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sanguineterrain · 2 years ago

Text

it's a feeling that's fine - s.h.

Summary: You accidentally climb the wrong fence on the hottest day of May. It turns out to be the best thing that's ever happened to you.

Pairing: Steve Harrington x fem!reader

Word count: 10.6k

Warnings/tags: no use of y/n, no physical descriptions, etc. reader is in a toxic friendship; she's slightly bullied in that indirect mean girl way, but the toxic friendship ends. reader cuts her finger by accident. drinking and drug mentions. fluff, humor, strangers to friends to lovers, summer vibes, so many princess bride references. steve is super duper sweet!!! post s4 volume 2.

A/N: so if you wondered where i've been for the last two months.... it was in a cave writing this fic. i'm really proud of this one; the reader is a little different than how i usually write, but i hope you'll like her all the same :) if you enjoy this fic, please please let me know through comments/reblogs!

divider by firefly-graphics

Today is hot.

Weatherman Dale had said this morning that today is a record high for May. It’s so hot, in fact, that Debbie Wellerman had called you this morning asking if you wanted to come swim in her pool.

You’d asked if you could dig for worms in her yard. She’d sighed and hung up. You hope that means yes. Joan has been in need of some company. Worms would be good for her.

You go around Debbie’s house and stop at the back gate. The Wellermans are kind of mean and they don’t like it when you take too many cucumber sandwiches. To avoid them, you’ve taken to going through the back gate whenever Debbie invites you over. It works pretty well.

Except today, the gate is locked. Which is weird, because Debbie usually leaves it open. It’s how her boyfriend, Brett, sneaks in during the day, and how Brett’s brother, Chet, sneaks in at night.

You’d asked once why the brothers come over separately. Debbie had gotten mad and kicked you out without giving you any ice cream. You don’t ask about Brett and Chet anymore.

The problem is that you’re wearing flip flops, which are not ideal for climbing fences. Or anything, really. You once climbed a jungle gym in flip flops and skinned both knees.

You slip off your flip flops and fling them over the fence. They land a second later, clapping against the ground. The fence is covered in climbing ivy and tiny red flowers you’ve never seen before. You wonder how Debbie made them grow so fast.

The street is empty, which is nice. Sometimes people in Loch Nora like to yell at people who don’t also live in Loch Nora.

The fence wood is hot but not so hot that you can’t touch it. You stick your feet in the little grooves and start to climb. It’s not too high of a fence, but it’s high enough to warn people who don’t belong here.

That’s never stopped you, though.

Getting over is trickier. You expect Debbie to see you by now, but there’s no sound. She must be inside, or maybe she’s out and forgot she’s invited you. She does that sometimes.

Wood dust clings to your fingers and the soles of your feet. When you’re a foot from the ground, you hop down. Then you turn.

There’s no sign of Debbie. There is, however, a boy.

He’s reclined on an inflatable blue ring floaty in the middle of the pool. He wears sunglasses and red board shorts with little white anchors on them.

He has very pretty hair, both on his head and chest. He also has pretty lips. And arms. All of him is pretty, really. You wish you could see his face properly. He probably has a nice face too. Symmetrical and kind.

The area around the pool is paved just like at Debbie’s—only it’s a lot larger than you remember. There's a patch of dirt next to the gate. You go and crouch at the edge. You don't see any worms. Probably because it's so hot. You'd stay underground too if you were a worm.

You stand and turn to look at the boy again. He looks like he might be asleep.

“Did Debbie invite you?” you ask.

The boy shoots up from the floaty. The shift in weight makes him lose his balance and he topples into the water a moment later. The floaty flips with him.

He resurfaces almost immediately, spitting water and rubbing chlorine from his eyes. You squint.

Yes, you were right. He does have a very nice face.

The water comes up to his waist. He pushes his hair back in handfuls, blinking. Then he fishes his sunglasses out with his foot and sets them on his head.

“Can you swim?” you ask.

He stares at you, blinking.

“What?” he says after a beat.

“Can you swim?” you repeat.

“Uh, yeah? Yes, of course I can swim.”

"It would be bad luck if you couldn’t.”

His brows furrow.

“Because I can't swim,” you clarify.

“I wouldn’t be in the pool if I couldn’t swim,” he says.

“That’s good thinking.”

You sit at the edge of the pool and dip your calves in. He wades closer until he’s about three feet away.

“How did you get here?” he asks.

“I walked.”

“I mean, how did you get in my backyard?”

“Oh. I climbed the fence.”

You peer closer. He looks familiar, but you can’t quite place him.

“Are you Brett and Chet’s triplet?” you ask. “You’re a lot prettier than them. Did their mother feed you extra vitamins?"

His eyes go wide. “Uh… Brett and Chet Kingsley?”

“Uh-huh. Debbie invites both of them over, but never at the same time.”

“Who's—they don’t have a triplet.”

“That’s good. Three’s bad luck.”

“My house number has a three in it,” he says.

“Don’t step on any sidewalk cracks,” you warn.

He tilts his head, tongue poking out like he’s sizing you up. You let him, focusing on his face instead. He has dark, warm eyes the color of black tea. His shoulders are toned with lots of freckles on them. He looks like a boy who’d like Debbie, not you.

“Is Debbie going to be back soon?” you ask. You don’t want to get attached to a boy who’ll just end up wanting Debbie instead. You've made that mistake before.

“Um… if you’re talking about Debbie Wellerman, she lives on the next block over. I’m Steve Harrington.”

“Oh. You’re the guy who fought the monsters.”

He eyes you warily. “Wh—how do you know about the monsters?”

"Who doesn't?"

Steve opens his mouth, then closes it.

“You can’t tell anyone," he finally says.

You shrug and kick at the water gently.

“I have no one to tell. Debbie doesn’t believe in monsters.”

“She doesn’t believe in giving you a key either, huh?”

“She doesn’t usually lock her gate,” you say.

“Well, this isn’t her gate.”

“Yeah. I like your shorts.”

Steve’s cheeks flush pink.

“Are you getting sunstroke?” you ask.

That turns his cheeks pinker.

“No, no." He coughs. "I’m fine.”

“It’s a record high temperature for May,” you say. “That’s what Weatherman Dale said. The highest it's ever been since 1923."

“Yeah, I heard." He nods. "I didn’t wanna run the AC the whole day so, here I am. My friend Robin was supposed to come over, but I guess she bailed.”

“Robin is a nice name. Is she a bird?”

Steve smiles. “No, she’s a girl.”

“Oh. I thought maybe she was a bird you’d made friends with while fighting monsters.”

“Well.” Steve shrugs. “I did sort of make friends with her while fighting monsters.”

“Robins are good omens. They bring luck."

“Huh.”

You swallow. You’re probably talking too much. That’s what Debbie would say. That’s why boys sneak into her yard and not yours.

"So." Steve puts a hand over his forehead to block the sun. "Debbie Wellerman, huh? You don't seem like the type to be her friend."

"Friends can come from the most unusual places," you say. "Like under a tree or at the bottom of the ocean."

"Have you made many friends at the bottom of the ocean?" Steve asks with a smile.

You hesitate. Is he making fun of you? Sometimes, you can't tell. The people in Loch Nora are good at making fun of you without you knowing.

Steve’s hair has already begun to dry, a little crunchy from the chlorine. He doesn’t look like he’s making fun of you.

"Not many. But that's where I found Joan," you say.

"Joan was at the bottom of the ocean?"

"Kind of. I found her in a pond. Then I found her sister, but I lost her at sea and I couldn't swim out to rescue her. It was a sad day. Joan didn't handle it well."

Steve's brows rise. "Wow. I'm sorry."

"It's okay. Joan has been on the incline. I think she's finally ready to get back out there. I wanted to find her company, but I didn't want to disturb your dirt."

“My dirt?”

“Mmhm. I'm trying to make a social club for her."

"Out of dirt?"

"Out of worms."

"Huh."

Steve rests his chin on his arm that's perched on the ledge.

"Your hair is wavy," you observe.

"What? Oh, yeah. I didn't put anything in it."

"Like what? Secrets?"

"No, like, gel. Product."

You nod in realization. "Your hair was so big in school.”

Steve winces. "Yeah. Sorry, I wasn't the best guy back then."

"You were in your chrysalis. You needed time to grow. But then you turned into a butterfly. Or a moth, if you prefer."

"Moths are spooky," says Steve. "They look like they have eyes on their wings."

"Yes. But they're actually friendly. Unless you eat them. Some are poisonous." You lean in, deadly serious. "Don't eat moths."

"Will do."

"No, don't. And warn your Robin too. She might think one looks delicious and meet her doom."

A smile creeps onto Steve's face.

"You're kind of strange," he says. "In the best way possible."

"Thank you."

"Do you want some lemonade?"

"Is it poisoned?"

"What?" Steve startles. "No, of course not."

"No, I suppose not," you say thoughtfully. "You hadn't expected me to climb over your gate, so you wouldn't have had time to poison the lemonade."

Steve stacks one arm atop his other, looking up at you. The ends of his hair have begun to curl. You like it so much.

"What if I pour from the pitcher right in front of you? Will that make you feel better?" he asks.

"You can still put something in my glass," you say. "Or you might have built a tolerance to the poison for this exact moment. Like in The Princess Bride."

"I'm only twenty-one. I would've had to start very young to build a tolerance. Besides, what would be my motivation to poison you?"

You shake your head. "There's no need for motivation. Violent delights. But you've fought monsters, and Lucas Sinclair says you're a good guy. So, yes, I will have some lemonade."

Steve pushes himself out of the pool with ease, dripping water all over the concrete. You stare at the rivulets that hurry down his legs and chest. He has a lot of hair everywhere. You like that too.

He offers his hand and you take it, letting him pull you to your feet. Your shoulder bumps his. Steve's skin is warm. He smells like chlorine and something sweeter. Pineapple, maybe.

"You would do very well as a knight," you say. "If I were a princess, I'd want you to commit yourself to me."

Steve makes a weird noise in his throat.

"Uh, th-thanks," he says.

"You're welcome."

"So you, uh, know Lucas?"

"Yes. He lives on my block. His mom gives me rides sometimes."

You step in through the sliding glass door, which puts you directly in the kitchen. The house is at least twenty degrees cooler. You shiver at the sudden temperature change.

"You don't have a car?" Steve asks.

"No."

"You walked from your house to Loch Nora?"

"I took the bus part of the way. Then I walked."

Steve takes two glasses down from the shelf. Then he opens the refrigerator. You sit at the large kitchen island while he pours.

"Debbie Wellerman has a car," Steve says.

"Uh-huh. A Porsche."

A money car, she'd called it when she got it for her sixteenth birthday. Boys love girls with money cars. Maybe that's why boys don't love you.

Steve hands you a glass. You take a long sip. Your mouth puckers and you scrunch your eyes shut as the acid coats your tongue.

"Shit. Not enough sugar?"

You swallow and open your eyes.

"It's wonderful, Steve," you say earnestly.

"You don't have to lie. I saw your mouth screw up."

"I'm not lying. It's the right amount of sour."

Steve takes his own sip. His lips pucker, and he shakes his head.

"Nope. Definitely needs more sugar."

You cradle your glass in your hands. "Don't take mine. She's perfect."

Steve breathes a laugh, returning the pitcher to the fridge. He sits beside you on the island. He's already developing a slight tan. You wonder if more freckles appear the longer he's in the sun.

"Why doesn't Debbie pick you up?" he asks.

"Why would she pick me up?"

"Because that's what nice friends do. And it's unfair to expect you to come all the way here when the buses don't go through Loch Nora."

"Debbie always expects me to come over," you say. "So I do. She doesn't like my house."

Steve frowns deeply.

"I don't mind the walk," you offer, trying to make him smile again.

It doesn't work. Steve takes another sip. His lips purse, red like cherry candy and shiny with lemonade.

"She should meet you halfway more often," he says, dumping his lemonade into the sink.

You trace shapes into the condensation of your glass.

"I wanted to go rollerblading," you say. "But…"

"But what?" he prompts.

"She didn't. Neither did Brett. They wanted to make out in the pool.”

Steve grimaces. “Sounds like a drag.”

“They make weird noises. Like goats at the zoo.”

Steve snorts. You smile and kick your legs, pleased.

“My friends go rollerblading,” he says. “The kids love to skate at the park. You could come with us one day.”

“You have kids?”

“No, I—” Steve shakes his head, chuckling. “Definitely not. No, they’re only a few years younger than me, but me and the other people our age call them kids. They’re part of our little monster-fighting group. Anyway, uh, y'know. Open invite. If you're ever tired of goat noises."

You stare at him for a minute. He seems nervous, and you can't make out why. Nobody's ever nervous around you.

"Okay," you say. "I'd like to meet your kids."

"Cool. Well, um, I can give you my number. We usually meet up on weekends, but once school ends, any day is game."

Your heart rate picks up. You know this part. Only from a distance, of course. But you know what it means when a boy gives a girl his number.

“You want me to call you?” you ask.

“Yeah. I mean, if you want to. I feel like it’s a little forward for me to ask the girl who climbed my fence for her number. So, um, you can call me. Is that cool?”

Steve looks at you and waits. You chew your lip and nod.

“That’s okay.”

He smiles. “Great! I think I have a pen around here somewhere…”

Steve walks around the table to a stationary caddy on the counter and takes out a blue Sharpie. You stick out your arm, palm up.

"Uh…" He looks at you. "I can find a notepad."

"This helps me memorize things better," you say and wiggle your fingers.

"I don't wanna give you ink poisoning."

"You didn't poison me before. You're not very good at it."

"Isn't that a good thing?"

You shrug. "Depends on your aspirations."

Steve hesitates for another second. Then he takes the top of your forearm and begins to write on the soft underside. He writes slowly, which tickles, but you remain still.

He's so close. You're reminded all over again of his hands and warmth and pineapple scent.

Steve caps the marker. You inspect the writing.

"Good penmanship," you say.

"Think so? Robin says it's chicken scratch. But she can't talk—hers is ten times worse."

"It's neat," you say. "But not serial-killer neat. If I were a graphologist, I would give you the all clear."

"Graphologist?"

"A handwriting expert. I would write in my report, 'not a murderer.'"

"Well, that's a relief," Steve says. "I try to keep the murdering to a minimum."

You hum and finish your lemonade in one gulp.

“Thank you for not poisoning me."

“Yeah, you’re welcome,” Steve replies through a smile.

His smile makes you nervous. A good nervous, though, like you're about to sled down a big hill.

You push yourself off the stool. Steve gets up with you and opens the sliding glass door for you.

“A very stalwart knight,” you say, and walk over to where your flip flops are.

You throw them back over the gate. They land with a clack on the sidewalk.

You find your footholds on the gate and turn to look at Steve.

“It was nice to meet you, Steve Harrington. Don’t fight any monsters by yourself.”

“Whoa, hang on!” He jogs over and lightly touches your arm. It sears your skin like you've been kissed by the sun himself. “I’ll unlock the gate. You don’t need to… climb again.”

Steve pulls the latch next to you. The gate creaks open. You hop off and walk through.

Steve leans against the gate, elbow bent. His bicep bulges. You've never been this close to a shirtless boy. Your stomach flips.

“Are you sure you know where Debbie lives?” he asks.

Your eyes dart from his chest to his face.

“Yes.”

“Really? ‘Cause you didn’t exactly find it the first time.”

“Second time’s the charm,” you say.

“I thought it was the third time.”

“No. Three’s bad luck, remember?”

Steve runs his tongue under his molars, once again staring at you like he’s trying to solve a puzzle. You slip into your sandals while he figures you out.

“Well, um. You can come back if you get lost. Or you need help. Or you wanna look for rocks."

You tilt your head. “You’d look for rocks with me?”

“I don’t know how helpful I’d be—all rocks look the same to me. My friends would probably be better at it than me. But, yeah, I would.”

“Okay. Thank you for your hospitality.”

He grins. “Sure thing.”

You take his hand and shake it. It’s warm and slightly calloused. You wonder if he holds girls’ hands often.

"I hope Robin finds your house," you say. "Goodbye, Steve Harrington."

Then you go.

You do find Debbie’s house on the second try. You hide your Sharpie'd arm behind your back when you enter. Debbie doesn’t ask why you’re late. Brett doesn’t acknowledge you, and you wonder how you mistook Steve for his brother.

“There’s lemonade,” Debbie says as she heads in, Brett at her heels.

You don’t drink any. You know it won’t be the right amount of sour.

Movies are better in the summer. This is a fact you've learned to accept.

There's no dread of the cold after you finish a movie in the summer. The tape ends and you can go outside and still love the real world.

Sorry, we're on a break! the sign on the store window reads in loopy script. You sit on the hot curb in front of Family Video, your yellow shorts bunched around your thighs. Sweat sticks to the back of your neck, and you drag a hand across, then wipe your fingers on your shirt.

From here, you can just see the cement-filled cracks in the asphalt, where the earthquake split the main road two years ago. Because of the cracks, the bus stops three blocks from the plaza, so you'd walked three blocks in the heat.

You hadn't been lying to Steve, though. You really don't mind the walk.

Beads of sweat drip down your forehead. One slips into your eye and burns. You make a fist and press it into your eyelid.

Okay. Maybe you mind a little.

"Hey, neighbor!"

You look up, squinting through the sun. Lucas Sinclair waves at you. You wave back. A girl with two red braids is next to him.

"Hi, Lucas," you say, standing as they approach you on the curb.

"This is my girlfriend, Max," he introduces proudly.

"My congratulations. Getting a girlfriend is no easy feat."

Max studies you for a moment. "I think I should get the credit, considering I said yes."

"Undoubtedly," you say.

"Are you his neighbor?" she asks.

"Yes. Lucas is an outstanding neighbor. You should be very proud of him."

"I believe it," says Max.

"What are you doing?" Lucas asks.

"Lots of things," you say. "Breathing, digesting. But presently, I'm waiting for the video store to reopen. I want to rent The Princess Bride.”

Max snorts. "Good luck with that. Those two take five hour lunch breaks now, ever since Keith moved away. It's barely a business anymore."

"There must be a lot of courses in their lunch," you muse.

"Yeah… uh, we're going to get ice cream. Wanna join?" asks Lucas.

"Okay." You turn to Max. "Will my presence impede your special plans?"

Max squints. "Special plans? Like what?"

"I don't know. Perhaps you've written Lucas a series of sonnets to profess your love."

"A series of what?"

"Poems."

"Love poems are corny," she says.

You wonder if Steve would agree.

"Sometimes corny things are good. When they come from the right person," you say.

Max acquiesces with a hum.

"No love poems today," she says. "You should join us."

So you follow a couple steps behind them to the Baskin-Robbins down the block.

The AC whooshes as you step inside, drying your sweat to your forehead.

“Wow,” Max says with a scoff. “It’s like Starcourt all over again.”

You follow her gaze and spot Steve.

Oh. Steve.

He's in a green Family Video vest. A girl sits across from him, wearing a matching vest. She has cropped hair and a bandaid on one knee.

“Hey, losers!” Max calls. “This isn’t a lunch break.”

The girl flips her off. “The sign says we’re taking a break. It doesn’t specify how long of a break.”

Lucas orders a scoop of strawberry ice cream for himself and a scoop of cookies and cream for Max.

“Yeah, plus, we’ve had a grand total of one customer today,” Steve adds.

“Well, you would’ve had two if you hadn’t been here on your seventeen hour break,” Max shoots back.

He scoffs. “Oh, really? Who?”

“Can I get one scoop of rocky road ice cream with oreo crumble and gummy worms in a cup?” you ask the cashier.

She goes to scoop the ice cream. Max proudly points at you.

“Her,” she says with a smirk. “She wanted to rent The Princess Bride, and now she’s not gonna be a paying customer ‘cause you two are lazy.”

“I would still be a paying customer,” you say.

Max shakes her head at you.

“I’m trying to make a point,” she whispers.

“Oh. You’re doing great."

“Your total is three twenty-four,” the cashier says, sticking a spoon into your cup.

The sound of a chair being dragged across the floor draws your attention. Steve is up, trying to free his leg from under the table. He finally wiggles free and jogs to the counter, wallet in hand.

"Hi,” he says. "I can pay."

“But I have money,” you say, brows knitting.

“No, I know. I—now you can save your money. Do you–do you mind if I pay for you?”

“Will I have to pay you back?” you ask.

“Oh my God,” the cashier mutters under her breath.

You shrink at her tone. You've missed something, evidently. You have no clue what.

Steve glances at her, mouth pinching.

“No,” he says gently, turning back to you. “You don’t have to pay me back. It’s a gesture. As a friend.”

“Oh. Okay.”

Steve gives her the money. You take your ice cream.

“Smooth,” you hear Max say to Steve. He bumps her arm with his elbow.

Steve pulls a chair from another table for you. You all sit down.

"This is, uh…" Steve trails off, turning to you. "I'm sorry, I never got your name."

"You kept calling her Buttercup," the girl says.

Steve whips his head around to hiss at her.

"Robin."

"She's my neighbor," Lucas says.

"We know," Max tells him.

"I don't." Robin raises her hand briefly, shooing Steve away. "I'm Robin Buckley."

"Hi, Robin. Watch out for moths," you say.

She tilts her head and smiles. You look at Steve, who's already looking at you.

"Princess Buttercup?" you ask.

"Well." He rubs the back of his neck. "Y-Yeah, kinda. You mentioned The Princess Bride and, uh, I don’t know your name, so…”

You mull that over.

"If I'm Buttercup, you must be Westley."

Steve's eyes widen. "Uh…"

Robin snickers. Max smirks.

"Interesting shade of red you're turning, Westley," Robin says.

"Shut—"

He kicks her chair leg. She yelps and shoves him in retaliation. Max rolls her eyes.

"Have some class, will you?" she says.

"I'm classy!" Steve insists.

"Not anymore," Lucas says gravely. "Now you're a glorified babysitter."

"Childcare is dutiful work," you say.

Steve grins at you. Your stomach flutters.

“Is that a mud pie?” he asks.

You nod.

“Gummy worms?”

You tilt your head. “How did you know?”

Steve chuckles. “Lucky guess.”

Across the table, the others argue about the classiest ice cream flavors.

“It’s obviously mango sorbet.”

“Sorbet isn’t ice cream!”

“Are they your kids?” you ask.

Steve leans in so you can talk in his ear. His arm is on the back of your chair. If you shift the slightest inch, you’d feel him.

“Minus Robin. Though, sometimes…” He rolls his eyes playfully. “But, um, yeah. Two of them.”

“How many kids do you have?” you ask.

“Let’s see…” Steve counts on his fingers. “Six?”

“Wow. You must be some babysitter.”

“I’m alright.”

You lean in. Steve blinks.

“What’re you doing?” he asks.

“You have an eyelash.”

You swipe the hair off his cheek and hold your finger in front of his mouth.

“You have to make a wish.”

Steve’s eyes slide to you. He gently holds your hand in place. Your heart beats faster.

“‘Kay.” He blows the eyelash away, but doesn't release your hand. “Let’s see if it comes true.”

The numbers stare at you. Taunt you, really.

You practically have them memorized. You’d written them thirty times on a piece of notebook paper. Then you’d shoved that under your bed.

Now you have it taped to your dresser mirror.

You wish you could talk to Joan about it, but she’s bathing in the sink after an unfortunate encounter with a paint can.

The Sharpie is gone from your arm, has been gone for several days now. But if you concentrate, you can see its silhouette on your skin.

You get up and peel the paper off the mirror. Then you go down the hall to your phone.

Carefully, you dial, making sure not to press any wrong buttons.

The phone rings. You rock on your toes.

“Hello?” Steve says.

You freeze.

“Hellooo…?”

“Hi,” you finally say. “It’s Buttercup.”

“Oh!” He sounds so happy. “Hey! Hey, how are you?”

“Good.” You chew on a cuticle. “It’s Saturday.”

“Oh, right! Did you wanna go rollerblading?”

Relief floods you. He remembers.

“Yes. If you’re planning it.”

“I haven’t talked to the kids, but I’m sure they’d be down.” You can hear the smile in his voice. “I can pick you up in twenty?"

“I can walk.”

“C’mon, in the sun? You live on the same street as Lucas anyway, don’t worry about it.”

“Well.” You twirl the telephone cord around your finger so tightly, it threatens to cut off your circulation. “Okay… if it’s no trouble.”

“It’s no trouble,” Steve promises. “I’ll see you in a bit, okay?”

You hang up and run to your room to dig for your skates. They’re stuffed under your bed next to a mini gumball machine. You shove two green gumballs in your mouth and race to the bathroom to check on Joan, nearly slipping on the wood.

“I’m going out, Joan. I think he might… he might like me.” You crunch on the gumball shells and shudder. “What a terrifying thought.”

You pull out the drain stopper and set Joan on a washcloth to dry. Then you go down the hall to put on your sneakers.

Steve arrives five minutes early. You only know that because you spend the whole time watching the road from your curtained window. You shake your hands out, overwhelmed with nerves.

It’s just a boy. He’s only a boy.

The two of you meet halfway. Steve jogs backwards, unusually skillful, and opens the passenger door for you.

“Hey. Does Joan want to come?” Steve asks.

You shake your head. “She’s having a spa day. It’s just me.”

“Well, I’m happy to have you,” he says, sweet and earnest.

You duck inside the car and shake your hands a little, trying to fend off the returning nerves. Just a boy.

“So, that’s El,” Steve says as he gets into the driver’s seat, pointing to a girl with short curls. “And you know Max and Lucas.”

Max nods at you with a smile. Lucas waves.

“Hi, El,” you say. “Cool hair.”

“Thank you,” she says, voice soft. “I like your skates.”

“I found them at a yard sale. You can find anything in a yard.”

"Okay," Steve says. "Everybody buckled?"

“Yes, Mom,” Max mumbles.

Steve catches your gaze and rolls his eyes. You smile.

Briefly, you worry you’ll have to fill the silence and talk about yourself, like people expect you to. But Steve and the kids hold conversation easily. They talk about anything and everything.

They're more energetic than you're used to; Debbie always prefers it to be quiet.

But you don't mind it. You don’t feel lonely like you do when you’re with Debbie.

“Alright, please stay within this area,” Steve says when he parks and everyone gets out. “Within—”

“Shouting distance!” Max yells. “Yeah, we know!”

The park isn't crowded. Most of the paths are clear, so skating will be no problem.

Max gets out two skateboards from the trunk.

“Max is going to teach me how to do an ollie,” El informs you. “Would you like to join us?”

“Maybe later,” you say. “I want to master my yard skates.”

She nods and follows the others to the small skate park on the other side of the trees.

You bring your skates to a bench and sit, lacing them up your feet. Steve is a few feet away, swinging his arms slightly.

“Aren’t you going to join them?” you ask.

“Oh, uh, no. I brought my own skates… I thought maybe we could skate together, if that’s okay?”

“Yes, I would like that,” you say.

Steve beams. “Alright, cool. I’ll go get mine.”

You stand, about to take a step forward—and immediately slip.

Steve reacts instantly, lunging to catch you. One hand grabs your elbow, the other on your stomach. You squeal and cling to his shirt.

“Are you okay?” he asks, helping you stand upright.

“I’m okay,” you say, breath caught in your throat.

You take a step but your foot wobbles. Steve grabs you again. You don’t try to take another step.

“I thought skating would be intuitive,” you say, rolling one skate to test.

“What?”

You look up. Steve’s face is inches from yours. His hair is golden in the sunshine. His eyes lock on your own; his focus sends a jolt of electricity down your spine.

“You know, like how babies are able to swim for the first six months of their lives?”

“Uh…” Steve tilts his head. “No?”

“Oh. Because they were in the womb, they have that ability. ‘Cause they float around in there for nine months, you know? But then they lose it. That’s why we have to learn how to swim.”

“Wow. That’s a cool fact.”

Nobody ever thinks your facts are cool. But Steve does.

“Well, I thought skating would be similar,” you say. “I’ve watched other people skate, so I thought I’d just… do it. I guess I lost that at six months too.”

Steve’s smiling. It’s a gentle smile, though. Not a teasing smile.

“I see,” he says. “I’m sorry for your disappointment.”

“It’s alright. Life is far more than disappointment. No use getting hung up on it.”

“Do you want me to teach you how to skate?” he asks. “I promise I’m good at it. Coach Collins said I could’ve seriously pursued it.”

“So skating for you is like avoiding death for Westley,” you say.

“Actually, I’m pretty good at avoiding death too,” Steve says. “And making grilled cheeses.”

“Triple threat.”

He ducks his head with a laugh, and you feel the warmth of it flow through your own body.

“Sure. Can’t make lemonade for shit, though.”

“I think your lemonade is perfect, Steve Harrington.”

His cheeks are scarlet again. It’s quickly becoming your favorite color.

“I would like it if you taught me,” you say.

“Okay. I’ll get my skates after you get the hang of it. Put your hand on my arm, right here.”

Steve pats his forearm. Carefully, you do as he says.

“I’m nervous,” you confess.

“I got you,” Steve says, cheek brushing your head. “I won’t let you fall, Buttercup.”

Saint Aloysius’ parking lot has the best rocks.

You've never told anybody as much because you imagine the lot would get busy, and you like it empty.

Today, you're searching for a brother for Joan. Ever since that tragic day at Macinaw Island, Joan's been very lonely. It‘s hard being a sisterless sister.

Joan is smooth and round, so you look for an equally smooth and round brother. Commonality is important.

Your knees hurt from squatting, so you sit. The rocks poke your butt.

You hear a car rolling up the hill, engine a soft purr. You stop and turn.

The car is maroon and shiny, with only a couple slight scratches you can't notice unless you look really hard. You don't recognize the license plate, although you have yet to start your record of Hawkins plates.

It putters to a stop in front of Giovanni's Bakery across the street. The car doors open.

"I'm losing my edge, Robs! I made a damn fool of myself. I can't even—"

"Okay, first of all, I feel like we're glossing over the fact that you don't even know this girl. And what she did was technically trespassing."

"Do you know her name?" another voice pipes up.

"No, Dustin, I don't know her name. I don't even know if she lives in Hawkins!"

Their voices disappear as they go inside the bakery. You find Joan a brother, Jack, and Jack finds a wife named Gwen. Gwen isn't smooth and round; she's sharp-edged and will be harder to clean, but she's a muted salmon color and you think she's pretty. You hope Jack will find her pretty too.

As you dig through the pile of rocks, your finger catches on the edge of a broken bottle. It slices your finger. Blood swells immediately.

You put your new rocks in your plastic red pail with your other hand. Then you stand, joints popping as you do so. You stick your ribs out and bend your spine in a stretch.

You cross the street to the bakery, pail in hand. The bell jingles as you enter. You hum the ding-dong under your breath.

"Can I help you?" the man behind the counter asks.

"Hello. Can I have five baci di dama and five of the raspberry sandwich cookies?"

He goes to the display case with a paper bag. You rest your elbows on the counter, pail handles over your arm.

"Anything else?"

"Yes. Do you have a bandaid? I'm bleeding."

The man purses his lips. "No bandaid, sorry."

"That's okay. Just the cookies, then."

"Buttercup?"

You turn. Steve stands before you, wearing his Family Video vest. Robin is beside him, her hair piled into a windblown bun on her head. Another boy, shorter than both, younger, is with them. He waves at you, curls bouncing.

You wave back. Robin squeals.

"Oh my God, what happened to your finger?" she asks, horrified.

"There was a broken bottle in the parking lot."

"Jesus," Steve says. He takes your hand and inspects it. He's so close and warm. All you can do is stare at the freckles on his neck.

“Why were you in the parking lot?” he asks.

“I was looking for rocks. This is the best rock spot in all of Hawkins. Well, after Lover’s Lake. But the pH has been abnormally high there. Probably because of the monsters. So I came here.”

"Hi, I'm Dustin," the boy introduces. “Is your finger okay?”

"Hi, Dustin. I think I’ll survive,” you say. “Dustin means brave warrior in Norse.”

Dustin beams. “Yup. I was named after my grandfather. He served in World War Two.”

"Names are important,” you say. “Joan agonized for days deciding what I should call her. Eventually, I decided for her. A name says a lot about a person. Steve has a warrior and good luck at his side."

"Yep, Steve-o here is pretty blessed to have us. And," he gestures to you, "You are?"

"Hungry," you say, taking your bag of cookies with your free hand.

The bag crinkles as you open it. You hold it out to Steve.

"Do you want one? I promise they’re blood-free.”

"Uh…” He glances at your hand. “Are you sure your finger is okay?”

“She’s a trooper. Survived ink poisoning and everything.” You wave the bag again. “Cookie?”

Steve takes a baci di dama out and pops it into his mouth. He hums as he chews, nodding.

"'S good," he says after he swallows.

"Baci di dama means lady's kisses in Italian," you say.

His cheeks turn pink again.

"You should drink more water," you add. "You turn pink easily."

Robin snorts. Steve holds a hand to his cheek.

"Uh, thanks."

“You’re welcome. Robin, would you like a cookie?"

"No, thanks,” she says. “I'm picking up a tiramisu for my mom's birthday."

"I want a cookie!" Dustin says.

"Dude," Steve hisses.

You hold the bag open to Dustin. He takes a raspberry sandwich cookie.

"So," Dustin says, mouth full. "Are you Steve’s girlfriend or something?”

“Not that I’m aware of,” you say.

“Du-ude!” Steve says too loudly, voice climbing in pitch.

“What? You talk about her all the freakin’ time. I needed to know.”

You look at Steve. He rubs the back of his neck and half-smiles.

“Anyway,” continues Dustin. “How do you know Steve?”

"I climbed over his gate by accident on the hottest day of May,” you say.

"By accident?"

"Yes. All the gates in Loch Nora look the same. Except Steve's gate has climbing ivy and little red flowers. It's much nicer than the other houses. It looks like a person lives there. I mistook it for Debbie's gate."

Robin tilts her head at you. You don't care what Steve says; she's a one hundred percent bonafide bird.

Dustin points to your pail, crumbs all over his chin. "Why do you have rocks?"

"They're for Joan," you say.

"Joan? Is she your friend?"

"She's more like my confidante. She doesn't talk much, so I think it'd be presumptuous of me to call her a friend when I have no idea where we stand."

"Navigating friendships can be hard," Steve offers.

"Yes," you say. "They can be."

"Being straightforward can help a lot," he continues. "It, uh, at least helped me. That way the other person knows what you mean. No room for miscommunication."

You nod. "That's good advice. I'll have to try that with Joan. Sometimes she can be kind of hard-headed."

You roll up your bag of cookies and reposition your pail on your arm so the metal doesn't dig into your skin.

"It was nice to meet you, Dustin," you say. "Goodbye, Steve and Robin."

"Wait!"

Steve holds the door for you and follows you out. He still smells sweet, like pineapple, and also a little woody. He touches the small of your back, sending a bolt of electricity down your spine.

"I have a first aid kit in my car. Let me wrap your cut."

"Oh." You'd forgotten about it. "Okay."

You follow Steve to his car. He pops the trunk and rummages. You spot a bat with nails.

"Very inventive," you say, pointing at the bat.

Steve laughs shyly. "Yeah, uh, the monsters."

"I definitely wouldn't want to fight you if I were a multi-dimensional monster."

He smiles and takes out a small spray bottle of disinfectant.

"This is gonna sting, okay? But we need to make sure nothing gets infected."

"An infection would be unfortunate," you say. "I'm quite attached to this finger."

He sprays and cleans your finger. You wince and Steve squeezes your wrist in apology. Then he pulls out bandaids.

"Any preference? I have rainbow, Star Wars, 'cause they're all a bunch of nerds, cats… oh, I have flowers! ‘Cause you’re, uh, Buttercup, you know?"

"Flowers," you say, because Steve's so excited about it.

He nods and opens the bandaid. You hold out your finger and Steve carefully wraps it. He rubs your knuckle.

"Thank you," you say.

"You're welcome. Be careful, okay?"

"I will."

He closes the trunk, swinging his keys on his finger.

"Sorry if that was awkward, by the way," he says. "Dustin, I mean. He can be… blunt."

"It wasn't awkward."

“It wasn’t?”

“No,” you say. “I’m happy you tell people about me. I tell Joan about you all the time.”

"Oh." He nods. "That—that’s good. So… we’re both… uh—”

"Do you want another lady's kiss?"

"What? Oh—" Steve clears his throat. "N-no, that's okay. Thanks."

You take out a raspberry cookie and bite into it.

"Your hair has product," you observe.

"Yeah. No secrets, though."

"Everybody's hair has secrets."

"Even yours?" he asks.

"Especially mine."

Steve rubs the back of his neck. You open your bag and take out another cookie. He looks like he's trying to find the right words to say. You don't mind waiting.

"Hey, do you like barbecue?" he asks.

"I like it as well as anybody else."

"Well, um, I'm having a barbecue this Saturday. Lucas won a big championship game and so we're celebrating his win."

"That's nice," you say. "Congratulations to Lucas."

"Yeah! So, um, did you maybe want to come too? It'll be at my house. You could bring a friend if you wanted. Like Joan."

"Joan is a vegetarian," you say. "But I'm sure she'd enjoy the company."

Steve smiles. He has such a pretty smile.

"We're ordering pizza too, so Joan can have some of that."

"You're a very thoughtful host.”

Then you have a terrible thought. But you have to ask it because if you don't, you might be breaking some kind of invisible expectation. You do that a lot.

"Does Debbie have to come?" you ask.

Steve blinks. "Uh, no? It's not a requirement."

"Some people ask me to parties because they want Debbie to come."

Steve frowns. "That's rude. I wouldn't do that."

"Okay. What time does the barbecue begin?"

"You can stop by anytime. But we'll probably start eating around six."

You nod. "Joan and I will be there at five thirty."

Steve's answering grin is blinding. He must be really excited to meet Joan. You get it; Joan's the life of any party she attends.

"Great, that's great. I'll see you then."

"Bye, Steve," you say.

"Bye," he answers like he's out of breath.

Even the way he breathes is pretty.

Every month, Miles Stanwick throws a party.

Miles is a celebrity in Hawkins, his father being a state senator, and Miles is, according to a drunk Debbie, “the Gatsby to her Daisy.”

You're pretty sure Debbie hasn't read the book. Or maybe she's a living tragedy. Either is possible.

It had been just you two in her room, without the Other Debbie she pretends to be to impress the people of Loch Nora, when she'd told you what it meant to be in love.

"You just know," she'd said, her breath reeking of tequila.

You'd turned your head. Tequila made your nose itch.

"But you love Brett," you'd said.

"Brett is who I'll marry," she'd corrected. She’d sounded so sad. "Miles is all I've got."

Then she'd thrown up all over her carpet. You'd helped her into bed and made a mental note to find her a friend like Joan to keep her company, for when you weren't around.

You don't like parties. They're loud and smelly and usually filled with people you don't like or don't know. And at a party, people you don't like and people you don't know are one and the same.

You would leave, but Debbie is your ride tonight. So you're stuck here until midnight, maybe even later.

Someone plugs in a karaoke machine and that gets most of the party's attention. The music is horribly loud and is the kind that’s just a lot of synthesizer.

A guy jumps onto the Stanwicks' coffee table and knocks over the potpourri dish. Dried petals and orange peels scatter across the carpet.

Debbie appears in front of you, a red Solo cup in her hand.

"What did I bring you here for?" she asks, mouth curled. "To slump on the couch?"

"No one here wants to talk," you say.

Debbie rolls her eyes. "Parties aren't for talking. They're for drinking and making out. Someone's rolling a blunt in the den. Go suck on that, will you?"

The people in Loch Nora are so good at making you feel two inches tall. You wish you'd brought Joan. She'd know what to do.

You've tried alcohol before. Champagne at a wedding. A sip of rum from the Wellermans' liquor cabinet, back when Debbie wasn't so caught up in being just like everyone else.

Maybe it's your fault, too. Maybe you're too good at standing out.

You go to the kitchen. It's already trashed. You step over a spill on the floor. Then you turn around and lay down some paper towels so no one will slip.

There are various bottles of strong liquor strewn across the counters. You decide to try the punch and fill your cup to the top. You sniff it and your nose wrinkles at the whiff of alcohol.

You so badly want to have fun. You want to know what makes all of this worth it. You want your friendship with Debbie to be worth it.

You down the punch in one go. It makes you cough and you scramble for water at the sink. You wonder if the punch is poisoned.

You wobble out of the kitchen a couple minutes later, head already woozy. A girl stands with a drink, one arm folded.

"Where's Debbie?" you ask. The girl winces and steps away from you.

"She went with Miles and some other people to the lake."

Your eyes widen. "No, they can't. There's monsters."

She looks at you like you might be an insect splattered on her dashboard.

"You're Debbie's weird friend, aren't you?"

Weird doesn't make you feel good, like Steve calling you strange did. Weird makes you feel like when a boy in sixth grade stepped on your heels while going up the stairs because he thought it was funny.

"Debbie would've told me," you say.

The girl shrugs. "Guess she ditched you. She can't score with Miles if you're killing the vibe."

Weird tastes like poison in your mouth.

"Debbie was my ride," you say, but she’s already gone.

Your head aches. You try to think on what to do next. It's nearly midnight. No one is awake, and you have no idea how to call a cab.

You find the Stanwicks' phone in the hall and dial the only number you know, besides your own, and the local pizzeria.

"Hello?"

You lean against the wall, phone in both hands.

"Uh, hello? Who is this?"

"H-hi, Westley." Your voice cracks.

"Hey," Steve says, unbearably gentle. "My favorite rock girl. Jesus, it's… midnight."

"I'm sorry," you say.

"No, no, it's alright. I'm just—is everything okay? Are you okay?"

"Debbie ditched me."

Silence. For a moment, you panic that the line's dropped.

"Steve?"

"Where are you?"

"I'm, um, at Miles Stanwick's. The address is… well, I don't remember, but I'll go outside and look for the house number—"

"I know it," Steve says. "Stay right there. I'm coming to get you. Don't drink any more."

Your lip wobbles. "'Kay."

"It's okay," he soothes. "Drink some water. Don't take anything from anybody."

"I just wanted to be fun," you blurt.

"You are fun, Buttercup. Way more fun than anybody at that house, I guarantee it. I'll be there in ten minutes, okay?"

"Okay. Thank you, Steve," you say, no longer feeling so small.

You hang up and go to the kitchen to get more water from the sink. Then you return to the hallway and sit, back against the wall, knees tucked into your chest.

You doze, lids heavy from the alcohol. The next thing you know are two hands on your arms.

You jolt awake. One hand cradles the back of your head so you don't thump it against the wall.

"Hey, hey." Steve kneels in front of you. He brushes your cheek with a cool knuckle. "It's me, it's Steve. Are you okay?"

His hands are cool against your overheated skin. He smells like lemon shampoo.

"My knight," you say.

"I thought Westley was a pirate."

“He was only pretending."

You let Steve ease you up. His car keys dig into your hip.

"Ow," you say dazedly.

"What? What hurts?"

"Keys."

"Oh." Steve shifts you to his opposite side, hand on your back. "Sorry, honey."

"Honey never spoils," you say. "Did you know that? You could dig up honey from a tomb that's thousands of years old and as long as it was stored in an airtight container, it's good to eat."

"I love that you know that."

"Do you really?"

"I really do," Steve says. "C’mon, let's get you home."

Outside, the moon is a dot of cream in the purple sky. The neighborhood is quiet. Most of the houses are also dark.

"I'm sorry for calling you so late," you say.

"Don't be. I'm glad you called me. These parties can get out of hand."

"Debbie left. She went to Lover's Lake with Miles—"

The panic returns, flooding your body. You squirm and Steve tries to keep you steady.

"Whoa, what's—"

"The monsters! There's monsters down there, Steve. I don't like Miles, but I don't want him to be eaten!"

"No, no, no more monsters," Steve assures you. "They can't come through there anymore."

You still. "Promise?"

"I promise."

He helps you into the passenger seat of his car. Steve leans in and pulls the seat belt over you.

"Comfy?" he asks.

"I like you so much, Steve Harrington."

It's too dark to tell, but you suspect he's got another case of sunstroke.

"I, um, like you too, Buttercup. You're really cool."

"Me?" You wave your hand. "No."

"Really," he insists. "You are. The coolest."

If you were Debbie, if you weren't weird in the wrong way, if you didn't go to parties to talk, and if you fit a million other criteria you never will, Steve would kiss you right now. Or maybe you'd kiss him.

But you don't know how to go about that. You don't think it's your right to do such a thing.

So Steve shuts the door and walks around to the driver's seat. You stare at your flower bandaid.

"Four three's," Steve says as he turns the ignition.

You turn your head. "Hmm?"

"The house number. Four three's. That's gotta be, like, astronomically bad luck, right?"

"Without a doubt."

Except you're here with Steve Harrington, and he calls you honey and thinks you're cool. And that doesn't seem like bad luck at all.

"I'm going to a barbecue," you call out.

There's no reply. You close the door behind you.

Joan sits in your pocket. You've tied a purple ribbon around her head, right above her googly eyes. You don't know what the dress code is for a barbecue, but you hope she's not underdressed.

You haven’t spoken to Steve since Miles’ party. You’re not sure what you should say, and you can’t bear the thought of calling him to hear silence.

Even if he doesn’t like you the way you like him, you hope he’ll still be friends with you. Steve and his kids have grown on you. You don’t know if you can go back to who you were before the hottest day of May.

“Material Girl” plays from inside Steve's backyard. You mouth the words as you fling your flip flops over the gate.

"What the fuck?" someone says from the other side.

You climb the gate and shimmy down. It's a good thing you're wearing shorts under your dress.

A boy, lanky and tall but probably Lucas's age, holds one of your flip flops. He stares at you and shakes the shoe.

"Is this yours?"

"Both of them are," you say. "Does Steve like Madonna?"

He grimaces. "Unfortunately."

"Cool."

You spot Steve sitting on one of the deck chairs with Robin and a boy your age with big, curly hair and a Led Zeppelin shirt with cropped sleeves.

"Venus" plays next and you wobble in time with the music as you walk over to Steve.

"Her weapons were her crystal eyes," you whisper. The pavement is warm under your toes.

"Making every man mad."

Steve turns just as you reach him. He stands so fast he shakes the chair.

"Hey!" he says. He sounds out of breath again. "Hey, you came."

"You invited me," you say.

"Yeah, yes." Steve nods. "I did. I'm glad you're here."

"You play good music."

"Ha!" Steve whips his head to look at the curly haired boy. "Suck it, Munson."

"She's obviously biased."

"Munson," you say. "Eddie Munson?"

Eddie freezes under your gaze. Robin and Steve glance at you.

"Yeah, uh, that's me." Eddie smiles weakly. "Look, you might've heard some stuff abou—"

"You helped fight the monsters," you interrupt. "You're very brave."

Eddie's eyes widen. "I—"

"Most people just like to ignore monsters. It takes a really good person to fight them." You turn to Steve. "Do you have orange Fanta?"

"Yeah, sure. I'll get you a can. Feel free to sit… where are your shoes?"

You point behind you. "Your bodyguard had to screen them after I climbed your gate. You have very tight security."

"After you climbed my… wait, Mike? God, I’m sorry about him. I'll get your shoes back."

"It's okay. Flip flops are dangerous weapons. It's only a matter of time before the airport bans them."

Steve tilts his head, eyes warm. "Right. I'll be back. That's Eddie and Robin… you know them."

"I know their names, and that's about all you can know about anybody."

Eddie giggles. You look at him. He doesn't seem to be laughing at you, so you sit where Steve was sitting, across from Eddie's chair. You point at his shirt.

"I like Kashmir."

"Thank God! Somebody with decent tastes."

"I'll listen to anything," you say. "It's important to be a good listener."

Eddie grins. "Words of the wise."

"Where's Joan?" Robin asks.

"Right here." You take Joan out of your pocket and set her down on the edge of the pool chair.

"Sick," Eddie says.

You nod. "The ribbon was my pick."

"I like it," Robin says.

"Thank you."

Steve returns with an orange Fanta for you and a root beer for Robin.

Robin points to Joan. "Steve, this is the famous Joan we've heard so much about."

"That's a rock," says Steve.

"Yep."

"Oh." He nods in understanding. "Joan is your pet rock?"

"Confidante," you correct. "’Pet’ is demeaning."

"Got it. And was Joan's sister also your confidante?"

"No. Joan's sister didn't like me much. She thought I was a bad influence on Joan. But we shouldn't talk about it now. Joan gets very sad when I bring it up."

You open your can. The carbonation hisses. It's itchy and sweet on your tongue.

"I like your hair," you say. "It's fluffy. Like it was on the hottest day of May."

Steve pushes a couple strands behind his ear.

"Thanks. The gel is too much on hot days like these. Weighs me down."

"At least you won't float away." You look at Eddie. "Is your hair full of secrets too?"

Eddie ruffles his hair. "Not as many as Steve's, but I've got a couple in here. 'S what gives my curls volume."

"Hm. Just as I suspected," you say.

"Ste-eve!" Dustin whines from across the yard. "You promised burgers!"

Steve rolls his eyes. "You'd think he's never been fed in his life."

Eddie pats his shoulder. "You've got this, Harrington."

"Oh, no. You wanna eat, you've gotta earn your keep. Come on."

Eddie groans, flinging himself off the chair. "Save me, Buckley!"

"Already did that," she says, pulling her sunglasses onto her eyes. "Never again."

"You should tie up your hair so it doesn't catch fire," you suggest.

"Well, at least somebody cares about me," Eddie declares, pulling his hair into a ponytail.

Steve turns to you and smiles softly.

"Are you hungry? You can have the first pick of the burgers."

"Won't Dustin be annoyed?"

Steve shrugs. "Kid could use some manners. Besides, pretty girls always get the first pick. It's the law."

You follow Steve and Eddie to the grill, pretty girl echoing in your brain the whole time.

Eddie's hair doesn't catch on fire and Steve makes you a perfect burger. The sun sparkles on the pool surface. The kids come out to eat and, predictably, Dustin complains about not getting the first burger.

"Not fair. Just 'cause she's your girlfriend," he mumbles as he goes off to search for the mustard.

You check to see if Steve had heard the comment. He doesn't seem to have; you can't decide if you're relieved or not.

The chairs are all taken by the time you finish fixing up your burger. Steve stands immediately as you approach.

“Here, take my seat,” he says.

“We can share,” you offer.

Steve lets you take the back of the chair, settling at the foot. “You Make My Dreams Come True” plays on the speakers.

“Whoever made this mixtape is a genius,” you announce.

“You like it?” says Steve. “I actually made this one. Robin and Eddie think my taste sucks, but—”

“It’s spectacular.”

He hums, ducking his head shyly. “Well, speaking of spectacular: I made more lemonade, if you want to test it before I unleash it upon the masses.”

“I’ll happily drink your lemonade,” you say. “It’ll build my iocane tolerance.”

Steve grins. “I rented The Princess Bride, by the way. I know you meant to get it a few weeks ago. We can watch it tonight, if you want.”

“You remembered I wanted to watch it,” you say.

He nods. “Well, uh, yeah. Do you still want to? If you don’t, I can—”

“I do,” you say. “Thank you.”

“Yeah, of course.” Steve stands, hand outstretched so you’ll give him your empty plate. “I’m going inside. Anybody want anything?”

“Doritos!” Robin shouts.

“Napkins, please,” El says.

“Cherry Coke!” Mike calls.

“Beer!” Eddie whoops.

“Doritos, napkins, got it. The cooler is right there, Wheeler, and are you kidding, Eddie? No drinking by the pool. Have we not learned our lesson from the last four years?”

“Bold of you to assume I’ve learned anything, Steven.”

“Can you bring us popsicles?” Max asks. “Lemon and grape.”

“Ooh, popsicles sound good,” says Robin. “Bring me one too. Fruit punch.”

Steve sighs, lifting his arms.

“Two hands, guys. Only got two.”

“I can help,” you offer.

“Now that’s a great idea,” Robin says. “The two of you in the kitchen, alone. Really brilliant, don’t you think, Steve?”

Steve glares at her. Then he turns to you, expression softening.

“That’d be great, thank you.”

You follow him into the kitchen. It looks exactly like the last time you were here, except for the food. Steve opens the freezer and digs through the box of popsicles. Then he takes the pitcher of lemonade out of the fridge and sets it on the counter.

“Can you get the Doritos?” he asks. “They’re up there.”

You open a shelf over the stove. The chips are at the very top. You try jumping; all that does is bang your ribs into the counter.

"Whoa, whoa.”

Steve’s hand rests on your back. Your stomach swoops.

"Easy, Buttercup. I’ll get it, sorry ‘bout that."

You frown. "The Doritos have eluded me."

"They’re a tricky bunch," he says, reaching and successfully grabbing the chips.

"I knew you’d best me and succeed."

"Best you?"

"Yes," you say. "Like in a duel."

Steve tilts his head, a tiny crinkle forming in the center of his brows.

"Are we going to duel? Like Inigo and Westley?"

"Not if I can help it," you say. "I'm terrible with a sword."

"I would never try to sword fight you."

"I appreciate that."

His hand slips from your back. You watch it fall to his side.

“Feel free to help yourself to whatever you want,” Steve says as he takes a glass out of the cupboard. “You can also take food home.”

You exhale through your nose and wiggle your fingers a little, trying to stave off the nerves. You wish Joan was in your pocket right now, but you left her on the deck chair.

“Buttercup?”

You look up. Steve has a glass of lemonade in one hand. The top button of his polo shirt is undone. Was it always undone? You can’t remember.

Anyway, he’s beautiful. And you’re so damn strange.

“Yes, Westley?”

Steve smiles. You don’t think anyone has ever smiled at you as much as Steve does.

“Everything okay?” he asks.

He puts the glass in front of you. You glance at it, then back at him.

“Everything’s fine.”

“Are you sure? I won’t force you to drink my crappy lemonade if you don’t want to, y’know.”

“You called me strange,” you blurt. “When we first met.”

Steve’s eyes widen.

“I didn’t mean it in a bad way,” he says softly. “But I won’t call you that anymore if you don’t like it.”

“No, I–I know you didn’t mean it in a bad way. But…”

He nods, encouraging you to continue.

“I’m not like Debbie,” you say.

“I know.”

“I’ll probably never be like Debbie.”

“I much prefer you as yourself,” he says.

“Oh.”

You sip your lemonade. Your lips pucker but you smile all the same.

“Damn,” Steve says with a chuckle. “I really can’t nail that lemonade, huh?”

“It’s wonderful,” you whisper.

He takes a step forward. You set the glass on the counter.

“Can I kiss you?” he asks.

“I would very much like that.”

Steve’s lips are slightly chapped. You taste like lemonade and he tastes like Coke and God, you like it so much.

You loop your arms around his neck like you’ve wanted to do for weeks. He returns in kind, both hands slipping to your waist.

It’s not just a boy kissing you. It’s Steve.

The sliding glass door whooshes open and you jerk your head back in surprise. Max and Dustin trod in.

Dustin shrieks.

“Seriously? This is what was taking you so long?”

“If you were gonna do that, we would’ve gotten the popsicles ourselves,” Max says with a huff, grabbing the popsicles and chips from the counter.

“Told ya they were making out!” comes Eddie’s voice from outside. “I warned you, kiddies!”

They clear out, with one last stink eye from Dustin. Steve shakes his head, nose pressed to your cheek.

“Again, very sorry about them.”

“They wanted to check in on their favorite babysitter,” you say.

Steve lifts his head and rolls his eyes. “I need a padlock or something.”

You hum and lean over to unwrap a popsicle.

“Oh,” you say. “Three left.”

“Three popsicles?”

“Mmhm.”

“Well, that explains it. Astronomical bad luck, right?”

“Actually,” you say, leaning in for another kiss. “I think my theory was wrong.”

#steve harrington x y/n #steve harrington x yn #steve harrington x you #steve harrington x reader #steve harrington x female reader #steve harrington fanfiction #steve harrington imagine #stranger things imagine #stranger things fanfiction #stranger things x reader #stranger things x you #stranger things

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silverzoomies · 4 months ago

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hello !!! i was just wondering if you think there are any other bands peter would like besides nirvana, pink floyd, and rush ?? he gives me classic rock (& just rock in general) vibes tbh !!

anon you just opened up a can of worms !!

i once did extensive research into this. way more than anyone should for a character way past his relevance. and i'm still discovering new tunes i think he'd be into all the time !! i'll try not make this long winded (it will be). but for now...

🎶👾 peter maximoff's (potential) favorite tunes 👾🎶

we already know pink floyd, rush, and nirvana are included. they're shown through the shirts he wears !!

rush is a major one. because unlike the other two, apocalypse era peter has rush all around him !! the rush posters in his basement. the leg cast with "i luv rush." it's safe to say he's kind of a rush fanboy (and he's so real for that because rush is rad as hell).

i have a list of bands/artists i can confirm he canonically likes, as they've been referenced before. whether it be through background clues (posters, background music, etc), or because they were explicitly mentioned by people involved in making the films.

🎶 yardbirds 🎶 the doors 🎶 led zeppelin 🎶 buffalo springfield 🎶 alice cooper 🎶 jim croce 🎶 neil diamond

and while we know he listens to eurythmics (sweet dreams), i don't necessarily include them as a band. just because i personally feel this has less to do with the artist, and more about whatever was mainstream in 1983 (but you can choose to include them if you want !! after all, people mostly listened to whole albums back then).

peter definitely enjoys rock overall. but he doesn't seem averse to mainstream pop either. so we can probably assume he'll listen to anything, as long as it's catchy !!

here's some bands/artists we can assume he likes based on what we already know:

🎶 jimi hendrix 🎶 cream 🎶 the beatles 🎶 fleetwood mac 🎶 queen 🎶 david bowie 🎶 tom petty 🎶 ac/dc 🎶 bon jovi 🎶 journey 🎶 guns n roses 🎶 the eagles 🎶 joan jett & the blackhearts 🎶 deff leppard 🎶 tears for fears 🎶 michael jackson

and if there's some other classics i missed (from the 60's/70's/80's) you think he might like - please feel free to drop me an ask !! i'd love to add more to the list !!

lastly, i'm gonna drop some bands/artists i personally like to think he might listen to. mostly because it's fun to imagine so:

🎶 iggy pop 🎶 bee gees 🎶 thin lizzy 🎶 toto 🎶 a flock of seagulls 🎶 elton john 🎶 u2 🎶 redbone 🎶 madonna (i 100% believe it, you can't convince me otherwise) 🎶 pearl jam 🎶 radiohead 🎶 red hot chili peppers 🎶 green day 🎶 my chemical romance 🎶 beastie boys 🎶 smash mouth 🎶 nickelback (fight me, i dare you)

if you're looking for any specific songs, there's a really awesome playlist i listen to religiously. chai_vibes's "songs peter maximoff would unironically listen to" is so peak !! and i'll go ahead and drop my own peter maximoff playlist too, just because i worked really hard on it !! lol

happy listening !! thanks for hearin' me out !!

#long post #peter maximoff #pietro maximoff #quicksilver #x men #txt #nonsensical posts #asks #anon

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immaturityofthomasastruc · 1 year ago

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IOTA Reviews: Conformation and Re-Creation (The Final Day)

Well, here we are. The final two episodes of Season 5. It's been a long and complicated journey, so let me get you up to speed on what exactly happened this season, episode by episode.

Evolution: Ladybug and Cat Noir chase Monarch through time, and it's not nearly as cool as it sounds.

Multiplication: Adrien likes Marinette now because the plot says so.

Destruction: Cat Noir accidentally Cataclysms Monarch, and it somehow leads to the most guilt he feels using his Cataclysm on anyone.

Jubilation: Ever want to have the image of Ladybug and Cat Noir being teen parents burned into your brain? No? Too bad!

Illusion: Nino establishes himself as a leader so terrible, Zapp Brannigan would call him an idiot.

Determination: Marinette likes Cat Noir now because the plot says so.

Passion: Nathalie shows she'd rather silently judge Gabriel for his actions over actually doing anything to stop him.

Reunion: Marinette talks with the spirit of Joan of Arc, and it's not nearly as cool as it sounds.

Elation: Someone tries to murder Marinette over ice cream for the third time in four seasons.

Transmission: Yeah, I totally believe you're replacing Marinette and Adrien with two new main characters in the middle of your fifth season.

Deflagration: Because of Tikki and Plagg's terrible decisions, Monarch comes the closest he's ever come to winning.

Perfection: Kagami becomes a giant cloud Akuma, symbolizing her also becoming a total airhead for the rest of the season.

Migration: The writers realize they have no idea what to do with Luka, so they kick him out of the show entirely.

Derision: “How many things do you want to retcon to make this story work?” “Yes.”

Intuition: Gabriel continues to prove how pathetic of a villain he is, even when he has unlimited chances.

Protection: Even after being tricked three times by her, Kagami still thinks Lila is a trustworthy person.

Adoration: “We have Lumity at home”.

Emotion: The episode where Felix essentially commits genocide is somehow also the one where the writers want the audience to start viewing him in a sympathetic light.

Pretension: Felix likes Kagami because the plot says so, and vice versa.

Revelation: Lila only gets as far as she does thanks to Marinette becoming as dumb as the rest of the class.

Confrontation: Our heroes expose the villain's evil plans by spying on them through a bathroom peephole.

Collusion: Remember kids, violent revolutions against politicians are never the answer.

Revolution: Remember kids, violent revolutions against politicians are always the answer.

Representation: To the surprise of literally no one, Felix is revealed to be a Sentimonster, yet the writers still won't tell us that Adrien and Kagami are the same.

Now that you're all caught up, let's get into the twenty-fifth and twenty-sixth episode of Miraculous Ladybug's fifth season: Conformation and Re-Creation

After a brief news report showing everyone enjoying the first day of Summer vacation, Gabriel and Tomoe finally decide to launch “Perfect Alliance”. What does this plan entail? For starters, Gabriel transforms into Monarch, detransforms to akumatize himself into Nightormentor again, gives himself the powers of the Mouse, Rooster and Horse Miraculous in order to clone himself and fly around the globe to spread his nightmare dust. Because just akumatizing Sandboy again and giving him the Mouse Miraculous' Multitude was just too complex of a plan.

Marinette is the first to be affected by the dust, we get a dream where she dresses up as a knight to save Adrien from a cheap recolor of Fang in his dragon form.

This is a weird episode of Super Why.

Marinette defeats the dragon, who reverts back to Gabriel, who is accidentally killed by the fight, causing Adrien to cry since Adrien was watching the whole thing. Marinette wakes up, thankful that it was all just a bad dream sequence. She decides she needs to find out just where Gabriel sent Adrien to make sure he's safe, something that won't make sense as I'll explain later on. As she tries to leave, she keeps experiencing sudden headaches, as do her parents and Alya.

Meanwhile, Adrien is still left reeling from the effects of the nightmare dust from last episode, to the point where he has a panic attack, demanding to be let out. Gabriel, seemingly aware of this, decides to give Adrien the “antidote”, an Alliance ring with an app called “Perfect Alliance”. So once again, despite claiming to do this for his son, Gabriel willingly chose to make his life worse as part of his evil plans. Remember this, it'll be important later on.

Plagg suggests Adrien transform into Cat Noir, but Adrien reminds him that there are cameras everywhere, so he can't risk it. Plagg disables the cameras, but Adrien still says no. Whether he was aware that the robot who was sent to give him the Alliance ring with the new app had a hidden camera is irrevelant, because Adrien gives a different reason why he can't transform.

Adrien: I'm not in my right mind. I'm too angry; at myself for falling short of Marinette's love, at my father for sending me here in London, at this stupid app and these rings that use my image... it makes me sick! This nightmare is giving me the horrible feeling that, if I transform, I'll get akumatized and destroy everything with my Cataclysm. Marinette, Ladybug...

Plagg: Surely Ladybug can help you.

Adrien: If I ask her for help, I'd have to give her information that would jeopardize my secret identity... and I can't.

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Okay, let me make one thing clear. The reason that Adrien can't risk exposing his identity thanks to all the cameras is a good one, and the fact that he doesn't want to risk exposing his identity to Ladybug in particular is a good sign of character development, but the problem I have is the fact that the writers decided to bench Adrien in the first place.

Yes, you heard that right. In arguably the most boneheaded decision in the show's history since... well, a lot of things this season, Adrien, despite being the son of the main villain, isn't going to get involved in the final battle at all.

There are multiple reasons why Adrien staying put in this room is a terrible idea, and most of them involve the fact that almost none of the in-universe explanations for this hold up.

Adrien is being heavily monitored by cameras? We just saw Plagg was able to disable them with ease.

Adrien can't ask Ladybug for help without jeopardizing his secret identity? The fact that he's at risk of being akumatized as is, with or without the Cat Miraculous, will still blow his cover due to Monarch's mind reading abilities (which we saw when Monarch almost learned Luka's secret in “Migration”), so he really has nothing to lose here.

Adrien isn't in the right state of mind thanks to the nightmare dust? Literally every other character who takes part in the final battle is able to either find a way to fight off the nightmares or keeps going while still under the influence of the nightmare dust.

Adrien's ultimate plan to take off his Miraculous and let Plagg choose a new temporary holder? We saw this exact same scenario play out earlier this season in “The Kwamis' Choice”, and things went horribly, horribly wrong.

Do you see why this makes no sense? Even though the show loves to boast about how valuable of an asset Cat Noir is, the writers are bending over backwards to justify keeping Adrien as far away from the final battle as possible, because they know damn well that they'd have to address how terrible his father really is with the reveal.

And the best part? This is basically the last we'll see of Adrien in this episode. Do you want to know how many lines he gets in the next episode, AKA, the final episode of the season? Three. AND THEY'RE ALL AFTER THE FINAL BATTLE.

But we're not done talking about this stupid idea yet, because unlike the other episodes, I have something else to rant about: The writers' commentary. In November of 2023, around four months after the finale premiered, the writers of this show recorded their own audio commentary, and while I don't have the exact translation (if anyone reading this has a translation of this, I would really appreciate the effort), I have seen one post summarizing the things they said, and all I can say is DEAR. LORD. This is not just shooting yourself in the foot. This is shooting yourself in the foot multiple times with Judas Bullets.

Like, it's amazing. We've always speculated just what goes through the writers' heads that makes them come up with some of the strangest ideas to take the story, and now, we have a first-hand account of why these episodes turned out the way they did. For this one moment, they gave about three explanations as to why Adrien was benched for the finale.

Let's start with the first one, Cat Blanc. I know what you're thinking, wasn't Cat Blanc an Akuma from an alternate timeline that our Adrien shouldn't know about? Not according to Melenie Duval. While Adrien's fear of being akumatized is reasonable, Duval claims that he could become Cat Blanc... which makes no sense as A) Adrien's nightmare was of an entirely different Akuma, and B) The aforementioned nightmare dust never informed Adrien of the alternate timeline where Cat Blanc destroyed the world, it just provided him with a nightmare about a similar scenario.

And in case you weren't questioning this woman's judgment, Duval has done on the record to state that her favorite episode of the entire show is “Derision”.

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Our next reasoning is especially stupid, as the rest of the writing team reveal that they had planned to keep Adrien out of the final battle as far back as 2014, nine years before the finished product premiered. Why would they do that? Because they wanted Ladybug to unify with the Cat Miraculous, of course! Sure, you could have just saved this unification for a special or something like that so you don't bench one of your main characters, or you could have at least had Adrien willingly give his Miraculous to Ladybug to unify with in person, but nope. This is seriously one of their defenses— I mean, explanations, for why Adrien isn't allowed to be in the final battle, because they thought it would be more important to give Marinette her 10th new form in three seasons than letting Adrien get some form of closure with his father.

And here's the final reason they gave in the commentary. Remember that dream sequence of Marinette dressed as a knight that was also sort of foreshadowed in “Gabriel Agreste”? Turns out, the writers wanted to, and stop me if you've heard this before, play with the tropes and symbolism of fairy tales. Wow, I've never seen any kind of pop culture do that before... except for Into the Woods, The Princess Bride, Hook, Shrek, Princess Tutu, Ella Enchanted, Hoodwinked!, Enchanted, Tangled, Once Upon a Time, Frozen, RWBY, Ever After High, Red Shoes and the Seven Dwarves, Guillermo del Toro's Pinocchio, and Nimona. But other than those, that's so original!

Even though the writers are acting like they're breaking new ground, do you want to know what they mean by this? They're just doing another damsel in distress situation but this time, Adrien, the boy, is the one who needs to be saved by Marinette, who is, GASP, a girl?! WOW! That totally changes everything!

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Okay, yes, the damsel in distress trope has usually been seen as a misogynistic one due to the fact that the people who needed to be saved are usually women, but like I mentioned way back in my “Gabriel Agreste” review, just swapping the genders isn't enough to breathe new life into a trope as old as this one. It's arguably worse because Adrien isn't just someone who needs to be saved. He's a superhero, and like I mentioned, there were plenty of options to get him out of his room in London.

And I'm guessing that some of you are thinking, “But IOTA! You just want Adrien to save the day by himself because he's a guy!” Just remember that I had this exact same problem last season where the roles were reversed. Remember how I hated the way Marinette's arc about dealing with the stress of being Guardian was hijacked by Adrien complaining about Ladybug not trusting him? This time, we have an arc about Adrien trying to break free from his father's influence that's been hijacked by Marinette needing to save Adrien by herself, robbing him of any agency he had to the plot entirely. This issue isn't about gender. It's never been about gender. I would have the exact same problem if Adrien was the one who confronted Monarch by himself while Marinette was trapped in her room.

This leads to the biggest problem I have with this plot development: It ultimately goes against the core theme of teamwork the show keeps trying to convey. Remember how last season, Marinette needed to learn to let other people trust her? Now, she's going to beat up Monarch all by herself without any help. Remember how last season, Adrien needed to prove he didn't deserve to be left in the dark about everything? Now, he's going to stay all the way in London while his partner gets in the fight of her life. It's detrimental to both of them as characters, and makes everything that happened to them in Season 4 completely pointless.

Okay, now that I've spent five pages ranting about this insane decision, let's get back on track, shall we? As the Perfect Alliance app helps Adrien and Kagami calm down, Marinette sneaks into the Agreste mansion as Ladybug. Meanwhile, Nathalie has her own nightmare about Gabriel winning, AKA, the very thing she could have stopped a long time ago by ratting her evil boss out to Ladybug and Cat Noir.

We then learn just what the Perfect Alliance app really does. Basically, thanks to the technobabble, it helps alleviate the stress from their nightmares. Or, to put it in Layman's terms, Gabriel and Tomoe plan to get the entire population of Earth addicted to cyber crack. We see this affect several of Marinette's classmates, but because Mylene has a sudden disdain for technology that “Was made without respect for the Earth's resources”, she's the only one who sees the problem here. I'd ask why this wasn't established earlier this season, but it doesn't matter, since Mylene gives in anyway,

Because it's a day that ends with a “Y”, Gabriel goes to talk to Emilie's body yet again, and it seems like even the writers realized how tired this got, as Nathalie finally decided to ambush him with a crossbow.

Miss Sancoeur, I served with Buffy the Vampire Slayer. I knew Buffy the Vampire Slayer. Buffy the Vamprie Slayer was a friend of mine. Miss Sancoeur, you're no Buffy the Vampire Slayer.

Yes, it only took five seasons worth of evil plans for Nathalie to realize just how demented her boss really is.

Nathalie: I can't let you do that... if you make the wish to bring her back, someone will have to go in her place. Emilie would never have agreed to this!

Gabriel: Do you think I'd be monstrous enough to sacrifice a human being?

Uh... yes? That is literally what equivalent exchange means. You really don't know how the wish works after researching it?

Shockingly, the frail woman armed with nothing but a crossbow isn't able to stop someone with superpowers. There isn't even a fight. Monarch just knocks the crossbow out of her hands and she faints. Maybe you should have actually come up with some sort of plan before confronting Gabriel by yourself, dumbass.

Back to Ladybug, she searches through Gabriel's stuff and finally learns he's Monarch... even though she should already know thanks to Felix and Kagami's play last episode. She even looks pretty shocked to see Monarch detransform.

Back to the commentary, the writers justify this with their absurd “Every episode can be watched on its own” rule. Because simply having Marinette say she already knows was out of the equation, I guess. Seriously, earlier in the episode, Tikki (who, along with Plagg, wasn't affected by the nightmare dust for some reason) had doubts that Marinette should break into the Agreste mansion, and it came across like neither of them knew the truth, and this was a reckless decision that wasn't motivated by Gabriel being Monarch at all. Once again, the writers fail to understand the idea of using “Previously On...” segments to help new viewers catch up on what's happening. It's even more confusing when you remember that Tikki knows Adrien is Cat Noir, so his father being Monarch coupled with his sudden absence should be setting off all kinds of red flags in her book.

Ladybug tries to text Cat Noir about who Monarch really is, but chooses not to send it after Gabriel pushes a few of her buttons. Rather than jumping Gabriel while she still has the element of surprise, she only chooses to grill Nathalie for questions once Gabriel is out of the room. And of course, only when she's on death's door does Nathalie tell Ladybug to stop Monarch, but not before telling her to transform back.

We see Gabriel and Tomoe put their plan into action. They create a fake scene of Ladybug and Cat Noir kidnapping Adrien and Kagami in order to rile up the public (who aren't in the best state of mind thanks to the nightmares) in order to for them to use the Alliance rings to transform them into the “Miraculized”. In other words, it's basically “Heroes' Day” all over again. Seriously, think about it. Just like “Heroes' Day”, it looks like Adrien is being harmed by Ladybug in an attempt to push the population to the brink of despair so Gabriel can create an army in the process. Yeah, the public doesn't know the two are the same, but the audience does. Granted, this is a minor nitpick compared to the rest of my problems with this episode, but I hope you can see what I'm getting at here.

Case in point, the reason Nathalie told Ladybug to detransform was because Gabriel has found a way to track her and Cat Noir through their “quantum signatures”. With Cat Noir, it was thanks to the dust from Gabriel's Cataclysm wound, and with Ladybug, it was thanks to the Magical Charm she gave Gabriel earlier in “Gabriel Agreste”... which he shouldn't have since it was destroyed in “Dearest Family”.

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Seriously, this is the season finale. How the hell are the writers still struggling to remember important events like this?

Now's as good a time as any to talk about the Miraculized's design. Yeah, they're pretty lame. They all look like they're wearing fencing gear, and don't look intimidating in the slightest. They also now have the ability to use every Miraculous power at once, which breaks the previously established rules about the Alliance rings in that only one ring can handle each Miraculous power. You could at least argue that the robots used in “Confrontation” had more advanced technology that made them capable of using multiple powers, but nothing has changed about the Alliance rings to justify this. And remember, this is something every Miraculized in the world can use, yet the system hasn't been completely fried, and as we'll later see Monarch can still freely use the other Kwamis' power even when they're being shared with the Miraculized across the world. In fact, how can the Miraculized even transform like this? Monarch doesn't akumatize anyone to spread this transformation. Gabriel just tells to say “Alliance, Miraculize Me!”, and now they can transform. Was this always a function of the Alliance rings? Is there a tiny Akuma hidden in each ring? How the hell does any this work?

Ladybug fights off some of the Miraculized who used Voyage to find her, and remembers Nathalie's advice to detransform. So just like in “Passion”, even though she's still wearing her Miraculous, the system specifically designed to track her down isn't able to find her unless she's still transformed. Marinette runs away to a safe place before running into Plagg, who tells her Cat Noir is out of commission. With no other options, Marinette decides to unify with the Ladybug and Cat Miraculous, turning into Bug Noire, revealing her identity to Monarch in the process, and ending the episode.

Bug Noire's design is admittedly pretty nice. I like the balance of red, black, and green, though the hair is a little too long for my taste. Granted, I still don't get why this is the reason why Adrien can't be here to fight Monarch alongside his partner. I'm just saying, was it really worth it, writers?

THE BIGGEST IDIOT OF THE EPISODE IS... NATHALIE

Yep, right before the finish line, Nathalie gets her second award this season. After spending several episodes doing nothing but letting herself rot away, Nathalie only chose to finally do something about Gabriel once he was literally about to enact his final plan, thought she could stop him with nothing but a crossbow, and only begged Ladybug for help when it looked like she was about to die and had nothing left to lose.

“Re-Creation”, the final episode of the season, starts off with Lila watching some broadcasts of people succumbing to their paranoia (and she does it while smirking because the writers still don't think we understand she's evil) and transforming into Miraculized while she puts on a new disguise that makes her look like an evil Edna Mode.

How come Lila isn't even affected by the nightmare dust like the rest of the human population? As always, never explained!

Back in the Agreste mansion, Bug Noire and Monarch are duking it out, and we get some pretty creative uses of Lucky Charm, like when she summons a piano to crash down on Monarch. Meanwhile, after Marinette's friends manage to get the Alliance ring off a Miraculized Ivan, we get to see how the rest of the world is dealing with the Miraculized. In Shanghai, the Renlings help Fei through her nightmares, Su-Han has recruited Jagged Stone, Luka, Penny and Fang to the Order of the Guardians instead of actually getting backup like he said he would in “Multiplication”, Present Bunnix finally decides to do something and uses Burrow to sent the Guardians to Paris, while the United Heroez fight off the Miraculized and learn the true nature of the Alliance rings. Just remember, it was too much for the writers to let Adrien get involved in the final battle, yet all these side characters get to do something in the finale for some reason.

Meanwhile, as if things couldn't get any worse, Nino decides the Resistance needs to get involved after reassuring Mr. Damocles that they never give up. Believe me, not much would change if you guys just threw in the towel, especially now that the United Heroez are here, and have Eagle, a member whose powers work as an instant cure for everyone's nightmares. Hey, while we're on the subject, does anyone know where the United Heroez were this entire season? I can excuse Fei as she's just one teenager in Shanghai, but the Americans have a small army of heroes, including the president, yet they just let two violent coups in France happen last week.

As Bug Noire and Monarch keep fighting, Bug Noire comes up with the brilliant idea to Cataclysm the Butterfly Miraculous, only being foiled by Monarch already having Resistance active. Okay, is a side effect of using the Cat Miraculous this season a taste for blood? Why the hell are the heroes so okay with trying to use Cataclysm on their enemies now? Bug Noire then decides to use her Cataclysm for something far more reasonable, breaking the ground beneath her and Monarch. Because I guess Bug Noire is really gunning for Biggest Idiot this episode.

Back with the Resistance, they meet up with the Guardians, United Heroez, and Ladydragon, who have actually been getting shit done. Wow, it's just like that scene from that one movie where all the characters we've come to know over the years rally together for the final battle! What was it called again? Oh yeah, Spy Kids 3-D: Game Over.

While the other heroes are overwhelmed by the Miraculized, we cut back to Bug Noire and Monarch yet again, now inside the area where Emilie's body is. The two keep fighting as Monarch tells Bug Noire why he's doing all this, all while Lila breaks into the mansion.

Monarch: I want my wife, Adrien's mother, to come back to us! Once our family is reunited, Kagami and Adrien will become the eternal icons of this world! And we will be here to witness their absolute triumph!

Bug Noire: “Your wife”? “Come back”? “Kagami and Adrien, eternal icons”? How many lives are you going to ruin in the name of your crazy dreams?!

Monarch: As many as it takes! In order to bring Emilie back, someone else will have to disappear! In order to heal the wound that Cat Noir inflicted on me, someone else will have to be wounded!

Bug Noire: Someone else? But who?

Monarch: Anyone! No one matters except us! How about you, Marinette? Wouldn't you give your life for your sweet Adrien's happiness?

Bug Noire: Do you really think that's what he'd want? To discover that his father has turned into a supervillain, willing to make innocent people pay the price of his madness?

Monarch: Adrien would do the same thing!

Bug Noire: Never! Unlike you, Adrien has made his peace with it. He's not living in the past! He has a whole life ahead of him!

Bug Noire: You'd know this if you ever took an interest in him. But in reality, Adrien means NOTHING to you anymore! You've locked him in your house! Locked him in your Alliance rings!

Bug Noire: Locked him into a life that allows you to hide behind him in order to justify YOUR madness!

Monarch: All I want is for him to be happy!

Remember all of this, because it's going to be important soon.

Bug Noire uses her Lucky Charm, and gets a tube of glue. She uses some of it on this random boomerang she found (I'm assuming it's the remains of Nathalie's crossbow), sticks it to her yo-yo, and then throws it at Emilie's coffin. Monarch reflexively grabs the sticky boomerang, and loses all of the rings on his right hand just as Bug Noire uses Cataclysm on the elevator to get to this area of the mansion, with the intent on CRUSHING EMILIE WITH IT. Our hero, ladies and gentlemen! Monarch saves his wife, but because he's distracted, he can't stop Bug Noire from throwing her staff at the Butterfly Miraculous, knocking it off and reverting Monarch back to Gabriel. Bug Noire ties up Gabriel's feet, and when Gabriel tries to sucker punch her with Venom, Bug Noire grabs the hand, threatening to Cataclysm the remaining Alliance rings and the two rings she should damn well know contain Adrien's Amok. Either she's bluffing, or we accidentally got the Paris Special universe's version of these events.

Bug Noire tries to reason with Gabriel, who then breaks down crying, showing how deep down, he just really cares about his family. And even though just six episodes ago, Marinette said that it was very easy for idealistic people to be taken advantage of by others, she buys into Gabriel's last-minute sob story, and wouldn't you know it, he stabs her in the back. Congratulations, Marinette. You just doomed the universe. Even when the Dino Charge Rangers accidentally got everyone on their planet killed, they were at least able to fix it themselves.

It's time to go back to the commentary, where we can learn the writers' true intent for this scene. They honestly believe that both Marinette and Gabriel care for Adrien in their own ways, and the whole reason that Marinette chose to trust Gabriel was to teach the lesson that it's important to talk out your feelings with others... a lesson that fails because 1) Marinette had already beaten Gabriel through violence, 2) Marinette trusting Gabriel backfired horribly, and 3) Gabriel won because he took advantage of Marinette's trust! You can't teach a lesson about trust when for all intents and purposes, Marinette once again lost BECAUSE SHE CHOSE TO TRUST SOMEONE!

Even though he had to unify with Tikki and Plagg to try making the wish in “Deflagration” (I really shouldn't have used the “Great Continuity!” clip earlier), we get yet another retcon this season: Tikki and Plagg have to reveal their true forms. Yeah, I know Tikki's true form was briefly seen in “Dearest Family”, but that doesn't change the fact that Monarch didn't do this when he had the Ladybug and Cat Miraculous in “Deflagration”.

Tikki and Plagg's true forms just look okay. I like the otherworldly theme, but they don't really stand out much. They honestly look more like forms Ladybug and Cat Noir would have than anything else.

It's here that we get the culmination of five seasons' worth of lore. After a brief glimpse of it in “Ephemeral”, Tikki and Plagg, the Kwamis of Creation and Destruction will merge their energies to form their true true form, the Kwami of Reality itself, able to grand any wish asked. This majestic, otherworldly being's name? Gimmi. Just... Gimmi. The commentary claims they're named after an ABBA song, and I wish I was making this up.

Like with Tikki and Plagg's true forms, Gimmi has an okay design. They're just a little too pink for something meant to be a fusion of the red Tikki and the black Plagg.

As Marinette begs Gabriel not to go through with this, Gabriel doesn't think twice about it, and instead, gives Marinette the rings containing Adrien's Amok, along with a request, fully aware that his time is almost up.

Gabriel: Marinette, make sure that Adrien never knows about the villain that I was, but instead, that he remembers the times I tried to be a good father.

Alright, we've finally gotten to the most controversial part of the episode: Gabriel's “redemption”, and I put that term extremely loosely.

Put aside the fact that almost a third of this season was spent telling the audience that a certain character who shall not be named is beyond saving despite working alongside him multiple times for the past two seasons, Gabriel's last-minute redemption falls flat because he doesn't even seem to feel remorse for what he's done. Not once does he actually say he's sorry for what he's done, just how Emilie's death affected him. That's understandable, but he doesn't even seem to acknowledge the weight of his actions or how many lives have been endangered. Remember earlier, when Monarch said he was perfectly okay with sacrificing someone else if it means his family can be happy? Yeah, that never comes back, especially now that him making the wish is portrayed as a good thing when every time it's been discussed ever since it was first explained in “Robostus” just how dangerous actually using it is.

In fact, let's discuss the fact that Gabriel is getting to make the wish in the first place. The whole idea of this basically contradicts Gabriel supposedly realizing he's gone too far. Rather than just having Gabriel give up his quest and let Emilie rest in peace, we're supposed to be happy that Gabriel double-crossed Marinette even when the music is making it seem like it's a bad thing... WHICH IT IS! Once again, for a show that loves to go on and on about how powerful love is, it really loves to show people getting screwed over whenever they decide to show compassion to their enemies. Imagine if in Return of the Jedi, when Luke chose to not give into the Dark Side by sparing Vader, Vader took the chance to kick him in the crotch while he was distracted. That's basically what happened here.

Next, notice how Gabriel specifically asks Marinette to make sure Adrien never learns the truth about who he was, and “Remembers the times he tried to be a good father”. After everything he's done, Gabriel isn't even willing to let Adrien learn about what he's done, because he wants him to focus exclusively on the times he TRIED to be a good father. This isn't the matter of Gabriel missing Adrien's fencing tournament because he had an important business meeting. Gabriel was a literal supervillain who preyed on innocent people in order to obtain absolute power, and he wasn't even a good father to his only kid. He was neglectful, controlling, and in the last few months of his life, spent more time trying to ruin his relationship with his girlfriend for no reason other than because he thought his associate's kid was a better match for him. He was a terrible father, and Gabriel even seems to be aware of this, but rather than find a way to repent for everything he's done, Gabriel is basically going to take the coward's way out by forcing Marinette to sugarcoat his life instead of admitting he was, at the very least, a flawed parent, all so Adrien will feel bad when he finally drops dead.

And yeah, let's talk about how Gabriel assumes that Adrien shouldn't be allowed to know the truth... WHEN THAT'S NOT HIS DECISION TO MAKE. Adrien should be the one to judge whether he believes Gabriel was a good father or not. Of course Gabriel would assume he was a good father despite the numerous red flags, but Adrien is another story. By keeping the truth hidden from Adrien, you're depriving him of a potentially important moment in his life where he finally learns to break free from his father's influence. Instead, even though he's a fucking superhero, we're just supposed to accept the fact that Adrien is just a poor, fragile, sensitive baby boy who can't handle hearing any bad news or else I guess he'll explode. It says a lot when, of all movies, Star Trek V: The Final Frontier did a better job handling an idea like this, by saying that pain is a natural part of life.

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But let's talk about the biggest problem with this turn of events: The fact that it essentially vindicates everything Gabriel has done, with or without the mask, as well as essentially convey a pro-child abuse message. In case you weren't around before I posted this review, I asked my followers who have been victims of child abuse or poor parenting to share their experiences so I could get an idea of how similar they were to what Adrien has had to go through. And a lot of them were pretty similar.

During almost all of what I read from these people, their parents or guardians shared one thing in common: An inability to admit being wrong. All of them tended to either blame their kids for whatever happened to them, or find ways to justify their poor treatment. As far as they're concerned, it's the kid's fault that they're being treated so poorly. And while I'm sure a handful of people isn't enough to survey the entire population of abuse victims on this planet, the fact that some of these people, as in actual victims of child abuse, were able to see similarities with their own upbringings and the way the main villain treats his son and don't buy the show deciding to act like all of that was perfectly okay says a lot about how much this finale dropped the ball when it came to the lesson it wanted to teach.

Yes, from what I've read from my followers and other things online, some abusive parents do believe that what they're doing to their children is out of a warped view of love, but that isn't enough to validate their actions completely, and it obviously doesn't validate Gabriel's actions during the last five seasons. During the entire run of the show, Gabriel has denied his son a normal life, treats him like an object, and despite claiming that he really loves him deep down, he almost never shows it. It seemed like the show was either going to have Gabriel realize the error of his ways due to how fruitless they ended up being, but having him get the upper hand on Marinette at the very last second ultimately makes it so all of his effort, every evil plan, every civilian endangered, was all worth it. And that's why Gabriel's final moments supposedly acting like he's repented for his actions don't work, and why it turned what was initially just a boring finale into one that was beyond infuriating.

And I'm assuming that you're thinking to yourself, what exactly is the wish Gabriel was so desperate to make that he tricked Marinette at the last second?

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We never really learn what kind of wish Gabriel makes using Gimmi, even in the epilogue. I'm also going to talk about this in a later post, but of course Astruc, being Astruc had to give his usual sarcastic remarks to anyone who had the slightest question about what the hell just happened.

I love how someone will ask something like “Do you mind clearing up a few questions I have about the season finale?”, and Astruc will hear what they said as if they just asked, “Is Mylene secretly the reincarnation of the Anti-Christ?”.

So Gabriel makes his wish, somehow reunites with Emilie's soul as he ascends to Heaven... until the angels realize they made a horrible mistake, and send Gabriel to his custom-made Tenth Circle of Hell. Reality itself is rewritten and all of the characters we've come to know over the past five seasons are effectively dead. If that isn't supposed to be a happy ending, I don't know what is.

According to the transcript, it's been a month after the wish is made, we see how Paris has changed since then. Not only has Miss Bustier given birth to her baby, she's also been elected as Mayor of Paris, already passing her first law, the “Eco Rule”.

Miss Bustier: It consists of very simple principles: don't take more from the Earth than what it can give us, distribute its riches equitably and don't pollute more than it can recycle.

Remember when Mylene said that you can't solve climate change with a single law? I guess the writers forgot to recycle that moral too, because despite the vague as hell guidelines, Paris has already adapted to function without plastic wrappers or cars. Just remember, it's only been one month since the wish was made. Even Star Trek needed at least 130 years and a nuclear war before its utopian society could be established. And that's not even getting into the new school she's helped create.

Miss Bustier: In this new school, there will be no classes or struggling to get good grades. Children of all ages will be able to intermix and freely access all kinds of activities.

The fuck you mean “no grades”?! How the hell will that even work?! We're supposed to see this as her being an impressive politician, but it comes across like some grade schooler's “If I were president” essay. And remember, ONE. MONTH.

How else has the Eco Rule been implemented? All of the Alliance rings have been melted down and reforged into a statue honoring... the great hero, Gabriel Agreste.

Yep. This is the ultimate fate of the main villain after five seasons of terrorizing the city of Paris: He gets a fucking statue in his honor. Are we sure this is a victory for the good guys? And no, just surviving the villain's master plan doesn't count as a win.

Even better, according to Adrien, he somehow helped defeat Monarch... even though Gabriel is Monarch, so is Monarch a different person in this world? What about Monarch's previous identities, Hawkmoth and Shadowmoth? Did they still exist in this world? They had to, considering that Chloe and Andre are still nowhere to be seen since the revolution, implying that either she's different in this world, or she also betrayed Ladybug for the same reasons. Nathalie is also back in full health, so did she ever use the Peacock? Was the Peacock ever damaged? We see Felix has it in this new world, but Emilie is still dead, so did she die of different causes in this timeline? Speaking of time, what happened to Bunnix? Did she survive too? Is she aware of the changes to the world like she was in “Cat Blanc”?

To summarize, WHAT THE FUCK IS GOING ON!?

Adrien is hesitant to wear the ring because he's not sure if he can ever be even half the man his amazing father was. Marinette tells Adrien to be himself while handing the ring to him. So... was this an order? If so, was it intentional? Does Marinette even know what she's doing, or because she's a product of Gabriel's wish, she has to do this without a hitch? In fact, when he made the wish, why didn't Gabriel make Adrien, Felix, and Kagami humans instead of forcing them to rely on rings containing their souls that can easily break?

This scene is a great way to summarize Adrienette this season: The writers trying to write a heartwarming scene while hoping the audience doesn't think too hard about all the uncomfortable things it implies.

After reforging the Miraculous she got back from Monarch, Marinette decides to hand them off. Because fuck it, let's break the temp hero rule while we're at it! Chloe who? Ladybug, Cat Noir, Rena Rouge, Carapace, Viperion, Pegasus, Ryuko, Vesperia, Polymouse, Pigella, Purple Tigress, Miss Hound, Rooster Bold, Caprikid, Minotaurox, Bunnix, and even Argos (despite being the reason the heroes lost their Miraculous in the first place) assemble, ready for whatever challenge the world throws at them. Also, there's no reveal between Ladybug and Cat Noir this season because the writers still want to drag this plotline out, even when there's no excuse as to why they can't now that Monarch is gone.

We then learn who got the Butterfly Miraculous: Lila, who plans to get revenge on Marinette. Yep, the girl who has never even touched a Miraculous in five seasons is going to be Hawkmoth's successor. Not Tomoe (who I should mention never answered for being Gabriel's accomplice), not Audrey, not even Chloe. It's Lila. How the hell did she even get it anyway? Did Gabriel intentionally recreate the world to have Lila get the Butterfly Miraculous, or did Lila somehow retain her memories through close proximity to the wish and--

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Fuck it, season's over anyway. Thank God...

THE BIGGEST IDIOT OF THE EPISODE IS...MARINETTE

While I can't say for certain what she did with Adrien is her fault thanks to Gabriel making the wish, I can say a good chunk of the things Marinette did leading up to Gabriel winning are on her. She recklessly used her Cataclysm multiple times in her fight with Monarch, tried to crush Emilie's comatose body with debris, once again chose to gloat about how she was going to take Gabriel's Miraculous instead of just doing it the first chance she got, seemingly forgot Adrien was a Sentimonster, and somehow managed to lose even when she had Gabriel at her mercy.

So, yeah... this finale was terrible, if it wasn't obvious from this review.

It was just a complete trainwreck from start to finish. A good chunk of the first part was spent either ignoring the events of the last episode, or coming up with excuses as to why Adrien shouldn't get involved. And that's not even getting into Nathalie's “redemption”, which only really happened once she had nothing to lose, seeing how she was even closer to dying than Gabriel was. In fact, now that I think about it, why was more emphasis given to Nathalie's declining health over Gabriel? You know, the guy who's enacting his final plan because he's supposedly hours from death, yet effortlessly manages to clone himself, fly around the world as an Akuma, and keep up with Bug Noire when he struggled to enact a plan that required him to leave the lair without traveling around the world during “Intuition”? Given how we now know that the writers wanted the final battle to involve Bug Noire, I'm starting to think they also prioritized her opponent being in top shape while ignoring the Cataclysm wound affecting him.

The second half was mostly boring thanks to just how low the stakes felt. We know where Adrien is, and since Bug Noire was fighting Monarch, there was no danger of them taking her Miraculous, so for the most part, the Miraculized fighting the other heroes just felt like padding. Nobody even seemed to look for Ladybug or Cat Noir, not even the heroes. Of course, then we got to Gabriel's wish. I've gone over this before, but it bears repeating. Gabriel's “redemption” just doesn't work due to how little effort is spent actually making the audience feel bad for him other than saying “His wife is dead, and he's sad, so that justifies everything”. It doesn't help that we kind of had four episodes explaining why some people can't change, and it wasn't used when talking about Gabriel, but rather, Chloe and Lila. Because these writers really have their priorities straight.

The ending of the season itself practically falls apart with how many plotholes and unfortunate implications it has. And before you say that stuff like Adrien once again being left in the dark can be resolved next season, here's the thing: This was planned to be the series finale with how everything feels wrapped up. There's a sense of finality that shows all the main characters getting their happy ending, and we're just supposed to not question the new utopia Paris is now, much less the fact that even after eight years, Ladybug and Cat Noir still don't know who the other is. Even putting that aside, the show has always done a poor job of following up on plotpoints established in earlier seasons, as the lunchroom scene from “Illusion” shows.

Here's a summary of all the lessons the finale teaches: We shouldn't hold terrorists accountable for their actions if they just say they love their family, abuse victims should be constantly coddled and shouldn't be allowed to know the truth about their viewers, it's okay to keep crucial information from your significant other, genocide is okay as long as the person who commits it says it's for a good cause, love for others can easily be taken advantage of, so never trust anyone, genocide is the only way to create an eco-friendly world, environmental protection laws can be passed within a month and nobody (not even car manufacturers) will complain, teenage girls are worse than abusive parents who double as supervillains, and even if it was planned for almost a decade, don't let your main heroine be the one to save the day, but rather, the villain.

If anyone reading this is planning on becoming a writer and is worried that people won't like their work, just remember that there are people who get paid to work on this show.

But yeah, this is how the season ends, not with a bang, but with a nosedive. I was mostly pissed off with how Seasons 3 and 4 ended, but here? I'm just disappointed. This was the finale that we waited eight years for. The epic final battle against Monarch, and rather than the ultimate fight to the finish, the writers came with several excuses to not involve one of the two main characters in the final battle, the other main character fails to actually save the day, and the villain is rewarded for all of actions because he chose to turn himself into a messiah. I tuned into this season to at least see how the story would end out of curiosity, but it didn't even deliver an ending that made all the pointless filler, poor writing, and bad characterization worth it. I started this finale off bored, and I ended up furious for how lackluster this ending felt. It says a lot when this finale has been compared to Star vs. the Forces of Evil in terms of just screwing everything up.

THE BIGGEST IDIOT OF THE SEASON IS... MARINETTE

Marinette may not have been able to beat Gabriel in terms of stopping his plan, but she did manage to outdo him in terms of stupidity. Because she got the award four times this season (Evolution, Revelation, Confrontation, Re-Creation), she takes home the title of Biggest Idiot.

And for those who are curious or didn't keep up with my reviews, Gabriel gets second place with three Biggest Idiot Awards (Intuition, Protection, Revolution), we have a five-way tie for third place with Luka (Determination, Migration), Mayor Andre (Adoration, Action), Chloe (Deflagration, Collusion), Felix (Emotion, Representation), and Nathalie (Passion, Conformation), who all got the award twice, and a ten-way tie for fourth place with Alya (Multiplication), Xuppu (Destruction), Mr. Damocles (Jubiliation), Nino (Illusion), Joan of Arc (Reunion), Ice Cream Man Andre (Elation), Kagami (Perfection), Kim (Derision), and Tomoe (Pretension) each getting the award once.

And with that, we're done with Season 5. It's been a long road, but all I can say is...

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At least, until the analysis and ranking posts.

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cool-abed-filmz · 1 year ago

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additionally more photos of joan jett that i see fig in

i need you all to know in my mind when i picture fig i picture joan jett

#heavy on the ice cream one #that is fig at the ice cream place from freshman year #BASRAR #THAT WAS HIS NAME #fig faeth #joan jett and the blackhearts #joan jett #fantasy high #fig and the cig figs

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netherfeildren · 1 year ago

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Someone's Wife in the Boat of Someone's Husband .8

Series Masterlist : Moodboard

(Joel Miller x F!Reader)

Content Warnings: Discussions of child abandonment

Rating: Explicit 18+

A/N: Posted a day early bc I adore all of you so much <3

Artwork is Kiss by Edward Munch (1897)

Word Count: 8.1K

Read on AO3

You have to pick the places you don’t want to walk away from.

Joan Didion, The Book of Common Prayer

The passage of time is a strange thing when wading through the midst of grief. At once, a sort of liminal space you’ve created to enshroud your existence, protect yourself in. Like all time has stopped, and you’ve cemented yourself in this space where your pain and sadness was created, but also, with life continuing to churn around you without pause. So that you’re left to watch as everything around you passes by – all while you’re unable to move, breathe, change.

It was… saying it was difficult would have been laughable – inane – to move on from the scene in the park. The look on Joel’s face, his silence, Sarah’s cries for her mother. You wanted to be there for them, to know what was happening between them, if Sarah was okay, if Joel was okay. But you remain in your shroud instead, surrounded only by all the things you want, but will not let yourself have, surrounded by all the ghosts of your past you’re so fucking tired of holding on to.

The day’s been abysmal – exhausting and sluggish, and it seems as though everything that could have gone wrong, had. Like the universe was working overtime to turn your existence into one ridiculous, cosmic punch line. And now, well into the evening, and much, much later than you should be leaving the school, you make your way towards your lonely car at the far end of the parking lot. You’d had to stay late to figure out a delivery issue with your order of supplies for the rest of the semester and had lost track of time once again. Now nearing eleven PM, you’re exhausted and hungry and freezing – the true chill of late autumn finally sweeping into the city with an angry vengeance.

You’d had Sarah at the forefront of your mind all day, worse than usual, for some reason. You couldn’t stop thinking about the sound of her little voice asking you if you’d had as much fun with her as she’d had with you. She’d embedded herself into your heart in such a short time, and as inextricably as her father had. Just one more painful thing you had to carry on without.

You climb into your car and sit for a moment, head tilted back against the headrest, staring out into the dark night. You’ve felt on the verge of tears all day, a tight, pinched heat hovering just at the edge of your forebrain, ready to break and spill at the slightest provocation, and just sitting here now, after such a terrible day, at the thought of having to go back to your lonely, quiet house and get into a cold bed, only to dream about him, well, it has those tears rushing forward and spilling unencumbered from your eyes.

You must surely paint a very sad and pathetic image, sitting here alone in your dark car, crying over a man who you’d so definitively pushed away, you thought that whatever he might’ve felt about you at one point, would surely turn to hatred eventually, after having hurt him so much. The thought fills you with a rueful bitterness, and you think that after everything, it’s only what you deserve. You think of his coaxing voice, telling Sarah that it’d all be okay, and as you reach to turn the key in the ignition, you think that maybe you’ll get yourself an ice cream with sprinkles too, maybe that’ll make you feel even a little better, just like he’d said, make you feel close to them, but when you turn your wrist all the car does is give a pitifully sad sputter and croak and then nothing. You turn the key again, again, the lights on the dash flicker, and then it goes completely silent and dead. And yeah, this is just exactly what you’d expect. You’re sure that you’re being punished. Punished for ever getting involved with him, for falling in love with him, for pushing him away, for hurting him, punished for existing, perhaps, because God can things get any worse? You don’t think so. Your tears renew their vigor, and then you’re slumped over, brow pressed to the steering wheel as you sob. It’s so late and you’re so tired. All you want is to go home to him. All you want is to see him, to have him hold you and tell you in that deep, comforting voice that it’ll all be okay. Gerri had mentioned that she had plans with her sister tonight, you don’t want to interrupt that, and you realize, as you wrack your brain for what to do, that you have no one to call to come help you. It’s closer to midnight than not, and you’re entirely alone here, stranded in the cold night.

And at that terribly sad, despairing thought, you pick up your phone and dial his number. You don’t even consider the fact that it’s late, that he could be busy, asleep, with Sarah or his wife. The impulse is uncontrollable, you need him, you need to hear his voice. Nothing else matters. It only rings twice before that gorgeous bass is rumbling in your eardrum. Your eyes flutter shut at the sound of it, all your breath whooshing out of you in a pained exhale.

“Hello?”

“Joel–” you gasp.

“Baby, what’s wrong?” His voice is immediately full of panicked worry.

“I’m sorry to call so late. I– I didn’t–”

He says your name sharply, “What’s wrong? Are you okay?”

“Yes, I– I didn’t have anyone else to call, I’m sorry and a– a–,” you can’t catch your breath, “I– I didn’t want to– to call anyone else, and– and I’ve had just– just the worst day, and Joel– Joel, I miss you so much, and I’m so sorry,” you cry. “I can’t stop thinking about you saying that this was hurting you, that I was hurting you, and then Sarah, and– and now my car won’t start and I– I can’t, Joel. I just can’t do this anymore.” You let your forehead fall forward onto the steering wheel as you feel tears drip down your chin and onto your lap, digging your nails painfully into the leather of the wheel.

“Jesus Christ, where are you?” You can hear him moving around quickly on his end, the jingle of his keys. He says something you can’t make out to someone on the other side, and your heart seizes with panic for one second, but then: the snap of his fingers, and Tommy, I’ll call you, closer to the receiver, and your anxiety abates for a moment. “It’s eleven o’clock at night. Are you at the school? Are you by yourself?”

“Yes– yes, the college.”

“I’ll be right there, sweetheart. Don’t cry anymore, and listen to me,” his voice goes, suddenly, very serious, snapping you to attention, “You didn’t hurt me,” he says. “Okay? I don’t want you thinkin’ that. The circumstances, perhaps, but never you. Do you understand me?”

He can’t see you shake your head, but you do it anyway. I’m sorry, you whisper again. You know you did, you know your indecision and recalcitrance and rejection hurt him. “Wait, Joel–” you don't know what you want him to wait for because all you can think, all you can feel, is the most tremendous amount of relief you’ve probably ever felt in your entire life. He’s coming, he’s coming, he’s coming for you. It’ll all be okay now.

“I’ll be right there, baby. Don’t worry, and lock your goddamn doors.” You hear the slam of a door. “Ten minutes.”

He makes it in seven. Your cheek is smushed against the steering wheel, half of your face gone to numbness now, when his headlights swing into the dark parking lot. You pick your head up, blinking your blurry eyes, trying to collect yourself – stop your crying, but you’re dizzy, half lulled to sleep by the headache brought on by your tears and anxiety, and then he’s there at your door, rapping on the window and tugging on the handle for you to open it. You flip the lock, and he rips the door open, coming to a crouch in front of you and taking your wet face into his hands, swiping his thumbs beneath your swollen, aching eyes. Your tears fall harder. You can’t help it. He’s touching you, he’s here, after weeks and weeks of dreaming of him and hurting for him and missing him, needing him, he’s here and he’s touching you.

“Joel–” you sob, throwing yourself at him, wrapping your arms around his neck as tightly as you can.

“Fuck, baby, please, please, don’t cry like this. Please, you’re breakin’ my heart.” He rubs your back in long, soothing strokes, trying to calm your wracking sobs.

“I’m– I’m sorry – I can’t help it. I– I’ve missed you so– so much,” you hiccup. He presses your head into the crook of his neck, drapes one of your knees over his crouched leg to pull you in closer to him. You’re so warm, you mumble into his skin, delirious.

“It’s alright, it’s alright,” he soothes, “I’m here now. No more crying. I’m gonna make it okay. Don’t worry, I’m not going anywhere. Not gonna let you miss me anymore, sweet girl. No matter what you say. This ends now.”

Please, please, you whisper again and again over the sound of your tears. You don’t even know what it is, really, that you’re pleading for. You only know that if he doesn’t give it to you, you feel you might surely die without it. “I’m so tired, Joel,” you whisper, as he holds you, settles you in his arms.

He follows you home in his truck after he gets your car to start again, says he wants to make sure you get there safe. You hope what he really wants is to just stay with you a little bit longer.

As you clamber out of your car in your driveway, your heavy tote weighing your shoulder down, he’s already there, gently gripping your elbow to help you out, sliding your bag off your shoulder and relieving you of the burden.

“I’m– I’m okay. You don’t have to.”

“Hush, let me take care of you,” he murmurs as he takes your keys from your grasp and slides his warm palm along the small of your back, urging you towards your house where he unlocks the door and follows you into the dark interior.

“Joel, it’s alright. If you need to go, or–”

“There’s nowhere I gotta be other than right here, sweetheart.” He sets your bag down by the door as you retreat to the far side of the living room. You need space to breathe, to collect your thoughts, or you’ll throw yourself at him, melt onto the ground at his feet and turn into a puddle of tears and desperate want right before his eyes. You think that what little dignity you’re still holding on to should be preserved right now, at least in front of him.

“Sarah?”

“Tommy’s with her.”

“Eva…?”

“She left,” he says plainly.

“On another trip?” And there’s a sort of desperate, hysterical edge starting to fill your voice at the look in his eyes. There’s something in his gaze that tells you that this is it, this is the point of no return for the both of you, for some reason.

“No, baby. She left for good. Weeks ago – got divorce papers in the mail on Monday.”

“Wh– but I–” you turn away from him, shaking your head and rubbing at your aching temple as you pace back and forth.

“You what?”

You stop your pacing, turning back to face him, entirely at a loss. “But I don’t understand…” you say, voice small – childlike.

He steps towards you, the most tender look in his eyes, “What don’t you understand, my love?” said so, so gently.

“She just left Sarah?” Your hot tears are falling once again, uncontrollable, causing your voice to hitch and break. The image of your mother, walking away from you with that tall, dark stranger, never turning back, never coming back to you. She’d gone away that day, and had never really come back again, not in any real sense. And now Sarah, the same thing was happening to Sarah. You feel a hot surge of anger rise up inside of you like a cresting wave. You go almost dizzy at the intensity of the feeling rising up, and you’re forced to reach out to the closest surface for support. A weeper in a long line of weepers, and you are so fucking tired of it. You never want to shed another tear over any of this ever again, for the rest of your life. You just want to be happy, you just want peace, you just want to let go of this interminable anger and resentment, let the wound close, please, please, please. Just let go of it already.

“I don’t– why would she just leave? How could she just leave her like that?” I don’t understand, I don’t, I don’t. How could she just leave like that? How could she just leave me like that? How could my mother just leave me like she did? How can a mother just go away and never come back to her little girl? You’d never understand. You couldn’t.

And yet, through the haze of your panic and grief, his voice breaking through the turmoil is loud and clear. You realize that his hands are on you now, cradling you in his embrace, pressing kisses to your hot face and hair, murmuring in that gentle, and reassuring tone you love so much: I’m here, I’ve got you, I’m not going anywhere. I’m here, and I’ll never leave either of you. I swear to you, I swear, I swear.

And once again you’re reminded of category, of the power of category and what comes before it and what comes after it. What is feeling before category? No longer possibility, but promise, promise, the promise of his love. For even if he hasn’t said it aloud, you feel it in the press of his hands, the reassurance of his voice, in his presence here, in this moment, coming to you when you needed him so badly, despite everything else. There is promise in the love he translates into your body, into your soul.

And then it breaks through the haze of your mind: my love, my love, my love.

And there is your category, after all.

You feel him sink to the ground with you held in his arms, and he cradles you as you cry. As you let out what you promise yourself in those moments, to be the last anguished tears you will ever shed for your past again, for the loss of a mother, for the idea of the right kind of love. He cradles you and pets your hair and whispers words of reassurance and love and comfort into your ear until you're lost to the sound of his quiet voice and his stroking hands, and you fall into the first sleep in months where he doesn’t visit you in your dreams.

You come to slowly, taking stock of your exhausted body. Your head throbs, but there is the most delicious heat seeping into you everywhere, comforting and heavy and blazingly hot. He shifts as he realizes you’re beginning to wake up, and his arms tighten around you for a moment, before he’s pulling back to cradle your head and look down at you. You realize that you’re both laying in the dark coolness of your bedroom. He must have carried you in here after you’d cried yourself into exhaustion, stayed with you to accompany you in your sleep.

He rumbles at you, deep in his chest, drags his fingers along your scalp and down the length of your hair, and your eyes flutter closed at the sound, at the feel of him. You love him so, so much. You are so in love with him.

My love, my love, my love. A shiver wracks through you, and you let out a tiny whimper.

“How do you feel?” he murmurs. “Can I get you something?”

“I’m–” you clear your throat, it feels raw, your voice coming out rough and scratchy, “I’m okay.” He’s quiet for a beat, taking your face in, and you bring your hands up to wrap around your throat, to keep yourself from grabbing at him, pulling him over you and never letting him go. You’re afraid, you don’t know what’s supposed to happen now. His wife had left his daughter, she’d sent him divorce papers, but you’d pushed him away, you’d hurt him, and he’d not come to look for you since. You didn’t know where you stood, despite him being here, despite his words and his touch, you were unsure what it was that would or could happen now.

He looks down at you for a second longer, and then nods once and moves to stand, pulling his arm slowly from beneath your head so as not to jostle you. “I’ll get you a glass of water.”

Okay, you whisper as he turns to go out into the kitchen. You lay there for a second, listening to the sounds of him moving around your home, and it fills you, once again, with the most intense of longings. You want to hear him existing in your home, in your space, for the rest of your life. You’re so full of love for him, love and longing and a deep awareness of how good and kind and caring he is, and you want the opportunity to be able to give him everything he deserves.

When you step out of your restroom a few minutes later, he’s sitting at the edge of your bed, a cold glass of water dripping down onto a coaster on your bedside table. You pause at the door, leaning against the frame to stop and stare at him. He’s still not cut his hair. You wonder if he’d let you do it for him. You have the ridiculous thought that you don’t want anyone else touching his hair ever again. It’s yours, he’s yours, and you want to be the only person in the whole world who gets the privilege of experiencing that sort of intimacy with him.

He stands too after a moment, and you watch his eyes sweep down your frame – fire for you burning in his gaze. He still wants you, and oh, it’s all you need to know. He lifts one thick, strong arm to drag his fingers through his overly long curls, and you admire the lacework of blue veins beneath the stretched skin of his bulging bicep. He lets out a deep, long breath, you watch the wide wings of his rib cage contract and expand as his lungs work. His arm falls limply to his side.

“Will you come over here?” he says, so softly, but with a note of distressed fervor at having you so near, and yet, not being able to touch you, but also, at the same time, afraid, afraid that you’ll reject him again. Your eyes flutter shut at the sound, and then you’re stumbling forward and throwing yourself into his arms.

He catches your skull in the firm grip of his wide palm, thick fingers twisting in your long locks, “This is it,” he says, looking down into your face, “You understand me?” And yes, yes you do. You realize that there’d always been a part of you that wanted someone to tell you, to claim you, to tell you that you were theirs without doubt or stipulation, to tell you that you belonged to them, and here he was, doing just that – had been trying to do so from the very first moment. The realization fills you with the deepest of comfort.

Your eyes flutter closed and you nod, yes, you whisper, I understand, and then you’re letting your head fall back on your neck, opening to him, and he’s kissing you, pressing his mouth to yours and taking you with a sense of savage, desperate victory. Finally, finally, the two of you have found yourselves on the same sure footing, finally, you can give yourselves to each other without anything else to interfere or hold you back.

His strong hand anchors your head exactly at the angle that he wants you, and he sweeps his tongue deep into your mouth, slick and wet and molten. His other hand slipping down your back to clutch the soft swell of your ass and press you up and into him.

He turns to slowly lower you down onto your bed, never once taking his mouth from yours. When you hit the soft surface he slides his mouth across your cheek, along the edge of your jaw, a gentle nip to the throb of your pulse and then further down to the wing of your clavicle. You drag your fingers through his hair, over his face, feeling the flutter of his lashes, the coarse roughness of his beard, the strong muscles of his neck and shoulders as his mouth moves over your skin. He pulls back to pull your top off and slide your trousers down your legs, and then he’s rolling you onto your side, your limbs divested entirely of their autonomy at the gentle maneuvering of his big hands, he unhooks the clasp of your bra, and then he’s pressing you entirely down onto your belly. Taking in the elegant sweep of your back, the delicate muscles twitching and trembling beneath the gorgeous surface of your skin. He slowly pulls your thong over the swell of your ass and bends to bite down on the supple flesh of your cheek – hard – laves his tongue over the hurt to soothe, and you keen, high pitched and wild for him, hips hitching in a needy little arc. He wants to mark you, brand you permanently. Write his name into your flesh, blood drawn for him to drink down.

There is a certain flavor of darkness swelling inside him, something possessive that demands he take you and mark you as his, only his, forever.

He pulls you up slightly by your hips and grips you by the meat of your ass to spread you wide for his inspection – red cunt, weeping and swollen already for him. So pretty, he tells you, praises you. You beautiful fucking thing.

He bends his head and licks the broad flat of his tongue from your clit, all the way through your sex to your asshole, presses his tongue there, just slightly, to let you feel the pressure at that secret little place he plans to eventually take for himself as well. Your moan at the feel of him there is loud and guttural. He clamps down on your hips, tight, to keep you from squirming away from his exploring mouth.

“Joel, please, please–” you beg, but it’s his turn now, his turn to do with you as he will. He flips you back over, tosses your legs over your head and pulls you up by the hips to start licking you in earnest. His mouth on your throbbing clit, his thumb in the cleft of your ass, he sucks on your clit hard, one foot planted on the ground, another bent on the edge of the bed, he supports your weight like that as he eats your cunt. “Knees hurt, baby,” he rumbles into your wet flesh. All you can do is moan and whimper his name over and over again. He licks into your fluttering hole, kisses and laps at your clit, over and over again, until he can feel the tremble of your thighs around his head and the shifting of your abdomen and then you’re coming on his tongue, scratching at his arms and sides, anywhere you can dig your nails into him and grapple for purchase.

“Please, please, take your clothes off, I want to feel your skin. I have to, please.”

He lets you down to pull back and reach around for the neck of his sweater, pulling it up and over his head, shucking off his jeans and boxers, and then he’s kneeling over you and pressing his entire heavy weight down into you, covering you with the broad expanse of his body. He squeezes and kneads your soft flesh, gripping the lush of your bottom to roll your wet core against his hard length. Your shared moan at the feel of the hot press of your aching flesh sliding alongside each other trembles through the lines of your body, and he pulls his hips back slightly, notching the wide head of his cock at your entrance and pushing into you slowly, slowly, so that you’re made to feel every throbbing inch of his thick girth. He shifts one of his knees further up beneath your thigh to anchor you more firmly into his lap and pulls his hips back and then drives back in, hard and deep so that his cockhead bumps at the mouth of your womb.

“Oh God, Joel– harder, please, harder, more,” you beg.

“Missed you so fucking much,” he groans into the crook of your neck, teeth nipping at the line of muscle that connects your throat and shoulder, putting more of his weight behind his thrusts so that he’s ramming into you in slow but devastatingly deep strokes, his hand anchored at the base of your spine to pull you onto his impaling cock. “So much, baby. Was going out of my fucking mind without you. Need– need you. Fuck–” he moans as your inner walls start to clench and flutter at his words. You press your heels into the small of his back to urge him further into you. You want him deeper, need him harder.

He hooks a hand beneath one of your knees then, spreads you wide and angles his hips down so that he can drill into you. He pulls his head back to look into your eyes, “Come on my cock, come for me, sweetheart. Lemme feel that cunt soak me. I need it.” You’re stuffed so full, cunt stretched obscenely wide, pleasure and pain coalesce in your core, his battering cock stoking the fire in your blood until your pulsing and throbbing around his unrelenting length, cunt clenching and convulsing around him, trying to suck him deeper. He bares his teeth at you and almost growls at your wet gush. You arch your back further, muscles pulled tight as a bow string, trying to let him in deeper, deeper, you think that it’ll never be far enough, but he pulls out then, suddenly. Your cunt clenching desperately around nothing, and you cry out, trying to hold him by his hair, dragging your nails over his shoulders to pull him back to you, but he’s bending and gripping the backs of your thighs to spread you wide, wide for the broad expanse of his shoulders, and he’s licking through the swollen mess of your cunt, lapping unrelentingly at your clit, licking into your opening so that you’re forced to roll into another cresting orgasm. Your muscles clenching and throbbing, a deep, searing heat coiling in your pelvis and unspooling in a rush of wet, musky slick onto his tongue.

You’re beyond words, thought, consciousness, almost – a wet, trembling mess of a girl. You think you’re whispering his name over and over again, can feel the vibration of words in your throat, begging for something you have no name for, perhaps his love, his devotion, but no, you know you already have that. You can feel it in the press of his hands, in the sweep of his tongue, in the murmured words of adoration and praise he presses into your slick skin. My love. He sucks hard on your clit, once, twice, and then he’s flipping you over again and pulling your hips up, up, up, and pressing the incredible thickness of his cock back into you, sinking deep down to the end of you, and holding there, grinding, so that you’re left clawing and mewling desperately for him to relent, to move, to go harder, something, anything.

There’s a part of you that thinks you want him to destroy you, to unmake you, to unravel you to your very core and then put all your pieces back together himself.

“ Fuck– look at you… so pretty stuffed full of my cock, baby. So perfect. My perfect girl,” he grunts, slamming his hips into your ass. All you can do is mewl and whimper pathetically, twisting the sheets beneath you in your shaking fingers.

“What?” he pulls out, presses the wide head to your clit, then slides back up and in again, so slow. “How does it feel? Describe it to me – use your big girl words.”

“Unghh– so– so good. I don’t– I can’t,” you cry, “… so full.”

“Oh, I know,” he coos, reaching around to pinch your clit, up higher to cup your swinging breast, twisting your nipple harshly, “I know it’s hard to think when you’re so full of cock, isn’t it?”

He deepens the curve of your spine with a palm to the small of your back, face pressed into the mattress, ass up and completely open and vulnerable to him. His hips against the backs of your thighs are unrelenting as he pulls you back onto him, impaling you on his cock over and over, his balls slapping wetly against your clit, his other hand twisted tight in your hair. You can feel the rebound of your flesh at each of his thrusts, and you feel him getting more and more desperate. The rhythm of his hips translating all the weeks and months of wanting and anguish and lies and secrecy you’d volleyed back and forth between the two of you in whatever pathetic attempt you could muster to stay away from each other. All his frustration at you for pushing him away, keeping him at arms length, the painful cage of his marriage. You can feel all that repressed exasperation in the battering of his thick cock against your womb, balls slapping against your clit. He’s like a muted bruise deep inside you and you moan, your eyes rolling back into your head at the throb that rolls through your body.

“Don’t stop, please. Never stop.”

“Yeah? Like that, baby?” he grits.

He pulls you up against him, with one strong arm, back pressed tight to his chest, and you can feel the sweat sliding between the two of you. His breath is wet and panting, moaning, in your ear. His thrusts growing harder, deeper, erratic; he bands the inescapable strength of his forearm across your chest, pressing your breasts up and squeezing your tit tight in his big palm. You keen at the twisting pain, and he turns his face into your hair and groans, whimpers, the sound sliding through your hair as you start to come around his length one more time, cunt clenched so tight it hurts, almost pushes him out, but he fucks you through it. Forcing himself in again and again. You can feel your wetness dripping and smearing across both of your thighs – the wet gush of it, obscene. Your whole fist is clenched tightly around two of his fingers, holding on for dear life as you feel him start to come, the waves of his release rolling through him and into you, coating your insides with his hot spend. His heat blankets the bruise inside you know you’ll feel tomorrow, soothes and incites it at the same time. There’s a sudden flash of desperate gratitude within of you. He’s marked you. You’re his now.

“I love the way you take me,” he breathes into your ear, “My perfect girl.” He grinds deep, and your muscles work to pull him further, pull his spend in further. Your whole body trembles and shakes, your cunt clenching tight as a knot, and then going loose and shaky so that you can feel the gush of his come start to leak out of the place where you’re joined. He plants one thick arm on the bed in front of you so that he can bend forward and let the both of you fall slowly to the bed, still buried inside of you. You continue to clench around his length, and he still has your breast clutched in his grip so that when your front meets the surface of the bed he’s draped over your back, so big and muscular and heavy, and you love the feel of his weight pressing you into the mattress. You turn your head towards him, so that both your sweaty brows are pressed against each other, and the two of you can breathe each other in.

You stay like that for a long time, letting your oversensitive bodies come down from their trembling highs. Everything is sweaty and sticky and slick with your mingled come. Overwhelming in the most perfect way.

Eventually he rolls the two of you over so that he’s not crushing you, your head rests against his chest – both of you catching your breaths still. His cock lays heavy and soft on his belly, damp from your mingled come.

You dance your fingertips along his hip, draw unseen flowers and vines that grow up towards his ribs and down his thigh. His own fingertips are a slow drag along the notches in your spine. Little pauses at each dip where he presses into your skin – he’s telling you something. Pressing a silent message into those beats, and you’re hyper focused on the feeling of it as you cover him in your invisible greenery.

“What are you thinking?” you whisper. He’s quiet for a long time, and you’re worried it’s something bad. Regret or a wish for something different. But then he says: “I haven’t been this happy in a very, very long time.” And what more could you want to hear from him in this moment?

“Wanna know a secret?” he says.

“Mhmm,” you hum, eyes closed, enjoying the feel of his dragging fingers over your damp skin.

“I stole your panties, that first time at the lake, the blue ones.”

Your eyes pop open, and you surge up to lean on one elbow and look at him, “Oh, you are so–” you swat at his chest, “I looked everywhere for those – I want them back!”

“Nah, they’re mine now.” He squeezes you into him, cranes his neck to nip at the swell of your naked breasts squished up against his hard chest.

You lay your head back down on him, and grumble, “You’re a panty thief.”

“I am.” And no one should sound that pleased, at the sound of that sort of accusation. “Prettiest little scrap of lace I’d ever seen in my life, I had to have ‘em. Blue’s my favorite color now, you know.” He fists your hair to bring your mouth to his, “Gonna buy you a hundred more pairs of blue panties for you to wear for me,” licks into you.

Later he says: “Can I tell you something selfish now?”

“Always.”

He’s quiet again for a beat, and you’re coming to recognize these silences of his as moments of gathering for his words, things that have never come easily to him. “Sarah’s the love of my life,” he says slowly. “Nothing has ever, ever made me happier than she has. I’ve never loved anything more than I loved her the first moment I held that tiny little baby in my hands. But sometimes– sometimes I just– I wanted something else, something other than just my child, something only mine– that makes me happy and belongs only to me. And she’s my daughter, and so of course she’s mine, right? But one day she’ll go away and make her own life, and what’ll I be left with? Just my memories of her? And– and sometimes I think I– I resent … not her, never her – but I guess the idea of that, maybe? I’m not sure that’s right… but that she’s my only source of– of joy. I resent that. And it — God, it makes me feel so fucking selfish and ungrateful … because I’m not, I’m– I’m grateful for the miracle of her every single day, it’s the first thing I think about when I open my eyes every morning, and I’d never, never discount that or– or not realize that she’s such a blessing and how fucking lucky I am to have her, but… I don’t know… Do you– you know? You know what I mean? Is that — that’s real bad, isn’t it?”

“No, Joel. It’s not at all,” you say softly. The look in his eyes devastates you. So unsure, so wary. Like you’d strike him down, like you’d discount his feelings, not even try and understand him. You cup his cheek and he turns to nuzzle his nose into the palm of your hand. “I know what you mean.”

“That’s what you are for me. That something else–” You’re quiet, taking in what he’s saying. “I don’t mean to scare you.”

“You’re not scaring me. You could never do that.” You wrap your arms tighter around his waist, press a kiss to his belly, nuzzle the space under his ribs. “You’re a father, but you’re a man too. You deserve something else – besides just fatherhood – something for you. To make you happy.” You think of your mother, of Eva, two people who’d, like Joel, also wanted something for themselves – something besides parenthood that was only theirs, but who’d not known how to find it without forsaking all the rest. And Joel… who’d sacrifice anything for his daughter, even you, you’re sure. But still he’d fought for you, he’d hoped for you, and now look at the two of you, here together finally.

You lay holding each other for a long time through the night. You think of the hours and days and weeks you spent lying alone in this bed, missing him, hurting for him, and now, to have him here with you, with nothing else in the way, it feels like the most sacred sort of miracle.

“Will you take a shower with me?” you ask him eventually.

“Yeah, baby. ‘Course I will.”

The two of you stand under the warm spray together, his arms wrapped around your back, enshrouded in the cocoon of heat and steam. Your face tucked up beneath his jaw, you lick the warm water that runs down the slope of his neck, pepper small kisses to the beat of his pulse, his ear, the dip of his collarbone. His hands sweep over you in slick, roving arcs, squeezing your ass, traveling the slope of your spine, encircling your waist, exploring the lines of your ribs. His fingers are thick and strong and they press between the spaces of the bones in your chest, as if he’s looking for a gap in the protective outer shell that enshrines you, looking for a way to sneak in and peer inside, to the heart of you. If you could, you’d split your very skin for him, let him live inside you forever.

Your mouth moves down to the notch at the base of his throat, and you lave your tongue there, tasting the flavor of his warm skin. Then to the thick muscle connecting his neck and shoulder, you dig your teeth in, sharp and hungry, and suck hard. Hard enough that you hear a little gasp slip out of him, his fingers tangling in your hair painfully, pulling on the sensitive strands, but not to rip you away, rather to press you closer, to make sure you leave a mark of yourself in his skin.

You move down to his chest then, peppering open mouthed kisses over the broad expanse of his muscles there. He’s so hard, so strong everywhere. So much larger and more powerful than you are, and yet, he has the keenest ability to make you feel stronger than you’ve ever been, imbues in you the ability to feel like there isn’t anything you couldn’t do. As if there were a tether connecting the two of you, some sort of invisible string born from his heart and running all the way to yours, funneling that interminable strength of his, right into you. He makes you strong. He'd always let you be as vulnerable or as strong as you needed to be in the moment. Even despite his anger or pain or frustration he still let you get here on your own. And you realize that you’d never been allowed to be soft or sensitive – never given the chance to show your underbelly, being brought up in such a hostile environment, but he’d always given you that chance. He’d always been gentle, patient, understanding. He’d never been annoyed or frustrated at your overwhelming tears and nerves. He’d always let you be all the things you’d always been, but also gave you the chance to be all the things you’d always wanted to be, the ones you hadn’t even thought of yet. The possibility for you to grow into anything you’d like to be is endless in his embrace. You nuzzle into the smattering of chest hair at the center of his sternum, then a kiss over his heart. You pause there for a long moment, press your cheek to the surface and listen to the pulsing echo of his heart beating beneath his skin. Your eyes flutter shut as the beat thumps into your ear, and you shiver. This is the sound of Joel’s existence. When you turn your face up to his, his eyes are molten, full of heat and hunger and yes, there is it, love. You can see it melting out of him like ore. He loves you.

How is it that two people can become so wholly intertwined that words become, eventually, entirely futile? Unnecessary. You don’t need to hear him say it, at least not now, not until he wants to, but you can feel it, see it, hear it in the cadence of his voice when he swore to you that he’d never leave you, that he was here and he would remain here, that he wasn’t going to let you miss him anymore.

You start to lower to your knees slowly, face still turned up to his, your eyes never leaving his, but his hands tighten in your hair, holding you in place. “I want you to fuck my mouth,” you tell him.

“You don’t have to, baby. Floors hard.” And hearing his concern for you, that he’d think of that when you’re asking him to let you suck his cock, it makes you even more desperate to please him like this.

“Please, will you let me?” You resume your descent so he’s forced to either let you go, or pull on your hair too hard. “Will you let me do this for you? I want to taste you. I want you in my mouth.” You press a soft kiss to the skin beneath his belly button, your knees reach the shower floor, another kiss to his hip bone, your tongue runs a line at the crease of his hip and thigh, and then another kiss at the space right beside the thick root of his cock.

“Shit– yeah… yes, I’ll le– let you. God, fuck–” he spits, teeth bared in a growl. You’ve sucked one of the heavy, hanging weights of his balls gently into your hot mouth. You run your tongue along the soft skin, suckle gently on the round shape within, giving the sensitive surface as much of your wet mouth as you can. “My fucking God–” he whimpers above you. You wrap your hand around his rock hard length, fingers not fully meeting around the thickest part of him, and slowly start to jack his cock up and down, squeezing your grip at the head in a little twist. You stare up at his face the entire time, and you watch his head fall back on his neck, the strong muscles of his throat working as he pants and swallows, trying to keep his control. You hum deep in your throat, let him feel the vibration of the sound, and his hips start to thrust slowly up into your working hand. You pop your mouth off his sac and finally give the angry, flushed head the gift of your mouth. You press a gentle kiss to the curve of his tip, opening your mouth to flutter your tongue over the wide tip. You can taste the salty tang of his precum, leaking in a steady stream. Then your tongue, gentle as possible, pressed into the slit at the tip and he jerks, almost mewling at that. He’s panting above you, whispering your name over and over again, telling you how good you are, how perfect, how much he loves your mouth, what a good girl you are for taking his cock like this. You finally swallow him down in one smooth go, as far back as you can, and you hold there for a beat, another, another, working the muscles of your throat to swallow and tighten around him. His entire body is shaking now, trembling, his fist in your hair is so tight your eyes smart, tears springing to the corners. You pull back, take a breath and start to bob your head along the throbbing length in earnest. You can taste his precum at the back of your throat, and with how hard he’s trembling, you know he’s close. You hollow your cheeks around him and lave your tongue around the head on the pull back, suck hard on the tip, and then slide back as far as you can go, wrapping your hand around the base of him, the part that’s too much for you to take comfortably. Your tongue runs along the sensitive underside, you focus on the tender spot right beneath the flare of the wide mushroom head, flicking your tongue back and forth until he’s growling and moaning, his hips drawing back to start to saw his length in and out of your hot, suctioning mouth. Fucking your throat in earnest, just like you’d told him you wanted him to.

“You’re gonna be a good girl and swallow my entire load, you hear me?” he grits. “Gonna spill down that little throat and fill your belly with my come.” And fuck, your cunt throbs and clenches painfully at that. You moan up at him, pressing your thighs together to alleviate the aching want there, your watering eyes, looking up at him with all the adoration and pleading you can call forth. Yes, yes, you want to tell him, please, give me your come, give me everything you have. I can take anything if it’s from you. He anchors your head in his hands and fucks your mouth, all the way until you feel the fat tip hit the back of your throat, once, twice and then his cock seems to swell even further, just for a second, and it kicks inside your working mouth as he starts to come. Thick, searing hot spurts of salty, musky come that you swallow as fast as you can. His torso tilts forward, one arm coming up to steady himself against the shower wall behind you, and he moans, deep and guttural, his blazing eyes trained on yours the entire time. “Fuck, yes– fucking swallow it all,” his voice breaks at the end, quivering. You can feel globs of come seeping out of the corners of your mouth, and when he finally pulls his spent length from your mouth, a small whimper as you run your tongue against the extra sensitive underside at the last moment, he scoops the leaking spend back into your mouth with his thumb, pressing on the flat of your tongue as he makes sure you don’t miss a single drop of him. “All of it, sweet girl,” he whispers, eyes wide and feverish, “Every last drop.” You wrap your lips around his thumb and suck, circling your tongue around the digit, making sure you don’t miss anything. When you pull back with a loud, wet pop, he’s already bending to hook his hands beneath your underarms and jerking you up and into him, pressing his mouth savagely to yours and licking into your mouth to taste himself on your tongue.

Chapter .9

Netherfeildren's Masterlist

#someone's fic #Joel miller #joel miller x reader #joel miller x you #joel miller x female reader #joel miller/you #joel miller fanfiction #joel miller fanfic #joel miller smut #joel miller fluff #joel miller imagine #the last of us fanfiction #pedro pascal #pedro pascal characters

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