#jude barry

[yikes-all-over]

The talented Mr. Ripley and Saltburn, what is this genre and will someone please recommend more.

Lil' scammer boys pretending they're not in love.

[aspecialcase]

That scene where Tom is on the boat with Marge and she’s talking about Dickie and… yeah that’s Venetia and Oliver at the dinner party coded….

thoughts have been THUNK.

[hungerofthepining]

Matt Damon and Jude Law for the Talented Mr. Ripley | Jacob Elordi and Barry Keoghan for British Vogue for Saltburn

[alsamara]

This movie was fucked but the artistry deserves an award…. This scene low key reminded me of cruel prince. IYKYK

[oneinchbarrier]

Bathtub.

[brownbitchshit]

Yesterday I watched Saltburn and today I'm watching Talented Mr Ripley without knowing that the former drew inspiration from the latter one. But within first few scenes of Mr Ripley,I was like this feels awfully a lot like Saltburn and I could predict what would unfold.

Honestly now I don't understand the hype around 'Saltburn' even more because the story isn't even original and Matt Damon and Jude Law did it before it was cool.

[iliyad]

talented mr ripley walked so saltburn could run

[badmovieihave]

Bad movie I have Flawless 1999

[geekcavepodcast]

Peter Pan & Wendy Trailer

Disney’s live-action Peter Pan & Wendy takes inspiration from the novel Peter Pan by J.M. Barrie as well as its own 1953 animated film. In this version Wendy is wanting to avoid boarding school and growing up when she meets Peter Pan, the boy who never grew up. She and her brothers travel to Neverland with Peter Pan and Tinker Bell where their adventures will change her life forever.

Peter Pan & Wendy stars Ever Anderson (Wendy), Alexander Molony (Peter Pan), Jude Law (Captain Hook), Yara Shahidi (Tinker Bell), Alyssa Wapanatâhk (Tiger Lily). Jim Gaffigan (Mr. Smee), Joshua Pickering (John), Jacobi Jupe (Michael), Molly Parker (Mrs. Darling), and Alan Tudyk (Mr. Darling). David Lowery is directing from a screenplay by Lowery and Toby Halbrooks.

Peter Pan & Wendy hits Disney+ on April 28, 2023.

[denimbex1986]

'WHO IS TOM RIPLEY? Steven Zaillian’s recent Netflix series adaptation of Patricia Highsmith’s most infamous literary creation starts and ends on this question.

Ripley adapts the first of five books Highsmith dedicated to the exploits of the con artist–murderer-aesthete, and the portion of the story that has been reinterpreted the most: New York shipping magnate Herbert Greenleaf hires the low-level grifter to travel to Europe and convince his vagabond son Dickie (Johnny Flynn) to return to the United States. Highsmith’s novel is a masterwork of crime writing, and Ripley is a chameleonic figure who has been interpreted, alternately, as a charming sociopath, a consummate con man, and a serial killer. He has been played by actors of dizzyingly different registers like John Malkovich in Ripley’s Game (2002), Dennis Hopper in The American Friend (1977), Barry Pepper in Ripley Under Ground (2005), Alain Delon in Purple Noon (1960) and, perhaps most famously, Matt Damon in The Talented Mr. Ripley (1999).

Andrew Scott is the latest and proves to have the most insidiously perfect take on Ripley. The Irish actor, who will be recognizable to many as the “Hot Priest” from Fleabag (2016–19), as well as the maniacal, screeching Moriarty on Sherlock (2010–17), just picked up awards for his performance in the film All of Us Strangers (2023) and the play VANYA, a new reimagining of Anton Chekhov’s classic. There’s little that ties his Ripley to previous Ripleys: Damon’s was lovelorn; Malkovich made him cunning; Hopper, bombastic; Delon’s was mean-spirited; and Pepper, let’s just not. Scott, meanwhile, possesses a soft-featured handsomeness that can “mold into ordinariness” at will. This Ripley is a negative space. He observes and absorbs. Scott’s performance dispenses with charm and charisma almost entirely, in fact, and throughout Ripley’s eight episodes, the character is mostly uncomfortable, ill at ease, and clawing.

Significantly, Ripley is the first adaptation of Highsmith’s character to depict “the unequivocal triumph of evil over good” that she thought her book explored; certainly, it’s the only adaptation that finds Ripley “rejoicing in it.” Ripley will always win. But neither the book nor the series gives us anything to hold on to. There is nothing to root for. Zaillian and Scott’s narrative, visual, and performance choices empty out Ripley of the charm and emotionality that drove previous adaptations. Here, Ripley is a slippery mask that doesn’t ever quite fit right. And in embracing the character’s elusiveness and refusing to make his emptiness attractive, Zaillian and Scott have given us the definitive on-screen Tom Ripley.

How to film a vacuum of personhood? Zaillian told Vanity Fair that the choice to film Ripley in black-and-white came to him early in the process, and was inspired, in part, by the black-and-white edition of the Ripley book he had on his desk. “As I was writing,” he said, “I held that image in my mind.” The black-and-white imagery strips Ripley’s story of the postcard beauty we’ve come to expect from previous adaptations. While the golden cinematography of Purple Noon and The Talented Mr. Ripley capture the sandy ease of wealthy American expats enjoying bright negronis and crystalline seawater, Zaillian didn’t “want to make a pretty travelogue.” And pretty it is not. While there is much to praise about the moody monochrome cinematography, it doesn’t distract. Ripley’s New York is a rusty compilation of ugly details: the rotten wood of the window, exposed wire covered by a sad little painting of a boat, an overflowing shower, a musty slab of soap, the noise of other people’s bowel movements. When he arrives in Italy, the Mediterranean water is black and inhospitable. It’s a graveyard, not a postcard.

Ripley indulges in repetition and the administrative details of criminality. The paperwork, the travel, and the negotiations are granted much screen time. It’s tedious work, conning people. When we first meet Tom Ripley, he’s running a small-time mail fraud, and constantly looking over his shoulder. It’s his frustration with petty paperwork grifts, rather than any fascination with Europe or love of art, that makes him accept Herbert Greenleaf’s mission. But Ripley is a quick study: by the second episode, he’s got conversational Italian down, and he understands the unspoken rules of Dickie’s lifestyle. And he’s a hard worker. This Ripley practices. He has to, in order to maintain his cover. His forgeries are a craft, and he carries his tools—stamps, glue, a rubber goop to forge passports—with him.

Ripley’s foreignness aids him. In a 1989 essay for Granta, Patricia Highsmith recalled the image that became the genesis of Tom Ripley: a young man walking alone on the beach in Positano, Italy, early in the morning, who “looked like a thousand other American tourists in Europe that summer.” Highsmith never met that man, but the image grew and expanded into the famous character. An American in Europe, becoming acquainted with the ways of living in Italy, France, and Germany, just like Highsmith herself had done. Europe as a concept, not a destination. It was freedom. In the same essay, the author recalls a secret sort of affinity for Europe, one “so deep and important that I might not wish or need to discuss it with friend or family.” I wonder if Zaillian read this very essay. His Ripley, too, looks out at the tiny beach of Atrani, which looks similar to the Positano that Highsmith looked upon, and sees a faraway, solitary figure. In Ripley, people who interact briefly with either Ripley or Dickie see them as interchangeable, just two Americans. His foreignness, ironically, allows him to blend in.

Highsmith’s Ripley holds good taste above everything else, and so does Zaillian’s. Ripley’s lack of refinement is palpable at first. He makes all the wrong choices, sartorially and otherwise (in the film, it’s the lime-green Speedos; in the series, the paisley robe), which puts him on the wrong foot with Marge Sherwood and Freddie Miles. Played in the film by Gwyneth Paltrow cosplaying Housewives of Mongibello, and in the series by a po-faced Dakota Fanning, Marge is as desperately oblivious to her lack of talent as Dickie is. She spends her days scribbling away at a memoir about her experiences in Atrani (which Ripley edits in a delightful montage of disdain) and eyeing Ripley suspiciously. He and Marge find each other equally repellent: he is too “vague” for her to grasp (some light-coded homophobia there) and she is tacky (he throws away the hand-knit scarf she makes for Dickie). As the series progresses, he starts to build up a new persona, one that feels truer to him than “Tom Ripley”: “This was the real annihilation of his past and of himself, Tom Ripley, who was made up of that past, and his rebirth as a completely new person,” writes Highsmith. This new Tom Ripley is suave, well dressed, and well regarded, while Marge is condescended to by the Italian police and drinks too much at parties. And Dickie, well, he’s dead.

The murder of Dickie Greenleaf is a turning point for Ripley. It is his graduation from grifter to murderer and is one of the few constants of every interpretation of the text. In the book, it is semi-premeditated. Ripley conceives of this idea earlier, on the train (always the train with Highsmith), knowing that Dickie is going to politely excise him from his life, from his lifestyle: “He knew that he was going to do it, that he would not stop himself now, maybe couldn’t stop himself, and that he might not succeed,” writes Highsmith. The screen has always reinvented this moment for dramatic effect. In Purple Noon, Ripley stabs French Dickie (renamed Philippe Greenleaf, and portrayed by Maurice Ronet) in the heart, on Dickie’s own boat. A risky, impulsive decision. Ripley stages the murder as quietly rageful: neither man raises their voice, Dickie politely severs their relationship and Ripley’s bludgeoning of Dickie is wordless. He looks at Dickie’s ring, as if for confirmation to proceed before striking him in the head with the oar. It’s not about Dickie; it’s about his lifestyle, one that Ripley feels he deserves more than Dickie.

Anthony Minghella’s The Talented Mr. Ripley interprets this moment as an emotional and moral upheaval, with Ripley pushed over the edge by Dickie’s ferocious rant. Jude Law’s Dickie is a petulant child who wreaks havoc with his limited attention span and oversized charm. His first interaction (and last) interaction with Ripley is bullish: he mocks his untanned skin (“Did you ever see a guy so white, Marge?”), his lack of refinement, his inability to ski, his obvious worship of Dickie. He is violently repelled by Ripley’s desire to be close to him at all costs. So, when the oar strikes his head, we understand. He calls him a “leech,” a “third-class mooch,” and, most damningly in Dickie’s mind, “boring.”

And, in Damon’s hands, he kind of is. ​​In a 1998 interview, the actor spoke about wanting Ripley’s “humanity to come across,” morphing him into someone who does not “ever manipulate anybody” and who “come[s] from a position of pure honesty all the time. He believes what’s happening and he believes the world he’s indulging in.” At this point in his career, Damon was always in the right place at the right time. Both he and Paltrow were Harvey Weinstein’s golden children. Damon, together with his co-writing buddy Ben Affleck, had just earned a best screenplay Oscar for Good Will Hunting (1997) and Paltrow had picked up her statuette for best actress in Shakespeare in Love (1998), both Miramax releases. It makes sense with Damon’s persona and limitations that he would interpret Ripley as a beacon of honesty, an accidentally talented murderer. He was charming, but not electrically so, unlike Law. Politely handsome, unlike the beatific Alain Delon. Smart, but not obnoxious. His Ripley is a charmless striver looking for love, not money.

Minghella’s adaptation is beautiful, turning the story into an overtly queer text, leaning into Ripley’s identity as a closeted gay man in the 1950s who falls for the petty, vagabond Dickie. It works hard to carve out the humanity of Tom Ripley. The film even opens on a note of regret, with Ripley narrating: “If I could just go back, if I could rub everything out—starting with myself, starting with borrowing a jacket …” It’s a different register, and one that tints the entire film with a note of sick, inescapable sadness. In a different way, Ripley and Dickie were intertwined in Highsmith’s first sketches of the character. In her diary, in 1954, she sketched out a character that would, eventually, be split in two:

A young American, half homosexual, an indifferent painter, with some money from home through an income, but not too much. He is the ideal, harmless looking, unimportant looking, numerous enough, kind of individual a smuggling gang would make use of to handle their contacts, hot goods.

Minghella leans into this merging of identities visually, using mirrors and twisted reflections, all tinted with an overt, and one-sided, desire on Ripley’s part. In Minghella’s version, it’s Dickie who ruins Ripley, setting him on a path of lies and other murders to cover up that initial murder, which ends with him killing the one person, Peter Smith-Kingsley (Jack Davenport), who seemed to see good things in him. Ripley is desperately lonely, encased in shadows.

Zaillian’s Ripley, meanwhile, is all shadows. Gothic, even. This is where Tom Ripley feels most at home, alone but never lonely. Even in the dark, he is not corroded by the darkness that threatens Damon’s Ripley. This Ripley is on a journey towards comfort and beauty. Once he arrives in Italy, he is smitten not with Dickie himself but with the possibility of beauty and the tranquility that the Greenleafs’ money can afford him. If anything, Dickie Greenleaf is the least interesting character in Ripley. Johnny Flynn’s take is not rude, or irascible like Jude Law’s. He might even be considered kind, at times, although deeply, pathetically uninteresting. A laughably mediocre painter, Dickie doesn’t seem to care about much at all: not about his parents, his money, or Marge. When Ripley first meets Dickie and Marge, they are asleep, napping on an Italian beach. He casts a shadow over them. But Ripley is not particularly motivated by murder. It is, like most things, tedious, hard work. The disposal of Dickie (and, later on, of Freddie Miles) takes up more screen time than the murder itself. It is almost comically extended, including a little sit-down to rest after disposing of the corpse. After he bludgeons and disposes of Freddie (Eliot Sumner), Ripley has to go all the way back to the site where he dumped the body to retrieve an incriminating object. Ripley revels in repetition, in its protagonist treading the same steps repeatedly. It is through sheer dumb luck that he isn’t caught, not through his cleverness. And Ripley delights in the lucky tedium of Tom Ripley’s crimes.

The blandness of Dickie and his cohort’s characterization stands in sharp contrast with the undeniable, easy gorgeousness of their lives. Dickie’s villa overlooking the town, his marble floors, his Montblanc pen, and his Picasso, casually hanging in his study. They are so used to it all that they fail to see the value of it, or how intensely Ripley wants what they have, not who they are. Ripley never asks for anything, but in a rare moment of honesty—hidden in plain sight, buried in a rant against refrigerators—he talks about freedom. For Ripley, freedom is not just money but also the invisibility it can buy.

This Ripley covets symbols, things that will act as signifiers of the freedom that wealth can afford. Like the Ripley in the books, who is largely uninterested in sex, desire is not his driving engine. Instead, it’s covetousness. As Scott pointed out, Ripley has an “almost sensual relationship with things.” The moment Ripley walks into Dickie’s house, he comments, “Nice pen,” and promptly pockets it. Dickie doesn’t even notice. That pen casually reappears as Ripley alternates between signing his name or Dickie’s. The camera foregrounds objects, returning to the same ones over and over again, like a murderer returning to the scene of their crime: Dickie’s typewriter and signet ring, the glass ashtray. Every time he settles into a new room, Ripley lovingly sets out his things. He does not imbue them, however, with any sentimentality. He’s not keeping Dickie’s things because they remind him of Dickie, but because they’re nice things and he would like to have them. There is pleasure to be found in objects, as much as there is in art. In the last episode of Ripley, he is gifted Dickie’s ring by Herbert Greenleaf. His work is finished. He has killed Dickie twice over. And he gets to keep the ring. In the end, Tom Ripley is where he wanted to be: alone and surrounded by beautiful things. Dickie is just another object to him, and when he speaks of Dickie, he’s really talking about himself: “Everything about him was an act.”

Art critics speak of negative space as the area surrounding a subject. The brilliance of Ripley lies in how it understands Tom Ripley not as a subject possessed of rich interiority but as the oppressive, empty space that defines those around him. He is the darkness that overtakes Dickie, Marge, and Freddie. Beautiful things smooth out the rough edges of Tom Ripley. As the series progresses, and the Ripley we first meet is well and truly annihilated, something truer emerges: an impeccably dressed black hole.'

[yikes-all-over]

Aha! I knew I wasn't the only one who saw it

"You give me the creeps." - The Talented Mr. Ripley (1999)

"You make my fucking blood run cold." - Saltburn (2023)

[hemeruni]

Do you know which characters from sparklecare aren't owned/designed by KC? I'm curious since now I'm discovering a lot of characters that weren't made by kit that I thought were made by her

Uhhh let’s see here… I have a list I got from one of the ZCP members so I’ll copy and paste it under the read more.

main patients

barry - kittycorn

uni - kittycorn (design derived from the warden from superjail)

carrie - spacey

hemera - louise

jay - jay

mal/ame/susey - backstory by chaos, mal by soap, ame by everyone, susey design elements by chaos + character by kittycorn

side patients

miley - kittycorn

bec - jude

jandy - charlie

scratch - donnie

pepper - cinnamon

polly - carmen

finn - cupid

reese - seb

kiki - cinnamon

orange - casey

jean - chaos

chipsky - jay

shekann - jay

mel - donnie

archy/cyn - archy by charlie, cyn by donnie

main staff

mood - kittycorn, idea by chaos

doom - kittycorn, rat + spider idea motif proposed by wolf during preboot

rem - chaos

funfi - charlie

harts/puppy - harts by jane, puppy redesign by donnie

cuddles - kittycorn

side staff

pinata - charlie

snare - [unknown]

party - kittycorn

kills - [unknown]

shortnick - charlie

stone - cinnamon

puzzle - kittycorn

suffuzz/dr bear - suffuz by wolf, dr bear redesign by kittycorn

pyro/dr time - pyro by louise, dr time redesign by kittycorn

outsiders

charles - kittycorn

brigh - kittycorn

mr. v - kittycorn

dr. k - kittycorn

prickles - kittycorn

antibody

kisses - kittycorn

lucy - cinnamon

iris - carmen

kathy - chaos

cedric - pj

jen - donnie

big buff wolf guy next to jen - donnie

aiden - jay

honey - casey

tilly - kittycorn i think

tebbot/asli - tebbot by ollie, asli by casey

cometkids

ally - [unknown] apparently KC didn’t make Ally so. Say what you will about that

sly - kittycorn

eve - kittycorn

marco - kittycorn

frosty - ame

cream - kittycorn

chem - carmen

nearsiblings

norma - kittycorn

blair - kittycorn

chloe - kittycorn, idea by chaos

levi - kittycorn

tella - kittycorn

errie - kittycorn

violet - kittycorn

alphie - kittycorn

jolly - kittycorn, idea by chaos

soob - kittycorn

misc cometcare

faerie - rj

miscellaneous

sewer gators

green & pink gator (name unknown) - cupid

blue & pink gator (name unknown) - charlie

red and green gator (jim bow) - casey

v3 actors

plight - cinnamon

goat lady - carmen

charlene - cinnamon

nurse care - chaos

dr happy - casey

Rem's family

kid - kittycorn

maddie - chaos

AND FINALLY

preboot exclusive

bark - wolf im pretty sure Someone by the name of Audio

[mostbelovedqueer]

Most Beloved Queer Character - submission list

A

Ace McShane (Doctor Who)

Achilles (Greek mythology)

Adora (She-ra and the Princesses of Power)

Aika (Pretty Pretty Please I Don't Want to be a Magical Girl)

Alec Lightwood (The shadowhunter chronicles)

Aled Last (Osemanverse)

Alex Fierro (Magnus Chase)

Alphys (Undertale)

Alucard (Hellsing Ultimate)

Alucard/Adrian Tepes (Castlevania (TV))

Alvis (Xenoblade Chronicles)

Amity Blight (The owl house)

Andrew Minyard (All for the Game)

Anthony J Crowley (Good Omens)

Armand (Interview with the Vampire (TV))

Asami (Avatar: Legend of Korra)

Astolfo (Fate/Grand Order)

Aziraphale (Good Omens)

B

Ballister Boldheart (Nimona)

Barney Guttman (Dead End: Paranormal Park)

Becky Allen (Osemanverse)

Ben Mitchell (Eastenders (British Soap Opera))

Bill Potts (Doctor Who (2005))

Blitzen (Magnus Chase books) C

Calamity Jane (Deadwood)

Caleb Widogast (Critical Role - Campaign 2)

carlos (welcome to night vale)

Castiel (Supernatural)

Catalina Alvarez (All for the Game)

Catra (She-ra and the Princesses of Power)

Cecil Gershwin Palmer (Welcome to Night Vale)

Charlie Bradbury (Supernatural)

Charlie Spring (Osemanverse)

Chiaki Ogawa (To Strip the Flesh)

Chika Hanai (Is Love the Answer?)

Clare Devlin (Derry Girls)

Clark Griffin (The 100)

Cole Mackenzie (Anne with an E) D

Dae-sung "Daniel" Jun (Osemanverse (Radio Silence))

Daisy Johnson (Marvel's Agents of S.H.I.E.L.D.)

Darcy Olsson (Osemanverse (Heartstopper))

Dave Strider (Homestuck)

David Rose (Schitt's Creek)

Deadpool/Wade Wilson (Marvel)

dio brando (jjba)

Dirk Gently (Dirk Gently's Hollistic Detective Agency)

Dragona Joestar (Jojo's Bizarre Adventure) E

Edelgard Von Hresvelg (Fire Emblem: Three Houses)

Edward Teach/Blackbeard (Our Flag Means Death)

Edwin (Dead boy detectives)

Eleanor Shellstrop (The Good Place)

Elle Argent (Osemanverse)

Ellie Williams (Last Of Us)

Emily Fields (Pretty little liars)

Enkidu (Lancer) (Type-Moon, specifically Fate/Strange Fake and Fate/Grand Order)

Esperanza Cruz/Spooner (DC's Legends of Tomorrow)

Eustace (Misericorde)

Evan "Buck" Buckley (911) F

Fade / Carlos Quinones (Blood Syndicate)

Fiddleford Hadron McGucket (Gravity Falls)

Fig Faeth (Dimension 20: Fantasy High)

Frisk (Undertale) G

Garnet (Steven Universe)

Gary (Adventure Time: Fionna and Cake)

Georgia Warr (Osemanverse (Loveless))

Gideon Coal (Once Upon A Witchlight)

Gideon Nav (The Locked Tomb series)

Gilgamesh (Archer) (Type-Moon, specifically the Fate series, with Fate/stay night, Fate/Strange Fake, Fate/Samurai Remnant, Fate/EXTRA CCC, Fate/extella and Fate/Grand Order)

Giselle Gewelle (Bleach)

Gonzo (Muppets)

Grell Sutcliff (Black Butler)

Guillermo de la Cruz (What we do in the shadows) H

Harley Quinn (Batman)

Harrowhark Nonagesimus (The Locked Tomb)

Hawkeye Pierce (M*A*S*H (TV))

Hearthstone (Magnus Chase books)

Hedwig (Misericorde)

Helen blackthorn (The shadowhunter chronicles)

Henrietta Wilson (911)

Henry George Edward James Fox-Mountchristen-Windsor (Red White and Royal Blue)

Himiko Toga (My Hero Academia)

Holly Munro (she's a book character only) (Lockwood and Co.)

Hunter (The Owl House)

I

Imogen Heaney (Heartstopper)

Irving B. (Severance)

Isaac Henderson (Heartstopper)

Isabella Yamamoto (Paradise Kiss)

Izzy Hands (Our flag means death) J

James Flint (Black Sails)

Jeremy Knox (All for the Game)

Jesper Fahey (Six of Crows)

Jim Jimenez (Our Flag Means Death)

Jimmy Kaga-Ricci (Osemanverse (I Was Born for This))

Jin Xiaobao (Meet You at the Blossom)

Joey Gutierrez (Marvel's Agents of Shield)

Jonathan 'jon' sims (The magnus archives podcast)

Josephine Barry (Anne with an E)

Jude (Parkdale haunt) K

Kazui Mukuhara (Milgram)

Kenji Hikiishi/Big Sis Magne (My Hero Acedemia)

kenjou akira/cure chocolat (precure)

Kiku (One Piece)

Kim Kitsuragi (Disco Elysium)

Kirby (Kirby)

Klaus Hargreeves (The Umbrella Academy)

Kokonoi Hajime (Tokyo Revengers)

Korra (Avatar: The Legend of Korra)

Kremy Lecroux (Once Upon A Witchlight)

Kurt Hummel (Glee)

Kyoshi (Avatar: The Last Airbender) L

Laila Dermott (All for the Game)

Lambdadelta (Umineko)

Lan Wangji (The Untamed)

Laszlo Cravensworth (What we do in the shadows)

Lestat de Lioncourt (Interview with the Vampire)

Lexa com trikru (The 100)

Lily Hoshikawa (Zombieland Saga)

Link (Legend of Zelda)

Lister Bird (Osemanverse (I Was Born for This))

Louis de Pointe du Lac (Interview with the Vampire (TV))

Luz Noceda (The Owl House) M

Magnus Bane (The shadowhunter chronicles)

Magnus Chase (Magnus Chase books)

malori crowett (mage & demon queen)

Marceline the Vampire Queen (Adventure Time)

Marisa Rahm (Deathwish)

Mark Blackthorn (The shadowhunter chronicles)

Marshall Lee (Adventure Time: Fionna and Cake)

Martin Blackwood (The Magnus Archives)

Masha (The Owl House)

Masquerade (blood Syndicate)

Michael Holden (Osemanverse)

mirabelle (In Stars and Time)

Mizuki Akiyama (Project Sekai / HATSUNE MIKU: COLORFUL STAGE!)

Moiraine Damodred (The Wheel of Time)

Morgan la Fae (Berserker) (Fate/Grand Order)

Murderbot (The Murderbot Diaries) N

Nadja of Antipaxos (What we do in the shadows)

Nandor the Relentless (What we do in the shadows)

Napstablook (Undertale)

Neil Josten (All for the Game)

Nick Hoult (All Saints Street)

Nick Nelson (Heartstopper)

Nico Di Angelo (Percy Jackson/Riordenverse)

Nimona (Nimona)

Nina Zenik (Six of Crows)

Nomi Marks (Sense8) O

Oberyn Martell (A Song of Ice and Fire)

Orikan the Diviner (Warhammer 40k)

Osana Najimi (Komi Can't Communicate) P

Patroclus (Greek mythology)

Pearl (Steven Universe)

Peridot (Steven Universe)

Phaya (The Sign)

Piper McLean (Camp Half-Blood Chronicles)

Pip Quintana (Osemanverse (Loveless))

Poison Ivy (Batman)

Princess Bubblegum (Adventure Time) Q

queen velverosa (mage & demon queen)

Quill Kipps (Lockwood and Co (book)) R

Raine Sengupta (Osemanverse)

Raine Whispers (The Owl House)

Rangi (The Rise of Kyoshi)

Raphael Santiago (The Shadowhunter Chronicles)

Renee Montoya (batman the animated series)

Richard "Ringo" Beckmann (Unter Uns (A German Soap Opera))

Richard St. Vier (Swordspoint)

Riobaldo (Grande Sertão Veredas (The Devil to Pay in the Backlands))

Riz Gukgag (Fantasy High)

Rooney Bach (Osemanverse (Loveless))

Rosa Diaz (Brooklyn 99)

Roxy Lalonde (Homestuck (cough. Epilogues and sequel))

Ryuunosuke Mogumo (Love Me for Who I Am) S

Sahar Zahid (Osemanverse (Heartstopper))

Santana Lopez (Glee)

Sapphire (Princess Knight and Astro Boy)

Sasha Waybright (Amphibia)

Seo Jae Won (The Eighth Sense (Korean BL))

Shinji Ikari (Evangelion)

Shiro (Voltron: Legendary Defender)

Shi Qingxuan (Tian Guan Ci Fu/Heaven Official’s Blessing)

Shuuichi Nitori (Wandering Son)

Stanford Pines (Gravity Falls)

Stede Bonnet (Our Flag Means Death)

Sunil Jha (Osemanverse (Loveless)) T

Taako (The Adventure Zone)

Tara Jones (Osemanverse (Heartstopper))

Tasuku Kaname (Our Dreams at Dusk)

Testament (Guilty Gear)

Tharn (The Sign)

Tim Drake (dc comics)

Tim Stoker (The Magnus Archives)

Todd Chavez (Bojack Horseman)

Togata (Fire Punch)

Tommy Shepherd (Marvel Comics)

Tomoko Kuroki (Watamote)

Tony (EarthBound)

Tooru Mutsuki (Tokyo Ghoul: Re)

Tori Spring (Osemanverse) U

Undyne (Undertale) V

Vee (The Owl House)

Vegas Theerapanyakul (Kinnporsche)

Viktor (Arcane)

Vriska Serket (Homestuck) W

Wei Wuxian (The Untamed)

Willow Park (The Owl House)

Will Solace (Percy Jackson/Riordanverse)

Wylan Van Eck (Six of Crows) X Y

Yamato (One Piece)

Yang Xiao Long (RWBY)

Yawara Chatora (My Hero Academia)

Ymir (Attack on Titan)

Yoon Bum (Killing Stalking)

Yuu Asuka (Stars Align) Z

Zira (Pretty Pretty Please I Don't Want to be a Magical Girl)

Zooble (The amazing digital circus)

If you would like to challenge any submissions, feel free to send in an ask and we will vote on whether they count as canonically queer!

[prettiestlovergirl]

❝ REQUESTS !

" late night devil, put your hands on me "

disclaimers ༊彡⬭ 𓈒  I

✪ please check my rules before you request anything! and please read these disclaimers, if you are in violation of any rules, you will be deleted and/or blocked.

✪ please make sure you have your age in your bio/ pinned on your account! i do not interact with minors!!

✪ there is no guarantee that i will write what you've requested! i do not always have inspiration for things, so please bear with me and PLEASE do not message me/harass me about whether or not i saw your message.

✪ smut is my preferred genre but i am definitely open to writing/responding to other genres! i'm a whore but i love fluff as much as the next girl!

✪ if you want a part two of something, you MUST give me an idea for it!! could be small, could be fully thought out, doesn't matter to me, but there MUST be something i can go off of.

✪ below i have a loooooong list of characters i'll write for, if you see a character you like but is not on the list, please feel free to reach out! i will let you know whether or not i will add them to the list xx

characters i'm willing to write for 𖼐꒱࿐ ִ I

✦ luke castellan ✦ coriolanus snow ✦ sejanus plinth ✦ finnick odair ✦ peeta mellark ✦ anakin skywalker ✦ peter parker ✦ jj maybank ✦ rafe cameron ✦ tim bradford ✦ wesley evers ✦ john nolan ✦ jake peralta ✦ barry allen ✦ james potter ✦ remus lupin ✦ sirius black ✦ tom riddle ✦ mattheo riddle ✦ theodore nott ✦ ares (from pjo) ✦ spencer reid ✦ aaron hotchner ✦ matt simmons ✦ luke alvez ✦ will lamontagne jr ✦ tony stark ✦ miguel o'hara ✦ steve rogers ✦ peter quill ✦ scott lang ✦ harry potter ✦ ron weasley ✦ fred weasley ✦ bill weasley ✦ charlie weasley ✦ percy weasley ✦ george weasley ✦ aaron thorsen ✦ anthony bridgerton ☆ benedict bridgerton ☆ harry hook (ouat) ✦ alex claremont diaz ✦ cardan greenbriar ✦ manny (abbott elementary) ✦ sally jackson ✦ lucy chen ✦ celina juarez ✦ hermione granger ✦ katniss everdeen ✦ johanna mason ✦ padme amidala ✦ sarah cameron ✦ angela lopez ✦ nyla harper ✦ amy santiago ✦ rosa diaz ✦ lily evans ✦ marlene mckinnon ✦ luna lovegood ✦ ginny weasley ✦ fleur delacour ✦ emily prentiss ✦ jennifer jareau ✦ elle greenaway ✦ emma swan ✦ natasha romanoff ✦ yelena belova ✦ kate bishop ✦ carol danvers ✦ wanda maximoff ✦ jude duarte ✦ prettiestlovergirl (fantasize about me, baby <3)

definitely into ༊彡⬭ 𓈒  I

☆ oral fixation ☆ infidelity kink ☆ size kink ☆ brat/brat taming kink ☆ face fucking ☆ tit fucking ☆ thigh riding ☆ daddy/mommy content ☆ domination ☆ sadism ☆ breeding kink ☆ masochism ☆ exhibitionism ☆ squirting ☆ degrading ☆ dirty talk ☆ cum swapping ☆ dacryphilia ☆ overstimulation ☆ gagging ☆ praise edging ☆ biting ☆ marking ☆ cne ☆ dubcon ☆ coercion ☆ breath play ☆ impact play ☆ anal play ☆ legal age gap ☆ threesomes ☆ brother's best friend ☆ best friend's brother ☆ daddy x princess ☆ step-cest ☆ legal age gap ☆ dom x sub ☆ gangbang ☆ bareback/ cream pies ☆ being shared ☆ free use ☆ orgasm denial ☆ brat x brat tamer ☆ knife play ☆ corruption virgin! reader ☆ bimbo! reader ☆ office sex ☆ mean! reader ☆ hair pulling ☆ dark content ☆ fratboy! character ☆ hand kink ☆ dumbification ☆ nicknames: mami, mamas, mama, ma, pretty girl, babe, baby, sweetheart, angel ☆

sometimes into ༊彡⬭ 𓈒  I

☆ somnophilia ☆ olfactophilia ☆ piss kink ☆ arm kink ☆ dry humping ☆ virgin! character ☆ best friend! character ☆ kidnapping kink ☆ thigh fucking ☆ sub! character ☆ sex toys ☆ period sex ☆ orgy ☆ drunk sex ☆ angst ☆ fluff ☆ sex pollen ☆ under the table ☆ noncon play ☆ polyamory ☆ predator/prey kink ☆ bondage ☆ sensory deprivation ☆ fake relationship ☆ cuckhold ☆ pet play ☆ cockwarming ☆ nicknames: babydoll, doll, honey, hon ☆

not into ༊彡⬭ 𓈒  I

☆ tentacles ☆ age regression ☆ professor x student ☆ childhood bedroom ☆ self-harm ☆ suicide ☆ ai ☆ pedophilia ☆ incest ☆ underage characters ☆ race play ☆ race exclusive features ☆ eating disorders ☆ depression ☆ getting caught masturbating and moaning out a name ☆ financial domination ☆ scat ☆ gay for pay ☆ age play ☆ wax play ☆ pegging ☆ feet content ☆ food play ☆ male! reader ☆

[supercalifragipopculturevomit]

WHO'D YOU RATHER?: 100 MALE ACTORS EDITION

A game I often spring on friends who are as obsessed with pop culture as I am is Who'd You Rather?. The terms are loose and we usually do it as a progression (so your last choice is often pitted against a new one). It's light fun but my diabolical goal is usually to torture someone with a choice of nearly equal weight (like I did to myself with the first two selections).

Sharing this here in case anyone would like to join in 😊 My own picks are in bold. If anyone has a round or two for me, feel free to add it in the comment section.

Daniel Brühl vs Benedict Cumberbatch

Cillian Murphy vs Rami Malek

Gael García Bernal vs Diego Luna

Pedro Pascal vs Oscar Isaac

Riz Ahmed vs Dev Patel

John Cusack vs Ethan Hawke

Hugh Grant vs Jude Law

James McAvoy vs Tom Hiddleston

Michael Fassbender vs Tom Hardy

Matthew Goode vs Dan Stevens

Edward Norton vs Sam Rockwell

Brad Pitt vs Colin Farrell

Keanu Reeves vs David Tennant

Matt Smith vs Hugh Dancy

Adam Driver vs Jake Gyllenhaal

Robert Pattinson vs Jamie Dornan

Regé-Jean Page vs Jonathan Bailey

Michael Cera vs Jesse Eisenberg

Andrew Garfield vs Nicholas Hoult

Matt Bomer vs Andrew Scott

Bill Hader vs Paul Rudd

John Mulaney vs Ramy Yousef

Jason Sudeikis vs John Krasinski

Zachery Levi vs Adam Brody

Paul Dano vs Barry Keoghan

Steven Yeun vs Henry Golding

Domhnall Gleeson vs Ben Whishaw

Elijah Wood vs Daniel Radcliffe

Ryan Gosling vs Ryan Reynolds

Hugh Jackman vs Ewan McGregor

Timothée Chalamet vs Tom Holland

Paul Mescal vs Josh O'Connor

Jeremy Allen White vs Aaron Taylor-Johnson

Shia LaBeouf vs Miles Teller

Mike Faist vs Dane DeHaan

Kingsley Ben-Adir vs Daryl McCormack

Mads Mikkelsen vs James Spader

Robert Downey Jr. vs Tom Cruise

Matt Damon vs Mark Ruffalo

Idris Elba vs Michael B. Jordan

Jeremy Renner vs Bradley Cooper

Henry Cavill vs Chris Hemsworth

Chris Evans vs Sebastian Stan

Alexander Skarsgård vs Bill Skarsgård

Austin Butler vs Jacob Elordi

Mahershala Ali vs Sterling K. Brown

Mark Strong vs Stanley Tucci

Steve Carell vs Bob Odenkirk

Michael Shannon vs Bryan Cranston

Joaquin Phoenix vs Christian Bale

[latin5mamii]

feel free to ignore any of my requests (the last two were also me🫣) but i just have a few ideas that i’ll give you but i don’t expect you to write all of them!

•. Jude Bellingham x Jobes Best friend ?? Maybe Jobe and Reader have been friends since they were little and so she’s close with the Bellingham Family and Jobe always teased Reader for her crush on Jude- One day Jobe blurts it out to Jude and feels terrible but it ends up in fluff

•. Jude Bellingham X Singer Reader - maybe the reader is performing at a festival and Jude gets a few of his close mates to come and wait her with them and they all go backstage and are all just supportive

•. Jude Bellingham X Famous Reader - Reader and Jude on red carpet but not together snd the interviewers keep pointing out how Jude keeps n on looking at the Reader ?? And some fluff im not too sure and then they come together and other celebrities see them and just sort of tease them

•. Jude Bel X Footballer Reader (or Just Famous Reader) Who goes on to a podcast - Maybe with GK Barry or something and she just talks about Jude the entire time and if you listen to GK Barry’s Pods you’ll know they can be sort of cheeky so maybe GK Barry just teases the reader

…Sorry..just thought id give ideas of what i’d like to see 🫶🫶🫶 i’m loving your work and thsnkyou!

Thank you for giving me ideas! I’ll absolutely write these and i’ll try to do my best,Love u!💗💗