#like truly the line 'he looks like something that id see in a museum' haunts me ever since i connected this song to them. fuuuuuuuuuuuuuuck
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would u guys haaaaaaaate me if i made a ruehob wuvvy animatic set to not anywhere by alex g <33333333333333333
#you will listen to not anywhere by alex g. you will think about the real tragedy of ruehob. you will think about wuvvy.#the first dont look at me and pretend you care = rue sending the second love letter w wuvvy and her ripping it#-> hob not knowing SHIT and being 'not here not there not anywhere'#second dont look at me and pretend you care = the last conversation between rue and wuvvy before the ruehob ending#where they just. look with such dead at eyes at her. bc eveeerything is abt hob right right#and wuvvy skittering into the woods. -> im not here im not there im not anywhere#i might as well not be in this conversation youre having w me rn. im not there in the moment of your happiness#as the object of your happiness. after ive spent decades trying to make you happy. i feel like i have no court now and no home. thanks rue#<3#noooooooooot to mention the objectification and degrading of hob but no one on this site cares about him but yasha naggingatlas so whatever#like truly the line 'he looks like something that id see in a museum' haunts me ever since i connected this song to them. fuuuuuuuuuuuuuuck
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Hi Sarah! My friend and I are starting a bookclub (as much as you can with two people who aren't pressed for deadlines) and I was wondering if you have any recommendations? (That is if you have time to rec anything!) We're starting off with Deathless and have Fitzgerald next in line somewhere but I def want to try to expand the genres we read and tbh from years of following you, I trust your judgement
I don’t...like giving recommendations? At least not directly, it seems like too much opportunity for getting it wrong. Everybody has their own tastes, after all, and even the best of friends don’t necessarily vibe with what you vibe with. (I’ve experienced this with multiple friends, so I know what I’m talking about.) Truly, one of the reasons that my whole “I’m going to get back into reading for pleasure!” push has been so successful is that I only bother with books that interest me, and stop reading when they fail to catch my attention.
But I’ve now read at least 60 books in 2020, which is approximately 60 more than I’ve read in the years prior, so I’m happy to share that. Below is my list of recent reads, beginning to end, along with a very short review---I keep this list in the notes app on my phone, so they have to be. Where I’ve talked about a book in a post, I’ve tried to link to it.
Peruse, and if something catches your interest I hope you enjoy!
2020 Reading List
Crazy Rich Asians series, Kevin Kwan (here)
Blackwater, Michael McDowell (here; pulpy horror and southern gothic in one novel; come for the monster but stay for the family drama.)
Fire and Hemlock, Diane Wynne Jones (here; weird and thoughtful, in ways I’m still thinking about)
The Secret History, Donna Tartt
Gone Girl, Gillian Flynn (here; loved it! I can see why people glommed onto it)
Swamplandia!, Karen Russell (unfinished, I could not get past the first paragraph; just....no.)
Rules of Scoundrels series, Sarah MacLean (an enjoyable romp through classic romancelandia, though if you read through 4 back to back you realize that MacLean really only writes 1 type of relationship and 1 type of sexual encounter, though I do appreciate insisting that the hero go down first.)
The Bear and the Nightingale, Katherine Arden (here)
Dread Nation, Justine Ireland (great, put it with Stealing Thunder in terms of fun YA fantasy that makes everything less white and Eurocentric)
The Haunting of Hill House, Shirley Jackson (VERY good. haunting good.)
Tell My Horse, Zora Neale Hurston (I read an interesting critique of Hurston that said she stripped a lot of the radicalism out of black stories - these might be an example, or counterexample. I haven't decided yet.)
The Rose MacGregor Drinking and Admiration Society, T. Kingfisher (fun!)
St. Lucy’s Home for Girls Raised by Wolves, Karen Russell (some of these short stories are wonderful; however, Swamplandia's inspiration is still unreadable, which is wild.)
17776, Jon Bois (made me cry. deeply human. A triumph of internet storytelling)
The Girl with All the Gifts, M. R. Carey (deeply enjoyable. the ending is a bittersweet kick in the teeth, and I really enjoyed the adults' relationships)
The Door in the Hedge and Other Stories, Robin McKinley (enjoyable, but never really resolved into anything.)
The Hero and the Crown, Robin McKinley (fun, but feels very early fantasy - or maybe I've just read too many of the subsequent knock-offs.)
Mrs. Caliban, Rachel Ingalls (weird little pulp novel.)
All Systems Red, Martha Wells (enjoyable, but I don't get the hype. won't be looking into the series unless opportunity arises.)
A People's History of Chicago, Kevin Coval (made me cry. bought a copy. am still thinking about it.)
The Sol Majestic, Ferrett Steinmetz (charming, a sf novel mostly about fine dining)
House in the Cerulean Sea, TJ Klune (immensely enjoyable read, for all it feels like fic with the serial numbers filed off)
The Au Pair, Emma Rous (not bad, but felt like it wanted to be more than it is)
The Night Tiger, Yangsze Choo (preferred this to Ghost Bride; I enjoy a well-crafted mystery novel and this delivered)
The Left Hand of Darkness, Ursula Le Guin (unfinished, I cannot fucking get into Le Guin and should really stop trying)
The Ghost Bride, Yangsze Choo (enjoyable, but not nearly as fun as Ghost Bride - the romance felt very disjointed, and could have used another round of editing)
Temptation's Darling, Johanna Lindsey (pure, unadulterated id in a romance novel, complete with a girl dressing as a boy to avoid detection)
Social Creature, Tara Isabella Burton (a strange, dark psychological portrait; really made a mark even though I can't quite put my finger on why)
The Girl on the Train, Paula Hawkins (slow at first, but picks up halfway through and builds nicely; a whiff of Gone Girl with the staggered perspectives building together)
Stealing Thunder, Alina Boyden (fun Tortall vibes, but set in Mughal India)
The Traitor Baru Cormorant; The Monster Baru Commorant, The Tyrant Baru Cormorant, Seth Dickinson (LOVE this, so much misery, terrible, ecstatic; more here)
This Is How You Lose the Time War, Amal El-Mohtar, Max Gladstone (epistolary love poetry, vicious and lovely; more here)
The Elementals, Michael McDowell
Gideon the Ninth, Tamsyn Muir (didn't like this one as much as I thought I would; narrator's contemporary voice was so jarring against the stylized world and action sequences read like the novelization for a video game; more here)
Finna, Nino Cipri (a fun little romp through interdimensional Ikea, if on the lighter side)
Magic for Liars, Sarah Gailey (engrossing, even if I could see every plot twist coming from a mile away)
Desdemona and the Deep, C. S. E. Cooney (enjoyed the weirdness & the fae bits, but very light fare)
A Blink of the Screen, Terry Pratchett (admittedly just read this for the Discworld bits)
A Memory Called Empire, Arkady Martine (not as good about politics and colonialism as Baru, but still a powerful book about The Empire, and EXTREMELY cool worldbuilding that manages to be wholly alien and yet never heavily expositional)
Blackfish City, Sam J. Miller (see my post)
Last Werewolf, Glen Duncan (didn't finish, got to to first explicit sex scene and couldn't get any further)
Prosper's Demon, KJ Parker (didn't work for me...felt like a short story that wanted to be fleshed out into a novel)
The Secret Garden, Frances Hodgson Burnett
His Majesty's Dragon, Naomi Novik (extremely fun, even for a reader who doesn't much like Napoleonic stories)
Three Parts Dead, Max Gladstone (fun romp - hard to believe that this is the same author as Time War though you can see glimmers of it in the imagery here)
A Scot in the Dark, Sarah MacLean (palette cleanser, she does write a good romance novel even it's basically the same romance novel over and over)
The Resurrectionist, E. B. Hudspeth (borrowed it on a whim one night, kept feeling like there was something I was supposed to /get/ about it, but never did - though I liked the Mutter Museum parallels)
Stories of Your Life and Others, Ted Chiang (he's a better ideas guy than a writer, though Hell Is The Absence of God made my skin prickle all over)
Gods of Jade and Shadow, Silvia Moreno-Garcia (fun, very much a throwback to my YA days of fairytale retellings, though obviously less European)
Four Roads Cross, Max Gladstone (it turns out I was a LOT more fond of Tara than I initially realized - plus this book had a good Pratchett-esque pacing and reliance on characterization)
Get in Trouble, Kelly Link (reading this after the Chiang was instructive - Link is such a better storyteller, better at prioritizing the human over the concept)
Gods Behaving Badly, Marie Phillips
Soulless; Changeless; Blameless, all by Gail Carriger (this series is basically a romance novel with some fantasy plot thrown in for fun; extremely charming and funny)
Black Leopard, Red Wolf, Marlon James (got about 1/3 of the way through and had to wave the white flag; will try again because I like the plot and the worldbuilding; the tone is just so hard to get through)
Pew, Catherine Lacey (a strange book, I'm still thinking about it; a good Southern book, though)
Nuremberg Diary, GM Gilbert (it took me two months to finish, and was worth it)
River of Teeth, Sarah Gailey (I wanted to like this one a lot more than I actually did; would have made a terrific movie but ultimately was not a great novel. Preferred Magic for Liars.)
Mexican Gothic, Silvia Moreno-Garcia (extremely fun, though more trippy than Gods and the plot didn't work as well for me - though it was very original)
The New Voices of Fantasy, Peter S. Beagle (collected anthology, with some favorites I've read before Ursula Vernon's "Jackalope Wives", "Hungry Daughters of Starving Mothers" "The Husband Stitch"; others that were great new finds "Selkie Stories are for Losers" from Sofia Satamar and "A Kiss With Teeth" from Max Gladstone and "The Philosophers" from Adam Ehrlich Sachs)
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