#learn what order to draw the lines in and boom you're able to do it
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mercuriallily · 1 year ago
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Can I put a :( on my homework so my professor knows I feel bad about my terrible Russian cursive
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thewolfmanslayer · 3 years ago
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Honestly the amount of people who say artists and writers should do stuff for free, or try to rip them off on comissions still royally piss me off.
I think the worst part of it is the entitlement, I dont want to make this too much about generations but a lot of commissioners are millenial/Gen z's who grew up on the "steal and pirate everything" mentality, take everything that you can because no one else is going to hand it to you. which I can get behind, when you are screwing over MULTI BILLION DOLLAR COMPANIES. NOT THE STRUGGLING ARTISTS AND WRITERS who are trying to keep food on the table as desperately as you probably are!
It's simple, you wouldn't walk into a restaurant, order food and tell the server "sorry I don't have any money, but I've got like a few thousand followers on social media, I can get your name out there, get the restaurant some exposure" NO! They don't need "exposure" they need you to pay the damn bill!
On top of that, most of these artists and writers ALREADY HAVE FOLLOWINGS. They already have thousands of people following them, waiting for the chance to get a commission, who are willing to pay for said commission, they don't need "exposure" when they're already out there! He'll even the artists and writers with a few hundred don't need it, they'll get more followers as time goes by, their skill alone will see to it.
And what is with people trying to get free art and writing? It's not going to work! You can't harass someone until they cave, trust me, you'll be long since blocked before you even have the opportunity. I don't do comissions, online anyways, but my own friends and family, people who actually know me STILL PAY ME whenever they ask for me to do art for them because they KNOW it takes TIME AND EFFORT.
How many times do we need to have this discussion???? Like when is it going to finally click that people who need to pay their bills just as much as you do AREN'T going to do this shit for free!?
Here's the thing about art and writing, that you've heard a billion times but still aren't getting; IT. TAKES. TIME. AND. EFFORT. TO. GET. DONE. the art isn't going to magically appear and the writing isn't going to suddenly write itself, if either were so convenient YOU WOULDNT BE ASKING AN ARTIST OR WRITER IN THE FIRST PLACE!
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Look at that, you see that? The first picture I did back in 2012-13, the picture beside it? I did that TWO YEARS AGO. I didn't suddenly know exactly what to do, or had anything close to a god given talent for drawing (I'm not that talented). The first picture WAS THE ABSOLUTE BEST I COULD DO AT THE TIME THAT I MADE IT. In the time between these two drawings I admittedly took a break from art, but then I got back into it four years ago. EVEN STILL that was four YEARS of starting over from the basics, relearning everything, learning new things, wanting to actually improve my art.
Which, guess what, DID NOT HAPPEN OVER NIGHT. It was HOURS UPON HOURS of my limited free time as an adult drawing over and over and over and over again, every single goddamn day to get to the point that I was able to make that redraw look as good as it does in comparison. He'll, my art now puts them both to shame! Because I spent the time improving my quality!!
Now look at these artists doing comissions, they've probably put EVEN MORE of their time to get that good! They've put in LITERAL YEARS of sweat, blood, tears, frustrations and dedicated hardwork. Some did the same as me, self teaching and lots of practice, others probably had to go to school, which definitely wasn't cheap. But all of us put in that time and effort TO REACH THESE POINTS. Of being better artists, developing our styles, getting faster at drawing.
And maybe you think that this is super easy, right? That I or every other artist can just fire some art off and boom its good and done in like an hour?
FUCK. NO.
Even now it takes me several hours a day OVER MANY DAYS to make something exceptionally good! It doesn't matter how good an artist is, it still. Takes. Time.
Maybe the issue is that you don't understand how much actually goes into art, let me break it down for you, the steps that most people follow to finish ONE drawing.
-Rough draft: general character outline, get a feel for what I want to draw.
-Rough sketch: I start doing a bit of pencil to start filling in details like mouth, nose, eyes, hair, clothes. Ect.
-Penciling: I go over the rough sketch and clean everything up, maybe do some editing, this is when you can start making out all the details.
-Ink: I trace over the finished pencil with a pen tool and actually have the line art, everything looks clean, presentable, it actually looks like a character now. I'll spend time editing this and possibly redoing the inking many times over to get to a point where I like it.
-Flat color: I decide on which colors to use for skin tone, clothes accessories. Ect.
-Shading/highlights: I figure out where my light source is and how strong it is, I then apply the correct amount of lighting and shadows to the color to give it depth, I also have determine the texture of skin, clothes and accessories to make everything look real and natural.
-Blending: I smooth out the shading and highlights so that it looks more natural and isn't too hard (noticeable difference between color) so that it looks as natural as possible.
-Finish: I go over last minute details, finish any editing or corrections that need to be done. Once it's good I call it a day.
Each process is longer in length then the previous, with the exception of the final editing (as long as everything looks good) and even the rough draft can take some time. Over all this is SEVERAL HOURS of work for a SINGLE DRAWING.
So is it sinking in yet? How much is put into doing even a single character drawing? God forbid if its done with background. This isn't a "scratch a pen around and be done with it in ten minutes" kinda deal, no, this is SEVERAL HOURS OF SOMEONES LIFE BEING PUT INTO THIS
And if you still have the AUDACITY to try and wrangle free art from an artist then there's no helping you, you're just a selfish piece of shit, no question and I want nothing to do with you.
Someone might say "But I got free art/writing from.-" look I don't give a shit if someone did something for you THAT ONE TIME, these other artists and writers? Totally seperate and different people. You're one freebie experience does not, and should not apply to other artists and writers.
"But what if I really want this commission but don't have the money right now?" Well, that's tough shit. Save up and properly commission them when you can, it's not their problem.
"But what if I'm in a really bad financial situation and really want it?" That sucks, and I'm sorry, but again, not their problem. Chances are this is their only source of income and they need to make money so that they don't end up in a similar situation.
"They have a gift! They should share it!" What kind of cheap ass- LOOK, just because someone is talented or really good at something does not automatically obligate them to do anything for total strangers in anyway shape or form. These are living, breathing people, the same as you. They need to eat, they need to pay rent/mortgages, they need to pay vet bills, send their kids to college, do their taxes and everything else that YOU YOURSELF need to do. Asking anyone to spend their time doing something for free, when that something is how THEY ARE SURVIVING is beyond asinine. Not only that, this obviously isn't a hobby to them, it is very clearly THEIR JOB. Would you want to do a job where you didn't get paid at all? Doing a shit ton of work for absolutely nothing? No? Didn't think so.
"It shouldn't be about the money!" Well unfortunately, as with almost every other job, it is. We live in a world where we desperately need to make money in order to survive. That's the painful fact of the matter. If money never had to be an issue ever again then this would be a very different story. But it's not, plain and simple as can be.
Look, these people are just like you, artists and writers who are just trying to get by in a shitty ass world, using the one thing they have that let's them have an income. Leave them be, don't try and trick them, guilt them, or cuss them out when you don't get your way. Either properly comission or leave them the hell alone, plain and simple.
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thought-i-to-myself · 5 years ago
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Since you're absolutely brilliant, Id love to hear your opinion and break down on the ending bickering scene and the development of Ann "This is my life now, piss off good sir" Walker because what an icon. I can only hope this little cute skirmish brings on many sweet and funny moments between the two. 💞
YES I THINK IT SHALL.  Ann Walker was on fire this episode, except for that moment when it was her drawing of Anne that was actually on fire which was devastatingly tragic.  BUT YES.  We have known all along that Ann had some fight in her so it was absolutely thrilling and inspiring to see her stand up for herself, by herself.  Let’s recap:
In 1 x 02, Anne finds out that some members of Ann’s idiotic tribe are totally taking advantage of the fact that she is $$$ loaded, and she helps her compose a strongly-worded letter as a means of defending her and her cash.  And Coach Anne says that she’d be willing to come back next time and dictate another, but like all great coaches, she hopes instead that Ann will be able to do it herself in the future.  Teach a woman to fish, and all that …
In 1 x 05, we see some sparks of Ann’s fight, particularly when it comes to Ainsworth.  First, Anne again helps her write a letter telling that wretch off (lesbians love writing letters, if you didn’t know) and then Reverend Assworth has the nerve to come right the fuck over anyway.  Ann sticks to her guns and tells James (“Yes, thank you James!”) to send him on his merry way, and to remind him that she JUST SENT HIM A FLIPPING LETTER TELLING HIM TO BACK OFF.  But I think it’s important to note that Anne is in the room here, she’s literally in Ann’s corner so to speak.  [Also is it just me or does anyone else say “Yes, thank you James!” in Ann’s perfect voice every time you see James on screen? Just me? Ok whatevs.]  Secondly, there’s a part later in this episode where Ann has sent word that she’s not feeling well and instructed everyone to leave her alone, and ELIZA this time comes right the fuck over anyway.  What is it with these people?  And Ann has a great little scene (that I know I still need to gif for @nikkupsticks, sorry friend) where she says she didn’t hear the doorbell ring and Yes-thank-you-James tells her that Eliza came around back.  Ann groans (the hbo caption actually says “[groans]”) and tells Miss Parkhill snarkily that “she sneaks in,” and that people show up anyway even when you ask them not to.  Then she tells Miss Parkhill that she might head back upstairs, and though this is kind of a throwaway line, to me it’s signaling that Ann does have that fight-or-flight instinct within her somewhere, it’s just buried under layers of civility.  But she’s well on her way to reaching her breaking point.
In 1 x 06, Ann tells Anne that when she’s with her, she feels like she could take on the world and boom, it’s like by saying it outloud like that Ann has totally jinxed herself because OF COURSE now she’s gonna have to learn how to take on the world without Anne first before she gets to be with Anne.  And throughout episodes 5 and 6 we see several moments where Ann is so sure of her feelings for Anne when they’re together in the bedroom or behind closed doors but then 180s in the light of day, faced with her family and the jeering eyes of society.  And the difference in all those instances is Anne: when Ann has Anne as backup, as her coach, her teammate, she is willing and able to fight for what she wants. That is, until Ann - sweet cinnamon roll Ann who has been sort of cast aside and dragged around by her family her whole life - has to go to Scotland to be with big sis and big sis’s disgusting human of a husband because family always knows what’s best (???) and birthing children solves all a person’s problems (???).
UGGHHH that brings me to the heartbreaking scene in 1 x 08 where Ann is so sad and downtrodden - she doesn’t know yet that Anne’s written, that Anne still cares for her -  that she’s basically resigned herself to think maybe she should go be with whatever poor schmuck Capt. Sutherland wants.  I mean this is the product of years of abusive behavior by her family which has led Ann to believe that she’s worthless.  And with no signs of life from Anne, Ann’s spark is all-but-extinguished until big sis ELIZABETH swoops in because big sisters are fucking awesome and girl knows that it’s SISTERS BEFORE MISTERS and CHICKS BEFORE DICKS and that friendships between women are literally the most important thing in the world full stop.  So Ann Walker hears that Anne hasn’t let go yet and the flame is reignited and whatever idea Ann had tried to convince herself of that being with joe schmoe might actually be bearable is struck down by Elizabeth’s lightning rod words that you should do what who makes you happy and if that’s a coal pit-sinking brunette in a greatcoat and a tophat with a killer smile and eyes that make you go weak at the knees then go for it little sis because gal pals like that don’t come along every day!!!  Is that not what she said? Yeah, I’m pretty sure that’s what she said.
So you know what comes next, Anon: it’s “I’ll deal with it,” and “bye bitch, thanks for having me, see ya never!” and “everything that has to do with me is my choice.“  And yeah, ok, so she’s got Eliza and Eliza’s hubby there and Elizabeth is secretly on her team too, but she’s standing up for herself because she’s finally reached her breaking point and come to the conclusion that letting other people decide for her is not working, civility be damned.  Remember how joyfully Ann talked about “my sister, Elizabeth!!” in episode 2? Go back and watch it, she says it like that 3 times in the span of 10 minutes.  And now here we are, however many months later it is, and Ann is staring into the face of her older sister Elizabeth who is revealing that she’s actually miserable and intimating that husbands and babies aren’t always all they’re cracked up to be.  So I think that for Ann, she sees in her sister’s eyes what her world will look like if she goes down that path and that fight-or-flight kicks in.  And then there’s Anne.  And there’s that feeling, that deep, indescribable thing in her bones that Ann feels when she’s with Anne. That thing that turns her into Ann “I’d love to paint you” Walker and Ann “I’ve been in love with you since the first time I saw you” Walker and Ann “it’d be like a marriage”/“like a wedding?”/“is it not the same as a proposal?” Walker.  And that thing wins out.  Because that thing is real, and Anne’s real, and because “often a good friendship [with a woman] is better than a marriage [to a man].”  And if a good friendship with a woman is better than a marriage to a man, then what could be better than secretly marrying that good friend who is a woman and living as secret wives gal pals for the rest of your days.  Not a damn thing, that’s what.
The wifely witty bickering at the end of the episode is just icing on the (wedding) cake.  These two have gone through the gauntlet of emotions, both together and apart this season, but this idea that they’d make a lasting commitment to each other and solidify it with some sort of symbolic gesture has been lingering between them for months at this point.  But now there are no more words.  No more yes’s or no’s. No more “I can’t.”  No more “you came so close.” Exchanging rings in the carriage, sealing it with kisses, taking communion together, That Finger Graze, smiling on the way out of the church - all of it was wordless.  They didn’t have to say anything.  They knew how serious it was for each of them. They understood the gravity of it all, the weight of what they were doing, what it meant, and what it cost. And so by the time they got back to the alleyway, they had taken the sacrament together and were wearing rings on their fingers, and there were no more questions about what they were to each other or what they’d be in the future.  It was done.
So the last scene, the playful back and forth - that’s totally what marriage is, isn’t it?  It’s a comfort thing. Anne can joke with Ann about her being morethan a pretty face because she knows she’s not going anywhere.  Ann can stomp all over Anne’s plans, or boss her around (please god yessss) and order her to put away her pocketwatch because she knows Anne won’t leave her. And those all just words anyway, you know?  And now, our Ann(e)s, our beautiful, remarkable, perfect Ann(e)s are married. And that is so much bigger than words.
This show is fucking perfect.  
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