#kodak t max 400@800

[wankelmuths90sdiary]

Grainy Day

Berlin, 1999

[sudden-impulses]

Your shadow follows me all day by Andrew Hung Via Flickr: Camera: Fujifilm Klasse w Film: Kodak Professional T-max 400(TMY400)@iso 800

[echt-analog]

Kodak T-Max P3200

A little while ago, and to the surprise of many, Kodak re-introduced their T-Max P3200 black and white film. Aimed for low light scenes, it can be used with ratings between ISO 400 and 6400 (with certein developer even 25000 is possible).

Base rating is ISO 800, I have shot it at ISO 1600 (i.e. push +1 stop). Not quite sure if the development was where it should be, my results are very grainy.

A bit disappointed, I will most likely not buy it again. For one, I rarely shoot in very dark locations that, but if necessary, I would pick Ilford’s HP5+ and push it two or three stops, with good results.

[thephoblographer]

Rejoice! Kodak T-MAX P3200 is Coming Back to Us!

Kodak T-MAX P3200 is an ISO 800 film designed to be pushed to 3200 ISO. And Kodak brings it back to the market next month.

Kodak has been dropping hints about Kodak T-MAX P3200 all week One of the biggest things that the analog photography world needs is more fast, high ISO films; and today Kodak is answering that with Kodak T-MAX P3200. Kodak T-MAX films have always had a finer grain due to the structure of T-grain, and because of that, it’s ISO 400 cousin has some incredibly tight grain for an ISO 400 film. With…

[benoitfelten]

*Bad Weather over Hong Kong* Minox35ML + Kodak T-Max 400 @ 800 ⠀⠀⠀⠀⠀⠀⠀⠀⠀ I'm very happy with this shot. What started as a fun little exercice in focusing blind (the only focusing tool with the Minox is the distance ring) with the idea of blurring the background a little and focusing really close on the raindrops on the window delivered what I find to be a very powerful shot, one that evokes the melancholy that thinking about the recent evolutions in Hong Kong puts me in. If I ever do a photozine or book on the last few years in Hong Kong, this may very well end up being the cover... ⠀⠀⠀⠀⠀⠀⠀⠀⠀ #rawurbanshots #streetclassics #hongkong #hkig #hongkonginsta #streetphotographers #killeverygram #streetphotography #bwstreetphoto #ig_street #streetshot #street_photography #streetphotos #life_is_street ⠀⠀⠀⠀⠀⠀⠀⠀⠀ #minox35ml #kodak #tmax400 ⠀⠀⠀⠀⠀⠀⠀⠀⠀ #filmphotomag #shootfilmmag #filmfeed #lonelyanalog #filmismorefun #thefilmcommunity #filmwave #back2thebase #deathb4digital #FilmShootersCollective #analogfeatures #believeinfilm #filmisnotdead (à Wan Chai) https://www.instagram.com/p/CEq01fVnyDs/?igshid=cb70ze7dekc2

[liamjamescreative]

Winter Days  Zenza Bronica SQ-A/Rolleiflex TLR 3.5a 1951 Kodak T-Max 400/Ilford HP5 pushed to 800. 

[igalsc]

Recently, I started shooting film 🎞 again. I got my Minolta x-700 with 50mm f/1.7 lens, bought Arista Edu film from B&H (after taxes and duties, including shopping, still half price from buying film here), and started shooting. We also bought Zenith E with Jenna lens in a thrift shop. And just a week ago I received the Canon 5 (no D, since it’s not digital) from Japan 🇯🇵. Back in Israel 🇮🇱, I loved using Kodak T-Max or Tri-x. Artists Edu is very close to T-Max in terms of behaviour. I’m usually buying rolls of ISO 400, because you can easily push it to 800 or use it as 100. Just have to write it down after use, and develop accordingly. I have the equipment at home, just need to buy chemicals and I will do the developing myself again. Labs aren’t cheap here in Canada 🇨🇦, and there’s no magical feeling when you take the film out of the rails and see the wet negatives. Недавно я снова начал снимать на плёнку 🎞. Я получил свою Minolta x-700 с объективом 50 мм f / 1.7, купил пленку Arista Edu от B & H (после уплаты налогов и пошлин, включая пересылку, всё равно получ��ется полцены от покупки пленки здесь), и начал снимать. Мы также купили Zenith E с линзой Jenna в комиссионном магазине. И неделю назад я получил Canon 5 (без D, поскольку он не цифровой) из Японии 🇯🇵. Когда-то, в Израиле 🇮🇱, я любил использовать Kodak T-Max или Tri-x. Arista Edu очень близка к T-Max с точки зрения поведения. Я обычно покупаю ISO 400, потому что вы можете легко довести его до 800 или использовать его как 100. Просто запишите на ролике после использования с каким ISO снимали и проявляйте соответственно. У меня дома есть оборудование, мне просто нужно купить химикаты, и я снова буду проявлять плёнки сам. Лаборатории в Канаде не дешевые, да и нет этого ощущения волшебства, когда ты вытаскиваешь пленку и видишь мокрые негативы. #film #minoltax700 #fujifilm #quebeccity (at Quebec, Quebec) https://www.instagram.com/p/BtAVf0sjQe0/?utm_source=ig_tumblr_share&igshid=1s595j5fv0e3y

[miwizh]

Pinakothek der Moderne, München - Munich

Kodak T-Max 400 @800, Adox A49

[35-millimetre]

I’ve always had a love/hate relationship with monochrome film. In 35mm format, I’ve often found it wanting. People who wax lyrical about Ilford HP5+ are, in my opinion, making a big noise about something I just don’t appreciate – the chunky grain, the detail lost in dark shadows – I don’t get it. Maybe the failing was my own – I’ve always developed my own film at home, and I’m slapdash at best with my temperatures, timings, and often vigorous sloshing about of chemicals.

What I’m trying to get at, is that I much prefer colour film to black and white. I love the variety of colour film – think about Lomochrome Purple vs Kodak Portra, the psychedelic colours against the realistic skin tones. I’ve found my staple colour film stock – Fujifilm Superia 400 – to be pretty flexible, even in low-light situations. I’ve used it on nights out, during walkabouts in Bristol, and love how saturated it gets in low light. How could a black and white film ever compare to that?

Or so I thought, until I picked up a roll of Kodak’s T-Max P3200 film. Rereleased in April 2018, it’s actually an ISO 800 film, but can be happily pushed to 1600 or 3200 (as explained here). I tested a roll of it on a trip to the SS Great Britain, as well as on a night out afterwards – in the Olympus XA4, of course, the perfect walking-about camera.

I thought it would be a good test – switching between the dark interior of a historical ship, and the brighter deck, should stretch the latitude of the film as much as possible. My XA4 only goes up to 1600 on the ISO dial, but I thought that would be plenty for what I had in store. I was right – everything I threw at it, it handled perfectly. I shot in daylight and almost complete darkness, and got useable images, even good ones, from the T-Max.

This time, I left the developing to the good people at FilmDev – much less stressful, and their scans are much cleaner than mine. I’m always pleased with their results, and this time is no exception. I don’t think my years-old bottle of Rodinal would have produced such good results, and these days I develop so few rolls myself, it’s not worth replenishing very often.

I’m pleased with both the sharpness and detail obtained from these 35mm negatives – none of the washed-out grey I dislike so much in black and white film. The images posted below only have a small amount of Clarity added in Lightroom – nothing else.

I’m pretty blown away by the detail in these shots. They were taken in almost complete darkness, lit just by the dim streetlights of The Fleece (above left), resting the camera on a picnic bench. The fact that I can still get fun shots without lugging around a tripod and flash, make T-Max P3200 a fantastic film stock for nights out. Sure, it’s not a budget film, but it’s worth the extra few pounds, for the results.

A love letter to Kodak T-Max P3200 I've always had a love/hate relationship with monochrome film. In 35mm format, I've often found it wanting.

[wankelmuths90sdiary]

Berlin, 1999

[wankelmuths90sdiary]

modern dance

Berlin, 1991

[wankelmuths90sdiary]

modern dance

Berlin, 1991

[wankelmuths90sdiary]

modern dance

Berlin, 1991

[wankelmuths90sdiary]

modern dance

Berlin, 1991

[benoitfelten]

*Vertical Lines* Minox 35ML + Kodak T-Max 400 @ 800 ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Despite the eminently vertical nature of Hong Kong, it's not that often that you find high points for photography. This is shot through a window on the 7th or 8th floor of Hysan Place in Causeway Bay. I like the alignment of buildings, it's very Hong Kong. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ #filmphotomag #shootfilmmag #filmfeed #lonelyanalog #filmismorefun #thefilmcommunity #filmwave #back2thebase #deathb4digital #FilmShootersCollective #analogfeatures #argentiquesamere ⠀⠀⠀⠀⠀⠀⠀⠀⠀ #minox35 #kodaktmax400 ⠀⠀⠀⠀⠀⠀⠀⠀⠀ #blackandwhite #bnwmood #bnw_atmosphere #ShadesofGrey #bnw_greatshots #masters_in_bnw ⠀⠀⠀⠀⠀⠀⠀⠀⠀ #lookingupatbuildings #chitecture #lookingup_architecture #architecturehunter #ilovebuildings #cityscapes #urbanromantix #urbanrising (à Causeway Bay) https://www.instagram.com/p/CEB9V_KHbPX/?igshid=l8cg01adl6vm

[benoitfelten]

*Tai Hang Nap* Minox 35 + Kodak T-Max 400 @800 ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Tai Hang is wonderful because life is on the streets. Which means that the national Chinese sport of napping everywhere is in full display! ⠀⠀⠀⠀⠀⠀⠀⠀⠀ #filmphotomag #shootfilmmag #filmfeed #lonelyanalog #filmismorefun #thefilmcommunity #filmwave #back2thebase #deathb4digital #FilmShootersCollective #analogfeatures #argentiquesamere ⠀⠀⠀⠀⠀⠀⠀⠀⠀ #minox35 #kodaktmax400 ⠀⠀⠀⠀⠀⠀⠀⠀⠀ #blackandwhite #bnwmood #bnw_atmosphere #ShadesofGrey #bnw_greatshots #masters_in_bnw ⠀⠀⠀⠀⠀⠀⠀⠀⠀ #streetshooter #life_is_street #streets_vision #streetleaks #streetscene #streetsgrammer #wearethestreet #xplorethestreets #rawurbanshots #streetclassics (à Tai Hang Village, Hong Kong) https://www.instagram.com/p/B_RpWMen4n9/?igshid=14jzgi0q5zj7t