#like I'm feeling like that firefly gif 'this must be what going mad feels like' because I feel like I'm going insane reading all these meta
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unseededtoast · 8 months ago
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Turtle Doves | Joel Miller
Part Eight
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Chapter Directory
Series Summary: In which two broken souls connect so deeply, that if one should perish, the other would surely die of a broken heart. (slow burn, timeline changes. After TLOU1, before TLOU2, assumed knowledge of infected, uses elements from both show and game)
Series Warnings: Graphic depictions of violence, death, and sexual content.
Also cross-posted on Wattpad and AO3. Link to my masterlist for everything else I’ve posted!
Though he is a man of few words, his actions speak for his character.
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Heading west, I keep walking through the night, though it's less than ideal. I take my time, wanting to stay quiet and undetected by both infected and people. The silence of the night allows my mind to mull over what I found today and how everything is supposed to fit together.
My mind can't seem to figure anything out that makes sense. The map is the only thing that makes the most sense to me. The notes, the game tallies, they all seem so odd but there has to be some connection. There has to be some reason these people were tasked with killing a specific age range of children in QZ's across the country. There has to be some reason they're connected to the Fireflies. I'm seeing bits and pieces of the picture, but not the full painting.
But what if this is all a bit bigger than I can take on? Am I walking myself right towards a death sentence? Maybe. Could I be making the wrong decision to go to Nebraska? Possibly.
The other alternatives are either to retreat back to the QZ and be stuck wondering for the rest of my life, or try to track down which QZ the others went to, and I could miss them and have wasted time. But if I guess which QZ they're going to next, I could possibly save more lives. I've never been good at gambling, and yet I find myself playing at the highest stakes.
Each step seems to take ten times the effort as normal as I consider my options, trying to see which is the most logical, which would give me the best odds of finding these people. As soon as I think I've made a decision, I second guess myself. It feels like there's no right decision to be made.
I stop walking in the middle of a street and stare straight up at the dark sky, the stars shining brightly down. If only they could give me the answer. The sound of a clicker in a nearby skyscraper gets me moving again, towards the interstate. It seems I've made up my mind, and only time will tell if this was the right decision.
Readjusting my backpack and yawning, I take in my surroundings so that I'm not ambushed by infected. Sometimes it seems like they come out of nowhere. My thoughts seem to run in circles until it starts to drive me mad. I have to think of something else or I'm going to go insane. And after searching for something, the green sign above the road distracts my mind and reminds me of the stranger I met only yesterday.
I wonder how Joel is doing, how his journey is going so far. He seemed seasoned to life outside a QZ, his time away from Boston likely forced him to adapt. Whatever job it was that he took to get out of Boston must have caused him to not want to return. But no matter the reason, I hope that he has a safe journey, I'm sure whoever is waiting for him is worried sick.
My path leads me to a roadblock where an old FEDRA checkpoint used to be, just before the entrance ramp of the highway. Cars are parked bumper to bumper and there's sandbags stacked on top of each other supporting a thick line of barbed wire. Knowing I can't climb overtop of it, I take a right and decide to go around. Sure, this is going to delay my trip slightly, but it's better than trying to go overtop of barbed wire. I don't really feel like nursing open wounds on my way to Nebraska.
As I go to turn left to get back on track I immediately stop moving. Standing in the street are three runners, all hunched over with quiet sobs. A clicker cries out somewhere close, its screeches ricochet off the buildings and echoes into the open air. My heart hammers in my chest and I take careful steps backwards so that I can keep my eyes on them. Thankfully, they don't see me and I'm able to get back to the front of the barricade.
I take a left instead, and hope for a better outcome. Bracing myself, I turn the corner and am in disbelief with what I see. There are four runners standing in the road. My eyes trail down the street and I see that they're all trapped here. The FEDRA barricade extends down the streets so that the infected in the Boston area can't use this ramp to get onto the highway. On one of the barricade sections I see the telltale sign of a door, there's a giant FEDRA sign hanging above it. That door would be a direct path to the road if it weren't for the infected. It seems that there's no unobstructed way for me to get to the highway. I'm up against seven runners and a clicker, at least. Even during the day I don't know if I could take this on.
Ducking back behind the building I try to formulate some sort of plan. How can I get through this barricade without the infected noticing me? I know the door is to the left, but there's no way I can get past all of those infected and open it. Even if I do sneak to the door, I know it's going to make sound when I open it, and that's like ringing the dinner bell for them.
Sound would be like ringing a dinner bell. An idea comes to my mind and I spot an abundance of bricks laying beside one of the cars. If I can get those bricks to all fall at the same time across the street, it should draw them away long enough for me to get to the door. It's still risky, but I think it's my best shot. But how do I get them to fall at the same time?
I don't see a way that I can pull that plan off without considerable time, and I don't have time to be stopped up here, not with all the infected. I stare at the pile of bricks and another idea crosses my mind. What if I use them to get over the barricade? I could lay the bricks in a way that I could get over the barbed wire. It might not be the most sophisticated plan, but it's going to have to work.
Quietly, I walk over to the pile and begin picking them up slowly. The barricade is at least six feet high, so I'm going to have to bring bricks up to the top of the sandbags and lay them there before I can construct something over the wire. I slide my backpack off my shoulders so that it's easier to get the bricks to the top of the barricade. Clutching three bricks under one arm, I climb the sandbags and drop them on top. Thankfully, the sand masks the sound of the bricks landing.
I take another trip up with three more bricks without incident, and feel more confident in my plan. On my last trip up with bricks, I drop them on the sandbags, but one of them hits the corner and falls down to the road with a loud crash. The infected hear it and I can tell they're rushing to investigate. I drop down to the road to pick up my backpack and see them coming towards me on both sides. Shit.
With the speed of lighting, I put my backpack on and start climbing the sandbags. I hear them getting closer as I reach the top, their carnal breaths loud in the night. I'm about two inches away from pulling myself to the top when I feel one of them grab my foot and it yanks me down.
My fingers slip on the sandbags and I fall a few inches before I'm able to grab ahold of something. Wildly, I kick my feet in an attempt to get them off of me, but there are too many. In a last ditch effort, I grab my gun from my thigh holster and shoot the ones who drag me down. The shots ring out in the night and I know it's only going to attract more.
The few runners I've shot collapse to the ground, which gives the clicker more space to reach for me. Clickers are infinitely more terrifying than runners, and they're about ten times stronger too. Runners take one bullet to kill, clickers can take at least two or three. I aim my gun towards the clicker and pull the trigger, but it just clicks. It's empty. Quickly, I shove the gun back in the holster and use both hands to grab onto the sandbags.
Adrenaline pumps in my veins and I fight harder to pull myself away from the feral infected. My pant leg rips at the bottom from their clawing and I feel my fingers beginning to slip. Clenching my eyes shut, I grit my teeth and pull with all my might to get away.
Just as I'm about to accept my fate, a shot rings out and one of the infected crumples to the ground. Four more shots hit the clicker, and it falls as well, body twitching on top of the others. Without thinking I pull myself on top of the barricade and whip my head from side to side to see who shot them. I grab my curved knife from my belt and hold it in front of me.
My chest heaves with each breath I take as the adrenaline begins wearing off and the panic sets in. Whoever shot them could be coming for me next. What if it's the T group?
From the shadows I see a figure approaching, slinging a gun behind them as they quickly jog towards me. Once they get close enough, I recognize who it is immediately. It's Joel.
He runs to the barricade and holds out a hand. I put my knife away and offer him my help up the sandbags. We both start using the bricks to construct a makeshift bridge across the barbed wire, the screeches of a dozen approaching infected rushing our movements. Joel takes bricks from my shaking hands and practically stands me up on his own and pushes me across the bridge, my other pant leg ripping from the barbs.
My feet hit the ground with a hard thud, quickly followed by Joel. His hands push on the back of my backpack and one word is clear over the coming stampede.
"Run." We take off sprinting down the highway's entrance ramp. He's slightly faster than me but I keep up well. Joel points to an abandoned car that crashed into a guard rail and I nod, showing him I understand the plan.
We yank open the doors and climb in. If the infected make it over the barricade, they shouldn't see us here and eventually will disperse. The two of us are out of breath and we sit in silence, trying to regain our bearings.
After a few minutes of steadying my breath, I take my backpack off and sit it in my lap. I rest my head on it and lean forward, closing my eyes in an attempt to calm myself down.
"Thank you." I say, slightly breathless. Raising my head from my backpack, I look over to Joel, who's glancing in the mirrors to see what's behind us. His eyes flicker to mine and he gives me a stern nod, opting to stay quiet.
If it weren't for him I'd be some infected's dinner. That fact sinks in and I feel an immense amount of gratitude. He didn't have to save me. He could've left me for dead. Most people wouldn't stick their neck out for someone they barely know, but he did. Though he is a man of few words, his actions speak for his character.
My gaze turns to the mirrors as well, the two of us anxiously wait to see if the infected are going to make it over. The runners would have no issue scaling the wall given the proper motivation to do so, but they're less likely to if they can't immediately see something that grabs their attention.
After hours of us hunkering down silently in the car, Joel opens his door and gets out. He slings his bag and rifle on his back, looking behind him one more time. I get out and gear up as well. And just like the first time I met him, the silence is almost overwhelming. The morning sunlight begins rising, and I realize we spent almost the entire night in the car.
I chew on the inside of my cheek as I debate whether or not I should say anything. Seeing as how he just saved my life, I decide it's the least I can do. I clear my throat and scratch the back of my neck, looking down at the ground to avoid awkward eye contact.
"I just want to thank you again for saving me back there. You really didn't have to put yourself at risk, but I appreciate it." I find the courage to look up, only to see him staring at me already with a fierce intensity.
"I thought you were headed towards that camp?" He asks, totally disregarding my appreciation.
"I was. I mean, I did. One guy was left but he was infected. I found clues though, about where they might be going." I tell him, shifting my weight from one foot to the other. He nods,
"So where're you headed?" He asks again, and it throws me off. This is the most talkative he's ever been.
"Omaha, Nebraska." I say, recalling the city where the large 'T' was located. Joel's eyebrows raise.
"That's quite a ways from here." He points out and I sigh, knowing I'm severely underprepared for the long road ahead.
"Yeah, I know. But I have to do this. I won't be able to live with myself if I don't." I confess to him. I'm well aware my choices defy logic, but, the alternative of letting the guilt eat me alive is worse.
Joel rests his hand on the top of the car and looks down the highway. He shifts his weight around like he's deep in thought for a few minutes. He's probably trying to think of a way to ditch me. Feeling like I'm intruding on his venture home, I speak up again.
"Listen, I appreciate what you did for me back there, all of it. But I know you're trying to get home so I'll get out of your hair, for real this time." I say and extend a hand out to him again, probably for the last time. Like before, he stares at my hand.
"I'm headed west and go right by Omaha." He says, squinting in the sunlight. I drop my hand once I realize he isn't going to take it, meaning we aren't splitting quite yet. My eyebrows draw tightly together in confusion as I try to understand what he's trying to get at. I think I understand, but I need to hear him clarify.
"Meaning what? We tag along 'til Omaha?" I hear the insecurity in my own voice and I hate it. Joel takes his hand back from the top of the car and nods.
"Safer that way, for the both of us." He confirms my thoughts and starts walking down the highway. I follow him, accepting his offer.
We walk side by side down the road, the only sounds being the birds in the sky and our gear rattling around. My mind is buzzing with questions I want to ask him, but I respect that he's a quiet, reserved man.
Every few minutes I check behind us, feeling paranoid that we're being followed. There's never anything there, but I'd rather check and see nothing than not check and be surprised. Joel is less paranoid I think, he walks with a silent confidence that tells me he's no stranger to the outside world. He understands it far better than I do.
The two of us walk for miles without saying a word until we come to an exit ramp. I recognize it as a suburb outside of Boston, but I've never been there before. Joel veers off the highway to the exit and I follow without question.
Off the ramp, there's a small town to the left and a bunch of housing complexes to the right. Seems like the perfect place for infected to be lurking about. But for some reason, I put my blind faith in the man leading me and trail him into the town.
He looks over his shoulder at me and points at a small brick building. I nod and approach it with him, preparing my knife for use. He stands on the opposite side of the entrance doors with his knife in hand, looking to me for confirmation that I'm ready. Silently, I nod and watch as he swings the door open. I wait for the sound of infected, but am pleasantly surprised with silence.
Joel seems to know where he's going though, he heads straight for the back room. I take my time to look around at the front room, seeing if there's anything of use. Most likely there isn't, but every once in a while I get lucky. The sound of whatever Joel is moving is enough to catch my attention, and I stand in the doorway. He's moving a large piece of plywood that's on the floor. There's a hole in the ground, and he drops down into it.
Curiosity gets the best of me and I go over to peek in the hole, seeing a small stash of supplies. Joel rummages around and picks up ammunition, a few cans, and another knife. He turns around and sees me staring above him, and he hands me items he can't carry himself; some cans of food and ammunition, before he pulls himself back out of the hole.
"You stashed that?" I ask quietly. He huffs as he puts away the extra supplies.
"A while ago." He answers and the two of us quickly shove the items in our bags. My bag feels like it gained fifteen extra pounds, but I can't complain. The extra weight means we have better survival odds.
Wordlessly, Joel moves out of the store and heads towards the suburban side of town, only a few miles walk away. The cookie-cutter houses remind me of the neighborhood I used to live in. A small, idyllic place at one point in time, turned to nothing but a ghost town now. Joel approaches the porch of one and opens the door. Luckily, it's empty and I follow him inside.
He blocks the main entrances to the home without a word, and I move to help him. I shove a strong chair underneath the handle of the back door and try to turn the handle to test its durability. After that, I make my rounds on the curtains and close them all. It seems like we're making this our base for the night. Once we've taken all the safety measures that we possibly can, Joel finds his way to the living room and unloads his stuff on the old, worn-down couch.
I place my backpack on the floor next to the couch and lean against the doorframe that connects the living room and kitchen, watching as Joel straightens his back out on the floor. His arms reach above his head to elongate his spine, and I hear the bones pop and crack. Wincing slightly, I turn my attention elsewhere in the house.
My eyes catch the fading family portrait on the wall and I go to look at it. The black frame houses an old photo. There's a man, woman, two kids, and a dog. They're all smiling, even the dog looks happy. My heart tugs at the sight of the happy family, and I can only assume what happened to them, just like so many other families. Sighing, I look at the other photos on the wall, seeing the slow growth of the children through still images. They look like they were probably high school age. My fingers find their way to the necklace that adorns my neck and I squeeze it tight.
A sound from behind me snaps me out of my thoughts and I turn back to see Joel staring at me. I offer him a polite smile and go to take a seat across from him on the floor, resting my back against the old couch. I fiddle with the torn edges of my pants, and can no longer restrain myself from asking questions. There are too many things I want answers to.
"How did you find me at that barricade?" My voice is soft. Joel clears his throat and shrugs.
"I took the long way 'round so I wouldn't interfere with whatever you were doin'. I was plannin' on taking this highway back home anyways. Guess it was just a coincidence." He plainly answers and I nod, accepting his answer.
"What a lucky coincidence." I smile, trying to break through the tension that always seems to hang over us. It's going to be a long trip west if he keeps things this short. He just shrugs in response,
"So what did you find 'bout those people?" He asks. I'm surprised he even cares, but I reach for my bag to show him what I've found. I spread the documents out in front of me and let him look. I explain to him what I know and what my theories are.
"Whoever they are, they need to be eradicated. Those kids, they were-" The tightness in my throat constricts my ability to talk and I take a shaky breath, remembering what it felt like to cradle the dying girl's head. Joel just nods, not needing further elaboration. He holds up the scraps of paper I found in the fire and reads the simple words.
"I'm not sure what those have to do with anything, and I'm not sure there's any sort of connection." I speak up, truthfully not knowing if they're of any value.
He puts the scraps down and picks up another piece of paper, the one with the Firefly insignia on it. As he reads the paper it's like the blood is drained from his face. My eyebrows knit together,
"What is it?" I ask and his startled eyes look deep into mine with fear that he tries to mask. An uneasy feeling settles in me. He looks back down to the paper and re-reads the note before he says anything.
"These bastards aren't going to live much longer." Is all he says before handing everything back over to me. The look on his face is unsettling, so I don't push anything further.
There has to be something he knows about this.
Part Nine
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