#it's kinda funny how big the gap is between the first years and the og cast

[mayor-david-prentiss]

thinking thots abt abemiha and how there's too little emphasis (in fics) on how possessive abe is and how easily he'll sometimes take mihashi's 'it can only be you' bc he's a little control freak who craves being depended on... and how this will probably never be challenged bc they will never get a catcher as good as abe lol he gets jealous of tajima for understanding mihashi better/more easily but he's never gonna compete with tajima for the regular catcher spot, both bc he's a better strategist and bc tajima wants to bat more than anything... hope one of the first years will finally be able to challenge him, even though they all seem rly out of it rn

[zukadiary]

Kazuki Sora taidan diary 〜 2024.2.11

(also kind of a Boiled Doyle on the Toil Trail / Frozen Holiday write up)

I've now woken up eight times in a world where Kazuka Sora is an OG (changing that number daily, as I've been trying to write this for six days), and the sense of having somehow slipped into a severely incorrect timeline is getting progressively stronger. Coupled bizarrely with that is deep, deep gratitude that, despite everything that's happened in the last four years, and especially in the last five months, she got a gut-wrenchingly, absolutely devastatingly beautiful taidan. I can't say perfect, because perfect would have been after a well deserved top star run. But barring that, I never dreamed it would get this close.

Long post incoming.

I have to set the stage...

Once upon a time in 2013, Asaka Manato, then nibante in Ouki Kaname's Soragumi, got her turn starring in Brilliant Dreams +NEXT, a multi-part Sky Stage series where you got to like, do some stuff of your choice with other people in your troupe. She decided to recreate some of her favorite revue choreography, and a friend alerted me that one episode was dedicated to the infamous Rosso scene from Takarazuka's Dream Kingdom (which, as you can see in the linked post, completely short circuited noob me from a decade ago). Maasama was still a good 2+ years from winning me over at the time, and I think I reluctantly watched it with some level of offense that she touched a Komu thing. As I'm sitting in front of my computer rolling my eyes, out comes this tiny thing in capri pants, mismatched socks, suspenders, and thick glasses: ken-4 Kazuki Sora, here to report on the situation in the rehearsal room.

She spent her airtime cracking jokes, tripping on her tongue, riding on Susshi's shoulders, and generally acting like Soragumi's annoying kid brother. I thought she was funny.

Another friend told me she thought she was tracked. I absolutely did not believe her.

Then, against a fair amount of adversity, she got the 100th anniversary Rose of Versailles shinko lead, and my eyes widened a bit. The next time I found myself in Japan, I was gifted a 9th row seat to what coincidentally happened to be her first ginkyou crossing in PHOENIX Takarazuka! I'd been spending the show curiously scanning the stage for her, and when I witnessed the gap between reporter and performer, my jaw hit the floor.

Afterwards, my kangeki companion asked if I was interested in anyone in the troupe. I said Kazuki Sora. She recoiled and said "but she's so short."

***

Something that I noticed during this taidan trip is that covid-era fans met a wildly different Sora than I know. Growing up in 2010s Soragumi was uniquely rough. I'm not even talking about ::hand waves:: the present circumstances and what may or may not have lead up to them; I mean they persisted with a level of star saturation through the dawn of the pandemic that had kinda crazy consequences for the otokoyaku track. Not only was the track itself overcrowded, but the troupe also held onto a number of non-tracked upperclassmen to whom they seemed unwaveringly committed to casting in juicy roles. I remember when things seemed so untenable that Soragumi fans were universally on pins and needles waiting for what felt like an inevitable big transfer out, and I remember freezing in shock on the side of the road when instead they transferred Serika Toa in.

Here's some analysis for perspective:

Kiki is the third oldest top of all time, and spent more time as nibante alone than Tamaki Ryou took to get from debut to top.

Lord knows how long Soragumi will be in this state of flux, but if they come out of it and Kiki gets a normal number of shows, AND Sakuragi Minato is next, Zun could immediately overtake Kiki for third place

Speaking of Zun, her first two-city lead was in 2020. Looking at her top star douki, Rei Makoto's and Yuzuka Rei's were in 2017, and Tsukishiro Kanato's was in 2018.

Rukaze Hikaru's first bow lead was in 2019, two years later than her other tracked douki, Akatsuki Chisei (four if you count A-EN).

Slightly more invisible but just as devastating, the lessened exposure on stage between leads has likely resulted in lower fan club numbers and less overall popularity.

...and back to Sora. Hundreds of us filled Hibiya Park this past weekend, but Sora spent her early Takarazuka career so buried that, despite being a triple threat on stage and an utter delight off, her fan base was small enough that at ken-7 they let me, not yet even a club member, accompany my friend to demachi where I became the third attendee. For years, Sora was, frustratingly, an in-person only watch. I'd go to Japan, memorize her positions, miss the rest of the show for following her with my opera glasses, and pop in the DVD at home only to find her always just off screen. A Motion was one of the most fun times I've had in a Takarazuka theater, and on the DVD during my favorite Sora SOLO, the camera is on Sorahane Riku wordlessly dancing.

I was floored when she got Anita. I was livid that she could give THAT PERFORMANCE and immediately afterwards be cast as an ensemble soldier in Red River (although she was so good in Citrus Breeze that after 5 years of deluding myself that I "couldn't betray my beloved Yukigumi like that" ((ironic, right?)) I finally caved and joined club). I stress dreamed multiple times about the impending bow announcement before she got Hustle Mates. I cried when she finally came down the stairs between two musumeyaku in Ocean's Eleven at ken-10, in which she played Linus, a role that felt like a big break even though it had previously always gone to ken-6s. FINALLY, the massive Ocean's taidan relieved a little pressure, and I felt a tangible thrill when suddenly she was all over the Aqua Vitae shonichi digest, something that had never happened before.

That's where we left off in February 2020, when the Diamond Princess docked in Yokohama, and my therapist didn't know what I was talking about when I said I was giving myself a stomachache watching live case numbers ahead of my scheduled trip, and I canceled my flight, and I put my freshly printed pack of homemade Suleiman postcards under my bed, and I didn't see her for 4 years 4 months and 3 days.

***

It's hard to talk about Sora's taidan announcement and not come off as biased and overly dramatic, given that she's my girl. But in 11 years of countless taidan announcements, I've never come close to being as blindsided by one as I was with hers. The vibe I've gotten is that fans, siennes, and patrons alike were all properly shocked.

I'd spent the better part of a decade internally screaming for Takarazuka to act like they recognize her undeniable talent. Frustratingly, it finally started happening during covid. While I was living under the impression that Hustle Mates was a genuine miracle, she got an unimaginable second lead... then, thanks to the breathing room in her new Yukigumi home, a third... and then a fourth. Having been burned for so long, I've always firmly been team I-don't-think-Sora-is-going-to-make-top, but despite that, I was actually starting to believe it could—dare I say would—happen. I wasn't even certain the people murmuring on twitter that she might leapfrog Aasa were completely delusional. I went into Hyperbolic Chart, my looooong awaited reunion, excited to assess Kasumi Sana as her potential future partner. I enthusiastically bought all her postcards for future writing, because the last time I'd seen her, she, at ken-10, didn't have postcards.

Two days after that I found myself again frozen in shock on the side of the road.

Two days after that.... yeah.

***

Somehow, despite 11 years of knowing how this works, of weathering various taidans with friends, of crying in bathrooms until they started cleaning the theater at taidans that weren't even technically mine, I was also completely blindsided by the taidan experience itself.

Part of it was definitely the time skip, from years of intimate Sora fandom to nothing to a couple of A-seki (she's the it girl now!) for a lead I wouldn't have chosen with a troupe I barely recognize anymore to bye, she's gone. Part of it was being thrown back into this after 4+ years of pandemic-dulled emotions, followed by the exhaustion of Takarazuka's crisis era. Part of it was lowered expectations from the largely uninspired and under funded lineup of forgettable shows churned out by tired directors of dubious morality. Part of it was the disaster-shortened Mura run, the self-preserving dissociation fueled by the pain and disbelief that there was a dinner show and I wasn't at it, followed by a month and a half stretch of work so busy it was still going while I sat at the ANA gate for my 1am flight.

But I got here and squeezed into one of those red seats and then all at once I was an unsealed vacuum, cracked wide open, and Doyle and Frozen Holiday rushed in and filled the airless void till it burst.

Boiled Doyle on the Toil Trail

I've been down on Yukigumi.

Yukigumi has been my home troupe for the vast majority of my fandom. I had the fancy Swarovski crystal Yukigumi bag charms, the whole Yukigumi getup from Sports Day '14, Yukigumi albums, Yukigumi chopsticks, etc etc etc. I literally didn't join Sora club for years because I couldn't imagine being pulled out of Yukigumi. But while I was locked out of the country, the march of time took my favorite top star and the vast majority of my emotional support upperclassmen. The pandemic spit Yukigumi out in a state that just made me reeeeeeeeally sad. So I stopped watching them. That's the exact moment they picked to put Sora there.

I hate to admit it, but I still haven't totally caught up on her Yukigumi time.

Which is probably the main reason this show caught me SO off guard... even having watched AND enjoyed the Mura livestream. Sora is best watched in person, after all.

Doyle—a silly take on Arthur Conan Doyle's life, and how he used a magic pen to write Sherlock Holmes by accident, thus setting into motion a runaway series of events—is not only a fun and joyful show, it's a masterpiece of casting. The top 4 were at their absolute peak, and it was a thrill to watch.

I've been watching Ayakaze Sakina since her shinjin kouen days, and my write-ups over the years probably betray my rollercoaster hot and cold journey through her career. I really liked Doyle as a lead for her though. She essentially plays a big idiot wifeguy with a dream, an imaginary best friend, and little conviction; she was very funny and charming. If you were one of the lucky few who managed to see On the 20th Century, think that guy but earnestly the main character vs. dude with main character syndrome. The older I get, the more I have a soft spot for shows where the top combi has "ecstatically celebrating at least their tenth wedding anniversary" energy, and this was one of those.

...Thanks in large part to Yumeshiro Aya, who is absolutely everything. She may be boosted by consistently reminding me of Shirahane Yuri since her partial lead in the 103s Bunkasai, but she also has a very particular type of girlboss energy that I don't feel like I've seen in quite a while. It isn't wearing the proverbial pants energy (a la early TamaChapi), but it is overwhelming I got this energy. I find her to be the absolute embodiment of a top musumeyaku, in that she understands the assignment (making the top star better), while perching on the edge of the backseat just enough that she doesn't overpower Saki, but she's still a knockout in her own right. She probably exudes an extra dose of this energy as Louisa Doyle, who plays a very similar role in her husband's life and writing career. I could not be more thrilled that Aya isn't retiring yet.

Asami Jun plays the aforementioned imaginary friend/magic pen-generated apparition, who happens to be Sherlock Holmes. Some people I've talked to seem a little disappointed in her stage time, but I really felt like this was also peak Aasa. She seems to have broken through a layer of ceiling and gotten really comfortable leaning into her c***y unique energy, which, though I can picture it being polarizing, really does it for me. I sure as hell have never seen an interpretation of Sherlock Holmes REMOTELY like Aasa's, but I was enjoying the Aasa of it all so much that I really didn't care.

When I saw that Sora was playing the editor of Strand Magazine, I was somewhat disappointedly imagining a role like Lestrade (not to invoke another Sherlock), the sort of there-but-not character that has dominated her Takarazuka career since she started getting named roles. My first surprise was how good of a role this was in general, and then how well suited it was to her. She gets to be aloof and handsome, but also incredibly upbeat and funny at times. Her little coworkers at her utterly failing magazine are obsessed with her (which is the mood of the century), and there is a cute little meta moment where Doyle threatens to stop writing Sherlock and Sora tries to quit her job, only to be restrained physically by said coworkers (which is the mood of the moment). Everything from the set of her off-gray permed wig to her 4 or so different plaid suits to her opening solo number was absolutely perfect (not as perfect as it was gonna be later!!!!!).

FROZEN HOLIDAY

It's weird watching a Christmas show in February

I rapidly stopped caring

Speaking of rollercoasters of hot and cold, Noguchi used to be my most hated revue director, hands down. Circa 2017-18, after being deeply personally burned by Super Voyager (and deeply personally confused by Beautiful Garden), the tension I felt while awaiting show announcements hoping I wouldn't have to watch another Noguchi was intense. Noguchi revues being something people covet nowadays still feels unfamiliar, but I count myself among people.

He turned it around for me with the Takarazuka equivalent of winning the grocery store ingredients episode of Project Runway: Delicieux, a covid-budget masterpiece of public domain music and foam macarons (incidentally, also a goodbye to Sora of sorts, as it was her last Soragumi revue). I officially owe him my life after what he did for her in Frozen Holiday.

Firstly, going into my 11th year of watching live Yukigumi, I've never seen Saki shine brighter. While ostensibly a Christmas spectacular, Frozen Holiday was also meant to celebrate Yukigumi's 100th anniversary. Despite the aforementioned rollercoaster, I'm so glad that the top star for the anniversary was someone who has not spent a day outside of Yukigumi in her sienne life, who I've been watching since before my first trip to Japan. And I think the joy of it really showed on her. Aya was an angel, so visually perfect in her snow queen dress that I believed she was destined to be top musumeyaku of Yukigumi from birth. Aasa continued to out-Aasa herself; the wave of feral energy she set off during the first livestream was well earned.

But... remember the disembodied arm just off the TV screen? The utter SHOCK I experienced when they treated her like a friggin' nibante...

Nanami Hiroki, who pulled top star numbers and probably had double our last day crowd at her average Hoshigumi ochakai, and Miya Rurika, who needed a simulcast for her last ochakai, didn't even get the final revue treatment that Sora did.

The disbelief that they did so good by her, the disbelief that I missed the transition, the disbelief that she was really leaving, shattered me.

In addition to general prominence throughout the revue, she gets a whole white-clad taidan number, complete with lyrics designed to blind her fans with saltwater, and one of the best bits of dancing I've seen out of her. After a seemingly impossible quick change, she rejoins the troupe for a very chuuzume-esque anniversary number (assuming the Christmas kyakusekiori is the real chuuzume), and that might actually be my favorite bit of dancing in the whole show. She co-leads the Noguchi-signature boyband number with Aasa, which I forgive because it's them and it's also T.M. REVOLUTION. She even gets a spotlight moment alone with Saki during the kuroenbi. And through all of it, she was so, so good. Good does not even begin to describe Kazuki Sora.

I felt like I cried for 48 hours straight.

***

I didn't manage to get myself actually into the theater for senshuuraku, but I did end up with two Hibiya cinema tickets. When I tried to pass one off onto one of the fellow jilted Sora Club members trying her luck outside of Chanter, I got pounced on by an old lady while those in their white wear were moaning about the cinema not being good enough. I was too tired and nervous to tell her I'd prefer to sit next to someone in club, so she got it. She and I ended up crying the hardest of everyone in the cinema by far. Thanks, old lady <3.

***

One thing that struck me was how desperately, frightfully grateful I was that Sora retired from Yukigumi. Sure, if she hadn't, her taidan would have probably just been canceled... but I don't even mean that. The anniversary aspect of Frozen Holiday was beautiful, and filled me with a joy and nostalgia I wasn't prepared for. It was my first kyakusekiori since 2019, and after Sora ran by me, I was blessed to find myself next to Kujou Asu, someone I adore enough to be in her club in an alternate universe. It was my first iride since 2019, and I had the privilege of seeing off one of my favorite musumeyaku, Sara Anna, as well. The way the troupe members talked about Sora, and what she gave them, and how thrilled they were that she joined them, made my heart swell. As genuinely mad as I was when they broke up KikiSora, I could see that Yukigumi gave her the space to blossom.

The farewell dinner was even entirely gluten free by complete accident, down to the fancy manju omiyage with mountain yam flour dough.

***

Five onsen dips, a massive weeb shopping spree a lifetime in the making, and one extremely bizarre Komu show later, I'm on the plane home, finally not crying on command.

But not having a runaway fave for the first time in ten years feels really desolate. I miss her so much.

[jennycalendar]

OKAY. issue 14! bet you’ve all really missed these posts, huh?

so as i mentioned earlier today: when i first saw that bitty preview, my heart went “it would be so funny/ridiculous/wonderful/tragic if jenny was staring into the camera contemplating how fucking much she really wished she hadn’t just hooked up with her kinda emotionally unavailable boyfriend,” and i reluctantly discarded that possibility as relatively unlikely (which i REALLY REALLY REALLY need to learn to NOT DO at this point given that boom studios has spent an entire year just going out of its way to exceed my expectations!!! ridiculous!!!) and moved on with my life.

And Then.

(a brief reprieve from my meta to SCREAM about giles and jenny and their HOOKUP. a THING THAT HAPPENED. she is IN HIS BED. the only canon i respect is reboot canon that’s IT.)

this conversation’s been a long time coming. jenny planted the seeds for it in issue 6:

and was subsequently (and gently) shut down by giles in a way that -- at the time, and without seeing his decision in the museum when the chips were down -- did seem like genuine growth and understanding on his part.

when we circle back to giles’s watcher-related hang-ups, it’s framed this time as something that has the potential to hurt jenny -- something that he will always place above her, in a way that initially made me assume that canon was building towards jenny demanding a relationship where she’s prioritized unequivocally first.

but jenny’s real concerns get brought up again in issue 14.

giles brings up the concept of “healing together,” framing the entire thing as just a communication snafu that they can work together to resolve -- and emphasizing that his priority here is rebuilding his relationship with jenny. his decision to let joyce die at the museum is described by him as “an unfair test that you had to endure,” and he very clearly sees the entire thing as water under the bridge now that they’re both safe, alive, and in their right mind.

jenny is very clearly not in that place.

and now it is time for me to SCREAM AT THE TOP OF MY LUNGS, because THIS. THIS is the kind of jenny-and-giles content that i didn’t even know i wanted!!! they’re very clearly in love in a big, messy way that neither of them are trying to deny or work around; they’ve been an important part of each other’s lives for long enough that they feel comfortable calling each other out (whether it’s giles in issue 9 emphasizing that he’s “always been there” for jenny despite her tendency to shut him out, or it’s jenny in . uh. literally every single second she’s in a scene with giles, to be honest), and this is a genuine opportunity for growth on giles’s part that canon NEVER, EVER afforded him.

here’s where i stop waving my “jenny and giles have been married forever in boom reboot canon” flag for a little while, though, because i think that that actually detracts from the utter amazingness of jenny’s characterization here. when thinking of jenny’s determination to make knowledge accessible to all, coupled with the fact that any comments she made about buffy in canon reflected buffy’s age (i.e. buffy is a BABY), it’s pretty obvious that she would so not be okay with the deal buffy’s been handed. ESPECIALLY when juxtaposed with jenny’s own relationship to duty and destiny -- and the fact that she was herself forced into a situation she didn’t choose and cannot turn away from. obviously original canon never actually explored jenny’s motivations, personal philosophy, and internal thought process (because original canon kinda just threw random plot points at jenny so that giles would have a hot girlfriend, which is gross), but jordie is doing a PHENOMENAL job of that here. it doesn’t MATTER how long jenny and giles have been dating in this situation: jenny is not here for your watchers’ council patriarchal bullshit, and she is ESPECIALLY not here for the fact that buffy and kendra are on death row while giles gets to opt out.

and before we dissect what quickly becomes an INCREDIBLE AND EXTREMELY CHARGED CONVERSATION, here’s an important thing that @ifeveristoday​ brought to my attention: the fact that jenny’s calling him “giles” and not rupert.

way back in og canon, names were a HUGELY important part of both giles and jenny’s character arcs and their relationship to each other. they both had fragmented, fractured identities (jenny and janna, rupert and ripper, i’ve talked about this literally so often let’s move on), and the way they addressed each other very often said a lot about where they were. jenny almost always called giles rupert in canon, very clearly as an attempt to bridge the gap between them; the only times she calls him giles or mr. giles are in “when she was bad” (when she’s clearly trying to keep herself balanced in the face of new and fluttery feelings) and in prophecy girl (yeah, that one’s just inconsistent writing. that’s how jenny’s character flows.)

keeping that in mind, i always was a little bit thrown by the fact that jenny’s called giles by his surname so often in this canon -- but now that we’ve got a pretty solid arc going when it comes to their relationship, there’s a pretty established pattern in the writing.

outside of this issue, here are the places where jenny’s called him giles:

and in each of these other instances, you wanna guess what she’s doing? shutting him out. it’s a little gentler in issue 6 (and she’s more easily swayed), but in all of these situations, she is very clearly distancing herself from him. jenny’s got a habit of trying to pull back and away when the going gets tough, specifically because she knows giles well enough to know that she’s not gonna get through to him on watcher-related matters.

back to THIS.

FELLAS. OH MY FUCKING GOD. i don’t even know where to START here, so let’s go with the easiest one: issue nine set me the FUCK up!!!! jenny pulling away from giles, jenny expressing deep hurt and sadness when it becomes clear that he prioritizes buffy over all else...i automatically assumed that this is her realizing that her boyfriend would have let her die and being horrified about THAT. but the reality of this -- the reality revealed by this issue -- is SO MUCH FUCKING BETTER: the horror that we see on jenny’s face is because the man she loves has been warped by a corrupt system to the point where he doesn’t understand the kind of hurt he’s perpetuating.

and then !!!! jenny absolutely refusing to accept giles’s answer of “this is so much harder for me than you can ever understand,” because he is a grown man with the ability to opt out and she is advocating for two teenage girls who do not have that same luxury. he keeps on trying to turn the argument into something about how buffy’s life isn’t THAT bad, about how buffy’s not REALLY on her deathbed, about how buffy is strong and incredible and jenny is doing her a disservice -- but jenny repeatedly shuts that shit down. “it’s like a religion for you,” she says, like that’s not the rawest fucking line she’s ever gotten to say. thank you, jordie bellaire, for my goddamn life.

and then jenny LEAVES. and she does not fall back into giles’s arms when he says that togetherness is such an important component of healing after the hellmouth. and that says a whole damn lot about what both of them want: jenny wants giles to take accountability for the shitty things HE did and continues to do, and giles...loves jenny and wants her in his life to the point where he’s not listening to a single thing she’s trying to say.

let’s bring back my favorite panel from issue 9:

this sums up my point pretty well, i think. giles keeps on thinking that jenny doesn’t hear what he’s saying -- that if he says it a different way, stresses a different point, she’ll cave and understand how much he loves her and wants to be with her. but the thing is, he’s the one who isn’t listening: jenny is repeatedly saying that she loves him, and that that’s why she’s holding him to the standard that she does. she knows that he can be better than he is, and she’s disappointed in the man he’s becoming.

at this point, i’m pretty sure there’s more to come with regards to giles and jenny. this is a narrative that has very clearly tossed the concept of “world’s best watcherly dad” in favor of “the watchers’ council fucks up the lives of teenage girls and giles is complicit in that.” jenny leaving giles has the potential to push him towards positive growth and character development -- or he could continue to firmly and stubbornly ignore the reality of his situation.

personally, i’m DEEPLY hoping that it’s the former -- and that we get to see giles and jenny come together again after they’ve had the opportunity to grow outside of their relationship. i think there could be something really powerful and wonderful about seeing giles deconstruct his shitty watcher-related views & work towards becoming someone who can genuinely help buffy and kendra (AND smooch his ms. calendar silly, bc she’s sure been having a time of it as of late.) and can you imagine how great 2020 would be with a giles and jenny who have actually learned how to effectively communicate???? ASTOUNDING.

tl;dr: rupert giles and jenny calendar are VERY much in love with each other, VERY sick of each other’s bullshit, and VERY stupid. let’s hope they get their house in order.

[okmadds-blog]

I’m going to be honest,, I’m really shit at writing bios. so I’m going to throw an about page type thing that I’ve put together at you & also this social media type thing in addition to this long list of headcanons below that I have about my sweet summer child madds & hope that it will suffice. thank you so much for taking the time to look over this mock blog !!

HEADCANONS/GENERAL ABOUT:

Maddison was born on January 23rd in San Francisco, California to Henderson & Cassandra Parker

she is an aquarius so she’s out-going, imaginative, lazy, & temperamental- to name a few things

she’s the youngest of three & pretty close with her two older brothers

they had the standard big brothers + little sister relationship. they were always protective of her. but since they were closer in age with each other than with her, they had the tendency to play together & exclude her from their “boys only” activities

but Maddison was always pushy & always wanted to feel included so she forced herself onto her brothers & their play time. she always claimed that she could do anything that they can do which included but was not limited to intense games of freeze tag, nerf gun battles, superhero trials, & dirt bike racing

she had a pretty ideal childhood in San Francisco up until she was about five

her father is originally from Australia but moved to America back in his college days for school. that’s where he met her mother

so while the plan was originally for the duo to live in America for the rest of their lives, raising their family there & growing old, things changed when Madd’s grandfather died & her dad had to take over the family business back home. which is just a handful of gas stations/convenience stores

Madds actually remembers very little about living in California & she’s only been back a couple of times to visit her mom’s side of the family

considering her dad is a business owner & her mom is an eye doctor, her family is pretty well off. they’ve got a nice house with the latest appliances & each kid got their own car when they turned sixteen, y’know things like that

Madds has never really had to work for anything before which is nice for her

once in Australia, Madds had to deal with being the “new girl” for the first few weeks in kindergarten. it wasn’t too bad though seeing as she liked putting herself out there & kids seemed interested in where her family was from & why she talked funny

over the years the accent thing would shift into a weird hybrid of Australian & American. she can switch into either pretty easily

although Madds was an friendly & spunky kid, her brothers took most of the limelight. they were the ones that got the most attention & made all new friends before she could even memorize what shape she was supposed to sit on during circle time

her brothers gaining popularity on the playground just felt like another thing that they excluding her from. which made her sad but she never let it show. instead she tried extra hard to put herself out there more & make room for herself in her brother’s social lives

as years went on the two boys would start to welcome her with open arms. they stopped seeing her as an annoying burden of a little sister who was just a silly girl that couldn’t do anything & more as just their kid sister who proved she could handle herself

by the time she reached primary school she had made herself familiar with her brother’s friends, & even made some of her own

also around the years of primary school, Maddison took an interest in photography. it sprouted from a family vacation they took to California where Maddison got ahold of her mother’s camera & snapped a few shots of the family, the sunset, the palm trees, the ocean, etc. there’s just something really neat about seeing something you find beauty in & then capturing it in a photo to keep forever

she asked for a camera for christmas when she was about thirteen & the rest is history

Madds is often the one in any social situation telling people to freeze so she can take a photo of them doing whatever or pointing a camera at a group of people & shouting for them to act natural, like she’s not even there. she’s also always getting the best photos of the sunset

her instagram feed is 10/10 good shit- which is probably why she’s gained so many followers

that friend who will take a hundred photos for you when you ask for one & also gets nice candids of you from your good angle

she also expects people to do the same for her

Maddison likes art & likes admiring it in all its forms- from painting, to sculptures, to movies, & music. she also considers herself art so she shows herself a lot of love

also that person on social media who is always preaching about self-love, drinking water, meditating, ‘treating yo self’, knowing your worth, & not letting people treat you less, etc.

honestly her online persona just comes off as that person who has zero cares in the world & is so free & happy. which isn’t far from the truth actually. she’s self-sufficent  ( with the help of mom & daddy’s money ) & believes that what you put out into the world is what comes back to you so she’s constantly spewing good energy

but ofc she has her moments she might not post about on instagram or twitter ( except for a shady subtweet every now & again ) where she can get extra petty towards someone who does her or the people she cares about wrong. she knows karma is probably going to get them so she doesn’t need to handle the situation herself but sometimes karma doesn’t work fast enough for her so she feels the need to interfere

doesn’t want drama in her life because it’ll mess up her ‘energy’ but she wants to hear all the tea from someone else’s life because she finds it amusing & ofc likes being included in things

loves being trusted with secrets & probably wouldn’t tell a soul. she just finds something really intimate about being told something that no one else needs to know

OK SO HOW SHE GOT WRAPPED UP IN THIS GANG SHIT ( jokes ): basically one or both of her brothers were some of the original members of the roses. & at first she, being between the ages of 12-14 at the time, thought it was stupid. like “seriously, you named yourselves? is it like a club name? do you have a members fee & meetings in your clubhouse?”

she just didn’t get what the big deal was. her mindset was just sort of ‘you can be friends without a name ?? but okay do you boo’

& she wasn’t really a member of the squad because she was a kid, y’know ?? she would just occasionally tag along with them just for something to do or if they were doing something actually cool then she bribe/blackmail her brothers into letting her in on it ( I say blackmailed but what I mean is ‘if you don’t let me go I’m going to tell mom about you sneaking into the house at 4am’ kind of deal )

then she got older & her brothers’ friends were more inclined to let her hang out with them just for fun. because Madds was a pretty chill girl despite her being so nosy & inviting herself to things. but she still wasn’t in the squad. just friends by association really

then something happened. they probably collectively did something risky & by the end they were like “well Madds really pulled through for us” or “looks like little Madds is playing with the big kids now” & that was her way of getting in. OR they did something risky & got caught & she was sorta roped into the whole thing. like “oh I’m not with them with them. I mean I was there. & I know them. & we’re kinda friends, but also not. but that doesn’t mean I was with them” & no one believes her & they just start associating her with the roses, even more so than before, so she’s basically in

it really could’ve been either one

basically there was never really a pinpointed time she joined the squad. she was just always around & after awhile no one questioned it

now with her brothers gone off doing their own things as young adults, she’s sort of an OG by association. despite the fact that she’s one of the youngest members

it doesn’t make her special by any means. really it doesn’t mean shit to anyone ‘who was there first or around the longest’

sometimes she gets blamed for things her brothers did while they were around. & being compared to them was a trend that occurred throughout her life. all her peers would do it, teachers, & parents. it bugged her to an extent but she could understand why people would assume she’s like them. same genes plus they spent a lot of time together, something was bound to rub off

but sadly it didn’t & Madds isn’t like her brothers. which is unfortunate if you ask her parents. they think her brothers are natural born leaders who have the brains & the charisma to go places, & they are considering they both decided to go to University

they think Madds is just as smart & charismatic but she’s wasting her potential

she finished up year 12 in december. took all the tests & everything necessary to graduate. & although her test scores weren’t bad & universities would probably accept her, she just doesn’t want to go. she figures she can do more with her life outside of school than by suffering through more years of higher education considering that all her interests are arts related. the best way to advance her future career is to just go out & work freelance as opposed to sitting in a classroom learning all the technicalities

this argument did not hold up well with her parents who really pushed for her to continue with her education. her mother is a doctor for crying out loud. she went to school for years & she keeps telling Madds that’s how they can afford such nice things. that & her father is a man with a degree who owns his own business. Madds just stresses to them that there is more ways to be successful than just going to school

so she’s decided to take a gap year. figure things out & work on her art & see if it’ll take her anywhere before deciding whether or not to go to uni

so far it’s only gotten her a few more hundred followers on instagram, a nice tan to top her golden complexion, & a whole lot of free time to get up to nonsense with the crew. but she’s not complaining

her parents think she’s just turning into a bum, which may or may not be true, but she’d disagree

& that’s basically it !! just my way of giving you Maddison’s life story. thank you again for reading & looking through the blog !!