#jakey's internal monologue is so funny
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once again i am bringing you some werewolf au, first a bit of syb just trying so hard to do her job, and another snippet from jacob's pov of him continuing to be a violent and possessive creep <3 (also just for context, at the start of the first snippet, they're talking about renovations being done to st francis.
“Quite the project you’ve got goin’ here,” she remarks. “How long’ve’ya been workin’ on the place?”
“Couple months,” he answers, but doesn’t offer anything further.
Jesus, this is gonna be like pullin’ teeth, ain’t it? So, she tries again. “Y’all’ve worked fast,” she hums, pointedly admiring the work done and emphasizing her awe -- give his ego a little stroke. “Good craftsmanship too, by the look of it. Think you’ll finish it all before winter?”
He tilts his chin up, puffing his chest out -- preening ever so slightly at her words. Yeah, that’s what I thought, she thinks.
“That’s the goal,” he nods.
But, once again, he doesn’t volunteer any more information. So, she presses once more. “What’re ya gonna do with it once it’s done?”
He pulls to an abrupt stop outside a set of french doors and gives her a stern look and folds his arms over his chest. “Is this pertinent to your investigation, Deputy?”
She blinks, taken a bit back. “Well, no --”
“Then I’m not obligated to answer that.” He grasps the door’s handle, pushes it open, and steps inside.
Sybille narrows her eyes, focusing on the point on his back where his shoulder blades meet. “You realize that makes you sound suspicious,” she says evenly, and she follows him into a large office. The walls are covered in renovation plans -- blueprints, schematics, and various paint swatches cover every last inch. Even more documents and plans lay scattered across the desk, and tucked away in the corner is a small cot. The bed has been made, the corners of the worn green blanket are tucked neatly at the corners. Army regulation.
Wonder if he slept here last night?
“And you realize you can’t do a damn thing about it,” he says shortly. “Private property is private property, Deputy. What we do here is our business.” He strides over to the desk and fishes a ring of keys out from one of the top drawers. “Now, if you have any questions that are actually relevant to your investigation, I’d be happy to answer them. You and I both have more important things to do than engage in chit-chat.”Giving the bulk of the keys a little flip around where his finger is hooked through the ring, he walks back over to her and gestures to the door. “After you.”
Were she a smaller or less hardened woman, she might have been cowed by how he towers over her. There are some people who intimidate as easily as they breathe, and it’s become clear to her that Jacob Seed is just That Kind of man. Even his “after you,” a phrase and gesture that’s so becoming of a Southern Gentleman from Georgia, hides within it a direct order. A command she is expected to obey, lest she break the social parlance.
It’s not a fight worth having, so she nods and shuffles out of the office. The door clicks shut behind the two of them, and they begin walking back towards the courtyard.
“So,” she tries again, once again falling in step beside him, “how late were you here last night?”
“All night,” he grunts.
So, he did sleep here last night. “Anyone else with you?” To confirm your alibi? She doesn’t say.
“No.”
“You hear anything strange last night?”
“No,” he repeats.
She frowns. “What about any wolves howlin’?”
He glances down at her from the corner of his eye and snorts. “This is wolf country, Deputy. I hear wolves around here nightly. It’d be strange if I didn’t hear them howling.”
“How about screamin’? Or gunshots goin’ off?”
“Do you know what a mountain lion sounds like, Deputy?” Jacob asks.
“Pardon?”
“If you don’t know what you’re hearing, the call of a mountain lion sounds a lot like a human scream. Most accounts of people claiming a forest is haunted because they heard shrieking, are just people hearing mountain lions,” he explains dismissively.
“Fascinating,” she answers flatly. “Doesn’t answer my question, though.”
He sighs heavily, as if frustrated that his half-assed question for an answer wasn’t satisfactory to her. “No, Deputy. I didn’t hear any screaming or gunshots last night.”
and a bonus jakey pov of him continuing to be creepy <;e3
As tempted as he is to give the Deputy the run around -- to see just how fast and far she’d run to catch him -- she doesn’t give him the option to. Her cruiser’s front bumper never strays more than a few feet of his own back one, making it explicitly clear that she isn’t just going to let him take off with the beast currently held on the bed of his truck.
Besides, after smelling the shift in her scent when he picked the Feral up and carried it to his truck, he decided that playing nice, at least for the time being, would give him what he wants. The quickening of her pulse and the sweet, albeit suppressed smell of her arousal at his display of strength told him everything he needed to know. She’ll deny it -- loyal women like her always will -- but there’s a part of her that’s drawn to him.
She likes that he’s strong.
Picking up a dead body is nothing, his Wolf salivates. Let her see what we could do to Eli. Show her how strong we really are.
His grip around the steering wheel tightens until his knuckles turn white and he glances at his rear-view mirror. She’s driving with one hand on the wheel while her other arm is draped through her open window, a cigarette dangling from her fingers. Do it, the Wolf urges. We know where he lives. We can end this little problem right now. His fingers move of their own accord and he barely catches himself before subconsciously flipping his signal to turn back north.
No, he barks back. She’s human and has human sensibilities. She wouldn’t react to the normal mating rituals the same way a fellow werewolf would. He needs to be patient. Careful. If he’s going to pursue her, he has to treat it more akin to a hunt, rather than a courtship. He needs to lure her out; get her to trust him so that when she gets injured or frightened she comes running to him rather than Eli -- he needs to prove to her that he can protect and provide for her.
It isn’t enough to force her to be his. He needs her to choose him over Eli. Her submission to him needs to be voluntary. That way, when he finally does destroy the Hunter, he’ll do it in every way conceivable. He’ll break his spirit first, then his body. Maybe he’ll claim her in front of him. Just to see the betrayed look in his eyes when Jacob kills the love he thought he had. Just to make him hear how his dear, sweet Deputy howls like a bitch in heat, begging him to bury his knot inside her cunt and fill her with his pups.
Eli Palmer will die a humiliated and broken man.
His Wolf makes a low, pleased growl and is placated by the thought. Fine. The sheep suit can stay on, for now.
#wip wednesday#jakey's internal monologue is so funny#syb gets a little flustered watching him hoist a large animal over his shoulders like it's nothing#and jakey goes 'oh yeah. she wants me :)'#wip: the horror and the wild#still aiming for a halloween post for ch 1 but that's the optimistic goal#i've got like...four and a half scenes left to write.#which i might be able to accomplish if i hustle#but anyway. wip be upon ye
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OH have you finished all of animorphs then? Any general wrap-up thought on the characters n their arcs if so?
oh boy okay that's a big ask because the lack of specificity means i'm inclined to be comprehensive. i'm gonna force myself to be brief
jakey: very coherent arc from "i'm not the leader why are you guys saying i'm the leader stop saying i'm the leader" to "Subhuman. Flush 'em." it's good. i also like the chain where he's like. initially invested for saving his brother > tells marco he can't make calls about his mother because he's too close to the situation and is frankly an ass about it while hypocritically insisting he can handle the yeerk controlling his brother trying to murder his father, relieved when the animorphs take the difficulty of having to make the choice away from him but still views it as an indictment of his leadership capabilities > during the evacuation of the families he almost like...overcompensates w/ under-prioritizing himself and his loved ones, irrationally prioritizes everyone else's families being moved out first despite the fact that it would have made more tactical sense to do his first > he loses his family over this and it breaks him
rachel: problem w/ rachel is that, unbeknownst to me when i started reading, multiple of the books for her just had no idea what the hell or fuck they were doing, and were wildly out of character. ignoring the books that were fake and didn't happen, her arc is good. the thing is that "we might have to do something terrible, too. get rachel" is the crux of her Issues and the ghostwriters didn't need to do any of that other shit. the fake and true rachel books would've been served better by exploring the fundamental divide btwn her and cassie as people i'm sure you know what i mean
marco: probably the most consistent/strong arc? it's good. reading the end part was like
marco: i haven't seen jake in a few months. i still worry about him of course, just...from my hot tub me: that seems not true marco: okay so he hasn't seen ME in a few months but i have been continuously accidentally-on-purpose spying on him, and also sometimes i turn into a lobster in my fountain to cope me: okay yeah that's true
i like his fundamental internal conflict of. Being a person who is very capable of seeing, as per his iconic monologue, the bright line from a to z, and also continuously kicking the part of him that's horrified & upset by how that line impacts himself/the things personal to him under a rug. and despising when people pity him or acknowledge that he's upset/hurt because it reminds him he's got all that shit under the rug and distracts him from the bright clear line. really really good character writing how he's completely okay with constantly yelling and crying about how he's the most scared and afraid boy ever because fear over physical things is pragmatic, but he can't tolerate having it acknowledged when he's upset by something he knows to be necessary, because that's Not pragmatic. it adds flavor
cassie: i think it's funny how some of the other roles on the team are "the leader" "the lieutenant" "the axe-man" (<- not to be confused with the ax-man) etc and she's The One With A Continuously Functioning Moral Compass, Nerd #2, and The Emergency Lisa*. i've been told that the cassie books are either some of the strongest in the series or absolutely nothing but the thing is that i like the absolute nothing ones because i think the shenanigans are fun. so overall she's got great books. the struggle of a character who finds the moral compromises she's forced to make while participating in a war genuinely psychologically intolerable but still keeps being sucked in further is good & a nice sort of foil 2 some of the other morphs. i do have. And this has to be said despite being somewhat tangential. i do have the firm opinion that. rachel and cassie v much come off like they should be the classic "people who were bffs as kids and start becoming distant/incompatible as teens but are ignoring it and will be insisting on hanging out/calling each other bffs for several more years until something causes a bigger schism" dynamic & it would add a lot more if the text was aware of this fact and did something about it. but that's a longer post for a later time
tobias: his stomach flipping over while he tries to deny that the hawk-boy form of himself ellimist is showing him is him is perhaps one of the most stark scenes in the entire series and i think we should all be drawing it more. it's nice they put an abused autistic kid who doesn't feel like a human person in animorphs so that various children reading could have their brains rewired. i like how he's got a very heavy internal life. he's always Pondering. the torture plotline is a bit weakly written i think, his strongest moments are when he's doing an identity crisis thing. his dynamic with rachel is really good and the end of his arc does feel fitting. i think with how aximili is always going on abt how tobias is his shorm aka soulmate it would've been good if we saw more of the convos they were having or they had a more clearly Besties bond going on. although i DO like that aximili almost never shouts, someone (jake?) explicitly notes that when ax Does yell it means you'd better fucking listen, and to my memory the only call-caps moment aximili has is yelling "TOBIAS!" when he thinks tobias is critically wounded. more of that shit please. i would've also liked more tobias books in general bc he has one of the strongest narrative voices out of the gang
aximili: I was so mad about his very last book in the series being a shit ghostwriting moment. So mad you do not even want to know. entire plot of, like, book 8 all over again, except this time he's casually considering endorsing genocide for some reason. anyway i think there's a lot of interesting things going on in his head but his arc doesn't really wrap up well & there are a few ghostwritten books where he feels poorly done w/o having a rachel-type Really Iconic book that makes up for it. he works better early and mid series. he's also just a fundamentally hilarious character concept which is great. i'm sad that people lied to me about him being autistic compared to other andalites (he's not) but i like when he has axtism moments anyway. i would like to see 100 drawings of axmini get cinnamon roll now please
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