#it's interesting how your size gets... sized. like it's the difference between the underbust and the point where the chest is biggest

[uncanny-tranny]

Quick trans tip for those experiencing breast growth:

If you're interested in wearing a bra, please make sure to size correctly. Absolutely, bras can sometimes feel uncomfortable after wearing them for an extended amount of time, but if it actively hurts, please make sure it's the right size. You shouldn't feel like you can't breathe, or your circulation is restricted, or like the band/wires are digging into your skin. Bra sizing can make such a difference, and there're so many wild misconceptions about how bras work that it can be very confusing at times (even for cis people!). Breasts will develop for years, so please regularly check your size if you plan on wearing bras. There are some pretty accurate online calculators and forums, and when you start understanding how measurements translate into sizes, it makes a lot more sense.

If anybody has anything to add, please do! I'm not directly experienced in this, but I want all trans people to be educated and empowered in what makes them comfortable💛

[aibidil]

Adventures in bust darts pt. 1

This is not a knitting blog, however, it IS a special interest blog and we believe in posting all special interests because we live loud.

So I knitted a few sweaters for boobless people before I knit one for myself. So when I started knitting things for myself, I thought, no biggie, I like wearing sweaters with a roomy fit, it will work great to pick a pattern size according to my full bust measurement, with the knowledge that it will be a roomy sweater.

But the armholes. The armholes, people!!!!

I have fairly broad shoulders and a G-cup (UK)/ I-cup (US). I do not, however have big upper arms. Most times the shoulders work themselves out, but the armholes decidedly do NOT.

Below is the Mooncrush Tank by Jacqueline Cieslak. The pattern says to choose a size with 4-6” of positive ease. This is the correct size to give 5” positive ease. Notice two things: the armholes are WAY too big. Like, it’d be okay if they were a little low, but they’re also gaping open in the front and showing a huge amount of front bra. But also notice how much higher the hem is in the front versus the back, because boob real estate. (This pattern is knit in front/back panels, so I’m in the process of fixing it by taking in the side seams. Will report back.)

Below is the Carlisle (Raglan) by Maddy Moe. It’s unfinished on both sleeves. The pattern says to choose a size with 3-6” positive ease. This is the correct size to give 0” ease (because I know from clothes sizing in general that this is more likely to work). This is a better fit, but notice how much extra fabric is bunching at the armpit! I love a comfy sweater as much as the next person, but even going down to 0” ease, there’s still WAY too much fabric here. The difference is between properly oversized and just poorly fitting.

Below is the Ursina by Jacqueline Cieslak. Ignore that it does not go with the t-shirt I’ve got it over. The pattern says to choose a size with 2-6” positive ease. This is the size for about 1” negative ease, but crucial difference: this pattern is written with instructions for adding short-row bust darts, which I added according to the pattern (size D darts, which adds 28 extra rows, about 4” extra!, starting at the fullest point of the chest). You can see the short-row dart stitches if you look closely, diagonal on the underboob. I also added five decrease rounds after the bust for a total of a 20 stitch (almost 4”!) decrease. This is by far the best attempt so far, but there is still too much room in the arms and slightly too much in the armpit. And notice how far off my size choice was from the pattern guide in order to get it fitting this well.

Okay, so.

Bust dart lesson #1:

If you’ve got big boobs, you cannot, cannot choose your size based on your full bust measurement. Even though this is how everyone will tell you to choose your size. When I chose the size as directed in the Mooncrush tank, I needed to remove 8” at the side seams to get it even close to fitting. 8”!

I’m unsure yet whether it will be better to choose pattern size based on bicep circumference or on high bust measurement (with the understanding that I will need to add significant boob real estate to that size). Both of these are good possibilities; I think it will be trial and error to figure out which one works better in practice. I suppose it’s also a possibility to use underbust measurement or waist measurement?

High bust measurement is taken under the armpits, but over the boobs. The measuring tape will not be level with the floor. You’d then choose the size with the bust measurement according to your high bust rather than your full bust measurement.

For me, my full bust measurement is 4.5” larger than my high bust measurement. If I was choosing according to pattern ease guidance using my high bust measurement, I should’ve chosen one size smaller for the Mooncrush tank (I don’t think this would’ve been enough to fix the problem 🤔), one size smaller in the Carlisle, and the size I chose in the Ursina (which is one size smaller than if I used the full bust measurement). Because of the big boobs, I may need to ignore their ease suggestions and choose a 0” ease for a sweater they intend oversized and a negative ease for a sweater they intend to be form fitting.

If I used bicep measurement to choose a pattern size, figuring 0” of ease in the bicep, I should’ve chosen the size I did in the Ursina and two sizes smaller in the Carlisle. This may be more promising??? Negative ease in the bicep is fairly common; I may need to use that.

Next up: what I’ve learned about bust darts and experimenting with them to figure out what works best. I’m knitting up a fairly plain sweater in a size chosen according to 0” of ease using high bust measurement, and the plan is to do different types and combos of darts, ripping out in between, and see which is best in the end!

Adventures in bust darts, pt. 2

[romanticfatale]

Love this. I love fashion and as trans man I have a particular interest in menswear both formal and alternative.

Understandably not an exhaustive from either myself nor OP by any means, but I wanted to suggest additional nuances:

(Made some edits)

Take your own measurements if you can. If you don't have measuring tape, you can use a ruler and a thread/rope, paper (standard US printer paper being 11 x 8.5 inches) and a bit of math, or other lengths of measure convenient to you.

Important ones are:

Bust: Across the chest and around your back centered to your nipples. If you wear a bra, take this measurement with a bra. To get your bra size, bend over if you can and measure across your nipples with how far they hang down.

Underbust: For bra-wearers, important to take for determining bra size. Equals band number. Subtract from the bra-less bust to equal cup size. Every inch of difference is a letter. Can be important to take if you wear an underbust corset, bra or not.

Waist size (where you prefer to have your pants hang) and natural waist size (typically across your belly slightly above your naval)

Hips, especially if you have wide hips.

Shoulder size mostly matters if you want tailored items or have broad shoulders. I have broad shoulders, and certain places/brands make for narrower shoulders. I still enjoy some womenswear blouses so shoulders have always been tricky for me.

Menswear is often determined by sleeve length, neck girth, waist size, and inseam (from the crotch to the ankle). I am very short so I have to tailor everything myself anyway, so it might not matter unless you're tailoring but most menswear minimum is about 30" inseam, 30" sleeve, and 14" neck. Waist I've seen as small as 24"

Get to know your shoe sizes in various measures. US men is typically 2 numbers smaller than US women's (US 8 women = US 6 men). As a USAmerican who also buys internationally, I like to know my Europoean size as well. Mens shoes in the US are difficult to find below US size 8, but not impossible.

Mens trousers are usually either pleated or flat front, meaning there are or aren't pleats in the waist. Sometimes there are multiple pleats. Pleated looks a little dressier.

"Slacks" and dress pants are the same. "Khaki" is a tannish or light brown color but "khakis" is often slang for tan colored Chinos, which are usually made of cotton. Dress pants are "dressy" as they are more formal in cut/pattern, color, and style.

Dress pants usually have buttons the same color as the fabric, and do not have rivets. Rivets on trousers, iirc, were originally a working class thing as it reinforces the pocket strength. Jeans have rivets and metal buttons. Sometimes Chinos have rivets and often metal button. Think of Chinos as "between" Jeans and Dress pants in both material and dressiness.

Remember to check your pockets in dress pants if they are sewn shut. This is typically intended to prevent dust, lint, and other things before purchase, and indicates they have not been worn.

"Trouser" and "Pants" are mostly the same thing depending on where you are. Some places in the US say trousers are dress pants whereas pants refer to any two-legged waist garment, but pants in the UK iirc are undergarments and trousers are all two-legged waist garments.

Gurkha Trousers are usually slightly higher waisted with a wider waistband and have a buckle instead of a button. They lean more formal, around the same area as Chinosbut can be as dressy as dress pants given material.

There is a difference between a Blazer, a Sports Coat, and a Suit coat, among many other kinds of coats.

A Blazer is usually intended to be emblematic of some sort of group, such as a school or a club. The buttons have said emblems on them, there may be an embroidered patch around the breast, and they are often the color of said group, sometimes a bright or noticeable color or vivid prints, hence "blazer"

A sports coat is a suit-like cut of coat but intended to be worn with any combination of colors. A suit coat is cut from the same cloth as the rest of the suit and is intended to be worn with the full piece, and typically has buttons the same color as the fabric like dress pants. Separating a suit coat from the suit is possible, but if you don't do it well you look very silly. Mix and matching pieces like this is called Spezzato, meaning "mixed" in Italian.

A suit is typically made as a two or three piece, meaning either a coat and trousers or a coat, waistcoat, and trouser.

A peacoat is a similar cut but thicker, warmer, and usually around hip or mid thigh. They are intended to be worn on top of a suit. An overcoat is similar but longer, typically knee length or longer.

Formal coats can be single or double breasted. Usually, you are not intended to button the bottom button of a formal menswear coat. Peacoats are always double breasted.

Double breasted sports coat can have various button configurations depending on how many buttons, where they're placed, and how much room you have in the waistline to move.

The lapels (the flaps around the collar) can also be stylized.

You may have noticed some lapels have a little hole in them, the lapel buttonhole. This is for a lapel pin or boutonniere. They are usually intended to showcase an emblem, such as for employees, officials, or other identification means and events (prom, religious orders, etc).

Some coat have "vents" which are the little slits in the back.

There are multiple types of waistcoats/vests as well. They can also be single or double breasted, they can have lapels, have v necks or "horse shoe" scoop-like necks. Similar to the sports coat, the bottom button should be left undone if it is single breasted. Double breasted waistcoats are usually fully buttoned, but the bottom can be left for slight more casual wear.

Wearing a waistcoat without a coat is totally acceptable and one of my favorite fashions. It also works well to hide binder seams.

I’m partial to tapestry coats and waistcoasts, meaning they are made of “tapestry” fabric, which is thick and usually wool with beautiful prints or embroidery.

In the US (at least where I am) we also call south asian vests Nehru vests (and also Nehru jackets which are the same but long-sleeve). They are waistcoats with band collars (aka mandarin collars).

Waistcoats usually have the back made of a different fabric, usually viscose or silk or similar. I never liked these personally since I don’t wear sports costs to hide them. Waistcoats that are the same fabric front and back are usually called cloth-backed.

Shoes: Oxford, Derby, Brogues: Oxford and Derby refers to the lace style.

Brogue refers to the cut of the shoe:

Different kinds of heels (and other shoes), as well:

Menswear is often harped on for being "boring" and there's two things I have to say about that: a) a lot of anglospheric "western" menswear is very very specific. Wearing pink will get some guys slurred at. However, you are allowed to have fun with it. You can wear a deep-v brightly colored sports coat without a shirt and have a huge chunky pearl necklaces with some bell bottoms and bright colred sunglasses. You can wear a "womens" coat and "womens" shoes with a suit.

It IS frustrating that so much of what is considered menswear in really specific western anglosphere IS boring because of extreme concepts of masculinity, but if you can sew you can also alter clothes however you like. Cut off the sleeves of a sport coat and reattatched them with ribbons, cut out lace or another color of fabric in long triangles and turn dress pants into two-toned bell bottoms.

Look at haute couture menswear to get some ideas, look at favorite celebrities and bands and films (prince, motley crue, malice mizer, billy porter, david bowie, legend, romeo and juliet, the color of pomegranates, the fall, etc etc) on how to bend masculinity and have fun with fashion.

As a queer and fashion-loving trans man, it's very important to me to put on the image of masculinity while also bending it. The "feminine in a masculine way" thing where if I'm going to be called an evil satanic freak for wearing earrings and black, I'd prefer to at least be gendered correctly.

Men and women’s wear differ often in the way they are cut, usually menswear being squared off where womenswear has hourglass figures. Menswear is also more often sturdier and thicker compared to more delicate womenswear fabric. Keep that in mind when mix and matching typically gendered clothes. A women’s blouse can look more squared off with a men’s vest, or a women’s vest can look nice with men’s trousers.

Seconding OP's comment about searching trend vs type, there Can be some good stores that are trying to advertise via style or trend but it's much better to curate your wardrobe more individually. I've had a similar discussion Here but essentially, even "normie" brands can be made alternative or more lively if you learn how to style properly.

Things like color, cut, and shape will affect how clothing looks on you.

I've always hated the idea that certain shapes, hairstyles, glasses, etc are "best" on someone. Round faces can wear round or square glasses or blunt bang bob haircuts or mullets all they want. They will each look different, yes, but it depends on what you want to look like and how to achieve that look.

For example, every now and then Macy's will have an out of season sale. 200$ clothing for 20$. It sucks that's how you have to shop for save money, but they're often well tailored and long-lasting across the brands they sell. I've beautiful dress shirts and trousers that work excellently for gothic-adjacent fashion.

Last but not least, times I think brand can matter:

Certain brands, not necessarily "big/expensive/luxury" brands but brands in general tend to have gimmicks, styles, materials, and other things they use often. If you like the way a particular set of trousers or a jacket you found either online or at the thrift store or any store feels and looks on you, look up the brand and see if they have similar items (and hope they still exist). I especially recommend this if you're a very tactile or sensory person, as finding a brand that consistently makes clothes that feel good on your body can be SO important.

Plus, more well known (but not necessarily luxury) brands and thrift will more often have better clothes than fast fashion anyway. Thrift because they're usually older clothes anyway and thus made in a time where they were already quality compared to now, and certain brands because they have an image and standard to keep.

There's quite a bit more across the entire fashion industry and it'snot something I'm much more well versed in than what I already posted or said, but this is what I have the energy to mention atm.

i dont consider myself a 'fashion guru' by any means but one thing i will say is guys you dont need to know the specific brand an item you like is - you need to know what the item is called. very rarely does a brand matter, but knowing that pair of pants is called 'cargo' vs 'boot cut' or the names of dress styles is going to help you find clothes you like WAAAYYYY faster than brand shopping

[jedimanda]

May I present, DOCTOR STRANGE! Yes, I’m Mr. Cumberbatch can’t you tell?! Well I will tell you that I’m not Stephanie Strange. Who isn’t a character in the Marvel Universe but yet I get called that for some weird reason? Hmmm.. I wonder why.🤷‍♀️  #womenincosplayprobs. BUT, I digress. Let’s chat about how I made my favorite cosplay, yes I said it, MY FAVORITE COSPLAY I EVER MADE. That’s a tall order since most people would believe that my Star Wars cosplays are my favorite. Queen Amidala is right behind Strange in the “favorite costume line up of mine”. It’s all about the connection to the character. I love Doctor Strange. He is my favorite comic book character. I will say I came into this Strange dimension later than most. I’ve read some Avengers and Defenders comics before and I’ve always been intrigued by the character but never really dove into his storyline. It wasn’t until the movie in 2015 that I just fell in love with the character. I really loved that movie. So, I immediately dove into all the comics I could get. From the old 70s comics to the newest ones, I became enthralled. To show my appreciation for my new found comic love, I had to make his outfit.

I knew this build wouldn’t be a super long build (like 9 months for Amidala), but I knew I would be figuring things out along the way. The cloak was the first piece I wanted to tackle. I fabric swatched at Joann’s Fabric and on the first go, I found the exact fabric for the cloak. It was a special order upholstery fabric. More like fabric for a beautiful red couch. I needed that heavy drape looks but still have a little free flow to it. Next, I found a sensible red velvet and boom. The outer fabric has been sourced. Then, I headed over to Spoonflower.com to find the lining. Easy! Click here for the link to Spoonflower! The design was created by Shawna Lay. Thanks, Shawna!

Yippee! Fabric found. The next items I found were all the trims, cording, interfacing, and thread that I would need for the details on the cloak. I did use some pretty special interfacing for a lot of stiff parts of this whole cosplay such as the collar and shoulder padding on the vest. This stuff is pretty awesome, it’s called Super Structure Foam from the company Sew Much Cosplay. Click here to grab some and check them out.

With all the fabrics and notions for the cloak, it’s time to build. First, the draping. I did drape the cloak, so no pattern exists from me. If you are interested in finding a pattern for the cloak. Use the McCall’s 7676 Doctor Strange pattern. You can easily chop it up and use it. In my case, draping was the easiest.

Once the cloak was draped and I had the shape I wanted, I moved to the details that needed to be handsewn or machine sewed on. The collar has couching details on the back, check it out. This took some time.

From here on out it was a lot of topstitching trim and sewing on big pieces made like the shoulder pieces. Take a look.

I got creative with the trims and textures I had. Luckily Joann’s had a lot of great choices so I didn’t have to dye anything. Let’s move to the magic checkboard velvet pattern I created by accident. The cloak has these distinct velvet checkboard pieces on it. It really boggled my mind on how to get that exact design on the velvet. I thought that I would have to use chemicals to achieve that “burnout” look, so I purchased some. I really couldn’t get it to work well and I just hated dealing with it. I was using wax based chalk to draw out the designs on the velvet to establish an area for the chemicals. At one point, I made a mistake and to remove wax chalk mistake, you hit it with an iron and the chalk marks are removed. So I did that, and surprisingly a residue was left behind on the velvet causing the velvet to have a darker tone where the chalk was. GENIUS! So I grabbed my chalk and rulers then went to town.

It was pretty easy, draw out the design you want, hit it with the iron. Don’t forget to place a press cloth in between just to be safe. Turned out great!

The next couple of images are showing where I placed the checkerboard velvet pieces.

Here are some close ups of the shoulder piece creation.

With almost all my costumes, custom embroidery is added. This time, the custom parts were added to the borders of the cloak. I was able to find a blurry image of the piece online and then I cleaned it up in Adobe Illustrator, transferred it to my Embroidery design software, made it into an embroidery file, then moved it to my embroidery machine. Off it goes!

Now! It’s time to add the lining and call it done!

Very proud of this build so far! The cloak was a task. Let’s take a break.

I wanted to take a tiny break from sewing and work on some of the prop pieces for Doctor Strange. I was very lucky to have a great buddy from Twitter 3D print me the Eye of Agamotto (that works!), a sling ring, and the 2 triangle clasps on the cloak. SO MANY THANKS TO @JediJeremy. Seriously dude, thank you. Once I got the pieces, I painted them with gold leaf paint and then weathered with acrylic paint.

After the gold prop pieces were done, I moved to make the vest and tunic. Originally I thought I was going to completely draft these pieces with my own measurements, but I was just getting tired and I knew I could chop up the McCalls 7676 pattern to fit me just fine I made some mockups and did a lot of alterations, but it worked and fit great. If you want to use this pattern for your own Doctor Strange, go for it! Just be aware of the alterations you will have to do especially if you are trying to fit it around curves. I ended up raising the waistline up like 4-6 inches, thus also raising the hems too. Plus taking it in a lot on the sides and shoulder line.

As I stated above, I used simple linens and cotton for the fabrics. Just having the tunic and vest color is a tad different than the other. I completed the tunic using the McCalls pattern and added my own details like the striped pattern around the neckline. Those are just top stitched ribbons layered on each other. I ultimately ended up removing the zipper and just having it open. Worked better for the neckline. 

Now the vest. The details I added into my vest are some of my favorite parts of the entire outfit. The best part of that is that it was pretty simple just time-consuming. Following the pattern from McCalls and then altering to my size, I then chose an X shaped embroidery stitch on my Bernina sewing machine. With about 4 different blue colored thread, I stitched vertical line after vertical line alternating the different blue colors. Take a look.

Neat! The last thing I added to the vest was to the shoulders. I wanted a sharp shoulder with a bit of padding but not a lot. So I grabbed the super structure foam that I spoke about above, cut a should pad shape and ironed it on. Then ran some more vertical stitches through to give it a quilted look. Loved it! To finish out the vest, I added random ribbons and selvage edges of fabrics to the armhole edges. Turned out great!

OK! Almost done. The waist cincher corset was simple.

I just used McCall’s 7555 Yaya Han underbust corset. I altered it to what I needed but it worked just fine. Used some heavy black cotton fabric.

Now what’s left are the belts, cuffs, boots, and wig. I purchased two “belt” trims from Joann’s and did little to no major alts to them. The main belts were made from black yarn woven into a 5 strand braid, the other belt I purchased was some black vinyl trim woven into a 4 strand braid. BOOM! I added brown vinyl bias to the black vinyl belt on the edges then hand sewed on snaps. Next, the woven belt was a bit different. View the photos below to get a good grasp of the pattern of that particular belt. Once I figured out the shape, I created the silver ring from EVA foam coated with plasti-dip and silver paint with black weathering spots too.

The details I added next are near and dear to me. With every costume I create, I give the opportunity for anyone to become a part of my costumes via donations through the site, Ko-Fi. Any donation made to my cosplays fund, I will add your name into my outfit somewhere/somehow. For this outfit, my donators got their initials etched into the metal details on my belt. Take a look!

To finish up the belts, I took some black leather strands and wrapped the silver ring. Then I took more of the leather strands and wove it into the knitted black belt. See below

  Ok, belts are done! Move to the cuffs, these were easy in my opinion. First thing is to pattern your forearms, yes both because most people have two different sized forearms, then cut out 4 pieces of fabric with your pattern. 4 pieces because you will need to layer to make the cuffs more durable. Joann’s gets another win here because the trim pieces I found where from here too. Thanks Joann. Also, don’t forget to grab two separating zippers for your cuffs. Take a look at how I created them below, don’t be afraid to get a little haphazard with your placement.

After the cuffs where done, I then hit it with an airbrush to weather it. Anytime I can airbrush things, I’m all about it.

ARE WE DONE YET?! Nope! Hang tight, boots and wig left. My boots were super easy, basically, I purchased some cute knee high lace up boots from Amazon, then stitched on blue linen scraps. Yup, done. lol. I also airbrushed them too. Can’t stop, won’t stop. AIRBRUSH!

LAST THING! HERE WE GO. Wig time. I had the wonderful opportunity to win a seasonal sponsorship from Arda Wigs for my Doctor Strange cosplay. The sponsorship would cover my wig costs. THANKS, ARDA! So the wig and wig parts I chose are the Virginia Classic Lace Front in Dark Brown and Silver weft to tie in the sides of the wig. I actually made a Youtube tutorial video on the creation of the wig so take a peek below!

The last thing I want to add is my super awesome spell prop made by my buddy, Bubblesgal0re. If you are interested in grabbing one for yourself, shoot her an email!

If you have any questions at all, please feel free to contact me through email or any of my social media. I’m always ready to answer questions you have about your or my builds. Thank you so much for reading another long How-To blog post. I do appreciate it. My next posts will be all about my Luke Skywalker and Qi’ra build. MTFBWY ❤ Amanda

Doctor Strange photos from Alexandra Lee Studios

  Let’s get Strange. May I present, DOCTOR STRANGE! Yes, I'm Mr. Cumberbatch can't you tell?! Well I will tell you that I'm not Stephanie Strange.