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nellasbookplanet · 7 months ago

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Book recs: Space!! part 1

We all love space, right? I certainly love space, and I'm always on the hunt for a good space book. What you've got here is a pretty wild mix of everything from fun and adventurous space opera to horrific and brutal space horror - hopefully all the space fans can find something to enjoy!

For more details on the books, continue under the readmore. Titles marked with * are my personal favorites. And as always, feel free to share your own recs in the notes!

If you want more book recs, check out my masterpost of rec lists!

The Long Way To a Small, Angry Planet (Wayfarers series) by Becky Chambers

Rosemary Harper just got a job on the motley crew of the Wayfarer, a spaceship that works with tunneling new wormholes through space. With a past she wants to leave behind, Rosemary is happy to travel the far reaches of the universe with the chaotic crew, but when they land the job of a life time, things suddenly get a lot more dangerous. A bit of a tumblr classic in its day, this is a cozy space opera with an episodic feel and vividly realized characters and cultures. While pretty light on romance and focusing found family, there is a main f/f relationship.

Ascension by Jacqueline Koyanagi

Ascension follows Alana Quick, an expert Sky Surgeon who stows away on a spaceship in hopes of landing herself a job. But the ship and its crew are in deeper waters than she expected, facing threats emerging from a whole other universe, all of them searching for the same person: Alana’s spiritually enlightened sister. Undeniably a bit of an odd read, Ascension is also very creative and features polyamorous lesbian relationship.

Illuminae (The Illulminae Files) by Amie Kaufman & Jay Kristoff*

Young adult told through the medium of transcripts, text messages and the like (this is one of few books where I highly recommend reading a physical copy over a digital or audio copy as the visual aspect is much more enjoyable like that). After their colony is attacked, the surviving inhabitants flee on spaceships, attempting to avoid the pursuing killers while also dealing with a deadly maddening plague on board and a ruthless ship AI seemingly losing its mind.

Kea's Flight by Erika Hammerschmidt & John C. Ricker

Young adult. Kea has been in exile since before she was born. In a future where abortion has been forbidden, Earth has found a new way of handling unwanted children: send them off to space to colonize new planets. Kea has lived her entire life on a spaceship, surrounded by other kids rejected for 'flaws' in their genetic makeup, Kea herself being on the autism spectrum. The ship follows a strict authority, but when a new threat appears, Kea and her friends must rise up to ensure they make it to their new home.

The Loneliest Girl in the Universe by Lauren James*

Young adult. Romy is the only survivor on a spaceship headed toward a new planet, her only contact with other people being messages sent to and from Earth which take months to arrive. Then she receives news: another ship has been sent, one which is more advanced than hers and will eventually catch up. Ecstatic about the prospect of meeting other people, Romy begins communicating with J, the sole passenger of the other ship, and finds herself developing feelings for him. But Romy knows nothing about J, and have begun receiving worrisome messages from Earth...

Ancillary Justice (Imperial Radch universe) by Ann Leckie*

A space opera in which sentient spaceships can walk the ground in stolen human bodies, so called ancillaries. One of these ancillaries, the sole survivor after the complete destruction of her ship and crew, is on the hunt for revenge against the leader of the Empire for her crimes. This series does very cool things with gender and culture!

The Stars are Legion by Kameron Hurley

Zan wakes without memory, a passenger aboard one of the living world-ships of Legion, a fleet of decaying generations ships. Told she's the salvation meant to free them from the fleet, Zan is flung head first into a brutal and bloody conflict. This book fucked me up when I read it. It’s weird, it’s gross, there’s So Much Viscera, there are literally no men, it has living spaceships and biotech but in the most horrific way imaginable. Had I to categorize it I would call it grimdark military sf. It’s an experience but not necessarily a pleasant one.

Ninefox Gambit (The Machineries of Empire) by Yoon Ha Lee*

Disgraced Captain Kel Cheris is given a second chance by allying with and becoming the host for undead Commander Shous Jedao, who in life never lost a battle, but also went mad and massacred his own army. Now, Cheris must decide just how far she can trust him, with her forces as well as with her sense of self. Military space opera where belief and culture shape the laws of reality, causing all kinds of atrocities as empires do everything in their power to force as many people as possible to conform to their way of life to strengthen their technology and weapons. It’s also very queer, with major gay, lesbian and trans characters, albeit little to no romance.

An Unkindness of Ghosts by Rivers Solomon

Life on the lower decks of the generation ship HSS Matilda is hard for Aster, an outcast even among outcasts, trying to survive in a system not dissimilar to the old antebellum South. The ship’s leaders have imposed harsh restrictions on their darker skinned people, using them as an oppressed workforce as they travel through space toward their supposed Promised Land. But as Aster finds a link between the death of the ship’s sovereign and the suicide of her own mother, she realizes there may be a way off the ship.

172 Hours on the Moon by Johan Harstad*

Young adult horror. NASA is finally returning to the moon, and to gain the needed funding and attention they hold a world-wide lottery: three teenagers will get to travel to a recently revealed moon base alongside the trained astronauts. For Antoine, Midori, and Mia, this is the chance of a lifetime. But there's a reason NASA stayed away from the moon for so long, and while three teens may be going there, only one will return... This book scared the shit out of me as a teen, recommended for slowburn mix of supernatural and sci-fi horror.

Children of Time (Children of Time series) by Adrian Tchaikovsky*

Millennia and generation spanning sci-fi. After the collapse of the earthen empire, a planet once part of a project to uplift other species to sentience is left to develop on its own, resulting not in the intelligent monkeys once intended but in sentient giant spiders. Millennia later, what remains of humanity arrives looking for a new home, only to be met by the ancient, artificial remains of the woman who once led the uplift project - and she is not willing to let them disturb her spiders, or her planet, no matter how desperate they are.

All Systems Red (The Murderbot Diaries) by Martha Wells*

After having hacked its own governor module, SecUnit uses its small amount of new freedom to secretly download and watch as much media as it can between doing its job guarding humans. But when the scientists it’s been charged with keeping safe come under attack, it must make a choice about whether to continue keeping its freedom secret or risk it all to save them. The series features both novellas and full length novels, and balances humor with scathing critique of capitalism.

Dust (Jacob's Ladder series) by Elizabeth Bear

In a dying spaceship, orbiting an equally dying sun, noblewoman Perceval waits for her own gruesome death. Having been captured by an opposing house, her wings severed and life forfeit, Perceval's execution is imminent - until a young servant charged with her care proves to be Perceval's long lost sister. To stop a war between houses likely to doom them all, the two flee together across a crumbling, dangerous spaceship. And at its core waits Jacob Dust, god and angel, all that remains of what the ship once was. And he wants Perceval.

Binti (Binti trilogy) by Nnedi Okorafor

Young adult novella. Binti is the first of the Himba people to be accepted into the prestigious Oomza University, the finest place of higher learning in all the galaxy. But as she embarks on her interstellar journey, the unthinkable happens: her ship is attacked by the terrifying Meduse, an alien race at war with Oomza University.

A Big Ship at the Edge of the Universe (The Salvagers) by Alex White

In a universe where science and magic work hand in hand, Boots Elsworth makes a living selling fake treasure maps and Nilah Brio is a racer. When one of Boots' maps turns out to be more real than expected and Nilah has to go on the run after having been framed for a murder, the two find themselves on the same spaceship, working with Boots' old captain to find the rumored treasure and reveal the conspiracy it's hiding before the people hunting them catch up. Features a main f/f relationship.

The Vanished Birds by Simon Jimenez

A strange child lands on an isolated planet, scaring its inahbitants into handing him over into the hands of Nia Amani. As captain of a transport ship, Nia is not only the planet's only contact with the outside world, she is also a woman outside of time, years compressing into months as she travels through space at high speed. Now responsible for a child who doesn't speak and in a galaxy that wishes them ill, she must rethink exactly what she wants to do with her life, and what she's prepared to give up. Features multiple major queer characters.

Eacaping Exodus (Escaping Exodus duology) by Nicky Drayden

Seske is the heir to the leader of a clan living inside a gigantic, spacefaring beast, of which they frequently need to catch a new one to reside in as their presence slowly kills the beast from the inside. While I found the ending rushed with regards to plot and character, the worldbuilding is very fresh and the overall plot of survival and class struggle an interesting one. It’s also sapphic!

Dead Silence Here by S.A. Barnes

Horror. As her current mission as team leader for a small repair crew in distant space nears its end, Claire grows desperate to find a way to not have to return to a life on Earth. When the crew picks up a distress signal from Aurora, a luxury cruise ship thought lost decades ago, she sees a chance to make enough money on salvage to buy her own ship. But Aurora is housing horrifying secrets beyond its cold hull, and Claire's own past is coming back to literally haunt her. If she wants to survive, dangerous truths must be revealed.

Activation Degradation by Marina J. Lostetter

Unit Four comes to life in the middle of a war. The mine it was created to care for is under attack, and as Unit Four is activated with the memories of its predecessors, it is thrown into the task of protecting it at any cost. When the battle leads to its capture, it is prepared to do anything to stop its captors, even as their very presence causes it to question all that it knows. Includes multiple major intersex characters.

This Alien Shore by C.S. Friedman

Space opera in which humanity found a way to faster than light travel and began establishing colonies all over the galaxy, only to belatedly realize the method of FTL caused irreversible mutations and disabilities and leaving their nascent colonies to die. Much later, many of the colonies have survived and thrived, and one has found a new method of FTL travel, allowing an interconnected space society to grow. However, Earth is on the hunt for their method and is prepared to do anything to steal it. Trapped in the middle of all this and forced on the run is young Jamisia, who is little by little coming to realize that not only might she be the very solution Earth is after, she’s also not alone in her own mind and body.

Project Hail Mary by Andy Weir*

Ryland Grace just woke up from a coma, unable to remember anything. He finds himself alone on a spaceship, the rest of the crew dead, and as his memories slowly trickle back, he realizes he’s been sent on a mission: to find a solution to the impending doom of the earth. Still struggling with holes in his memories, Ryland tries to fulfill his mission, but as he gets closer to his goal, he discovers someone else got there first. And they aren’t anything close to human. Funny, heartfelt, and heavy on the science.

House of Suns by Alastair Reynolds

Six million years in the future, humanity has spread across the entire Milky Way galaxy. Purslane and Campion are both clones of the same woman, sent into the galaxy millions of years ago to explore along with almost a thousand clones like them. Every 200 000 years they all meet to compare memories and experiences. But this time Purslane and Campion arrive late - and discover that a secret millions of years in the making has led to an extinction level attack against their kind. Now they must find out the truth before their line is completely wiped out. Absolutely wild world-building, featuring various kinds of posthumans (among which the clones are, shockingly, the most similar to people of our time).

Empress of Forever by Max Gladstone

Vivian Liao is a highly successful innovator, but she may have bitten off more than she can chew and fears the government is coming for her. As she goes into hiding, she attempts to pull off one last stunt that could fix everything - but something goes wrong, and suddenly Vivian finds herself waking up in the far future, under attack by an army of robots in space. Hoping to find her way back home, Vivian must assemble a crew of dangerous outlaws and outcasts to help her hunt down the Empress of Forever, the all-powerful entity who pulled her into the future. Lesbian main character.

Finder (Finder Chronicles) by Suzanne Palmer

Fergus Ferguson is a finder, and his latest job has just taken him to a small colony in the farthest corner of inhabited space. There he's searching for a stolen spaceship, what he thinks will be an easy job. But things become complicated as Fergus' arrival inadvertently sets off a civil war, forcing him to ally with the thief's enemies to get out alive with his prize. And beyond it all, the ships of a dangerous and mysterious alien species watches over it all, picking people off when least expected.

Space Opera (Space Opera duology) by Catherynne M. Valente

Eurovision in space! If you lose, humanity is doomed! Good luck! The sentient species of the galaxy have chosen to face each other not in war but in a musical contest, and now humanity is invited to partake. The problem? If we lose, our species as a whole will be exterminated. While I found this book as a whole slightly gimmicky, it’s a fun and flashy experience with some wild and creative alien species.

Blindsight (Firefall duology) by Peter Watts*

Vampires and aliens and questions of the nature of consciousnesses, oh my! A ship is sent to investigate the sudden appearance of an alien vessel at the edge of the solar system, but the crew isn’t prepared for the horrors awaiting them. No, seriously, this book will fuck you up, highly recommend if you’re okay with a lot of techno babble and existential horror.

The Outside (The Outside trilogy) by Ada Hoffman*

AKA the book the put me in an existential crisis. Souls are real, and they are used to feed AI gods in this lovecraftian inspired sci-fi where reality is warped and artificial gods stand against real, unfathomable ones. Autistic scientist Yasira is accused of heresy and, to save her eternal soul, is recruited by cybernetic ‘angels’ to help hunt down her own former mentor, who is threatening to tear reality itself apart. Sapphic main character.

Honorary mentions AKA these didn't really work for me but maybe you guys will like them: Dare Mighty Things by Heather Kaczynski, Chilling Effect by Valerie Valdes, Medusa Uploaded by Emily Devenport, We Are Legion (We Are Bob) by Dennis E. Taylor, The Genesis of Misery by Neon Yang

#nella talks books #book recs #space #space books my absolute beloved #next list will probably be queer horror books so look forward to that!

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azeutreciathewicked · 11 months ago

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Masters of Sex. This show. This show does things to me. Specifically, it makes me wake up in the middle of the night with "fridge brilliance". I'm rewatching the series after having gone through it all before the new year. Spoilers for later seasons, specifically the sexual interactions between Bill and Virginia. This image is from S1 E4, where Bill Masters is listening to Virginia's ex-husband's smarmy details about what sex with her is like - what she likes and wants from a partner. "She’ll tell you, and she wants you to tell her. what you want her to do to you. what your fantasy is. which is a fantasy in itself." Some of the most famous sex scenes from this show are of Bill telling Virginia what he wants to do with her, what he wants her to do to him, her telling him the same. Totally hot. But this wasn't spontaneous or accidental. Bill got this special intel early on, filed it away for MONTHS and used that knowledge to have great sex with Virginia. I'm not saying it's bad or manipulative. To me, it speaks to his incredible focus when he wants something, when he wants to do well at something. He clearly didn't do this with Libby, and seems to be generally very repressed about his own sex life before meeting Virginia. So this suggests to me that this knowledge was precious to him because it helped him to understand Virginia, to have a way to engage with her successfully. And given that he says later that he needs an emotional connection to feel sexual attraction, I think that knowing he could do something that she liked helped to build the attraction and intimacy he felt with her. It's very likely that others have figured this out years ago, since I'm just getting into this most wonderful show now. But I had to share this because it speaks to the brilliance of this show in how they set up ideas to pay off later. I love this aspect of the show so very much. And Sheen's performance as Bill doing all this is quite enjoyable too. But that should be a given.

#masters of sex #masters of sex fridge brilliance #bill masters #michael sheen #lizzy caplan

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unremarkablehouse · 4 months ago

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20 Questions for 20 Writers

thanks for the tag @thatfragilecapricorn30

1. How many works do you have on AO3? 19

2. What’s your total AO3 word count? 59,155

3. What fandoms do you write for? X files exclusively

4. What are your top 5 fics by kudos? 1. The party 2. Laundry 3. The Declaration 4. The Mulder Manual 5. Domestic Partners

5. Do you respond to comments? Definitely, although sometimes I get shy, but I’m always grateful when people take the time to comment.

6. What is the fic you wrote with the angstiest ending? Second Quarentine, but it’s still pretty saccharine. My theory is life and TXF has enough angst so I try to balance it out with fluff fics.

7. What’s the fic you wrote with the happiest ending? My mind went in the gutter but I’ll have to go with The Declaration

8. Do you get hate on fics? No, TXF fandom have been helpful and supportive

9. Do you write smut? If so, what kind? I just posted my XF Porn Battle fic that I was too shy to originally share. Generally my smut is more romantic and just an extension of the Mulder and Scully dynamic

10. Do you write crossovers? no

11. Have you ever had a fic stolen? TXF fic no, professional writing, you betcha.

12. Have you ever had a fic translated? no

13. Have you ever co-written a fic before? I kind of consider prompts, comments and betas as a form of cowriting and one of my favorite fics I have written was because of a prompt to write from a third party POV (which I would never think to do).

14. What’s your all-time favorite ship? MSR are my OTP

15. What’s a WIP you want to finish but doubt you ever will? I have this awesome series that covers before the revival and post pandemic. I have such a good outline but it’s so daunting to tackle because it would be the longest story I’ve tried sitting.

16. What are your writing strengths? Characterization and dialogue. I also read waaaay more fics than I write (in different styles) and that helps improve writing.

17. What are your writing weaknesses? Sticking with a grammatical tense and being consistent 🤣 for other writing projects I usually have to use present tense (as the story unfolds), so I’ve been practicing other styles with when writing fics.

18. Thoughts on writing dialogue in another language in fic? I’ve done it briefly but it’s kind of jarring to put a translation in and can get clunky and heavy with exposition if you’re not careful so I stick with English if it’s more than one line.

19. First fandom you wrote for? So I’ve had to write Specs when I was younger for different shows as part of an audition/interview and had two very successful specs that got me work for Medium, Community, and Hannah Montana 🤣 (I didn’t get to pick!!). But writing TXF fanfic is so much more enjoyable, I get to tell the stories I want the way I want and it’s not team writing.

20. Favorite fic you’ve written? I have two and they’re polar opposites, lol. Her Own Desk was my first fic and came out of my thoughts on Scully not having an official desk in the Revival. I also love Field Evaluation and was contemplating adding another chapter just this morning.

No pressure writers tag: @katy-kt-katie @baronessblixen @cock-holliday

#the x files #txf #msr #fic writing #writing

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justmybookthots · 1 year ago

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Hush, Hush

The reason I read this? Because a booktuber I was following shared an hour-long video of her reacting to the entire series and I was like: hey! I read part of the first book as a teen! And since I just recently reread City of Bones (see review), why not continue my streak of rereading trashy YA relics? It's the archaeologist in me speaking, I swear. And also the masochist!

Now, after finishing this book, I have come to announce in my review that I am really, really burnt-out. 😂 It's… a lot of teenage angst. I'm only done with the first book and this madwoman pushed herself and read ALL FOUR BOOKS:

The sheer IRONY of her video title given that I read it because I saw her video, LOL.

So I don't even know how to begin this review. First of all, I definitely found City of Bones more enjoyable than this. Does it mean City of Bones is a better book? Eh. I think CoB had more things in the plot to distract me (finding the Cup, lots of magical adventure) from the main leads, but this book circles a lot around Patch and Nora.

And boy were both of them the weirdest people to exist.

I want to say they're a product of their time, and in a way they are, but I've also seen other books in this time that aren't this bad. Regardless, you can really see how aged the book is from this interaction here:

All the mean-girl Marcie did call Nora was "geek" and "freak" but Nora? Not just did she slut-shame Marcie, she called her an anorexic pig. This is our heroine, guys. This is who we're supposed to root for. It's genuinely hilarious how the masses collectively ignored how problematic this was in 2009.

In any case: Nora spends most of her days swooning over Patch while simultaneously telling herself how dangerous he is. I get the "dangerous" part, but the swooning? What? HOW? Other than him looking (I guess?) physically attractive, there is NOTHING about him to swoon about. He is so creepy, I swear if he said half the things he did to me IRL, I'd call the cops and file a restraining order. LIKE, I'M NOT KIDDING. THIS MAN HAS ZERO GAME. ZERO. When asked by the biology teacher what he looks for in a mate (I know. The question was already, um, hella weird), Patch says things like:

"Intelligent. Attractive. Vulnerable."

Vulnerable?? VULNERABLE. This is Creeper 101. Also during his first meeting with Nora, out of nowhere, he goes:

"Do you sleep naked?" he asked.

There's a thousand more examples of him saying the weirdest, creepiest shit, but it'd be tomorrow by the time I list them out. My point is: if this is him trying to flirt, it's giving police sirens. And Nora's reaction, instead of running from him, is to dwell on how conflicted she is about her attraction (??) and fear towards him. At some point, she's stalking his workplace to interview his coworkers if he's a felon or has a criminal record and I KID YOU NOT, her last question ending this is: Does he have a girlfriend?

And I don't even want to talk about her best "friend", Vee. I use quotation marks because this isn't really a friend but bless the author, she seems to believe Vee is remotely some kind of friend to Nora. When Elliot (some dude in the story) assaults Nora, this is what Vee says:

Guys, Elliot is going to feel so horrible tomorrow after assaulting Nora. 🙁 Vee is SO right, we need to worry about the pain he's in instead of taking the matter of assault seriously. Because fuck your best "friend" since Elliot is more important, am I right?

To make matters worse, Elliot was assaulting Nora to try to coerce her to go on a camping trip with him and Vee. So get this: Vee, despite hearing about the assault, STILL tries to persuade Nora to go on the camping trip because it'd be fun! In the end, Vee going for the camping trip causes Nora to have to rescue her (since Elliot is obviously a deviant), and Nora practically endangers her life to save Vee's sorry ass. Me, I'm not so kind. I'd munch popcorn and sip wine and have a jolly good time picturing Vee getting murdered. Cheers!

Anyway. Negative points aside, I didn't see the Jules twist coming, and I kinda did like that. The downside, however, is that everyone is an idiot, especially Nora. For example, the new therapist Miss Greene was clearly shady from the start—she'd say the sketchiest nonsense, and Nora would just be vaguely suspicious before taking it all in stride. It's WILD. Her behaviour for 80% of this book makes zero fucking sense. The only thing I can commend her for is that she's proactively trying to solve an investigation for most of the book... even if she's going the worst possible way at it.

And also when Patch says at the end of the book that he's fallen for Nora and no longer plans to sacrifice her? I was like, WHEN? When did you fall for her? Most of your interactions were just you saying creepy stuff and her thinking about how hot and dangerous you were. When did the falling-in-love happen, exactly?

I AM SO CONFUSED.

I don't really have more to say about this book other than I am really, really hoping we (as readers or writers) have collectively moved on from this madness in 2023. In any case, will I continue this series? I don't know. I do like trashy reality TV, but too much of it and I might get a stroke. Reading City of Bones and then this almost back to back has taken me out. (And yet… there is a distant INANE part of me that's whispering: Time to go back and reread every trashy YA series circa 2010.)

- 16 Nov 2023

#book review #book blog #hush hush #becca fitzpatrick #romance books #the shadowhunter chronicles #shadowhunters #cassandra clare

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narastories · 1 year ago

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Hi Nara! For the fanfic ask game, I would like to ask you these: 👻🌝🧠⏰

(sorry, I'm on mobile and couldn't copy the questions, only memorize the emojis)

Thank you and have a good day ;)

Hi! Thank you for asking! And no worries, I can find the questions!

👻 What is one WIP you think you may never pick back up?

I would say it's my J/J/J series, or the next installment of it... It's a series of BDSM one-shots in the Outlander fandom, featuring Jamie, one of the main characters, John, who is a sweetheart canonically in love with him, and Black Jack who is probably the most problematic bastard in the fandom lol I enjoyed writing the series and had lots of ideas for more parts. I even started writing one of those ideas, but then I kind of stopped writing for this fandom.

Sometimes I get the thought that it would be cool to continue this, but I don't think it will ever happen. And since this is a series of one-shots I feel like it's enjoyable even as it is.

🌝 Who is one character you haven’t yet written for that you would like to?

That's a difficult question. Maybe Molly Carpenter from the Dresden Files? I actually really like her but I don't think I could get her voice right.

🧠 What’s an idea you have that you can’t quite call a WIP yet?

I have loads! I usually write all ideas down, so I have quite the list. But I couldn't say there is one that is more developed than the others at the moment. The main reason for that obviously is that I have just spent three months writing one specific fic and nothing else hehe (Which will be uploaded today!)

But for you I will share some of my FPA ideas I might work in the future: they are all Philes, of course. I already mentioned the elevator idea in the server, and that I really wanted Fetch to top Niles at some point...

I also want to continue my when it comes to you series. My evil plan for that one always has been to make people fall in love with this ship and then to break your heart lol I would say part one is accomplished so now what I want to write is Fetch and Niles both conspiring against each other. I think eventually Fetch would feel guilty for abandoning his "noble" quest for the sake of a sexy industrialist, and he would let himself be talked into something stupid. On the other hand, Niles would also realize that he hadn't gotten to where he is by letting himself be led by his heart and dick. So, there is lots of potential for a conflict and fight (and maybe an eventual resolution).

I will say though, don't expect anything to be written quickly, because I think I need a bit of a break after my current project. But maybe eventually :)

⏰ Do you spend more time reading fic, writing fic, or do you do both equally?

Hm... I think I spend a little bit more time writing, just because I'm not the quickest of writers. But I do spend a lot of time reading too. Usually, I have phases when I write more and phases when I read more.

Thanks again for playing!

#tumblr game #tumblr ask game #fanfic ask game

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talenlee · 1 year ago

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Decemberween '23 — Skip Intro

I think I’ve done a great job of making this month’s festival of free media for your engagement particularly educational, and I’m not planning on stopping. Part of Da Ween is revelling in honestly appreciating the things I really like, and so, I should, surely, share these things that make me laugh, make me smile, and make me think.

Anyway, I watch Skip Intro to learn about American policing systems as represented in media and provide a comprehensive breakdown of the different facets of copaganda, an insidious practice that’s used to reinforce racism and classism and just all the isms that capitalism likes.

Wheeee.

I don’t mean to joke about it so freely, but it is kinda telling just how much of this educational material I enjoy and participate in just feels like an immense bummer. Nobody signs up to watch a movie about how chains are constructed in a factory and expect to come out at the other end going ‘well, I now think that the royal family needs to be abolished by ballot or bricks.’ It’s just, the tenor of what interests me seems to be a lot of stuff that’s an immense set of downers.

Maybe there’s something to that, but I’m not planning on reflecting on it right about now.

Anyway, if you’re interested in what Skip Intro is offering, what are they offering, and how much offering is necessary to see if you like it?

The simplest approach is to just grab the Copaganda playlist and watch it all. IT does verge into the space of things I don’t find very interesting, like, oh look, it’s the Marvel movies, that’s totally worth talking about, okay, I get it, you’re going to focus on what you like, but I also just don’t care. And it’s not like I care about these other shows the channel talks about, but somehow I find it so much more tedious when it’s someone trying to draw a direct parallel between the superhero and the fascist in a linear fashion.

Instead, I’drecommend grabbing what of Skip Intro’s work interests you based on these core areas of expertise.

Blue Bloods is the Worst Cop Show | Copaganda: Episode 2

Watch this video on YouTube

First there’s Blue Bloods, which is important to know about because odds are good you had no idea this series existed. You don’t, probably, watch TV any more. You probably consume ‘internet content,’ which is a weird space of puppet plays, streamed communal gaming material, and the documentaries that terminally online people find interesting. Like this one. But Blue Bloods is the influential, omnipresent media force that your parents are probably watching if you’re like me or, sigh, your grandparents, if you’re like most people in the reading demographics.

I think that when you watch this video about Blue Bloods, don’t think of it in terms of ‘this is media that has been made this way deliberately to represent a false reality.’ It’s dumber than that. These shows are being made by people who do not really understand reality despite their job being about creating realistic seeming media. It’s a lesson in how important verisimilitude is to work, the idea that the impression of what’s true is so much more important than any effort to represent actual truths.

Blue Bloods is a gaping headwound, a spot where older people just don’t realise they’re learning nonsense from a lollipop factory, because it’s presented to them with the bitter edginess of cold, hard, truths.

What's the Difference between Gangs and The Police? | Copaganda Episode 5.1: THE SHIELD

Watch this video on YouTube

There’s a long form pair of videos about The Shield, a series that it seems much more likely these readers have watched, probably as a set of .mkv files off a server somewhere owned by someone you only know as SASSY-VLAD. It’s, I’m told, a really good show, very enjoyable, and full of all those awful edgy cop show stuff we like, because it openly centers on bastards. It’s a Breaking Bad alike, something that exists on the same DVD shelf as that kind of media, and it seems compelling and interesting.

Can TV Critique the Police? Difficult Men & THE SHIELD | Copaganda Episode 5.2

Watch this video on YouTube

What Skip Intro delves into is the question of how all the complaints about this system are still part of the system. When it ends, the characters are punished not because he did stuff the system couldn’t tolerate, but because it was doing stuff the system couldn’t exploit for greater gain. Interesting kinda way to position a TV show, but also, still, fundamentally thinks of the system as tolerable.

But without veering into a conversation about The Wire (Skip Intro includes a multi-episode examination of The Wire, it’s really good, you should watch it), I instead want to point to the way Skip Intro uses particular TV shows with their own particular framing devices to introduce, then dissect, the claims of ‘good police’ material. Particularly, there’s the promise of high technology shown in The Rookie:

The Rookie & Why Tech won't save Policing

Watch this video on YouTube

And then the supposed importance and social value of police dogs, as explained in an episode on Paw Patrol.

PAW Patrol's Dark Secret, Explained

Watch this video on YouTube

Which is really good.

It’s not good, it’s not good that Paw Patrol is a billionaire machine that also feeds into complete nonsense lies about the way Police and their dogs interact with the world, and it should really upset you how many dogs the police kill, including their own, through being negligent and stupid, because nothing in their training requires them to not be negligent and stupid, but anyway, the episode of Skip Intro is really good and I recommend it. It’s an engaging watch, even if it is about a show that seems to be extraordinarily boring.

What Cop Shows get WRONG about FENTANYL

Watch this video on YouTube

Oh, and since it’s just a good documentary deep dive into it, if you don’t know anything about Fentanyl, because you neither watch Fox News nor have to engage with an opioid crisis, you might be mistaken to think that Fentanyl is a brand new terrible thing invented so TV shows have something like a dragon to have their police encountering on the regular. This is not the case, and Skip Intro does a wide-reaching survey of cop shows to show how they talk about this drug.

It’s not a good look for the people who are, again, making media that’s meant to seem realistic.

I like this! It’s media analysis, it’s engaging with textual criticism, it doesn’t do a lot of grabbing heady academic sources and instead tends to rely on just checking with the writers and what they have to say about their own work, or facts and cases that prove things false based on the history of policing.

Check it out on PRESS.exe to see it with images and links!

#Decemberween 2023 #Media #Politics

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knjoodles · 4 years ago

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sallang; taehyung | 01

pairing: singlefather!taehyung x reader

genre: fluff

recommended song: come on get higher by matt nathanson

word count: 2K

warnings/author’s note: this first chapter is slightly suggestive. nothing that i’d consider smut-worthy, but a warning never hurts! i’m also starting this as a mini-series, with short chapters and an overall short story. glad to be back!

summary: handsome, intelligent, fashionably late: taehyung seems to be a total package, and you’re all for it. that is, until his rain-checks and delayed appearances become so frequent that you feel left in the dark. what could he possibly be hiding?

sallang - a word describing the manner of the wind blowing lightly.

lowercase intended

this is a major waste of my time is what you thought as you rhythmically tapped your fingers against the clothed wooden table of a local restaurant, your knee bouncing impatiently against the floor, your free hand holding your head, glancing around in pure boredom. with how much time you’d spent staring at the wall beside you, you’d probably noted every color its paint compiled. it was your first date with a man from tinder who you realized was way out of your league — and you began to fear that he realized it way before you did.

snaking your phone from your back pocket, leg still bouncing, a deep sigh escaping your lips, you opened his profile once again. “kim taehyung, twenty-five, huh?” you filed through his tab once again, mumbling as you read. “likes reading, going to the beach… do you like being late, too?” you hissed, “because, from the looks of it, its like you get off on—”

“excuse me?”

your thoughts of innermost annoyance suddenly subsided at the sound of a deep, masculine voice from above you. your head darted upwards to find none other than kim taehyung standing in black slacks with a complementary white shirt to match, his chest rising and falling, almost like he’d run to your date. “are you (y/n)? i’m taehyung… from tinder?” his eyebrow pricked up as he finished his sentence, an embarrassed smile cracking across his face. you stared at him for a moment, taking in the man standing before you. (y/n)? upset at kim taehyung? never. seeing him in person, you’d almost completely forgotten you were irritated.

“yeah, that’s me. have a seat,” you smiled awkwardly, chuckling softly. you watched as taehyung hooked his casual blazer, previously wrung lazily around his arm, onto his chair. he sat down quietly, moving his seat closer to the table, adjusting his glasses and jet black hair. a moment of silence fell between the two of you, taehyung picking up his menu to appear preoccupied in the dinner menu. you smiled to yourself, catching glimpses of his eyes blinking rapidly as he excitedly scanned the text, a habit that’d already made itself known. you began to notice how he’d glance up at you every so often, chewing his lip, flustered, almost as though he wanted to say something but couldn’t find the words to do it.

“i’m sorry for being so late,” he admit, sighing. “i had something to take care of earlier, and it took a lot longer than i’d hoped,” he set his menu down, toying with its edge with his finger. “i...” he paused, “i apologize. i know it must’ve been inconvenient for you.” you took this moment to eye taehyung's hands, slender and dainty, his fingers long and adequate.

you laughed at his slightly frantic tone. “it’s fine, don’t worry about it. you’re here now, right? let’s focus on that. you wanna tell me a little more about yourself, ot should i go first?” you assured, smiling comfortingly. “your bio only tells me so much.”

“uh, okay!” he nodded, resting his hands on the table. “well, i’m taehyung, i recently received my bachelor’s and i’m aiming for a phd in english, i don’t care for coffee all that much, i love pretty much all animals you can find, and… i’m 5’11".” he introduced himself with detail as he adjusted the cuffs of his shirt, pulling them up to only reach past his elbows. “how about you?”

“oh, my turn?” you questioned, earning a giggle from the man facing you. “i guess it’s only fair. i’m (y/n), i’m pursuing law as of now, we can lay low on coffee if you’d like — i don’t really mind. i like going on simple dates, i love music recommendations, i love musicians, and i’m significantly shorter without these heels on.” you finished, content that either taehyung had a really bad sense of humor or that your finishing line made a better impression than you’d thought it ever could.

“does this fulfill your requirement of a simple date?” taehyung inquired playfully, lightly patting the table.

“it does,” you replied, tone flirtatious. you noticed taehyung eyebrow raise and jaw tighten at your response as he cracked a smirk, entertained at the shift in energy. that look jumbled your insides, but there was no time for that. you expelled those thoughts from your mind as you cleared your throat, silently scolding yourself. your moment was interrupted by a waitress, the same one who’d pitifully watched you poke at the complimentary sourdough bread slices with an empty seat in front of you. offering to kindly take your menus and your orders, the two of you obliged. as she scurried away from your table, a notepad with messy handwriting scribbled across it dangling from her waist apron, you turned back to taehyung, whose eyes were glued to you, one of his hands caught in his hair as he ran a hand through it. “hey,” he muttered, his voice deep, his eyebrow habitually twitching upwards once more. was he trying to make you unravel in the middle of your date?

“oh my god,” you laughed, trying to shake off how flustered you were. “you can’t just do that and expect me to be okay!” you joked.

“do what?” he chuckled in return. “the deep voice? i can’t control that; it just happens sometimes,” he smiled at his lap, looking back up at you soon after. “you said you were interested in musicians?”

“i mean, it’s not a necessity, but yeah, i find musicians especially interesting.” you explained, reaching for your glass of cold water, ice half melted.

“i don’t want to brag, but when i was in high school, i was in a band.” he grinned as your jaw dropped. your mind raced with thoughts of how flawless he was, from how well he dressed to how every secret of his made him ten times more attractive. “it was just seven of us, seven of my friends. some would rap, some would sing. i was a singer, and i was really invested in the group. after we all graduated, the group kind of fell out, but we’re all still friends. cool, huh? i would play a little bit of everything, from piano to guitar. more piano, though.” he added, tilting his glass of water towards you, his attractive grin infectious.

“that’s crazy,” you gasped, leaning forward in your chair. “ever thought of getting the band back together? you’ve got the looks!”

“the looks?” he repeated, laughing excitedly. “you’re giving me too much credit here, (y/n),”

“i don’t think you’re giving yourself enough,” you replied, raising your eyebrows, challenging his humble temperament.

the two of you dined contentedly, taehyung's charismatic personality and contagious smile catching you every time. the conversation, surprisingly, were never boring, they flowed into one another the way good friends converse after not seeing each other for a long time. his mannerisms and aura struck you as welcoming and comforting, as if he was a bright, warm light you wanted to step into. he was safety embodied, he was a simple, gentle man, with kindness and love pouring out of his soul. to your multiple objections, taehyung covered the bill, still feeling guilty over arriving late. a part of you inexplicably pitied him; you felt as though you should’ve at least pitched in half. it may have just been your morals being challenged, but you almost felt obligated to pay him back.

dusting off his trousers, taehyung arose from his chair, your date coming to a close. a wave of childish frustration fell over you: you didn’t want it to end, not yet! to your surprise, he glided to your side of the table, chivalrously offering his hand to help you up. you smiled and took his hand graciously, his endless good-natured acts perplexing you. who was this guy? other than being late, was there really a flaw?

as you arose from your seat, you decided the answer to the latter question was no. this was absolutely the best date you’d ever been on: he wasn’t obnoxious, he wasn’t boisterous, he didn’t ask you for anything afterwards… you’d been with your fair share of unforgettably horrible men. taehyung was different, though: it wasn’t that he was just more decent than the men you’d previously gone out with, it was his aura, his persona, it was something above physicality that made you fall for him more than you thought you should.

“thank you for the lunch,” you smiled graciously as he accompanied you out of the restaurant, opening the door for you as well. “this was really enjoyable! i hope we can do this again soon.”

“me too! thank you for being so nice to me despite me being late.” he returned your kind grin before grasping for his buzzing phone in his pocket, pulling it out to check an apparent text. “i, uh…” he swallowed, now visibly anxious. “would you like me to walk you to your car?” his tone completely different from his physical state.

“i’m just over there!” you motioned to your car, stammering, confused by his sudden shift in energy. “if you have something important to get to, you go ahead!” he relaxed slightly, thanking you kindly and pulling you into a warm embrace. it felt shocking, but not in a bad way — his very intimidatingly handsome appearance contrasted with how gentle he had been with you. should you have liked him this much on the first date alone?

“i’ll see you soon! i can text you my number on tinder later. thank you again!” he jogged backwards, still making eye contact before he finished his statement, where he then turned completely and began dashing towards his car. you found him charming and funny and it made you smile.

spinning on your heel to walk towards your car, you spun the chain of your car keys on your finger, the thought of taehyung still with you. he’d been perfect: good-hearted, humble, witty… you could go on. you sat quietly in the front seat of your car, thumbing the leather of your steering wheel. part of this felt very suspicious — how could someone be this perfect? how could someone be this enjoyable, this wonderful, this considerate? you didn’t want to feel this way about him as he felt wholly genuine, but you couldn’t ignore the feeling of possibly being lied to. was he messing with you? he absolutely could be. what would you know?

you'd thought yourself into a corner. suddenly, you felt very bad, sitting alone in your car in a silent parking lot. you closed your eyes tightly and sighed loudly, trying to expel as much upset as you could from your body. you’d just had an amazing date! you shouldn’t be feeling this bad afterwards. taking a moment to collect yourself once more, you started your car, dusting yourself off before driving yourself home, the scent of taehyung’s faint cologne lingering in your mind.

i missed u guys :}. enjoy this piece from me!

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opinions-of-loki · 3 years ago

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Loki - Episode One, Summary bullet points in form of an unnecessarily detailed opinion

- What I found sort of funny was Loki, who immediately hit the dessert and immediately hurried to the next higher stone, as if this were the pedestal that was his equal, only to be able to explain / present himself to the Mongolian inhabitants, only that they did not understand him and asked again who he is. It kinda gave me Hela vibes. Black haired Odin children have a tough time getting heard.

ALSO! THE SASS! Yet staying polite despite him being confused of what is going to happen to him - Trying to be all intimidating, but nobody takes him serious, as always! You can’t scare the time space cops my boy :/ Finding out how the company works and being all confused was honestly a very sweet and funny moment

- What’s up with the soundtracks??? Someone give this dude a raise who composed these Blade Runner-que music for the TVA followed with those cool bagpipes traditionally used for Scandinavian folk music? FUCK YES! Also the end credits music, it’s just excellent!

- Loki questioning if he’s a robot or not! I mean, he was told to believe he was an Aesir but in the end wasn’t. So who knew if Odin adopted a robot son? Better check on this one - I kinda got cute vibes from Mobius and Renslayer, they seem to perhaps have a closer connection towards another, especially after he greeted her with a formal Hi and talking to her on a somehow personal level - Mobius at first seemed like a very kind man and being patient with Loki, even supportive, but he is an experienced cop and knows how to handle complicated people, especially Loki variants. Mobius gives off a vibe of an older Blade Runner who takes his job very serious. But in the middle I kind of started to hate him a little

- The story of why Loki is an American crime legend D.B. Cooper just because he lost a bet to Thor when they were younger! Hilarious! Most of the most legendary pranks ever! I would have been more happy about the details of why Thor demanded this, or if it went like ” Loki! Cause some chaos on Midgard. Humans are easy to impress.” ” Say no more, Brother!” - Though Mobius seemed like the only person ever who had the ability to call out Loki to his actions: That he isn’t a God of mischief, because he confronted Loki about if killing innocent people is part of his fun, if it brings enjoyment to him to torture people who had nothing to do about Loki’s past. Loki denying that it’s not true, Mobius harshly confronts him about his earlier maniac like expression when removing someone’s eyeballs, if this is still harmless mischief-making. - BUT! Where is it mentioned he was controlled by the mind stone and the thriving fear of Thanos to get killed??? Loki was under pressure, to get killed by the Mad Titan, and he wasn’t thinking rationally when he invaded New York? For someone who studied Loki’s life so well, Mobius sucks to get a point to this one, or it will be mentioned in the future, I better hope so - Loki doesn’t trust easily, because “Trust is for children and dogs.” Gave me Natasha vibes. Because she and him were sharing a quite similar conversation a few hours earlier.

- SEEING FRIGGA’S DEATH! Loki giving great speeches about wanting to free everyone, being a ruler of the Nine Realms to hide away what he truly desired and that nobody would understand his thoughts and emotions, but seeing 2012 Loki seeing that HE gave the coordinates to the Dark Elves, unknowing Frigga would be on this very wing, you can see how hurt he was and panicked! He completely lost all trails of thoughts, asking where she is, if the TVA also kept her, if she is okay! He wanted to save her so badly, he doesn’t want to become the version who will kill her once again. - Mobius saying that there is nothing he can change and that Frigga HAS to die to get back in the flow of time, OUCH! - I get more TTDW vibes when everything that has been explained to Loki, that he will only bring death and chaos no matter what he does, that not only Frigga is destined to die, but Loki is about to die at some point, it made me think of Odin’s words:

Mobius said the same things, Loki’s destiny is to bring death or to ultimately die himself, no matter if he goes the bad or good path. It left me with weird vibes about Mobius being like Odin, just less of an abusive father mentor thing. He was made to cause pain, death and suffering. It hurt. Knowing those weren’t Loki’s goals, he came to the realization that Mobius is right, but doesn’t want to admit it, or at least denies it, but agreed in the end in a very subtle way - MOBIUS AND LOKI FIGHTING!! ” Do you enjoy killing?” “I will kill you!” “Like you did to your mother?” MOBIUS! FUCK YOU! At this point, he lost any sympathy from me towards him. He was guilt-tripping Loki, perhaps even gaslighting him. But this is also part of his job. He isn’t supposed to be Loki’s friend, he is a cop after all. Loki is an emotional and vulnerable being, so hitting him at the worst spot to get out more of him probably wasn’t the kindest thing to do, but probably the most effective for Mobius. Loki likes to pressure other people, but doesn’t like to be the pressured one. - Loki’s purpose is to bring those together he ultimately tried to remove according to Mobius, Loki brought together a team of legendary superheroes together that barely knew each other, and they grew strong together thanks to Loki’s wrongdoings. It somehow hurt a lot, but in the end, Mobius was speaking the harsh truth - "I will gut you out like a fish!” “What's a fish?!” BLESS CASEY!

- Endless Infinity Stones! I am in love with this idea! I don’t know why I saw people getting confused by it because even though the Stones are what hold the universe together, the TVA doesn’t live in that very universe, they are beyond that very space and time we don’t know and can’t grasp, they visit timelines after timelines, so of course it happens they find stones and keep them, either knowing or not knowing what they are, or they simply don’t care, because they have no purpose in the TVA. Perhaps these stones are variants too and don’t belong to a certain timeline and needed to be removed, such as Loki’s Tesseract

- What got me the most, and we all know what I mean, Loki crying privately when he once again viewed the life of his alternative self, viewing the loss of his family, the loss of his own life. I don’t really know if he mourned over Odin too, but in this series, Odin never threatened to kill or imprison Loki which perhaps didn’t cause any damage towards his anger. Though he was aware that Odin took the other Loki in a cell, but it was a destiny he could avoid now that he knew how things will turn out when he returns to Asgard. He will never get arrested, Frigga probably wouldn’t die because of him, though I get a feeling the Dark Elves will come nevertheless, but this time, it shall be Thor’s problem not to screw it up. Though it was a relief to see him smile soon after when he realized Thor was the only one believing in him, even though their relationships always has been kinda weird, as Loki always was jealous of him being everyone’s first choice, but in the end, Thor was alive, everything that was left, and Thor didn’t hate him - End of File - I don’t know why, but reading this, Loki himself reading this, the very end of his life, it made me shiver. He saw his memories of what could be, what MUST happen to him, and that there are more happy memories. But in the end, there are no memories anymore - end of file. That’s it. That was his life. - I can’t imagine how many thoughts must have been go through his head to see Thanos again, Loki’s try to kill him, just to see his neck and wind pipe getting cracked. He currently recovers from the effects of a full year of torture, both mentally and physically, just the same he would treat his ‘Children’. I can imagine Thanos promised him the world, something small to rule over to expand over more realms. Thanos triggered Loki’s fear and anger, who had to deal with the information he never belonged to Asgard in the first place. Whenever Loki would try to flee or play games with Thanos, I can imagine Loki got punished for it, he never even spoke sassy with Thanos during Infinity War. Loki is terrified of him for good reasons. I imagine this young man, feared, terrified, trapped on a rock with daily mental manipulation and pain. Loki became obedient and would have done anything for Thanos, whatever he ordered, including an exchange of power. Even if Thanos never fully was on his side and used Loki as a puppet with power and sorcery, being useful, I get a feeling Loki clung to his words and promises to rule over Earth as a savior and liberator, which completely went wrong - His laughter following after could have many reasons, relief, stress or disbelief. He was still crying between those laughs, which could be taken as desperation about no matter what he does, his actions will lead to harsh consequences. Disbelief of what he just saw, as if it felt so unreal to even believe what he had just witnessed, that it was all real, a destiny that was meant to him. But what else did Loki do during serious situations? He avoids them, he doesn’t want to acknowledge problems and shoving them away with a sassy comment or a smile to cope with it - which could mean this laughter could be part of his coping mechanism

- Him opening up, addressing why Loki hurts people, was honestly the best scene to me. He spoke about his inferior complex, his fear of not being strong enough to survive, building up a facade, a fake personality to survive also with the help of his magic. He thought he can be superior to anyone if he could scare everyone, gaining respect and love in form of war and destruction, as he perhaps thought of Odin being a former warlord, he would prefer a son who is able to conquer, being merciless. He doesn’t want to get hurt, he doesn’t trust anyone easily, that’s why he has to hurt people, to avoid of getting hurt or betrayed in the end. He became a double-edged sword I’m open for opinions and private chatting if you guys want to add something ! :DD

#Loki #loki spoilers #tom hiddleston #mcu #marvel #disney plus #owen wilson #agent of asgard #hiddlestoner #avengers #black widow #thor

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carminite-wyrm · 3 years ago

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A Sunless Skies!AU fic, Part 1

So I've...ended up writing a fic for my Sunless Skies x Hermitcraft AU. At first it was meant to be just like, a ficlet, but it's kind of spiralled a bit into a multi-parter fic. So here's the Part 1!

Again, credit to @redstone-sun for the FL!AU that kickstarted my inspiration for the Sunless Skies!AU!

Ren and Doc, brave Co-Captains of the Octagon Van, seekers of secrets and conspiracies, have for once, decided to take a brief vacation from their adventures and accidental incidents in the High Wilderness. Their vacation of choice? A few days at the most desirable holiday destination in all of Albion: Worlebury-juxta-Mare.

An idyllic holiday spot, where nothing is amiss, and nothing can go wrong. Right?

(Spoilers for Sunless Skies lore!)

The admission passes for a weekend stay at Worlebury-juxta-Mare had been a gift from the Boatem Crew, after a series of incidents that were probably best to never be spoken about again, on both groups’ parts.

Specifically, Scar had handed over the admission permits with a wink, tipping them out of his top hat with a dramatic gesture, along with a pamphlet.

“Should be fine for a weekend stay, gentlemen! I’ve heard that they even sell genuine rubbery lumps there, tastes just like it does back in London, apparently. Haven’t tried any myself, admittedly.”

And with that parting note, the Boatem Crew had set off from their rendezvous, leaving behind Ren, Doc, and their horde of semi-displaced goats.

A few weeks later, they had finished finding decent homes for the goats across the entirety of the High Wilderness, with a few exceptions who were still very much at home onboard their locomotive. And finally, the two could head off to their first vacation in several months.

“So, Worlebury-juxta-Mare.” Ren commented, staring at the cursive writing on one of the passes, and checking the pamphlet’s travel details with the map in front of him. “Have you gone there before?”

“Nope.” Doc replied, most of his focus upon repairing his mechanical arm after their last goat drop-off resulted in a very close call with some of Albion’s native wildlife. “It’s…off to the east, isn’t it?”

“Past London, yeah. Not close to the Avid Horizon, though.”

“That’s good to hear, I don’t think they’ll be happy to see us again so soon after that one, uh, incident.”

“I thought we agreed to never speak of that again.”

“True.”

The journey to the holiday destination took a little under a fortnight, with the last of the goats willing to leave rehomed on the way. The one remaining goat ended up being named Vigenere, and appointed as the Octagon Van’s noble mascot, screams and all.

The island that Worlebury was located upon was shrouded in mist, which slowly parted to reveal a quaint-looking town, with multiple other locomotives docked at the port, and the faint outline of amusement park rides in the distance.

“Well, it certainly looks like what the pamphlet described.” Doc said, as their locomotive was guided to a docking station.

As they stepped onto the wooden planks of the docks, they followed the signs leading them to a sizeable queue in front of the main gates of the station. A few signs, all in the same fanciful cursive as the passes that they carried, directed visitors either to the queue for those with passes, those bringing supplies, those waiting for regular entry, and workers. Right by where all the queues began, they could see a bright turquoise banner for a Swaggon Inc. stall, set up in what looked like a cart, and selling all manner of knickknacks to the passing visitors.

“Suppose that’s us.” Doc pointed at one of the shorter queues, patrons in fine clothing and clearly of noble or wealthy backgrounds murmuring among themselves as their passes were checked and stamped.

As they waited, an official suddenly wandered by, stared at them for half a second, before making a ‘come over here’ gesture. Curious, the two headed over, and the man held out a hand, the badge of a government representative clearly affixed to his lapel.

“First time in Worlebury-juxta-Mare? Excellent, excellent, right this way then.” He said, a businessman’s grin fixed upon his face as he shook their hands in greeting. “I’m a representative of the Bureau of Entertainments, and I’d like to welcome you to our fine port. Now, I know queue jumping is a little uncouth, but well, for fine gentlemen as yourself, I am certain you would rather be enjoying the sights rather than mingling with the proletariat for hours.”

Ren and Doc shared an awkward glance, silently comparing their practical, but significantly less extravagant, attire with the shining emerald suit the official was wearing. Over by the admission pass queue, one of the women’s hats looked more expensive than all of Doc’s prosthetics combined, and Ren knew for a fact that Doc had not spared any expense with his equipment or materials for that.

“Uh, thanks? We do have passes though.” Ren held up the aforementioned two items.

“Consider this a courtesy for your first time visiting. We are, of course, absolutely certain that you will be returning guests, after all.” The man smiled at them, before showing them to a door that had a brass plaque with the words ‘Fitting Room’ etched onto it. “Now, there is a dress code, so please do step inside and let the good Couturier find you a suitable outfit.”

With only the slightest amount of hesitancy, the duo stepped into what turned out to be a sizeable room that had all manner of clothing hung up in the wardrobes and racks that lined its walls. The Couturier took one look at Doc’s labcoat (missing a sleeve after it was ripped too many times by him using his mechanical arm to physically fend off the creatures that attacked their locomotive), and Ren’s combination of overalls, tinted goggles, and a ragged red shirt, seemed to grind his teeth in silent outrage, and stalked over to one of the racks.

“Pick an article of clothing you imagine suits you, and I’ll…figure something out to match it.” He said shortly.

Doc immediately gravitated towards the rack of coats, finding a white coat that was almost like his labcoat except with all its sleeves, and also made in the fashion style of decades past. The Couturier seemed to calm down upon seeing his choice, and immediately busied himself with providing the rest of a three-piece suit to accompany it. Off to the side, Doc saw Ren contemplate a lavish velvet-lined hat, before putting it down and flicking through a selection of dress shirts and blouses.

Fifteen minutes later, they had finally shoved Ren into a tailcoat set, much to the relief of the Couturier, who had seemed close to sobbing after the twelfth time that Ren had thought the chosen attire did not suit him.

“I still think the fur coat would have looked better.”

“It looked like someone had stitched together a bunch of rats, Ren.”

Ren sighed dramatically, before immediately lighting up once again as they finally made it into the port town proper, and spotted the wide variety of shops and amusement park games that lined the streets.

“Oh, there’s a stall for the rubbery lumps that Scar mentioned!”

And with that, the hours whirled past as they visited shop after shop, Ren gleefully taste-testing several shops’ worth of tea variety before ordering a few caddies for them to take with them. At one point, Doc swore there was something more wormy than earthy in a particular cup of tea, staring suspiciously into his cup before setting it down. There was something…just a bit odd, besides the fact that the mists really were vaguely corrosive and causing their clothes from the fitting room to slowly disintegrate and unravel as time went by.

But, on the other hand, Ren did seem to be having a good time, and the shop with a wide array of elaborate tea sets, and other porcelain objects, was quite enjoyable to wander through, even if the screams from the nearby donkey ride was a little disconcerting.

Wait. Screams?

Doc whirled around, to where the donkey ride was. No, he must have been mistaken, it seemed like nothing was amiss, though his mechanical eye did focus upon an odd reddish stain that seemed to shimmer in and out of view. He blinked, and the stain was gone.

Huh, his eye probably needed a little bit of a tune up once they were back on board the Van.

“Hey, Doc, want to get some candyfloss?”

He turned away from the donkeys, to where Ren was tugging him over to a stand with multicoloured sticks of candyfloss. Still perturbed, he absently took a bite out of the pale green spun sugar that Ren had purchased for him.

It was sweet. A bit almond-bitter, if he thought about it for long enough.

Their hotel resort room was actually quite comfortable, considering they were essentially visiting for free. The Department official had said that their stay would be the equivalent of their usual pass, just without needing the actual pass, for some reason.

Ren tugged awkwardly at his clothes as they settled for the day, the fabric already looking a bit threadbare. Doc simply huffed, sitting down in one of the armchairs with relief after a whole day of walking and running around.

“They sure weren’t joking about the mists.” Ren joked, looking out at their beachfront view. “We’ll probably be lucky to get to midday tomorrow before we have to leave because our fitting room outfits are in tatters.”

“I thought we already saw everything today?” Doc eyed the bags of souvenirs that they had acquired, and the stack of cargo receipts he was dreading having to file away at a later time.

“There’s an art exhibition tomorrow, and we still haven’t seen the beach.”

“Hm, alright.” Doc sighed, sinking further into his armchair. “I’m going to be honest; I’m looking forward to being back on our locomotive, my eye’s been seeing some strange things and I think it might need a tune-up.”

“Probably isn’t anything serious, Doc!”

“I hope so.”

Roughly eight hours later, Doc was deeply regretting everything as the sky above the beach shimmered and doubled, the sight of an idyllic foggy day overlapping with scintillating tendrils of unsettling light. Off to the side, Ren was attempting to skip stones along the sea of mist, which quite frankly wasn’t working on account of the ‘water’ not being water in the first place.

“Ren, I think we should leave.” He said, catching the other man’s attention. “I’m…The place is starting to look a bit weird.”

“Ah, is the eye giving you that much trouble?”

“No, it’s-“

“Eh, we can always come back later, we still have the tickets Scar gave us.” Ren shrugged, and the two of them slowly made their way back to the dock. As they stepped back out onto the wooden platforms that formed the dockside, Doc blinked as the double vision he had been experiencing slowly cleared up, fading away almost like mist on a windy day.

An hour or two later, and Doc held up his mechanical eye to the lightbulb above his workstation, frowning in consternation. There didn’t seem to be any faults with the eye, and he even swapped it back out again with the spare, to compare the two. For all intents and purposes, his eye was perfectly functional, down to the polished glass lenses within it.

“Well, Doc? How’s the eye?” Ren poked his head into the tiny room that housed most of Doc’s tools and other equipment.

“It…seems to be working as normal. I don’t get it, I swear it was glitching out whilst we were in town, but there’s nothing wrong with it! I even pulled it apart to check if some of the internal pieces had corroded or fallen out of place, but it was all fine!”

“Huh, weird.” Ren shrugged. “So, you up for heading back in to the town, or do you want us to go? We did manage to get quite a bit of souvenirs, anyways.”

“Honestly? I think we ought to go, there’s just something not right about this place.”

“Hm, maybe something about the mists is making your hardware go a bit haywire? They do have a corrosive effect, even if its mild enough to only affect fabrics.” Ren nodded. “Anyways, I’ll go tell the crew to get ready to set off.”

“Uh. Captains?”

The two turned, to see one of the crewmembers looking at them with barely hidden panic on their face.

“Yeah?” Ren raised an eyebrow.

“Vigenere. The mascot. We can’t find them anywhere!”

#hermitcraft #hermitcraft au #rendog #docm77 #obviously character versions of them #carminite writes #sunless skies hc au #fic is yet to be titled (mostly because i haven't figured out a cool title yet)#more to come...eventually #hopefully by next week

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mewhiphand · 4 years ago

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Drake analysis for his birthday!

Long post, part 1 of 2! Feel free to share your thoughts!

Drake analysis;

*WARNING : MAJOR spoilers for the Gone series and Monster series, discussions of child abuse, misogynistic mindsets, victim blaming, discussion of torture, sexual assault and rape*

This is a general analysis of Drake's character, focusing mostly on scenes from GONE and HUNGER (where he, arguably, has the most autonomy). If there any specific scenes or books you'd like me to take a look at, please let me know! :)

1| Pre-Coates Drake (overview)

Drake was already showing worrying signs, even before the FAYZ (and before he got sent to Coates); it's mentioned that he found enjoyment in microwaving a puppy and burning frogs. Either this was done covertly until the Holden incident, was done at Coates, or was ignored by his family (likely the former).

This tells us a couple of things:

A. His family may neglect or ignore him (or he ignores them)

Torturing these animals, a strange hobby as it is, does require time and commitment. This distance from his parents during his formative years could create antisocial tendencies and isolation from his 'loved ones'.

B. His sadistic tendencies developed before the death of his father and his mother's remarriage (more on that later).

However, Drake didn't start hurting people until he shot the "neighbour's kid, Holden" who "liked to come over and annoy him".

This short description gives us an insight into Drake's short leash on himself: his temper and impulses are hard to control, and he's aggravated to the point of almost committing murder at a young age (he was 14 in Gone, so this could have been at any age before then) - the book tells us that despite only being shot in the leg by Drake with a .22, "even then, he'd nearly died".

This was the incident that got Drake sent to Coates (a boarding school for mostly "rich", messed-up kids) - this could also clue us into how Drake didn't appear to be legally punished for shooting Holden, as his family might have been well-off (implying they'd rather just buy the victim's silence and ship Drake away rather than deal with his issues on their own, or get a private therapist - or perhaps they believe it's out of their hands?).

However, this is based on assumptions and not solid ground.

2 | Drake and his father.

Drake was taught to shoot by his father, a Highway Patrol lieutenant, using his service pistol. This formed an integral part of who he became, and they now had something in common -

"Don't shoot a person," his father had said. But then he relented, relieved no doubt to find something he could share with his disturbing son."

Despite his father being wary of Drake's early sadistic tendencies, he seemed to be the person that Drake was closest to, and his death affected him majorly. As perhaps the only person who even slightly understood him or sought to find something to do with him, his father's death appeared to be a pivotal moment for Drake - it signalled the end of any sense of a positive male role model in Drake's life, as his mother's next husband was abusive. This would cause him to seek out "strong", violent, dominant men when he was older.

The most likely timeline in my opinion is :

•Drake develops sadistic tendencies

•Drake's father dies

•Drake's mother remarries

•Drake shoots Holden and is sent to Coates

3 | Drake and his stepfather and mother

There is subtextual information that Drake is abused by his stepfather: "the beatings he'd suffered, and the much more numerous beating he had delivered, the pleasure he had found in burning frogs and microwaving a puppy and drawing all those endless loving pictures of weapons, spears, knives, torture devices, all of it, all the hatreds, all the burning lust, all the madness and rage.."

"But he was always a troubled boy. Especially after my son died. The stepfather...young Drake’s stepfather..." - Drake Merwin Sr to Connie temple

To digress :

This small passage in Plague and Sr's speech in Light gives us leagues of information.

Drake is drawn to things that cause pain, he's sickly fascinated with all kinds of weapons, "torture devices" (cleverly hinted at in Hunger, when he's watching Saw II), and the true depth of his emotions are revealed - along with a great deal of self-awareness.

Drake doesn't lack emotion - he's incredibly emotional. The things he does feel (rage, lust, joy) seem to be felt deeper, as if his lack of empathy amplifies the rest of his spectrum of emotions. Drake is also aware of what he feels - the "burning lust" mentioned is especially important to understanding Drake - the misogynistic hatred of Astrid and Diana stems from his apparent inability to distinguish between sexual attraction and causing pain (again, his sadistic desires)

The two are one, in Drake's mind.

[More on that later*]

But where did the misogynist mindset come from in the first place?

The answer lies in Drake's home life following the death of his father.

Drake's mother remarried - but his stepfather was an abusive man, leading to an incredibly toxic relationship. Drake, in his youth, already having the urge to hurt and kill, was exposed to that kind of extreme violence. Drake's stepfather beat his mother in front of him, and because his mother seemingly took actions to antagonise him enough to beat her, Drake (with the mindset of a child, who may have already seen it as a betrayal by his mother to remarry after his father's death)

concluded that she did it deliberately because she liked it.

This misconstruction and victim-blaming set in place a cycle of violence that would form Drake's victim-perpetrator mindset. [*]

It could also imply that Drake's mother's actions of irritating his stepfather directly impacted Drake himself: his stepfather took out his anger on his stepson, and beat Drake too.

This could stand to reason as another explanation why Drake's hatred of women developed - lacking positive female role models and maternal figures in his life led to distance from women, and led him to think that all women were intrinsically weak, irritating and masochistic in their desires.

(This would establish a sadistic-masochistic dynamic that Drake believed all woman [for some, like Astrid, secretly] wanted / partook in, and fuel the idea that women were weak and cowardly as his mother failed to protect him from her husband's violence.)

With a stunted, childish psyche, Drake lost sight of the real issue - the fact that his stepfather was abusive - and directed his anger at someone "safe" and "easy" to hate- his mother, whom he victim-blamed.

We can infer that Drake's childhood was filled with uncertainty and violence, and therefore he sought out control as a way to find a sense of stability in his life, and linked violence with strength and power - therefore, he won't recognise any authority that doesn't use violence as the main way to achieve its aims (hence why he's so gleeful when Caine "is lowered to his level" by using violence, and Drake himself only exercises power through shows of violence and using fear as a means of control - he has no sense of loyalty)

The build-up of resentment at his mother would explode, but not at its original target - at Drake's two known objects of sexual attraction in the FAYZ, Astrid and Diana [who will be addressed separately, as their treatments differ in some aspects. In this post I believe I'll only be addressing Diana, but if you want the full Astrid post comment I guess!]

4| Drake and Diana

Drake fears humiliation - mainly, from the female population. In Gone, Drake comments on this :

"He felt a moment of panic then...He would look like a fool if he didn't get [Astrid]."

"Drake cursed and, again, for just a moment, felt the almost desperate fear of failing Caine. He wasn't worried what Caine would do to him - after all, Caine needed him- but he knew if he failed to carry out Caine's orders, Diana would laugh."

What Drake hates about Diana here is her ability to make him feel humiliated, weak, powerless, a failure - everything he's bound to have felt in his childhood when he couldn't protect his mother or himself against his stepfather. He craves the feeling of power over others, and loathes the feeling of helplessness. We can see that he's aware that Caine uses him and needs him to act as a threat, and he accepts this for now, with the ultimate goal of overthrowing him, but his real fear is being publicly seen as weak and being laughed at, which drives him to do anything to succeed in Caine's eyes and, in his own words, "wipe the smirk off Diana's face"

"Drake had made time to check out Diana's psych file the day after the FAYZ came. But her file had been missing by then. In its place she had left Drake's file lying open on the doc's desk and drawn a little smiley face beside the word "sadist".

Drake had already hated her. But after that, hating Diana had become a full-time occupation."

Diana humiliates Drake, and gains power over him by knowing information about his mental state. Drake, who had the same idea to gain power over Diana, is infuriated and his hatred of her, once a burning ember, is now a raging volcano. We can see that Drake doesn't fear that Diana will hurt him psychically, but emotionally by provoking and humiliating him.

"To Drake's disgust, Caine accepted Diana's back-talk."

Diana has power over Caine that Drake can't hope to accomplish, due to the fact that Caine is attracted to her. Caine's desire of Diana outweighs any loyalty or comradeship he has with Drake. Diana also uses Caine's want for her as a failsafe protection against Drake.

Drake's misogyny shines through here: he sees the fact that Diana is manipulating Caine, and sees how he tolerates it. Drake realises that Diana can get away with much more than Drake himself can - she has more power over Caine than Drake does. And this power, in Drake's eyes, isn't "earned" as it wasn't gained through violence.

Drake disregards any kind of power that isn't earned through pain - this also shows in his hatred of freaks, who he sees as not having "earned" the right to be powerful, and explains his glee at, yes,suffering the pain of his arm being burnt off, but it being replaced by something that enables him to cause pain to others - like a reward for enduring the pain. Drake wants his suffering to mean something, and to gain something from it. Drake wants to be important.

"Go ahead, raise a hand against me, Drake," Diana taunted. "Caine would kill you."

We see another example where Diana uses the threat of Caine to keep Drake in line.

Diana is described as attractive throughout the books by varying characters, and so we infer that Drake finds her attractive, but in his twisted, misognyistic mindset, this is translated to violence. Additionally, he already disliked her so his hatred for Diana is stronger than for any other girl in the FAYZ (even Astrid).

5| Drake and Caine

The foreshadowing of Drake's betrayal

We've established that Drake lacks any sense of loyalty and trust due to a lack of these in his own childhood. Drake also only sees respect as being earned by shows of violence and dominance.

Drake, lacking positive male role models, appears to latch on to Caine, the "most ruthless" of all the boys at Coates, and the most powerful (in a literal sense, with his telekinesis). Caine is mentioned to do small favours for Drake (but, crucially, plays Drake and Diana off against each other [*]), and seemingly gains Drake's initial respect.

Drake, however, seeks to usurp Caine (due to his hatred of freaks, and needing to have a sense of superiority. He also sees Caine as weak and below him for bowing to Diana's demands due to Caine being attracted to her.)

When the Coates trio is first introduced together, in Gone, - "Drake Merwin stood smirking, arms across his chest, on Caine's left, and Diana Ladris watched the crowd from Caine's right"

I'm perhaps guilty of looking too much into this initial description, but I find it interesting - despite being Caine's "right-hand man" and even Drake taunts Diana that he and Caine are "like brothers" (Hunger), Drake stands on his left and Diana on his right.

While this also serves to cement (haha) Caine's role as the 'Fearless Leader', it could also foreshadow Drake's betrayal later in Hunger, and his need to "run the show".

Drake, the Judas figure to Caine's christ [maybe a post on this at some point?*], stands on his left. It also marks Diana as the loyal follower, the one to stay with Caine until the end.

The decimation of Drake and Caine's relations ship culminates in the final events of HUNGER, when Drake almost kills Diana and Caine throws Drake down the mineshaft in revenge and anger.

This marks a shift to Drake's character - he's no longer under Caine's control - but emphasises that his loyalty is now fully to the Gaiaphage, whom he worships for giving him power over others [!!] (the whip hand, which grants him the ability to hurt and kill others, and in LIES, immorality)

We can see that what Drake actually craves is, in GONE: to run things himself, a personal anarchist dream where he can hurt anyone he wants, (and yet he needs a strong male figure behind the scenes to give him motivation), or the illusion of control, found in causing others pain, as he lacks the mental stability and leadership needed to be in control, and he lacks long-term goals beyond revenge and fulfilling his sadistic desires, and is rudderless without a leader (as seen in Monster, where he is "mindlessly killing, torturing and raping anyone he comes across" until he is sought out by Tom Peaks, who gives him motivation)

This is supported by Peaks' comment on this in VILLAIN -

"But along with the sneers, he sensed that Drake was looking for leadership. Drake had no plan, never would have any plan, beyond his next murder."

Drake and his hatred of freaks, and how this impacts his relationship with Caine -

"Drake hated the power. There was only one reason why Caine and not Drake was running the show: Caine's powers."

"But Caine understood that the kids with powers had to be controlled. And once Caine and Diana had all the freaks under control, what was to stop Drake from using his own nine millimetres of magic to take it all for himself?"

Drake always planned to usurp Caine, as he thinks he's too influenced by Diana and due to his hatred of freaks. Drake hates anyone having power over him, and Caine's abilities give him a unique advantage, which Drake loathes.

Caine and Drake - altercations before the betrayal and what they show

"She was your mother and she gave you up and kept Sam?" Drake said, laughing in his enjoyment of Caine's humiliation.

Drake's sadism shines through and he turns entirely reckless in tormenting Caine, his desire to see Caine humiliated outweighing any fear he has of him. For Drake, fulfilling these sadistic urges take precedence over everything - even fear, pain, rage. We can see that he seems to not know when to stop, or chooses to push people past their limits anyways.

Caine responds in physical violence, the language Drake seems to understand - "Something slammed Drake's chest. It was like being hit by a truck. He was lifted off his feet and thrown against the wall."

Drake refuses to be humiliated (in front of Diana, curiously) - "He made himself shake it off. He wanted to jump up and go for Caine, finish him quick before the freak could hit him again. But Caine was there, looming over him, face red, teeth bared, looking like a mad dog."

"Remember who's the boss, Drake," Caine said, his voice low, guttural, like it was coming from an animal."

"Drake nodded, beaten. For now."

This small passage gives us a lot of messages about Drake. He wants to appear strong and vicious, but plays it smart and backs down to avoid the risk of Caine actually killing him. Drake and Caine's dynamic is, crucially, a power struggle at its heart.

However, Drake doesn't give up - he's admirably resilient and persistent in chasing his goals of revenge, and "winning" the power struggle against Caine. He does, at least in GONE, possess a good amount of intelligence and foresight.

Caine (and Diana) being aware of Drake's psychopathy

Caine :

"Drake is a violent, disturbed boy." - Caine to Sam, the gym scene in GONE.

Caine knows of Drake's afflictions, but keeps him around as a lackey to do his dirty work. He also considers himself morally superior to Drake - he remarks that at least he doesn't "get off" on what he does.

Hypocritically, Caine does not see his own actions as being just as damaging, but this is due to his overinflated ego and delusions of grandeur - he believes the ends he wants justifies the means he uses.

Diana :

"Drake is sick in the head. I'm not saying that just to scare you, I'm saying it because it's true...Drake is flat out sick in the head. He could kill her, Sam" - Diana to Sam, the gym scene in GONE.

"Well, that's why we keep Drake around. He enjoys hurting people." - Diana to Astrid, classroom scene in GONE.

Diana shares a similar opinion to Caine - he's mentally unhinged, but Diana recognises the threat he poses to both her and to Caine, and wants him gone.

6| Drake and dominance & submission

"Drake moved past Diana and kicked Sam onto his back, legs twisted beneath him. Drake stood over him and pushed the end of his hat against Sam's Adam's apple. The same move he had used on Orc the night before."

We see that Drake is physically strong, despite his unassuming stature - he's described as "lean". He has been in enough fights and has enough experience to take down people at least "fifty pounds" heavier than him (Orc). He also puts these people into humiliating, submissive positions where they have no choice but to capitulate to his demands.

He speaks to Astrid in LIGHT about this -

"Are you as clueless as the rest of them, Astrid? It’s simple. Here it is, here’s the answer, Astrid the Genius: it’s fun to hurt people. It’s such…it’s such joy, Astrid. Such joy realizing that all the power is yours, and all the fear and pain is right there, in your victim. Come on, smart girl, you know what it’s called. You know the word for it. Come on, say it.’ He cupped his hand to his ear, waiting for the word.

'Evil,’ Astrid said.

Drake laughed, threw up his hand wide, and nodded his head. 'Evil! There you go. Good for you. Evil. It’s in all of us. You know that, too. It was in you. I saw it in your eyes as you looked down on me in that cooler. Evil, hah. We all want to have someone powerless beneath us while we stand over them.’ His voice had grown husky. 'We all want that. We all want that.’

One thing that stands out about Drake's character is that he likes to believe that everyone, at some level, has the same desires he does: Drake is just "strong" enough to act on them.

Drake likes to antagonise people to 'bring them down to his level'.

In this speech, Drake reveals a lot about himself.

"it's fun to hurt people" ,in particular, keys us in to the fact that Drake is self-aware, and making Astrid call him "evil" is part of this: Drake knows what he's doing is morally wrong. Drake wants people to think that he is evil, that he's ruthless, that he's nothing but a sadistic murderer, because he doesn't want to reveal his true vulnerability and helplessness.

He calls out the hypocrisy of Astrid for seemingly reveling in his pain and still condemning him for the desires over which he has no control. [This is not to say that I believe he is right for acting on them; the urges he can't control, but he can control his actions]. This is Drake's make me your villain speech. His final cry for help, in a way.

He wants everyone to be like him. He wants to not be judged, he aches for the confirmation that he is not alone in wanting power and vengeance and pain.

"We all want to have someone powerless beneath us while we stand over them." - Drake's experience of the roles being reversed, and the victim-perpetrator cycle show through here. Drake seeks power because he was denied it.

It is paradoxical in that, arguably, he wouldn't be like this if people hadn't punished him for things he couldn't control (involuntary sadistic impulses), and it is sad that we realise he could have been so much more, had circumstances been different.

Drake is a dark mirror of every dark thought we ever have. He, horrifyingly so, reflects the human urge to inflict pain as revenge. Drake's story is a cautionary tale. Many can relate to his harsh childhood, and Drake reminds us that no matter how much pain is inflicted on us, we bear the weight of not continuing that cycle onto others. That is the curse of being good. That is the curse of being human. That is the curse of empathy.

Crucifixion - in MONSTER, it is revealed that Drake has been 'alive' for years, and we find out in VILLAIN that he resides in a cave in the desert along with 3 bodies - 2 female, one male, people he recently tortured. He crucified them with "railroad spikes" and left them to hang from the bones of their wrists. We can see that Drake leaves them in humiliating positions deliberately - "The only thing better would be to have Sam nailed to the opposite wall, forced to watch it all. To see Astrid degraded as Sam watched? He could not imagine anything better."

This is an example of his psychosexual development being warped - he associates sex with violence and power. He tortures and degrades his victims as a way to fulfil his sexual and sadistic urges.

7| Drake and Orc as foils

Drake and Orc first oppose each other in the early chapters of GONE - Drake is given power over Orc by Caine - "Drake and his people, including Captain Orc.."

This establishes a hierarchy within the "sherrifs". Drake leads them, but ultimately defers to Caine - (and, he is given power over others at Caine's will.)

Orc, like Drake, had a traumatic childhood and was abused by his father, and his "dumb dishrag" mother does nothing to stop it (she herself is abused by her husband, and rebukes Charles for wanting to kill his father.)

Both Orc and Drake blame their mothers for failing to stop the abuse of their husbands (and their father and step-father in Drake's case).

This is an interesting comparison, as it cements (haha) both Orc and Drake as bullies with short tempers who need to have control, each with a shrewd, conniving friend who effectively "leads" them.

Also, for the most part in the books, they're the only characters with physical mutations (both resulting from physical injury!) and turn their backs on the shrewd friend at some point (Drake and Caine becoming enemies, Orc finding faith and becoming distanced from Howard's crimes).

The fight between them at the start of GONE is a clever foreshadow to their battle at the end of GONE (and, of course, their long-lasting rivalry) and provides a comparison between the two.

They butt heads when Orc is ordered to defer to Drake when Caine is giving out roles, and Caine handles it by crushing a boy with a cross - but no physical altercation happens until Orc punishes Bette for "doing magic tricks".

The anti-freak agenda (ironic, considering they both end up gaining mutations, at similar points too!) of both Drake and Orc is pointed out, but Orc is almost painted as a "lesser evil" - as if Orc may be a garden-variety bully, but Drake is pure, distilled essence of evil.

"Orc...went for Drake like a linebacker. Drake stepped aside, nimble as a matador."

"Drake hit Orc in the ribs with a short, sharp forward thrust of the bat. Then again in the kidneys and again in the side of the head. Each blow was measured, accurate, effective."

Drake is the quick and nimble to Orc's sluggishness, the playfulness to Orc's sullen demeanour. He is "lean" where Orc is "wide" - their battle at the end is described as "their quick-and-slow, nimble-and-heavy, sharp-and-dull battle".

This is a perfectly well written description in my opinion - succinct, and perfectly accurate of them.

The main differences, however, are their personal views on their mutations, and their arcs.

Orc thinks he's a monster - he knows he is physically repulsive, and detests himself. He feels immense guilt over the pain he caused, and seeks to redeem himself through finding faith and asking for forgiveness from God.

Drake, in contrast, adores the power that his mutation gives him. He even describes himself as "Jesus with a whip". His mutation, in Drake's eyes, gives him control over others and he relishes in this.

Drake feels no remorse over the pain he causes, and doesn't desire redemption.

His God-figure is the Gaiaphage, whom he eventually betrays as he desires personal revenge on Astrid and Diana and cannot cope with Gaia being female due to his misogynistic views.

However, Drake and Orc share an interesting scene in Plague with Astrid - Orc seeks out Astrid with the intent to hurt her (it is implied to be sexual violence) and is interrupted by Drake arriving at Coates with his army of bugs. Drake picks up on Orc's intentions.

Drake confesses to Orc that he had the same idea.

"You think she'll give you a big, wet kiss on your gravel face?" He peered closer at Orc as if looking inside him. "Nah, Orc, the only way you get Astrid is the same way I get her. And that's what you were thinking, isn't it?"

#drake merwin #caine soren #gone series #fayz #the gone series #diana ladris #michael grant #sam temple #astrid ellison

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backtothestart02 · 3 years ago

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A Weekend of Firsts - 1/? | grandice fanfiction

A/N: Part 1 of my On Set Attraction series (for now). This one will be 2-3 chaps. Not sure yet. For the anon that requested an sdcc hook-up. I hope you enjoy this first part.

...

Synopsis: Grant and Candice get together.

...

Chapter 1 -

SDCC 2014.

The first real large-scale event that The Flash cast attended in preparation for the upcoming season one of their show.

San Diego Comic Con.

Candice was starry-eyed. It had been her first time attending SDCC as someone featured and not just an audience member. She’d secretly attended just for enjoyment’s sake once years earlier, but she wasn’t about to spill that. She was a little embarrassed about how nerdy she’d been, dressing up in cosplay and everything. She was putting that behind her. Now she was a real celebrity – or she was about to be.

Glancing back at Grant on the bus, she felt her cheeks grow hot and quickly turned around. She’d thought to look over to him because he, too, had never attended SDCC as part of a featured cast, but his eyes and his smile had gotten the best of her, and she hadn’t been able to maintain eye contact.

What was the matter with her? She wondered, but it was no secret to herself why her heart started racing and heat filled her cheeks whenever she caught that sexy grin of his.

She had a crush. A big one.

He was single, so it’s not like if she acted on it there would be bad fallout. But it might affect their chemistry onset, which to hear it, was some of the best the casting director had ever seen.

Electric. Show-stopping. Edge-of-your seat. Magical.

She couldn’t risk losing that by confessing her feelings. And besides, she didn’t even know if he felt the same way. His rejection of her alone might affect their chemistry if they couldn’t get past that awkward moment.

No, she was better off keeping this little crush to herself and hopefully getting over it, sooner rather than later hopefully.

She tried to find reasons not to fantasize about what the two of them together romantically might look like. She honestly did. She tried to find flaws in him. Real, honest-to-God flaws that could make her see him more as a friend than a crush.

But it was just so God damn hard.

He was such a flirt, and he focused most of his efforts of her. He’d deliberately run into things to gauge her reaction, and he’d tease her relentlessly. He was funny too, so funny that she found herself laughing long after everyone else had stopped. She’d thought he would think oddly of her for that, but when their eyes met after she’d stopped, he was only ever smiling at her, as if nothing existed for him outside of her.

They shared similar interests too – well, except for the ongoing Superman vs. Batman debate. That would probably never end. But they both loved dogs and video games. She had a few potted plants in her trailer that sometimes she’d come back to see him watering. And his two dogs, Jett and Nora, took to her right away.

They gravitated to each other easily when alone, and his first instinct was to slow dance with her in between takes. She never led him on or tried to get his attention one way or the other. He always came looking for it.

And sometimes, occasionally, she’d catch him checking out her cleavage or her ass when she knew he thought she was unaware. It made her wonder if maybe, just maybe, he had a thing for her too?

But she never brought it up and neither did he. The cast couldn’t be completely oblivious to their connection though. She hoped they never brought it up to anybody. The last thing she needed was for people to think she was getting attention simply because the leading man was giving it to her.

She was the leading lady though, so was it that hard to believe?

She kept herself in check as best as she could, however. And when the bus finally arrived and they filed out, she made herself focus on what the itinerary of the day was. Well, for the first day it was pretty low key. They just needed to check into the hotel and attend a couple low key events. The real slew of interviews and panels and photoshoots, autographs and more would take place over the next couple days.

Paparazzi lined the walkway, as did some fans who had heard about the show. If they got renewed for another season, she imagined the fans would multiply at events like this. Not that she was hoping for that or even needed it. She was just amazed – still – that she had gotten the part. Her talent and her chemistry with Grant had sealed the deal. She couldn’t be happier.

Once inside the hotel, they got their keys and made their way to their floor. Candice stopped at her door and was about to slide her key in when she heard Grant call out to her.

“Hey, we’re neighbors?”

She smiled tremulously and called back, “Yeah, cool!”

Cool?

She rolled her eyes at herself and got into her suite. She lay on the bed for a while, then peeked outside at the view she had. A busy street. Not the best, but they were in busy San Diego. What did she expect?

She stepped into her bathroom and turned on the shower. Setting out her clothes for the first event, she stripped down, went under the glorious hot water and soaked herself. After she was thoroughly wrinkled, she washed up, then shut off the water, dried herself off, and proceeded to get ready for their night of events.

Alcohol.

She hadn’t thought twice when champagne was offered to her at the first event or the second. She didn’t think she was anywhere near tipsy by the time the after party came around, but she did notice one thing.

Grant was flirting more than usual, and she was flirting back.

Her heated cheeks a faint memory, and her heart racing nothing to the sound of glasses clinking and toasts being made at their first day of SDCC being completed successfully.

Candice couldn’t stop smiling.

She didn’t know where the rest of the cast had gone. They’d all arrived together at the party. But now it was just her and Grant and other people they didn’t know who probably didn’t really know them, what with their show not having aired yet. It was nice to be somewhat anonymous and just having fun without a care.

Minutes ticked away into hours though, and when she looked around she noticed that the place was starting to empty.

She tugged on Grant’s arm and pulled him down to her to whisper into his ear.

“Think we should go?” she giggled helplessly, and he grinned, that sexy smile of his so close to her cheek.

Was it just her or she was getting more drunk and he was getting more sober?

“Yeah, good idea!” he declared, smiling brilliantly.

He leaned across the bar to ask the bartender to call them a cab, even though he had his phone in his pocket. Candice giggled at that but decided not to inform him of his slip-up.

“Do you have money?” she teased, yanking on his arm again and pulling him close.

Grant grinned shamelessly.

“Should I ask him for that too?” He turned toward the bartender. “Hey, dude!”

“No, no, no, shhhh!” She couldn’t stop laughing. “He didn’t mean it! He didn’t mean it!”

The bartender continued his call and then gestured towards the door when he was finished. Looping arms, Grant and Candice stumbled slightly on their way out and promptly informed the driver where they were headed. They couldn’t remember the address, but the guy knew his way around the city and was aware of where they were staying.

Candice decided then and there that she wasn’t the only one bordering on drunk instead of tipsy. Grant just did a better job of looking like he was sober. But she was too far from sober to care what he thought about her behavior. Her insecurities were gone.

After paying the driver – miraculously – Grant helped her out of the cab and they fumbled some more getting into the hotel lobby, the elevator, and finally falling out of it when they got to their floor.

“Want to come to my room?” he asked teasingly, raising his eyebrows suggestively. She couldn’t tell if he was joking.

“Sure!” she burst, and skipped down the hall with him, her arm still looped through his when he got his hotel room opened and they struggled to walk inside at the same time.

Finally they unlooped from each other and burst into the room.

“Ooo, this room looks nice,” she commented, taking a gigantic breath. “Looks just like my room!” She giggled profusely again.

He snickered.

“We can go to your room tomorrow!” he declared, and she nodded enthusiastically.

“Yes! Yes! Aaaand…yes!”

She fell back on the large king-sized bed in the room and stared up at the ceiling. She was shocked to find her reflection staring back at her.

“You have a mirror on your ceiling.” She pouted.

He came to lie next to her after nearly tripping out of his shoes.

“You don’t have one in yours?” he asked, turning to face her.

She turned her head to face him and shook it.

“Uh-uh,” she said, and then made the mistake of dropping her gaze to his lips for a little too long.

“Candice,” he said, and he sounded really sober then it nearly sobered her up.

“Uh-oh.” She sat up quickly. Too quickly. Her head hurt. “Need more alcohol.”

She curled up and off the bed and opened the minifridge in his room where some chilled beers were located.

“Want one?” She held one out to him.

“Okay,” he said.

She grabbed another one for her and handed both to him.

“Can’t open. Too hard.”

She plopped back down on the bed.

He definitely had to be sobering up, because he easily opened both.

“Think we’ll get alcohol poisoning?” she wondered aloud.

He held the beer out to her and hesitated to drink his own. She didn’t though and so he just shook his head and laughed.

“You are the best person I’ve ever met,” he said, setting both their beers on the table.

“Oh, wow. That is really great!” She placed her hands on either side of his head. “I’ve got a crush on you,” she informed him.

“Yeah?” He sounded breathless.

She nodded enthusiastically.

“Biggest crush ever!”

“Me too,” he said back, and it really didn’t register until he leaned in and kissed her without warning.

When he pulled back slowly after she’d responded just a little, he looked deep into her eyes.

“You’re not as drunk as I am,” she accused.

He winced. “I just hold my liquor better.”

She pouted, then got a little angry.

“Were you pretending to be drunk so I’d feel better?”

She felt her insecurities rising and wondered if this was a different kind of drunk.

“No!” he insisted. “I was just being silly, having fun. Sometimes it looks like I’m drunk when I’m just having fun.”

“Oh.”

She leaned back on the bed till her head was nestled nicely on top of two pillows.

“Do you regret coming to my room?” he asked, lightly brushing some of her locks out of her face, dipping his fingers down across her collar bone and along the column of her neck.

He slipped one strap of her dress down her arm to reveal more of her cleavage and then stopped, looking at her looking at him.

“Do you want me to stop?” he asked, his voice raspy, and she shook her head.

“No.”

She reached up for him and pulled his face down to hers. Then she kissed him passionately and arched up against him as he climbed on top of her. She allowed his tongue entrance into her mouth and wound her fingers into his spiked, messy hair. His body felt incredible on top of hers, and she wound her legs around his, letting the skirt of her dress hike itself up.

When his hand landed on her bare thigh, she moaned into his mouth, then tipped back her head to give him access to her neck.

“Fuck, Candice, you’re gorgeous.”

She moaned louder when he found the sweet spot on her neck and sucked.

“That feels so good. Keep doing that.”

She bit her bottom lip, feeling her core soak itself through her barely-there panties.

She reached around his back, sunk her fingers into his covered ass, and pressed her body up against his, seeking more.

Then, as if he’d never been there at all, Grant lifted himself off of her and got off the bed. He retrieved a water from the mini fridge and drank half of it.

Candice propped herself up on her elbows.

“What’s wrong?”

He laughed to himself, then turned around.

“You’re drunk.”

“I’m sobering up.” She hiccuped.

He came to sit on the edge of the bed.

“Yeah, but I’m not drunk at all. Not really. And I’m not going to take advantage of you.”

Her eyes widened.

“But I may not want this in the morning! I mean, I may not let myself want it.”

He wrapped a hand around the back of his neck.

“That’s just a risk I’m going to have to take.”

He got up and held out his hand to her.

“Come on, I’ll take you back to your room.”

She was annoyed, more than annoyed. She was intensely irritated.

But more than both of those things, another feeling rose up inside of her.

Bile.

“Oh, God.”

She quick ran off the bed and went into Grant’s bathroom to vomit into his toilet. When she was done, she could barely stand up.

Grant wet a washcloth and wiped her mouth before gathering her into his arms and taking her down the hall to her room. He tucked her into bed, went to leave and then stopped when he heard her sigh loudly. He turned back to look at the sad expression on her face and braced himself for the words that would follow.

“I suck.” She huffed. “Don’t I?”

“No,” he said. “You don’t suck.” He managed the tiniest smile. “Goodnight, Candice. I’ll see you in the morning.”

He shut the door behind him before she could answer, and she spoke her reply to the darkness.

“Goodnight.”

She paused.

“I suck.”

#grandice #fanfiction #grandice fanfiction #backtothestart02 fanfiction #a weekend of firsts #chapter 1 #for anon

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theadusa · 4 years ago

Text

All the dramas I’ve watched in 2020

These are all the dramas that I watched in 2020, with some review there should be NO Spoilers. I think I watched a lot more than usual probably because what else am I supposed to do between school and quarantine. So this is gonna be a long one...

Crash Landing on You (Lee Jung-hyo, 2019-2020)

Main Leads: Hyun Bin and Son Ye-jin

Episodes: 16, 70 to 110 Minutes

Thoughts: I enjoyed this drama, and it was a good one to start 2020 with. I thought it was a perfect blend of romance, comedy, heartfelt, found family, action, and some tragedy. I would highly recommend it, especially for those who are new to Kdramas. Also fun fact this is my first Hyun Bin drama. Rating: Fun and adorable

Tale of Nokdu (Kim Dong-hwi, 2019)

Main Leads: Jang Dong Yoon and Kim So Hyun

Episodes: 32, 35 minutes

Thoughts: I actually started watching this when it was airing but I stopped around episode 13 because of my busy schedule and finished it in the new year. I adore the main couple, the romance, comedy, the found family, and the women center story. I thought it shined the brightest when it was focused on the group and its funny and warm moments but once it got too political it kinda fell flat. I loved the ending, however. Also, I really like Jang Dong Young as an actor, I saw him in Solomon’s Perjury (2016) and Mr. Sunshine (2018) and I loved how he played Nok Du too. Rating: I love a women’s only widow village

I’ll Find You When The Weather is Nice (Han Ji-seung, 2020)

Main Leads: Seo Kang Joon and Park Min Young

Episodes: 16, 60 minutes

Thoughts: I really liked this drama, probably one of my favorites this year. As you will notice I enjoy quieter and more slow-burn stories. Also, I am a fan of Park Min Young she tends to pick more interesting and strong-willed female roles, so it is really enjoyable to watch. Rating: makes me want to own a book store.

King: The Eternal Monarch (Kim Eun-sook, 2020)

Main Leads: Lee Min Ho and Kim Go Eun

Episodes: 16, 70 Minutes

Thoughts: Confession; I am actually not the biggest fan of Lee Min Ho, nothing against him I just hate rich bratty characters and he tends to play them. However, I surprisingly really liked his character, he wasn’t a rich brat he actually was likable. I also really like Kim Go Eun, she is actually one of the main reasons why I watched and also with all the hype around it. Woo Do Hwan, who I have always liked, stole the whole show, however. I didn’t hate it like a lot of people, I really liked the characters, I liked the romance and the action. Also, Lee Min Ho and Kim Go Eun’s hugs were absolutely fabulous. It wasn’t my favorite and there were too many product placements, but I don’t think it was the worst drama this year. Rating: Lukewarm

A Piece of your mind (Lee Sang-yeob, 2020)

Main Leads: Jung Hae In and Chae Soo Bin

Episodes: 12, 70 minutes

Thoughts: I actually really liked this drama despite the low views, again I’m big on slow burn stories and character focus. I believe the episodes were cut from 16 to 12 I don’t know exactly why maybe because of the Pandemic or due to viewership or a mixture of both. Despite its being cut short I really liked the ending, and I thought the two leads were sweet. Rating: Wish we had more time to develop the characters.

Its Okay not to be Okay (Park Shin Woo, 2020)

Main Leads: Kim Soo Hyun and Seo Yea Ji and Oh Jung Se

Episodes: 16, 70 to 85 minutes

Thoughts: Out of all the dramas I talked the most about this one. I have always been a fan of Seo Yea Ji since Save Me (2017) and Lawless Lawyer (2018) and I am happy to see her getting more recognition because of this role. The entire cast was amazing and I think I cried every episode. Such a good and heart-wrenching drama which is why I chose to watch it before work every time. Rating: I would let Seo Yea Ji stab me with a knife anytime.

Mystic Pop up bar (Jeon Chang-geun, 2020)

Main Leads: Hwang Jung Eum and Yook Sung Jae and Choi Won Young

Episodes: 12, 70 minutes

Thoughts: I actually watched this while I was watching Its Okay Not to Be Okay and it was a nice balance to it because this was more of a found family story with less heartbreaking moments. Though it did have its share of heartbreak. I really liked all the characters and their relationship. Also, I am a sucker for bureaucratic fantasy/ magic, and kdramas are so good at it. Rating: I wish it was 16 episodes.

When the Camila Bloom (Cha Yeong Hoon, 2019)

Main Leads: Gong Hyo Jin and Kang Ha Neul

Episodes: 20, 63 to 75 minutes

Thoughts: I liked the story overall, the romance was cute and the mystery was interesting but I thought the family expectations was the best part of the story. This was not my favorite drama, but it was enjoyable and heartfelt. I watched it right after It's Okay Not to Be Okay and while I was watching Flower of Evil (2020) which probably is why I was so underwhelmed by it. Rating: Sweet romance and adorable found family.

Flower of Evil (Kim Cheol Kyu, 2020)

Main Leads: Lee Joon Gi and Moon Chae Won

Episode:16, 70 minutes

Thoughts: This was my favorite drama of this year. I went into this drama not thinking much of it, and I mainly watched it as a post drama blues drama. It was an action and thriller which I mainly don’t get attached to plus I am a huge fan of Lee Joon Gi. I should have known better, I cared so much about all the characters, the acting phenomenal, also every time they showed their hands I cried. This drama left me shriveled and empty inside. Rating: Lee Joon Gi will literally kill me one day.

Put Your Head On My Shoulders (Zhu Dongning, 2019)

Main Leads: Xing Fei and Lin Yi

Episodes: 24, 40 to 45 minutes

Thoughts: This is the first Chinese drama on this list. I thought it was cute, I liked the couple and thought it was alright. I started to dislike the male lead later in the series but it was overall fine. It was basic and sweet with very little drama. Rating: It did its job.

The School Nurse Files ( Lee Kyoung Mi, 2020)

Main Leads: Jung Yu Mi and Nam Joo Hyuk

Episodes: 6, 45 to 57 minutes

Thoughts: This is probably my second favorite drama. I couldn’t tell what happened in the drama but I loved it. I thought it was weird and fascinating, and just so magical. I loved the children and just how the whole school was just off its rocker. I also think that Nam Joo Hyuk does really well in serious roles, and I thought he did a really good job here. Rating: 1 jelly heart.

Mr. Heart (Park Sun Jae, 2020)

Main Leads: Cheon Seung Ho and Lee Se Jin

Episodes: 8, 11 Minutes

Thoughts: This was 8 episodes of start fluff and I adored it. Apparently, it is apart of a BL series by Park Sun Jae and there is a movie version that I haven’t watched. If you want to destress and watch just fluff this is the show for you. Rating: If it is any sweeter I would be going to the dentist.

You are My Destiny ( Ding Ying Zhou, 2020)

Main Leads: Xing Zhao Lin and Liang Jie

Episodes: 36, 45 minutes

Thoughts: I hated this drama, I thought it was the worst thing ever. I don’t know why I even watched all 36 episodes. Apparently, it is a remake of a popular 2008 Twaniese drama Fated to Love You and there is a Korean remake of it as well. I have watched neither of them, so I was brand new to this story. I hated, despised the male lead. He was whiny, entitled, and an asshole. The only good part of the drama was the male and female lead actually had a lot of chemistry, unfortunately, they are playing awful characters. Rating: This was made in 2020???

First Romance (Ding Pei, 2020)

Main Leads: Wan Peng and Riley Wang

Episodes: 24, 45 Minutes

Thoughts: This is another Chinese drama. Similar to Mr. Heart (2020) this show was super fluffy. I really liked the main couple they seem to respect each other and they both had adorable crushes on each other. I loved the whole dumb jock and dumb artist dynamic it was so funny. Rating: Cute!!!

Lost Romance ( Eri Hao, 2020)

Main Leads: Marcus Chang and Vivian Sung

Episodes: 20, 70 minutes

Thoughts: This is the only Twainese drama on this list. I think I liked this drama, I actually only remember very little of this drama. I like the CEO in the real world more than the book world, and I also really liked the female lead except she lowkey stalked the CEO like that was not okay. Rating: I think I liked it???

When We Were Young ( Deng Ke, Liu Guo Hui, 2018)

Main Leads: Neo Hou and Wan Peng and Gala Zhang and Pan Mei and Ye Marcus Li

Episodes: 24, 45 minutes

Thoughts: I really liked this film, I loved all the characters and thought it was all very heartfelt. I cried like a baby, and Hua Biao was such a touching and relatable character. And the whole grandma story hit so close to home. Rating: Made me cry like a baby.

Moment of 18 ( Sim Na Yeon, 2019)

Main Leads: Ong Seong Wu and Kim Hyang Gi

Episodes: 16, 70 minutes

Thoughts: I really liked this drama, and I thought the romance was so cute. I also really liked the relationship between the moms and was sad that the rich mom was a bitch and ruined the friendship. I also wasn’t a big fan of the ending, but I loved the rest of it. Rating: The main lead is part of a boy group because he had a random singing moment.

Perfect and Casual ( Li Shuang, 2020)

Main Leads: Miles Wei and Xu Ruo Han

Episodes: 24, 45 minutes

Thoughts: This is another Chinese drama on this list. I’m pretty sure it's considered an Idol drama so that sets your expectations. I really liked this drama a lot, I am a big fan of contract marriages and I thought the leads were so cute together. Also, this is the first contract marriage drama where the leads don’t break up which I like. A lot of the drama came from outside of the relationship. Rating: You can’t analyze love.

Le Coup De Foudre ( Wang Zhi, 2019)

Main Leads: Janice Wu and Zhang Yujian

Episodes: 35, 45 minutes

Thoughts: My favorite Chinese drama on this list. I loved this drama, I thought it was sweet and simple and the main couple was so realistic. Unpopular opinion I disliked the second couple and the best friend I thought she was annoying and brattish. However, I adore the main couple and their relationship. Rating: Realistic sweet romance.

More Than Friends ( Choi Sung Bum, 2020)

Main Leads: Ong Seong Wu and Shin Ye Eun

Episodes: 16, 70 minutes

Thoughts: I enjoyed the overall story and characters. I loved the group and their relationships. Also, Young-Hee made me cry, and her relationship with Hyun Jae was so sweet. The main leads were also sweet, and I related a lot to Lee So. I just didn’t like the back and forth. Rating: How many times can we break up in a drama.

Be With You ( Zhou Miao, 2020)

Main Leads: Ji Xiao Bing and Zhang Ya-Qin

Episodes: 24, 45 minutes

Thoughts: This is the last Chinese drama I watched this year. It was alright, the romance was sweet, I really like the female lead, and the male lead was nice to look at. It was okay. Also, the second couple was so ??? She was his boss, enemy, and older than him, what?? Rating: Sometimes you need to fall in love to be creative.

Moon Lovers: Scarlet Heart Ryeo ( Kim Kyu Tae, 2016)

Main Leads: Lee Joon Gi and Lee Ji Eun (IU)

Episodes: 20, 60 minutes

Thoughts: I know I am really late watching this, but I finally did. I went in knowing this would hurt me and Lee Joon Gi already scared me this year ( damn this man) so I was fully prepared. I really wasn’t, it so much. (SPOIlERS) When Wang Eun and Park Soon Deok died I sob like a baby (SPOILER ENDING). It took me a long time to finish this show because its heart so much, like it physically hurt me. The show was really good, and heartbreaking, and the ending stabs me in the heart 20 times. Rating: Lee Joon Gi is trying to kill me with tears.

Persona ( Lee Kyoung Mi, Yim Pil Sung, Jeon Go Woon, and Kim Jong Kwan, 2019)

Main Leads: Lee Ji Eun (IU)

Episodes: 4, 19 to 27

Thoughts: This is a collection of mini-films by directors. 4 separate stories are starring Lee Ji Eun. I thought all of them good, especially “ Kiss Burn” and “Walking at Night.” There isn’t much else to this, more than it is an artistic display of filmmaking. Rating: Hipster Kdrama

Come and Hug Me ( Choi Joon-bae, 2018)

Main Leads: Jang Ki-Yong and Jin Ki-Joo

Episodes: 32, 35 minutes

Thoughts: I actually just finished this show today. I really liked it, I thought it was both sweet and heartwarming/wrenching. I hated that one journalist and the public like why are they blaming a victim. I didn’t watch it with my full mind because I’ve been distracted lately, but I did enjoy it. Rating: another cute but sad couple.

Movies I watched this year:

Spell Bound ( Hwang In Ho, 2011)

Main Cast: Son Ye Jin and Lee Min Ki

Running Time: 114 Minutes

Thoughts: I watched this at like 12 am after a bad day and it was cute. I love RomCom fantasy, which I think Korean media does really well. I don��t know what else to say except it is a really cute romance. Rating: Is it the ghost or the butterflies

The Host ( Bong Joon Ho, 2006)

Main Cast: Song Kang Ho and Byun Hee Bong and Park Hae Il and Bae Doona and Go, Ah Sung

Running Time: 119

Thoughts: This film I had to actually watch for class. It was a really good film which is expected from Bong Joon Ho. I love monster films and I thought this was a good rendition of this film. Also, The monster was so cool especially from 2006. I thought it was heartbreaking, stirring, and so beautifully shot. Rating: Oscar-worthy Direction

Little Forest ( Yim Soon-rye, 2018)

Main Cast: Kim Tae Ri and Ryu Jun Yeol and Moon So Ri and Jin Ki Joo

Running Time: 103 minutes

Thoughts: I really, really liked this film. It reminded me so much of I’ll Find You When The Weather is Nice (2020) that I thought that it was based on this film but it isn’t. I have watched this film 3 times since October and every time I watch it have made bread. I really just love everything about this film, how quiet it is, the cinematography, the acting, just everything. Rating: Three loaves of bread.

Always ( Song Il Gon, 2011)

Main Cast: So Ji Sub and Han Hyo Joo

Running Time: 106 Minutes

Thoughts: I thought it was okay, I watched it while I was knitting so I was distracted a bit. But I thought the couple was sweet, and the characters were interesting. Rating: It's Okay.

Currently watching

True Beauty ( Kim Sang-hyeop, 2020-)

Main Cast: Moon Ga Young and Cha Eun Woo and Hwang In Yeop

Episodes: 16, 70 minutes

Thoughts: This is currently an ongoing series that is actually really popular. Apparently, it is based on a webtoon, which I haven’t read. I like it so far, I always liked Moon Ga Young and I think she is a great actress. She plays Im Ju Kyung in a likable and insecure way, instead of someone annoying which could easily happen. I will be continuing watching. Rating so far: Okey dokey yo.

Live On ( Kim Sang-woo, 2020-)

Main Cast: Jung Da Bin and Hwang Min Hyun

Episodes: 8?, 60 Minutes

Thoughts: I really Like this show. The main couple is sweet and supportive. I really like the female lead, I like that she is cold and kinda quiet, but with a sweet spot if you are not a dick. I really like the main relationship conflict comes from friendship instead of romance, I think it makes the show more interesting. Rating: I want to Join a Broadcast group.

On My List:

I actually don’t have anything else on my list so if anyone has recommendations please tell me. I am thinking about watching Mr. Queen ( 2020) because I really like Shin Hye Sun. I also want to watch Sweet Home (2020) the Netflix series. But please recommend me some dramas!!!

This is such a long list, and I had fun doing it and going back over all the dramas. I hope everyone has a good New year and that we will have many more good dramas in 2021!

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notbecauseofvictories · 4 years ago

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Hi Sarah! My friend and I are starting a bookclub (as much as you can with two people who aren't pressed for deadlines) and I was wondering if you have any recommendations? (That is if you have time to rec anything!) We're starting off with Deathless and have Fitzgerald next in line somewhere but I def want to try to expand the genres we read and tbh from years of following you, I trust your judgement

I don’t...like giving recommendations? At least not directly, it seems like too much opportunity for getting it wrong. Everybody has their own tastes, after all, and even the best of friends don’t necessarily vibe with what you vibe with. (I’ve experienced this with multiple friends, so I know what I’m talking about.) Truly, one of the reasons that my whole “I’m going to get back into reading for pleasure!” push has been so successful is that I only bother with books that interest me, and stop reading when they fail to catch my attention.

But I’ve now read at least 60 books in 2020, which is approximately 60 more than I’ve read in the years prior, so I’m happy to share that. Below is my list of recent reads, beginning to end, along with a very short review---I keep this list in the notes app on my phone, so they have to be. Where I’ve talked about a book in a post, I’ve tried to link to it.

Peruse, and if something catches your interest I hope you enjoy!

2020 Reading List

Crazy Rich Asians series, Kevin Kwan (here)

Blackwater, Michael McDowell (here; pulpy horror and southern gothic in one novel; come for the monster but stay for the family drama.)

Fire and Hemlock, Diane Wynne Jones (here; weird and thoughtful, in ways I’m still thinking about)

The Secret History, Donna Tartt

Gone Girl, Gillian Flynn (here; loved it! I can see why people glommed onto it)

Swamplandia!, Karen Russell (unfinished, I could not get past the first paragraph; just....no.)

Rules of Scoundrels series, Sarah MacLean (an enjoyable romp through classic romancelandia, though if you read through 4 back to back you realize that MacLean really only writes 1 type of relationship and 1 type of sexual encounter, though I do appreciate insisting that the hero go down first.)

The Bear and the Nightingale, Katherine Arden (here)

Dread Nation, Justine Ireland (great, put it with Stealing Thunder in terms of fun YA fantasy that makes everything less white and Eurocentric)

The Haunting of Hill House, Shirley Jackson (VERY good. haunting good.)

Tell My Horse, Zora Neale Hurston (I read an interesting critique of Hurston that said she stripped a lot of the radicalism out of black stories - these might be an example, or counterexample. I haven't decided yet.)

The Rose MacGregor Drinking and Admiration Society, T. Kingfisher (fun!)

St. Lucy’s Home for Girls Raised by Wolves, Karen Russell (some of these short stories are wonderful; however, Swamplandia's inspiration is still unreadable, which is wild.)

17776, Jon Bois (made me cry. deeply human. A triumph of internet storytelling)

The Girl with All the Gifts, M. R. Carey (deeply enjoyable. the ending is a bittersweet kick in the teeth, and I really enjoyed the adults' relationships)

The Door in the Hedge and Other Stories, Robin McKinley (enjoyable, but never really resolved into anything.)

The Hero and the Crown, Robin McKinley (fun, but feels very early fantasy - or maybe I've just read too many of the subsequent knock-offs.)

Mrs. Caliban, Rachel Ingalls (weird little pulp novel.)

All Systems Red, Martha Wells (enjoyable, but I don't get the hype. won't be looking into the series unless opportunity arises.)

A People's History of Chicago, Kevin Coval (made me cry. bought a copy. am still thinking about it.)

The Sol Majestic, Ferrett Steinmetz (charming, a sf novel mostly about fine dining)

House in the Cerulean Sea, TJ Klune (immensely enjoyable read, for all it feels like fic with the serial numbers filed off)

The Au Pair, Emma Rous (not bad, but felt like it wanted to be more than it is)

The Night Tiger, Yangsze Choo (preferred this to Ghost Bride; I enjoy a well-crafted mystery novel and this delivered)

The Left Hand of Darkness, Ursula Le Guin (unfinished, I cannot fucking get into Le Guin and should really stop trying)

The Ghost Bride, Yangsze Choo (enjoyable, but not nearly as fun as Ghost Bride - the romance felt very disjointed, and could have used another round of editing)

Temptation's Darling, Johanna Lindsey (pure, unadulterated id in a romance novel, complete with a girl dressing as a boy to avoid detection)

Social Creature, Tara Isabella Burton (a strange, dark psychological portrait; really made a mark even though I can't quite put my finger on why)

The Girl on the Train, Paula Hawkins (slow at first, but picks up halfway through and builds nicely; a whiff of Gone Girl with the staggered perspectives building together)

Stealing Thunder, Alina Boyden (fun Tortall vibes, but set in Mughal India)

The Traitor Baru Cormorant; The Monster Baru Commorant, The Tyrant Baru Cormorant, Seth Dickinson (LOVE this, so much misery, terrible, ecstatic; more here)

This Is How You Lose the Time War, Amal El-Mohtar, Max Gladstone (epistolary love poetry, vicious and lovely; more here)

The Elementals, Michael McDowell

Gideon the Ninth, Tamsyn Muir (didn't like this one as much as I thought I would; narrator's contemporary voice was so jarring against the stylized world and action sequences read like the novelization for a video game; more here)

Finna, Nino Cipri (a fun little romp through interdimensional Ikea, if on the lighter side)

Magic for Liars, Sarah Gailey (engrossing, even if I could see every plot twist coming from a mile away)

Desdemona and the Deep, C. S. E. Cooney (enjoyed the weirdness & the fae bits, but very light fare)

A Blink of the Screen, Terry Pratchett (admittedly just read this for the Discworld bits)

A Memory Called Empire, Arkady Martine (not as good about politics and colonialism as Baru, but still a powerful book about The Empire, and EXTREMELY cool worldbuilding that manages to be wholly alien and yet never heavily expositional)

Blackfish City, Sam J. Miller (see my post)

Last Werewolf, Glen Duncan (didn't finish, got to to first explicit sex scene and couldn't get any further)

Prosper's Demon, KJ Parker (didn't work for me...felt like a short story that wanted to be fleshed out into a novel)

The Secret Garden, Frances Hodgson Burnett

His Majesty's Dragon, Naomi Novik (extremely fun, even for a reader who doesn't much like Napoleonic stories)

Three Parts Dead, Max Gladstone (fun romp - hard to believe that this is the same author as Time War though you can see glimmers of it in the imagery here)

A Scot in the Dark, Sarah MacLean (palette cleanser, she does write a good romance novel even it's basically the same romance novel over and over)

The Resurrectionist, E. B. Hudspeth (borrowed it on a whim one night, kept feeling like there was something I was supposed to /get/ about it, but never did - though I liked the Mutter Museum parallels)

Stories of Your Life and Others, Ted Chiang (he's a better ideas guy than a writer, though Hell Is The Absence of God made my skin prickle all over)

Gods of Jade and Shadow, Silvia Moreno-Garcia (fun, very much a throwback to my YA days of fairytale retellings, though obviously less European)

Four Roads Cross, Max Gladstone (it turns out I was a LOT more fond of Tara than I initially realized - plus this book had a good Pratchett-esque pacing and reliance on characterization)

Get in Trouble, Kelly Link (reading this after the Chiang was instructive - Link is such a better storyteller, better at prioritizing the human over the concept)

Gods Behaving Badly, Marie Phillips

Soulless; Changeless; Blameless, all by Gail Carriger (this series is basically a romance novel with some fantasy plot thrown in for fun; extremely charming and funny)

Black Leopard, Red Wolf, Marlon James (got about 1/3 of the way through and had to wave the white flag; will try again because I like the plot and the worldbuilding; the tone is just so hard to get through)

Pew, Catherine Lacey (a strange book, I'm still thinking about it; a good Southern book, though)

Nuremberg Diary, GM Gilbert (it took me two months to finish, and was worth it)

River of Teeth, Sarah Gailey (I wanted to like this one a lot more than I actually did; would have made a terrific movie but ultimately was not a great novel. Preferred Magic for Liars.)

Mexican Gothic, Silvia Moreno-Garcia (extremely fun, though more trippy than Gods and the plot didn't work as well for me - though it was very original)

The New Voices of Fantasy, Peter S. Beagle (collected anthology, with some favorites I've read before Ursula Vernon's "Jackalope Wives", "Hungry Daughters of Starving Mothers" "The Husband Stitch"; others that were great new finds "Selkie Stories are for Losers" from Sofia Satamar and "A Kiss With Teeth" from Max Gladstone and "The Philosophers" from Adam Ehrlich Sachs)

#from the bookshelf #Anonymous

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lilydalexf · 4 years ago

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Old School X is a project interviewing X-Files fanfic authors who were posting fic during the original run of the show. New interviews are posted every Tuesday.

Interview with Sophia Jirafe

Seven of Sophia Jirafe’s fics are at Gossamer, but more of her X-Files stories are at AO3 (as sophiahelix). I’ve recced some of my favorites of her stories here before, including Stones and Bones. She was active in the fandom during the show’s run and has never strayed far from fandom in general. She co-founded Glass Onion, a great multi-fandom mailing list that now has nearly 1,000 fics from 100 fandoms at AO3. Big thanks to Sophia Jirafe for doing this interview.

Does it surprise you that people are still interested in reading your X-Files fanfics and others that were posted during the original run of the show (1993-2002)?

It did initially, but so many old shows are on streaming now and getting discovered by new people, it makes sense.

I did get a comment from someone who said my first story under this name, posted in early 2000 when I was a college freshman, was older than her by a couple of months, and THAT took me aback.

What do you think of when you think about your X-Files fandom experience? What did you take away from it?

It was my first fandom, discovered when I was 17 and searching for info about the show on the school library computer, and it really shaped my whole life! I met a lot of people I still know today (mostly in non-fannish venues like FB, though I do still have some connections in fandom), and learned a lot about writing and just life generally, since I was younger than most of fandom at the time.

Social media didn't really exist during the show's original run. How were you most involved with the X-Files online (atxc, message board, email mailing list, etc.)?

I started off on a tiny forum at a website called Squirrel’s Nest, but I kept seeing people thanking Scullyfic in fic headers and eventually I was able to join the mailing list (which was capped to 500 members). Scullyfic was everything to me — I made friends, betas, discussed the show, learned about all kinds of things on Off-Topic Fridays, etc. A lot of those friends, I would email with or more often chat on AIM (individual or these sprawling group chats that would go on all day), and then at the end of 2001 we started migrating to Livejournal. I was getting into Buffy more by then, but it was still mostly the same crowd of people I knew from Scullyfic.

What did you take away from your experience with X-Files fic or with the fandom in general?

I feel like it started me on a whole life path really — finding that my deep obsession with fiction could be channeled like that and shared with other people, as well as deepening my writing. Online fandom has been a major part of my social life for over 20 years now, and I love the mix of getting excited about things with friends and also the creative outlet.

My corner of X-Files fandom in particular was just very calm and enjoyable for the most part, full of older professional women who were happy to be friends and give me advice about all kinds of things, and it really set the bar for me with my online interactions. Now I’m almost 40 and trying to be that person for my younger friends, as well as having no patience for toxicity and in-fighting in my fandom spaces.

What was it that got you hooked on the X-Files as a show?

A combination of the creepy conspiracy angle and just adoring Scully. I remember how mysterious and fascinating the show seemed when I discovered it right before S5, and there was no way to find out more except to keep watching and hoping they explained. Scully was so smart and tough and beautiful and interesting, and as a teen I was just captivated by her (and the UST, though I didn’t care about Mulder as much).

What got you involved with X-Files fanfic?

I ran across it a couple times early on but felt embarrassed by the concept, but then I read the first in Karen Rasch’s Words series and suddenly it clicked for me. After a while I started daydreaming my own conversations between them, very similar to what happens to me now when I’m getting into a new pairing, so after reading tons of recommended fic by big authors, I started writing my own (the 3-4 stories I posted in high school are all wiped from the internet now, though).

What is your relationship like now to X-Files fandom?

Good memories, though because it was my senior year of high school and college, I know a lot of it is just tied to that time in my life, and also being in my very first fandom. I will rewatch episodes from time to time, but I basically never revisit former fandoms because they’re kind of like exes, even if I finished on a good note. I also think my taste in fic has changed (and there isn’t the same novelty of “characters I like getting together omg!”)

Were you involved with any fandoms after the X-Files? If so, what was it like compared to X-Files?

So many! None of them had quite the same combination of excellent central architecture (especially pre-AO3) and a really high level of discussion and friendliness without being enormous, but I’ve loved them all in their own ways. I’ve done fandom on LJ/DW, Tumblr, Discord, and now on Twitter, and I think I miss the mailing list days the most. You didn’t have to repeat yourself so much in multiple conversations, you weren’t character limited, and the discussion was all in one place, with personal stuff more confined to your side conversations. Discord is a little like that, but it moves too fast and there’s too much noise for my taste.

Who are some of your favorite fictional characters? Why?

Heh, after X-Files I went through a whole phase of faves in the Scully vein — Buffy, Aeryn Sun, Kara Thrace, etc. Like many people I’ve shifted primarily into m/m in the last decade (Sherlock, YOI, and recently The Untamed have been my major fictional fandoms, along with a lot of sports RPF), but for non-fannish shows I’m always looking for awesome new female characters, like Elizabeth on the Americans, Peggy on Mad Men, Nadja on What We Do in the Shadows, etc. And I do LOVE Killing Eve and have written a little f/f over there.

Do you ever still watch The X-Files or think about Mulder and Scully?

I’ll rewatch favorite episodes occasionally, and I keep thinking about a full rewatch but it takes so much time! I never saw the second movie, and I didn’t finish the first of the new seasons because I was hating it, so it’s a little hard for me to think fannishly about them when I disliked basically everything after “Je Souhaite” so much (as far as I’m concerned the show ends there).

Do you ever still read X-Files fic? Fic in another fandom?

X-Files no, but yeah I’m still very active in fandoms.

Do you have any favorite X-Files fanfic stories or authors?

I lost all my saved fic several computers ago, but I recall loving “Blue Christmas” by Plausible Deniability and “Diamonds and Rust” by MustangSally (obviously everything she wrote was great).

What is your favorite of your own fics, X-Files and/or otherwise?

Looking at my X-Files fic, I can’t believe how short it is and how comparatively little of it there is (I have lost track of a few ficlets). It felt like such a big deal to finish anything back then! I think my favorite remains Alphabetum, which involved a tricky structure and 5 elements given by people as part of the Scullyfic Improv challenge, where you had a week to write a story around those elements.

My favorite of my recent fic in fictional fandoms is probably the GoT/YOI crossover novel I wrote a couple years ago, for a completely opposite experience to this (and proof you can grow as a writer with a lot of effort!)

Do you think you'll ever write another X-Files story? Or dust off and post an oldie that for whatever reason never made it online?

It’s honestly hard to imagine going back (like I said, I usually don’t), but I guess I could get inspired by something.

Do you still write fic now? Or other creative work?

I certainly still write, and I do have to give credit to XF fandom and Scullyfic in particular for giving me the start I got, where I really wanted to be writing good fiction. The few things I wrote in high school were just me jamming out romantic cliches, but the people I was lucky to know in XF fandom showed me that “just” fanfic can still aspire to be high quality. I am a much, much better and more disciplined writer than I was back then, but I might never have started on this path without fandom friends encouraging me.

Where do you get ideas for stories?

Usually just daydreaming about emotional dynamics between characters/people, but sometimes something specific in canon or real life (I write a lot of RPF) gets me going, or maybe something I read.

What's the story behind your pen name?

When I wrote for X-Files, I picked “Sophia Jirafe” combining my favorite first name with a fancy spelling for my favorite animal (I was 18! Don’t judge!) Over on Livejournal, my friend Jintian and I initially shared an account with the same name as our website, double_helix, and when she got her own account I changed to sophia_helix, which is now sophiahelix just about everywhere. A little clunky, but I like the continuity (and I do run across old friends who remember the name).

Do your friends and family know about your fic and, if so, what have been their reactions?

The friends I’ve known for a very long time know about it, but we have never talked about it in depth. My husband, who I met not long after getting into fandom, also knows about it, and he’s encouraging and also a writer so we talk all the time. I told my mom in college and she was pretty dismissive, so we haven’t talked about it since (but my younger sister knows and is cool about it).

When I was younger, it was something I shared readily (I bonded with a new friend in law school I saw looking at LJ), but now I don’t really bring it up with new acquaintances.

Is there a place online (tumblr, twitter, AO3, etc.) where people can find you and/or your stories now?

I just made a Carrd the other day with all my various fannish addresses (Twitter, locked fannish Twitter, AO3, Tumblr)

Is there anything else you'd like to share with fans of X-Files fic?

Just that it really was a high quality fandom — so much excellent long casefic, so many cool down to earth people, just generally a great launching place for a young fan. The friendships I made with older people were really important to me, and it makes me sad to see a lot of younger people now getting upset about the idea of anyone over a certain age being in their fandom spaces. I hope someday fandom can get back to appreciating that people of all ages can be the fandom type, and that everyone brings something different to the community.

(Posted by Lilydale on December 1, 2020)

#new post #old school x #xfiles fanfic #xf fanfic #xf fanfic author interviews #sophia jirafe

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