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brucebocchi · 5 months ago

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Spring 2024 anime, Pt. 1: Ongoing/returning shows and the bench

yo! i also post this on my ko-fi! this is very much a labor of love, so if you liked what i wrote consider throwing a few bucks my way! thanks!

And we are back! This one came a little later because I'm much busier now than I was three months ago, but that's a good thing. It'll be a bit longer before I cover last season's new anime, so bear with me. I'm happy to say, though, that I didn't hate anything I watched this season! So there's that.

As always, the OP is linked in the title of each show. Check them out, there were some good ones this season!

Here we go:

Continuing & returning shows:

Delicious in Dungeon, second cour

Ahh, Dungeon Meshi. At the start of my review of its debut cour, I said that Dungeon Meshi is a difficult anime for me to talk about unprompted because it’s such a complete, self-assured work that saying anything about it besides “PLEASE WATCH THIS ANIME IT’S SO FUCKING GOOD” feels like a fait accompli. After twelve more episodes and spending the better part of a weekend binging the entire manga, I’m left with little else to say besides please watch this anime (and read the manga), it’s so fucking good.

Our adventuring party has managed to slay (and cook) the red dragon and resurrect Falin from its belly, but the victory came at a cost: They have managed to not only invoke the ire of the dungeon’s ruler, the “lunatic magician” Thistle, but Marcille’s use of forbidden resurrection magic has also raised another number of hackles. Reunions aren’t all happy ones and the dungeon is getting weirder.

This line break represents where I wanted to add so much more and just kept falling short. This continues to be an exceptional adaptation of an exceptional manga. For all the silly gags, for all the goofy potshots everyone takes at each other, Dungeon Meshi is a series with a beating heart worn permanently on its sleeve. The group dynamic remains superb, and no less so for the standoffish half-girl-half-cat Izutsumi joining the gang (my joy at seeing her added to the OP was indescribable). The ways in which everything interconnects make up only a fraction of this series’ unmatched worldbuilding; much hay has been made about how Ryoko Kui designed the dungeon as a living, breathing ecosystem, but there’s so much more of that within the human element as well, and the latter aspect looks to only improve when the show returns for the next season.

Dungeon Meshi is, without question, the best anime of 2024 so far, and I will be impressed if anything manages to overtake it in this year’s latter half. The manga became one of my favorites in record time, and I have little doubt that by the end of the second (and almost certainly final) season, one of my favorite anime of all time will indeed be Dungeon Meshi. Ahh, Dungeon Meshi.

KonoSuba: God’s Blessing on This Wonderful World!, season 3

When I reviewed last year’s Megumin-centric spinoff, I mentioned that I’m not quite as high on KonoSuba as other anime fans. I always thought it was a perfectly serviceable comedy isekai, nothing too special, but mostly worth the watch. Even after the letdown that was An Explosion on this Wonderful World! last year, I was still looking forward to the long-overdue third season. And pretty much as expected, what we got was fine. Just fine.

That said, I was instantly delighted to see Megumin once again surrounded by Kazuma, Aqua, and Darkness. And as is frequently the case when those four are together, shit goes south fast. Kazuma, hoping to heal the mental wounds he incurred in the Legend of Crimson film, gets his groove back when he’s invited to regale the adorable Princess Iris with tales of his exploits. As a noble herself, Darkness is mortified throughout this ordeal, scrambling to ensure that Kazuma doesn’t get beheaded for being a loudmouthed freak, and also that Aqua and Megumin don’t accidentally burn the palace down in their revelry.

KonoSuba gets a lot of comparisons to It’s Always Sunny in Philadelphia, in that both are ensemble comedies in which the entire main group consists of awful people who don’t entirely like or trust one another. It’s a fair enough comparison, but what makes the group dynamic work for both shows is that the moral center is never a fixed point; the “voice of reason” among either group changes along with the situation to ensure the comedy stays fresh. And the fact that Lalatina Dustiness goddamn Ford has to be the voice of reason for the majority of this season should mortify you.

Darkness losing her mind aside, I didn’t really care for this arc. There was some interesting worldbuilding happening toward the middle of the season, but Kazuma acting way too eager about having a tiny, prepubescent girl calling him “onii-chan” just made my skin crawl, and I’m otherwise pretty much immune to the bog-standard “hey, laugh at this man because he’s a pervert” anime trope at this point. Fortunately, it only lasted for half the season, but unfortunately, it still felt an episode or two too long. The second half of the season followed Darkness’ forced betrothal to a gross noble from an earlier episode, and that arc also felt an episode or two too long.

Season 3 felt like KonoSuba both at its best and worst. The character dynamics are as rich as ever, even as Aqua and Megumin largely fell to the margins in favor of the larger stories. The smaller moments with the main four just bumming around their mansion are always just as entertaining as their larger exploits. The narrative seems to want to continue pushing Kazuma and Megumin together, nurturing the seeds planted in the movie, but later episodes also make a pretty good case for Kazuma and Darkness getting together; for better and for worse, those two absolutely match one another’s freak. Some of the gags this season were pretty darn good as well: This anime’s facials are already the stuff of legend, and we got some bangers here too (see above). For as loud as it often got, there were a few gags that centered on prolonged, uncomfortable silences like a late episode of Evangelion. And for as bored as I started to grow with the last arc, the punchline at the very end of the season almost made the whole thing worth it.

On the other hand, this show somehow got noisier. Some of Explosion’s funnier moments last year came from Megumin’s shrieking outbursts, so Studio Drive (taking over the main series from Deen) seemed to think that everyone needed to yell all the time now. It felt jarring; like watching season 4 of SpongeBob for the first time. I’m also not impressed by the fact that this series still seems to think sexual assault is just the funniest when it happens to men. It was a serious lowlight of the Legend of Crimson movie, and it just seemed to double down this time for a completely unnecessary segment in which Kazuma helps Dust get back at a creep, only for it to backfire on Dust and only on Dust. That shit sucks!

At the same time, it’s still KonoSuba, so ESH. If you made it this far, you’re pretty much along for the ride until it breaks down, so you take the good with the bad. Neither particularly outweighs the other, nor are they enough to push me towards declaring this show as either essential or unwatchable. It’s KonoSuba, and KonoSuba is fine.

Laid-Back Camp, season 3

The reigning champion of Cute Girls Doing Cute Things anime returns to the present day after the 10-years-later film, and it’s in fighting shape. Though the third season of Yuru Camp (another anime I refuse to call by its official English title) is in the hands of a new studio, it’s still full to bursting with all the gorgeous countryside scenery, tantalizing food porn, and whimsical music you’ve come to expect by now.

This is one that was on my backlog for the better part of a couple years, so I figured there was no better time to catch up than to time it with a new season hitting the air. Through two seasons and an original movie, Yuru Camp was peak slice-of-life: Low on conflict, heavy on cuteness, and brimming with personality. It does what it says on the tin; it’s a show about high school girls going camping, and by God are you getting high school girls going camping. And in the meantime, you, the viewer, get to learn the ins and outs of camping while discovering all these real-life, lovely spots along the Japanese countryside with Mt. Fuji always in view, and maybe help boost the local tourism economies once you go outside and touch grass.

The previous two seasons largely followed the girls’ exploits at school and out in the open as individuals and smaller groups before building to a big destination trip with all five of them, but season 3 takes a more, uh, laid-back approach. The first half follows Rin’s bike trip along with Nadeshiko’s hometown bestie, Ayano, until they meet up with Nadeshiko after her own solo excursion. We also get a quick peek at a heavily-fictionalized retelling of Chiaki, Aoi, and Ena’s outing with Toba-sensei, as well as a cherry blossom viewing trip with Nadeshiko and her sister, before the girls all come together once more for a nighttime hanami outing. It’s more of the same, and that’s exactly what you’re here for.

That said, the character work is the glue that holds Yuru Camp together, and it’s as wonderful as ever. Rin and Nadeshiko’s friendship remains a delight, and Hazel covered it better and more succinctly than I ever could in the Yuru Camp segment in her phenomenal video on countryside scenery in anime. Watching Rin bond with Ayano one-on-one on their own trip was a real highlight; they’d hit it off quickly in the first season, and it was lovely seeing Ayano working at Rin’s go-to bike shop in the movie, so I was overjoyed to see more of these two. More than anything, though, seeing a habitual loner like Rin connect so naturally with another person (and one who isn’t Nadeshiko, no less) just warms my cold, dead heart. The looser plotting also gives us the time and space to take in how the girls individually spend their downtime. Nadeshiko’s quickly becoming as much of an expert solo traveler as Rin, and her youthful enthusiasm about everything remains as endearing as ever. We even get to watch her becoming a train nerd in real time!

At the same time, the communal aspect of camping is a huge part of what makes this show click. Part of that, of course, has been watching Rin’s social circle expanding, but also in seeing how readily campers observe and aid one another. Nobody is “the best” at camping (except maybe Rin’s granddad), so none of the campers in this show have any reservations about going out of their way to help one another. Even an expert solo camper like Rin was a greenhorn at one point, so she’s always happy to give and receive help. The various campers the girls run into along their journeys are always ready with local information about good spots to eat, relax, and take in a good view as well. Even camping on your own, you’re never truly alone.

In that same vein, Yuru Camp is as educational as ever. Along the girls’ travels, we learn plenty about the myriad suspension bridges over the Oi River drainage basin, the various types of passenger trains connecting the countryside, torii gates along the mountains, and clever ways to build a camping menu around local crops. Yes, Yuru Camp is as much food porn as it is nature porn, and the dishes are sumptuous. On that note, my favorite thing I learned this season came from Nadeshiko’s drooling outbursts during the other OutClub girls’ camp retelling: It turns out that there’s an equivalent Japanese colloquialism to what we call food porn, specifically in the act of taunting people about delicious food they can’t have right now, and that is “meshitero,” or “food terrorism.” That is just terrific.

Yuru Camp is in the hands of a new studio for its third season, and the difference is mostly negligible. This is a show that trades largely in vibes, and the vibes remain impeccable. Almost everything still looks and sounds great, but season 3 leans a little more heavily on CG for moving bikes and cars, and they do look markedly worse. Not immersion-shattering, but definitely distracting. The scenery largely looks less hand-painted in favor of a more photorealistic style, which does make me wonder about the actual level of artistry put into it, but that could just be me splitting hairs. Otherwise, it still looks like Yuru Camp, which is all you can ask for.

This show still rules though. I don’t often get intense in my praise of slice-of-life anime, and the ones that get me acting like that are the ones that go to wild lengths for the sake of a joke, like Nichijou and Kaguya-sama. I don’t know what it is about a show as lowkey as Yuru Camp that has me wanting to scream from the rooftops that “THIS FUCKING SHOW WHIPS ASS,” but I’m not questioning it. Maybe it’s cuteness aggression.

Mushoku Tensei: Jobless Reincarnation, season 2, part 2

And we’re back with more of the best-made anime that I can’t recommend in good faith to just about anyone.

The latter half of season 2 surrounds Rudeus’ aims for a quiet domestic life, settling down with Sylphiette and at the request of his father, Paul, taking his little sisters Aisha and Norn into their home (along with a very welcome reunion with their escort). Aisha takes after her mother, Lilia, and is eager to please and help around the house, but Norn’s last memory of Rudeus is of his violent reunion with their father. Norn idolizes Paul, so she doesn’t trust Rudeus and refuses to open up to him. While Aisha is content with working around the house, Norn wants to keep her distance, so she decides to enroll and board at the magic academy.

Norn’s apprehension towards Rudy and the mental anguish it causes her becomes an isolating factor in her daily life, leading Rudeus to believe that she’s being bullied, much as he was in his previous life. Rudy’s attempts at sticking up for his sister fall flat and lead him to realize he’s been projecting on her this entire time rather than actually reaching out to her. It’s these moments of learning and unlearning that nearly make all of this worth it; this was easily one of the best episodes of Mushoku Tensei’s second season, and frankly one of the best episodes of anime I watched all season. Another episode near the end also earned that distinction, but it got weird afterwards. Even in its lower moments, this season traded very well in the themes of family, growth, and loss, and those aren’t always tidy subjects to handle.

Because this is Mushoku Tensei, the cozy home life can’t last forever. Paul’s attempts at saving his wife have continued to fall short, so he calls on Rudeus and Elinalise to come and help rescue Zenith. Rudeus is conflicted; though he finally has the opportunity to save his mother and face his father as a man, Sylphie is now pregnant and he doesn’t want to abandon his wife and future child. As often happens at times like this, Rudy gets some face time with the Man-God who has been seemingly invested in his journey, and for once Rudy flouts his advice to venture out. Many reunions are had, including one that had been teased all season, and a lot of things go south from there. I was spoiled on some of what would happen in later parts of the series, so it didn’t come as a massive shock to me, but it still got weird, it wasn’t really addressed all that well, and people were rightfully put off by it.

On that note, I’ve given up on the idea of this series being about Rudeus improving as a person, because he’s done just about as much “improving” as he’s going to by now. As I’ve said before, he’s not quite the drooling pervert he used to be (he was actually doing great for more than half of this cour before a succubus attack briefly got the better of him), but his moral compass, even in his best moments, still seems to be poorly calibrated. I do see a side of him now that genuinely cares for others and actively wants to help, but it doesn’t erase his questionable acts, nor do I get any sense that he deserves to get the things he wants. I particularly don’t care for what’s already looking like a formula wherein sex seems to be his cosmic reward whenever he hits a low point or achieves something great. For a series that genuinely has such excellent worldbuilding and storytelling, that part feels cheap enough to undermine everything else.

But hey, a rapist died, so it’s not all bad.

I’m not sure I’d necessarily put Mushoki Tensei on the level of Frieren or Dungeon Meshi, certainly not thematically, but with all three off the air this upcoming Summer season, it’s been a minute since we’ve had a season of anime without one of those three lovingly-made fantasy series on the air. It feels like anime has a massive fantasy void now, and I desperately hope I’m proven wrong soon.

Urusei Yatsura (2022), season 2, second cour

The final run of the remade Urusei Yatsura ended on a strong note with an honest-to-God story arc! Lum and Ataru’s tempestuous situationship is put into stark relief with the fate of the world in the balance, except not really; Lum just wants him to think that because she’s fed up with his shit and that’s just how she operates.

Even as disjointed as this run has been prior to the final arc, there were still some gems this season. The time-travel segment where the gang tries to undo Mendo’s fear of the dark was a certified banger, Asuka’s violent androphobia is as funny as ever, and the introduction of Nagisa as a means of further muddying Ryunosuke’s whole gender situation was the most quintessentially Rumiko Takahashi shit I’ve ever seen. It’s the character comedy that makes Urusei Yatsura what it is just as much as the central will-they-won’t-they, and it was just as potent as always before the series hurtled towards its finale.

The four-episode arc to close out the all-stars run, similarly to the final arc of the manga and the final movie of the original anime run, centers on a blowup between our romantic leads over a colossal misunderstanding (sasuga Takahashi-sensei) involving a unilaterally-fated marriage between Lum and the prince of a dark planet, Rupa. Though Ataru and fellow dark-planeter Karula (basically Rupa’s own equivalent Lum) foil the wedding, a carbon copy of Lum created to ensure a proper exchange of vows tells Ataru that she’s over him. Ataru’s feelings are genuinely hurt, and he tells the real Lum that they’re through, and he returns to Earth with Karula, accidentally spreading spores of the dark planet’s enormous mushrooms.

Said mushrooms rapidly grow enormous when exposed to sunlight, so Earth is already in certain danger. Lum sees an opportunity to manipulate convince Ataru to finally get serious, so she sets familiar stakes: She’ll enlist Rupa’s help in destroying the mushrooms, but only if Ataru can beat her in a ten-day game of tag by grabbing her horns, just like when they first met. More importantly, though, she’ll let it all go if he can just say out loud that he loves her. And you know damn well by now that these two are both as stubborn as they come.

As I’ve said before, this is a shorter run, so we may not have the benefit of the entirety of Urusei Yatsura up to this point to be properly salivating for the finale, but I’ll be damned if it didn’t still hit like a freight train. The emotional climax was still meaty and satisfying in ways that made all of this worth it. Half of the joke of this series is that Ataru’s never going to get serious about Lum in a way that matters, but every time the mask slips is a well-earned shot to the heart. The ending is no different, and it made the shorter run still feel worthwhile.

And with that, that’s a wrap on a modern (if truncated) retelling of a legendary comedy manga. I’ll be forever grateful to this iteration of Urusei Yatsura for finally pushing me into getting into Rumiko Takahashi’s classic works, and I’m beyond excited that there’s also a Ranma ½ remake on the way. If David Production takes that one on as well, it’ll be in great hands.

Anime I Watched Two Episodes of and Will Probably Get Back to Later

I Was Reincarnated as the 7th Prince So I Can Take My Time Perfecting My Magical Ability

I mean, you read the title.

This is less an isekai and more of a lateral reincarnation story; magic already very much exists in this fantasy kingdom, but this is about a guy who is very obsessed with magic but sucked at it suddenly gaining a wealth of talent and the opportunity to go absolutely sicko mode.

Lloyd’s existing knowledge of magic serves him well, and he becomes a virtuoso at a young age. He manages to subjugate a demon lurking in the palace’s library and turn him into an adorable familiar (and having the demon go from being voiced by Akio Otsuka to Fairouz Ai was a brilliant move) and just terrorize the poor little shit with his experiments and travails. The kid could basically do a Hollow Purple by the second episode. He’s kind of psychotic, and I love that for him.

This is definitely a comedy, but the comedy is kind of all over the place early on. Prince Lloyd is surrounded by beautiful young ladies-in-waiting who, uh, seem way too into him, and that kinda sucks. Lloyd himself is drawn and animated a little too lovingly for a child as well. It’s definitely uncomfortable in parts early on, but I’ve heard it lightens up on that and gets crazier in the parts that matter, so I’ll be coming back.

And it started with a menacing monologue from Takehito Koyasu himself, so of course my interest was piqued from the jump.

Oblivion Battery

It’s weird, I love both anime and sports, but sports anime was just something I never sought out too much until I picked up Blue Box recently (also please read Blue Box, it whips ass and the anime is gonna be incredible). Oblivion Battery’s debut coincided with the start of the American baseball season, so it seemed like a great time to hop in.

I can’t say I was too intrigued by the premise, though. The intentionally generically-named Taro Yamada quit baseball after middle school after getting utterly rinsed by the high-powered battery of pitcher Haruka Kiyomine and catcher Kei Kaname, so he enrolls in a high school without a baseball club, only to find that his classmates are… Haruka and Kei. Kei, as it turns out, took a bad hit to the head and has completely forgotten all about baseball, and now spends all of his time trying to be a comedy boke for unwilling participants. Taro and Haruka would like Kei to learn about baseball again, so they start up a new club, alongside other classmates who also quit baseball because of the titular battery.

Fine premise, but eh. The hook wasn’t enough of a hook for me, and even MAPPA handling the animation didn’t keep my attention for long. I’ll probably get back to it eventually, but I ended up watching plenty of other anime this season that felt like higher priorities.

Also, I’m pretty sure Oblivion Battery’s manga introduced a character named Aoi Todo before Jujutsu Kaisen did. I still prefer the latter.

YATAGARASU: The Raven Does Not Choose its Master

See, this one I probably should’ve picked up sooner, because it seems like it’s very much my jam, and I’ve seen plenty of praise for it. It’s a dense one, though, and I’d rather not cram it just to turn around and review it a few days later.

I won’t even go into the details because even two episodes in, there are darn near too many of them. This is a massive ensemble cast in and around a succession battle in a fictionalized, imperial Japan-esque kingdom created and ruled by yokai. We’ve got a battle of brides-to-be vying for the hand of an embattled prince, a cunning but resentful empress overseeing the proceedings, a possible spy or two, and a rambunctious little shit who looks like he got plucked out of Avatar: The Last Airbender getting roped into working in the palace. It’s a lot of moving parts, but I’m curious to see how they tie together.

Two episodes in and this show looks good, but probably not as great as it could. I know I’m spoiled on The Apothecary Diaries, but something like this already feels like it deserves better than some of the stiff character animation I saw early on. I’ll reserve my judgments for now.

YATAGARASU is continuing into the summer season, so I’ll take my time catching up on it. This one feels like it deserves to be sipped slowly, not chugged, and I’ll have my tasting notes in due time.

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