#it's firstly prime time tv and all the trappings that go with it

[buckybarnesss]

fundamentally i think the underlying thesis of csi ny is grief. 

on the surface the csi franchise is a who dunnit with a crime of the week style with a few multi-episode arcs sprinkled throughout csi ny was far more character driven than the others were

(again, i only really watched s1 and 2 of miami and very quickly horatio devolved from a character to a meme for me)

csi ny went hard on character right from the gate whereas the original csi was far more inconsistent with character the first few seasons because it’s main drive through season 1 and a lot of 2 was the science over character. i’d say it wasn’t until they really earnestly started delving into grissom that the show began to pivot into developing the characters more deeply. 

(i’d even go as far as to say the grissom years had an overreaching theme of gil grissom the scientist versus gil grissom the human but this isn’t about vegas)

(does any one else remember when catherine was originally from bozeman, montana and raised on a ranch? they would reuse that for lindsay monroe later on which i find hilarious.)

but csi ny opens immediately on mac taylor in a church looking like he’s holding back tears and clearly contemplative. blink later reveals to us that his wife claire died on 9/11 and he’s very much still grieving for her as he talks to the victim about her (the beach ball speech fucks me up every time) and the episode ends with him going to ground zero.

mac’s grief for claire was always it’s strongest thread that this show had. when one gets to indelible in season 8 it’s very natural and utterly heartbreaking to finally see claire and how mac was with her. 

but the other characters also have huge plot lines that revolve around grief and their response to it. lindsay with the deaths of her friends as a teenager, danny when ruben sandoval dies, flack with the loss of jessica. adam and the complicated relationship he has with his father. but there’s different kinds of grief explored too as with stella. a lot of stella’s grief and pain she feels at having to kill frankie in self-defense and how he damaged her sense of safety and she also experiences a lot of grief around identity which plays out in season 5.

yes, it’s a show about murder but underneath that it explored multiple facets of grief. 

i think the best quote about why these kinds of shows resonate with people:

“sometimes bad things happen to good people and we don’t get to know why”

[vitalmindandbody]

Tragic, fascinating, bright- living for’ wild progeny’ Zelda Fitzgerald revisited

Two films and a Tv series out soon portray living conditions of the jazz-age novelist and bride of F Scott Fitzgerald

She is thought of as the original wild child, a pearl-twirling defendant girl who died at persons under the age of 47 after a shoot broke out in the North Carolina sanatorium where she was a patient. Now Zelda Fitzgerald, the southern belle became jazz-age heroine, dubbed the first American flapper by her husband and partner-in-drink Scott, is to have her own Hollywood make-over two movies are in the pipeline and a television series will air on Amazon Prime early next year.

All three projects have starry refers fixed: Jennifer Lawrence will take the lead in Zelda , a biopic directed by Ron Howard and based on Nancy Milfords best-selling account; Scarlett Johansson will bob her hair for The Beautiful and The Damned ; and Christina Ricci will play the young and impetuous Zelda in the Amazon series Z: The Beginning of Everything. The entitle of the Tv line comes from Scotts awestruck provide comments on see Zelda: I affection her, and thats the beginning and end of everything.

So what is it about Zelda that mesmerizes nearly 70 times after her disastrous demise? In portion it is that the cataclysms the couple lived through find an repetition in our own hectic times.

Interest in the Fitzgeralds will no doubt been on the increase not only since Baz Luhrmanns film of The Great Gatsby in 2013 but too from the many latitudes between their lives and labor and the period were living through right now, does Sarah Churchwell, scribe of the critically acclaimed Careless Parties: Carnage, Mayhem and The Invention of the Great Gatsby .

Its a storey of thunder and failure and it reverberates as we are grappling with our own thunder and failure, our own worries about the costs of our extravagances and our own social outages. The lives and lucks of Scott and Zelda peculiarly simulated their periods: in the 1920 s they were roaring for all they were merit, but with the disintegrate in 1929, everything fell apart.

It helps, extremely, that Zelda was so vibrant a chassis. It begins with her allure, alleges Churchwell. But also with the floors told in the 1920 s about the high jinks and enjoyable she and Scott seemed to have. People really liked her: she was surprising, smart, shrewd, amusing and adoration a good party. She likewise liked to be the centre of attention, and so had her detractors extremely. These happens combined to move her a legend.

Scott frequently returned to their relationship in his myth, most notably in his second tale, The Beautiful and Damned , which items the heady early days of their matrimony; and his melancholy fourth, Tender Is The Night , in which the gilded dream has faded into a more tawdry actuality. Zeldas only novel, Save Me The Waltz , presented such relationships from her side.

They were arguably Americas first fame pairing: a carefree golden couple who wrote their method into the spotlight, composing their own mythology of gin-soaked periods and fun-filled nighttimes, simply to linger too long once the light-footed had started to dim. Their recklessness represents the narration exciting and dramatic, supposes Churchwell. But they paid a the highest price.

After a few giddy years, all the youthful promise crumbled away, leaving Scott a perplexed and drunk jobbing hack in Hollywood and fetching Zelda to breakdown at the age of 30, a diagnosis of schizophrenia , now widely thought to be a bipolar illness, and their own lives in and out of sanatoriums.

Her story is both fascinating and terribles, enunciates Therese Anne Fowler, on whose novel Z the Amazon series is based. Here we have a woman whose endowments and power and ability should have obliged her a brilliant success, who was determined to be an accomplished master, scribe and ballet dancer in an epoch where married ladies were supposed to be wives and fathers, age. Her devotion to Scott was, in many ways, her undoing[ although] he was just as imprisoned as she was. Had they affection one another less, they might both have come to better ends.

The idea of Zelda as a brilliant woman trapped by her occasion has gained traction in recent years, with a number of tasks re-evaluating her through the prism of feminism although it is not always the easiest of fits. As early as 1974, the couples daughter Scottie repelled such allegations, writing that attempts to look her mom as a classic put-down bride, whose efforts to express her quality were thwarted by a often male chauvinist spouse were not accurate.

Writing in the New Yorker in 2013, Molly Fischer agreed , note: Saving Zelda Fitzgerald is no easy-going proposition …[ she] does not want to be anyones pet, and theres something flustering about the literary readiness to domesticate her, to change an infuriating maiden into an appealing heroine.

The brand-new films may well further Hollywoodise Zelda, sanding away her bumpy boundaries and reinventing her as a relatable heroine for our modern times. The molding of Lawrence so often described as Americas Sweetheart in the Howard biopic is no accident.

A report about the upcoming Johansson film in the Hollywood Reporter proposed it would draw on previously unreleased textile to indicate that her husband embezzled his wifes opinions as his own.

Mark Gill, president of Millennium Films, the product companionship behind The Beautiful and The Damned , agrees : She was massively ahead of her experience and she took a vanquish for it. He plagiarized her new ideas and applied them in his volumes. The marriage was a codependency from hell with a jazz-age soundtrack. The cinema has, nonetheless, secured the co-operation of the Fitzgerald estate.

Fowler agrees that there is a ripening partiality to apply our own concerns to Zelda. We do anoint her as a kind of proto-feminist protagonist, even though she didnt realise herself as a feminist and didnt amply succeed at anything, she alleges. But her original honour is based on conventional paternalistic the terms and conditions of what the status of women, mom and wife ought to be and do. Her desires and her insistence on prosecuting them were considered inappropriate and undesirable; after her psychotic flout she was literally told that this insistence had created her split mind and that the path to a dry lay in giving up all ambitions that didnt conform to the paternalistic ideal.

Scarlett Johansson, Jennifer Lawrence and Christina Ricci are all set to play Zelda Fitzgerald in the forthcoming yields The Beautiful and the Damned, Zelda and Z: The Beginning of Everything. Composite: Getty Images

The backlash against this image is justifiable given that popular opinion of Zelda was initially driven by Ernest Hemingways notoriously corrosive descriptions in A Moveable Feast , wrote posthumously in 1964, in which he dismissed her as insane and accused Scotts flourishing dependence on boozing on his wife.

Our perception has very much changed, announces Churchwell. We have come to sympathise with her resentment, to recognise her offerings and to be more fair-minded about her selections. That responded, she carefuls against attempts to create a Team Scott/ Team Zelda partition, as is so often the event in far-famed literary partnerships. Its important to say that they always adored one another and wouldnt have appreciated beings taking line-ups Fitzgerald wrote a few years before he was dead that it was a moral obligation that their friends understood they were a couple, a component and would stand that way, even if her illness make they couldnt live together.

Churchwell is too scathing about attempts to suggest Zelda had a larger role in her husbands run than previously presumed. There are people who want to credit Zelda with Scotts work, which is just silly and doesnt do women any favors, she does. Its not a zero-sum recreation: we can recognise both of them for who they were.

Zelda had many endowments, but where writing was pertained she was probably too ill when she started to hone her endows, and while it is true that Scott didnt especially want her to write partly out of territoriality but partly because her doctors told him it was bad for her its also true-life that her work isnt in the same class as his. Her individual convicts are often lovely, and she can create a humor and has clever movements of phrase but her studies tend to be sketches rather than full stories. If they had shaped different choices, maybe she could have been an important scribe, but current realities is that she wasnt.

Perhaps, then, the real key to Zeldas resumed pull on our imagination lies not in her wield but in her modernity. I dont live their lives I want to affection firstly and live incidentally, she extol and it is that vitality and desire for all of lifes experiences, both good and bad, that unfolds down over the decades, permitting each generation to see something new.

Z: The Beginning of Everything will air on Amazon Prime early next year

THEY SAID

I have rarely known a woman who expressed herself so delightfully and freshly: she had no ready-made phrases on the one side and no striving for impact on the other. Critic Edmund Wilson

I fell in love with her fortitude, her candour and her flame self-respect, and its these things I would believe in even if the whole world pandered in wild ideas that she wasnt all that she should be.

F Scott Fitzgerald

I did not have a single mood of inferiority, or shyness, or incredulity, and no moral principles.

All I want is to be very young ever and very irresponsible, and is of the view that my life is my own to live and be happy and expire in my own mode to satisfy myself.

Other folks ideas of us are dependent primarily on what theyve hoped for.

Read more: www.theguardian.com

The post Tragic, fascinating, bright- living for’ wild progeny’ Zelda Fitzgerald revisited appeared first on vitalmindandbody.com.

from WordPress http://ift.tt/2t8A0oE via IFTTT