#lesbian wedding film
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admireforever · 4 months ago
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Anyone But You
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local-gemini · 5 months ago
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Madonna Inn, San Luis Obispo
via @local-gemini
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familyabolisher · 9 months ago
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still not over the reveal that my coworker has read franco fortini yesterday. Like nobody i've ever met has read franco fortini
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celluloidrainbow · 1 year ago
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두 번의 결혼식과 한 번의 장례식 | TWO WEDDINGS AND A FUNERAL (2012) dir. Kim-Jho Gwangsoo A gay man, Min-soo and a lesbian woman, Hyo-jin are both promising doctors at a general hospital. The colleagues agree to marry so Hyo-jin can legally adopt a child with her lover of ten years Seo-young, and Min-soo can please his parents while maintaining his closeted lifestyle. While secretly living with their respective partners, who move in next door, Min-soo and Hyo-jin appear to be a happy couple. They enjoy all the benefits afforded to heterosexual couples and are also able to ward off public scrutiny and parental disapproval. However, Min-soo's intrusive parents begin to get a bit too involved with the couple's life, threatening their scheme. (link in title)
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neptuneisalive · 1 month ago
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𝘊𝘩𝘢𝘴𝘪𝘯𝘨 𝘥𝘳𝘦𝘢𝘮𝘴, 𝘧𝘪𝘯𝘥𝘪𝘯𝘨 𝘩𝘰𝘮𝘦 (2/2)
MORE ON 𝗜𝗡𝗦𝗧𝗔𝗚𝗥𝗔𝗠 🌻 *All rights reserved © @neptuneisalive
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queerstuffonscreen · 1 year ago
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Jenny's Wedding (2015)
94 min.
Country: USA
Genre: Comedy, Drama
Language: English
Jenny Farrell is getting married. But how will her straight-laced family react when they find out that the woman they thought was their daughter’s roommate is actually her fiancée? As the old-fashioned Farrells attempt to come to terms with the prospect of a surprise daughter-in-law, they face a difficult choice: either adapt with the times or risk being left behind.
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Watch on AMC+ or Tubi
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readysetjo · 1 year ago
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I think sabrina carpenter and sadie sink need to play as romantic leads in a romcom sometime
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aroaessidhe · 1 year ago
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2023 reads // twitter thread
D’Vaughn and Kris Plan A Wedding
Romance about two lesbians on a reality tv show where they have to pretend they’re engaged and plan a wedding in 6 weeks
one is a butch influencer, and one using the show to come out to her family
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femmelated · 10 months ago
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working in the wedding industry is TORTUROUS for a lover girl like me…… every day im looking at beautiful wedding dresses and engagement rings and on the weekends im filming couples profess their love to each other WHEN IS IT MY TURNNNNNNN
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admireforever · 4 months ago
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Anyone But You
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vidavalor · 1 year ago
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The Vavoom: Or, when the show's hinting Crowley & Aziraphale first kissed
It was not in 2.06, if that makes you feel any better?
Meta/theory hybrid stuffity stuff below the cut. As always, all interpretations are valid. This isn't meant to offend anyone who sees things differently. Post contains spoilers for the films 'Kiss Me Deadly' (1955), 'About Time' (2013), 'Love Actually' (2003), and 'Four Weddings and a Funeral' (1994). Apologies that this took a few days. Life's been wild this week. Let's dive in...
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Right. So. The Vavoom...
I feel like most of us, by this point, are probably in agreement that Crowley is not talking about something he saw in a Richard Curtis film when he talks about his plan to help The Shop Lesbians to fall in love... and that, if he's not talking about something he saw in a movie, then he's talking about something he experienced... and yes, sure, absolutely Crowley has been on Earth for 6,000 years and could have vavoomed with basically anyone who has ever lived at this point as well as one semi-sentient car and even the world's once only-remaining unicorn but... we all know he's talking about Aziraphale. So this is about unraveling what the show presents as Clues to this end and using those Clues to solve for x and see if we can prove that Crowley is talking about Aziraphale and then figure out when this Vavoom happened with the information the show has given us so far... and the good news is that we can do all of those things so here we go...
The first thing to do is to eliminate the Richard Curtis films. Let's just start with Crowley saying that he saw his whole vavoom moment in "a Richard Curtis film." As someone who has seen a frankly embarrassing number of Richard Curtis films, I can tell you that this is a very amusing misdirect from a writing standpoint. It is amusing because it's a wink of sorts towards the same problem that comes up when you try to find The Vavoom on the GO timeline based on what the show's presented so far. What is that problem? It's that-- at first, cursory glance-- no one GO scene or Curtis film seems to have everything Crowley describes. Don't worry, though, because we actually do have enough information to find the lone caraway seed beneath these three cowrie shells here. You'll be Aziraphale-voicing an "a-HA!" very soon. :)
There are only two Richard Curtis films that feature elements Crowley lists as having occurred during The Vavoom: 'About Time' and 'Four Weddings and a Funeral.' The Awning of a New Age scene in GO actually winds up an homage of sorts to 'About Time', as it is referencing it pretty heavily. However, there is no vavooming in 'About Time'; meaning, there is not this gaze-to-kiss moment that Crowley is talking about. A wedding reception tent collapses under heavy rain and soaks several supporting characters in the film, much like how our supporting characters Nina and Maggie get soaked by too much rain causing the awning to collapse. There is no gaze or almost-kiss or kiss before it. There are other canopies-- umbrellas-- but no one gazes or kisses under one. So, Crowley did not see The Vavoom in 'About Time'-- but that particular Richard Curtis film might have been the one in Crowley's mind when he quickly latched onto Richard Curtis films while speaking with Aziraphale in the pub.
As a result, thinking about his conversation with Aziraphale while trying to craft his Shop Lesbians Vavoom might have actually caused him to over-weather and cause the awning to drench Maggie & Nina. So the joke there is more that The Original Vavoom of which Crowley is speaking in the pub scene is something that really happened and had an element or two in common with a scene in the Richard Curtis film, 'About Time', which also features Bill Nighy (see: 'Love Actually' stuff below), whose mannerisms Crowley seems to like to emulate at times. As a result of seeing the film and thinking about how it *wasn't* like The Vavoom-- the canopy collapsing, the lack of an actual Vavoom in motion prior to this, all of that disappointing Crowley greatly when he saw this film lol-- Crowley ironically then says he got the whole idea of The Vavoom from a Richard Curtis film... when, in fact, *the distinct lack of Vavoom* in the film was what Crowley remembered from it... and then, upon thinking of the pub discussion when trying to start an Awning of a New Age for Maggie & Nina, it accidentally became part of his miracle, causing him to over-Weather and, kind of hilariously, substituted the kiss Crowley was trying to incite with the collapsing awning scene from 'About Time'... the film then disappointing him all over again lol.
The other Richard Curtis film that is relevant is 'Four Weddings and a Funeral.' You might be familiar with the scene-- its ending scene-- just from cultural osmosis as this point, even if you haven't seen the film. Hugh Grant proposes to Andie MacDowell in the pouring rain. So, the big problem with this scene is that there is no canopy. None. Whatsoever. They're soaked through. We never see them go inside. They look into each other's eyes and they kiss but it's raining on them the whole time and Crowley is really specific about his canopy requirements for Vavooming. This scene is also wrong because it's a proposal between characters who have known one another on and off for years and have a more extensive history, whereas Nina and Maggie are much earlier in a potential relationship and The Vavoom Crowley talks about is an intense gaze into a first kiss. That said... just as how 'About Time' ties to Nina & Maggie's story, there are some 'Four Weddings'-y elements to Crowley & Aziraphale's relationship, in that their story also covers them meeting up through different points in time and such. 'Four Weddings' was also the first mainstream, hit rom com to openly feature queer characters in supporting roles so it's a strong one for GO to be referencing... but, ultimately, no Crowley-described Vavoom scene in sight.
Finally, there's 'Love Actually', which doesn't actually have a single element in it that pertains to The Vavoom but I'm throwing it in here because I'm just looking at all GO ties to Richard Curtis films at this point. 'Love Actually' features Nina Sosanya (GO's Nina, of course) as a queer-coded character and, in GO, David Tennant has a few scenes where he seems to be channeling Bill Nighy's Billy Mack from 'Love Actually' in S1. (Tell me Crowley's not doing Billy Mack's walk when they cross the street to the bookshop in Eleven Years Ago in S1 lol.) For those of you who have somehow avoided seeing this movie lol, Billy Mack is an aging rock star who is the best character in the film and heavily queer-coded. In S2, there's also some Big Bill Nighy Energy in the "we'll just to have to make it worthwhile then" bit with Muriel in Heaven and also in the way he chuckles in the "I *was* there, you see" moment with Gabriel. Also probably worth mentioning that, in 'About Time', Bill Nighy plays the dad of one half of the main couple in the movie and his role is to teach him how to live life and this involves pursuing the woman he is trying to marry throughout his ability to fall through time. So, Bill Nighy is basically playing the S2 Crowley of 'About Time' while the main couple of that film parallels Maggie & Nina, in that he's setting up the scenario for the couple involved to get together. Nothing in the film, though, is as overt or contains elements that match The Vavoom, other than the collapsed awning, as we got into above.
So mah point is dolphins that while there are a couple of Richard Curtis films that contain bits and pieces of what Crowley is talking about, there isn't a single one that has anything really remotely close to the, uh, extremely specific scenario he was detailing... so now we have to look at just what the hell Crowley's on about, exactly... and for this, we are, surprisingly, going to wind up looking at a very different film from any by Richard Curtis-- 1955's classic film noir, 'Kiss Me Deadly'. Why this random film, you say? Because it's actually not at all random to GO S2. It's the origins of the phrase "vavoom"... and S2 of GO contains a multi-episode homage to the film.
'Kiss Me Deadly' is, tonally, very different from GO as it's pretty dark film noir but it has a plot you might find a little familiar. One night, driving down a dark road, the main character picks up a hitchhiker who has lost her memory. After she's murdered, the film revolves around the main character-- a private investigator-- and his lover/partner investigating the case to try to solve the mystery. GO's episode "The Hitchhiker" opens with a plot and visual homage to this film when Aziraphale picks up Shax in The Bentley and obviously S2 contains a plot surrounding a mystery related to a character who has lost their memory in Gabriel. I'm going to do a separate thing that is a deeper dive into this with particular emphasis on how the lead characters relate to Crowley and Aziraphale at another point in time because it crosses into too many other things to fit it into this one at the moment but the reason why I bring the film up now is because of its ties to the phrase "vavoom."
"Vavoom", alternatively spoken as "va va voom" and containing the same meaning, is thought to have originated in a cartoon in the late 1940s but its use in "Kiss Me Deadly" in 1955 is what pushed it into popular, cultural use and knowledge. In the film, there's a character named Nick, who is friends with the two leads (the Crowley & Aziraphale-paralleling Hammer and Velda). They have nicknamed him "Va Va Voom" because he says it so often. Nick is an auto mechanic who works on the leads' car-- yes, there's a Bentley parallel lol-- and it is his use of the phrase that made it one we are familiar with today. But what does it really mean exactly in terms of this scene in the pub?
Without going too far down the road that we wind up in another meta about wordplay and symbolism in S2 here, the show is doing things related around the word 'passion' and all of its various meanings. It begins with Aziraphale referring to Maggie's feelings for Nina as "a pash"-- which is British English slang for "a crush" or "an infatuation". It comes from the word "passion"... but the word "passion" actually means something much different. "Passion" is very specifically romantic, erotic love when used to describe a relationship. It means enthusiasm when about a hobby or the like-- Aziraphale will get the neighbors to come to the meeting/ball by negotiating their commitment based on things they're passionate about-- Mr. Arnold and Doctor Who, Mutt and the history of magic. Finally, S2 is tying a lot of this passion-related plot to *The* Passion-- as in, The Passion of the Christ, or the Christian phrase for the death and resurrection of Jesus Christ. Why is it called 'The Passion' anyway? Because the Latin root of 'passion' is 'pati', which actually means 'to suffer.' Looking at all of this and how the show pairs up scenes with different types of passion is a whole other meta. I'm bringing it up here because of the relationship between 'passion' and 'vavoom'...
"Vavoom" means voluptuously sexy. It means passionate. Something having a sense of "vavoom" or "vavavoom" means it is either suggestive of or is sensually pleasing. In GO S2, Maggie & Nina represent the pash use of passion-- the new love, the crush-- while Crowley & Aziraphale are the show's example of passion in its fuller, richer meaning of romantic, erotic love. So now that we eliminated the idea that Crowley is talking about having seen an example of this vavoom he's talking about in a movie-- I mean, 'Kiss Me Deadly' is totally a movie Crowley saw once so he might have first heard the phrase in it, like many people did but there's no vavoom itself the way Crowley describes it in the film, just the phrase-- but yeah, now that we've eliminated the idea that Crowley got his idea from a film, we can say with relative ease that he's talking about something he personally experienced. I think we can all agree that if he did, it was with Aziraphale and the purpose of him bringing it up in the scene is not just as a suggestion to solve the issue of needing to matchmake The Shop Lesbians but as a way of being seductive towards Aziraphale.
This is also part of 'Kiss Me Deadly' in that Crowley here is the Velda to Aziraphale's Hammer. Hammer is preoccupied with the mystery. Velda tries to help him solve it but is also seeking his romantic attention the whole time and being rebuffed in favor of the mystery. It's darker in the film, as you'd probably expect, since it's film noir, and Aziraphale is actually subtly playing back in GO S2. In GO, it's mostly played off as Crowley, kicked out of bed since the religious family are in the guest room lol, continuously making overtures towards Aziraphale to torment him a little for the whole Gabriel situation but also mainly just because he likes to and he misses him. (It has been, like, maybe 18 whole hours lol.) He continues it into later in the day when Muriel is in the bookshop and Aziraphale is a little more overtly playful then but he is in the pub scene as well. All of this also ties into the fact that Aziraphale wants to drive The Bentley but again, that's a whole other meta. Going to stay focused on the kiss here...
So what we're saying is that, in the scene in The Dirty Donkey, Crowley does that whole lean and the sexy hands and that super posh voice he does from time to time to seduce Aziraphale, and describes their first kiss back to Aziraphale when asked to come up with a romantic solution to help their neighbors realize they are in love. Specifically, Crowley says this:
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Whew. *fans self* Jesus, Crowley... No wonder why Aziraphale thought you could help The Shop Lesbians. That? Was romantic...
The key thing I love about this is that while everything he says lends itself to the idea of a kiss, he doesn't actually explicitly say that until the later scene in the back room when Muriel is in the bookshop-- the "one fabulous kiss" part. It's evident later on when he explains the plan to Jimbriel and when he puts it into action that his intent is to trigger a scenario that might prompt Maggie and Nina into kissing and when the awning collapses, he feels like he failed at the overall Vavoom. He did, however, see it working from across the street, such were the fireworks, when they looked into each other's eyes and what's sweet and also very hot about this scene in the pub is that the looking into each other's eyes is the key bit of The Vavoom to Crowley. The kiss is what happened as a result of looking into each other's eyes. The romance of the gaze and the passion of the kiss = The Vavoom but the latter without the former isn't the whole rapturous, perfect moment and Crowley is into this moment. He's still weak in the knees over the thought of it.
And what he says happened in it? They looked into each other's eyes and realized they were made for each other? Crowley thinks that. He says that, flat out, to Aziraphale. Crowley. Who was abandoned by the God who was supposed to love him believes that same God created he and Aziraphale for each other. That they're fated, destined soulmates. And that they both knew it, in that moment when they were taking shelter from a sudden rainstorm together, under a canopy, and they gazed into each other's eyes and then
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Yes, I am aware that he says "humans" in that bit in the pub scene. He's referring to Nina & Maggie but also he and Aziraphale have a tendency to refer to their love for one another in human terms in different scenes throughout the series, which is probably a whole other meta and *refocuses on finding this damn kiss here*...
So Crowley-- while heavily emphasizing the words "together" and "canopy", both for maximum sexiness and to lead us in the correct direction lol-- tells us what's needed in this scene, right? We need a sudden rainstorm, a canopy, them wet from the rain and taking shelter, Crowley's glasses to be off or he's in a situation to be able to take them off (ironically, unlike he was when he was in the pub while he's talking about all this erotic gazing), and then we have all this gazing into a very vavoom-y, very passionate first kiss.
So, what scenes seem at all remotely tied to things Crowley describes for The Vavoom? There are three scenes that jump out immediately-- and it's none of them lol. They *are not kidding* about quite literally 'three cowrie shells and a lone caraway seed'. There are three scenes that they want you to think could be connected to this and be distracted by to complete their sleight of hand trick. They want you to look towards Aziraphale's hand and not up his sleeve, so to speak.
So the three cowrie shells scenes here are Before the Beginning, Eden, and the Job minisode. Why? They are the scenes that involve Crowley and Aziraphale and some form of a canopy, which is one of the two words in Crowley's whole Vavoom moment that he heavily emphasizes. So it's not Before the Beginning and it's not Eden and why? Because we're missing the other word Crowley heavily emphasizes-- *together.* Crowley and Aziraphale took shelter from a sudden rainstorm *together* under a canopy. That's the set up. But Before the Beginning and Eden-- the first scenes our minds run to-- are not this because they are sheltering *one another* but not sheltering *together*. One of them is exposed to the rain each time.
There's an additional possibility that is thrown into the mix that is tied to these two scenes, which is the S2 announcement poster-- the one that features Crowley and Aziraphale on Whickber Street in the rain. That one is also out because Crowley is being sheltered from the rain by Aziraphale with a tartan umbrella (ridiculously adorable, I agree lol)-- but they're not both sheltering together. That one feels like it was designed just to fuck with us, especially because Crowley's hair in it is, for some reason, at Eleven Years Ago length in it. It's almost like it exists to both be cute and to, after the season is over, make us go wait... was it then? (It was not then.) More distractions. Ok, so, then what about the Job minisode?
Is it ox rib night? This seems to have some elements at play-- there's a roof and a storm and them together and all-around kiss vibes-- but it's actually not this, either. That said? Job is connected to it in a big way and helps prove my theory here so we're going to come back to it. I'll eliminate it here by pointing out that when Crowley defends The Vavoom as a possibility for Maggie & Nina to Aziraphale, he says "get humans wet and staring into each other's eyes" and "humans" in that bit is them, even if they are not fully. This eliminates the Job minisode as The Vavoom because it confirms that Crowley & Aziraphale did get wet as they went to shelter from the storm. In the Job minisode, they never go out in it. So, Job is out, too.
Ok, so then how do we find the one scene that unlocks this and points us towards the answer hidden in plain sight in front of us?
What is the one scene that really should tell us more about The Vavoom? How about the one wherein Crowley partially recreates it?
The Awning of a New Age is the lone carraway seed. Maggie & Nina paralleling Crowley & Aziraphale. What can we learn about what happened with Crowley & Aziraphale from what happened in this Maggie & Nina scene?
We already know that Crowley feels like he partially failed at recreating The Vavoom for them. It was meant to lead into a kiss and then the awning collapsed. That is what is different from Crowley & Aziraphale's first kiss but Crowley was delighted by the gazing, which we already know to be the very important bit of this here. Off of this, we can conclude that there's obviously a parallel of this bit for Crowley & Aziraphale and this is where the parallels in the scene stop. That means that what happens *before* the gazing moment in The Awning of a New Age scene is important because that's the parallel. So, what's happening while Crowley spots them together outside and starts up the rain? They're talking, right? And what are they talking about?
They're talking about one of them-- Nina-- having a partner who is unreasonably upset. Nina is anxious about it. She doesn't blame Maggie for it, as it's not Maggie's fault. It's also not Nina's own fault and what Lindsay wants from Nina is confining and abusive. Lindsay, we learn, is cruel. We decide in this scene really how much we don't like Nina with this woman and that we want her to be with nice Maggie who is sweet and supportive and is over the moon for her.
On the surface, this would seem to be absolutely nothing like any Crowley & Aziraphale scene we've ever seen, right? Fooled by what is on the surface-- modern lesbians in London Soho, one of whom has a romantic partner-- this seems to be a plot Crowley & Aziraphale have never had. Except, that it's not. It's a parallel to one you'll remember.
One, paralleling sentence here for you...
God's a bit tetchy...
Awning of a New Age unlocks that Lindsay being unreasonably angry and dolling out insane punishment for no actual misdeeds is a parallel to God during The Flood. God was Aziraphale's Lindsay-- the unseen, abusive partners, sending down their words and marching orders and causing distress. Crowley approached Aziraphale like how Maggie approaches Nina. Aziraphale half-heartedly tries to defend God the way that Nina half-heartedly tries to defend Lindsay but both pretty much give up in the face of Crowley's and Maggie's sane responses and support. The agreement that the present situation-- Lindsay about to abandon Nina, God about to abandon her creations in The Flood-- is horrible and unjust. They connect over the lack of justice. The Flood scene we saw ends as the rain begins, with Crowley and Aziraphale both looking up as it starts to fall.
Maggie and Nina get further-- they get to the first half of The Vavoom, in parallel. We haven't seen that yet with Crowley & Aziraphale. (Maggie & Nina also didn't have to go stop and save a bunch of people first lol.)
So how do we know that The Flood was the first kiss?
How do we know that Crowley and Aziraphale first kissed in Ancient Mesopotamia in fucking 3004 B.C. and have been vavoom sorted gone on each other ever since?
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Because it happening in the aftermath of saving lives in The Flood would then mean it meets every one of the elements Crowley describes. They get wet from the storm. They will work to save everyone, which is evident from Aziraphale being dead fucking certain in the Job minisode that Crowley was a sweetheart who wasn't going to kill any goats or kids. How would he know this for sure? Saying that what God was doing was terrible in The Flood scene isn't enough for Aziraphale's surety by Job. That means that Mesopotamia and The Flood is the first time they teamed up. It means that Crowley saved people and animals during it. It more than likely means that he did so in a way similar to what he does during the Job minisode-- he transformed them into something that could survive the storm, probably rocks or something. (Big Medusa vibes lol.) But what would happen then? Crowley and Aziraphale would have to *stay through the storm to turn the people back*, right?
So, they'd need to seek shelter from the rainstorm. Under a canopy that could survive the storm. One they can both step back under and bump into one another beneath. Most likely, it's an actual canopy in original meaning of the word-- the shelter of trees. I think one of them (Crowley) bolted afterwards, based on the Job minisode, which we'll get to again in a second, and from under a canopy would be the easiest way to just be able to leave during a storm. (They did not spend the Biblical 40 days and 40 nights under that canopy or they almost certainly would have wound up having sex, which the show is suggesting in other scenes didn't happen for awhile after this which is also another meta lol.) But there's also another reason for trees that kind of cracks me up.
Remember when Aziraphale comes back from Edinburgh in S2 and, before he left, they had their whole Our Car/Our Bookshop thing and Crowley's been peeved for a day now over how Aziraphale got to go adventure in The Bentley and he got to wear a cardigan and babysit their former attempted murderer? And about how what he's really playfully irritated over is that he keeps trying to use Operation Shop Lesbians to turn Aziraphale on by mentioning their Vavoomy first kiss and Aziraphale is, kind of hilariously in retrospect, just totally tormenting him by barely indulging him on it? What happens when Aziraphale comes back from his trip?
Crowley-- genuinely-- says "there you are-- I was worried something had happened to you" and he's off-camera for a moment as he does so and the camera is on Aziraphale, who kind of seems like he would like one of Crowley's kisses about now. But what does Aziraphale get in place of where a kiss could have gone?
A face full of plants lol.
In their box, so that when he handed them to Aziraphale, they hung over his head like a canopy.
Don't wanna talk about The Vavoom, angel? Fine. You're just getting the trees. Mwah. *goes to his car and is all did you misssssss me kissy face*
Aziraphale, in old married bitch mode:
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Finally, there's that Ancient Mesopotamia is, chronologically, the last scene so far in which Crowley is not seen wearing glasses, which is essential because Crowley-- while wearing his glasses in the pub lol-- describes the key bit of The Vavoom as involving staring into one another's eyes, which Crowley & Aziraphale can't do if Crowley has his glasses on. Since Crowley wears his glasses in approximately 87% of Good Omens, it means that the answer is in a scene where he's either not wearing them at all or could be seen as able to take them off. Mesopotamia meets that criteria. But there's still one more thing that can really hammer home the idea of this The Flood, Part 2 being their first kiss and that's going to be how we end up back at the Job minisode again.
Go back and think of the Job minisode again but now with the idea that the last time they saw one another-- ages before it-- they shared this moment of wildly passionate vavoom and look at how it recontextualizes the entire minisode.
Start with when they first see each other again. Where did *that* Aziraphale come from? He's teasing him.
The Aziraphale in Before the Beginning and in Eden and in the first bit of The Flood that we've seen is more anxious. He's not afraid of Crowley and he's definitely attracted to him but he's distracted by the dangers of what is happening while they're talking. Suddenly, he jumps from the Aziraphale of The Flood to the Aziraphale of the Job minisode. This one is flirtier. This one is literally like all so you never called-ing Bildad the Shuite lol. He's all "last time I saw you was... The Flood?" like he doesn't know and Crowley is all tight nod ohfuckit'shim and also ohfuckit'shimhavemissedhimsomuch and hiding behind his sunglasses-- Bildad is the first appearance of the sunglasses, chronologically, so we go from the Vavoomy gaze to Crowley hiding his eyes... this then all moves into the courtyard scene after a few moments...
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Oh, what's this now? The only scene in the whole series in which Aziraphale asks Crowley to take his glasses off? And he does? So quickly-- intentionally-- that his expression from before is still on his face and it's just nothing but naked want like he's saying oh you wondered how I was looking at you from behind these this whole time? yeah, it was like this... Aziraphale is straight up asking for more vavoom. Take the glasses off. Look me in the eye and tell me you want this and yeah, sure, they're talking *on the surface* on *one level* of their conversation about whether or not Crowley is exhibiting serial killer tendencies and wanting to kill small animals and kids but, really, this scene is also the formation of their coded way of speaking to one another. Crowley's "I want to. I long (pause) to kill the blameless kids of Job the way I killed his blameless goats" and then lifting just enough of the magic to let Aziraphale see that he had actually not killed the goats at all but had actually faked their deaths, indicating that that was his plan for saving the kids as well... Well, it also means that *all* of what Crowley just said to him was coded. That's the weird pause after "I long" that breaks it into two sentences. It makes the second level of their conversation that Crowley whipped off his glasses, gazed into Aziraphale's eyes, and said I want to, I long... meaning, I want you, I want to kiss you again, I long for you...
But the bit of the Job episode that sells me on The Flood being The Vavoom is actually the bit just after Crowley miracles himself, Aziraphale, the kids, Jemimah's pot (because he's so not a serial killer, he saved the damn pot lol), the wine (because fuck that little Influencer Brat of Job-- Crowley's not about to kill a kid but he absolutely will drink the last of his wine for treating Aziraphale like a whore lol), and the food down to the cellar and started iguana-ing the kids. Why this bit? Because Aziraphale is fucking giddy and is just tormenting the living fuck out of Crowley.
He's all "I knew it!" and when you first watch the scene, right, you could think he means he knew that Crowley would save the kids. Yet, he already knows that by this point-- that's what the courtyard scene was. That's why he's yelling that he's "QUITE SURE" when Crowley asks him if he is (and calls him "angel" for the first time when doing so) while he's setting everything on fire just a moment before. Obviously, Aziraphale is happy that Crowley didn't kill the kids but what he's all I knew it *smug smile, actually fucking wiggling with flirty joy* about is that Crowley wanted to be alone with him again and would find a way to make it happen because what's the plan? The one that Aziraphale is totally teasing him about?
Aziraphale is going on about how oh, this is *Satan's* big plan, huh? A *big storm*? He loves every minute of it and he also really loves Crowley getting very close to him-- kissable close-- and being all "ooh aren't you brilliant?" when Aziraphale was acting smug. When did Crowley get that comfortable getting that close to him?
But yeah, Aziraphale loving every second of Crowley saving the kids, turning them into sightless/soundless iguanas, and sending a storm over the land for the night while keeping the two of them dry in a little cellar canopy so they can be alone together again-- essentially, repeating a version of The Vavoom scenario, as he'll still be trying to do millennia later... Aziraphale thought that very romantic and had no problem flirtily teasing the hell out of Crowley for it. Crowley's game is as ancient as Bildad the Shuite lol.
So yeah, what we're saying here is that there's a The Flood, Part 2 and that it's likely in S3. I actually wouldn't be surprised if it opened S3, since the first two seasons are opened with the other canopy-themed firsts-- the two first times they met, really, in Before the Beginning and Eden, both with the wing canopy-ing of one another-- so S3 could be the tree canopy and their first kiss. The Flood also seems likely to return because of how it ties thematically to the whole end of the world of S3's Second Coming plot.
One aspect of this theory that I really like is also that it means that Crowley was more female-presenting during their first kiss (which also goes along with the feminine energy sometimes associated with the phrase "vavoom"/"vavavoom") but also that when they next see one another in the Job minisode, Crowley is the more male-presenting Bildad the Shuite... and Aziraphale is really just into all of it. He's just into Crowley, full stop. We already know he is but I like the idea of it tied to their early days and showing it unfold a bit and how it's just all fine by Aziraphale, who just loves this being and is happy to see them and get to be alone with them again. It's very sweet and romantic.
I guess the last thing to say is that if this is true, we're all going to have a field day redoing the psychoanalysis of this bit below, aren't we?
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saiscribbles · 4 months ago
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[Original Post]
So Lily decided to just send herself an anon ask rather than address my criticisms directly. You know like a coward lol.
So anyway: (1) Doubling down on the Diamonds being Nazis. (2) Joking about the stars Jewish people were forced to wear during the Holocaust. (3) The show is about communication, Lily, not forgiveness. (4) Show me where Spinel is even metaphorically suicidal, but you'd have to actually watch the movie for that. (5) I think you meant "she was" and no she wasn't. (6) It's "sarcasm" to just mislead your fans about the climax of the movie by claiming Steven backed Spinel down with "mind control powers"?
(7) And it was "sarcasm" to just make a bunch of gay conversion therapy jokes about a lesbian character for absolutely no reason? (8) Was it a joke Lily? Cause you said "if you read all the interviews the Gems are based on the Asari" (9) It isn't semantics you outright baselessly speculated in your Garbage video that Nikki Minaj didn't return to voice Sugilite because "someone was pissed".
(10) It's not an opinion to claim a character that's obviously a post-it note doodle was a "scrapped character". Or was that the semantics part? I think you lost your place there, Lily.
(11) Just lying again. Completely denying the homophobia that was surrounding getting Ruby and Sapphire's wedding to air. Sugar told this story herself you just claimed you "don't believe a word that comes out of her mouth".
(12) You said Steven tried to marry his "12 year old girlfriend" in Future. (13) There's no such analogy, you're the one reading rape into a children's show. (14) The Human Zoo is based on classic 70's science fiction films such as THX and Logan's Run. You're just an uncultured ignoramus who holds a huge amount of ire for a children's show about perspectives, communication and gay space rocks.
I'm not bothering with the rest cause Lily added extra to her self anon. But there was this last bit:
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Lily's new claim is she only mentions SU once or twice a year. Or once every couple of years. Depending on the day. Either way... Does she just forget what she talks about in videos or is she really so stupid she thinks no one can fact check her?
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And this was just at a lazy glance, I probably missed some.
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hard--headed--woman · 5 months ago
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"I had to fight to be myself and to be respected. I'm proud to say I'm a lesbian. I don't talk about it too much, but I don't deny it. I've had to confront society and the Church, which says that homosexuals are condemned. It's absurd! How can they judge someone who was born that way? I didn't learn to be a lesbian, nobody taught me to be the way I am. I was born this way. I've never slept with a man. I've never slept with a man. Yes, I'm a virgin and I'm not ashamed. My Gods made me this way"
- Chavela Vargas
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Chavela Vargas (María Isabel Anita Carmen de Jesús Vargas Lizano) was a Mexican singer of Costa Rican origin, born in 1919 in Costa Rica and died in 2012 in Mexico.
She is considered a leading figure in ranchera music, which she sang with strength and emotion. Her voice, rough and warm at the same time, served her theatrical, passionate and human interpretations of standards from the traditional Mexican repertoire.
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"And since I have to say it almost everywhere, I'll say it: my parents didn't want me. I suffered for it".
She has an extremely difficult and conflicted relationship with her family, who do not accept her in any way. As a teenager, she left her country and her family for Mexico. The young woman rejected and criticised the ultra-conservative society in which she lives. Once in Mexico, she began singing in the streets.
In the 1940s, she became friends with the painters Diego Rivera and Frida Kahlo, staying with them for a while and becoming Frida Kahlo's lover.
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At the age of 30, she was noticed on Mexico City's Avenida Insurgentes by the composer and famous rancheras singer José Alfredo Jiménez, who became the author of her main hits. With his help, she performed in the cabarets of Mexico City in the mid-1950s before embarking on the road to success in Acapulco, an international tourist destination, where she sang at one of Elizabeth Taylor's weddings.
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Chavela Vargas rose to fame in the 1960s and 1970s, touring the world. She became a well-known figure in ranchera song, to which she gave a new lease of life.
Dressed like a man, smoking and drinking like a man, carrying a pistol, "the lady with the red poncho, silver hair and brown flesh" as the Spanish singer Joaquín Sabina described her, is characterised by her red sarape.
In a television interview in 2000, she came out as a homosexual woman. This is where the text at the beginning of the post is from!
Chavela's career reached its peak from the recording of her first album (Noche de Bohemia) in 1961 until the end of the 1970s. This was followed by a long period of fifteen years, during which the singer, suffering from a heavy addiction to alcohol, interrupted her musical career, which she did not resume until 1991.
Encouraged by her friend, the director Pedro Almodóvar, who compared her to Édith Piaf, Chavela embarked on a world tour, performing at the Olympia in Paris and Carnegie Hall in New York. Among her most outstanding performances was Tú me acostumbraste by Frank Domínguez in Pedro Almodóvar's film Babel. Being a close friend of Pedro, she has appeared in several of his films, including The Flower of My Secret.
Following a final concert in Madrid on 10 July 2012 to present her album (La Luna Grande), she was hospitalised in the Spanish capital with serious respiratory problems. She died on 5 August 2012, aged 93.
I am sure you know at least one of her song, La Llorona !
In any case, Chavela was an immense artist who had a profound impact on music, and I'm delighted to have discovered her, or rather re-discovered her. I listened to some of her songs and they're amazing if you like that kind of music ! And please look her up yourself, she was such an interesting person, I couldn't talk about everything in this post or it would have been too long !
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absolutebl · 7 months ago
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This Week in BL - Taiwan has one show, but that's all they need
Organized, in each category, with ones I'm enjoying most at the top.
April 2024 Wk 1
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Ongoing Series - Thai
Two Worlds (Thurs IQIYI) ep 4 of 10 - I don’t say this often but I LOVE this love triangle. The longing gazes = chef's kiss. I like that we are finally getting flashbacks to Tai’s side of the love affaire. This show remains highly engaging. So pleased for MaxNat.  
Deep Night (Thurs iQiyi) ep 5 of 8 - More lesbians! Yay! Meanwhile, when our leads make up they make out! (Yes I’m proud of myself.) I think this might be BLs first rooftop sex scene. We’ve reached new heights, BLabies. (Yes I’m proud of that too.) Anygay, basically a soap opera at this point, I'm not thrilled but I don’t mind.
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"Do you apologize for being straight?"
City of Stars (Fri iQIYI) ep 10 of 12 - It was lovely. Very well done celebrity leaving the closet ep. Nice ensemble work too. Next week is doom! As expected. 
Only Boo! (Sun YouTube) ep 1 of 12 - New main couple for GMMTV in an idol romance about a boy who dances good and a food stand vendor. It’s fine but overly very pulp feeling for something from GMMTV. I'm a little concerned.
1000 Years Old (Thurs iQIYI) ep 8 of 12 - meh.
To Be Continued (Sat C3 Thailand grey) ep 7 of 8 - Never turned up on my usual sites. So will have to wait until next week. 
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Ongoing Series - Not Thai
Unknown (Taiwan Tues YouTube & Viki) ep 7 of 11 - Qian was, indeed, the one who couldn’t let go. This show is fucking fantastic. It's the best thing I'm watching right now by a mile.
Jazz for Two (Korea Gaga/grey) eps 3-8fin - The bully and the blue-haired drummer side pairing were great. I hated the father. Hated him so much. Our main tsundere seme was a bit too tsundere for me. I was v annoyed by the time he finally softened. I'm amused by all the ways they finagled boys kissin-but-not-kissing in the first half of this show. 2024's "pan around the back of the head" has now become a "dipping of the brolly." We did, however, eventually get an okay kiss.
Honestly?
This was basically what I wanted from Given and didn’t get. So I’m pleased. The music still wasn't great, but you can skip those bits. A solid enemies to lovers BL, where the sins of brothers' past haunts the present. Great optics, decent chemistry, and a tidy script even if tsundere characterization went a bit extreme in some cases. 8/10 RECOMMENDED trigger for suicide
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Love is Better the Second Time Around AKA Koi wo Suru nara Nidome ga Joto (Japan Weds Gaga) ep 5 of 6 - We got the past betrayal in detail and it was decently bad. Bitterness understood. Too soon to live together! The BL U-Haul strikes again. I do like their weird curry passive aggressive argument. This is an interesting show. Do I LOVE it? No. But I think I like it.
On a not-really-related note: adoption, including adult adoption, is actually pretty common in Japan (comparatively). It's often tied to business scionism.
My Strawberry Film (Japan Thurs Gaga) ep 8fin - It all turned out to be a tragic GL in the end. Not BL = not my problem. No rating. I will forget its existence right about… now. 
Love is like a Cat (Korea Mon Viki) eps 1-2 of 12 - Okay, weirdly kinky with the head scratching. Not much has happened and I’m not wild about what has. 
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It's done, ready to binge, but I suck
What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps
It's airing but...
We Are (Weds GMMTV iQIYI) ep 1 of 16 - University ensemble BL featuring PondPhuwin, WinnySatang, AouBoom, MarcPawinPoon - basically the good kind of messy gay friendship group (so more My Engineer and less Only Friends). Looks a bit like the Kiss series but everyone is queer. I'm IN but I need my other computer and I'm traveling as usual. So I'll get caught up next week and probably won't regularly be able to watch this one.
Graduation Countdown (Taiwan YouTube) - It's too much for me to keep up with 2 minute verticals, I don't have that kind of TikTok endurance training.
A Secretly Love (Thai Sat WeTV grey) 10 eps - Completed. Worth watching?
Lady Boy Friends (Thai WeTV grey) 16 eps - reminds me a bit too much of Diary of Tootsies only high school. Not my thing. DNF unless it turns a corner and is truly amazing.
Kiseki Chapter 2 (Sun iQIYI) 6 eps - It’s so boring DNFed at 2.
Close Friend Season 3: Soju Bomb! (Weds iQIYI) 6 - The problem with situational comedy BL is it must be situational, comedic and a BL. This show gets 1 of 3 claims correct. 33% is not a passing grade. Dropped at 3.
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In the news
Takumi-kun Series 6: Nagai Nagai Monogatari is getting the undeserved honor of Furritsubs. Follow them for details. Tip 'em if you like 'em. (Will I watch it? Oh, probably. Damn it.)
Then Next Prince turned out to be a trailer only. Word on the webs is we will be lucky if we get it this year. It’s BL Princess Diaries. Jimmy has a new pairing (that boy from Night Dream) which is... interesting. All in all, this show does not look good. Pretty but not good.
Next Week Looks Like This:
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4/11 Gray Shelter AKA Gray Currents (Korea ????) 4 eps - SooHyuk is only just surviving and reunites with YoonDae, an old friend. They end up living together. One of the leads is played by Choco of Choco Milk Shake.
4/12 Living With Him AKA Kare no Iru Seikatsu (Japan Gaga) 10 eps - Kindly Ryota goes off to uni only to find his new roommate is his childhood bestie, Kazuhito. Kazuhito doesn’t have a girlfriend and Ryota tries to help him figure out why, they fall in love along the way. Same director as Old Fashion Cupcake.
Still to Come in April
4/18 At 25:00, in Alaska AKA 25 Ji, Akasaka de (Japan Gaga) 10 eps - Yuki lands his first starring role in a BL drama alongside superstar Asami (previously his senior at uni). Said superstar suggests they form a sham relationship until filming concludes. As they actually begin to fall in love, the spotlight begins to burn. I think I've seen this before (joke) and also the trailer doesn't inspire confidence.
4/26 My Stand-In (Thai iQIYI) 12 eps - adaptation of Chinese novel "Professional Body Double" by Shui Qiang Cheng. Stars Up (Lovely Writer) and Poom (Bake Me Please) directed by the same team as KP (not a recommendation IMHO - my biggest criticism of that show was the clashing directing styles). This one looks well complicated, lemme try: Joe is a stuntman for famous actor Tong. Joe falls in love with Ming but Ming sees Joe as nothing more than a Tong-replacement. After learning this horrible truth, Joe dies. Joe then wakes up in the body of another man also named Joe. He manages to rebuild the same life as before—with the same people eventually re-meeting Ming. Ming wants Joe back but Joe doesn't understand why. But Ming seems to know what's going on and wants to give him some kind of explanation.
I'm exhausted just trying to describe the plot.
Knock-Knock Boys (Thai WeTV) - 4 college friends conspire to help their friend lose his virginity. Familiar faces like Seng (yes, Billy's previous partner) and Best, news here.
Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.
NOTE: It looks like one of my personal favorites of last year Unintentional Love Story is getting a spin off!
THIS WEEK’S BEST MOMENTS
See City of Stars & Unknown.
(Last week)
Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are too much work.
The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @rocketturtle4 @blglplus @anythinggoesintheshire
If ya wanna be tagged each week leave a comment and I will add you to the template. Easy peesy.
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whocaresstillthelouvre · 3 months ago
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Starlet
Dieter Bravo x Co-Star x Wife Reader
Rating: Explicit. 18+ (Minors DNI)  Summary: Your husband has a big movie premiere, sure he looks great, but his co-star looks even better. Warnings: PWP, threesome, smut, fingering, oral (f receiving), lesbian fun, unprotected p in v sex, cum eating, addiction talk, sober Dieter, Kit Kats, I wrote this for the bi girls. Words: 3,750
A/N: This has been a labor of love and horniness. You should all just automatically know I'm thanking @ohheypedrito for always being my sounding board. Also @magpiepills for sharing in my MFF joy. Shout out to "Kiss Me More" by Doja Cat & SZA.
Masterlist
___
Fancy hotel suites might just be the biggest perk of marrying a Hollywood superstar. Room service whenever you want, plush robes to relax in, a balcony view of Los Angeles’ glimmering lights, and a large plush bed perfect to fit two… or three bodies.
Sure, you could have stayed home and waited for the car service to bring Dieter home after the premiere, but when the studio offers a free hotel suite, you and Dieter happily accept. You love to get fucked by your husband in a new bed. 
You’ve just dove into your new book, laid out on the chaise lounge of the balcony, sunning yourself in the early evening Summer sun when your phone dings with its customary Dieter ding. 
He should be getting ready for the movie premiere; what does he need to tell you?
You unlock your phone to a pic of Dieter sadly pointing to a large brown stain on his crisp, light blue shirt. 
Baby, this just happened.  Did you pack a backup? Nope. Do you have anything of mine here? Just your old Rage Against The Machine shirt I was wearing earlier.  Sold. I’ll take it. I’ll send Julien up to grab it.  Go have him buy a shirt. It has holes...  Nope. Now that I thought of having your scent on me all night, I need to wear it. Spray it with that perfume you use… Fine. You win. Love you baby. xoxo
You wonder why his team of publicists, assistants, and agents let Dieter style himself… or why they never remember to pack him an extra shirt.
He’s the love of your life, your uber famous partner, deserving of all of the rekindled fame, now sober and in the best place he’s been, thanks in large amounts to your influence.
You walked into his life weeks after his divorce, a man lost with a floundering career. He was too dangerous to work with, too manic, too unreliable. Then, you came in and helped pick his life up, as a favor to your friend Chrissy, his tenacious agent. You’re never supposed to fall in love with a client, but Dieter was just too irresistibly charming. You fucked him in your office after his third session. All of that hard work and student debt that earned you a psychology degree ended up getting you a diamond on your left ring finger and a dream wedding full of Hollywood elites.
You spritz the faded black shirt with your signature perfume and fold it for Julien to expeditiously deliver back to your husband. The wild life of a celebrity wife…
___
Your phone is propped up against a crystal vase that probably costs more than your first car streaming the red carpet premiere and Q&A of Dieter’s newest movie. You chose to sit this gigantic blockbuster event out, but it doesn’t mean you can’t support him from the comfort of this five star hotel room.
Your heart skips when the camera pans to Dieter getting out of the car. There he is, your celluloid husband, clad in all black, wearing the holey t shirt he just fucked you in before leaving you this afternoon.
The barriered crowd goes wild when they spot him. He smiles that megawatt smile, his signature dimples pressing into his golden skin. He’s so fucking beautiful.
You’re so proud of Dieter, you can hardly believe your husband is the star of the biggest summer film, standing tall and handsome with flash bulbs sparking across his face. You’re enamored by him, even when he’s a tiny square being live-streamed through your phone.
He joins his co-stars for a quick interview, his famous charm and humor is on full display, the crowd, host and co stars all laugh at his jokes. He truly is the golden boy of the red carpet.
You wonder if anybody else notices how he reaches for the hand of Greta, the actress who plays his wife in the film, when he realizes she’s nervous, much the same way he grabs your hand when you get anxious, being dragged to Hollywood parties and random awards shows. He’s always so thoughtful.
The interviewer asks Greta what it was like to act along with Dieter and play his wife. She laughs and blushes, Dieter’s arm rubs up and down her back, cuddling her closer to his body as she explains how wonderful of a man he is, how she felt very lucky to star in a movie with him. 
She’s absolutely stunning in her form fitting gold dress, you’re watching all of this for your husband and yet Greta keeps stealing your attention, lean, elegant, and absolutely radiant. You think to yourself how badly you want to fuck her. 
Dieter and the crew wave to the crowd and cameras thanking everybody for attending the red carpet, you smile at the sight of his gold wedding band before shutting the app down and opening the room service menu. It’ll be two hours until you hear from him after the movie. Time for an episode of Dateline.
___
You’re in a post grilled cheese sandwich and tomato soup coma, the cops have just solved the triple homicide in the sleepy New England town when your phone beeps with the Dieter ding. 
Movie’s out. have to deal with after party then back to u. Miss u like crazy xoxoix !! Hi! Have fun!  Did u watch the red carpet? I did. You looked fucking hot.  Ya? I actually liked the shirt, it made me think of this afternoon… Me too baby Greta looked amazing, I was almost watching her more than you. Don’t you think she looked good? Of course I did  I think she likes you… saw a video on Twitter that makes me really see the goddamn chemistry you wouldn’t shut up about during filming. She said i smelled good tonight I told her ur the one to thank She can smell me anytime she wants. 😮 baby... Tell me D, do you miss kissing her now that filming is over? I know how you look at her, I’ve seen the previews and press appearances. Go ahead and tell me, baby.  dunno about miss, but i did like kissing her What if I were to ask you to kiss her tonight… 😮 Oh? And film it for me.  ohhhhhhhhh I can do that for you baby Go find her then.  I’ll be waiting God baby I’m glad i married you Xoxo
The giddiness that courses through your body makes a big smile bloom across your face. You sit back against the soft cushions and imagine Dieter tucking his phone in his pocket and setting forth on his mission. Waiting for it is so hot.
___
The Dieter ding buzzes. You’ve never been this excited to pick your phone up.
Dieter Bravo Attachment: 1 Movie
Your hands are practically shaking when you touch the little bubble on your phone. There, in the freeze frame stands your husband and his beautiful co-star.
You hit play.
Greta smiles at the camera before she purrs out, “Hi, Dieter says this is for you.”
She’s so beautiful in the dim video, her silver eyeshadow glistens under the flash, her big blue eyes already look blown out with lust; you wish you were the one who was about to kiss her plush lips. If she’s willing to do this for him, you don’t doubt for a second how attracted she is to your husband. Dieter winks at the camera before turning to Greta, clutching his hand on her cheek and sealing his lips against hers. It’s… so fucking hot. You can hear the distant sound of laughter and conversation of the party goers just below the sounds of Dieter and Greta’s tongues tangling. You wish you could taste both of them, now you’re really regretting staying back. The camera grows more unsteady the deeper the kiss grows. He sucks her bottom lip, you can almost feel the slight tinge of pain, god you want to feel it. Dieter pulls away, and turns Greta’s face towards the camera. 
“You want to kiss my wife, Starlet?”
“I do,” she answers. 
Dieter lets out a low chuckle before winking at the camera and ending the recording. 
Fuck. Fuck. Fuck. You’re already soaked from that short video.
Dieter has been so good during his sober journey, being honest and forthright when he's tempted, allowing the help of counselors and his Narcotics Anonymous sponsor. You've stood by his side as he's made huge strides to conquer his addictions. His old vices are now replaced by a new vice... sex. You're so proud of him, you want to reward him... and yourself.
Jesus Christ D.  U like? Can’t stop thinking about u watching that video baby I like it… a lot. Fuck!  Greta wants to kiss me? Think she wants u more than she wants me... I’d like to meet her. I’d like you to meet her too baby Is she busy after the party? Seems like tonight would be a good night for us to meet. Maybe she wants to come back to our room?  If that’s what u want baby It’s what I want D. Okay baby 
___
The click of the keycard entering the lock alerts you to Dieter and Greta’s arrival. You rise from the couch, smoothing out the wrinkles of your simple blue dress. 
“Hi baby,” Dieter smiles, his eyes twinkling with adoration. 
Greta follows him in, she’s even more beautiful in real life. 
“Hi,” Greta smiles, her eyes spark with lust as she looks you up and down. “Nice to finally meet you.” 
“Yeah,” you breathe out, “you too.”
Dieter’s head bobbles back and forth, caught up in the chemistry that sparks between his wife and his co-star.
There is so much anxiety coursing through you but the sheer desire for Dieter and Greta easily obscures any second thoughts. 
He walks over to you, planting a searing kiss on your lips and wraps you in his strong arms. 
“I missed you baby,” he says before kissing you. He pulls away, his soft, brown eyes roam your face. “Are you sure about this?”
You glance at Greta, focusing on her soft pink lips. “Extremely.”
“Excellent. Now, come here, let me show you off to her,” he grabs your hand and leads you to the middle of the room. “Want to show you my girl, starlet, go ahead and take a seat.” 
Greta sits on the sofa, settling in her dazzling golden dress. You feel underdressed compared to her beautiful designer clothing and Dieter’s close to perfect look. No paparazzi in their right mind would want pictures of you in your pale blue dress, but the way Greta’s eyes roam your body and the way Dieter runs his hands up your back and grabs your ass, you feel like you just won an Oscar.
“See her tits?” Dieter wraps his arms around your torso, bringing his hands up to cup your breasts in his hands cupping around the silk of your dress. “They feel so fucking good in my hands, they’re so soft and bounce in my face so perfectly when she rides me. You want to see her tits starlet?” 
Greta nods.
He slips the straps of your dress down your arms exposing your breasts to the cool hotel air and Greta’s eyes. 
He pulls you against his body, grinding his crotch against you moving his hands back up to cup the weight of your breasts.
Greta watches, blue eyes wide as Dieter pinches and pulls at the peaks of your nipples. 
“Watch this starlet,” he lifts his hand and softly smacks one of your breasts, causing a moan to leave your lips, your body falls even harder against his body. “She fucking loves when I do this.”
His hands snake down your torso, pushing your dress to fall down and pool at your feet leaving you bare naked for Greta to see. 
Her tongue darts out to lick her lips, as her eyes travel over your naked form. 
“Isn’t she magnificent, starlet?”
She arches an eyebrow. “Quite.”
Dieter walks forward, pushing you towards the couch Greta sits on, still looking just like she walked off the red carpet, perfectly put together like a goddess.
He stops at the marble coffee table, grabbing your leg and lifting it to perch on the top. 
His wide hand runs up your leg and pets your thigh.
“You like my wife?” his voice is low and rumbly against you. There's a bit of possessiveness to it.
“I do, she’s gorgeous.”
“She is. Isn’t she?” he says with pride.
His hand moves closer to your pussy, now dripping for him and your guest. “See, starlet, this is my pussy,” your body tenses as he dips a finger through your folds, “and she’s fucking soaked for me.” He brings his finger dripping with your wet to his lips and licks it, a moan leaves his lips when he tastes you. “Come here and taste her.”
Greta rises from the couch, walking over to stand next to Dieter. She's even more exquisite up close.
His hand returns to your pussy, petting and rubbing making you weak in the knees. 
“She’s so fucking wet for us, starlet.” 
You whimper at the sensation of the hard stone of his ring rubbing against your clit. He pulls his hand away, admiring the way your wetness stretches across his fingers.
His fingers are placed against Greta’s lips. She opens her mouth wide, accepting his drenched digits, Dieter groans as she licks your juices off of his skin. 
Just four hours ago, they were watching the premiere of their movie together while you watched a rerun of Dateline… now the three of you are locked in the beginning of a ménage à trois. Isn’t it funny how Hollywood works?
__
Conversation flows easily between the three of you. You love the way Greta teases Dieter, how she laughs at your jokes. She fits perfectly in to your married comfortability.
You’re naked atop Dieter's lap, Greta sits next to you, her hand rests on your thigh lightly petting it almost as an ever present reminder of what the three of you are here to do. You can’t believe how comfortable you are in this situation. 
“Shall we take this to the bed?” Greta offers as you and her share a glass of champagne. Dieter happily sips his Topo Chico, his eyes lit with mirth watching his wife and friend enjoy each other’s company. 
“I’d like that,” you say, turning to her and downing the rest of the glass of bubbly champagne.
“Great,” she smiles, standing up and slinking off her gold dress before laying on the bed and taking her panties off.
“She is… tenacious, isn’t she?” you muse as Dieter hugs you close and kisses your shoulder. 
“She is,” he chuckles.
“You ready?” he asks.
“I’m ready,” you get up from Dieter’s lap, he rises behind you before turning you to face him.
He holds your face in his hands, his brown eyes rounded with softness, an adoring grin on his face. “You really want to do this baby?”
You bark a laugh out. “Honey, she’s already naked in bed, of course I do.”
His eyes darken, his grin replaced with a searing smolder, the same smolder that drives millions of women and men crazy, “I love you.”
“I love you too, now let me eat her cunt while you watch.”
“Jesus, alright baby,” he grabs your hand, leading you to bed before removing his shirt and pants. He takes a seat on the chair by the window to observe.
Greta lays in front of you, splayed out amongst the white sheets, her skin looks so creamy and delectable. You climb over her, smelling the sweet scent of her perfume. She giggles when you knock your nose against hers, a giddy smile is shared between the two of you before locking lips. Kissing her is different from kissing Dieter, gentler, sweeter, softer. Her tongue is much smaller, her whimpers and breaths pitch higher. You lay your body against hers, fuck, she’s just as soft as you thought. Velvety smooth and sweet. Your breasts sit against hers, your soft and her soft resting against each other. Your pussy and hers radiate heat against one another when you angle your hips against hers. You kiss a line down to her neck, nipping and sucking at her skin… she faintly tastes of sugary coconut. You look over at Dieter while kissing, he winks before you stick your tongue out and lick one of her nipples. Delicious. 
God, her tits are perfect. Perky, a little pointy, pink nipples the same exact shade of cherry blossoms, your favorite flowers. Your tongue runs across the small valley between her breasts, sliding across each nipple and back. Sucking hard against each, latching your mouth around it before letting it go with a pop. She’s writhing on the bed from your mouth and hands, your self esteem rockets higher as she loses herself under your touch. 
Her smooth body runs along yours, her delicate hands grab at your skin, clawing and pressing the harder you suck her skin. 
You kiss a trail down her tight stomach, licking grabbing her long legs and spreading them wide to reveal her perfect, milky skin surrounding her pussy. She’s drenched, absolutely dripping with her arousal, you lick up the spilled wetness on the bed sheets before licking up to her pussy. Her bright blue eyes focus on your mouth as you envelop her cunt with it. Buttery smooth and soaked, you taste the familiar hint of coconut in her wetness. Perfect. 
Your tongue dashes against her clit, flattening and swirling, treating her like the glamorous Hollywood star she is by worshiping her beautiful body and cunt. Your tongue licks a line down her sweetness before darting into her sweet hole.
You feel the bed dip behind you, your heart explodes with the thrill of feeling Dieter’s broad body behind you, a large hand digs between your thighs, dipping two thick fingers into your cunt, opening you up for him. His thumb swishes across your clit, your tongue attempts to duplicate his movements against Greta’s pussy. He angles his digits perfectly, hitting that perfect sensitive spot inside of you, causing you to dive even further against Greta’s heat, trying to take every single drop of sweet nectar from her body. You cum all over Dieter’s hands, moaning and whimpering against Greta’s skin. 
Greta clenches around you, her hips grind against your mouth as you lick an orgasm out of her. Your arms reach up to grab her tits and knead them in your hands. 
“That’s my baby,” Dieter coos, pulling his hand from your pussy and slapping it against your ass, causing a loud moan to rumble against Greta's cunt.
He pulls your hips up, your bottom meets the rigid skin of his cock. He taps his thick member against your ass before spreading your legs, you bring two fingers to Greta’s leaking hole waiting for Dieter to take you so you can take her. His thick cock enters you, stretching you with that sweet sting you love to feel. Your fingers mirror his actions, slow pumps in and out of Greta, scissoring to stretch her like Dieter stretches you matching the rhythm of his movements.
His hand splays across your back, petting your spine as he starts slowly, languidly fucking you. The three of you dance to a sensual song, grunts and moan chorusing across the sound of your fingers and Dieter’s cock. It’s beautiful.
You happily suffocate against her pussy, licking through her folds and fucking her with your fingers while Dieter fills your slippery cunt. Your moans are muffled by her skin, Dieter’s grunts echo his thrusts. 
Your body is slick with sweat, face soaked in Greta’s arousal, your cunt clenches around your husband's cock, your tongue sits steady against Greta's pussy as Dieter fucks an orgasm out of you. He holds your shaking hips close as he tells you how good you're taking him, how much he loves watching you eat Greta's pussy.
“This is all–nyugh–for you baby,” he groans, as he pulls out, Greta catches you in her arms as your body falls without his support. “Roll over, roll over baby,” he hoarsely gasps as he strokes his cock. You move to lay on your back, Dieter pulls your legs wide open right before he paints your pussy with his thick white ropes.
Dieter rises off the bed on shaky legs, before flopping his naked body into the chair. “Go on starlet, clean my girl up.”
She moves quickly, like she can’t wait to taste the two of you, settling between your thighs, lifting your legs over her delicate shoulders, spreading you wide open for her mouth. Greta’s breathy moan against your cunt makes your back arch while her tongue cleans your cunt covered in Dieter’s seed. She dips a finger into your entrance, swirling it around your sensitive walls, her one finger is nothing compared to your husband’s thick cock but god, does her gentle touch drive you wild. Her mouth seals over your clit, kissing and sucking your swollen bundle of nerves. Her head rises and lowers with each pump of your hips into the air, dancing right along with you as your pussy rises to another crescendo of an orgasm. You turn your head to look at Dieter, naked with his legs spread wide, sitting like a king on a throne. He mouths “I love you,” out of the lips you crave to kiss as your body tightens and releases with another climax.
Greta brings her lips to yours, licking into your mouth leaving the intoxicating swirl of flavors of your wetness and Dieter’s cum against your tongue. She breathily chuckles at your long exhale before laying next to you, pushing her soft curves against you and hooking her leg over yours. 
Dieter walks over, naked and cocky, your superstar husband is in full effect even in the aftershock of your threesome. He kisses Greta’s cheek and whispers “thanks starlet” before leaning over, kissing your lips and cupping your cheek. “I love you baby,” he says, big brown eyes staring into yours. You return his smile before he turns towards the minibar and grabs a Kit Kat. Greta cuddles in closer to you on the bed, sometimes it’s good to have a movie star husband. 
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shapelytimber · 11 months ago
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A Taste of Faith
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Ok so the concept for this piece was : historical gay nuns, and 70s lesbian vampire movies meets tes (don't ask me why- I just had a vision at 3 am)
Because I think Serana should have been meaner<3 I love women's wrongs and when vampires do the suck <3
Btw of you want to see more gay Serana art, go check out @gay-of-waterdeep, their art is wonderful, and I can't say this was not a bit inspired by what they do :))
Process (and me rambling about some of my favorite 70s lesbian vampire movies (because I have a problem)) below vvv
Additional details about this drawing ! 1) I used the same Mara design than the one from my tarot deck :)) and 2) the other woman is one of the priestess in the temple in Riften lglggigkglgl her name is *check wiki* Dinya Balu
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And now......... Some movies I enjoy because my house my rules, you came this far so why not hear about niche european movies :))))))
Disclaimer for a majority of the films in this genre : the male gaze is very fucking obvious in these movies... they were made by men for men, and the message is often "lesbianism is a dangerous temptation for women". It's a glairing flaw nearly all of them share and that sucks (and frankly it's a flaw Serana's writting kinda has in my opinion, minus the lesbianism part, but let's not dwell on that)- so if you can't get past it, it's completly understandable, be on your way and have a nice day <3
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- Daughters of Darkness ! A toxic man is returning to london with his newly wed wife, but they get stuck in Belgium and are forced to stay in a luxurious hotel. Don't worry about the 10/10 smokeshow countess seducing his wife :). Completely unrelated, this movie has, in my opinion, the most beautiful lesbian kiss I've ever seen- but I might not be very objective because Delphine Seyrig is there lglglflflllglm The best one in the list ! So if you want to whatch one, whatch this one <3
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- The blood spattered bride ! This is more of... an aquired taste let's say- but I really like it ! A quite effective horror movie, with goofy ass scenes (shoutout to the vampire lady buried in the sand naked with only a diving mask that is not the screenshot because tits), and emasculation being a recuring theme <3 (but if you want to watch it, please check the content warnings beforehand, it has a lot of very shocking and frontal scenes, and it's the 70s so it's not done very tactfully. Also pretty intense flashing lights)
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- The vampire lovers ! Ok so this one is a lot less fun compared to the other two because it's made by the Hammer BUT... 1) Ingrid Pitt hello and 2) it's such a intriging thing to see a very christian/conservative studio make a film like that. I know a lot of people don't like the Hammer movies from the 70s, because the studio had a lot less money, and were making wild decisions. But I love them, because they tend to be much more fun bloody and sexy ! I'm a simple woman mjllkklhkhlhlho case in point with the vampire lovers (although if you want a fun vampire hammer movie from the 70s, Dracula ad 1972 is way better). And Peter Cushing is there (i love this man so much-) !
And now I shall resume my quest to find Vampire Lesbos by Jésus Franco and have a probably mid experience watching it xoxo
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