite the couple but also strengthen familial bonds within the community. The participation of extended family members in these ceremonies fosters a sense of belonging and collective celebration, emphasizing the community's support for the newly married couple.

Adaptations and Modern Influences

While Nadar matrimony upholds timeless traditions, it also adapts to modern influences and individual preferences. Younger generations may incorporate elements of personal choice into weddings, such as modern attire, personalized wedding themes, and venue selections. Despite these adaptations, efforts are made to preserve the core values and essence of Nadar matrimony, ensuring that cultural heritage remains integral to the wedding celebrations.

Conclusion

In conclusion, navigating Nadar matrimony involves embracing and respecting its customs and cultural significance. The rituals associated with Nadar weddings are not only ceremonial but also embody the community's values and beliefs. Through these traditions, Nadar matrimony celebrates unity, familial bonds, and spiritual blessings, offering a timeless expression of love and commitment within the community. As Nadar matrimony continues to evolve, it remains grounded in its cultural heritage, enriching marital unions with traditions that uphold values cherished by generations past and present.

[matchfindermatrimonialin]

Celebrating Cultural Heritage - Anbupriyal Vaniya Chettiar Matrimonial Practices

Introduction:

Anbupriyal Vaniya Chettiar matrimonial practices are deeply rooted in cultural heritage, reflecting the community's rich traditions, values, and customs. These practices not only uphold familial bonds but also celebrate the unique identity and legacy of the Chettiar community. This exploration of "Celebrating Cultural Heritage: Anbupriyal Vaniya Chettiar Matrimonial Practices" delves into the intricate rituals, symbolic ceremonies, and familial traditions that define the matrimonial journey within this esteemed community and for more click here anbupriyal vaniya chettiar matrimony.

Anbupriyal Vaniya Chettiar matrimonial practices commence with the sacred process of matchmaking, where families meticulously seek compatibility based on factors such as lineage, financial stability, and cultural values. This traditional approach underscores the importance of familial consent and mutual understanding in forging enduring marital bonds. Matchmaking often involves the guidance of elders and the involvement of community networks to ensure harmonious alliances rooted in shared heritage and values.

Pre-wedding rituals hold profound significance in Anbupriyal Vaniya Chettiar weddings, serving as rites of passage that prepare the couple for their union. The Nischayathartham ceremony marks the formal agreement of the marriage alliance, symbolizing the commitment and support of both families. This ritual is characterized by the exchange of symbolic gifts and blessings, reinforcing familial bonds and fostering goodwill among relatives.

The wedding ceremony itself, known as Kalyanam, epitomizes the cultural richness and spiritual sanctity of Anbupriyal Vaniya Chettiar weddings. Conducted with meticulous precision, the ceremony unfolds amidst Vedic chants and hymns, invoking divine blessings for the couple's prosperous union. The bride and groom are adorned in traditional attire, with the bride typically draped in a resplendent silk saree and adorned with intricate jewelry, symbolizing purity, prosperity, and marital bliss.

Central to the wedding rituals is the tying of the Thaali (sacred thread or necklace) around the bride's neck by the groom. This ritual signifies his lifelong commitment to protect and care for his wife, symbolizing unity and mutual respect in the presence of family members and community elders. The exchange of garlands (Maalai Matral) further symbolizes the couple's acceptance of each other as life partners, witnessed by their loved ones who impart blessings and well-wishes for their journey ahead.

Post-wedding celebrations in Anbupriyal Vaniya Chettiar weddings extend the jubilant festivities, offering an opportunity for family members and friends to honor and congratulate the newlyweds. Traditional music and dance performances, such as the spirited Kavadi Chindu dance, enliven the atmosphere, fostering a sense of community and cultural pride among attendees. These celebrations not only honor the couple's union but also reaffirm the community's commitment to preserving cultural heritage and fostering unity among its members.

Conclusion:

In conclusion, "Celebrating Cultural Heritage: Anbupriyal Vaniya Chettiar Matrimonial Practices" highlights the enduring traditions and values that define matrimonial practices within the Chettiar community. From meticulous matchmaking to elaborate wedding ceremonies and joyous celebrations, Anbupriyal Vaniya Chettiar weddings serve as a testament to cultural richness, familial bonds, and community solidarity. As the community embraces modernity while honoring tradition, these practices continue to uphold the legacy of generations past while celebrating the future with optimism and unity. Through each matrimonial journey, Anbupriyal Vaniya Chettiars reaffirm their commitment to cultural heritage, familial values, and the celebration of love and unity within their vibrant community.

[sagunthalajewellers123]

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[oh-yes-i-did-not]

Ei vittu oon ollu nii sosiaalisesti BURN OUT, ettei mitään rajaa. Oli tosi kiva viikonloppu kavereitten kaa mökillä ja hauskaa, mut tarviisiin kyl siitä pari päivää lomaa, tai ainaki vähän kevennettyy arkee.

MUT EI. Olin sopinu äitin kanssa, että hän tulee visiitille pari päivää mökiltä paluun jälkeen. Ja se ois vielä melkeen ollu ok, mut ku kysyin, et tarviiko pistää patjaa yöksi, vai meneekö Tampereelle nukkuun enon luon, niin sieltähän sit tuli äiti+eno visiteeraan TÄNNE molemmat ja oli varannu hotellinki!

Tää siis siitä huolimatta, et painotin asuvani IHAN VITUN PERSEESS�� EI MISSÄÄN ja täällä EI OO MITÄÄN. Mutku pakko päästä kokeen tää maalais-vitun-idylli omin silmin kaiketi.

Anygays.

Mie sit olin keskiviikkona hädin tuskin enää hereillä, koska liikaa ihmisiä liian lyhyellä aikavälillä ja en ollu nukkunu viimiseen viiteen vuorokauteen. Mut myöskin, miusta on yleensä vaikeempi olla äitin kanssa ja eno on sellanen kiva läsnäolo, joten en ollu mitenkään pessimistinen tän asian suhteen.

Mut näköjään ku on afrikkalaistaustainen omistaja hotellilla ja siellä on tapahtunut force majeure juttua, niin alkaa vittu rasse-setää kutittaa, eli enosta kuoriutu se täys-rasisti ihan julkisesti. Nää siis oli nää perinteiset, et "mikä vitun hotelli, millä tää muka pysyy pystyssä? Mikä tulipalo, ei varmaan, joku vakuutushuijaus? Mikähän tää aamupala täällä muka on, ei varmasti mitään syömäkelpoista. Onko rasistista jos sanon..."

JOO, kyllä, jos tarvii kysyy onko rasistista, niin kyllä on.

Onneksi sit päättivät olla olematta yötä kumpikaan ja lähtivät manseen viiden bussilla. En saanu nukuttua siitäkään huolimatta, mut ainaki sain yrittää rauhassa.

Ja myöskin, kun on yksin kummankaan henkilön kanssa, niin ne kyl muistaa miun nimen. Mut yhdessä? Ne on vitun Ryhmä Deadname Raketti ja kuulin oman nimeni about kolme kertaa koko visiitin aikana.

Aloin itse asiassa miettiin, et ois ollu ihan vitun kiva, jos äiti ois tullu yksin ite. Ja tää ei oo kovin yleinen ajatus miun päässä, härremunjee. Mut historiallisesti kuulkaa miun suusta, ois ollu kiva nähä äitiä naamatusten keskenämme.

Vittu perkele.