#larry speakes

[nortsauce]

Man, EVERYONE’s wrong about narumitsu.

the way they FINALLY get together is inadvertently and indirectly caused by Larry.

Think about it,

- The class trial where they met? Larry.

- The first case Phoenix must pass? Larry.

- Why edgeworth even finds out about the bridge incident? Larry.

Everyone, Including Phoenix and Miles, can try their DAMNDEST to make Wrightworth happen,

but in the end what causes them to FINALLY get together, will be an event caused BY LARRY BUTZ.

[carpe-mamilia]

Ghosts’ Larry Rickard Explains Why They Chose the Captain’s First Name

Photo: Monumental,Guido Mandozzi

It couldn’t be a joke. That was one rule laid down by the Ghosts creators when it came to choosing a first name for Willbond’s character. Until series five, the WWII ghost had been known only as The Captain – a mystery seized upon by fans of the show.

“It was the question we got asked more than anything. His name,” actor and writer Larry Rickard tells Den of Geek. “Once we got to series three, you could see that we were deliberately cutting away and deliberately avoiding it. We were fuelling the fire because we knew at some point we’d tell them.”

In “Carpe Diem”, the episode written by Rickard and Ben Willbond that finally reveals The Captain’s death story, they did tell us. After years of guessing, clue-spotting and debate, Ghosts revealed that The Captain’s first name is James. At the same time, we also learned that James’ colleague Lieutenant Havers’ first name was Anthony.

The ordinariness of those two names, says Rickard, is the point.

“The only thing we were really clear about is that we didn’t want one of those names that only exists in tellyland. It shouldn’t be ‘Cormoran’ or ‘Endeavour’. They should just be some men’s names and they’re important to them. The point was that they were everyday.”

Choosing first names for The Captain and Havers was a long process not unlike naming a baby, Rickard agrees. “It almost comes down to looking at the faces of the characters and saying, what’s right?”

“We talked for ages. For a long time I kept thinking ‘Duncan and James’, and then I was like ah no! That would have turned it into a gag and been awful!” Inescapably in the minds of a certain generation, Duncan James is a member of noughties boyband Blue. “Maybe with Anthony I was thinking of Anthony Costa!” Rickard says in mock horror, referencing another member of the band.

Lieutenant Havers wasn’t just The Captain’s second in command while stationed at Button House; he was also the man James loved. Because homosexuality was criminalised in England during James’ lifetime, he was forced to hide his feelings for Anthony from society, and to some extent even from himself.

In “Carpe Diem”, the ghosts (mistakenly) prepare for the last day of their afterlives, prompting The Captain to finally tell his story. Though not explicit about his sexual identity, the others understand and accept what he tells them – and led by Lady Button, all agree that he’s a brave man.

Getting the balance right of what The Captain does and doesn’t say was key to the episode. “It wasn’t just a personal choice of his to go ‘I’m going to remain in the closet’,” explains Rickard. “There wasn’t an option there to explore the things that either of them felt. That couldn’t be done back then – there are so many stories which have come out since the War about the dangers of doing that.

“We wanted to tell his personal story but also try to ensure that there was a level at which you understood why they couldn’t be open, that even in this moment where he’s finally telling the other ghosts his story, he never comes out and says it overtly because that would be too much for him as a character from that time.

“He says enough for them to know, and enough for him to feel unburdened but it’s in the fact that they’re using their first names which militarily they would never have done, and in the literal passing of the baton”.

The baton is a bonus reveal when fans learned that The Captain’s military stick wasn’t a memento of his career, but of Havers. As James suffers a fatal heart attack during a VE day celebration at Button House, Anthony rushes to his side and the stick passes from one to the other as they share a moment of tragic understanding.

“From really early on, we had the idea that anything you’re holding [when you die] stays with you. So it wasn’t just your clothes you were wearing, we had the stuff with Thomas’ letter reappearing in his pocket and so on. And the assumption being that it was something The Captain couldn’t put down, it felt so nice to be able to say it was something he didn’t want to put down.”

Rickard lists “Carpe Diem”, co-written with Ben Willbond, among his series five highlights. He’s pleased with the end result, praises Willbond’s performance, and loved being on set to see Button House dressed for the 1940s. He’s particularly pleased that a checklist of moments they wanted to land with the audience all managed to be included. “Normally something’s fallen by the wayside just because of the way TV’s made, it’s always imperfect or it’s slightly rushed, but it feels like it’s all there.”

Rickard and Willbond also knew by this point in the show’s lifetime, that they could trust Ghosts fans to pick up on small details. “Nothing is missed,” he says. “Early on, you’re always thinking, is that going to get across? But once we got to series five, there are little tiny things within corners of shots and you know that’s going to be spotted. Particularly in that very short exchange between Havers and the Captain. We worried less about the minutiae of it because you go, that’s going to be rewound and rewatched, nothing will be missed.”

The team were also grateful they’d resisted the temptation to tell The Captain’s story sooner. “We’d talked about it every series since series two, whether or not now was the time, but because he’s such a hard and starchy character in a lot of ways you needed the time to understand his softer side I think before you had that final honest beat from him.”

“What a ridiculously normal name to have so much weight put on it for five years,” laughs Rickard fondly. “Good old James.”

From Den of Geek

[absolutelybatty]

I don't have a good way to list these, so here's some Sally Face head canons I have with no intentional connections. Also, it's not all scientifically sound since it's based on a videogame about ghosts.

Sal

Sal's mask is partially for holding/mimicking the shape of his eye socket to cradle his glass eye correctly. His doctors did a good job at reconstructing his skull, but his age added some difficulties.

Sal has partial dentures

Gremlins is his comfort movie

The tear duct near his glass eye isn't functional, so he can only cry out of one eye

He has the neatest handwriting of the group

He pulls at his hair when he's anxious

He regularly has to get new hairbands since Gizmo likes to play with them.

Larry

Keanu Reeves is his celebrity crush, and only Ash, Sal, and Todd know

He has a bad knee after falling out of his treehouse a few years before Sal moved in

His wallet is usually empty, but he thinks the chain is cool so he wears it anyway

Sal used to tease him for how much he'd watch Robert when he moved in their senior year. He thought Rob was insanely cool and had no guts to talk to him about music until Sal introduced them

His favorite videogame franchise is Zelda and he's played all the mainline games, renting them to play before he buys any.

He knows a little bit of guitar and bass but doesn't have his own and knows it's best not to borrow Sal's too often

Ash

After episode 5, Ash suffers partial hearing loss in her left ear from the lightning

The "power arm" isn't a constant thing and only glows when it's in its powered state, usually just leaving her arm heavily scarred

She enjoys handy crafts, like sewing, and makes "little dudes" out of old laundry and frabic scraps.

She purchased Sal and Larry their own helmets when she started riding her bike most places (unfortunately, Sal was the only one who got to try his helmet, and only the one time)

Ash doesn't believe in them, but she enjoys using tarot cards and used to do it for the others. Chug seems to believe in them, but the rest are skeptical and/or just enjoy the prospect of it.

Todd

He procrastinates getting ready in the morning. During highschool, this translated to waiting until the last 5 minutes before he had to leave to get dressed.

He used to dislike coffee, but Neil made him some, and he discovered it was just the fact his parents drank instant.

Despite the similar look, his glasses between The Bologna Incident and The Trial are not the same pair. He lost the first pair while in the sub basement of Addison and had to get a new pair.

He regularly falls asleep at his desk. It is not intentional, but he does.

He's the main driver of their friend group, since Ash left Nockfell, Sal prefers not to drive, and Larry got his license suspended.

His vehicle is a white van that is a decommissioned news truck. He mostly got it to cannibalize parts from the broadcasting equipment but thinks it's cool regardless.

[femininomen0n]

mary and matthew are to elizabeth and darcy as marian and larry are to jane and bingley

[medicinelarrie]

Just to confirm this wasn't some sort of wild shared fever dream:

England lost the Euros

Larry were seen publicly in the same place for the first time in 2751 days

[mashbrainrot]

Trapper in 'The Interview'

In 2006, Larry Gelbart wrote dialogue imagining Trapper, Henry Blake, and Colonel Flagg had featured in the M*A*S*H episode 'The Interview'. Here is Trapper's, with the original available to read here via Google Groups.

REPORTER: Captain John McIntyre is a surgeon attached here at the 4077. What they call a chest cutter, is that right, Captain? TRAPPER JOHN: Right. I look inside ’em for any souvenirs our troops might be trying to smuggle home as souvenirs. REPORTER: And removing them forthwith. TRAPPER JOHN: I don’t get into a lot of fights from any patients who want to hold on to them. REPORTER: A lot of them are very young, is that true? TRAPPER JOHN: Too young to be doing what they’re doing. Our job’s giving ’em a chance to get old.

REPORTER: You have a most unusual nickname, I’m told. “Trapper John,” is that correct? TRAPPER JOHN: It’s a hangover from college. REPORTER: Would you tell us how you got it? TRAPPER JOHN: The hangover? REPORTER: The nickname. TRAPPER JOHN: Nope. REPORTER: Too personal? TRAPPER JOHN: Sorry. REPORTER: Didn’t mean to pry. TRAPPER JOHN: I’ll tell you the college, if you like. REPORTER: But not how you – TRAPPER JOHN: It happened a long time ago. Happened B.M., you could say. Before marriage. REPORTER: Well, we certainly wouldn’t want to get you into any trouble back home. TRAPPER JOHN: Let me tell clue you in on something: I wouldn’t mind being in trouble back home one bit. I wouldn’t mind anything if I could be doing it back home. REPORTER: It’s not easy being this far away. TRAPPER JOHN: You know what’s easy? Hating being this far away. Hating just being a picture on the mantle that my two little girls say goodnight to. REPORTER: General Sherman was right, huh? About war being hell? TRAPPER JOHN: If generals hate war so much, how come they can never wait to get into the next one? REPORTER: I understand you tried to adopt what you thought was a Korean orphan some time back. TRAPPER JOHN: I thought I could make us both a little less miserable about what was going on here. Happily, the kid’s mother was still alive. REPORTER: That would have been a lovely gesture. TRAPPER JOHN: I’m not big on gestures. Unless there’s some kind of payoff. REPORTER: Would you like to say hello to your own children right now? TRAPPER JOHN: Not really. Not as just one more picture in our living room. It’s enough they’re seeing me. That’s a big enough kick for all of us. REPORTER: Do you feel this experience has in any way helped you as a doctor? TRAPPER JOHN: Let me ask you a question: just how many people you figure’re going to be carried into my office someday with a chunk of shrapnel sticking out of their heads? I don’t know where you live, pal, but where I come from very few folks ever step on a landmine in the middle of trying to cross the street. REPORTER: Would you say there’s been any positive aspect of any of this for you at all? TRAPPER JOHN: Of course, there is. You see people at their best around here – see them coping with the results of what some people can do when they’re at their worst. REPORTER: The doctors, you mean? TRAPPER JOHN: The doctors. The nurses. The orderlies – Koreans, mostly. Every day kind of bleeds into the next around here – in every sense of the word – the routine gets to be fairly unmemorable. But I have the feeling that years from now I’m gonna remember each and every one of them. And the face that goes with each one. (A PAUSE; THEN TO THE CAMERA) Hi, sweetheart. Hi, Becky. Hi, Cathy.

[california-112]

"Alright, hold it, hold it, small talk later. We've got work to do."

Hogan's Heroes | S03E03 'D-Day At Stalag 13'

[nicknaysayer]

Larry … 💤

[samaspic31]

i was listening to a danny pudi interview and he was saying while filming for community he was wondering if and who on earth was going to watch it and. depressed gay ppl that’s who

[gen6boi]

Concept: Trading Larry a shiny loveball Tandemaus and watching him kinda twist the capsule around in his hands while occasionally glancing over at you unsure of whether or not to say something

[nortsauce]

I’m gonna ask a bunch of narumistu shippers this but how do you think Iris would react seeing that happen? Also how would your dream Narumitsu wedding play out, and would pearl be invited? I just have so many questions! I also love your art!❤️❤️❤️

HELLO!!! First of all THANK YOU FOR THE COMPLIMENT you make me blush 💝

Now onto the questions. Y’all know i love to talk and answer these types of questions.

1) Iris.

I love iris and I believe that she truly wants to see Phoenix happy, and Phoenix views her as someone important to his life.

Phoenix was willing to swallow glass for her (and dahlia) and it’s hard to find someone that devoted to you. But i think they both realized that their time has passed.

Iris still holds her late sister in high regards despite everything she’s done, and Phoenix has grown up since college and become a more honest person. They both know that it wouldn’t work. Their directions in life have changed and Iris needs to do whats good for her and take some time to heal, and Phoenix needs to do what’s best for him and distance himself from the necklace incident as much as possible. But you know that will be harder to do and they still visit eachother as friends. Perhaps locked in a “in another life, perhaps”

I think Iris would be happy for Phoenix, and possibly even find a friend in Miles considering they have similar feelings of guilt. Maybe they accidentally run into eachother at group therapy and share stories!!!

NOW. ONTO THE WEDDING.

I truly and deeply believe in my heart that their wedding goes TERRIBLY.

First off, the proposal happens and Phoenix wants to propose but he keeps losing the ring due to hijinx and murder. He fears that miles is gonna get to it first, or possibly not even want to marry in the first place, but what he DOESN’T KNOW is that Miles has been TRYING to propose for SO LONG but hijinx keep interrupting him and he loses his nerve.

When they finally propose, it goes as swimmingly as you expect. Literally. They propose at the same time just exasperatedly finally and they drop their rings into a lake, only for our national hero LARRY BUTZ to jump out of the bushes where he was filming and grab both of the rings in mid air as he falls into the lake splashing them all with water.

Onto the wedding. Maya, Pearls, Franziska and Trucy create the worst team of wedding planners known to man. They all have different things set in mind. Where Maya wants to wing it, Franziska plans to perfection. Where Trucy wants to put a gag, Pearl insists on pure romance. Things get heated and it falls apart when they all separate to plan different parts of the wedding and it looks AWFUL. It ends with the venue being set on fire. The dream team then panic and have a breakdown, only for them to say “We’ve been doing this wrong. What would they want?”

They set up a beautiful venue outside, big enough to fit all of their found family. Its either near the courthouse or the gate-water hotel something sentimental and it’s almost perfect 💝

Now the ceremony goes, oh you guessed it: TERRIBLY.

Miles has worked himself into a state of pure anxiety and Phoenix has disassociated. They both can’t believe that this is actually happening. Larry is Phoenix’s best man and Gumshoe is Miles’s.

oh yeah and Kay is was Mile’s bridesmaid and Maya was Phoenix’s because they had both a best man and a bridesmaid.

I’d imagine Larry and Gumshoe go through the same exact thing that Max and Pascal went through from that one Tangled short where Eugene and Rapunzel are getting married but i can’t describe that here without just explaining the whole short so just go watch it here and imagine Gumshoe and Larry.

Anyways, the reception goes on even after “the ring fiasco 2, electric boogaloo” and then the power goes out before the ceremony completes. Screams are heard and the lights come on, and the Vicar is lying dead on the ground.

IT’S TIME FOR AN INVESTIGATION where EVERYTHING GOES AWRY. But luckily they got the best Legal and Detective minds this side of Japanifornia! So Apollo Trucy and Athena immediately hop into action. Miles and Phoenix are discussing what they saw in handcuffs, Maya and Pearl are attempting to channel anyone they can but nothing is working(?) Franziska is attempting to keep everyone in order so she can investigate and question, Gumshoe has the police force looking into it, Klavier and Blackquill are taking statements in a church confessional, Ema is taking samples, and all around it is a DISASTER: BUT

They realize after this fact that they have NEVER solved a case this fast ever.

(Turns out the Vicar had mafia connections and ex members of the clergy were planning to turn the church into a gang front but the priest wouldn't let them but took them in as his children regardless and a rival gang was involved it was a whole thing thats a story for another ask though.)

Anyways the whole thing had them thinking about all working together more often than not, and not only was a marriage planned, but more unions were planned and they had gathered new recruits to help change the law system of their country.

and then Phoenix and Miles kissed and they lived happily ever after.

All in all a disaster but it wouldn’t have gone any other way (:

[pollyanna-nana]

His dead eyed stare and lack of joy in life have captivated me

[artkadukan]

I dunno man but the fact that Ahkmenrah had to spend 50 years in a tomb just screaming away for eternity thinking he'll never be able to get out again just makes me feel not so happy and joyous thoughts

[absolutelybatty]

I sincerely doubt it's that deep, but I'd like to think that the paintings Larry did in his room that would be Sal's nightmare as an adult is a sign of some kind of psychic bond. We see Jim able to access Sal through his dreams, so maybe it's not because of his phantom form but an ability those aliens have.

[ratguzz1er]

the H in the Captain's name stands for Hot Sausage

[mashbrainrot]

Henry Blake in 'The Interview'

In 2006, Larry Gelbart wrote dialogue imagining Trapper, Henry Blake, and Colonel Flagg had featured in the M*A*S*H episode 'The Interview'. Here is Henry's, with the original available to read here via Google Groups.

REPORTER: How does it feel, having the responsibility for saving such a great number of lives? HENRY: We just take ’em one or two, sometimes maybe twenty at a time. The big trick is not to start thinking of ’em as numbers – as just so many stats that go into a report that winds up in somebody’s filing cabinet under “out of sight, out of mind.” You’ve gotta always remember that what you’re dealing with is hurt people, people that have been run over by a war. REPORTER: And not just – HENRY: You gotta remember to take a peek at the odd dog tag now and then and remind yourself that that dangling leg or busted gut you’re going to try and put back together again is somebody’s dad or son or boyfriend – that all that blood and guts soiling your linen belongs to somebody that’s got a name attached to him.

REPORTER: You can’t afford to lose your sense of humanity. HENRY: There’s just so many senses you can lose over here. REPORTER: Humor not being one of them, obviously. HENRY: Around here laughter’s just crying without the tears. REPORTER: You have a family back home, sir? HENRY: In Bloomington. The one in Illinois, not in Indiana – unless things have changed since I went away. REPORTER: You keep in touch with them, of course, your family. HENRY: We write, we phone. Far apart as we are, I don’t think we’ve ever been closer. REPORTER: Would you like to say hello to them on television? HENRY: Be better if this was kissovision, but, yeah, can I? REPORTER: Go right ahead. HENRY: Lorraine? Hi, honey. Hi, kids. I got your report cards this morning and I had Radar go out post ’em on the bulletin board here so everybody can see why I’m so darn proud of you. Especially how you’re doing in math. You must get those brains from your mom. Got to be. Old as I am, I still don’t know how many tens to give someone for a five-dollar bill. (TO REPORTER) Thanks. REPORTER: That it? HENRY: That’s it. (TO CAMERA) Except I’m counting the days till we’re back together again. REPORTER: You have any idea when that will be? HENRY: I try not to have too many ideas. There’s always someone who ranks you who’s sure you’ll agree he’s got a better one. REPORTER: When you do finally get home, what are you going to tell your children is the biggest lesson being over here has taught you? HENRY: To always try to work things out, I guess. Whatever those things might happen to be. You don’t make your point killing the other guy. Even if you do it’s kind of wasted if the other guys not around to get the message. REPORTER: You seem – if all may so, Colonel – you seem near exhaustion. HENRY: What I am mostly is tired of being tired. We’re supposed to be a hospital but it’s more like a chop shop around here. We’re up to our elbows in people that other people are doing their best to chop down. REPORTER: That doesn’t lead to a lot of sleep, I would imagine. HENRY: I used to think of sleeping in terms of hours. How many did I get last night, how many will I get to steal tonight. I’m down to minutes now. It’s like somebody broke one hand off the clock. REPORTER: Does that ever affect your performance? HENRY: I fell asleep a few weeks ago in the middle of resecting a patient’s bowel. How’s that for exhausted? REPORTER: Does that fishing hat mean there are those times when you do get to get away from it all? HENRY: What it means is that I have to fish for those times. And let me say, the biting’s pretty poor. REPORTER: Business is too good around here. HENRY: Let’s just say it takes a whole lot longer to take a bullet out of a belly than it does putting one into one. REPORTER: Thank you, sir. HENRY: Can I say one more thing? REPORTER: Of course. HENRY: I just want you to know we all here are grateful for this visit you’ve paid us, this attention you’re paying to the job we’re doing. You get the feeling sometimes, being over here that, aside from our families, we’ve kind of dropped off the planet, that we’ve been kind of disinvited to the party – like everyone back home is busy living their real lives and for us to give them a call when we get back to town. (TO REPORTER) That sound too preachy? REPORTER: It sounded just fine, Colonel. HENRY: Henry. I’m a lot more a Henry than I’ll ever be colonel. REPORTER: Thank you, Henry. HENRY: Tell me the truth: didn’t that feel better? REPORTER: You’re an excellent doctor. HENRY: Hey – that’s why I’m over here getting 300 hundred dollars a month.