#like you don't have to die for me but you don't have to get me killed either thank you very much

[inkskinned]

you said you were stuck in a time loop, which was fine. i feel like late-stage capitalism has us all in a time loop, ammiright? you came barging in at 5:33. in the morning. i hadn't even processed the idea of coffee.

but you had this look of utter panic in your eyes. terror like the ocean. you grabbed my cheeks. im in a time loop.

i don't know why in movies the first reaction is to deny it. when someone is panicking like that, it's not appropriate to ask them to calm down. it didn't matter if i believed it, what mattered was that you believed it so much that it was consuming you.

so here we are. i pour you some of the dark roast. "you look like utter and entire hell," i say.

you push your fingers into your eyes. "you always say that."

i try to think of something funny to say that i wouldn't have said on previous time loops, but jokes don't land without the proper timing (lol). "remind me to think -"

"-yeah, of a joke that only works in the future. and before you say anything, i know you're pissed i just stole your punchline." you bolt the coffee, which is wild. it's very hot. you don't seem to notice.

i blow on mine to cool it down. i both am very pissed at you and also i can't see you in this amount of panic without wanting to help. but i'm also not really sure what we are, not since i saw you kiss her like that, no offense. it just was like, kind of rude when you knew i liked you.

and besides. i'm just like, barely a person. i write omegaverse fanfiction. i love the concept of a time loop, but what the fuck am i gonna do? send an alpha in there? i open my mouth.

you point at me. "you're about to ask why me. and then say some disparaging shit about yourself. i'm just a nerd who plays dnd or something. that self-own is slightly different each time." you sigh. "i know you think you can't really help me. i don't know who can help me. i only came to you because you fucking believe me." you check your watch, sigh, and throw your head back. you cover your eyes with one hand. "i've come here on 26 separate revolutions," you say. "you have believed me every time. and yeah, i have no idea how you fit into this but i just -" you sigh again. "i just like fucking talking to someone about it."

"do you need more cof-" i start, but you're already holding the empty cup out. i frown at it. "you're not getting any more until you promise not to bolt this one like an animal."

you laugh a little and sit up, pushing your hair out of your face. "okay, that's new dialogue. but to be fair to you, i'm not usually this rude. i'm still pretty new at all of this." you check your watch again. another sigh. i guess you're cruising for a personal best in the Sigh Olympics.

i almost tell you im not an NPC but i've played enough video games to know i'm very much an NPC. i pour you another cup. "so what happens in the loop?"

"really bad explosion." you mutter into the mug. you put your elbows on the table (rude) and bury your face in your arms like an angsty teenager. one hand floats up while you talk, because evidently you literally can't talk without your hands. "i have to save the day and there's this bomb and i have no bomb training and it keeps moving, you know."

"do i die?"

you peek up from your arms. "yeah. bigtime. you keep trying to run or stay or do anything and you always super die."

"oh."

"to be fair, like, everyone dies in it though.... so you're in good company."

i hate that you make me laugh. i hate that being around you always feels tingly and strange, this electric tension between us. something that is evidently (given how you stuck your tongue down a stranger's throat literally 3 days ago) (well. 3 for me) super one-sided. i take a sip of my coffee and close my eyes.

i die today, i guess. a little spark of panic starts at the top of my hands and starts whipping up my wrists.

"shit," you say. you look at your watch and jump to your feet. "i have to go. if i can come back, i will. i am still trying to figure out when is best to do everything, you know? the order of stuff. maybe morning isn't good for us."

i look up at you and think about how you keep kissing me in the back of my car and in alleyways and in the dark. and i can never fucking get a read on you. and i also think about how incredibly panicked you look. how broken. how long have you been doing this? "i don't want to die," i say.

you glance downwards. "well, you're not really dead, you'll come back in the loop."

"but i will have died." my hands are shaking. i am trying really hard to stay calm.

you push your hands through your hair again. "i really have to go. i will have this discussion with the next version of you, though. it is like, something i am thinking about."

"but i don't get a next version," i say. i don't really have the language for this, because i haven't had 26 tries with you. i only have my memories: you, a week ago. drunk and telling me you loved me in my ear. you, kissing her anyway. you, months ago, throwing up on my birthday, whispering to me i ruin everything i touch, always, over and over. please don't ask. i can't ever fucking have that be you.

i run my finger along the rim of the mug. "i don't want to die in this one."

you seem baffled by this. "i get that but - time will reset, you'll be fine, you won't even remember we talked about this."

"but i know now." i stand up too. "i have to live the rest of this day knowing i could die. knowing i probably am going to."

"you could always die, to be fair."

i feel my hands get out of control. "earlier, you said i always say a different insult about myself. what if you're just going through different parallel universes and those are all just different - but real - versions of myself? what if you're not in a time loop, you're in a fucking universe loop?"

"if it helps, i've wondered this too. also, you're hot in all of them. if that helps."

i point at you. "no flirting. i'm trying to figure out if i die today."

"who's flirting?" you catch my wild hands and give me that long, perfect smile. like we're in this together. "i won't let ya die." you check your watch and sigh again. "well. maybe not this time."

i grit my teeth. you are so not making quips at me while i try to explain the existential dread i'm having. "does the time loop reset if i fucking kill you?"

"honestly i don't know how long it continues after i die, because i just wake up. it could be that the loop goes until the explosion for everyone, and we're all in the loop, or it could be that when i die, the loop restarts. when i die i wake up, is all."

i pull away from you and stalk into the kitchen and start doing all 3 of my dishes. "okay, first, you know i was joking. and secondly, this is exactly my point. you don't know if this is just a parallel universe. maybe in the ones where you died, the explosion happened and nobody reset and it's just you travelling." i have to stop and push my heel into my eyeball. "... how often have you died?"

i look at you. you look at me. you give me this very sad, halfway smile and a little what can ya do shrug. something in that action seems so old and weary that i want to burst into tears.

"i have to go," you say. "really. for real. there's this family of five i save from getting into a car crash. and i know it's like oh but we're all gonna die in the explosion anyway, what's the point. and..." you shrug again. "it matters to me, is all. at least i saved them for now. at least i saved anything."

you pad over to me and wrap me in a tight hug. you always seem so tall against me. i feel your cheek rest against the top of my head for a moment. for a second, it's just us, and the space is warm, and my heart is a little broken hare.

you leave me there, and i stand in my stupid badly lit kitchen with my stupid mugs. i think about you. i start texting my mom that she needs to get out of the city, but it feels pointless.

i don't know what to do. tomorrow is the same day for you. but i have to prepare to die in my today.

[rizsu]

ꪆ୧ ── HUSH-HUSH ┊ KEEP IT A SECRET ﹑ JJK ⤿ starring: g. satoru ◟ choso ◟ sukuna ◟ f. toji.

꒰ love simulation ﹢ headcanon-type · most to least likely to keep your relationship a secret!

𖧷 · love, ‘su: i have nothing to say here but I Need To have this here for layout purposes. it Bothers me if its not there.

most likely 𓂃 can hold themselves back. choso and somewhat toji.

( pda = public display affection. )

listen, CHOSO can keep a secret, but leave it up to him and he would've made it known you two were dating. he's only keeping it a secret because you said to. when it comes to you, everyone knows he never questions your words.

in terms of pda . . . he doesn't do it — actually, he does, but only you know the true meaning to his touch. it's a regular thing to have an arm wrapped around your friend's shoulder, standing close to them, blah blah blah. you get the point: he keeps it entirely friendly.

this doesn't mean he's not clinging onto you the moment your peers aren't around! once they're out of his view, choso will not waste time to satisfy the itch he's been feeling. either he buries his head in your shoulder, whining about not being able to touch you at least, or his hands are intertwined with yours.

in mr. TOJI FUSHIGURO's case, your words are law. he usually sits back and let you do as you please — obviously he'd go along with whatever scheme you planned. he doesn't mind keeping to himself at all; he's not one for much pda anyway.

there are times where he gets touchy, though. he tries to keep it at a minimum, but don't let him be near you during a dinner-out with friends or anything of the sort. if he's seated next to you, trust, his hand will find comfort sitting on your thigh, occasionally squeezing here and there.

sometimes — really rare times — his friends suspect him. they don't reach the “are you dating y/n?” conclusion, but do they reach the “you got a thing for y/n or what?” one. it's all due to the fact that he softens his language with you. he doesn't curse, tone lowers an octave, and has a slight smile. three things his friends will never experience. he doesn't deny it, but he also doesn't confirm; he simply shrugs at their questions and never satisfies their curiosity.

least likely 𓂃 sorry, he's a bit selfish. satoru and sukuna.

SATORU . . . yeah, no. there's no way he would've succeeded. that's like asking him to not breathe for a day. when you brought up the idea of keeping the relationship a secret, he tried talking you out of it. why are you denying publicizing his affection for you? you must hate him, or are you hiding the fact that you're taken? satoru's dramatic, and his favourite literary device is hyperbole. he will exaggerate.

at first he tries his best to keep it a secret, but old habits die hard. calling you names clearly reserved for someone's romantic partner, arm snaked around your waist all the time, glaring at anyone who tries to flirt, giving you quick kisses — yeah, no way.

but, satoru does apologize for failing to obey! if you're mad at him for outing the relationship, he'll spend days upon days begging for forgiveness in creative ways til you accept his apology.

SUKUNA does not give a fuck. he's lived long enough to not care about secrecy. it's cute that you want to keep it on the low, but he prefers letting it known. pair that with him disliking physical contact with anyone else and you've got yourself the perfect recipe for disaster.

whenever he's not with you and someone approaches him — no matter the reason — he's quick to ring up his favourite sentence: yeah no, i'm taken. either that, or he's holding his palm up to reject them. he does not wish to engage with strangers. even his own friends struggle to get him out.

when he's with you, however, he's clinging to you like a magnet. game night with friends/family? he's pulling you to lean on him, doesn't fetch drinks for anyone but you, gets revenge for you if you lost the game, demands that they “go easy on y/n.” the list goes on. it took everyone zero time to put the clues together and figure out sukuna and you are a thing. it's entirely out-of-character for him to be nice in the first place.

[jinwoosbabyboo]

Is This a Tragedy?

You're an actor and you finally got your big role in a hit TV show. Unfortunately your character only made it to Season 2 before they killed you off. This is how I imagine the lads men react to watching that scene [Requested by: Anon]

𝚉𝚊𝚢𝚗𝚎

calm cool and collected on the outside; whole time he's really having an internal breakdown

grips your hand a little tighter in his as the scene progresses

“are you dying? is this a tragedy?”

is very aware that it’s just a show, but can’t stop his heart from pounding at the thought of losing you

rubs his eyes to keep himself from tearing up

stares at you after the episode ends “What?” “The thought of losing you has always terrified me; watching you perform that scene does not help” “it’s my job Zayne besides im right here”

finds himself staring at you more often just trying to commit every feature of yours to memory

never willingly watches that episode again

skips over that part every time or just turns the show off “You still can’t watch it?” “No”

praises you for the phenomenal performance although he claims it was a little too realistic

𝚁𝚊𝚏𝚊𝚢𝚎𝚕

is great at slipping in and out of character so he was the one helping you with your acting skills

sits up straight when he realizes what's happening “is this the scene you've been keeping secret?”

falls out immediately in your lap

bawling his eyes out goes as far to curl up in your lap

would be so proud of not only you, but himself as well for helping you perfect your craft

“Do I get credit as the acting coach?” “Yes would you like a reward?” “You know I do”

Although he’s proud of you he can’t bring himself to watch the episode again also doesn't continue watching the show in general "they killed off my favorite character how can I continue watching it now?"

keeps pushing you to work on crying on command so if you need to cry for your next roll it’s even better

acted out the scene with you at home for fun once and had a mental breakdown

𝚇𝚊𝚟𝚒𝚎𝚛

Fell asleep in the middle of the show and missed it

“just watch it when you get a chance” “no replay it”

immediately turns the show off in the middle of the scene

“im not watching this” “Xav…” “No”

drills you with questions about why you didn’t tell him you were dying in that episode

“I can’t watch that don’t make me watch it” "You're being a little dramatic don't you think?"

pouts, pouts, and pouts some more

won’t watch it no matter how much you beg

although he never finished watching the whole scene he holds your hand tighter now these days

asks for a warning next time so he can prepare himself …… to fast forward

𝚂𝚢𝚕𝚞𝚜

watches quietly giving away nothing

“You even shed a few tears for your own scene?” teases you for crying at your own death scene “it looks different after the editing okay!”

won't admit it, but one time was enough

“it made you sad didn’t it?” “Well I don’t take pleasure in watching you die onscreen sweetie” “im alive though” “Let's keep it that way”

weasels his way out of watching the scene again

his voice slightly wavers whenever you bring it up

avoids eye contact when you tease him about it

held you tighter at night for at least a month

Bonus: the twins bawled their eyes out and tackled you to the ground with a bone crushing hug

[what-if-i-just-did]

I looked behind me at reflex, although I don't know what I was expecting, given the fact Disillusioned had said "invisible". Rather than some hideous creature, or nothing at all, I was met with the sight of Talon. I sighed. Right, of course.

I'd completely stopped thinking of Talon as a 'monster' over two decades ago, so he'd slipped my mind. Nobody else could see him, so I'd kind of forgotten that he'd look pretty scary to most others. Well, or sexy, depending on the person. Yuck. He had talons for fingers, like his name would suggest, with sharp claws rather than fingernails. He was 6'8 tall, give or take, with pitch black skin (or rather, short fur) that had red patterns on it like galaxies. Sharp teeth, somewhere between those of a shark and those of a vampire, and his eyes were as dark as his skin, with a silver iris in the middle of each of them.

Turning back to Disillusioned, I chuckled. "Oh. No, that's just Talon, he does whatever he wants. I guess I ask him for things sometimes but it's not my superpower. He's not even that helpful really."

I would've expected Talon to protest somehow, mock-offended, but he still seemed to be recovering from the surprise of someone else being able to see him. There was a slight smirk on his lips though, if you knew him well enough to be able to tell. His expressions were usually miniscule, but after living with him breathing down my neck for twenty-seven years, I'd learned to read them.

Disillusioned clearly wasn't expecting that. "Ah... so... why is he here?"

"Uh, complicated story.... he's kinda attached to me, so he just has to hang around until I die. We're friends though."

"Mmmm, I wouldn't go that far, little one. I'll help you out on occasion, for my amusement. Don't mistake that for friendship."

"Talon, I made you pancakes for breakfast yesterday and you put whipped cream on my nose. You have no ground to stand on."

Talon, wisely, kept his fanged mouth shut.

Disillusioned raised an eyebrow. "That's... certainly intriguing." He paused for a moment, before continuing. "I don't normally do this- I'm not supposed to, but.. if you're agreeable, I'm intrigued. Could we exchange number and arrange for a meet-up? I'd love to know more about Talon."

Talon howled with laughter as I fangirled, either uncaring or simply unused to the fact that Disillusioned could hear him. Disillusioned wanted to meet with me???! More than the meet-n-greet that I paid for???!

It took me much too long to finally stutter out a "yeah" that didn't sound nearly enthusiastic enough. Disillusioned chuckled, and wrote something on my arm. His number. Oh gods. When did he even get a pen?

"Uh, that's your fifteen minutes up, luv, but I'm looking forward to seeing you again... Casey, was it?"

"Ciji.", I said, dazed. A few minutes later, I realised I had not only just MET Disillusioned, but he wanted to meet ME. Granted, it was about Talon, but still.

!!!

(authors note- comment if you want a part two?)

“So what’s your power?” Said the all-seeing super-powered individual, “Telekinesis” you said “……….so it’s not the ability to order around the invisible monster that follows you around?” “The fucking what?”

[raven-at-the-writing-desk]

OKAY HELLO UH. SAVANACLAW DREAM UPDATE SPOILERS ?!?!!2!!2!2

THE. WAY BOTH JACK AND RUGGIE ADMIRE LEONA SO MYCH AND FEATURE HIM IN THEIR DREAMS 😭😭😭😭 Jack making Leona basically nOT HAVE DEPRESSION QUFBWKANDK 😭😭 and making him a fair player... Jack my boy... your dream is lovely but you made him do stuff hED NEVER DO 😭😭

AND RUGGIE. THE FACT HE AND LEONA NEVER MET IN THIS DREAM *BUT* THE AMAZING DRESM SCHOOL HE ATTENDS WAS SKGNKENAKjfkenalNIfjeksksn MADE/PROPOSED TO BE MADE (?) BY LEONA 😭😭😭 AND HE SAYS THAT PRINCE LEONA IS MORE POPULAR THAN FALENA AMONGST TYE YOUTH AJFNWKNudnekskalakdknsk tHEY WANT ME DEAD. D E A D.

and then ... ruggie says smth about him choosing the king he'll follow and LATER WHEN REFERRING TO LEONA HE SAYS SMTH TO JACK LIKE. "LET'S GO WAKE UP OUR KING" I'm fuckifnwjzbslakznaklNdkdkals akehueuqjakansksk THEY ADORE HIM SO MUCH. I CAN'T DO THIS.

So this means we'll get a full chapter ONLY for Leona's dream... I don't think we'll see him crying like Jack and Ruggie but GOD IF WE DO SEE THAT I'LL BE FOUND DEAD- i just knowwww that whichever way they go w it (the "he already knows it's a dream theory" or SMTH else), there WILL BE drama and I *WILL* die internally... my Leona plushies will pay the price (they will be hugged very tightly)

[Referencing the book 7 part 11 update!]

Me, coping: Oh, the book 7 Savanaclaw update is split into two parts? That means the first part must be dedicated to Jack and Ruggie and the second part must be Leona only. Surely this means I am free from being sniped in the Jack and Ruggie segment. Me, from the future:

. . .

ME EXPERIENCING THE FIVE STAGES OF GRIEF ALL AT ONCE

WHAT THE FUCK WAS THAT 💀💀💀 I was kind of expecting some element of respecting their dorm leader to come up (definitely for Jack's), BUT NOT THIS EXTENT OTL

Of the two, Jack's dream was the more obvious one to feature Leona in a very positive light. His admiration for the guy was clear ever since book 2, in which Jack--someone who regularly sucks at expressing his feelings--confessed MULTIPLE TIMES that it was Leona's passionate magift play on TV that inspired Jack to follow in his footsteps. And that's why he was so disappointed to learn that the guy he admired all along was a scumbag that would play dirty to get ahead. The Leona in Jack's dream might be that version that Jack had in his head... The Leona he yearns for the attention and praise of, the Leona he thought was a virtuous leader who values hard work and good sportsmanship, the kind of person who gives speeches to inspire his team and helps people up by the hand when they fall. Another reading could be that this is the Leona Jack believes is still possible if he works toward it, because this dream seems to be set a YEAR after their loss to Diasomnia. And this is Leona at his best and most dangerous because he's throwing literally everything he has into this training, so he'll probably do the same in combat; Yuu and co. have to develop a whole strategy in advance to isolate Jack because they KNOW they're going to get blasted by dream!Leona if they give any inkling of trying to wake the dreamer up. JACK LITERALLY DREAMED ABOUT LEONA THRIVING, BEING HIS BEST SELF... Jack, the self-proclaimed LONE WOLF, who claims he doesn't like GROUP ACTIVITIES/SPORTS, longs to be part of the pack that LEONA leads... But he won't follow just anyone, Jack has standards AND LEONA APPARENTLY MEETS ALL OF THEM (or, in Jack's eyes, Leona can meet those standards).

THEN WHEN JACK WAKES UP... Hoo, boy... The way he was smiling but then broke down into shouts and sobs... That's literally got to be my favorite kind of emotional distress (part of why I loved Idia's breakdown when he was introducing his newly built little brother to the Styx researchers). You can hear how betrayed he feels in his voice, all the raw emotion that didn't come through as strongly in book 2. ASKHLBLBIASDIVDAI SORRY TO DUNK ON BOOK 2 AGAIN BUT IT'S TRUE. Jack's feelings of betrayal... They were so blunted there, it felt like he was reacting to a minor setback (he seems to easily shrug off being called a traitor by the guy he supposedly admires) rather than genuinely being hurt. I'm glad that the emotional weight that wasn't addressed then is finally getting the spotlight it deserves now.

Then Ruggie's dream???? 😭 That one caught me SO off-guard. The way it opens with Yuu and co. suspecting it's Leona's dream because they arrived in Sunrise City, one of the few industrialized places in Sunset Savanna... The lore review of how it's difficult to get the people to get behind developing the land due to how it would negatively impact the nature they want to live in harmony with (plus the brand-new reveal that these disagreements can become VIOLENT)... and Idia realizing that this, THIS is why Leona actually decided to take an internship at an energy and mining lab back home--because Leona realized he cannot change the country on his own, no matter how often he butts heads with his brother. He needs even more knowledge and a team to work with him. An NPC donut vendor lady randomly drops it on us that it's thanks the PRINCE LEONA that Ivorycliff Academy was able to be established. Not only that, but turns out Leona has graduated already and has spent his time after NRC building schools and establishing magift teams for Sunset Savanna (the latter being something Leona expressed interest in, as having a national sport and/or famous sporting teams can enhance his country's soft power). AND HE'S MORE POPULAR AMONG THE YOUTH THAN FALENA IS???????? MR. LEONA I-HATE-DEALING-WITH-KIDS KINGSCHOLAR IS POPULAR WITH... THE KIDS????? ? ?? ?? ?? ? ?? ?????? ?? ? 💀 The guy who claims to only help the underclassmen because they'd otherwise be an inconvenience to him... is admired by the same underclassmen... and now that has translated over to Ruggie's dream as the youth of Sunset Savanna loving him... OTL YOU'RE KIDDING ME RIGHT/????? ? ??? ? ??v????? ? ? ????

The most bewildering detail to me about Ruggie's dream is that he and Leona haven't met at all; Ruggie acts pretty clueless when asked about it and Leona graduated from a completely different school than him (NRC). There's no way they could have met, yet the dream still deemed that Leona was an important enough aspect of Ruggie's life that he was incorporated into it... and, unlike in real life, Leona now has the influence to make these systematic changes not just for bettering Ruggie's life, but the lives of everyone in Sunset Savanna...

UUUURURUGUUGHHGHHHHHHHGHGHHHHHHH H H HH H H HHHHHHH H H H HH H H AND THEN WWHEN RUGGIE FINALLY WAKES UP AND AND ANADNANDANDANASHADSNADSNADSNAN NDDDSDD SD SM ADSB,M ADSDBSM DDD HE CALLS HE WON'T FOLLOW A "FAKE KING", HE WANTS TO CHOSOE THE KING HE FOLLOWS 😭😭😭 RUGGIE TELLS JACK THEY SHOULD GO AND WAKE UP "OUR KING"... Ruggie, who constantly complains about how easy rich people have it and how hard Leona makes him work for his coin, is standing right here and HE'S CHOOSING LEONA.

This is all so crazy to think about because back in book 6 (citing the moment that broke me Yet Again, lmao) Leona implied that while he has hope in others (like Jamil), HE DOESN'T HAVE THE SAME HOPE FOR HIMSELF. But there's literally his whole dorm who trust him to lead them and their futures as professional athletes 😭 Jack who believes Leona is capable of being that shining, ideal senpai he dreamed of... Ruggie who believes Leona can and will change not only his life for the better, but also the lives of marginalized beastmen like hyenas, the younger generation, and heck, why not their whole country too... OTL

THIS IS LITERALLY THE WORST POSSIBLE OUTDCOME FOR ME... . . . . ....... . .. . . . .. . / / / / / . . . .. . .. ... . . . ... . . YOU JAVE JACK'S DREAM SUPPLYING THE RELIABLE BIG BRO/ONII-SAN LEONA... THEN RUGIGE'S DREAM SUPPYL inG THE SMAR TDETERMINED PRINCE LEONA ... AND THEN NEXT UPDAT.E.XBBCXL V.CV . . . . . . . . ...... .. .. . . . . OTL ASCTUAL LEOPJNA DFGFAYVAFIVAVIYAIAGIGEIYGEPEIQAGfhgpaebpyrwqeg,hpgqeugqm[gqepg./l.,pjm9hmh4 gephmhurwhbaudavmudfsgnyofegnyoifui

GOD IF EW SEE THAT BITCH CRYi NG gkj eabihlaegbiaegibyegoqetpr13569 87q3tbkhl3o tyb6fOfonfOTFsugfaiugfanyoigFGION qit' S LEOVER FOR MEAMBFFVHAJVFFVEUGFO EOFAENYFEOFHdhmFSLJGADFsmf aLALLL OF HIS PENT IUP FRUSTRATIONS JUST SPILLING OIUT;V .F,DSBFAHLFLFFNODGOVSMHFAV UEGOFEAHMAEGDGSKPFSHIM THE RAGE AT MALLEUS DFN BAFVKJAFYGLAFGIDGIDGIODGSOIDN FOR FOTRICNG THIS LIE UPON HIMFDS NFASVAEFBLADFIOBY AGIOQEGONYFWmpdphGAMGobf IT'D BE SO SEXSYFDH HOT IF HE KNEW IT WAS A DREAM ALL ALONG PELEEEEEASE 🙏 I'M ONT MY HANDS NAD NDD KNEEESLSD DFS,SFHBAFLHAFDLI EO FQEYG VADGNOVSHUPVPUFFmhagyo 4wpeq/pll.,wjph9q80th9umpdbsaihoadnFSuov fsogyFSGUOFSu SNOGYAVUO FSA

.

.

. Ah-HEM!! 😇 Sorry, I don't know what overcame me... I just blacked out and when I came to I don't remember what I was doing or saying for the past several minutes 💖 Now if you'll excuse me, I am filled with an intense desire to enact violence on the nearest lion-shaped object I can get my hands on--

[sparrowlucero]

i enjoy ur bird abode thoughts! I was a genuine enjoyer of the show when it was airing, I’m no die hard fan though and love to see ppls personal takes on the overall story/plot. Im curious if you also would agree or have any thoughts on the impacts The Mouse’s cancellation had on the shows ability to be more than it was? srry im not super eloquent with my words, but basically ur response to that ask got me wondering if part of the reason the show like genuinely wasnt all that ground breaking or unique in the end plot wise (other than the villain faces consequences in the end ig) as far as YA/Teen animation goes, was because of The Mouse’s inability to let the writers flesh out the show before gutting it? i have a negative bias toward The Mouse franchise and obviously dont know anything about how writing a show under the eyes of a franchise that big would work, its just smth that rattles around in my head and wanna know what u think!

Well to an extent, but I think it's much more the effect the studio had on how the owl house started out as rather than it not getting a full season at the end - It didn't escape my noticed that the show was initially announced as being a "horror comedy" when it doesn't really seem like either, especially by the second season, and yeah, the original pitch bible is obviously aiming for that much more than the show proper is as it goes along (and is honestly seems quite a bit more funny, weird, and dark, with an overarching plotline about a giant bug being used to religiously suppress people, eda able to cure her curse by killing luz, and one of the major characters being a teen boy awoken from a sleeping curse who ends up being a weird little bigot because he's from the 13th century, among other things)

(side note, i just noticed they actually specifically describe the thing i assumed the show was gonna be about here. huh.) but ultimately the bulk of the show that was actually made seems very influenced by a writing team that was genuinely interested in making a tropey YA fantasy story rather than just being mandated to. I mean even in what aired you can see the show sort of settle in ways that feel less like studio interference and more like, you know, art students creating their ideal fantasy show, like how King is clearly Eda's roommate who's funny because he looks like and sounds like a little dog despite being an adult man at the beginning but by the end they've made him her adopted sad backstory son who's explicitly a child. While I think a third season would have made the show as it existed better, because they clearly didn't get to finish the plot they wanted to (frankly to the point where some major aspects of the show are a bit confusing, I'm still not sure what a grimwalker is), I don't really fault the show for that but also don't think that hypothetical season (which pretty clearly would have been mostly about the magic school teens going to normal school) would suddenly flip around into something that I personally found interesting and subversive. Nor should it, really; again, it being Queernorm Harry Potter thing is clearly the intended appeal of the show, it's not really a flaw but just not a genre I'm personally interested in when compared to what I initially expected the show to be.

HOWEVER I will say they robbed little weird girls of their representation and that can't be forgiven

[neuvilette-tea-party]

₊ ˙ ⊹ Mon coeur, mon coeur don't cry₊ ˙ ⊹

Neuvilette x F!reader

You shudder in pain in your bed when your husband comes home to take care of you

Tags : hurt and fluff, periods pain, Neuvilette is a soft king, uses of "maman"

You curl up in bed and whistle in pain. 

Those damn periods! 

You shiver as another wave of pain and nausea comes shaking your body. You are absolutely miserable right now!  

“Mon amour?” You suddenly feel a gloved hand brushing a strand of hair off your face, “Are you all right?” 

You weakly open your eyes to discover Neuvilette looking at you with concerned eyes, caressing your temple and cheek. His long strands of white hair frame his delicate face as the light accentuates the violet color of his eyes. 

You growl, pulling on the cover. 

“My periods...  could not go to work today...” You manage to say between gritted teeth, pressing your knees against your chest in a desperate attempt to soothe the pain and tense muscles at least a little bit. 

His hand cups your cheek softly, his thumb grazing your cheekbone as he tilts his head. 

“Does it hurt so much, mon coeur?” He inquires, his worries identifiable in the soft tone. 

“It’s like a machine blending my organs!” You push your head in the pillow, tears behind your eyes. 

He leans forward to let a soft kiss on your temple, savoring the sensation of your skin against his lips. 

“Stay here.” He orders, standing back up. 

You look at him exiting the bedroom in silence before closing your eyes, swallowing back the torrent of curses at the gates of your lips. How liberating it would feel to scream them at the top of your lungs but Neuvilette’s delicate ears would be scarred forever! 

You shiver once more as the pain decides to head toward your lower back. It’s only 7 days, get it together! 

It’s only seven days... 

It’s only 7 days but holy Hydro dragon those are long, rough 7 days! 

You sigh lamenting for yourself, thinking about the earful you will receive at work tomorrow... You reopen your eyes at a delicious smell and the bed tipping. Neuvilette came back with a tray with a fuming hot chocolate with some Viennoiseries on a plate and a glass of clear, fresh water.  

“Sit down if you can, mon coeur.” He gently orders. 

You wince, trying to sit down, taking support on the pillows, and making yourself as comfortable as possible with your periods. You manage with more or less success. Once you are set you try to smile at him and not just wince unelegantly. 

Neuvilette smiles back gently and slips a pill into the glass of water that he hands to you. You sip the effervescent painkiller trying not to gag at the bitter taste of the medication, but the fresh water makes up for it. A water specifically chosen by your dragon lover, obviously. 

You finish the glass and Neuvilette puts the tray on your knees for you to feast on. You bite down the pastries and gulp down a big sip of chocolate with glee, getting a little enthusiasm back. He looks at you eating your only food of the day with a tender expression before opening the dresser to take out your fluffy plaid that he lays on you and a hot water bottle that he goes to fill and heat up. You sigh of pleasure when he lifts the cover to slide the hot water bottle inside and lay it on your upset lower tummy. 

“Thanks the Hydro...” You mumble. 

“I am here, mon coeur.” He shoots you a mischievous smile, “No need to pray for me, I am solely focused on you.” 

You feel your cheeks heating up and dive your gaze into the fuming chocolate cup. You are used to dating the Hydro dragon of Fontaine, but old habits die hard.  

“I called your workplace, mon amour. Your entire week is free.” He placidly announces, tucking you in bed correctly. 

Your bite almost goes the wrong way. 

“An entire week?!” You choke. 

He raises an eyebrow at you like he doesn’t understand. 

“You are not one to miss work for a simple cold, mon coeur. It looks worse than usual, you should rest and mend.” 

“I just have my periods, it doesn’t matter that I bleed to death, I have to be here!” You bitterly fight back. 

“No, you do not.” He simply closes the matter, “They were very understanding when I called them. You can stay in bed and rest.” 

“Of course they were compliant, you are the Iudex!” 

He sniggers, booping your nose playfully.  

“What good is my title for if I cannot even help mon doux amour during her time of distress?” 

You melt before his tender expression, abdicating entirely before him and- 

“MAMAN?!” A little girl’s voice resonates suddenly, making you both jump out of your skin. 

Horrified and trembling, Sigewinne stands in the doorframe, looking at you like you were dying in front of her. 

“Maman, are you okay?! We could smell blood from the garden!” She cries. 

“She is alright, Sigewinne. We are both here to take care of maman.” Neuvilette comforts her. 

She sobs hard and rush to you. Neuvilette has just the time to grab her to stop her as she helplessly extends her arms to you. 

“Maman is very sensible and uncomfortable right now. Be careful alright?” He explains. 

She turns her head to him and nods frankly, promising to be good. He releases her and she crowls in the bed to sit next to you, hugging one of your arms as you finish your cup and viennoiseries. 

“Go back to sleep, mon coeur. The painkiller will soon soothe you.” He kisses your forehead before taking your empty tray, and putting it on the bedside table. You wriggle your way under the blankets with a relieved sigh, followed by sweet Sigewinne, letting her snuggle against you. Neuvilette skirts the bed and slides under the covers with you, not even taking off his pricey jacket, and he hugs you tight, caressing Sigewinne’s head gently. 

“Make yourself comfortable, mon amour. I will be here when you wake up.” He promises, kissing the back of your ear. 

You hug your adoptive daughter and the hot water bottle as Neuvillette’s tall body spoons yours gently, shielding you from the rest of the world and the pain. 

You take one of his hands in yours and he intertwines your fingers together; letting a low purr arise in the bedroom, lulling you to sleep and peace. 

At last... 

[strangeaxel]

I hate BPD so much, i hate it so much, i just want it to stop being like this.

I'll just go to sleep maybe I'll dream something nice but my god i hate my brain so much I don't even know who i am or what i need, i just want to feel okay i feel like im never enough for anyone. Im just tired and scared,ni hate how life isn't like the movies, i want my life to be a big fiction where im the protagonist, i watch movies and series and i just feel so much jealousy.

I wonder where my friends are, i wonder where my parents are. I wonder where's that childhood I've always wanted. I know I only have one chance to be alive and this is what i get? Remembering my childhood with a 8 year old me begging my mom to kill me bc i didn't want to keep being alive, i just wanted life to end at the tender age of 8 years old and my mom only laughed at me. And my dad doesn't even love me, he never did, i hate him so much as much as he hates me or even more. Idk what to do.

I ain't no perfect human, I'll never be as im sick since i was born and everywhere ill go I'll disgust everyone. Idk what to do anymore. I just want this suffering to stop. Talking isn't useful either, i just want some lovely arms to rest on and feel like I'm in the home i never had.

I hate to know how tough it is to have someone with mental illness as your friend or family, i hate to know im a burden and i hate to know that nobody will actually relate to any of my interests. The world should have stopped in 2015. i envy people that have friends and still do that bullshit of "no, im fine" and say internally "oh i love them, they're so lovely but I'll just keep quiet so i don't bother them" and their friends and family would die to know their state, selfish bullshit, i know you're sad and all but where tf did you get that idea??! I literally would die for your situation. My lord. I wish i could just have what you have. I wish i was skinny, i wish i was innocent, i wish i was a kid again and stop everything that's coming to me, i wish i had born somewhere else, i wish i wasn't me, i wish my brain wasn't like this, i wish nobody hated me, i wish i didn't hate everyone, i wish i could live, i wish my dad love me, i wish my family love me, i wish everyone love me, i wish i was a good person, i wish i was somewhere else.

I won't accept im 20 next year, I won't accept my life is ruined, I won't accept i am still alive.

I wanna be an idle teen. Something i couldn't even do. Im that autistic girl that died in her couch, that's me, it's just that nobody know it, nobody knows my parents don't care enough, nobody knows i drop off school bc of bullying and depression at 13 and that i rot in my bed.

The whole, "K*lling urself is a permanent solution to a temporary problem" bullshit is spouted by the ignorant lucky ones who have only had temporary problems. Some people's problems are permanent so maybe try offering actual help and support to them rather than regurgitating an overused phrase that means nothing to people with real struggles.

[soft-pine]

1.18 something wicked

say your desk is covered with a pile of paperclips. something wicked is the magnet you drop in the middle and then they all stick to it; they're all connected.

it's all here. the parentification, the neglect, the way john treats dean which sam doesn't witness, the extreme likelihood that john was using his kids as bait, and the intentional, specific, glorious, lovely ways dean has specifically chosen not to be like his dad.

in the flashbacks, we see dean is in charge of feeding and looking after sam for (at least) three days in some random motel room with the shades drawn. he's not even supposed to go outside. he doesn't have a number for john, just the instruction that if john's not back by a certain time, he's supposed to call pastor jim.

we see john giving dean instructions and responsibility (and criticisms) which he's not giving to sam.

dean is at most 11 years old (ep takes place in 2006. dean says the case from when he was a kid was 16-17 years ago (1989/1990). john's journal places it in 1988; dean was 9)

crucially, even as an adult, dean barely talks to sam about what he remembers of the case when he was a kid. he lets go of little bits at a time and absolutely necessary to the case. but he does not want to process what happened. even when he's so torn up that he breaks down and explains what happened, he doesn't want to talk about it. in part, of course, because he's ashamed of failing to kill the shtriga. but also because dean keeps john's secrets (9.07). and even when he doesn't, sam is not who he tends to process with.

but it's deeply impactful to have an episode where we get to see how dean was treated as a child versus how he treats the kids he meets.

dean is so kind to children throughout season 1, from lucas in 1.03 to lily and charlie in 1.05 to michael here. there is something so great about the way he is both clear that the bad things aren't these kid's fault, while also understanding kids have agency and insight.

i know dean is torn up about using michael as bait for the shtriga but feels he doesn't have much of a choice in order to stop the thing. but the conversation he has with michael is so thorough it really gets me.

DEAN: This camera has night vision on it so we'll be able to see clear as day.... Are we good? SAM: A hair to the right... There, there. MICHAEL: What do I do? DEAN: Just stay under the covers. MICHAEL: And if it shows up? DEAN: We'll be right in the next room. We're gonna come in with guns. So, as soon as we do you roll off this bed and you crawl under it. MICHAEL: What if you shoot me? DEAN: We won't shoot you. We're good shots. We're not going to fire until you're clear ok? Have you heard a gunshot before? MICHAEL: Like in the movies? DEAN: It's gonna be a lot louder than in the movies. So I want you to stay under the bed, cover your ears, do not come out until we say so. You understand? DEAN: Michael, you sure you wanna do this? DEAN: You don't have to, it's ok, I won't be mad. MICHAEL: No I'm ok. Just don't shoot me. DEAN: We're not going to let anything happen to you. I promise.

what a specific contrast that is with

DEAN hesitates, terrified. As he does JOHN bursts through the front door, gun raised. JOHN: (Shouting) Get out of the way! DEAN ducks and JOHN shoots the shtriga multiple times with his hand gun.

something wicked is up there with monster at the end of the book for episode titles that'll make you crazy if you think about it too much.

some other thoughts are just, the first time i watched this scene i thought i was going to explode with love:

DEAN: Yeah well, first of all, I'm not going to open fire in a freakin' pediatrics ward.... Second, wouldn't have done any good, because the bastard's bullet proof unless he's chowing down on something. And third, I wasn't packing, which is probably a really good thing cause I probably would have just burned a clip in him on principle alone.

moral compass boy i would die for you a thousand times and get up and gladly do it again.

and nothing - i mean nothing - hits like dean's voice cracking over the "if it means anything sometimes i do too." like i could actually go insane.

also watching supernatural is how you fill up a computer disc with pictures of dean looking ever so beautiful. like. look at him!! ethereal!!

also also ilu microaggression michael. they should have brought you back in the finale, king.

[em-ontv]

Need some space — d.w.

Pairing: Dean Winchester x lover!fem!reader

Summary: Dean could never keep his hands off of you, latching onto you whenever he could

Content: fluff, established relationship, clingy/touch-starved Dean, not proofread, English is not my first language, mistakes should be present, sorry!

Word count: 912

Dean was a lot of things—sharp-tongued, reckless at times, stupidly brave—but you hadn't expected "clingy boyfriend" to be added to the list.

Yet somehow, here you were, flipping through dusty books with his head in your lap, eyes half-closed like an oversized housecat. He shifted to a more comfortable position on the couch, clearly uninterested in the research you were trying to get through.

"Dean," you sighed, nudging the book away from where it almost brushed against his face. "How am I supposed to read with your giant head in the way?"

"Don't mind me, sweetheart." he mumbled, eyes closing and voice bordering a purr. "You're doing great. Keep it up."

You gave his forehead a flick, earning a dramatic groan. He swatted half-heartedly at your hand but refused to move an inch. Instead, he stretched his legs out further, making himself even more comfortable.

"Seriously? You're not even gonna pretend to help?" you glared at him. "You know, I'd really appreciate it if you started flipping through some books too."

"Helping," he said lazily, cracking one eye open and giving you a smirk. "Emotional support."

Without waiting any further, he reached up, took your hand, and pressed it to his head. Your fingers tangled in his hair instinctively, and he melted under your touch like butter on a hot pan.

When you stopped and started to pull your hand back so you could flip a page of the book, he let out a pathetic whine, pushing your hand back against his head, like he’d die before letting you go.

"You're such a baby. I have to get this done before Sam comes back." you muttered, squishing his face between your fingers, making him pout.

"Cut it out," he grumbled, frowning up at you, though the way his frown dissolved when you laughed said otherwise.

"If you're not gonna help, you're not gonna complain either." you said, and he retaliated by kissing your wrist, peppering soft, warm kisses all the way up your arm.

You rolled your eyes, biting back a smile. Dean's touchy-feely tendencies had only escalated since you started dating. Take the case last week, for example.

You'd been interviewing a witness at a diner, trying to keep your questions subtle and professional. Dean, however, had other ideas.

"So, you're saying the lights flickered just before you heard the noise?" you asked the frazzled waitress.

"Uh-huh," she nodded, glancing nervously between you and Dean.

Before you could respond, his hand found its way to the small of your back. Not a casual graze either—nope—it was a slow, deliberate caress, his fingers curling just enough to make his presence known. You froze, shooting him a warning glance, trying to shrug him off, but he was already leaning in closer, the picture of shamelessness.

"Sweetheart," he murmured, low enough that only you could hear. "You're doing amazing. Keep it up."

"Dean," you hissed through a forced smile. "Go sit down."

"What? I'm just keeping an eye on you," he replied, all wide-eyed innocence, grinning like a kid caught with his hand in the cookie jar.

The poor waitress looked like she wanted to crawl into the freezer.

And then there was that time in the library when you'd been deep into research, scanning page after page. Dean had sauntered in, plopped down next to you, and proceeded to rest his chin on your shoulder while humming AC/DC under his breath.

"Keep reading, sweetheart. I’m comfy." he murmured when you tried to shoo him off, knowing he'd just distract you. His arm snaked around your waist, and before you could protest, he was already pressing slow, feather-light kisses along your jaw.

Or the night you snuck into the kitchen for some quiet time with a PB&J. Five minutes later, Dean appeared in the doorway, his hair sticking up in every direction. He looked half-asleep, his brows pinched in sleepy frustration.

"What are you doing?" you asked, mid-bite of a PB&J.

"Couldn't sleep," he said, padding over to you with a frown. "Why'd you leave?"

"Dean, I was gone for five minutes."

He made a noise of dissatisfaction, wrapping his arms around your waist from behind, nuzzling lazily into the crook of your neck. "Come back to bed with me." he muttered, his voice soft and heavy with sleep.

It was ridiculous. The same tough-as-nails hunter who'd taken on demons, monsters, and literal death couldn't go five minutes without missing you. But as much as you teased him for it, it brought a certain warmth to your heart.

Because for all his bravado, Dean was just a guy who'd spent most of his life terrified of losing the people he cared about, loved. His over-the-top clinginess? It was his way of making up for lost time.

"Alright, fine," you said, swallowing the last bite of your sandwich and dusting your hands off.

He grinned—smug at first, but it quickly melted into something far softer. He let out a content hum, nuzzling closer.

"Right now, please." he murmured, his voice heavy with drowsiness.

"Alright, just don't fall asleep on me in the middle of the kitchen." you said, rubbing his arm, leading him back to the comfort of your shared bed.

Under the covers, Dean curled up against you, his arms wrapped around your body, his face buried in your neck. His breath was gentle and even, warm against your skin. Just before sleep took him, he murmured faintly, "Love you, sweetheart."

[vigilskeep]

Do we know enough about how Crow succession and talonship works to believe it would be possible for Viago to take the seat of first talon either through some sort of non-violent coup in the absence of an heir to house Dellamorte or through marrying his kid (rook) off to Lucanis? Asking because I really don't know and would love to write something in that direction...and you seem a crow enthusiast...also love your blog

THEORETICALLY. yes.

we haven’t seen the talons shift directly, but they do shift, with regularity. house arainai was first talon in living memory and then fell slowly downwards to their current point where they’re struggling in and out of eight talon like a drowning man who keeps finding his way to air for just enough breath

the eight talons system, if you’ll allow me the tangent, is a really fascinating choice of fantasy hierarchy because it is such a clear hierarchy. among a bunch of ambitious killers whose prime goal is notoriety. you can only hold each position here if everyone below you is too afraid to do anything about it. what an anxiety trip it must be to decide whether to push someone down just one rung or to try to destroy them entirely; do you want to leave your rival with more opportunity or more motivation? but crow power is also all about theatre, all about perception—you are first or fifth or seventh talon primarily because everyone agrees that you are—so making a failed gambit for a higher talon has got to be incredibly damaging. which is a risky setup. it discourages attempts, but when someone does make an attempt, they will not be fucking around

anyway ignore all that we’re talking about soft takeovers today. okay so house dellamorte has a dying core family, theoretically. we’re making the assumption that no surviving young children from any branch of the family are mentioned because none exist. we have two heirs, neither very acceptable (my apologies to caterina’s delusions), both men in their 30s with (again, assumed) no children, and neither making much progress in that regard. (arguably dependent on player choice when it comes to lucanis, but since he can fall in love with and express his undying devotion to any kind of rook, we can at least say he’s not making that much effort.) within a generation the core family may die out. but that is a LONG TIME to wait. you still have to deal with the current ones, they’re pretty robust

lucanis is the current first talon as of the end of veilguard. can he be convinced to give this up and hand first talon over to someone better suited? i do believe it. mostly because i need to believe, for my mental health, that we can get him out of there. but he also now has a fairly bulky support system full of people who love him and will notice how bad this is going to be and convince him he deserves things like a life he doesn’t hate

as always your main problem is caterina. caterina is not going to allow a takeover, soft or otherwise, while she is still alive. caterina didn’t give up first talon when they murdered her children. there’s probably an emotional plot in here where she can be made to accept what she’s done to her family, far too late, but with time left to save just one by letting him go. on the other hand, i’ve also been experimenting with plots in my mind where she tries to quietly get rid of viago or romanced rook for having too much influence, with the added benefit on hopefully being able to steel & refocus lucanis on defending the house against whoever she frames. or plots where she blames lucanis trying to leave and not being the boy she remembers on his, you know, demonic possession, and attempts to forcibly remove or destroy spite. so. there’s potential ups and downs, here.

i don’t know how helpful rook de riva/lucanis is. most of your problem here is that everything that sets this ending up by giving the de rivas more power, and by giving any rook more power over lucanis, is something that in my mind would crank caterina’s wariness all the way up. house de riva surely has to move up from fifth already after the events of the game and look more like a contender, and i don’t think even caterina’s delusions about lucanis’ suitability for first talon could make her blind to the effect rook can obviously have. i definitely think she would delay on a marriage and have the power to do that

i think it’s worth saying that rook de riva at any point bringing up to lucanis the idea of handing things over to viago would be a hell of a conversation. i know lucanis never remotely suspects rook of any agenda and trusts them completely, and i know i agree with rook here, but you’ve GOT to see how “i love you and having power is bad for you and what you should do is hand it all over to my talon” sounds. i truly could not blame him for a bit of doubt here especially if caterina was around to suggest it

sorry this is a completely messy and disconnected response. i don’t even know if i had a point. you might have to wait for caterina to actually die? is that my point? i can see rook de riva/lucanis being helpful to ease a transition of power to house de riva then. i also think it’s worth pointing out that teia might be the better contender for all this out of the two lovebirds. what quietly makes teia probably the most dangerous talon in the crows, if she ever chose to be, is that everyone likes her. i’m not joking or trying to handwave crow politics, it’s a form of soft power and the result of her cultivated skill that nobody ever suspects teia of anything. even caterina treats her gently, and literally a talon who tried to murder all the others in tevinter nights was delaying murdering her because she was his favourite. if anyone can handle a gentler transition like what we’re talking about, maybe it’s more likely to be teia

[hyliagirl42]

Not to get all preachy here but i think this could stem from the really harmful media analysis we're taught in school, which often has us answer questions like "if you were the protagonist in this situation, what would you do?"

And something i read in a post elsewhere really stood out to me, in response to that question - what does it matter what *I* would do? And what I would do is entirely dependent on whether I only have the lived experiences and memories of the protagonist, or if I only havr my own, as the reader.

Because if i only had the protagonist's experiences and memories, I wouldn't know I'm a character in a book (or horror movie). I wouldn't know what genre I'm in. I wouldn't know that this camping trip in the woods with my friends is going to end with all of us dying. It's just a camping trip. And we're teenagers having fun, being silly, and how were we supposed to know the evil tome had a real genuine curse on it? If this is the case, asking what I would do doesnt matter, because my lived experiences speak to what choices I'm going to make, and as such none of the choices I make will be different.

But if I have only my own memories as the reader to make my decision with, that's also a useless question to ask. I know things as the reader that the character never could. Like I mentioned before, I know that this is the horror genre and people are going to die. So obviously I can sit back and think of all the perfect ways to win, the perfect flawless ways of surviving. But that wouldn't be very satisfying, narratively, would it? There's no plot without struggle and hardship. There's nothing satisfying about winning too easily. That's not the story the author wants to tell, especially in horror stories.

But all we're ever taught in school is "what did the character do wrong? How would you do it better?" Instead of the actually meaningful questions such as "what message was the author trying to convey? How can this message apply to your life? Is this message even aimed at you in the first place, or is it aimed at someone else? Did the author successfully convey their intended message?" Questions like that.

And that's doing us a disservice in all media, all across the board. For example, if a character does something you would never do, because it's a Bad Thing To Do, the character is problematic! Because I, an upstanding citizen, would never do that! Forget the fact that the character is still going through character development at this point. Forget that the character's background led them to make this decision, and they thought it was the right one at the time, when it wasn't. Forget that the author may be setting up events in the future or trying to teach a lesson or trying to show that someone who does such things is still a human being and can still be a sympathetic character even if they mess up...

Anyway, I'll get off my soap box now, this is just what this post made me think of. To go back to the original post, if you dont want to see a story about horror protagonists falling victim to circumstances out of their control, and would rather see a cute romance, go find yourself a cute romance to read instead. If you want to see protagonists making all the right decisions and overcoming all odds, go find a story about that instead. This is a horror movie. And in horror movies, people make stupid mistakes, because they don't know theyre in a horror movie. Go find something else to watch or read

people are so mean about horror movie victims like. sorry but if i had gone to a cabin in the woods with my friends as a teenager you couldn't have stopped us from reading aloud from the evil tome. how were they supposed to know the ancient curse was real they're like 17

[hetchdrive]

The Sky of it all is genuinely kind of horrifying though, to be honest. I literally said to Madison midway through act ii that I thought Sky's presence was to indicate that Viktor was doing all this out of guilt, that he was on some level aware he couldn't actually help these people and this was the closest he could get with the powers he had, because of the way she died he learned that she was in love with him and he kept her ghost tethered to him despite his inability to reciprocate that love. Like he couldn't love her but he could keep part of her alive and so he did, he couldn't actually help the Zaunites heal from their poverty and their oppression but he could take away their physical imperfections and the emotional pain that went along with it so he did.

But I was not expecting even a little that "I will miss our talks" "No. You won't." Girl really realized at some point he was keeping her around not because of who she was as a person but because it eased Viktor's conscience. And also? Maybe a little bit? That it filled some loneliness inside him that he'd rather have been filled by someone else. Like. Recontextualizing Sky's continued presence in Viktor's head through the finale really makes me feel that it was guilt, yes, but also that he was just. Lonely. Jayce wouldn't have been able to talk him down if Viktor hadn't wanted him back, him, specifically, just as much as Jayce wanted his partner. Sky was there in the hopes she'd fill an emotional void.

In the end I don't know that it was about Viktor's fear and distrust of his own failing body so much as it was that he loved Jayce and for a really long time Jayce didn't see him. It always comes back, to me, to that shot right before the Progress Day speech where Jayce sets that mug down and it eclipses Viktor completely. Viktor loved him and for a long time Jayce seemed to only love himself and what their work had made for him, the kind of life it had given him. And then the first thing Jayce ever did that was unequivocally for Viktor was a gross violation of his bodily autonomy and betrayal of his explicit wishes in putting him in The Goop after the explosion instead of destroying the hexcore and letting him die. And then he came back to kill him. Viktor's dying thoughts end of act ii were of how human emotion is all our undoing and he carried that hurt onward into erasing the world of it. Because he loved Jayce and Jayce didn't, as far as he could tell, love him.

[agarafile]

Gem: I'm gonna make you run, Pearl.

Pearl, laughing: Gem!

Gem: What?

Pearl: Why are you so fast as a camel? Camels aren't that fast.

Gem, sounding more annoyed now: What?

Pearl: Come here! Come here, come on. No, I need to get on the camel first.

Gem: No. No.

Pearl: Let me on the camel! [Pearl get on the camel] Yes! I'm on the camel! Gem, you can't get away from me now.

Gem: I don't want you on my camel.

Pearl: I'm on your camel. Deal with it. Right. Hoe much do you hate me today, Gem?

Gem: A lot!

Pearl: Dangit, I was hoping to trick you, and you'd say like– You know, in a scale of 1 to 10—

Gem: Do you know why, though?

Pearl: What? Why?

Gem: I have reasons today.

Pearl: Why today of all days? Why?

Gem: I have reasons. I've reflected.

Pearl: You've reflected? Ok.

Gem: Yeah. Do you remember last session when you couldn't remember– You thought you put your eye into the portal?

Pearl, idgnated: Oh!

Gem: Do you remember that?

Pearl: We weren't even there for you putting your eye–

Gem: Did you even look me in the face during our murder camel... happenings?

Pearl: ...Yeah! It was such a good time. It was so much fun.

Gem: And you remember what my face looked like?

Pearl: Yeah. Oh. I forgot about your skin.

[Impulse starts following them]

Impulse, sounding so done: Are you guys bonding? Are you reliving the memories?

Pearl: We're not bonding at all, Impulse! This is so sad.

Gem: Ok. And then! And then, other than that, you 2v1'd me! I'm still holding a grudge about that–

Pearl: I did not 2v1'd you!

Gem: And you– you surely know about holding grudges across seasons. You know about that.

Pearl: I didn't 2v1'd you, Gem. Let's put this straight. I let Scar do it. I watched.

Gem: No, no, no. I remember specifically–

Pearl: I hit you once!

Gem: – you hitting me once.

Pearl: Uh huh.

Gem: That's enough. That set your dogs on me–

Pearl: It was one little– It was one little basic whack.

Gem: It was not a regen based season! Once was enough!

Pearl: And I set the dogs down, Gem. You had so many hearts. You were gonna live. You were fine. You see? Look at that.

Gem: I'm just saying, I'll forgive you if you actually 1v1v1v-whathever me. And not 2v1.

Pearl: At that point... That sounds like we're trying to kill each other at that point. That seems kinda against the point, you know? Right?

Gem: Yeah. We have to die, Pearl. That's the game.

Pearl: That's the...! It's not! That's– That means I can arguably– There's only resolution after the season ends, is what you're saying. Right?

Gem: We can die six times. We have time to die.

Pearl: I can't die six times!

Gem: You can die once!

Pearl: ... I'll 1v1 you right now, Gem. Go on.

Gem: Hm... right now?

Pearl: Right now.

Gem: .... Alright.

Pearl: Not really. That's kinda– [laughs] You went too– You went too all into that. You're like "Yeah, let's do it! Yeah, let's get it!". That's terrifying.

[lavellaned]

Actually I think one of the reasons why this game is so awful to get through is how it treats abuse, abusers, and abuse victims.

Under cut due to length of rambling:

First of all, Morrigan. Abused as a child by her mother, Flemeth aka Mythal, learned about the world and how to interact with it in a skewed way. Was treated in a way that no child should be by anyone let alone their parent.

Fast forward to Inquisition, particularly a worldstate in which Kieran is alive. The scene in the fade where Morrigan confronts Flemythal is one of the most important and special scenes in all of dragon age to me.

Growing up through abuse as a child you never think "I don't deserve this", you mainly think things like "Why is this happening to me?" and "Bad things happen to me." You know that these things are bad and make you feel bad, but when your baseline for how you should experience the world is abusive, you don't have the point of reference to think otherwise. And then you grow up. You look back on the abuse through the eyes of the child who experienced it but also through the detached, adult view that you currently have and have to reconcile the two. It's not easier nor pleasant. Getting to the age your abuser was/getting into the position of power your abuser had over you is difficult. Being at that stage and picturing yourself doing what was done to you to someone else is fucking sickening, and then you start to realize "I wasn't the problem, it WASN'T my fault, YOU are the one that's fucked up." But a lot of people can't and therefore the cycle of abuse continues.

But Morrigan does. She straight up tells her abuser "I will not be the mother you were to me." To have a character who survived childhood abuse be able to reach a point in their life where they can take back their personhood from their abuser is pretty damn important, actually. To this day I get weepy just thinking about it.

And then fucking veilguard happened.

Not only does it not matter if Kieran is alive or if Morrigan drank from the well (something that would BIND HER SPIRIT TO HER ABUSER), but Morrigan straight up let Mythal hitch a ride in her. The very thing that Morrigan tried to prevent ever since the first goddamn game? And we're all just supposed to accept and be ok with this?

The only way I can see this not being a complete character assassination of Morrigan is if Mythal just straight up possessed her unwillingly/killed her. Have Mythal use Morrigan as a information receptacle for new players, but also use old players' already-implemented relationship with her as a way to manipulate them. Either way, shit sucks.

Then there's the Crows. You know, the guild who takes children from brothels, orphanages, the streets and puts them through Hunger Games levels of training in which they either die or survive to become a slave assassin for the rest of their life. Not in veilguard. We're all just one big happy family. We rule Antiva, yippee!

Finally, there's Solas. One could argue his entire existence is the product of abuse, and everything that has happened in Thedas is because of it. I think framing his regrets as physical manifestations that want to kill him is a really interesting narrative choice. Unlocking the regret murals was one of the very few parts of this game that invoked a strong emotional response from me, not just because I'm an unapologetic Solas Enjoyer but because the implications are heartbreaking.

And then the game has you sit through the most fucking unbearable CBT group therapy session to talk about them with some of the most annoying damn people in Thedas who treat the literal apocalyptic levels of abuse Solas went through for millennia as something like a joke? And we the player are not given the option to challenge this? This game makes the point to force the player to agree with the flippant attitudes brought up from this.

Then brings up the final scene with Solas. Do I think the meeting with Mythal and Solas was handled well? Yes and no, but that's for another time. Solas is so far in the trenches of the trauma of abuse that he will not stop until his abuser pretty much tells him "I'm done abusing you." I think this was good and bad, again another time.

The way Solas interacts with his abuser is the direct flipside of how Morrigan does. You see more than one way someone can heal/not heal from it.

Morrigan, someone with arguable little power in the world, stands up against her abuser unflinchingly.

Solas, described through history as a GOD, someone with unfathomable amounts of knowledge and power, cowers and offers his abuser a literal weapon to kill him with, unprompted.

If this was a good game, it would be about regret but also about survivor's guilt, something that those who survived abuse have to deal with for the rest of their lives. But it's not, because it's a a bad game.

[notebooks-and-laptops]

One of my big issues with Veilguard actually comes down to how In Your Face the UI is.

It's incredibly immersion breaking when I compare it to any other game I've loved. The UI is there to tell you not only which dialogue choices Matter with a capital M (which imo really cheapens the Harding vs. Davrin, Neve vs. Bellara choices towards the end) but also to pat itself on the back whenever a decision you made previously is affecting the storyline. It's constantly in the corner telling me how Lucanis will remember I like chocolate rather than just letting me find out in a future dialogue that Lucanis bought me some.

It's also just definitely a shortcut sometimes. It would pop up and tell me things where happening when those things weren't. When it said 'Neve will fight hard for the city' towards the end of her quest I was like...oh shit is she gonna die? But she just. Fights a normal battle. She doesn't even get hurt! I wouldn't have known that was supposed to be a consequence if it hadn't told me which is baaaaad writing.

And the way it makes the companion quests feel like chores...I've spoken about this before but it's like. Inquisition changed the tarot cards themselves when you'd completed a companion quest/romanced someone and that felt like a nice compromise but Veilguard is out there putting a special little symbol on people and giving them brand new armour and it all feels a little too much like finish this task so we can defeat the gods rather than explore this characters story because they're a companion and they're interesting.

I got so excited when I found out hardening mechanics were in this game but they're really just there for show. Nothing demonstrably seems to change between hardened Neve and unhardened Neve in the long run, it's just a change to how she functions in the party.

Idk I think it's a very tell don't show game because of the UI.