#its so EMOTIVE its so characterization……………….

[kyanitedragon]

I shared a bunch of my thoughts after watching TOS Season 1 for the first time...

But I've been so impressed with Spock in particular, and now I entirely understand why everyone adores him.

Vulcans are such a complicated alien characterization, and it's really easy to misunderstand them or write them wrong. Since these were the first star trek episodes, I was a little worried that season 1 Spock might be far more "human" than later star trek vulcans, or simply than later TOS seasons when it got its footing.

But no, Gene Roddenberry knew what he was doing from the start.

I've always liked vulcans (I started on Voyager first and Tuvok was one of my early faves) but I never appreciated them more than now.

The way Spock is written is absolutely vulcan writing at it's best.

I've been getting tired of the modern trend since Enterprise of vulcans being emotionless assholes wanting to hold back humanity. I've been getting tired of the series not really challenging the humans' views and misconceptions. I've especially disliked Strange New Worlds' obsession with making Spock more "human".

Vulcans have emotions — their emotions are simply repressed and controlled. Vulcans can lie! Vulcans can joke! Vulcans can be amused! They just... do it all in a very vulcan way.

And Spock... TOS Spock does all of that.

He is so damn sassy and I adore it so much. He finds so much amusement in his human crewmembers, he loves to screw with people, he loves to insult Kirk and Bones and they love to insult him back. And no matter what, he always feels so distinctly vulcan.

My personal favorite is from Tomorrow is Yesterday (1x19), when they have an air force captain from the 1960's on the bridge and they're explaining to him the future. The man walks onto the bridge, saying that he "doesn't believe in little green aliens". And Spock, knowing that he is visibly alien, walks forward to show himself and says "Neither have I". He absolutely knew that he would confuse and freak out and overwhelm the 60's captain. He just wanted to have some fun and screw with this stranger.

But that's not all.

Vulcans are telepathic. They can mind mind. We see a mind meld in episode 9. I was shocked that we got one so early.

Vulcans can do the nerve pinch. Spock can easily knock out anyone with a simple shoulder grab, while Kirk has to punch people and hurt his hand.

Vulcans have super strength, too. Each time Kirk and Spock fight, we can clearly see the amount of difference in strength.

By all means, vulcans are OP. By all means, it should be insanely difficult to have such an OP main character surrounded by entirely normal humans.

And yet... it never feels that way. Nor does it feel like they ever need to nerf him.

Spock uses all these powers. He uses them often. He volunteers them, he suggests them, sometimes Kirk asks him to do something difficult or even painful and Spock always agrees with no hesitation.

And this never feels overpowered.

And when Spock doesn't use his powers? It's always because his powers are entirely irrelevant and couldn't be used - no nerfs needed.

This series does so well with Spock!!

[rrhodes25]

Okay so I have more thoughts on the Ithaca Saga, about Athena & Odysseus' relationship, and how it ends.

Spoilers ahead, for those who have not listened

This all came to me when I was listening to I Can't Help But Wonder. I couldn't stop thinking about what I kinda saw before as an offhanded phrase from Warrior of the Mind.

"Sounds like a plan, goddess and man, bestest of friends!"

"We'll see how it ends."

At the time, I thought this was just characterization for Athena. She's a goddess, she's very professional, and like the other gods we see she is somewhat dismissive of mortals and their emotions.

But we've seen how it ends now. The relationship is fractured beyond repair. There isn't resentment anymore, and Athena is the one reaching out to Odysseus, similar to how she did in Warrior of the Mind but not for the purpose of shaping him, not with the same professional tone. Athena has changed a lot, and is reaching out with compassion, with empathy, with care. She wants to be friends again.

But Odysseus changed a lot too.

He's exhausted. He has fought tooth and nail for decades to get home. He's been beaten, bruised, tortured without end. And Athena abandoned him so early in his journey. She wasn't there to help, to support. She didn't even watch it happen as it happened, she caught herself up after the fact in Love in Paradise. Athena did a lot that Odysseus didn't see, like take a lightning bolt to get him off Calypso's island, but even if Odysseus knew that I don't think it would be enough.

Odysseus is done with the fighting. He is done with the pain, the work, the strife. He's done with the gods. And that includes Athena. He just can't do it anymore.

When Athena said "We'll see how it ends." She thought she would be the one to end this. But she's wrong. Odysseus doesn't have the energy to repair the shattered relationship. He finally has control over his life again, and that life doesn't fit Athena.

I didn't do a ton of theorizing about what would happen in the final saga, with the exception of one thing. I thought Athena was going to be far more present. From what I understand about the Odyssey, which I have not read in its entirety but have had to read several sections of it for classwork, and I've sought out different summaries and discussions about it out of curiosity, Athena is very involved in the ending. So, that's sort of what I expected to happen in Epic. I knew Penelope and the Suitors would get their own songs before Odysseus would start killing people, but I figured that Odysseus, Telemachus, and Athena would get their own number somewhere in between Penelope's song and when Odysseus starts his murder-spree. I didn't know how the relationship would end, but I had figured that there would be some kind of reconciliation, and then the murdering would have a little bit more of a vibe like Little Wolf, albeit far darker.

None of this is to say I dislike where Jorge decided to take the final saga, I think it is deeply interesting and absolutely crushing how he decided to handle it. Honestly all this yapping hardly has a real thesis or point, I just wanted to get the thoughts out of my head.

I suppose the closest thing to an conclusion I can draw from this is that Jorge completely subverted my expectations, and crushed my soul in the process.

10/10, wouldn't change a thing.

If anyone has additional thoughts, feel free to share. I'm always open to folks more articulate than me weighing in.

[lauralot89]

So I watched Nosferatu

poor Nicholas Hoult keeps getting tortured by vampires

also

that certainly was a penis

it has been years since I watched the original Nosferatu and I no longer remember what it did with any of its characters or plot so I will not be comparing this to that

so if you're going to do a Dracula/Mina romance (or in this case, Orlok/Ellen) and you're not going to base it around their shared hobby of reading train schedules, this is probably the best way to do it, because this isn't actually a romance. This movie gives Mina/Ellen the psychic sensitivity that Lucy/Anna has in the book, and establishes that Ellen has had mental connection with Orlok since her childhood, and he essentially groomed her. She even calls him out on it in the film. Yeah, there is one moment toward the end of the movie where she comforts him, but she isn't trying to save him or anything and also even in the original novel, Mina was the one who said Dracula deserved the most pity.

Yes, there was the scene where Ellen was saying Orlok loved her more than Thomas/Jonathan but she was clearly possessed

There is no romanticism of Orlok/Dracula here. He's the worst and he doesn't even have the illusion of civility that most adaptations provide.

also I was told by early reviewers that this movie was very horny and I think they must have watched a different cut than I did. I mean, sure, you see (flaccid) vampire dick once and some nudity throughout but the movie has two sex scenes and both are deeply unsexy in that in the first, you don't see anything and also both characters have gone out of their minds, and in the second, it's not even really sex. You can't just show me a dick that's not even in use and tell me that's horny. Come on, people. Raise your standards.

I don't say this to be mean but: I think the original Orlok makeup from the silent film was scarier. I get what they were doing here, I do, and the makeup was immaculate (as were the costumes, the set designs, etc. It's an Eggers film) but I personally find Original Orlok scarier, and this Orlok was most intimidating when he was kept in the shadows.

This movie felt very much like a fairy tale. It even sets up a "three nights" limit at one point sort of like the earlier versions of Cinderella. I find that Dracula adaptations, particularly in film, often put vibes above, say, characterization, and this movie felt pretty vibe-y.

If I were to make a complaint, it wouldn't even really be about the movie itself. But like, Nosferatu was originally made to be Dracula without paying for the rights to Dracula, wasn't it? You're not bound by the novel (not that most straight-up Dracula adaptations follow the novel all that closely either). You literally have a built-in excuse to do whatever you want, but it seems like what people want to do time and again in vampire movies is a highlights reel of the most famous moments in the book without ever really delving into the characters that made the novel so good.

Again, this is not a criticism of this movie. It's just that what I realized while watching this movie is that I really really want a Dracula adaptation that's a character study. Not even necessarily a character study of Dracula. If someone out there made an adaptation that focused the story on Jonathan or Lucy or Jack or whoever, I would love for that.

God bless Ralph Ineson's voice

Everyone in this film did well, but Nicholas Hoult's performance was probably my favorite. He emotes terror so damn well. And of course Dafoe is always a delight.

Did Original Orlok also favor biting people on the chest or was he a neck guy

[shitsecurityguards]

ok i think "hate" is an understatement, detest is what i was trying to get at. I dont know if you have seen any other rebornica comics other than the uhh one where he screams or something because of pink wednesday, but I dont think he would be instantly comfortable from just a silly lil compliment (Uhm, from other rebornica comics that i have found, he seems to not only scream and hiss, but he also hides in a dark corner for the whole day and is needed to be held by 2 people so they can get him to go to work and stop whining abt the color blegghgh, he just seems too uncomfortable with it and idk if that can be fixed by something so simple). Im not saying ur interpretation is wrong, in fact, i love ur characterization of the characters (mostly), but this is just kinda like taking a big part of his character that makes him so silly. Why cant u just replace the color with,,, idk blue. (???? im sorry if i sound rude, im just too into keeping some recognizable character traits (which in this case is vincent detesting the color pink) :-[

okay a few points

1. there is art of him with pink on where he isnt freaking out (and yes according to the art archive that is vincent not vendetta). yeah in the second one hes not happy but hes not losing his mind

2. this is literally all the pink hes wearing

its an i <3 boobies bracelet which is a scene staple imo and very in character for him to wear and a belt with some pink on it?? its not entirely pink and also he owns other belts and bracelets lmao he doesnt wear this every single day

3. its my au hes gonna be a little different from the og if everything was exactly the same it wouldnt be my au. sorry if vincent hating wearing pink as a major color in his outfit but being alright with very small amounts on his accessories upsets you but i feel like thats not a huge thing to change about his character. again i myself dont like wearing a lot of pink especially bright pink it makes me very miserable but id be okay with small amounts if it fit my aesthetic because its not the main color. pink is obv a very big part of scene fashion so i think hed just have to take the L sometimes and wear it

4. him hating pink was not immediately fixed by the end of that comic he just was able to suck it up and wear it because of the compliment. also idk how to put this without it sounding silly but whatever he loves my s/i very much and what they say impacts him a lot compared to the other guards so if they tell him he looks cute in pink he will be too happy to be 100% a pissy asshole about it (his emotions are very extreme and switch up very quickly, but his adoration conquers all <3)

all this is to say no im not gonna change it i think he can bear to put on a pink i <3 boobies bracelet and pink and black checkered belt every so often

[kenonade]

esalen………………………………………………………………………

[alch-emi]

Shoutout to Linked Universe for bringing back my Skyward Sword obsession

[cintipede]

Martin Blackwood's terrible, no good, very bad 19th november (iteration #67)

fanart based on @formiana 's time loop fic! go check it out its incredible

[crossthread]

No jokes here. The Navy’s best pilot and the Navy’s best admiral. Between them, eight air-to-air combat kills and five stars. These were men who commanded respect with or without your approval. This was the picture of ruthless competence.

Debriefing (& Other Stories) • part 2 of Easier Done Than Said by @compacflt

[dykedvonte]

I hate the stretch lines in the front of Curly's uniform because that means the devs rushed to make a model in like a month or so and thought "They gotta at least know he has huge knockers, gotta know he's got back pain." Cause like what is the thematic importance of his tits having overhang?

What responsibility is that representing? Breast reduction? It shows an inherent greed in his character due to the excess and heshouldletmeholdone and that he clearly is blinded cause if he tries to look down his damn ladder all he's seeing is his own cleavage.

[cybertron-smash-or-pass]

TF One D-16

[welcometogrouchland]

Babygirl I can concieve of stephcass dynamics you couldn't even imagine (arospec Cass not understanding why "probably bi but has a job so she doesn't have time to think about that" Steph apparently needs a man (she doesn't, it would just be nice) and doesn't want to platonically settle down with cass in their old age)

[sophistired18]

No one talk to me. I fell in love.

[milkbreadtoast]

my s class hunters does a really good job at gradually raising the stakes without feeling like a pointless power creep and keeping me extremely invested and i keep saying this but I really do think it's bc it's a story grounded in love at every turn... the bond between the han brothers especially is extremely compelling and beautiful and makes me feel like a knife is being stabbed into my heart and twisted all around... i love them so so much 😞💔❤️‍🩹❤️‍🔥❤️‍🔥❤️‍🔥

[thewhizzyhead]

does anyone want an analysis on a light or somethin because its been on fuckin repeat since the day I first listened to warriors and now swercy is all I can think about. also I feel obligated to tell you that Julia and Jazzy call it swercy too and I'm not kidding just look at their IG comments they use the hashtag and everything

[sweetandsourcookies]

lying here in bed and thinking abt how alienated out i feel in the cookie run fandom. and then theres a polish sitcom playing in the background from a different room.

[freakinator]

i dont go to twitter, wtf does the swagdoons look like there??

to very roughly sum it up, a similar thing to clownzy except theyre divorced and general knowledge of the ship is overly-reliant on fanfics

edit: wait just to clarify i meant twitter clownzy lol, which basically means that a lot of their traits are not only boiled down and simplified but also altered to serve the ship even when it doesnt make sense