#lon sims

[lonionjon]

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Skrunkly (Cat!Jonathan) and Champion (Cat!Martin) design by @ultramarinaa 🎮

[shinythingsarecool]

stuck between wanting to draw s5 jon with long hair bc i reeeeeaallly like how it looks, and drawing him with short hair bc i thoroughly enjoy the headcannon of him cutting his hair real short at the start of s5

[tainoodles]

There’s no heartache that a good lip couch woohoo won’t solve. 

[lonionjon]

Cats wearing glasses? No problem.

Book that turns you into an animal? Reasonable.

But my suspension of disbelief ends with this chubby guy sleeping comfortably in a T-Shirt with a cat on top. He wakes up liquid.

To all the people who wanted Martin and Cat!John

You have been heard! Sadly John is absolute menace as a cat

[little-big-fan]

Imagine com Louis Tomlinson

Premiere

Avisos: Linguagem de baixo calão, conteúdo sexual explicito, +18

✨Não esqueçam de fazer pedidos para a nossa próxima maratona! Estamos ansiosas!✨

— Ansioso? — Perguntei pousando as mãos sobre os ombros tensos do meu namorado. Louis me dirigiu um sorriso nervoso pelo espelho. 

— Pra cacete. — Disse dando um suspiro. 

— Seus fãs vão adorar te conhecer um pouco mais. — Afirmei. 

A estreia do documentário finalmente chegara, e mesmo depois de assisti-lo pelo menos umas 50 vezes, Louis ainda estava com os nervos à flor da pele em expectativa. Ele traria uma nova visão de si mesmo, mostrando a sua legião de fãs partes suas que eles nunca conheceram. A dor do luto, o medo do novo após o final da banda, a decepção de precisar parar a turnê por conta da pandemia. Sua família abriu as portas de sua casa para mostrar um pouco mais do Louis que até então era só nosso. O Louis neto, irmão, namorado e pai. Todas as versões que me cativaram e ganharam de uma vez. 

Meu celular vibrou sobre a mesa, e eu sorri ao ver a mensagem de uma das minhas cunhadas. 

— Sua família chegou. — Avisei, o que o fez engolir em seco mais uma milésima vez. — Posso fazer algo para acalmar você? — Suspirei. Pensei que Louis talvez fosse pedir um copo d’água ou um calmante, mas o sorriso malicioso que se abriu em seus lábios me mostrou que os planos eram outros. 

Antes que eu pudesse dizer algo, o homem se virou, ficando de costas para o espelho. O terno simples e preto era bonito, a camiseta com um decote aberto por baixo deixava as tatuagens em seu peito á mostra, o cabelo perfeitamente penteado e o par de tênis branco dava um leve toque de cor ao visual. Simplesmente lindo. Fodidamente sexy. 

— Está gostando do que vê? — Perguntou em tom malicioso, causando leves arrepios pela minha espinha. 

— Lou. — Tentei soar firme, mas um suspiro alto escapou no momento em que senti seus lábios tocando a pele do meu pescoço. — Louis… — Tentei de novo, sem muito sucesso. 

— Sim? — Provocou, deixando uma trilha úmida com a língua. 

— A premiere já vai começar, precisamos ir. — Resmunguei, me xingando por não conseguir resistir aos seus encantos. 

As mãos fortes apertaram minha cintura, os seus dentes roçaram com leveza na minha pele. Tento manter meus pensamentos em outro lugar, menos provocativo. Mas é tão difícil quando tudo nesse homem me deixa subindo pelas paredes. Chamo seu nome mais uma vez, sentindo meu próprio corpo me trair quando as pernas fraquejam. 

— Tem muita gente lá, não vão sentir a nossa falta… — Ele sussurra, esfregando a barba curta em um ponto sensível entre meu pescoço e o ombro. 

— O documentário é sobre você, claro que vão sentir sua falta. — Ri fraco, meu comentário fazendo-o rir também. 

— Eles podem esperar um pouquinho. — Prendeu o lóbulo da minha orelha entre os dentes, me fazendo soltar um gemido baixinho. — Eu sei que você quer, linda. 

— Alguém pode entrar. — Sussurro, é possível ouvir a movimentação da equipe do lado de fora. Conversas paralelas, muitas pessoas caminhando pra lá e pra cá. 

— Melhor você ficar quietinha então. — A voz baixa soa em meu ouvido. Sem esperar meu próximo argumento, Louis me empurrou em direção da mesa de maquiagem, empurrando tudo para o chão. O barulho alto me deixa em expectativa de que alguém vá entrar e acabar com tudo, mas não, ninguém entra, deixando o meu namorado ainda mais convencido. 

Louis ataca minha boca com a sua, travando uma batalha que eu sei que não tenho como vencer. Meu corpo inteiro entra em combustão, queimando por ele. A língua afoita acaricia a minha sem nenhum cuidado, tomando para si cada um dos meus suspiros murmúrios. Sinto meu vestido ser erguido, o tecido elegante e cravejado de milhões de pequenas pedrinhas brilhantes se acumula em minha cintura, deixando a minúscula calcinha preta à mostra. Com os dedos em cada lado do elástico, Louis arruína a peça, transformando-a em dois pedaços inúteis de renda acumulada em um canto do camarim. Com os dedos longos, ele abre caminho pela minha carne molhada, me fazendo jogar a cabeça para trás e morder a boca com força para me manter quieta. 

— Fazendo esse joguinho quando está tão pronta pra mim, amor… — Louis sussurra com malícia. — Eu deveria punir você por isso… 

— Não temos tempo. — O lembro, desesperada. 

— Você parece bem ansiosa pelo meu pau agora, linda. — Uma risada convencida irrompe. 

— Eu estou. — Admito, encarando as íris azuladas. 

Passando a língua pelos lábios finos, Louis afundou dois dedos em mim, me fazendo revirar os olhos e gemer. 

— Quieta, linda. — Ele avisa, mas sua boca sorri. — Não quer que alguém nos encontre assim, quer? — Nego com a cabeça, muitas vezes mais do que o necessário. 

Com as mãos trêmulas, abro o botão da calça social, empurrando-a junto da cueca para o chão. O membro duro baba pela cena, criando uma gota em sua ponta. Sinto vontade de sugá-lo, mas não há tempo para isso. 

— Em silêncio agora, uh? — Sussurra, esfregando a glande em minha umidade. Assinto com a cabeça, prendendo os lábios dentro da boca, sabendo muito bem a sensação que me atingiria logo. Preciso me controlar quando Louis dá a primeira estocada, todo de uma vez, até o fundo. Um palavrão foge de sua boca antes que ele grude os lábios contra mim. — Não existe calmante melhor do que a sua boceta, amor. 

Com facilidade pela umidade que minha intimidade produz, Louis entra e sai rápido, tomando cuidado para causar o mínimo de ruído possível. Suas mãos espalmam na minha bunda, se enchendo da minha carne. Apoio as mãos em seus ombros, puxando sua boca até a minha. Nossas respirações se misturam, nossos gemidos sofridos se confundem. Ouvimos as pessoas lá fora trabalhando, provavelmente sem imaginar o que se passa aqui dentro. Ondulo meu corpo contra o seu, sentindo seus dedos apertarem ainda mais. Os beijos são desajeitados, os movimentos necessitados, completamente enlouquecedores. Estamos em uma bolha só nossa, os dois atrás de um mesmo objetivo, aquele pelo qual nossos corpos gritam para alcançar. 

Batidas na porta me fazem congelar. Louis para, ainda dentro de mim, respirando fundo pela boca. 

— Louis, precisamos de você no tapete! — Não consigo identificar a pessoa do outro lado. Tento me afastar, mas um sorriso enorme se abre nos lábios do meu namorado. 

— Louis. — Sussurro baixinho, me surpreendendo quando uma de suas mãos tapa a minha boca. Louis sai e entra de uma vez, indo até o lado. Gemo contra a sua pele, agradecendo a mão que impede que me ouçam. 

— Preciso de um minutos, Matt! — Ele grita de volta, mantendo o sorriso sacana quando volta a meter com força. Sempre mantendo o ritmo que me enlouquece, Louis aproxima o rosto do meu, desviando para minha orelha. — Vou fazer você gozar agora, amor. Tente não gritar. — Sua voz tão perto e profunda é a minha ruína. Fecho meus olhos com força. Ainda com sua mão me obrigando a ficar quieta e descendo a outra entre nós dois, fazendo círculos certeiros em meu clitóris. 

Sinto seu membro endurecer e engrossar ainda mais dentro de mim, tão perto do orgasmo quanto eu. Louis morde meu ombro, tentando se manter quieto e então o êxtase chega, me desfazendo em um milhão de pedacinhos devastados. 

Me aperto contra ele, fazendo meu namorado chocar a boca contra a minha com violência. Sinto o momento em que Louis me preenche, soltando os tantos palavrões que compõem seu vasto vocabulário. 

Estamos exaustos, completamente acabados. 

A imagem no espelho me assusta. Existem marcas da boca de Louis por todo o meu colo, minha maquiagem toda está borrada e preciso descer o vestido sobre as coxas sem usar uma calcinha, já que a minha está arruinada. Louis não está muito diferente: seu terno chique amassou, os cabelos totalmente desgrenhados, os lábios inchados pela violência dos nossos beijos. 

— Meu deus. — Sussurro. 

— Foi uma rapidinha proveitosa. — Louis diz feliz, fechando a calça em volta da cintura.

— Eu estou acabada! — Reclamo, tentando imaginar como vou resolver essa situação. 

— Você está linda. — Louis disse passando os braços em minha cintura, me abraçando por traz. 

— Estou com cara de quem transou, Louis! 

— Você acha mesmo que as pessoas não sabem que você é muito bem comida? — Meu namorado sorriu, recebendo um tapa no ombro em resposta. — Okay, eu vou na frente antes que voltem para me procurar. — Suspirou. — Te vejo no tapete? 

— Se eu conseguir ficar apresentável. — Resmunguei, recebendo um beijinho leve na bochecha. — Não se esforce muito, talvez eu fique nervoso mais tarde. — Brincou, piscando um olho e se esquivando do novo tapa que tentei desferir em seu braço. 

Taglist:@cachinhos-de-harry / @say-narry / @lanavelstommo / @nihstyles Quer participar da nossa taglist para ser notificado das próximas postagens? Ou gostaria de falar o que achou desse imagine? Nos mande uma ask! Vamos adorar!

[holly-louisexox]

Ribcage X Andy Biersack- Part 29

Masterlist

"There's one thing you should know about me Delia Vincent, I don't date. Got no heart to break and emptiness is safe, keep it that way."

He was adamant in his choices...

...But then things changed.

Author's note:

Trigger warning: Mention of the deadly C word (Cancer) and PTSD. Please be kind to yourself if this upsets you.

-------------

After Delia was released from the hospital, she could not wait to escape Seattle. Thankfully the tests had come back with no evidence of anything meaning she was in the clear; all she was left with were crutches to accommodate her broken ankle. Standing in the airport awaiting the Ohio flight to be called for boarding was all she was looking forward to, although she was also extremely glad that Andy was also flying to Ohio so that she did not have to travel alone in this state; she would have been embarrassed to travel through the airports with a chaperon hot at her heals.

"D, make sure you message all of us as soon as you get a SIM card for your new phone, you've been such a great friend and we have got to stay in contact so I need your new number! Hopefully, we get to work together again soon!" Shevy Rambles "I'm going to miss you so much."

"Of course, I will Shevy, it's been such a pleasure working with everyone." Delia smiles.

"Come here." Shevy calms her tone before pulling Delia into an awkward hug; trying to hug someone whilst on crutches was not a fun experience, Delia felt as if she was fighting to stay balanced; but she welcomed the hug from her new best friend regardless.

"Shevy, please try not to break Delia anymore than she already is." Andy laughs slightly whilst he keeps a watchful eye on Delia's wobbling; the last thing he wants is for Delia to fall and hurt herself more than she already was.

"Make sure you look after her Andy." Shevy is strict as she carefully pulls away from the hug with Delia and stares at Andy "Please don't hurt her."

"I wouldn't dream of it." Andy smiles wrapping an arm around Delia's waist to stabilise her balance and to keep her close to him protectively.

"It's good to see you happy again Andy." CC grins looking between him and Delia.

"It's nice not having to pretend like I don't care anymore. I'm sorry for all the shit I put you all through for so long." Andy apologises. "Thank you for not giving up on me though."

"We could never give up on you Andy." Jake states placing a hand on the singer's shoulder.

"Hopefully you'll be able to join us on our next tour Delia." Lonny speaks up but it's almost a plea.

"I would love to, if you'll all have me." Delia nods making the group, apart from Andy, all cheer a yes.

"Of course we want you on our next tour, I need you with me on our next tour." Andy smiles down at Delia due to their slight height difference before placing a soft kiss on her lips when she looks up at him.

"Okay kids, enough PDA please, some of us are still missing our partners." Jinxx laughs making the two of them pull away.

"Oh Andy, I nearly forgot, I passed your number onto Officer Davies for any updates regarding the whole situation. Although I imagine that psycho will spend a long time behind bars." Lonny states.

"Righ, thanks, Lon." Andy nods tightening his grip on Delia, the thought of Sam made him feel sick. When he saw Sam standing over Delia at that gas station he could have killed him, he wanted to kill him. 

"As glad as I am that Sam is in prison, I feel bad for the families of those other women. I managed to survive, they didn't." Delia confesses sadly.

"I think that's a normal response D but without you, Sam would still be out there. Those families are probably grateful for you as you're the one who escaped and got him put behind bars." Lonny explains as the whole group looks at her with sympathy evident in their eyes.

"I guess you're right Lonny." Delia sighs as she puts on a smile to the group.

"American Airlines flight to Cincinnati, Ohio is now boarding. Please make your way to gate 15." A male voice is heard over the tannoy system which instantly makes Delia freeze up; she knows it is not Sam announcing the flight. But the accent, the authoritative way of speaking, gave her unwanted flashbacks of Sam.

"Hey, you're okay." Andy tries to comfort Delia by gently rubbing her side as he sees the terrified expression on her face, the nurse at the hospital had spoken to Andy privately about the high possibility of Delia suffering PTSD from what had happened. The nurse told him some common signs and symptoms and how to handle it. "It's just a staff member announcing our flight, is it a flashback?"

"Yeah, sorry it's just, the accent and the way the guy said it. It made me think of Sam." Delia confesses; in her mind, she kept telling herself that the situation could have been worse. She was told that the emotions she felt could last anywhere between 6 to 12 months, but she didn't want to acknowledge it. She had been through similar stuff with her dad, but she had ignored it and threw herself into work as a distraction, that's what she wanted to do again.

"D, you trust us right?" Shevy asks wrapping an arm carefully around Delia's shoulders.

"Of course." Delia nods.

"You're going to be okay, we're all here for you. Andy is going to be only a short drive from you and you're going to be with your parents. Nothing is going to hurt you." Shevy breaks it down so that Delia's frenzied mind can process it all. "So why don't you catch that flight with Mr clingy next to you and go see your parents, I know you miss them."

"Thanks Shevy." Delia smiles.

"I'm not clingy Shevy." Andy shakes his head.

"Of course you're not." Shevy grins looking at the two of them after she had removed her arms from around Delia's shoulders "Have a wonderful time at home you two!"

------------------

"They keep looking at me." Delia mumbles to Andy as she noticed the couple in the row opposite them glancing her way occasionally.

"They're probably jealous of how gorgeous you are." Andy compliments trying to get a smile on Delia's face, he does not want to question her or try to brush off her concerns for fear of upsetting her.

"Whilst I appreciate the compliment, look at me, Andy." Delia sighs not able to accept the compliment fully or believe Andy "I've got this hideous cast and crutches, I'm covered in bruises... I'm far from attractive right now."

"You're always going to look beautiful to me Delia, cast and bruises or that killer eyeliner you wore every show day that made your eyes stand out in any crowd." Andy is sincere "I'm sorry you had to go through what you did but I'm here for you, anything you need, you're important to me Delia."

"Thank you, Andy." Delia smiles weakly "Could I have a hug?"

"Of course." Andy smiles back before gently wrapping his arms around Delia's shoulder and softly kissing the top of her head.

"I'm going to be stuck on the sofa." Delia starts laughing suddenly which catches Andy off guard a little.

"What?" Andy asks in confusion.

"I won't be able to get up the stairs to my room, I'm going to be stuck to the sofa." Delia continues to laugh despite feeling tears fall down her face as she realises how shit her situation is.

"We'll find a way to get you up the stairs, even if I have to come over daily to carry you up and down them." Andy teases, although deep down he is also serious, he really would do that for Delia if it meant her being comfortable and getting well-needed rest. "Though sofas are pretty comfortable too."

"That's true." Delia continues to laugh as she leans further into Andy's side.

-----------------------------

"This is the car you've rented out whilst in Ohio?" Delia is shocked as she looks at the Audi A5 that sits outside the airport for them.

"Yeah, it's the same model I have in Los Angeles. They're comfortable and easy to drive, plus they look cool." Andy shrugs, he knew that Delia was talking about the cost of it but that did not matter to him. "Anyway, let's get you home."

After opening the car door and helping Delia get in the car, Andy climbs into the driver's seat before starting the engine. Thankfully Delia and her parents did not live far from Andy's parents so he knew exactly where he was going, it would make it easier for Andy to visit Delia whilst he was here too. 

"You're sure you know where you're going?" Delia asks jokingly "You're not going to get us lost are you?"

"A city that I grew up in?" Andy states as he pretends to think about it "Considering you're only 20 minutes away from my parents I think you're okay."

"Is it bad that I'm nervous to see my parents again?" Delia's tone drops slightly "I've never been this long away from them, plus with everything that has happened and the state I'm in, going home seems different."

"I think that's a normal response, you know they're excited to see you though. Look how happy your mum was to hear you on the phone." Andy explains not taking his eyes off the road.

"That's true." Delia sighs still feeling her nerves. "Going home just feels different, I feel different."

"You're not different Delia, deep down you are still the same beautiful woman who drove me crazy, and you helped me realize what I was missing." Andy sincerely explains as he places a hand gently on Delia's thigh, making Delia's heart flutter. "How about tomorrow we go out, just me and you? We can get that SIM card sorted out, get some lunch, and try to ease you back into not being on the road."

"That sounds great." Delia smiles.

----------------------

"If you go and get the front door open, I'll get your stuff from the back of the car." Andy plans as he helps Delia step out of the door.

"I can take my backpack at least, you don't need to carry everything." Delia argues as she accepts Andy's hand to help get her out of the car.

"No, no. You go and see your parents, I've got this." Andy shakes his head slightly whilst smiling.

"You're not by any chance trying to impress Mum and Dad are you?" Delia teases smirking.

"Maybe a little bit." Andy scratches the back of his neck nervously "Plus I don't want you getting hurt anymore than you already are, it's been a long day; you should rest and-"

"Andy." Delia cuts him off before pressing her lips to his making him instantly relax "It's sweet that you care."

"I'm always going to care about you Delia, like I said, you're important to me." Andy smiles stroking Delia's cheek lightly before placing his lips on hers again. "Come on, let's not keep your parents waiting."

"Okay." Delia smiles as they separate.

Every hop Delia had to take on the crutches hurt her ribs, every hop made her grow more and more sick of her situation. Delia had never wanted to be able to walk normally as much as she did now, yet somehow she thought she deserved the pain she felt; after all, it was her idea to jump out of a window.

"Delia!" Delia's Mum exclaims in excitement after opening the door to see her daughter standing on the other side. "Nick! Delia's home."

"Mum." Delia smiles feeling tears fall down her face as her mother engulfs her in a hug.

"I'm so glad you're home petal." Delia's mum cries as she feels her husband's hand on her shoulder.

"Hey Lia, how are you feeling sweet?" Robert asks looking between his wife and daughter.

"Hey dad." Delia smiles looking up at her dad.

"You must be Andy!" Delia's mum grins as she carefully pulls away from Delia before wiping her eyes.

"Yes... Yes. Sorry, I don't mean to interrupt. I just erm... I have Delia's stuff." Andy stutters looking between Delia and her parents.

"Don't be silly! Come on in, I'm Tamara, this is my husband Nicholas." Tamara smiles moving aside to allow Delia and Andy to step into the house.

"It's a pleasure to meet you both." Andy smiles.

"Let me take one of those bags from you, son." Nicholas states grabbing a bag from Andy.

"Thank you, sir." Andy nods nervously allowing him to take the bag.

"Please, just call me Nick, son."Nicholas smiles which eases Andy's nerves ever so slightly. "Just leave them by the stairs, I'll sort them out later."

"Andy, will you be joining us for dinner tonight?" Tamara asks as Andy and Nicholas join them in the living room, Andy immediately takes a seat next to Delia on the sofa while her Mum and Dad were sat in the armchairs.

"That's a lovely offer but no, I'm going to be heading to my parents' house, they live about 20 minutes from here." Andy smiles while trying to make sure he doesn't stutter again.

"Oh that's a shame, you'll have to come over one evening though!" Tamara invites him smiling.

"I would love to." Andy smiles back politely fiddling with his hands slightly out of nerves.

"So Andy, do you live with your parents?" Nicholas asks staring Andy down making him all the more nervous.

"No, I live in LA, I'm just visiting my parents and honestly I wanted to make sure Delia got back here safely." Andy states before turning to look at Delia and smile.

"We did offer to help Delia fund a place of our own after she graduated uni as we knew her career choice could be a bit unstable to begin with, but unfortunately she inherited Nick's stubbornness." Tamara laughs slightly making Delia feel embarrassed. 

"Mum!" Delia whines before hiding her face on Andy's shoulder without thinking through what she was doing and that she was in front of her parents.

"I know all about Delia's stubborn side, it's one of the reasons I fell for her." Andy laughs slightly as Delia's parents smile at the two of them.

"Tamara has put up with me this long somehow, good luck to you is all I can say, Andy." Nicholas laughs.

"Truthfully, I feel like I needed Delia to be stubborn." Andy begins seriously "I don't know what, if anything, Delia has told you about me; I wasn't great towards her to begin with. I went through some stuff and it left me quite bitter about everyone around me, the band and other crew acted like they were walking on eggshells around me. But Delia, never once backed down right from the beginning, she was like this fire in the team that somehow melted away the ice I was in."

"We all need a little fire to get us through the tough times, son." Nicholas smiles, secretly approving of Andy already. Delia rarely brought a boy home, but the ones she did he never really liked all that much. "I wouldn't have made it through the whole cancer situation if it wasn't for these two lovely ladies I have."

"Speaking of which, Nick, you must phone the doctors tomorrow." Tamara interrupts.

"Dad is everything okay?" Delia panics as she lifts her head from Andy's shoulder; making Andy feel cold and bare in her absence.

"Yeah, I'm sure it's nothing, just haven't had much of an appetite. Probably stress." Nicholas shrugs.

"Dad-" Delia starts before her dad cuts her off.

"Honestly Lia, I'm fine, it's you I've been worried about." Nicholas shrugs before smiling at Delia. 

"I should really be heading to my parents, it was so lovely to meet you both." Andy breaks the silence before standing up.

"Oh yes of course!" Tamara also stands before pulling Andy into a hug "It was so lovely to finally meet you, Andy, thank you for bringing our Delia back."

"I hope you don't mind me taking Delia out tomorrow, I promised her we'd go sort her new phone out and grab lunch." Andy explains almost asking their permission.

"Of course, go have a nice time." Nicholas smiles shaking Andy's hand "Take care of Delia won't you?"

"Always." Andy smiles back.

"I'll walk you out." Delia states before grabbing her crutches and getting off the sofa.

---------------------

"Your parents seem nice." Andy smiles as he stands with his arms wrapped around Delia's waist.

"Dad seems to like you, which is a first for him. Normally he doesn't like guys I bring home." Delia chuckles slightly as she looks up at Andy.

"He clearly just wants to protect you, which is exactly what I'm going to do too." Andy speaks softly before gently kissing Delia's lips, making her smile. 

"I can handle myself, Andy." Delia shakes her head slightly, she couldn't lie though, she did enjoy the caring side of Andy.

"That's not going to stop me from wanting to keep you safe." Andy grins before pecking her lips again "I'll pick you up at 12, that okay?"

"12 sounds good." Delia nods grinning "I'll see you tomorrow."

"I'll see you tomorrow, make sure to get some rest." Andy instructs kissing Delia once more before carefully unwrapping his arms from her and walking to the car allowing Delia to shut the front door behind him. No doubt Delia's parents were going to bombard her with questions about Andy as soon as she walked back into the living room, but she didn't mind; after all, she was finally happy...

...Or as happy as she could be anyway.

[444namesplus]

Ba Baa Baas Bae Baes Bais Bam Ban Bao Baos Bau Baus Be Bees Bei Beis Bem Ben Beo Beos Beu Beus Bi Bias Bie Bies Bii Biis Bim Bin Bio Bios Biu Bius Bo Boes Bom Bon Boo Boos Bou Bous Bu Bua Bues Bui Buis Bum Bun Buo Buu Buus Chi Chia Chias Chie Chies Chii Chiis Chim Chin Chio Chios Chiu Chius Chu Chua Chuas Chue Chues Chui Chuis Chum Chun Chuo Chuos Chuu Chuus Da Daas Dae Daes Dais Dam Dan Dao Daos Daus De Dea Deas Dee Dei Deis Dem Den Deo Deu Deus Dha Dhaa Dhaas Dhaes Dhai Dhais Dham Dhan Dhaus Dhe Dhea Dheas Dhee Dhees Dheis Dhem Dhen Dheo Dheu Dhi Dhia Dhies Dhiis Dhim Dhin Dhio Dhios Dhiu Dhius Dho Dhoa Dhoas Dhoes Dhois Dhom Dhon Dhoo Dhoos Dhou Dhous Dhu Dhua Dhue Dhues Dhum Dhun Dhuo Dhuu Dhuus Di Die Dies Dii Diis Dim Din Dio Diu Dius Do Doa Doas Doi Dom Don Doo Doos Dous Du Duas Due Dues Dui Duis Dum Dun Duu Fa Faa Faas Fae Faes Fai Fais Fam Fan Fao Faos Fau Faus Fe Fea Feas Fee Fees Fei Feis Fem Fen Feo Feus Fi Fia Fias Fiis Fim Fin Fios Fius Fo Foa Foe Foi Fois Fom Fon Foos Fous Fu Fua Fuas Fue Fues Fui Fuis Fum Fun Fuos Fuus Ga Gaa Gaas Gae Gaes Gam Gan Gaos Gau Ge Gea Geas Gee Gei Geis Gem Gen Geo Geu Geus Gi Gia Gias Gie Gies Gii Giis Gim Gin Gios Giu Gius Go Goe Gom Gon Goo Goos Gous Gu Guas Gue Gui Guis Gum Gun Guo Guos Guu Guus Ha Haa Haas Hae Haes Hai Hais Ham Han Haos Hau He Hea Heas Hee Hees Hei Heis Hem Hen Heo Heu Heus Hi Hie Hies Hii Hiis Him Hin Hio Hios Hius Ho Hoe Hom Hon Hous Hu Huas Hui Huis Hum Hun Huo Huu Huus

Ja Jaa Jae Jaes Jai Jais Jam Jan Jaos Jau Jaus Je Jea Jeas Jee Jem Jen Jeo Jeos Jeu Jeus Ji Jia Jias Jie Jies Jii Jiis Jim Jin Jio Jios Jiu Jo Joa Joas Joe Joes Jois Jom Jon Joos Jou Jous Ju Jua Juas Jue Juis Jum Jun Juo Juos Juu Juus Ka Kaas Kae Kai Kais Kam Kan Kao Kaos Kau Kaus Ke Kea Keas Kee Kei Keis Kem Ken Keo Keos Keu Keus Ki Kia Kie Kies Kim Kin Kio Kios Kiu Kius Ko Koe Koes Koi Kois Kom Kon Koo Koos Kou Kous Ku Kua Kue Kues Kum Kun Kuos Kuu Kuus La Laa Laas Laes Lais Lam Lan Laos Lau Laus Le Lea Leas Lee Lees Lei Lem Len Leo Leos Leu Leus Li Lia Lie Liis Lim Lin Lio Lios Liu Lo Loa Loas Loe Loes Lom Lon Loo Loos Lou Lu Lua Lue Lui Luis Lum Lun Luo Luos Luus Ma Maa Mae Maes Mai Mam Man Mao Maos Mau Maus Me Mea Mee Mei Meis Mem Men Meo Meu Mi Mias Mie Mies Mii Miis Mim Min Mios Miu Mius Mo Moa Moas Moe Mois Mom Mon Moo Mous Mu Mua Muas Mues Mui Mum Mun Muo Muu Muus Na Naa Naas Nae Naes Nai Nais Nam Nan Nao Naos Naus Ne Nea Neas Nee Nees Neis Nem Nen Neo Neos Neu Neus Ni Nii Niis Nim Nin Nio Nios Niu No Noa Noas Noe Noes Noi Nom Non Noo Nou Nous Nu Nua Nuas Nues Nui Nuis Num Nun Nuo Nuos Nuu Pa Paa Pae Paes Pai Pam Pan Pao Pau Paus Pe Pea Peas Pee Pees Pei Peis Pem Pen Peo Peos Peu Pi Pias Pie Pii Piis Pim Pin Pio Pios Piu Po Poas Poe Poes Pois Pom Pon Poo Poos Pou Pous Pu Puas Pue Pues Pui Puis Pum Pun Puo Puu Puus Ra Raa Raas Rae Rai Rais Ram Ran Raos Rau Raus Re Reas Ree Rees Rei Reis Rem Ren Reo Reos Reu Reus Ri Ria Rii Rim Rin Rio Rios Riu Rius Ro Roa Roas Roe Roes Roi Rois Rom Ron Roo Roos Rou Rous Ru Rua Rues Rui Ruis Rum Run Ruo Ruos Ruu Ruus Sa Sae Saes Sais Sam San Sau Se Sea Seas Sees Sei Seis Sem Sen Seos Shi Shia Shias Shie Shies Shii Shiis Shim Shin Shio Shios Shiu Shius Shu Shua Shuas Shue Shues Shui Shuis Shum Shun Shuo Shuos Shuu Shuus Si Sia Sii Siis Sim Sin Sio Sios Sius So Soe Soes Sois Som Son Soos Sous Su Suas Sui Suis Sum Sun Suo Suu Suus Ta Taa Taas Taes Tai Tais Tam Tan Tao Taos Tau Taus Te Tea Teas Tees Tei Tem Ten Teo Teu Thi Thia Thias Thie Thies Thii Thiis Thim Thin Thio Thios Thiu Thius Thu Thua Thuas Thue Thues Thui Thuis Thum Thun Thuo Thuos Thuu Thuus Ti Tias Tie Tiis Tim Tin Tio Tios Tiu Tius To Toas Toe Toes Toi Tom Ton Toos Tou Tous Tu Tua Tuas Tue Tues Tui Tuis Tum Tun Tuo Tuu Tuus Va Vaa Vaas Vae Vaes Vai Vam Van Vaos Vau Vaus Ve Vea Veas Vee Vees Vei Vem Ven Veo Veos Veu Veus Vi Vie Vii Viis Vim Vin Vio Viu Vo Voa Voe Voes Voi Vois Vom Von Voo Voos Vou Vous Vu Vue Vues Vui Vuis Vum Vun Vuo Vuus Wa Waas Wae Wai Wam Wan Wao Waos Wau Waus We Wea Wees Wei Weis Wem Wen Weos Weus Wi Wia Wias Wie Wies Wii Wim Win Wio Wiu Wo Woa Woe Woes Woi Wois Wom Won Woos Wou Wu Wua Wuas Wue Wui Wum Wun Wuo Wuos Wuu Wuus Za Zaa Zaas Zae Zaes Zai Zais Zam Zan Zaos Zau Zaus Ze Zea Zeas Zee Zees Zei Zeis Zem Zen Zeo Zeos Zeu Zeus Zha Zhaa Zhae Zhaes Zhai Zhais Zham Zhan Zhao Zhaos Zhau Zhaus Zhe Zhea Zhee Zhees Zhei Zheis Zhem Zhen Zheo Zheos Zheu Zheus Zhi Zhia Zhie Zhies Zhii Zhim Zhin Zhio Zhios Zhiu Zhius Zho Zhoa Zhoas Zhoe Zhoes Zhoi Zhom Zhon Zhou Zhous Zhu Zhuas Zhuis Zhum Zhun Zhuos Zhuu Zhuus Zi Zia Zias Zim Zin Zio Ziu Zius Zo Zoe Zoes Zois Zom Zon Zoo Zoos Zou Zous Zu Zuas Zue Zues Zuis Zum Zun Zuos Zuu

[phillipthesims]

Gen One: Chapter 4

Closing the book, she put on a neutral enough expression. Of course, Lily would be curious of the outside world, but doesn't she know how she was trying to protect her?! To keep her safe and healthy?

Lily was outside playing with the rabbit when her mother called her in with a... stern tone. Was something wrong? Still, as an obedient daughter, she came inside at her mother's call.

When she walked in, she noticed her mother holding her journal?? Oh no- Her thoughts of panic were cut off by her mother's yelling.

"I've built you a healthy life brick by brick and this is what I get?! A sneaking and liar of a daughter who heeds none of my warnings!! This boy doesn't love you! You don't love him and you are never seeing him again! Even if that means we have to relocate to make sure you never meet another sim again!"

Lily barely could get a word in and each time she did, her mother cut her off! Yelling louder and louder. She just wanted to run and hide from her mother. Run to Lupin and beg him to make good of his promise to take her away.

When she took a step back, her mother grabbed her hair! dragging her to her room, no matter her cries! The door was swiftly locked and the windows now too were locked.

"You will stay in there until we are ready to leave!" Her mother shouted from the other side and soon stormed off to begin gathering the essentials. Lily recalled no time they had to move, but her mother had often threatened it.

In reality, they had moved a few times when she was too young to remember. too many people trying to find them for the first few years of Lily's life. And now they would be moving to keep Lily from leaving this life. To keep her from meeting more sims. To keep her safe.

Crying and screaming didn't get her mother to let her out. Her voice became hoarse and she was only let out to use the bathroom and be given food; though not a lot of food and her mother stood outside the bathroom the whole time. Lily would catch glimpses of a few packed bags and tears would fill her eyes again. They really were moving. She'd never see Lupin again and never get to have that life and family he promised. The life she wanted, desired.

When she wasn't mourning the life she had been promised, Lily slept through the days. Dreaming of her time with Lupin and reliving those memories. Two... maybe three days passed and that night, her mother said they'd be living the next day bright and early.

She cried more, she begged to stay, that she'd be good, but her mother listened to none of it. She didn't like the idea of starting all over, but she hated the idea of Lily running off with some random boy who was surely taking advantage of her daughter.

Meanwhile, Lupin took notice to how Lily didn't come night after night. This would not do at all.... He had seen the hill Lily climbed each night to go home, so that was where he thought to go looking for her first.

It didn't take him long to figure out which room was hers and started picking the lock to get in. Lily woke up with a start when someone shook her awake and saw... Lupin?! She wanted to scream, cry, or maybe both, but he covered her mouth to make sure she didn't make a sound. Tears still streamed down her face.

"Lupin... Lupin, Mother wants to relocate-!" Her whisper shouting was hushed as Lupin pulled her close, holding her tightly. He petted her white hair whispering about how they'd run away right now. She'd have her perfect desired life. Lily readily nodded and muttered various "yes"s, agreeing without more thought. She would do anything to have that life with him. She loved him, and she told him as much. Even though... he didn't say it back, "I know."

Together, they climbed out of the window and ran. They ran down the hill, Lupin gripping her hand the whole way down. He brought her to his car and got her buckled in. "We'll go to that home my uncle owns, he'll understand. You just relax, flower."

Lily can't remember much of the car ride other than that it was long. She started by watching the side of the road from the passenger window, but soon fell asleep with a smile on her face. Her life was changing... for the better. She'd get to see the world, get to make a family, her family. With Lupin.

When she woke up next she was being carried into a pink house, with more pink inside... or mostly pink. The room she was carried into was mostly white....

It was a bit disappointing, but... right now she was tired- no, exhausted. She felt a kiss on her forehead, then her lips, "Rest well, flower." With that, she was alone in her room and fell asleep again. Now dreaming of her bright future with Lupin. Her love, her prince, her soulmate.

[karaloza]

Legend of Zelda Theme Park - Epona Ranch

Only a few Zelda titles include a ranch--by any name--as a noteworthy area in the game, but for those that do, it's often a highlight, populated by endearing characters and animals. Because the names vary, it took me a while to settle on Epona Ranch for the theme park, named after Link's beloved mare in several games, and I've taken inspiration not just from the ranches, but from various slow-paced rural towns and horse-centric scenarios across the franchise for the features in this area. Visually, however, it mostly takes after Lon Lon Ranch from Ocarina of Time, with an encircling wall (represented by a brick-patterned strip on the map), an entryway lined with farmhouse-style buildings, and then a large open area with more buildings on the far side. A large horse paddock occupies much of the central space.

Attractions

Epona's Ponies: Located in the barn on the right-hand side as one enters, this is a fairly typical live pony ride—one where the ponies are hitched to a carousel in order to minimize the risk of mishaps. There are two such carousels to cut down on wait times; one goes clockwise and the other counter-clockwise, and the ponies are regularly swapped between them and cycled in and out of active use for their own health and enrichment. Stringent height and weight limits are also in place to protect the animals, so this ride is limited to younger/smaller folks.

Petting Pens: An open-air pen next to the pony ride barn contains goats, sheep, and alpacas to interact with. Large chicken coops are also present, but the animals are not accessible to guests, as evidenced by signs reading “Please do not bother the Cuccos! Miss Malon takes no responsibility for the consequences!” Epona herself—a silver bay thoroughbred—is often on display in a side pen. For the safety of both guests and animals, hand-washing at the sinks provided is required upon entering and leaving the pen.

Malon Meet-and-Greet: Miss Malon herself makes scheduled appearances next to the petting pens, where she will pose for photos, sign autographs, and sing “Epona's Song” to delight the guests.

Miss Malon's Equestrian Extravaganza: Once or twice a day, the central horse paddock becomes the site of a live show in which experienced equestrians demonstrate trick riding, jumps, and other horseback stunts.

The Great Gallop: The main (mane?) attraction of Epona Ranch is located in the building complex opposite the entrance. In this screen-based motion-sim ride, guests mount “horses” and compete in a horse race! The screen provides a first-person view of the track, updated in real time as the “horse” runs and leaps (or fails to leap) over obstacles in accordance with the rider's inputs. The winner of each race receives a special button to wear.

Shops

6. Sera's Sundries: A souvenir and gift shop offering clothing, housewares, knick-knacks, and toys with a country style, named after the rural village shop in Twilight Princess.

7. The Stable Store: A shop for all the horse girls (and horse guys and horse enbies) out there, offering toys, figurines, books, and other items to delight the would-be (or actual) equestrian. The exterior design is inspired by the Stables of Breath of the Wild/Tears of the Kingdom.

8. Kochi Dye Shop: All-natural fiber garments and accessories are dyed on-site in a stunning variety of colors and patterns. Buy as-is or request a custom job for an extra fee. Named after a similar business in Breath of the Wild's idyllic Hateno Village.

Eateries

9. Chateau Romani BBQ and Milk Bar: A family-style barbecue restaurant where the whole party can chow down on steak, ribs, chicken, and country-style side dishes. The name Chateau Romani comes from the “special” (alcoholic?) milk in Majora's Mask, and the “Milk Bar” part of the name isn't just cosmetic; this place has an unusually extensive milk and dairy menu, including goat's milk, almond milk, soy milk, and a number of cheeses. Patio seating is available.

10. The Apple Cart: The humble apple is a favorite snack for horses and humans alike, and this outdoor booth provides all you could want—whole or sliced apples on their own, dried apple treats, apple fritters, apple mini-pies, squeeze pouches of applesauce, bottled apple juice and (soft) cider...but not, ironically enough, horse apples!

Miscellaneous

Epona Ranch doesn't have its own Spirit Train station but is served by the one located in the Lost Woods. Guests near the west side of the area have a clear view of the train as it passes through.

[ds9jack]

My Intro Post!!

Hi Welcome to my blog I'm insane abt Jack and Julian. Learn more about me under the cut

My name is Jack, but you can call me whatever else you feel like. I go by he/him. I have autism, so if I accidentally encroach on a social rule, give me some grace and make me aware.

Most of my art is centered around my favorite ship Jackshir. I fucking love Jackshir. I'm also a really big fan of Rom/Leeta, Garashir, Spirk (who isn't), Chahura, Lon/Tuvok, Quark/Odo, Geordi/Data, Mariner/Jennifer etcetera. I LOVE GAY STAR TREK PAIRINGS!!

I started watching Star Trek in 2021, and in that time I've finished these series:

The Original Series

The Next Generation

Deep Space 9

Lower Decks

I'm currently on season 5 of Voyager.

I also like:

Repo! The Genetic Opera

Revolutionary Girl Utena

House MD

Scott Pilgrim

Heathers

Death Note

Spore (the game)

Sims 4

Moths

Doll collecting

Plague history/plague doctors

Astrophysics

Biochemistry

Genetics

I'm not 100% on all of these so even though I really like them I might mess up some stuff sometimes okay Okay

Jack is my favorite character, I think he's really underappreciated, so here's a section in my about me dedicated to him and why I like him. I related to Jack heavily, I see a lot of my traits reflected in him and find comfort seeing a character similar to me. A central part to what makes a character likeable is seeing emotional similarities in them, allowing for catharsis in the viewer. I find these similarities in Jack. He's a good place for me to place my more irrational thoughts, into a little contained pod of a character. I've been focused on Jack since about February 2022. In this time I've watched Statistical Probabilities and Chrysalis over 100 times combined, read nearly every fanfiction involving the members of the Jack Pack, and read every official novel/short story containing them with the exception of the Typhon Pact books past the first and the Section 31 novels. I've also photo-scanned the pages of the DS9 Companion and the DS9 Technical handbook pertaining to the Jack Pack. My sketchbook is full of portrait art of Jack. My inner voice sounds like Jack most of the time. Not only do I find emotional catharsis (also the name of a song I heavily associate with Jack btw) in Jack, I also find him a motivating character for me. Whenever I feel like not doing work or self-improvement, I think about Jack and I find a new eagerness to power through whatever I might be hung up on. I also find a sense of confidence from him. Since I view genetic engineering (in the episode of Statistical Probabilities and Chrysalis at the very least) as an allegory for autism, when Jack talks about finding pride in his genetic identity I can draw a sort of pride in my autism from that as well. Jack isn't just a charaxcter to me but a part of my soul. Okay

Okay, thank you for reading! If you want some of my other socials, I have a Twitter, and my own personal website. My Discord is Jack.scr

[ninjanissie]

Story Idea: Fantasy Wing University

Quill is a college student who loves drawing manga on the side. She also enjoys drawing random people who pass her by in her everyday life. Her childhood friend Lon is also a fan of her comics, and he often supports her to table at local anime cons.

So when (secretly a werewolf) Uru buys hot vampire romance comics from Quill at an anime con artist alley, she immediately shows it to her friend: an actual vampire and the unknowing model for the main character in Quill's comics!

How will Quill convince Vaughn that she knew nothing about actual vampires?! Will the coincidences stop there? And how will she feel when he reveals Lon is secretly a dragon?! (Spoilers, she's fine with it because it doesn't fundamentally change their relationship).

I imagined this as a 4-panel gag comic or maybe some kind of VN or dating sim but the characters are all dumb and sincere fans of Quill's art.

[lonionjon]

Got the munchies.

----------

Skrunkly (Cat!Jonathan) & Champion (Cat!Martin) design by @ultramarinaa

[lune-fox]

I built Lon Lon Ranch in the sims 4

Link looks so dead inside which yknow… honestly fair

[madamlaydebug]

Savion Glover

Born: November 19, 1973

Birthplace: Newark, NJ

Zodiac Sign: Scorpio

Savion Glover is an American tap dancer, actor, and choreographer.

Glover was born to a white father who left the family before he was born and a black mother. Glover's great grandfather on his mother's side, Dick Lundy, was a shortstop in the Negro Leagues. He managed eleven Negro League baseball teams, including the Newark Eagles. His grandfather, Bill Lewis, was a big band pianist and vocalist. His grandmother, Anna Lundy Lewis, was the minister of music at New Hope Baptist Church in Newark, NJ. She played for Whitney Houston when she was singing in the gospel choir, and was the one who first noticed Savion's musical talent. She once held him and hummed some rhythms to him, and he smiled and joined along. Glover graduated from Newark Arts High School in 1991.

Glover stated that his style is "young and funk." When asked to describe what funk is, he says it is the bass line. "Funk is anything that gets one's head on beat. It is riding with the rhythm. It is a pulse that keeps one rolling with the beat." Gregory Hines, a tap legend, was one of Glover's tap teachers. Hines stated that "Savion is possibly the best tap dancer that ever lived." Glover liked to start his pieces with some old school moves from famous tappers and then work his way into his own style. Hines said it’s like paying homage to those he respects. When Honi Coles died, Savion performed at his memorial service. He finished his dance with a famous Coles move, a backflip into a split from standing position, then getting up without using one's hands. Glover rarely does this move because it wasn't his style, but he did it because it was Coles' style that he wanted to keep alive. "I feel like it's one of my responsibilities to keep the style." Henry LeTang called Glover "the Sponge" because he learned very quickly with everything thrown at him. LeTang taught the Hines brothers back in the 1950s and taught Glover for a little while before having him work for "Black and Blue," a tap revue in Paris in 1987. Many legendary tappers taught Glover such as LeTang, the Hines brothers, Jimmy Slyde, Dianne Walker, Chuck Green, Lon Chaney (Isaiah Chaneyfield), Honi Coles, Sammy Davis Jr., Buster Brown, Howard Sims, and Arthur Duncan.

He has been teaching tap since he was 14 years old. Glover created Real Tap Skills, and started HooFeRz Club School for Tap in Newark, New Jersey. Wanting to bring back the real essence of tap, Glover claimed that he is on a mission to reclaim the rhythm that was lost when tap dancing was recycled after many generations. At age seven, Glover drummed in a group called Three Plus One. In the group, he demanded that he dance while he played the drum. Glover has a heavy foot for tap. He dances hard and loud in every step, and teaches his mentees that one must learn how to "hit," a term related to one's ability to express oneself, complete a tap sequence, or say something.

Thank you, Black American page

[lboogie1906]

Savion Glover (born November 19, 1973) is a tap dancer, actor, and choreographer. The youngest of three sons, he was born to a white father and an African American mother. His great-grandfather on his mother's side, Dick Lundy, was a shortstop in the Negro leagues. He is married to Nina Glover and they have one child. He liked to start his pieces with some old-school moves from famous tappers and then work his way into his style. Hines said it’s like paying homage to those he respects. When Honi Coles died, he performed at his memorial service. He finished his dance with a famous Coles move, a backflip into a split from standing position, then getting up without using one's hands. He rarely does this move because it wasn't his style, but he did it because it was Coles' style that he wanted to keep alive. "I feel like it's one of my responsibilities to keep the style." Henry LeTang called him "the Sponge" because he learned very quickly with everything thrown at him. LeTang taught the Hines brothers back in the 1950s and taught him for a little while before having him work for "Black and Blue," a tap revue in Paris in 1987. Many legendary tappers taught him such as LeTang, the Hines brothers, Jimmy Slyde, Dianne Walker, Chuck Green, Lon Chaney (Isaiah Chaneyfield), Honi Coles, Sammy Davis Jr., Buster Brown, Howard Sims, and Arthur Duncan. #africanhistory365 #africanexcellence https://www.instagram.com/p/ClJZoi0LveD/?igshid=NGJjMDIxMWI=

[a-z0-9-i-n-gram-completionist]

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2:    08 11 18 19 41 42 84 90 ab ac ad ag ai aj ak al am an ap ar as at av aw ay ba bd be bi bl bo br bs bu by ca cc ce ch ci ck cl co cr cs ct cu cy da dd de df di dl dn do dr ds du dy ea eb ec ed ee ef eg eh ei el em en eo ep eq er es et ev ew ex ey fa fe fi fo fr ft fu ga ge gh gi gl go gr gs gt gy ha he hi hn ho hr ht hu hy ia ib ic id ie if ig il im in io ip ir is it iu iv iz jo ju ke ki kn ks ky la ld le lf li lk ll lm lo ls lu lv ly ma me mh mi mo mp ms mu my na nb nc nd ne nf ng nh ni nk nl nn no ns nt nu nv ny oa ob oc od oe of og oi ol om on oo op or os ot ou ow ox oy pa pe ph pi pl pm po pp pr ps pt pu qu ra rd re rg ri rk rl rm rn ro rp rr rs rt ru ry rz sa sc se sh si sk sm sn so sp sq ss st su sw sy ta te th ti tl to tr ts tt tu tw ty ua ub uc ud ue ug ui ul um un uo up ur us ut ve vi wa we wh wi wo wr xc xe xi xt xu yb yg yl ym yn yo yp ys yx ze zo    290/1296    (282/676)    (8/100)

3:    184 190 842 908 abd abl aca acc aci ack acr acs act ade ads age ain ajo ake aki ale ali alk all alm alo als ame ami amp ana anc and ane ang ani ans ant anu any ape app ard are arg ark arl arm aro arr ars art ase ask ass ata ate ath ati ato att atu ave avi awa awr ayb bab bac bal bas bdo bea bed beh bel bet bey bio bis bit ble blo bly bod bon bou bow boy bra bre bst bul bur but cal can cav cce ccy cee cen cep che chi cia cie cin cks cky cle clo clu coc com con cos cre cri cru cti ctu cul cut cyx dar dda dea dee den deo dep der des dfi did die din dis dle dne doe dom don dor dul dur ead eak eal ear eat ebr eci ecr ect edd edi eed eei eem een efe egi egs ehi ein eir eit ela ele elf ell elo elv ely ema eme emo emp ems emu enb enc end eng enh eno ent env eos eou epo eps ept equ era ere eri erl erm ern err ers ert eru ery erz esc ese esn esp ess est eta ete eto etw ety eve evi ewh exc exe ext exu eyo fam far fat fem fer fes fib fie fif fin fir fis for fos fra fro fth fur fus gap gel gem ges ght gic gif gio gir gla glu gol gon gou gre gro gth gys han hap hat hav hea hei hem hen her hes hey hic hig him hin hip hir his hit hiu hna hol hot hou hro hum hus hym ial iar ibe ibi ibu ica ice ich ick icu ide idf ied ien ier ies iet ife ifi ift igh ila ili ill ima imi ims ina inc ind ine inf ing ink ins int inu iny iof ion ior iou ips ird irs isc ise ish iso isp iss ist ite ith iti its itt ity ium ive ize joi jor jus jut ked kel kes kin kiv kne kno ksc lan lar lat lde leg len les let lex lia lie lif lis lit lli llo lls lly lmo loa log lon loo lop lou low lso lue lun lus lvi lym lyp mag maj mak mal man mar mas mat may mel men mer met mew mil min mit moo mor mos mou mph mpl mpr mse mur mus myg nac nad nal nat nbo nce ncl nde ndi ndn ndo nds ndu nec nee nei neo nes nex nfr nge ngs ngt ngy nhn nim nky nly nne nop nor nos not now nox nse nsi nst nsw nta nte nti ntl nto ntr nts ntu nuo nus nve oac oat oba occ oce oci odi ody oes ofi oft ogi ogo ogs oin old ole olo oma ome omi omp omy ona ond one onl onn ons ont ool oos oot ope ops opt ora org ori orm ors ose osi oss ost osu ota ote oth oti oto oug oun oup ous out owe owi oxi oyl par pat pea pec ped pel per pho pic pin ple pli pmh poi pos ppa ppe ppo pre pri pro pte pti pub qua que qui rac rai ral ran rap rat raw rdl rea rec red ref reg rel rem ren res ret rev rge ria rib rig rin rio ris rit rki rks rly rma rmi rmo rms rns roa rob roc rog rom rop ros rou row rpr rra rro rru rsa rse rsi rst rte rth rti rto rts ruc rum rus sac sal sam sav say sch sci scl scr scu sec sed see sel seq ses sha she sid sim sio sis sit siv siz ske ski sma smo soc sof som sop sor spe spi spo squ sso ssu sta ste sti stl sto sts stu sty sua sub suc sue sup sur sus swe syn tai tak tal tan tar tat tea teb ted ten ter tes tha the thi tho thr thu thy tib tic tid tin tio tip tis tiv tle tly tom ton too tot tre tri tsi tte ttl tty tua tud tur tus twe two tyl typ ual uar uat ubi ubs uch uco udi uea uen ues ugh uit ula ume und ung unt unu uou upp ups ure uri urn uro urp urr urs urt usc use usi ust usu uta ute uts vel ver vic vid vil vit war wee wel wer wha whe whi who why win wit xcl xem xio xte xtr xus ybe ygo yle ylo yme ymp ymu yno yon you ypi ypm yst zoo    802/46656    (798/17576)    (4/1000)

4:    1842 1908 abdo able ably acce acin acru acti actu adep ages ainf ajor akes akin alis allo alls ally almo alog also amil ampl anal anat ance ands andu aneo ange anim answ ants anus aped appa appe area aren arge arki arks arly arms arou arra arsa arte arti arts ased aske atar ated ater athe atid atio ativ atom atte atty atur avit awar aybe babl back ball base bdom bear bedd behi belo betw beyo biof bitt blog bodi body bone boun boyl brat brev bsta bula burr bute call cavi ccen ccyx ceed cent ceps cept cher chiu cial cien ciet cing cles cloa clus cocc comp conn cons cont cosu cret crib crum ctio ctua ctus cula cuta dard ddar deal deed denb denc deos depo dept desc dfis died dies diet ding disp dnes does dome domi dors dula duri eaki eall ears eart ebra ecia ecre ecti ectu edda edin edis eedi eein eems efer egio ehin eing eith elat elet elop elow elvi emal emel emen emor empl emur enbo ence endi ends engt engy enhn enop enor enti entl entu enve eous epos epti eque eral eran ered eres erio erly ermi erru erse ersi erte erti erto erus escr espe esti esty etal etat eton etwe ever evic evid ewha excl exem exte extr exus eyon fami fatt fema femo femu fest fibu fied fift find firs fish form foss frac frog from furt fuse gely geme gest gica gion gird glan glue gold gona gous grea grou gyst hape have head hear heir here hert herz hese hich high hims hind hing hips hird hite hium hnac hole hoto houg hroa hume hyme hymu iall ibed ibio ibul ibut ical icep icks icky icul idea iden ideo ides idfi ienc iety ifes ifie ifth ight ilar ilia illi imag imal imil imse inal incl inde infr ings inky inse insi inst inte into ints inuo iofi ions ious irdl irst isch ishe isop ispo issu ists ites ithe itio ittl itty ivel join jori just juts kele king kink kive knee know ksch land larg larl late lati latu lden legs leng leta leto lexu liar lier life lifi litt llie llow lmos loac logi logo lond loos lope lops lowe lowi lung lusi lvic lymp lypm mage majo make male mall many mark mass mati mayb mely meno ment meru meta mewh mila mili mina mite moot mora most moun mous mple mpli mpri msel murs musc must mygo naci nads nali nalo nato nboy nclu ndee nder ndin ndne ndon ndul nect neit neou ness next nfro ngem ngth ngys nhna nima nnec nopt norm nost note noxi nsec nseq nsid nsis nste nswe ntai nter ntin ntio ntly ntri ntua nuou nusu nvel oaca obab occy ocee ocie odie oesn ofib ogic ogou oint olde olog omat omen omew omin ompr onad ondo only onne onse onsi onta onti ontr oolo oose ooth oped oper opte oral oria orit orma ormo orsa oses osit osso oste osto osty osus otal oted othe otic ough ound ount oups outs ower owin oxio oylo pare part patt pear peci pelv perl phot pica pine plex plif poin pose posi post ppar ppea ppos pred pris prob proc prop pter ptid pubi quar quea quen ques quit ract rain rang rans rapp rate rath rawr rdle real reat rect redi refe regi rela reme rent rest rete reve revi rgel rges rial ribe ribu righ ring rior rise rity rkiv rksc rmat rmit rmou roat roba roce rogs rope rost roun roup rowe rpri rran rrou rrow rruc rsal rsed rsio rstl rteb rter rthe rtic rton ruco sacr sacs sals same save sche schi scie scle scri scul secr sect seei seem self sequ shap shes side sidf simi sion sist siti sits sive size sked skel skin smal smoo soci soft some sopt sori spec spin spos sque ssor ssue stan stea ster stic stin stio stly stom stot stud styl sual subs such supp surp surr swer syno tain take talk tanc tane tars tata tead tebr tend tera tere teri term tern than that thei them ther thes they thig thin thir this thou thro thus thym tibi tica tick ticu ting tinu tiny tion tips tiss tive toma tomy tons tota toti trem trib tsid tter ttle tual tuat tudi ture turn twee tyle typi uall uart uate ubis ubst ucos udie ueak uenc uest uite ular ulat umer unde undi undn ungs unus uous uppo urin urns uros urpr urro urth uscl uscu used usio usiv usua utan utsi velo vely verr vers vert very vice vide vill vity ware ween well were wers what when whic whit whol wing with xclu xemp xiou xten xtre ygol ylou ymen ymph ymus ynos

yond ypic ypmh ysto zool    815/1679616    (813/456976)    (2/10000)

5:    abdom accen acing acrum actio actua adept ainfr ajori aking allow almos alogo amili ample analo anato andul aneou angem anima answe appar appea arent argel arges arkiv arksc aroun arran arsal arter artic asked atars atera ather ation ative atomy atter ature avity aware bably balls based bdome bdomi bedda behin below betwe beyon biofi bitty bodie bound boylo brate brevi bstan burro cally cavit ccent ceedi centu cepti cherz chium ciall cienc ciety cloac clusi coccy compr conne conse consi conta conti contr cosus crete cribe ction ctual cular culat cutan ddard denbo dence depos descr dfish dings dispo dness doesn domen domin dorsa dular durin eakin eally earts ebrat ecial ecret ectio ectus eddar eding edisp eedin eeing egion ehind eithe elati eleta eleto elope elops elvic emale emely ement emora empli emurs enboy endin ength engys enhna enopt enorm entio ently entua envel eposi eptid equen erans erest erior ermit erruc ersed ersio erteb ertic erton escri espec estin estio estyl etata etons etwee evers evice evide ewhat exclu exemp exten extre eyond famil fatty femal femor femur festy fibul fifth first fishe forma fosso fract frogs furth fused gemen gical girdl gland golde gonad great group gysto haped heart herto himse hnaci hough hroat humer hymen hymus ially ibiof ibula ibute icall iceps icept icula ideal idenc ideos idfis ience ifest ified ilarl iliar illie image imila imsel inali inclu indee infro insec insid inste inter inuou iofib irdle irstl ischi ishes isopt ispos issue ither ition ittle ively joint jorit kelet kinky ksche lands landu large larly later lativ latur ldenb lengt letal leton lexus lifes lifie littl llier llowi lmost loaca logic logou londo loose loped lower lowin lungs lusio lusiv lymph lypmh mages major makes marks matid matio maybe menop menti merus metat mewha milar milia minal mites mooth moral mount mplex mplif mpris mself muscl muscu mygol nacin nalis nalog natom nboyl nclus ndeed nding ndnes ndula necti neith neous nfrog ngeme ngyst nhnac nimal nnect nopte normo nosto noted noxio nsect nsequ nside nsist nstea nswer ntain ntere ntinu ntion ntrib ntuat nuous nusua nvelo obabl occyx oceed ociet odies ofibu ogica ogous oints olden ologi omati omewh omina ompri onads ondon onnec onseq onsis ontai ontin ontri oolog operl opter orial ority ormat ormou orsal ositi osits ossor oster ostot ostyl other otica ounde oundi oundn outsi owers owing oxiou oylou paren parti patte pears pecia pelvi perly photo pical plexu plifi point poses posit poste ppare ppear ppose predi prise proba proce prope ptera pubis quart queak quenc quest quite racti rainf range rathe reall rectu redis refer regio relat remel rentl resti rever revic rgely rgest ribed ribut right rkive rksch rmati rmite rmous robab rocee roper rosty round roups rower rpris rrang rroun rrowe rruco rsals rsion rstly rtebr rther rtica rticu rucos sacru scher schiu scien scles scrib scula secre seein seems seque shape sides sidfi simil sists sitio sivel skele small smoot socie somew sopte soria speci spine spose squea ssori stanc stead steri stick sting stion stoma stoti studi style suall subst suppo surpr surro swere synos tance taneo tarsa tatar tebra tendi tends teral teran teres terio termi their there thert these thigh thing third thoug throa thymu tibio tical ticks ticky ticul tinuo tions tissu tomat total totic treme tribu tside ttern tuall tuate tudie turns tween typic ually uarte uated ubsta ucosu udied ueaki uence uesti ularl ulatu umeru under undin undne unusu uppos uring urost urpri urrou urrow urthe uscle uscul usion usive usual utane utsid velop verru verse versi verte verti vicep viden video villi wered which white whole xclus xempl xious xtend xtrem ygold ymeno ynost ypica ystom zoolo    622/60466176    (622/11881376)

6:    abdome abdomi accent action actual ainfro ajorit allowi almost alogou amilia amplex analog anatom andula aneous angeme animal answer appare appear arentl argely argest arkive arksch around arrang arsals articu atarsa ateral athert ations attern bdomen bdomin beddar behind betwee beyond biofib bodies boylou brevic bstanc burrow cavity ccentu ceedin centua ceptid cially cience cloaca clusio clusiv coccyx compri connec conseq consis contai contin contri cribed ctions ctuall cularl culatu cutane denboy deposi descri dfishe dispos domina dorsal during eaking ebrate eciall ecrete ection eddard edings edispo eeding either elativ eletal eleton eloped emoral emplif enboyl ending engyst enhnac enopte enormo ention entuat envelo eposit equenc eresti ermite erruco ersion ertebr ertica escrib especi esting estion estyle etatar etween everse evicep eviden exclus exempl extend extrem famili female femora femurs festyl fibula firstl fishes format fossor fracti furthe gement girdle glands glandu golden gonads groups gystom hearts herton himsel hnacin humeru hymeno ibiofi ically icepti icular idence idfish ifesty ilarly illier images imilar imself inalis inclus indeed infrog insect inside instea intere inuous iofibu irstly ischiu isopte ispose jority keleta keleto kscher landul largel larges latera lative lature ldenbo length letons lifest lified little llowin logica logous london lowing lusion lusive majori marksc mation menopt mentio metata mewhat milarl miliar minali mplexu mplifi mprise muscle muscul mygold nacing nalogo natomy nboylo nclusi ndness ndular nectio neithe nfrogs ngemen ngysto nhnaci nnecti nopter normou nostot noxiou nseque nsists nstead nswere nteres ntinuo ntribu ntuate nusual nvelop obably oceedi ociety ofibul ogical oldenb ologic omatid omewha ominal ompris onnect onsequ onsist ontain ontinu ontrib oologi operly optera ormati ormous ositio ossori osteri ostoti ostyle otical ounder oundin oundne outsid oxious parent partic patter pecial pelvic plexus plifie points positi posits poster pparen ppears predis probab procee proper pteran quarte queaki quence questi ractio rainfr rangem rather really rectus redisp region relati remely rently restin revers revice ribute rksche rmatio rmites robabl roceed roperl rostyl rounde roundi roundn rowers rprise rrange rround rrower rrucos rtebra rtical rticul rucosu sacrum scherz schium scienc scribe scular sculat secret seeing sequen shaped sidfis simila sition sively skelet smooth societ somewh sopter sorial specia sposes squeak ssoria stance sterio sticks sticky stomat stotic studie sually substa suppos surpri surrou swered synost taneou tarsal tatars tebrat tendin terans terest terior termit therto though throat thymus tibiof ticall ticula tinuou tissue tomati totica tremel tribut tually tuated tudied typica uarter ubstan ucosus ueakin uestio ularly ulatur umerus unding undnes unusua uppose urosty urpris urroun urrowe urther uscles uscula usivel usuall utaneo utside velope velops verruc versed versio verteb vertic viceps vicept videnc videos villie xclusi xempli xtendi xtends xtreme ygolde ymenop ynosto ypical ystoma zoolog    446/2176782336    (446/308915776)

7:    abdomen abdomin accentu actuall ainfrog ajority allowin alogous amiliar amplexu analogo anatomy andular angemen answere apparen appears arently arksche arrange articul atarsal atherto bdomina beddard between biofibu brevice bstance burrowe ccentua ceeding centuat clusion clusive compris connect consequ consist contain continu contrib ctually cularly culatur cutaneo denboyl deposit describ dfishes dispose dominal ecially ections edispos eedings elative eletons emplifi enboylo engysto enhnaci enopter enormou entuate envelop eposits equence erestin ermites errucos ertebra ertical escribe especia etatars eversed eviceps evicept evidenc exclusi exempli extendi extends extreme familia femoral festyle firstly formati fossori fractio further glandul goldenb gystoma himself hnacing humerus hymenop ibiofib iceptid icularl idfishe ifestyl imilarl inclusi infrogs instead interes iofibul ischium isopter isposes keletal keleton kscherz landula largely largest lateral ldenboy lifesty llowing logical lusivel majorit marksch mations menopte mention metatar milarly minalis mplexus mplifie muscles muscula mygolde nalogou nboylou nclusio nection neither ngement ngystom nhnacin nnectio noptera normous nostoti noxious nsequen nswered nterest ntinuou ntribut ntuated nusuall nvelope nvelops oceedin ofibula oldenbo ologica omewhat ominali omprise onnecti onseque onsists ontinuo ontribu oologic opteran ormatio osition ossoria osterio ostotic oticall ounding oundnes outside parentl particu pattern peciall plified positio posteri pparent predisp probabl proceed properl pterans quarter queakin questio raction rainfro rangeme redispo relativ resting reverse revicep rkscher rmation robably roceedi roperly rostyle rounder roundin roundne rrangem rroundi rrowers rrucosu rtebrat rticula rucosus science scribed sculatu secrete sequenc sidfish similar skeleta skeleto society somewha soptera special squeaki ssorial sterior stomati stotica studied substan suppose surpris surroun synosto taneous tarsals tatarsa tebrate tending teresti termite therton tibiofi tically ticular tinuous tomatid totical tremely tribute typical ubstanc ueaking uestion ulature undness unusual urostyl urprise urround urrower uscular usculat usively usually utaneou veloped verruco version vertebr vertica vicepti vidence villier xclusiv xemplif xtendin xtremel ygolden ymenopt ynostot ystomat zoologi    297/78364164096    (297/8031810176)

8:    abdomina accentua actually ainfrogs allowing amplexus analogou angement answered apparent arkscher arrangem articula atarsals atherton bdominal biofibul brevicep burrower ccentuat ceedings centuate clusivel comprise connecti conseque consists continuo contribu culature cutaneou denboylo deposits describe disposes dominali edispose emplifie enboylou engystom enhnacin enoptera enormous entuated envelope envelops eresting errucosu ertebrat escribed especial etatarsa evicepti evidence exclusiv exemplif extendin extremel familiar formatio fossoria fraction glandula goldenbo gystomat hymenopt ibiofibu icularly idfishes ifestyle imilarly inclusio interest iofibula isoptera keletons landular ldenboyl lifestyl lusively majority marksche menopter metatars mplified muscular musculat mygolden nalogous nclusion nections ngystoma nhnacing nnection nopteran nostotic nsequenc nteresti ntinuous ntribute nusually nveloped oceeding oldenboy ological ominalis onnectio onsequen ontinuou ontribut oologica opterans ormation ossorial osterior ostotica otically oundness parently particul pecially position posterio pparentl predispo probably proceedi properly queaking question rainfrog rangemen redispos relative reversed reviceps revicept rkscherz rmations roceedin rounding roundnes rrangeme rroundin rrucosus rtebrate rticular sculatur sequence sidfishe similarl skeletal skeleton somewhat sopteran speciall squeakin stomatid stotical substanc surprise surround synostot tatarsal terestin termites tibiofib ticularl toticall ubstance unusuall urostyle urroundi urrowers usculatu utaneous verrucos vertebra vertical viceptid xclusive xemplifi xtending xtremely ygoldenb ymenopte ynostoti ystomati zoologic    189/2821109907456    (189/208827064576)

9:    abdominal accentuat analogous apparentl arkscherz arrangeme articular bdominali biofibula breviceps brevicept burrowers ccentuate centuated clusively connectio consequen continuou contribut cutaneous denboylou described dominalis edisposes emplified engystoma enhnacing enopteran enveloped errucosus ertebrate especiall etatarsal eviceptid exclusive exemplifi extending extremely formation fossorial glandular goldenboy gystomati hymenopte ibiofibul inclusion interesti isopteran ldenboylo lifestyle markscher menoptera metatarsa musculatu mygoldenb ngystomat nnections nopterans nostotica nsequence nterestin oceedings oldenboyl onnection onsequenc ontinuous ontribute oological ormations ostotical particula posterior pparently predispos proceedin rainfrogs rangement redispose revicepti roceeding roundness rrangemen rrounding rticularl sculature sidfishes similarly skeletons sopterans specially squeaking stoticall substance surroundi synostoti tatarsals teresting tibiofibu ticularly totically unusually urroundin usculatur verrucosu vertebrat xclusivel xemplifie ygoldenbo ymenopter ynostotic ystomatid zoologica    112/101559956668416    (112/5429503678976)

10:    abdominali accentuate apparently arrangemen articularl bdominalis brevicepti ccentuated connection consequenc continuous contribute engystomat enopterans especially etatarsals exclusivel exemplifie formations goldenboyl gystomatid hymenopter ibiofibula interestin isopterans ldenboylou markscherz menopteran metatarsal musculatur mygoldenbo ngystomati nostotical nteresting oldenboylo onnections onsequence ostoticall particular predispose proceeding redisposes reviceptid roceedings rrangement rticularly stotically surroundin synostotic tibiofibul urrounding usculature verrucosus vertebrate xclusively xemplified ygoldenboy ymenoptera ynostotica zoological    60/3656158440062976    (60/141167095653376)

11:    abdominalis accentuated arrangement articularly breviceptid connections consequence engystomati exclusively exemplified goldenboylo hymenoptera interesting menopterans metatarsals musculature mygoldenboy ngystomatid nostoticall oldenboylou ostotically particularl predisposes proceedings surrounding synostotica tibiofibula ygoldenboyl ymenopteran ynostotical    30/131621703842267136    (30/3670344486987776)

12:    engystomatid goldenboylou hymenopteran mygoldenboyl nostotically particularly synostotical ygoldenboylo ymenopterans ynostoticall    10/4738381338321616896    (10/95428956661682176)

13:    hymenopterans mygoldenboylo synostoticall ygoldenboylou ynostotically    5/170581728179578208256    (5/2481152873203736576)

14:    mygoldenboylou synostotically    2/6140942214464815497216    (2/64509974703297150976)

Why are rain frogs so round? What's /inside/ of them around such an itty bitty skeleton?

So it turns out this is a really interesting question.

The first thing we must be aware of is that rainfrogs as we see them in videos of them squeaking are not quite the same shape as they are when at rest:

[x]

But you are quite right, they are very round. This is exemplified by the skeletal photo you refer to:

[X]

So what are we seeing?

Well, firstly, note that the body cavity in these frogs actually envelops the femurs, such that only the tibiofibula (fused in frogs) and the tarsals and metatarsals are outside the body. The arms are quite similarly enveloped, but a bit of the humerus does extend outside the body cavity too. This predisposes them to a rounder body shape.

Next, note the ilia - the U-shaped bone in the pelvic region. These in some breviceptid frogs are synostotically fused with the sacrum - that is to say, they are bound by bone-based connections to the bow-shaped vertebra at their tips. This whole joint seems to be quite smooth, and as a consequence, the back of the frog is quite smooth. The other thing we can see here is that the urostyle (i.e. the frog version of a coccyx) juts quite far beyond the ischium and pubis. This extends the body cavity beyond the hips. Note also that the pelvic girdle seems to be largely below the spine, rather than the typical position for frogs behind it and continuous with it. This makes the legs sit below the spine, rather than at its end, enhnacing the vertical roundness of the animal.

Next, let’s talk some soft tissue. Now, I’m not as familiar with soft-tissue in frogs as I am their skeletons, so you’ll have to bear with me a bit (rawr). Beddard (1908!!) studied the soft tissue of Breviceps verrucosus Rapp 1842. It seems that the majority of the body of these frogs is actually muscle. Beddard noted that muscles join the leg at the knee that extend into the body cavity, such that the inclusion of the thigh in the body cavity is further accentuated by musculature. The rectus abdominalis muscle is unusually large, extending from the lower abdomen up and around the sides of the body. Indeed, this large size appears to be the pattern with all of the major muscles, though in the throat the typical arrangement of large and small muscles is somewhat reversed. On the lateral side of the head, there is a substance that is not muscle, but appears to be loose tissue in which sits what is apparently the thymus gland.

There is a very large gap between the end of the urostyle and the anus (one fifth of the total length of the frog), in which there are almost no muscles, save for the one surrounding the lower cloaca. On either side of this area, between the posterior-most muscles of the thigh, lie two large ‘lymph-hearts’, as described by Beddard. These are between one quarter and one third of the total length of the frog. A further lypmh-sac sits between these lymph-hearts and the skin of the femoral region, and they are thus probably analogous to the femoral lymph-sacs of other frogs.

I find it interesting that Beddard (1908) did not mention any glandular formations in the dorsal region. As is evidence from many images (see below), these frogs are able to secrete a white, sticky, noxious substance from their skin (which they actually have to use during amplexus, as the male is too small relative to the female to mount her properly, and so he sticks himself to her with his glandular glue… kinky).

[x]

These glands do not apparently take up a great deal of the cutaneous tissue, and so I suppose are of no consequence to the size of the frog, especially relative to its enormous muscles.

The diet of these frogs consists almost exclusively of hymenopterans and isopterans (ants and termites). Neither of these insect groups are particularly fatty, so it is little surprise that their bodies appear to contain no large fat deposits - fatty bodies extend from the gonads up to the lungs and heart, but these comprise only a tiny fraction of the frog’s mass, and don’t contribute to the round shape. Instead, their bodies are extremely muscular, allowing them to be adept burrowers, ideal for their fossorial lifestyle.

So TL;DR: rain frogs are little balls of muscle (maybe the largest muscle mass relative to body mass of any vertebrate? science just doesn’t know).

Ref:

Beddard, F.E. 1908. On the Musculature and other Points in the Anatomy of the Engystomatid Frog, Breviceps verrucosus. Proceedings of the Zoological Society of London, 1908:11-41 [x]