#khusbu

[inlovewithfictionalbeings]

Ayushmann Khurrana the voice you have 🤌🏻🤌🏻🤌🏻

[diwanfashion]

Al khushbu Ready to ship single pakistani Suits

https://ift.tt/9CeZENi

[divyasitara]

Phulon ki dukaan kholo, khusbu ka byapaar karo,

Ishq khata hain toh, ye khata ek baar nhi, sau baar karo.

Rahat Indori

[thozhar]

Gulf migration is not just a major phenomenon in Kerala; north Indian states also see massive migration to the Gulf. Uttar Pradesh and Bihar accounted for the biggest share (30% and 15%) of all Indian workers migrating to GCC1 countries in 2016-17 (Khan 2023)—a trend which continues today. Remittances from the Gulf have brought about significant growth in Bihar’s economy (Khan 2023)—as part of a migrant’s family, I have observed a tangible shift in the quality of life, education, houses, and so on, in Siwan. In Bihar, three districts—Siwan, Gopalganj, and Chapra—send the majority of Gulf migrants from the state, mostly for manual labor (Khan 2023). Bihar also sees internal migration of daily wagers to Delhi, Bombay, and other parts of India. Gulf migration from India’s northern regions, like elsewhere in India, began after the oil boom in the 1970s. Before this time, migration was limited to a few places such as Assam, Calcutta, Bokaro, and Barauni—my own grandfather worked in the Bokaro steel factory.

Despite the role of Gulf migration and internal migration in north Indian regions, we see a representational void in popular culture. Bollywood films on migration largely use rural settings, focussing on people who work in the USA, Europe, or Canada. The narratives centre these migrants’ love for the land and use dialogue such as ‘mitti ki khusbu‘ (fragrance of homeland). Few Bollywood films, like Dor and Silvat, portray internal migration and Gulf migration. While Bollywood films frequently centre diasporic experiences such as Gujaratis in the USA and Punjabis in Canada, they fail in portraying Bihari migrants, be they indentured labourers in the diaspora, daily wagers in Bengal, or Gulf migrants. The regional Bhojpuri film industry fares no better in this regard. ‘A good chunk of the budget is spent on songs since Bhojpuri songs have an even larger viewership that goes beyond the Bhojpuri-speaking public’, notes Ahmed (2022), marking a context where there is little purchase for Gulf migration to be used as a reference to narrate human stories of longing, sacrifice, and family.

One reason for this biased representation of migration is that we see ‘migration’ as a monolith. In academic discourse, too, migration is often depicted as a commonplace phenomenon, but I believe it is crucial to make nuanced distinctions in the usage of the terms ‘migration’ and ‘migrant’. The term ‘migration’ is a broad umbrella term that may oversimplify the diverse experiences within this category. My specific concern is about Gulf migrants, as their migration often occurs under challenging circumstances. For individuals from my region, heading to the Gulf is typically a last resort. This kind of migration leads to many difficulties, especially when it distances migrants from their family for much of their lifetime. The term ‘migration’, therefore, inadequately captures the profound differences between, for instance, migrating to the USA for educational purposes and migrating to the Gulf for labour jobs. Bihar has a rich history of migration, dating back to the era of indentured labor known as girmitiya. Following the abolition of slavery in 1883, colonial powers engaged in the recruitment of laborers for their other colonies through agreements (Jha 2019). Girmitiya distinguishes itself from the migration. People who are going to the Arabian Gulf as blue-collar labourers are also called ‘Gulf migrants’—a term that erases how their conditions are very close to slavery. This is why, as a son who rarely saw his father, I prefer to call myself a ‘victim of migration’ rather than just a ‘part of migration’. It is this sense of victimhood and lack of control over one’s life that I saw missing in Bollywood and Bhojpuri cinema.

— Watching 'Malabari Films' in Bihar: Gulf Migration and Transregional Connections

[hickey-natsu]

~23/8/24

Sab kuch yahin hai bas tum nahi ho ,

Hai suraj bhi yahin roshini deta hua

Par meri roshini yahan tum nahi ho

Hai chaand bhi yahin andhere me sath deta hua

Par mere sath yahan tum nahi ho

Hai vayu bhi yahin sabko jaan dete hue

Par meri jaan yahan tum nahi ho

Hai paani bhi yahan sabko zindagi dete hue

Par meri zindagi yahan tum nahi ho

Hai khusbue yahan hazaro phoolon ki

Par mere phool yahan tum nahi

Hai uche pahad mann ki shanti ke liye

Par meri shaanti yahan tum nahi

Hai haseen vadiyan aankhon ke sukoon ke liye

Par meri aankhon ka sukoon yahan tum nahi

Hai hazaro jeev jantu yahan pyaar me

Par mera pyaar yahan tum nahi

-natsu

[scribblesbyavi]

Not on instagram or any such social-media site for a while, almost been a month actually. Just goes to show that you don’t really need it. It’s just an acquired habit by us to get away or pass our time, mostly in an unproductive manner. So many better things can be done with that time actually. Plus I’m getting to stay away from all the toxicity and crap that people keep posting. So all good that way I guess.

But then again we also miss out on things that we should really talk about as a generation and also as a society at large. That’s why I’m making this my medium to talk about that as well.

A class X girl taking away her life because she couldn’t handle the pressure to score more marks. Whatever the reason may be, the fact that she’s feeling so much pressure that she decided to take her own life, that in itself is a failure of us as a society. We couldn’t be better, we couldn’t create a more suitable environment for her to communicate and solve her problems. And the very fact that she somehow feels sorry and held herself responsible is truly heartbreaking. I don’t understand where we are heading with this and what are we trying to achieve.

It’s the same story every damn time and I don’t know what to feel and how to solve this. If we keep doing this then we will keep losing many more Khusbus.

To someone who’s in that stage of their life or any similar phase and you feel pressured due to your studies then just know that you’ve your own worth. You’ve your own thoughts, you’ve your ideas, way of doing things and so you’re unique in your own way. You don’t need to validate your worth just through an exam. It’s alright if you’ve tried and given your best. It’s enough. You can always try next time if you want to give better. You’ve to communicate in times of need to someone who will understand you.

And just know that there are endless possibilities in life and you can contribute in your own way. You must start valuing this life that you’ve got and most importantly yourself. You’re enough. You’re worth it.

Avis

[orgasming-caterpillar]

mood aashiqana hai 🥰🥰🥰🥰 subah ghar jaana hai 🌞🌞🌞 tune kaisa jaadu hai kiya ✨✨✨

Shringar tera yauvan, yauvan hi tera gehna

Tu taazgi phoolon ki, kya saadhi ka kehna

Ude khusbu, jab chale tu

Ude khusbu, jab chale tu

Bole to baje sitarrrr 💕💕💕💕

[piyatosenainanalaagere]

Adhu Teri kaaya

Sholashigaar main sajalu

Sangam ki ye Raina

Ismai toyhaar main maanalu

Khusbu Teri chuke... kasturi ho jau

Itni fiki thi main sinduri ho jau...

Sur se jara sehami hue

meri duniya thi badi besuri...

Sur main tere dhaalne laagi

Bani re piya main bani basuri

[lyricsssdotin]

Madhuban Khusbu Deta Hai Lyrics

Singer:Yesudas, Anuradha PaudwalAlbum:Sajan Bina Suhagan (1978) Madhuban khusbu deta haiSagar sawan deta haiJina uska jina hai jo oro ko jiwan deta haiMadhuban khusbu deta hai Suraj na ban paye toBanke deepak jalta chalSuraj na ban paye toBanke deepak jalta chalPhool mile ya angareSach ki rahon pe chalta chalSach ki rahon pe chalta chalPyar dilon ko deta haiAshkon ko daman deta haiJina uska…

[sahaniautozonellp]

🎉 A big round of applause for Mr. Khusbu Lalabhai Valand on acquiring a MG HECTORP PLUS 7 SELECT DE! Your new set of wheels from Sahani Autozone signals the start of countless road trips and smooth journeys. Drive in style and relish every drive. Wishing you safe travels and fun adventures! Drop by for your next ride: 📍 Sahani Autozone Survey No. 256, Hissa No. 3 & 8, Opposite Sai Service Pvt. Ltd, Bus Stop, Fatherwadi, Golani Naka, Vasai East, Vasai-Virar, Maharashtra 401208 For more details, WhatsApp us 📲 at 7028956610 #SahaniAutozone #KhusbuLalabhaiValand #MGHECTORPLUS #RoadTrips #NewCar #SmoothJourneys #DriveInStyle #SafeTravels #CarAdventures #VasaiEast #VasaiVirar #MaharashtraCars #AutoSales #CarOwnership #LuxuryWheels #VehiclePurchase #CarShowroomVasai #WhatsAppAutoInquiry

[surajsinghmas11111]

https://youtu.be/2g1Oesv9tLE

Turn up the beat by a notch, with *"#ReelBanaye* On *@zeemusiccompany 🎶 as PRODUCER*🔥

SONG OUT NOW! 🔥

*Plz watch & tag me @surajsinghmas & like & share subscribe* 🥰

Audio & video Credits:

Producer : Suraj Singh Mas

Singer: B Show

Rapper: Kavira

Lyrics: Kavira

Music & Composition: B Show

Mix & Master: Neel D

Music assistant: RD

Co.producer : Avanish Sharma (Blue Sapphire Films UK)

Introducing: Monika Dewangan

Director: Prottoy Bhowmik

DOP: Prottoy Bhowmik

Production manager: Jhon Lobo

Production house: Suraj Singh Mas Films & Backdoor Films

Co-Production: Rajugopal Podala

(Joburg Entertainment)

Creative Producer:

Karthik Ganeshan Iyer & Shahezad Lakhani

Creative director: Gahna Wadhwa & Shruti Shukla

Executive producer: Vivek Agarwal

Line producer: Sachin Deshmukh

Choreographer: DC David

Assistant: Sia Ojaha & Sumeet Singh

Art director: Prachi Tiwari & Kushal M. Singh

Costume: Shivendu Shekhar & Brijesh Sengar

Assistant director: Jahnavi vyas & Anjali Dev

Makup & hair : Sharukh azam khan (Divyanka tripathi parsonal) & Trinity Das

Poster design: Anurag thakare

Casting: SSM Films agency & MFI Bollywood casting company

Casting assistant: Kalim Akhtar

Editor & VFX: Sparsh Gupta

PR & pramotion & news: Sunil gyandev Bhosle & Saloni Gulati

Special thanks 🙏

Director RAM RAJA DWIVEDI

&

team (Bros)

Vansh panday (Dismantlemedia)

Arprit dubay

Archit Rege

Rishi & Harsh

&

Director Rajiv s.Ruia Sir

V KEY

Sahib Shrivastav

Khusbu Gupta

Kapil Sharma

Anubha Gupta

N C Dey

Tapasi Dey

Rajat Taneja

Neeta Gupta

Anagha Bhandari

&

Director Yogesh Mishra (Indian film academy) & Manoj vishwakarma

&

Singer & actor & producer Satnam Rekhi (just Rekhi)

&

Dharam Gupta

(Rapchee Originals)

&

Ranjith Prabhu Deva

(Maxx Candyy Entertainment)

@surajsinghmas @surajsinghmas_films

@rapperkavira

@bisshodey

@monikadewanganofficial

@prottoy_officalinsta

@gahnawadhwa @bsfilmsuk @rajpodala @karthickism @man_marziyaannn @vivekagarwal0710 @sachin.deshmukh_80 @dcdavidchoregrapher @prachitiwari090292 @thakurshivendushekhar @brij_fashion @jahnavivyas_ @anjali_dev_krishnarun @mfibollywood_casting_company @mr.vnh @dismantlemedia @architrege @dubeearpit @just.rekhi @dharamduttjgupta @ranjith_prabhudeva_official @rajiv_s_ruia

@indianfilmacademy

@SHEZZ_LAKHANI

@ram_raja_dwivedi

#surajsinghmas #surajsinghmasfilms

#themas #ssmfilmsagency #surajsinghmasfilms

#motivation #motivationmonday #gamechangers23 #businessmindset #entrepreneurmindset #successtips #entrepreneurquotes #inspirational #motivationalquotes #successful

#wrong #crap #fool #some #careless #blame #dontwait #selfishness #mistakes #trust

[syedwrites]

VO NAHI THI VHA LEKIN..

Aaj uski building m chakkar lagaya. Vo to nahi thi vha lekin shyd uski khusbu aarhi thi. Vo to nahi thi vha lekin shyd uska ehsas horha tha. Vo to nhi thi vha lekin shyd khi n khi vo dikh rhi thi. vo to nhi thi vha lekin deewaro p uska naam likh ayya m. vo to nhi mili vha lekin jo naam sirf use pta tha uske kamre ki deewar pr vo naam likh aya m. Is hi soch m ki kya pta kabhi n kabhi to vo use dekhe padhe or shyd use yad aye ki tha ek ashiq jisne use JANNAT ka darja diya tha jiski usne ehmiyat nahi rakhi.......!

[kpdreamhomes]

Kp Dream Homes

Khusbu Panchal transitioned into real estate after a 13-year career in Health care setting as well as in various customer service settings. A licensed real estate agent, Khusbu Panchal offers clients a strong foundation in real estate combined with extensive expertise as customer service representative.

Interested People Call Us… Call :- +1 647-909-0778 Visit :- Kp Dream Homes

[sufism786-blog]

✨RAB KI BAKHA KYA HAI - ABDH KI FANAH KYA HAI ? ✨ HAQIQAT E INSAN PER BUZURGANEDEEN KI RAI : ✨ """" Duee jub khatam hoti toh touheed khayam hoti hi"'''" . Baat khol kar kah du ger na ho uljhan, Ye Hazrat E Insaan Na Rooh Hi Na Badan ( - Allama Iqbal ) . Hull ho Sakal na Maslah Jabr Wa Ikhtiyar Is fiker Mein Har Ek Pareshan kab se hai Har fa'al Amr Rooh Hai Har Rooh Amr Rabbi Hai Sabit huwa ke Har Ek faal Amr Rab Se Hai (- Amjad Hyderabadi ) (Apki Rooh ki Haqiqat yaha batayi gai) . Kasturi Kundal Basey Mrit (Hiran) Dhunde Bann (jungle) Mahi Aise Hai Ghat Mein RAM hai Moorakh Jane nahi (- Kabeer Daas) (hiran ke ander mushkh chupa hota hi jub uski khusbu aye toh wo sara jungle usey dhundti hi, isi tarah hum bhi hai yaha samajhdar ko ishara kafi hi) . Ziker Wa Fiker wa Shughal Se Ek Mughalam (kuch) Na Hasil Huwa Wasl Janana Tab Huwa Jaan Se Jaana Huwa (- Watan Sha Sahab) (Aap chahe 10 lakh hazar bhi ziker karle kuch hasil nahi hoga, jub tak khudi na beidar ho, Wasl na ho, Ziker se sound power ke alawa kuch hasil nahi hoga) . Kya pani aur kya mitti aur kya hawah kya aagh, tamam tujhse barqarar hai Tere hi saath jism aur jaan ka sabit wa qayam hai, Phir Aain Kaha hai aur Gair kon hai? Zaat teri tamam Sifat hai, aur jumla Sifat teri Zaat hai, Kono Makaan kun fikaan mein tu hai, Bata Aain Kaha hai aur Gair kon hai? Ager mai zaban kholu aur kalam karu toh, kahta hu ke, tamam per 'Ek' ko tujh hi se Qayam hai, Bata Aain Kaha hai aur Gair kon hai? (- az kalam Ulvi Sha R.a) (yaha pura raaz kholdiya gaya) Sabakh : " Munkashif hotey Hai Asraar E Ilaahi Us Dum Bandah Jub Khud Ko Samjh Leta Hi Bandah Kya Hai "" Kayinat me Jaha tak Khayal aur Khwaish ki doud hi Wahan Tak Nafsaniyat he hai, "Mayajaal"(dhoka) he Samajhna Chahiye, Arif log toh Yahan Tak Kehte Hain Ki Hamesha "Be Irada" Rehna chahiye, Irada Rakhna bhi shirk hai, Yani kuch hasil karne ki chahat,,, Allah ke Irade Main Apne Irade ko Fanaa Kar Do, Uske iradey wa marzi se zindagi guzar doa-, Khuda se waqif nahi hai toh marne ke baad jism chorne ke baad kaha jaker kisko miloge? kisme samawoge? kaha taharoge? kabhi soncha? Nahi toh ab soncho? Isiliye Quraan Mein.. (admin ✍️ #amjadnazeeri ) #nazeeri (at KNOW YOURSELF) https://www.instagram.com/p/CmmcCySP05v/?igshid=NGJjMDIxMWI=

[raindropsofloev]

ho tere haatho mein qiwam ki khusbu hai

tumse milna purani dilli mein

[ibctamilnadu]

Thanjavur School Girl Issue is discussed with Piyush Manush who is an Environmental Activist. He shared his opinion about the Ariyalur School Girl Issue and Religion conversion. he also talks about the BJP head of Tamilnadu Annamalai and, Talk about the BJP member of Khusbu.