#it's easier when someone breaks up with you
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ahqkas · 3 days ago
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Can you please write dumb/subtle/random/cute things batboys will do while they are crushing on reader?
♯ FEEL YOUR LIPS CRUSH . . .
— gn!reader, fluff
© ahqkas — all rights reserved. even when credited, these works are prohibited to be reposted, translated or modified
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BRUCE WAYNE
becomes overly observant but awkwardly obvious
bruce wayne is a master of observation—trained to notice the smallest details in a room, a person, or a crime scene. but when it comes to you, this skill becomes more of a curse than a blessing. his crush transforms his usual precision into something downright awkward as he hyper-focuses on the tiniest parts of your life.
it starts innocently enough. you’ll be in the middle of a casual conversation when bruce interrupts, his deep voice breaking through your train of thought.
“you’ve switched your coffee order recently,” he says matter-of-factly, his piercing blue eyes locking on yours.
you blink, momentarily confused. “uh, yeah. i wanted to try something different.”
“it’s good,” he replies, his tone completely serious, as if your new preference for caramel flavored coffee over vanilla is a critical observation.
sometimes his comments catch you so off guard that you don’t even know how to respond. like the time you came into the room wearing a pair of old sneakers. bruce, who was leaning against the kitchen counter sipping his coffee, glanced down and said, “those laces are frayed. you should replace them.”
you laughed nervously, unsure if he was joking. “uh, thanks for the tip?”
but bruce wasn’t joking. “i’ll send alfred to pick up new ones. you don’t want them snapping mid-step.”
he tries to play it cool, he really does, but his constant streak of seemingly random observations only makes his feelings more obvious. one afternoon, you find him glancing at your notebook while you jot something down. without even looking at you, he says, “you press harder with the pen when you’re tired. your handwriting’s smaller today.”
you set your pen down, giving him a skeptical look. “do you . . . keep track of my handwriting, bruce?”
his face doesn’t change, though you swear his ears flush the faintest shade of pink. “no,” he says smoothly, taking a sip of his coffee. “it’s just. . . noticeable.”
it’s the way he says it—quiet and genuine—that sends your heart fluttering. he doesn’t realize how much he’s revealing, but his small, awkward comments and laser focus on the details of your life make it abundantly clear.
the funny thing is, you’re not the only one noticing. alfred, who’s known bruce wayne longer than anyone, often raises an eyebrow or hides a knowing smirk whenever bruce starts one of his “random” observations.
( “perhaps master wayne should focus on his own handwriting.” bruce glares at alfred, but his lack of a comment only makes the butler’s smirk grow wider. )
finds excuses to be helpful
bruce’s wealth is something he wields with the subtlety of a battering ram when he’s crushing on someone. his intentions are good—he genuinely wants to help—but it often comes off as over-the-top or hilariously unnecessary. for someone as logical and composed as the bat, using his money to make your life easier feels like a no-brainer, but he doesn’t realize just how obvious it makes his feelings.
it starts small at first. you might casually mention needing to replace something—your laptop is acting up or your phone is outdated. the next day, without fail, a box will mysteriously appear at your doorstep. inside, you’ll find not just a replacement but the absolute best version of the device, meticulously selected and clearly expensive.
“bruce,” you say, holding up the latest model of a WE laptop you can’t imagine ever affording on your own. “did you do this?”
he looks up from his work, his expression calm and unbothered. “it’s practical,” he says, as if that’s a reasonable excuse for gifting you a piece of technology worth more than your rent. “your old one was slow. it’s inefficient to struggle with outdated equipment.”
when you try to protest, he waves it off, as though spending thousands of dollars on you is no more different than buying a cup of coffee.
but it doesn’t stop there. one morning, you’re sitting in the kitchen with him, absently complaining about how your car keeps breaking down. it’s an offhanded comment, something you don’t think twice about, but bruce takes it as a challenge. by the time you’ve finished your coffee, he’s already pulled out his phone to make arrangements.
“wait,” you interrupt him, narrowing your eyes as you catch him murmuring something to alfred over the phone. “what are you doing?”
“nothing,” he replies too quickly, but later that day, you’re startled to find a sleek new car parked outside your home, the keys and a handwritten note from the butler sitting on your counter.
“bruce!” you exclaim, storming into the study to confront him.
he doesn’t even look up from his computer. “your old car was unreliable. this one is safer.”
“that’s not the point!”
“it’s just a car,” he says with a small shrug, though there’s a hint of amusement tugging at the corner of his mouth.
despite his attitude, it’s clear he’s putting an incredible amount of thought into everything he does for you. his gestures are less about showing off his wealth and more about making sure you never have to struggle, even in the smallest ways. because to him, it’s just logical—he has the resources, so why wouldn’t he use them to make your life easier?
DICK GRAYSON
finds excuses to touch you
for someone as physically expressive as dick grayson, touch comes as naturally as breathing—but when he’s crushing on you, it’s a whole new level. he’s not even aware of how much he does it at first, but the moments start to add up. it’s little things at first: the way he always seems to find a reason to brush his hand against yours, the casual way his shoulder bumps into you when you’re walking side by side, or the way he’ll lean close when he’s explaining something, his hand ghosting over yours as he gestures.
but then, it becomes less about the accidental and more about the intentional. when you’re sitting on the couch together, he’ll sling an arm over the back of it, his fingers close enough to brush against your shoulder. he’ll offer his hand when you’re stepping out of a car or climbing over something, even if you don’t need it, the contact lingers just a second longer than necessary.
“careful,” he’ll say, his voice soft and teasing, even though the step you’re taking isn’t remotely precarious.
“you know i can walk, right?”
he grins, squeezing your hand briefly before letting it go. “just being chivalrous.”
and then, there are the moments when he gets so wrapped up in the conversation or your presence that he doesn’t even realize what he’s doing. like the time you were sitting together, and he absentmindedly started playing with the hem of your sleeve. it wasn’t until you cleared your throat that he looked down, startled, his ears turning pink as he quickly let go.
“sorry,” he mumbled, a sheepish grin spreading across his face. “didn’t realize i was doing that.”
but the blush on his cheeks told you everything you needed to know.
for dick, touch is a way of expressing what words sometimes fail to say. every hand on your shoulder, every playful nudge, and every lingering hug is his way of saying, i like being near you. i like you. even if he hasn’t quite found the courage to say it out loud, his actions make it impossible to miss.
teases you relentlessly (but gets flustered when you tease him back)
teasing is how dick shows affection, how he keeps things light, and, more than anything, how he tries to get your attention. when he’s crushing on you, though, his teasing takes on a new level. every little thing you do seems to give him material to poke fun at, not in a mean way, but in a way that makes it clear he’s paying attention to everything about you.
if you trip over a word while talking, he’ll immediately smirk. “careful there, shakespeare,” he’ll quip. “do we need to enroll you in a public speaking class?” or if you drop something, he’s ready with a dramatic gasp. “wow, butterfingers, do you need me to carry everything for you? i could be your personal assistant, but i charge by the hour.”
it’s playful, yes, but it’s also consistent. he’s always looking for ways to make you laugh, even if it’s at your own expense. like the time you were struggling to open a stubborn jar of jam, and he swooped in, popping the lid off with ease.
“guess i’m just the stronger one here,” he said, flexing his biceps with an exaggerated grin. “it’s okay; not everyone can have these guns.”
but if you so much as raise an eyebrow or fire back with your own jab, the tables turn in an instant. one day, after he’d spent a full five minutes teasing you about your choice of coffee ( “a triple-shot vanilla latte with almond milk? fancy. are you sure you don’t need a royal escort to carry it for you?” ), you finally snapped back.
“oh, and i suppose you’re the coffee expert, mr. regular black coffee? real creative. i bet the baristas have your order memorized.”
the grin on his face faltered for a split second, his eyes widening just slightly. then came the blush—the faint pink hue creeping up his cheeks as he tried to recover, rubbing the back of his neck awkwardly.
“hey, black coffee is . . . classic,” he mumbled, suddenly unable to meet your gaze.
and that’s the thing about dick grayson: as much as he loves dishing it out, he can’t always handle it when it’s directed at him. the moment you tease him back, especially if it’s about something he’s sensitive about (like his perfectly styled hair or his need to one-up everyone), he turns into an awkward, flustered mess.
“you spend how long on your hair every morning?” you asked him once, teasingly ruffling his carefully combed locks after he made fun of the mismatched socks you were wearing.
he froze, his hand shooting up to fix the damage. “it’s not that long,” he protested, his voice defensive but light.
“oh, come on! i bet you use at least three different products. don’t tell me you don’t have a favorite brand of gel.”
his cheeks flushed crimson as he stammered, “i—you know, it’s just . . . maintenance! can’t all of us roll out of bed looking flawless, okay?”
you laughed, and he groaned, muttering something under his breath about how you were “way too good at this.”
JASON TODD
acts nonchalant but is always nearby
jason todd is many things—brash, sarcastic, sometimes even reckless—but when it comes to feelings he doesn’t fully understand, he defaults to keeping his distance . . . or at least pretending he’s keeping his distance. the truth is, when he’s crushing on you, he’s drawn to you like a moth to a flame, always finding an excuse to be wherever you are without making it obvious. or so he thinks.
take your quiet sunday afternoons, for instance. maybe you’ve settled on the couch with a book, enjoying the rare peace. jason walks in, all nonchalant, like he’s just passing through. he glances at you—just a quick flick of his eyes, like he’s making sure you’re still there—and then he settles in the chair across from you, a spot he never uses otherwise.
“what are you doing?” you ask, watching as he pulls out a book of his own, the same one he’s been pretending to read for weeks.
he doesn’t even look up. “reading.”
you roll your eyes but say nothing, knowing full well he’s barely getting through a page. you can feel his gaze on you every few minutes, like he’s trying to memorize the way your brow furrows in concentration or how you chew on the corner of your lip when you’re focused. and if you catch him? he quickly snaps his attention back to his book, pretending obliviousness.
“didn’t know you liked this spot so much,” you tease, gesturing to the chair.
a smirk plays on the edge of his lips, though there’s a flicker of defensiveness in his eyes. “what, i can’t sit here now? thought it was a free country.”
it’s always like that—his attempts to mask how much he cares come with a side of sarcasm. but the truth slips through in the little details. like how he never actually leaves the room until you do. or how, even when you’re sitting in silence, he finds a reason to linger. maybe he’s scrolling through his phone, flipping through a magazine, or staring at the ceiling like he’s deep in thought. but really, he’s just soaking in your presence.
and then there are the times when he doesn’t even bother pretending. like when you’re sitting in the kitchen, finishing up some work, and he wordlessly sits down across from you, arms crossed and chin propped in his hand.
“what?” you ask, glancing up at him.
“nothing,” he replies, though the slight curve of his lips gives him away.
it’s not that jason is afraid to admit he likes you ( although there is a possibility he is but we don’t talk about that )—it’s just that he doesn’t know how. so instead, he hovers. he sticks close enough to feel like he’s part of your world but not so close that he risks giving himself away. so while he might act nonchalant, the truth is, he’s anything but. every glance, every lingering moment, every excuse to be near you is jason’s way of saying he cares—he just hasn’t found the words yet.
fixes things you didn’t even know were broken
jason’s way of showing he cares is a little unconventional, but it’s always in the small, unspoken ways. he’s the type to notice things that no one else would—things that have been lingering for ages in the background of your life, just waiting for someone to fix them. but because it’s jason, he’ll never bring it up. he’ll just do it, no questions asked, and then act like it never happened.
it starts with the little things. your chair in the living room? it’s been squeaking for months now, but it’s not something you’ve gotten around to fixing. it’s one of those annoyances you’ve learned to ignore, a piece of background noise that doesn’t really bother you enough to take action.
until one day, it suddenly stops.
you sit down in the chair, and for the first time in ages, it’s silent. your eyes narrow. you didn’t fix this—so who did?
“jason?” you ask, glancing toward him as he lounges on the couch, pretending to be deep in whatever he’s doing.
he doesn’t even look up. “what?”
“the chair. it’s. . . quiet now.”
he pauses for just a moment, but it’s enough to catch the shift in his demeanor. he shrugs, barely concealing the hint of a smile tugging at the corner of his lips. “must’ve gotten lucky. or maybe it fixed itself.”
you know it didn’t. but before you can press him on it, he’s already back to whatever he was doing, like the whole thing is no big deal. it’s almost as if he’s trying to play it off, hoping you won’t notice that he’s been quietly fixing things in your life, one at a time.
the next thing happens a few days later. you walk into the kitchen, only to find that the light above the sink, the one that flickers every time you try to use it, is now working. perfectly.
you stop, standing in the doorway and just staring at it. there’s no way you fixed it. and it certainly wasn’t broken enough to need replacing. so once again, you turn your gaze to jason, who’s now sitting at the kitchen table, eating a snack and acting entirely uninterested in your investigation.
“jason, did you—?”
“no,” he interrupts and continues watching the video essay he turns on every time he eats.
“uh-huh,” you say, narrowing your eyes, walking toward the light and testing the switch again just to make sure you’re not imagining things. it stays steady, glowing without hesitation.
he’ll never say it out loud, but each fix—each thoughtful act—speaks louder than any words could. the broken things don’t matter, because jason is here, fixing them in his own way, piece by piece.
TIM DRAKE
gets shy when you’re too close
tim drake is usually the picture of composure. he’s calm, collected, and can handle himself in just about any situation, but when you’re too close, all that confidence seems to slip away. it starts small. you’re sitting beside him, maybe sharing a space while working on something, and without thinking, you slide just a little bit closer to him. maybe your arm brushes against his, or your knee nudges his under the table.
it’s enough to throw him off, just for a second. his heart rate picks up slightly, and he tries to hide it behind the screen of his laptop, pretending to focus harder than he really is. but he knows, deep down, that he’s hyperaware of you now—of the way you’re sitting, of the way your presence seems to fill the space between the two of you.
his eyes flicker toward you, but quickly dart away, like he’s afraid you caught him staring. it’s an involuntary reaction, the nervous little shift in his posture as he tries to seem as casual as possible. he clears his throat, his voice slightly quieter than usual. “uh, sorry, was just—just making sure the laptop was charging.”
it’s obvious to you that he’s not really talking about the laptop. he’s trying to act like it’s no big deal, but every time you’re too close to him, tim’s body betrays him. the way his leg shifts a little away from yours under the table, or how he tries to subtly angle his body so there’s just a little more space between you and him, even if he doesn’t want there to be.
you might not notice the subtle movements, but tim does. and every time you get close to him, whether it’s by accident or on purpose, he feels a flutter of nerves that he can’t quite explain. it’s not that he doesn’t want you near him—far from it—but the proximity messes with him in ways he doesn’t understand. his thoughts get jumbled, and his usual calmness slips, replaced by the flustered feeling he’s not used to.
if you ever catch him looking at you, his gaze quickly drops, and a soft blush creeps up his neck. “i—i didn’t mean to—uh, just making sure you’re not too cramped.” he mutters, his fingers fidgeting with the edge of his laptop, anything to distract himself from the fact that he’s suddenly very aware of you being so close.
sometimes, when you get too near, tim will just freeze for a moment. it’s like his body can’t process the closeness, and the little awkward silence stretches between you two. it’s not uncomfortable—far from it—but it’s a vulnerable thing for tim, this closeness he doesn’t know how to handle.
but if you keep talking, or even just touch his arm gently when you lean over to look at something, tim’s composure slips even more. he shifts in his seat, trying to act like he’s calm, but his hand might twitch toward yours for just a second before he pulls it away like he’s afraid you’ll notice how he’s reacting.
follows you around during patrol
it’s late at night, the moon casting faint silver light across the streets, and the only sounds are the hum of city life and the occasional rustle of leaves in the wind. you’re out on a walk, maybe trying to clear your head or just enjoy the quiet, unaware that someone is watching you from the shadows. tim, clad in his suit, has been tailing you for a while now. it’s not that he’s trying to be creepy or intrusive, but rather, he’s just . . . concerned.
tim is the kind of person who can’t turn off his instincts, and tonight, for whatever reason, they’re telling him to stay close. he’s perched high above you on a rooftop, watching you walk along the street below, trying to remain unseen. his red robin suit blends into the darkness of the night, the shadows making him nearly invisible to anyone who might be looking.
he’s not sure why he’s doing it—it’s not like you’ve asked him to keep an eye on you—but there’s something about the quiet stillness of the night that has him on edge. maybe it’s because you’ve been a little distant lately, or maybe he’s just worried something might happen to you in the dark. either way, he’s got his eyes on you, and he won’t stop until you’re safely back where you belong.
he’s quick, agile, moving like a shadow himself. you might hear a faint creak of a fire escape ladder or the flurry of footsteps just out of your line of sight, but when you look, there’s nothing there—just the empty street, the soft glow of streetlights, and the ever-present hum of the city.
it’s when you stop for a moment, distracted by something—maybe you’re checking your phone or admiring a nearby storefront—that he’s closest. in that moment, tim takes a chance, moving closer to you, just a few feet away in the darkened alley. he’s not trying to startle you, but there’s something in his gut that tells him he can’t let you out of his sight, especially when it’s this late, and the streets feel a little emptier than usual.
he’ll hover just out of view, giving you space but never quite leaving you alone. if you keep walking, he follows, keeping his distance but staying close enough to ensure you’re safe. when you stop at a crosswalk or glance around, he’s already a few rooftops away, peering down at you from above, making sure you’re not being followed.
the closer you get to home, the more relaxed tim feels, but he never lets his guard down entirely. even when you reach the safety of your doorstep, he lingers just out of sight, making sure you get inside without any issues. he’ll remain in the shadows for a moment longer, watching as you lock the door behind you, ensuring you’re safe before finally letting out a breath he didn’t realize he was holding.
only then does he disappear into the night, his heart still racing, his mind replaying the images of your walk. he’ll retreat to his hidden vantage point, slipping into the dark corners of gotham once more, but the small weight of relief that you’re safe settles deep in his chest. even though he doesn’t want to admit it, there’s a part of him that feels content knowing you’re okay—even if you’ll never know how closely he’s watched over you.
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reiding-writing · 9 hours ago
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I love the team teasing cold!Reader and Spencer hshsh. How about when they are in a case and Spencer is in danger and she is just desperate trying to get to him?
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FACE TO FACE — SPENCER REID!
you threaten to crack under the stress of spencer’s abduction.
spencer reid x cold!reader | h/c | 1.2k | cold!reader masterlist.
main masterlist.
a/n — cold!readers origin story is taking so long i needed to take a break and work on something else 😭
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The air in the BAU’s makeshift command center was heavy with tension, the only sound the incessant clicking of Garcia’s keyboard and the faint hum of monitors displaying a live feed. On one of the screens, Spencer was hunched over in a chair, blood dripping from a cut above his eyebrow, his hands bound behind him.
The unsub paced in and out of the frame, holding a metal pipe.
Your fingers curled into fists as you stared at the screen, your stomach twisted in knots. Spencer’s soft grunts of pain, muffled by the gag in his mouth, made you want to smash something—or someone.
“Garcia,” you barked, voice sharp and cold. “How long until you trace the signal?”
Penelope flinched at your tone but kept her focus on the screen. “I—I’m working on it! The unsub’s bouncing the signal off half a dozen different servers—”
“I don’t care about the technical details,” you snapped, pacing. “Just hurry up.”
Derek Morgan stepped in, his voice steady but firm. “Hey, we’re all doing the best we can. Yelling at Garcia isn’t gonna make this go any faster,”
You stop pacing to turn to him, ice in your glare. “We need faster, Morgan. He’s—” You cut yourself off, unable to finish the sentence as Spencer let out another muffled cry on the screen. The unsub had struck him across the shoulder, causing him to slump forward.
Your jaw clenched as you spun back to the screen. “Come on, Reid,” you murmured under your breath. Your voice was barely audible, but the desperation in it made the team exchange glances. For all your cold, aloof demeanor, this was the first time they’d seen real cracks.
Hotch’s voice cut through the room like a whip. “Garcia, update.”
“I’m close, sir,” she said, her voice trembling. “But it’s not as simple as just pulling a trace. They’re using layers of encryption, and—”
“And he doesn’t have time for this-!” you snapped again, leaning over her desk. You caught yourself shaking, barely keeping it together.
On the screen, Spencer lifted his head, his eyes half-lidded but somehow defiant. The unsub grabbed him by the collar and yanked him upright, barking something inaudible to the camera.
You watch the way Spencer winces, how he refuses to break eye contact with his captor. His lips moved, and though you couldn’t hear what he was saying, you recognised the look. He was stalling. Buying time.
You inhaled sharply, forcing yourself to focus. Your cold fury had always been your armour, your defense mechanism, but right now, it felt like a weight pulling you under. The team needed you sharp. Spencer needed you sharp.
Emily’s hand landed on your shoulder, grounding you. “We’re going to get him back,” she said softly.
You didn’t answer, your eyes fixed on the screen. Another blow landed, and this time, Spencer couldn’t hold back the cry of pain. Your fingernails bit into your palm.
“I can’t just sit here and watch this,” you muttered, turning toward Hotch. “Let me take a team. Let me—”
“We don’t know where he is yet,” Hotch said, his voice calm but resolute. “The signal—”
“The signal,” you interrupted, your voice rising, “is taking too long. Every second we waste is another second he’s in danger.”
Hotch met your gaze, unflinching. “And every second we rush is another second we risk losing him entirely. You know that.”
You swallowed hard, feeling the weight of his words, but it didn’t make the helplessness any easier to bear. “He’ll die before we find him at this rate.”
You didn’t want to think about it like that. You didn’t want to think about the fact that a blow misplaced agaisnt Spencer’s head, or his torso, could mean whatever clock he had on his life would stop before you even knew where he was.
You didn’t want to think about the fact that even if you did get a location he could be too far away to get to him.
You needed a headstart. You needed to be out there, actually searching for him instead of standing around and waiting like an idiot.
Garcia let out a triumphant gasp. “Got it! I’ve got a location!”
And your head goes quiet.
Everyone surged into action at once. Hotch barked orders, Morgan grabbed his vest, and you were already halfway to the door. As the team piled into the SUVs, your focus narrowed to one singular thought: getting to Spencer.
The drive felt like an eternity, your mind racing with worst-case scenarios despite your best efforts to suppress them. When the vehicles screeched to a halt outside an abandoned warehouse, you didn’t wait for orders. You shoved the door open and bolted toward the entrance.
“Wait!” Morgan called after you, but you were already inside, gun drawn, heart pounding.
“FBI! Drop it!” you shouted, your voice echoing through the cavernous space.
The unsub spun toward you, startled, but he recovered quickly, pulling Spencer from the chair to use him as a human shield.
“Stay back, or I’ll kill him,” the unsub hissed, pulling the metal pipe across Spencer’s throat between tow hands.
Your grip trembles as you aim your gun, your finger hovering over the trigger. “Let him go.” you demanded, your voice icy despite the panic swirling inside you.
Spencer met your eyes, breath coming out in pants from the pressure on his esophagus. “Don’t—” he croaked, but his words were cut off as the unsub tightened his grip.
"I’ll do it!" the unsub threatened.
A shot rings out.
The unsub crumpled to the ground, blood pooling beneath him, Morgan’s form emerging to fill the space, his gun still raised.
There’s a moment where you can’t do anything but breathe, and then your legs carry you forward to push the unsub’s limp body off of Spencer’s tugging the latter to sit upright.
“Reid—” Your eyes scan the bruises on his face, on his shoulders and down his arms. “How much pain are you in?”
For once, you didn’t care about the team watching. You didn’t care about your reputation as the cold, detached one. All that mattered was that Spencer was alive, and you needed to make sure it stayed that way.
“I need to go to the hospital,” Spencer grimaces, his hand weak against your arm as he uses you as a support.
“There’s an ambulance outside, pretty boy,” Morgan kneels tentatively, hesitantly pressing a hand to his back to aid in Spencer’s effort not to fall over. “We’ve got you from here,”
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ohbueckers · 2 days ago
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HEART OF A WOMAN. … instead we’re moving slow, i guess she’s used to it by now.
05, CHAPTER FIVE. YOU BETTER START THINKING.
ju speaks. i procrastinated this so bad lol but i have some time over the break to get some stuff out (more hoaw chapters) so yay! pairing. wnba!paige bueckers x fem!oc. warnings. sexual innuendos.
present day, june 2025.
i’m not sure why i let it happen again.
scratch that—i know exactly why. i just don’t want to admit it to myself. it’s always like this with paige and me. a spark, a touch, a stupid comment or argument that turns into something much bigger, much harder to control. we’ve been here before, over and over, in different cities, in different beds, pretending like this time will be the last time. it should’ve been.
the last couple of weeks have been easier than i expected, softer in a way i didn’t know we were capable of. i’m starting to think it’s too good to be true. paige hasn’t been running from me, hasn’t been trying to prove something every second of our time together. maybe that’s why i’ve let my guard down, just a little.
she’s still herself, of course. cocky, loud, and incapable of stilling. but she’s been showing up. not just physically but in the ways i used to hope for back when we were together the first time. it’s in the way she looks at me when she thinks i’m not paying attention, like she did in high school when she told me she never wanted to let go of me. it’s in the way she texts me good morning before i can even think about reaching for my phone, like she’s trying to prove she can still be someone i want to wake up to.
and maybe, stupidly, i’m starting to believe her.
not completely, not yet. paige bueckers has always been good at saying the right things, making promises she’s not ready to keep. but these past weeks, it’s like she’s trying to remind me who she was before everything got so messy. the version of her i fell for in the first place.
but when she’s here, like this? it’s so hard to remember why i ever tried to stay away.
paige is stretched out on her back, arm slung around me, fingers tracing patterns absentmindedly on my shoulder. the sheets are tangled around her bare legs, and she shifts slightly, the motion sending a faint brush of her skin against mine. i glance up at her, and the smug smirk already curling at her lips tells me she knows exactly what she’s doing.
“you staring at me, nai?” she asks. her voice is rough and a little husky from sleep as she stretches. my eyes flash to her exposed abdomen.
“don’t flatter yourself,” i mutter, though it is so obviously a front.
“tooooo late,” she drawls, shifting again so she’s propped up on one elbow, the other hand sliding up to lazily run along my arm. “you’re terrible at pretending you’re not obsessed, by the way.”
i roll my eyes, trying to hide the way my breath hitches at her touch. “says the girl who texted me five times in a row last night because i didn’t answer fast enough.” i lean back against the pillow, staring up at her, and i swear i could forever.
paige’s grin widens, shameless as she looks away. “i mean, what was i ‘posed to do? sit there and wait? nah, i had to apply pressure.” the smugness on her face tells me she’s having way too much fun with this, fun with me.
i snort, shaking my head as i get up, swinging a leg over her and straddling her waist casually. “pressure? you called me a ‘certified flake’ and threatened to pull up if i didn’t respond.”
paige lets out a low laugh, her hands instinctively finding my thighs as i settle over her. “yeah, and look where it got me.” she licks her lips, smirk softening as her eyes flicker over my face, lingering on my lips that are curled up into a smile. “don’t act like you didn’t like the attention.”
i arch a brow, tilting my head to the side. “oh, is that what we’re calling it now?”
her hands tighten on my thighs, smirk faltering for just a second before she regains composure. “mhm. attention. you’re welcome.”
i roll my eyes but don’t pull away, my hands bracing on her chest. how could i? “you’re such a problem.” i bring the comforter we shared last night up over my back, and its like a tent giving us privacy from the sun of my windows. i really need some black-out curtains or something.
“and you love it,” she fires back, her voice dropping, teasing, as her fingers trail upwards, stopping just far enough.
i do. God, i really do.
i smile, and i swear my face hurts from it as i lean down to kiss her. again and again, each one leaving paige chasing after my lips. i savor the moment. i’m not sure how long it’ll be like this, but i like it. a lot. i pull back, resting my head on her chest, breathing in her morning scent as she bites down on her lip in reminiscence.
“tell me i’m wrong,” she murmurs.
i laugh, more of a pity chuckle just because she’s so full of herself. i furrow my eyebrows just slightly, bringing my hand to a resting point right by my face. “i’m not telling you shit, bueckers.”
“yeah? but you didn’t say i was wrong.”
i don’t want to admit it, not to her, not even to myself, but paige knows me better than anyone. she always has. it’s infuriating and comforting all at once, the way she sees through me like i’m an open book. i’m not an open book. i never have been, but for paige…
she doesn’t press, though. she never does when it really matters. she just watches me with that maddening half-smile, her fingers brushing over my skin like she has all the time in the world, and i know she’s waiting for me to say it. to give in.
maybe that’s why i keep coming back. or maybe it’s because she’s the only person who’s ever made me feel this much all at once—frustration, want, affection, something i’m not ready to name. whatever it is, it’s why i don’t pull away, why i let her keep pulling me closer even when i know i should stop.
i shift, the sheets rustling beneath us, and my chest tightens. not about what she said, but what i’m forcing myself to think about. i hate how much i want this, how much i want her, even after everything. especially after everything. but its addicting, and i know she feels the same.
“maybe i’m just a sucker for this,” i mutter, low enough that i’m not sure she hears it.
but of course she does.
she nearly breaks her neck to look down at me. she doesn’t let the words settle. “nah, you a sucker for me.”
i roll my eyes again, avoiding her gaze, but i don’t argue. instead, i lift my head again as i prop myself up on her chest. “what makes you so sure?” it’s a stupid question, but i was fully ready for her to read me.
paige’s smile turns smugger. “because you’re here,” she says simply. “and you’re smiling like that.”
i scoff, trying to play it off, but the way she’s looking at me makes it impossible. i lean down, pressing my lips to hers again, even slower this time. how could i stay away from her when kisses me like this? i feel the way her mouth curves, realizing she’s smiling too.
my hand slides up to cup her face, and she pulls me just a little closer by the small of my back, grip tight like always, like she’s scared i’ll slip. it’s not rushed—in fact, we have a couple hours to be entangled like this before having to part—it’s intentional. like she’s got all the time in the world and wants me to feel it.
and i do.
“it’s—mhm—okay,” paige says, and i find her muffled words rather cute as i shift my hips up, pushing my lips further into hers. her hand slides up my bare back, fiddling with the clasp of my bra. “i am too.”
i pull away, sitting up a little straighter as i quirk a brow at her. “you’re what?” i ask. i decide to help her out, unclasping my bra, but holding the straps up over my chest until she’s finished speaking.
her eyes fall, tongue swiping over her swollen, pink lips. i’m teasing her, i know it, paige definitely knows it. but as she brings her hands up slowly, tearing my own away, i almost forget what i was doing to her in the first place, suddenly fully exposed. i hear her breath hitch. “a big, fat sucker for you.”
i bite back a smile despite her unserious words, because they always make me do that. i roll my eyes, cusping her mouth into my hand playfully as she laughs, shaking out of it.
paige doesn’t hesitate.
she attaches her lips to my collarbone, trails down to the curve of my chest. i look down, and if i didn’t know any better, i’d say paige bueckers is absolutely enamored with me. “so beautiful, baby,” she huskily says, her hands grounding my hips against her as she moves to my tits, attacking the marks she’d left last night so roughly it has my breathing going faster.
i tangle a hand in her hair, fingers tightening reflexively, and it’s like i can’t look away. her face, her lips—every detail feels seared into my memory. “for real,” she continues, and when she looks up at me unexpectedly, lips curving into a small grin, it’s like i’ve completely checked out.
i’m not me anymore, i’m whatever paige wants me to be.
“need you framed or somethin’.” it’s a joke. clearly a joke, nailea. but the way she’s making me feel makes it land differently.
“framed, huh?” i manage.
“yeah,” she replies proudly, like it’s the sweetest thing she’s ever said. “you know, like for the crib. big centerfold. maybe as my lock screen too.”
i can’t help it—i laugh, shaking my head, closing my eyes momentarily as i pretend her words aren’t setting me closer to giving myself to her completely. “you’re so stupid,” i mutter.
paige doesn’t flinch, her grin only widening as she dips her head again, her lips brushing over the swell of my chest. “nah, just honest,” she murmurs against my skin, and the way her voice vibrates there nearly makes me lose it.
i force myself to breathe, leaning back slightly as her hands wander. “maybe you can,” i blurt out without thinking, and she pauses, glancing up at me again.
“what you talkin’ about?” she asks.
i don’t answer right away, leaning over to grab the pink polaroid camera sitting on my nightstand. it’s old and clunky, a relic from freshman year that my dad had given me, and i’d kept it more out of nostalgia than utility. now, though, it feels like fate.
it always does with us.
when i sit back, holding the camera up, paige’s eyes light up, her grin widening into something more troublesome. “nai,” she drags out.
i lift my eyebrows, playing along, like i don’t already know where this is headed. “i’m listening.”
“you not serious,” she shakes her head, voice etched with some laughter. she doesn’t believe it, yet she still tilts her head, sizing me up like she’s already planning the perfect angle.
“thought you wanted me framed, p,” i counter, poking my bottom lip out as i lift the camera a little higher.
her grin deepens, tongue flicking over her teeth as she leans back just enough, hands sliding up and down my legs, creating some sort of friction. she hesitates. “you sure?”
i pretend to think for a moment before responding. “hmm, depends. you gonna cooperate?”
paige chuckles. “oh, i’ll cooperate.” she shifts again, her posture loosening as she leans back against the headboard, one arm draping casually over her head, the other trailing down to rest just between my legs. shes so sexy it’s almost overwhelming. her grin is the same as always, blue hues pierced into me.
“go on then,” she urges. “show me how you see me, baby.”
i adjust the camera into focus, fingers fumbling over the different buttons i’m sure i’ll have to show her have to work before snapping the first photo. the flash and the sun combined cast her in a perfect light, and though she’ll look less defined in the old pixels, the sight’s engraved in my head now.
the whir of the camera fills the room, and the polaroid slides out, landing softly against her chest. paige grabs it, holding it up with a satisfied smirk as the image slowly develops, inspecting it like it’s a prize. she glances at me, her expression softening just a little. “i’m bettin’ you could do better.”
“oh, you think so?” i shoot back, handing her the camera.
“mhm. there a timer on this thing?”
i step out of the shower and into my room, shivering a little as i pull the towel tighter around my chest. paige, completely the opposite temperature of me, must have messed with my thermostat.
i silently curse her for getting so comfortable.
she’s still here, tall figure leaning over the bed she made up. she’s wearing nothing but a pair of basketball shorts and her sports bra, her phone in one hand, the other lazily shuffling through the scattered polaroids we just took.
“what you doin’?” i ask, tilting my head at her as i walk over, water droplets trailing down my legs.
paige glances up, her blue eyes gleaming like i’ve interrupted something i should’ve known better than to question. “you thought i was lying about my lock screen?” she smugly says, holding up her phone.
i keep my eyes on her, not knowing what to expect as i move closer, the faintest tug of a grin threatening my lips. “what’d you do?” i mutter, snatching her phone to check it for myself.
sure enough, the lock screen now features a series of the pictures we’d taken. i blink, and i think my boiling, hot shower just cleansed every dirty thought i had before getting in, because i don’t remember us being this fucking horny. my cheeks flush despite myself. “paige, you cannot keep this on your phone.”
she strokes her chin, lowly laughing at my reaction. “why not? looks good, don’t it?”
i shake my head as i fight back every inch of amusement that wants to take over me. “it’s unhinged,” i retort, though the corner of my mouth betrays me. a part of me wants her to keep it.
she looks at me, completely unfazed. “everything we just did is unhinged.” well…
before i can think of a snappy comeback, there’s a sudden knock at the front door, loud and authoritative. my heart leaps, and i freeze. paige stiffens too, her smile faltering just slightly.
“shit,” i mutter, tossing her phone back on the bed. “put a shirt on.”
paige doesn’t move immediately, still grinning like she thinks this is funny.
“now, p!” i urge, hitting her arm and scrambling toward my closet for a robe.
“aight, aight,” she finally says, scurrying over and grabbing a shirt off the back of a chair. she takes her time pulling it on, moving like this isn’t urgent, like we’re not one knock away from being exposed.
but then there’s another knock, louder this time. not from the front door—this one is right outside the bedroom.
the fuck?
i freeze, my hand still on the closet door, dread pooling in my stomach.
paige’s eyes widen as realization dawns on her. “yo, who has a key to your apartment?” she mouths, grabbing the polaroids and shoving them under the pillow in a panic.
i shake my head as if to tell her i wouldn’t know before squaring my shoulders, trying to channel a calm i don’t feel. If i act casual, maybe—just maybe—i can smooth this over. except i don’t know who it is. we don’t know who it is. i tie the robe around myself and open the door slowly, preparing for the worst.
and there she is. cameron brink.
her arms are crossed as she scans the room, and she doesn’t have a reaction to paige’s presence in the slightest bit. i speak first. “how’d you—“ i start, but she cuts me off, holding up a pink key decorated with yellow daisies attached to her keychain.
well, shit.
“i had a feeling i’d need this,” she says coolly, stepping inside without waiting for an invitation. “and your locations.” her eyes flick over my robe, then to paige standing awkwardly by the bed, and then back to me.
“bye, paige,” she says pointedly, not even giving her the courtesy of a glance as she busies herself by stuffing her keys into her purse.
paige hesitates, looking between me and cam, clearly debating whether to say something. i’ve got my own arms crossed, chewing down on my lip like a kid in trouble. she takes the hint, and finally, she steps toward me, pressing a quick kiss to my cheek before grabbing her phone and heading toward the door. “i’ll… catch you later.”
if it weren’t for the predicament we were in, i’d call her adorable.
the door closes behind her, leaving me alone with cam, and i don’t even have to look at her to know what’s coming.
“really?”
i roll my eyes, crossing my arms tighter against my chest. i shouldn’t be upset with her though. i’m deflecting. “you stalking me now?”
cam smirks, but there’s no humor in it. “i came to apologize for what happened at the bar,” she says. “in person, because i haven’t seen you. but now i know why—you’ve been busy.” her voice has something etched in it, almost like she’s disappointed in me, but at the same time, knew.
i look away, fingers curling around the fabric of my robe. “it’s not like that,” i mutter, but even i don’t believe it. not really. it is like that. and maybe i’m just too tired of pretending i can stay away.
“isn’t it? i thought you were done with her,” she says, her brows raising like she’s daring me to lie.
i let out a breath, awkwardly keeping my hands to my sides as i sit on the edge of the bed. “me too.”
“then why is she leaving your apartment like a one-night stand?”
“because—” i start, but the words stick in my throat. what was i supposed to say? that seeing paige nearly every day had unraveled every ounce of willpower i had? that being around her felt like falling into an old habit, comfortable and impossible to resist?
“you try having your ex-girlfriend get drafted to the team you work for,” i say finally.
still, she rambles. “and maya?” cam presses. she’s so worried about it you’d think it was her problem. “they’re seeing each other, you know that, right?”
i close my eyes for a moment, guilt clawing at my chest. that wasn’t fair. “we haven’t…” i trail off, shaking my head. “we haven’t been thinking that far.”
cam exhales, hand running down her face. “that’s the problem, nai. you’re not thinking.”
her words settle into the room, a bit harsh for me to hear, but not untrue. and maybe that’s what stings the most—that i’ve been avoiding this conversation with myself for weeks. the truth is, i haven’t thought about anything beyond the way paige makes me feel when she’s close, the way her voice drops when she says my name, the way her hands feel like they’re meant to pull me back in no matter how far i run. i haven’t thought about maya, about what it would mean for her to find out, about how i’d explain myself if it came to that. i haven’t thought about the job i fought so hard to get, and how quickly it could all fall apart if this got out.
i look at cam. she looks like she’s seen this all before. she hasn’t. she hasn’t even seen half of it and wants better for me. she loves us both, i know that. but apart better than together.
i bite my lip, frustration pooling in my gut as i try to put my thoughts together. somehow, the only thing i can think about is how this isn’t just paige and i’s secret anymore, and i should fight to keep it under wraps until we figure it out. “please don’t tell maya,” i plead.
cam looks at me, her expression unreadable for a long moment before she sits down beside me, close but not touching. “you know i won’t.” i feel a sense of relief. “but promise me you’ll start thinking. about how this affects your job. about you.” she chuckles dryly, emphasizing that i don’t really have a choice.
i suppose she’s right. she is right.
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postcardsfromheapside · 3 days ago
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I need to be salty for a hot second about people who are upset about aspects of Lucanis' romance.
I'll put everything else under the break for spoilers, but in general, I am so disappointed in a large portion of this fanbase who apparently thought "disaster" meant "romantasy," but also it's in keeping with how a lot of people seem unable to put things in context.
One of the complaints I keep seeing run past is that the scene where you commit to a relationship with Lucanis seems pefunctory, or out of the blue, there's nothing really romantic about it, it's too similar to the platonic route, etc, etc, ETC.
I romanced Emmrich, but I've seen other people's versions of romancing Lucanis. I'm just going to kind of word vomit here, and hope I can come up with something cohesive.
As someone who id's with Lucanis for "generational abuse" and "dumpster fire disaster bi" and "using socially acceptable drugs as coping mechanisms in place of addressing your problems" reasons, it's been really fucking annoying watching the almost deliberate misinterpretation of his character even after Mary Kirby dropped several explanations on social media. It's like a large part of the fanbase saw all that and turned into the "yes yes, very sad...anyway!" meme and went right on fetishizing him...then got mad when he didn't turn into the seductive Dom with wings they were hoping for.
You commit to Lucanis after (what I consider) a very intense scene inside his "mind prison." He's struggling so much internally that Spite wrests control of his body from him in front of witnesses and begs Rook to help them. Lucanis would never ask Rook to do so on his own, he's terrible at asking for the help he truly needs. Spite drags Rook into the Fade Ossuary and demands they free Lucanis from his self-imposed prison. And whether you're a friend or would-be lover, Rook slowly talks Lucanis out of a host of self doubts regarding his family and friends. Can he trust himself not to hurt other people, now that he's saddled with this affliction? Has he disappointed the people he cares about most? Do these new people he's coming to care about actually trust and care about him? The rooms are filled with fragmented thoughts that peter out into regrets. You're literally seeing Lucanis' fractured and complicated emotions.
One of them tore a hole straight through me: "You'd have to kill me...And Spite would die."
You'd have to kill him to get rid of the demon. And he'd regret the death of the demon that's protected him and given him strength, through a brutal year of betrayal and torment. I don't know if y'all remember the scenes in the Ossuary of the failed experiments and the corpses you had to pass to get to his jar of blood. It wasn't fun.
When you break out of the mind prison after helping him bond with Spite, it's intimate and momentous, even on a platonic route. You've seen desperate and lonely parts of him he'd never willingly show anyone.
As you're convincing Lucanis that it's okay to leave his mind-prison, you tell him you understand that it's easier to deal with problems like the Ossuary and Zara than healing and living with Spite, potentially hurting people he cares about. But he wants to. It's Rook's job to help him see a path out, a way for him to make the struggle easier so he can begin to heal himself.
I need to stress: you aren't "fixing" him. You're acting as his lighthouse, regardless of whether you're a friend or a lover. Sometimes people need help. He's still going to have to do the work to get there.
As a friend, it was extremely rewarding to come back to the kitchen and see him doing exactly as I'd hoped: moving on with the business of *living*. He made a nice dinner for everyone he's come to care for, and a special dessert for Neve. Cooking is where Lucanis finds creativity, and comfort, and connection with his friends and family. He isn't very good with words, but he will note everything you consume, and try to make you feel loved by expressing it that way.
Which is why I think it's important you don't dismiss the commitment on the romantic route. He remembers YOUR favorite drink and makes YOU a special dessert if you're romancing him. Lucanis isn't going to get poetic. You've already made him feel raw. You've seen the ugly, embarassing parts of him. What is he supposed to say? Usually it takes Spite reaching through his body to actually be direct. Instead, Lucanis reaches for food, his favorite medium, to try and apologize for inadvertently showing you those things, to thank you for helping him despite seeing what he considers the most shameful parts of him. Your commitment is letting him know that you value him, that he has nothing to be ashamed of, that you understand what he's trying to express with his struggling communication skills, which appear to get better as your relationship progresses from there.
It's weird that some of y'all don't feel that this is heartfelt and important, because you'd rather him act out some sensuous fantasy trope. It's also weird that some of you haven't figured out that many scenes in RPG's can be similar on platonic and romantic routes with tweaks to shade context.
(Also just in case this comes up: cooking is not his "love language" - that whole concept was invented by a misogynistic weirdo and we should remove it from our ideas of communication)
Anyway, this guy is my Rook's bestie and I'll go down swinging for him, you should appreciate the fuck out of him and stop acting like his writer didn't craft a perfectly funny little weirdo who is bad at showing people his tender parts and terrible at interpersonal relationships.
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oneletteredwondered · 3 days ago
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!!!!!
That's the thing!!! C!Thomas could probably benefit from indulging in dark creativity, be that breaking something, writing something gruesome, or in general just screaming really loud. He hasn't ever really fully leaned into that and I think it'd be good for him to have that catharsis.
But dark creativity and intrusive thoughts are not the same and can't be treated that way regardless of the fact they are combined into the one facet.
Especially in WTIT where he's fully leaned into the intrusive thoughts role.
Dark creativity is generally beneficial to Thomas because giving Thomas a greater perspective for his art is useful. However, intrusive thoughts are never helpful, and none of them have anything to do with the actual issues Thomas is dealing with. Generally Remus is much more likely to emerge and cause chaos when Thomas is already upset or anxious about something else because when Thomas is already feeling low, it is easier to further upset him. You could say that Remus showing up is beneficial to the other sides to indicate to them that Thomas is upset about something, but nothing Remus does has anything to do with his actual issues or realistic problems, he is just creating more anxiety and chaos because it is fun for him, and that anxiety and chaos that Remus causes has nothing to do with Thomas's actual real life issues, they are separate.
As someone who also has intrusive thoughts (twinsies, you and me, I want the window seat), I agree that Remus works like a litmus test, but more so like a check engine light. The light comes on when something is wrong enough, but the light itself does not tell you exactly what is wrong. You have to go into the system, you can't just trust the light. Remus comes around when something is wrong, but hes not giving any good indication as to what. He's playing to sensitivities and insecurities, and while those things are stuff to work on, they are not the root problem. He's misleading.
The issue is that, if Remus is showing up to show something is wrong and he's trying to help fix it, he's going about it in the literal worst way possible. He's not helping by making Thomas anxious and giving him Intrusive thoughts. And he's not really trying to guide anyone to a solution either. Yes he tells Logan he can't fix Thomas by himself, but that's more of a dig at Logan specifically cause Logan would want to fix Thomas by himself, and he can't. Remus is enjoying the misery.
He may be recognizing something is wrong, but he doesn't seem to care about the solution. If anything, it would be more beneficial for Remus if Thomas was to remain upset and anxious cause that's when remus is more likely to be listened to and kept around.
On one hand I can agree that it might be a disservice to reduce Remus to shits and giggles. How ever, he hasnt really proved much reason otherwise. In general I actually do believe he is in it for shits and giggles and that his character is that one dimensional. He's shallow enough that he would do things, and has done things, for the soul purpose of making someone upset or because he thinks it's funny.
The only solution I can see him being a part of is pushing Thomas so far to the breaking point so that he does indulge in dark creativity, but if he does that, he's not doing that to fix things, he's doing it because it's going to be fun.
In the end I think we just have a fundamental disagreement on what Remus motive is. I just haven't seen anything that indicates he wants to help as a whole. He likes poking the bear "just because" in my opinion.
But I do still agree with original sentiment, I think he's incredibly clever in the way he does what he does, he knows exactly how to get under everyone's skin and takes full advantage of it.
I don't think Remus is given enough credit for being clever.
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sheerfreesia007 · 2 days ago
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Love Letters
Pairing: Hyunjin x Reader
Word count: 2,242
Content warnings: Fluff
Summary: You feel silly writing the first letter to him since you had just seen him the day before on a date. But after the first one it got easier and easier to express your love for him in typed letters. What happens when he makes you a gift involving those letters?
Yeobo: Honey
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The first time he receives a letter from you he’s absolutely befuddled and confused because he had just seen you the day before on a nice romantic date walking around the Han river together before going to grab a simple lunch and ice cream. It had been a very peaceful relaxed date where the two of you had been able to just enjoy each other’s presence. But as he stares at the heavy envelope he can’t help but feel his heart start to race, no one has ever sent him a letter. And he can tell that you’ve put in a lot of effort into the letter and chosen the stationery with care, it feels heavier than normal paper and there’s a texture to the envelope that feels different. He slips the letter into his bag as he’s on his way to the dance studio and vows to read the letter on his break when he has time.
But soon dance practice has his full attention and Hyunjin forgets about the letter stored away in his bag. That is until it’s break time and Felix goes rummaging through his bag for a snack that he knows Hyunjin always keeps in there for the two of them to share before they are able to eat a meal. When he comes up with the snack hanging from his teeth and the envelope in his hands he turns to Hyunjin with wide eyes that dart between the envelope and his best friend.
”Hyung, what is this? Is this from yeobo?” He asks loudly enough to catch Hyunjin’s attention. Hyunjin turns from talking to Minho about a turn that doesn’t feel right to him and spots Felix holding your envelope in his hands causing him to rush over and grab the envelope from him.
”That’s mine.” Hyunjin says hastily and quickly tries to shove it back into his bag as his cheeks blush prettily.
”Did she really send you a love letter?” Felix asks giddily as his wide eyes follow his friend. Hyunjin can see the excitement written all across Felix’s face and his blush deepens on his face. He’s not embarrassed to receive a love letter from you, far from it actually. But the fact that Felix was able to find it so easily has him feeling slightly put off that someone else has already seen it. He tilts his head to the side wondering why he’s so adamant about keeping this for himself but he quickly shakes his head trying to clear it.
”Shush, I don’t know, I just got it today and haven’t had a chance to read it yet.” Hyunjin whines softly trying to get his friend to shut up. Felix laughs softly before nodding his head at his friend before opening the snack package and offering some to Hyunjin first. They share the snack before Minho calls for them to resume their practice, he tells them that they’ll go for another half hour and then break for lunch which they agree to.
A half hour later Hyunjin slumps onto the couch tiredly as Felix and Minho start talking about what they should all order for lunch. Hyunjin’s foot slips along the floor and hits his bag and he’s reminded of your letter once more. He bends forward and rummages through his bag before pulling out the envelope. He opens it carefully and smiles wistfully as your favorite perfume wafts through the air gently from the letter. He’s instantly reminded of the image of you laughing at something he had said on your last date while walking with him around the river, your hair fluttering in the breeze covering your face and he could only see your mouth curved in a happy smile as you laughed.
He doesn’t hear Felix or Minho ask him what he’d like for lunch or that they were going to go pick it up instead of having it delivered. But as Felix sees the letter in Hyunjin’s hand he easily guides Minho out of the dance studio so that they can give Hyunjin some quiet to read your letter to him. 
Unfolding the letter Hyunjin is surprised to see that it’s typed and not handwritten like he thought you would do. His eyes dart down the page quickly and spot your flourished signature down at the bottom of the page and smiles softly. And then his eyes race back to the top of the letter and begin to read.
Dear my sweet Hyune, This seems so silly to do but I saw it in one of the dramas that you liked and figured it would be a sweet thing to do for you. I don’t know if I’ll be able to keep this up because I feel so silly typing this out but I will try my hardest. I know you will appreciate a letter even if I don’t know what to say in it. I want to thank you for always taking care of me. Your care and love that you show me all the time is so precious to me and I can’t get enough of it. I hope you can feel my love and care for you as well, because I love you so much. To the moon and back a few times round trip. Alright that’s all I wanted to tell you, I’ll see you soon my love. Love. 
Hyunjin’s heart raced as his eyes finished reading the letter as a smile graced his face, already imagining you sitting at a typewriter talking to yourself as you typed up his letter. He giggled softly at the image and felt his heart slowly start to calm down but feel slightly fuller at the sweet silly letter. Folding it back up he slipped it into his bag carefully wanting to keep it neat and pristine before he could find a way to keep it somewhere safe. Grabbing his phone he quickly typed out a sweet text to you letting you know that he loved your letter and couldn’t wait to see you again to smother you in thankful kisses. For the rest of the day he felt as if he was on cloud nine all because of that silly little letter from you.
*-*-*-*
Hyunjin walks into the recording studio and spots Felix sitting on the couch waiting for his turn to record as Chan, Changbin, and Han all sit at the long desk where all the recording equipment is and Jeongin is inside the booth recording his part. Walking over to the couch Felix looks up and smiles brightly at his best friend before scooting along the couch to make room for him to sit.
“So did she send you another one?” Felix asked excitedly and Hyunjin smiled softly at his friend before nodding his head slowly while darting his eyes around the room to make sure no one else was watching them. Felix nearly bounced in his seat and Hyunjin giggled along with him. “I love that she sends you love letters. It’s so romantic and whimsical. So sweet.” Felix gushes and Hyunjin grins while nodding. 
It’s been months now since the first letter arrived and while at first the letter had been short and silly full of your awkwardness of not knowing what to write to him they soon evolved into lovely free thought letters of things that reminded you of him and why you loved him so much. They often revolve around reminiscing about your dates but more often they just talk about things that you love about him and your relationship. The letters are like a window into your mind and he can’t help but become addicted to the view you give him.
“I love it too. In fact, I’m making her a gift that involves the letters. Would you like to see it?” Hyunjin asks Felix who eagerly nods his head with wide excited eyes.
“Yes, of course. Show me.” he gushes out and Hyunjin smiles while pulling out his phone and opening up his camera roll to show him the progress pictures he’s been taking of the gift he’s making. “Oh Hyune! It’s amazing! She’s going to love it.” Felix says excitedly in a whisper and Hyunjin blushes brightly at his praise.
“You really think she’ll like it? I’m worried it’s too much.” Hyunjin admitted and Felix quickly shook his head in disagreement.
“Absolutely not, she’s going to love this. You have to finish it and give it to her Hyune. She’ll be so happy I promise you. Look at all the letters she’s sent you. This would mean so much to her.” Felix said Hyunjin looked at his friend quietly before coming to the conclusion that he was right. It would mean so much to give this to her. He nodded his head and Felix began giggling happily before grabbing onto Hyunjin’s arm and cuddling into his side.
*-*-*-*
The evening of your one year anniversary was almost like a fairytale to you, Hyunjin picked you up in a dark tinted luxury car that drove you to a beautiful restaurant that had a candlelit dinner waiting for the two of you. You spent hours talking and laughing over dinner reminiscing about your year long relationship and how much your lives had changed for the better since meeting. It had already been such a lovely evening between the two of you and now as you stood in front of your door with Hyunjin draped over your back with his arms wrapped loosely around your waist and his necks sucking kisses and dark marks into your skin while he husked out loving words to you you couldn’t think of a better way to end your evening.
When you finally got the door open and stumbled in with Hyunjin’s weight pressed to your back you were shocked to see your living room lit up by fairy lights, a bottle of champagne chilling in an ice bucket, a beautiful bouquet of red roses and a gift bag on your coffee table, you were shocked to your core. Hyunjin giggles softly at your halted steps before he steps around you and faces you. He reaches out and grabs onto your hands before guiding you further into your apartment and towards the couch.
”I have a surprise for you.” He says softly and you look up at him dazed.
”Hyunjin this is more than enough of a surprise.” You whisper to him but he shakes his head at you in disagreement.
”No, nothing will ever be enough. But I’m hoping that this will come slightly close to it.” He says softly and you stare at him wide eyed. He guides you over to the couch and sits you down before taking a seat right next to you. He opens the champagne bottle and pours you a glass in a pretty glass flute before pouring one for himself. “To many more years together. I love and adore you Yeobo.” Hyunjin cheers and you beam up at him happily before clinking your glass with his.
”To many more years together.” You mirrored him and he leaned forward to press a quick kiss to your lips.
”Now I have a gift for you. It’s been in the making for a long time and it means a great deal to me. So I hope it means just as much to you.”  He confessed softly and you smiled lovingly at him before pressing a kiss to his lips.
”I’m sure I’ll love it since it’s from you.” You admitted quietly before turning to the gift bag and peered into it. You gently reached in and took out the large leather bound book and set it in your lap, on the cover was etched Year One and it was a hefty book with lots of pages in it. Opening the book you’re greeted with the very first letter you ever sent to Hyunjin and gasp softly before turning your head quickly to him. He grins bashfully at you and you feel tears prick the back of your eyes. “You kept them?” You ask shocked and in awe.
”Of course I did. They’re a symbol of your love for me.” He says softly and you rest your head on his shoulder feeling your heart beat erratically for him. You turned the page and your eyes widened as you saw that it was a handwritten letter from Hyunjin to you responding to your own letter. Suddenly tears began to cascade from your eyes and you set the book on the coffee table gently before turning to him and burying your face in his chest. He wrapped his arms around you tightly and kissed your temple softly.
”I responded to every letter you wrote me and bound them together in the book.” He told you gently and you sobbed loudly into his chest.
”You sweet, romantic man.” You cried softly as you gripped him tightly. “Will you read it with me?” You asked as you looked up at him.
”I would love to. But it might take us awhile.” He confessed softly. “I might’ve gotten carried away with some of my letters.” He admitted and you chuckled at him.
”Good, we can spend however long reading it together.” You said lovingly to him before pressing your lips to his in a blind move that he easily and effortlessly reciprocated. The love between the two of you growing to an all consuming amount.
SKZ Taglist: @intartaruginha, @kayleefriedchicken, @babigriin, @simpforleeknaur, @inlovewithstraykids
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writingwithfolklore · 2 days ago
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Who holds the power in your scene?
This is something we really explored during my time at film school, and is easier to see on the screen but still very applicable on the page. Essentially, in every scene there is one character who is holding the power—meaning they are driving the conversation, driving the action, they are in control because they are going after a goal, and if they are in power, are going to get the closest to achieving it. Every character should have some sort of goal going into every scene, and thus the power can and should shift between characters within the scene to create more interesting dynamics. So how do we do this?
1. Understand each character’s goal—and who is going to “win”
Each character comes into a scene with expectations that form their goal. Let’s do a breakup scene. Character A comes in with the expectation to go on a hike with their partner and have a good time. Their goal may start out as something simple like: “have a good time on this hike” or “avoid fighting with Character B”. Character B is going into this scene knowing they are going to breakup with character A, their goal is to literally just breakup with them.
If we know, as the author, that Character B is going to be successful, we know that this is their scene and they will ultimately hold the majority of the power. Vice-versa if Character A is successful in achieving their goal.
In knowing that, we can get into the actual mechanics of a power shift.
2. Character spacing and movement
Spacing and movement is the most obvious aspect in filmmaking, but may be forgotten on the page. In our example, I would place Character B ahead of Character A on the hike so that they are standing slightly above them on the incline. When they begin discussing their breakup, I would turn them around. Subconsciously, we know that B is “lording” over A, they have the high ground (har-har) and thus are the more imposing, powerful person.
Even the act of turning around would be a display of this power. So I would write it as,
B: Listen, I’ve been meaning to talk to you about something… I just don’t really think either of us are happy—I don’t think this is really working anymore. A: What are you saying? B stops walking, turning on their heel to face them. B: I’m saying I want to break up.
3. The Driver of Conversation
Seen a bit in the last section, whoever is driving the conversation, steering the topic and tone, holds the power. You may notice throughout dialogue that there tends to be a questioner and an answerer, or someone providing the action while the other(s) are reacting.
A: I thought we were trying to connect more. Isn’t that what this stupid hike is about? B: Well it’s not working. I’m sorry. I’m done trying.
However, a character can grapple for and shift the power by calling them out or otherwise steering the conversation in a way that they would like instead. At this point, A would likely have shifted their goal from “having a good time” to proving that they were right about some change they picked up on, or in another case, may be trying to convince them to not breakup. If you allow them to “win” for a portion of the scene, you can reverse the power.
A: This is because of that person you met at work isn’t it? How dare you try to pretend that it has anything to do with me. B: Hold on—this has nothing to do with her… A scoffed, stepping forward on the incline. A: You are such a liar. You have been since the day we met. I don’t know why I ever trusted you.
B: I didn’t lie about that. I swear.
And let’s reverse the scene back:
A: What is it then? What is this really about? B: We’re just too different! I’m sorry. B steps past A and starts walking back the way they came.
Power can shift because another character took it, but it can also shift by the character in power giving it up, either intentionally or unintentionally.
4. The leader of action
Otherwise, the person who directs the action; is winning the fight, points out directions or creates the plan, or otherwise is determining where the characters go next or what they do next, holds the power in the scene. A grapple for power doesn’t necessarily need to be verbal but could rather be two people going opposite directions and one of them relenting, for example. This one is more obvious because it’s very visual, but is still an important aspect to how characters “win” or “lose” their goals in a scene.
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avatar-anna · 13 hours ago
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Three days had passed and Harry hadn't left your tiny apartment.
He kept saying he should probably leave, and you insisted there were things you had to do, but neither of you actually made it past the threshold of your door. No one said goodbye, or even bothered to shrug back into clothes. For three days, you ate, drank, and slept with Harry.
"You're making it hard to leave," he murmured, his voice low and content as you placed tiny kisses on his neck, his collarbone, his jaw, anywhere you could reach, really. It was how you used to wake Harry up when you were together, and when morning number four rolled around, you couldn't help yourself but lean across the bed and kiss his soft, sun kissed skin.
At first, you kept up the pretense of being unattached, of sleeping with Harry merely because you knew each other well enough physically. "This doesn't mean we're back together," you'd both whisper, or something to that effect, before blurring the lines of your non relationship once more.
"You're not making it any easier to kick you to the curb," you mumbled, one hand reaching up to caress his stubbly cheek. The fine, short hair that seemed to grow in the last few days.
Harry smelled good, like he usually did with a mix of the soap in your shower. It messed with your head in a way that was dangerous, but you couldn't bring yourself to care.
So he didn't leave (again), and you didn't tell him to go(again). You and Harry stayed in bed for most of the day, only bothering to get up when hunger was too apparent to ignore. You managed to whip something up from the meager groceries you had, not having gone to the market recently, and sat with Harry at the little dining table by the kitchen. The balcony would've been a much nicer spot, as it looked out over the neighborhood square you stayed in, but it was too public, too many keen eyes would've spotted Harry immediately.
"Part of me wishes I hadn't seen you at all," Harry confessed later in the day. You were back in bed after a brief stint in the kitchen where you tried to make pancakes, which promptly turned into kissing and licking pancake batter off Harry as he did the same to you on the kitchen counter, pancakes no longer a priority.
You knew he hadn't meant it to hurt you, but the words sent a pang through your chest, so different from the heat and fireworks and butterflies you usually got from him. Everything was so different now. It was hard to face how much had changed, especially now that Harry was in bed beside you. "I know."
"It's easier to pretend when I can't see you," he said softly, his hand never once stopping as it tracked through your hair, nor did your hand stop tracing patterns in his chest.
"Pretend?"
Harry blew out a large sigh before sitting up in your bed, his arms stretching high above his head. There were hickeys littered all over his body, one on his hip revealing itself as the bedsheet fell and settled just below his waist. You found yourself transfixed by your ex's body, the one you still loved so much the idea of him leaving made your heart hurt.
"Do you still love me?" Harry asked out of the blue.
The question shocked you, but only because you thought the last three days would've made it obvious. You certainly didn't have to ask him how he felt. "Yes."
"That makes it easier too. In a selfish way, I guess," he said, not once meeting your eye. "Knowing you're in as much pain as I am."
Unexpected tears welled in your eyes. You never wanted to hurt Harry. He'd been right to say it was easier to imagine him happy and healthy post break up if you didn't see or hear from him. It was easier to move on if you convinced yourselves that you were better off without each other.
"Harry—"
"I miss you, Y/n," he said, his voice trembling slightly. Harry wouldn't meet your eye, which made all of this so much worse. "I know why we broke up, and I've done everything short of sleeping with someone else to try and move on, but I just—Tell me you're struggling as much as I am. Tell me you don't sleep as well as you used to because I'm not there. Or don't. Tell me this has all just been sex to you so I know there's an end to this—this—"
"Misery?" you finished for him. "I wish I could. I don't know if I'll ever be the same again, honestly."
"Then why—"
"Don't ask why. Please. Not when you know the answer."
It wasn't like you and Harry woke up one day and stopped loving each other. Everything about your relationship had been nothing short of perfect from the very beginning.
Until it wasn't.
"No one has to know this time," Harry said. His tone had taken on a desperate edge, almost making you turn away from him so you wouldn't have to face it, do this all over again. "We can—We can keep this a secret. It'll be just us."
It will never be just us, you thought miserably. "People already know, H."
At the look of confusion on his face, you reached for your phone. You showed him the slew of articles that had already been written. Pictures of you and Harry walking through Rome together three days ago, each one picking you apart or depicting you as the villain in Harry's life.
"I know that's why you're still here. You're waiting for the storm to blow over," you said, unable to meet his eye.
"That's not—After everything I just said, you really think that's why I stayed?" he asked. You'd turned away from him, but you felt his hand on your shoulder, the kiss to your temple as he leaned in close.
"I wish I was the kind of person who didn't care what anyone thought, that I could simply exist in this relationship and not let anyone else in, but—but I'm not. I can't."
"You. Are. Enough," Harry murmured, pressing each word into your skin with a kiss. You closed your eyes, tears leaking from the corners as he curled himself around your body. One leg slid between yours, and you selfishly pulled him closer as he continued to murmur in your ear.
You fell asleep in your ex's arms, the weight of his body on yours more comforting than any blanket. When you woke up, Harry was there, but he wasn't wrapped around you anymore. He sat at the edge of your bed, wearing clothes for the first time since he'd set foot in your apartment.
"You're leaving?" you asked, voice scratchy with sleep.
"I'm supposed to go to Florence tomorrow," Harry said, bent over as he tied his shoes. "I've got a dozen messages on my phone asking where I am."
Something in Harry's voice sounded different, distant, just the way he sounded when you initially ran into him. It pulled at something in your heart, something that you'd been keeping at bay since you invited Harry into your apartment—the knowledge that this would eventually end.
"So you're—You were just going to leave? Without saying anything?"
You heard Harry sigh as he rested his head in his hands. "I thought it would be easier. Our last conversation seemed...final."
"I know, but—"
But what? Harry was right. This wasn't going anywhere. You told him you couldn't be in a relationship with him, and he was responding to that. You knew it was coming, but it didn't hurt any less now that the moment had finally come.
"You're right," you said eventually, sitting up in your bed. "We came here separately, of course you have plans. I'm sorry if I kept you."
"You didn't," Harry reassured. "There's nowhere I wanted to be the last few days, but we... we're broken up, and as much as I want to stay, I don't want to keep giving myself false hope."
Your fingers twitched, itching to reach out, to touch him, hold him. But he was right. As much as you loved this relationship limbo, that was all it was. Stringing you and Harry along would only hurt you more.
"I'm sorry," was all you could say. For too many things, none of which you could bring up without crying.
"Me too," Harry said.
Harry's lean figure appeared a couple minutes later, his head bent and shoulders slightly hunched, avoiding the few photographers who had been waiting for him to leave the building. You wanted him to turn around. You wanted to see his face one last time, a final farewell. But perhaps for his sake, he didn't, and you watched as he retreated down the street and turned down the road out of sight.
Leaning across the bed, he kissed your forehead, then stood up. "One day you'll realize how extraordinary you are, and you wont care how people perceive you," he said, his thumb caressing your cheek. "And then you'll go and make someone the luckiest man in the world by giving yourself over to him completely. I'm just devastated it wasn't me."
You watched him go from the sanctuary of your bed, knowing the second he was out of sight you'd break down completely. The door closed with a soft clock, and even though you knew you shouldn't, you hurried over to your bedroom window, waiting anxiously to get one last glimpse of him.
On your last day in Rome, you found a note he'd written.
Harry had hidden it in one of the pockets of his favorite of your sweaters, though you weren't exactly sure when. It wasn't very long, and the note itself was no more than a scrap of paper, one you'd nearly thrown out by accident. But you would've recognized his handwriting anywhere, and fond memories of notes you used to find among your things kept you from throwing away the folded paper and opening it instead.
Perhaps in another life. Unless you change your mind in this one, H.
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revelboo · 4 hours ago
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Nobody:
Nobody at all:
Me even before Thanksgiving ends: 🎁🎄🎁🎄🤶☃️☃️☃️🎄🎄❄️🌨
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Anyway, I hope you had a MARVELOUS Thanksgiving with friends and family, making memories that last!🦃🍁
I wonder how TFE Megs and his friend are doing…..
Oh, no, no! 😂 It’s supposed to snow this weekend and I just want to run away to Orlando, but it’s a ten hour drive. There’s no escape
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Give Up/ Give In Pt 10
TF Earthspark Megatron x Reader
• Back against the wall, his head falls forward as he fights recharge just to keep an eye on the small form curled up on the air mattress beside him. Occasionally reaching out to ghost his servos over you, not touching but flirting with it. Knows you’re safe here and that nothing would happen to you if he did rest. But he just can’t make himself relax enough, because he keeps thinking about how you look to him. Throughout the afternoon and into the night, you’d kept turning to find him even as you spoke with the Terrans or Bumblebee. Like you needed to reassure yourself that he hadn’t left you. That he’s still there.
• And he’s not sure what to make of it. His followers had looked to him for direction, but never like this. Like he’s needed, like you’re lost without him. Even before the Decepticon ranks began to splinter, they had needed him as a catalyst, a figurehead. Nothing more. Not like you do. Servos making another slow pass over you, he freezes when you roll and the back of your hand slides against him. Curling tighter into a ball with a little sound, that’s almost pain. A nightmare? Those he understands, and he frowns as you kick out a leg nearly kicking your blankets off. Struggling in the grip of whatever’s got its claws in you. Remembering the battle? Guilt makes him reach for you as you lash out with a little hand.
• The nightmare and reality blend together in a confusing blur as servos wrap around you and lift you. And you struggle against that grip, Megatron had saved you, but in your nightmares, those servos grip you too tightly, breaking you as those red optics glow with cold, indifferent fire. “Breathe, little one.” That deep voice. Part of the dream or reality? Waking up with a bone deep shudder, you’re aware that he’s holding you cradled against him. That he’s stroking along your spine with a servo and staring down at you in worry when you look up. “You’re alright.”
• Lying in his palm, you stare up at him. Your heart beating so fast against his servos as he carefully reaches to nudge your hair from your face. Not that surprised when you press your face into the crook of his servos to hide your face from him. “I’m okay,” you mumble against him, but he doesn’t believe it. There’d been fear in your eyes when you’d woken, you must be having nightmares about the battle. Dreaming Starscream had you or that your car had been crushed? He doesn’t know, and isn’t sure how to do this. How to get you to open up, when he’s so used to bottling everything up himself, burying it deep. Letting his head fall back, his optics shutter. You need someone like Bumblebee, someone who knows how to help you. He knows it, but it doesn’t sit right with him when you’re his to tend to.
• Pressing yourself against his servos, you slowly relax as the nightmare fades. Because no matter what he did in the past, these hands are so gentle with you. He worries over you, like now as his servos stroke over you. Trying to soothe you even if he’s not sure how, gentle touches that make it easier to breathe. The fear washing out of you until you can turn your head and peek up at him again. His expression uncertain as he watches you. “Thank you.”
Previous
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lavenlady · 2 days ago
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Hai hello!
I really like your work and the way you present the characters ^^
Would you be interested in writing megatron or Optimus prime (whichever you prefer :3) x Organic/cybertronian reader? Maybe she was previously Sentinel's partner who he got as a gift for killing the rest of the primes? Maybe they knew her earlier as Orion pax or D-16?
I really like your work
I am happy that you liked it! I have decided to do both but more on D-16 side.
The reader will be a minicon - small but powerful!
Enjoy :3
✿Special Gift✿
D16/Megatron and Orion Pax/Optimus Prime
➤ You were 'taken in' by Sentinel Prime
➤ Forged a little after the betrayal so you do not know the truth, but found the perfect Prime suspicious - he was just too perfect
➤ You were a minicon and minicons posses the ability to power up cybertronians, so Sentinel saw usefulness in you and decided to let you keep your cog, even then you only reached the hip of a miner bot
➤ It was a win-win for Sentinel, he just kept getting more and more powerful after his successful 'promotion' - a special gift that made him more of an Icon in Iacon
➤ Oh how many times he showed off with your help and called you his partner
➤ You were usually by Sentinels side in Iacon but were always left behind when the Prime went searching for the Matrix of Leadership
➤ You couldn't really go anywhere, but after the Iacon 5000 race you were intrigued by those two miners - Orion Pax and D-16
➤ You probably saw how Darkwing threw them into Sub-level 50 and decided to follow them
" So you are the miners that took part in the race. I never knew I would see this in my entire onlining! "
➤ You accompanied them to the surface and finally got to know everyone better, mainly D-16 and Orion Pax
" You sneaked into the archives, nearly got beaten and was close to fall into the void?! On a daily basis?! And I thought I had an exciting life! "
" You are on top of the sector and use a steel bag to train?! You are so strong! I bet you could snap someone in half! "
➤ Then finally finding out the truth...
" Ha! I knew it! There was something fishy about him! "
➤ And others finally got their cogs and you got an upgrade, but couldn't really check as you had to run away
➤ Others had quite a difficulty in transforming and thus you decided in the end to cling to D-16
➤ Then High Guard takes you hostage and D-16 takes on Starscream, but you couldn't just sit there and watch
➤ So you jumped to help D-16, transforming into his fusion cannon, but quite more upgraded
➤ Now you can imagine how easier it was to find them when D-16 fired into the sky
➤ Then Sentinel's pawns capture you and you finally met Sentinel again
➤ All is the same, but as D-16 is about to be branded, you finally transform and jump at Sentinels face trying to buy others time
➤ In the end Sentinel breaks your knee joints to keep you in place and that fuels even more D-16's rage - or rather said fury
➤ His new friend used and forced to do as the false Prime says? Not gonna happen again
➤ Then the branding, the fight that you decided to take part in only wishing for the treachery of Sentinel to end, not expecting Orion's actions
➤ And finally Orion gets shot
➤ You and D-16 didn't want that to happen and especially didn't plan on killing their friend
➤ It was D-16 decision to drop down Orion into the void, but you couldn't really find the reason to leave him - you have to get rid of the false prime still, it was his fault after all
➤ You and now Megatron, after getting the Megatronus Prime's cog and a power up, plan to fix Iacon all together
➤ Then Optimus Prime comes and the battle followed by banishment
➤ You didn't know who to choose, you really liked both of your friends
➤ But at the same time....
➤ Not everything can be solved without violence, it was needed to be done and you will - for now - stand by it
➤ Feeling sad that you have lost some of your friends, but at least you still have D- Megatron left
➤ He promised a new, better future and you are going to help in achieving it, even if it ment to offline in process
□■□■□■□■□■□■□■□■□■□■□■□■□■□
(anyway here is the height I imagine the reader having
The cybertronians in Tf One are huge so minicons have to be quite bigger to fit with proportions - at least i think)
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nekrosmos · 2 days ago
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questions about nikolai and price (originally from an ask meme about original characters but i wanna hear your thoughts):
what do they want to hear?
what do they need to hear?
what do they dread to hear?
Thank you for the ask !! I honestly struggled with the answers, I'm not the best at deep character introspection so this really had me scratching my head. I hope what I came up with makes sense !
What do they want to hear?
Nikolai: "I trust you."
Nik is intimidating, isn't he ? Intelligent, strong, well-connected Nikolai. People know that. It usually takes only a half a second glance to know that you do not want to be on this man's bad side. He's used to it, really. But how many times as he entered a room only to see people shift uncomfortably, suddenly very aware of his presence? He makes people uneasy, whether he wants it or not. It's fine when he's on an op and needs to be menacing, but it gets old quickly when he just wants to relax, sometimes.
He's trustworthy, despite his shady dealings, he's loyal. Thankfully, a handful of people know that.
Price: "You made a difference"
Yes, his hands got bloody, but it was all worth it in the end, right? He saved people by pulling the trigger when it needed to be done. No hesitation, it's what the world needs. So what if he can't sleep at night and his file is covered in black ? He made a difference, the rest, he can live with.
What do they need to hear?
Nikolai: "You need to think of yourself, too."
Nikolai puts others first, this has always been true. He likes to help out, likes to feel useful, ready to answer a call. Loyal to a fault, devoted to his friends. But when was the last time Nik put his needs as a top priority ? Has he ever done that ? He has no trouble flying to the other of the planet at a moment's notice if someone asks him to. How many nights of sleep has he missed because someone needed a hand? How much time has he spent fixing up his helo because it got banged up the last time a friend needed transport in hostile territory ? It's always others first, never himself, and he needs to be reminded of that.
Price: "You matter."
It's easy to forget that you're someone when you've been used as a weapon since you were 16. You forget that you have a purpose outside of your work, too. You forget you're a human first, with needs and wants and desires. You are Captain John Price, but you are also just John Price, and he matters too.
When he comes home for a break, what does he see outside of blank walls and a barely lived in house he never really took the time to make his ? It's temporary, he thinks, he doesn't really live here.
Maybe John needs to be reminded that he exists outside of his work.
What do they dread to hear?
Nikolai: "You don't belong here."
From either side. I think Nik feels strongly about his relationship with his home country, how he's been working against it and how his actions might be perceived by his countrymen. I think he's scared of losing this part of himself, and being rejected, even though all he's done was in the name of his country.
And then on the other side, Nik knows he stands out, knows people see him as a "could have so easily been the enemy" kind of guy. People like him, sure, but how many, aside from Kate, John and Gaz actually trust him ? Everyone else sees him as useful, but ultimately, they still look at him with a suspicious eye.
Where is home for Nikolai, really ?
Price: "You failed them"
Losing people, he's used to it. It never gets easier though, does it? Men and women under his command, people he's known for years, people who trusted him, friends. But, there is something entirely different between losing someone when you did everything you could have done and it was the way it was supposed to go, and losing someone because of your mistake. He failed them, he knows that, and it haunts him.
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spoilmesweetieforficssake · 23 hours ago
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Hi I really love your writing! Not sure if you are taking any prompts, no worries if not!
I was wondering if you could something with Melissa x reader similar to Janine and Gregory where they both work at the school and maybe the reader is dating someone but they have a moment like the club scene or PECSA weekend.
Hope you're having a good day lovely human!
Not dead! Nor have I given up on writing or filling the prompts I still have to fill! But a weird thing did happen - I went to a hypnotist show with friends thinking I wouldn't be affected... Long story short, I remember the first fifteen minutes of the show. Apparently, I was in the show for the rest of it. So that was a thing. But that's not the weird thing. The hypnotist said that a side effect of his hypnosis is often a better ability to focus, a quieter mind and less anxious thoughts. I have to hand it to the man, his words seem to be true. An unexpected side effect of this for me though is that it turns out the noise and chatter in my mind actually helps me write my fics. Now it's all a bit quiet in there and it's been hard to get the words out. But, that doesn't mean I don't still love writing - so we're pushing through.
I do have a confession though - this story has two prompts noted at the top of it in my drafts and although I can't find any evidence that I've posted it under either prompt, if I have already posted this and somehow have missed it, please let me know and I shall take the duplicate down.
Anyway, enough about me. Enough rambling. I hope you enjoy!
*~*
It would be easier if she wasn’t nice to you. 
If she wasn’t nice to you, she could just be the untouchable, hot as hell, fiery goddess you admired from afar. 
But no.  She let you sit with her and Barb at lunch.  She even brought you lunch after a few conversations had strayed into discussing cooking and favourite recipes during said lunch breaks.
How were you meant to get over your ridiculous crush when she actually gave you the time of day?  When she smiled like that?  When her whole face lit up and she gestured so animatedly when she got caught up talking about something?
And as if that wasn’t enough, how were you ever meant to recover after seeing her so soft with her students?  Going out of her way to open up to them and help them. 
It was ridiculous, though.  You knew that.  What good was ever going to come of it? 
Kid.  That’s what she calls you.  It’s a constant reminder of the age gap between you.  Of the chasm that you feel you can’t even begin to cross when she sees you as some eager little kid.
You’ve always had a thing for older women.  From those early, confused days of watching your on-screen idols, to realising you didn’t want to be them.  You didn’t want to be friends with them.  You just wanted them. 
You want one in particular, but as you look across at her, her red hair ablaze in the sunshine, you force those feelings down once more.  If friendship is what she’s offering you’re not about to beat her with that olive branch.  You’ll deem yourself lucky and move on.
Even if she has ruined you for anyone else. 
*~*
“You know,” drawled Barbara.  “It’s beginning to become a habit.”
“What is?” asked Melissa, turning to face her friend with a frown. 
“Staring at her,” said the older woman, eyebrow raised. 
The red head scoffs.  “As if.  I don’t know what you think you’re seeing but that ain’t it.”
*
It was all said in jest to begin with.  Gentle teasing about a few wayward glances.  That was until Barb started to see her best friend be genuinely nice to you. 
To begin with, she tolerated you.  You weren’t one of the eager little puppies she so often saw when it came to younger new hires.  That much was evident from the start.  You were an old soul.  You carried a different energy. 
One that Melissa apparently appreciated just as much as the view.  Barb stood beside her the red head as they watched over the kids leaving school, keeping an eye on the them as they left for the day, making their way to busses, rides or parents.  Or rather, Barb was keeping watch over the children.  A quick glance at Melissa confirmed that her attention was directed at you where you stood a little way off, chatting happily with a young girl about the book she was waving at you as she waited for her mother to collect her. 
“Girl…”
“Don’t,” sighed Melissa, crossing her arms across her chest. 
That took Barb by surprise.  She had expected the red head to deny it.  “You mean?”
“It’s stupid.  She’s some pretty young thing and I’m…older than I care to admit.”
Turning to look at her friend, her expression sad, the older woman reached out and placed a comforting hand on the other woman’s arm.  “And?  What’s it called?  A Spring, Winter romance?”
“May, December,” corrected Melissa automatically.  “But same thing.”
“Exactly” said Barb.  “There’s a name for it and everything.  It’s a thing.”
“It’s not a thing,” huffed the red head, turning on her heel and heading back into the building.  “It’s stupid and I’ll get over it, just like I do everything else in my life.”
*~*
You’re not sure you’re entirely on board for PECSA. 
Out of school, things are different.  Lines are blurred and you’re seeing a whole different side to your colleagues.  You’re not sure if it’s liberating or terrifying.  And that’s before you add in the factor of the other teachers who have also been set free from the constraints of the classroom and are now loose in the wild.
You’re sure your confusion must show on your face, particularly when at the end of one of the breakout sessions you find yourself caught up in conversation with a striking older woman who teaches at another school across town.
You don’t see Melissa at first, who watches the interaction with interest.  She’s not used to seeing you outside of school, and it takes her back to realise that the woman is flirting with you.  Openly and blatantly flirting with you.  She’s touching your arm, leaning into you.  Smiling and laughing. 
In return, you know you’re blushing something terrible, especially when the woman hands you a page from her notebook with her number scrawled across it.  Watching the woman walk away, throwing you a smile over her shoulder to you, you finally see the red head standing in the doorway where she said she’d meet you so you could head for lunch together.
“She not a bit old for you?” she asks as you approach, your blush still heating your cheeks.
You frown.  “If she looks like that and thinks I’m hot enough to give me her number, they’re the numbers I’m interested in,” you reply, heading in the direction of the lunch buffet. 
Barb overhears the comment, unable not to smirk at your flash of sass.  “Jealous?” she asks, leaning into the red head’s space. 
“Of what?” barks Melissa, crossing her arms across her chest as she watches you go.  “Oh leave off!” she snarks at the older woman’s raised eyebrow.
*
How the day has gone from serious talks and breakout sessions to cocktails by the pool you’re still trying to wrap your head around.  Adjusting your cover up, you head around the side of the pool, heading for the bar.  You hope the day starts to feel a little bit more normal with a drink in your hand. 
Gazing out over the water, you catch sight of Melissa.  Or rather, you catch sight of a lot more of Melissa than you’ve ever had the privilege of seeing before.  Not looking where you’re walking as your eyes drink in the magnificent view there’s no saving yourself as you step forward and your foot finds water instead of concrete.
“Is that?” Melissa asks incredulously at the dramatic splash that comes from the other side of the pool.  She’s up out of her lounger before Barb can comment and the older teacher can only watch on in amusement as the red head storms off in your direction. 
You pull yourself out of the pool, allowing yourself to perch on the edge as you try your best to ignore the chuckles of those around you who have noticed your mishap. 
“What the fuck happened?”
You look up and of course Melissa is there.  Right there, lit up in the sun like an angel, red hair haloed around her head.  It takes a moment to realise that her eyes are roving over you, and not just your face.  You glance down where your cover up now clings to your skin, almost see through. 
Looking up you see Melissa blink rapidly a few times before offering you a hand.  You reach for her, smiling as she helps pull you to your feet.  “Thanks,” you smile sheepishly.  “I guess I should go change.”
“It’s a pool, you’re allowed to be a little wet,” the red head smirks back at you.  “Besides, we’re this close to the bar now, be rude not to take advantage.”
*
Melissa appears at the bar next to you with a huff, grumbling under her breath.  Her attention is focused on trying to get the attention of the barman.  Mumbling though she is, she’s speaking just loud enough for you to make out what she was saying. 
“He was an ass,” you tell her, watching as her head whipped around, finally realising you were there. 
“What?” she asks with a frown, already tipsy. 
“Your ex,” you enlighten her.  You may not have heard the comment that led to her current dip in mood, or ever have met the man, but you know enough.
Her frown only deepens.  “You don’t know a thing about him.”
“I know he didn’t appreciate what he had and left you,” you offer, ordering a drink when the barman appears in front of you, before turning back to Melissa to ask what she wants.  You find her looking at you oddly, her expression unreadable.  She quickly snaps out of it and barks and order at the bartender.
*
Barb has had more than a few drinks, it would appear as she flags you down to sit with her as you pass her table. 
“Sit, sit,” she smiles, trying to reach for your arm and push the chair out next to her at the same time in an uncoordinated matter. 
Catching her hands, you still her as you slide into the seat beside her to placate her.  Her gaze is a little unfocused, her words edging towards slurred.  You hadn’t quite realised how drunk she was, but then again, looking around the room, it would have been more of a surprise for her to be sober. 
“Don’t call that woman,” she tells you, leaning into your space.
“What woman?” you frown.
“That woman who gave you her number,” says Barbara like it’s obvious. 
You try not to think about the fact that for Barb to know, Melissa must have mentioned it.  That it’s been on her mind enough to mention it to the older woman.  “Why not?”
“She wouldn’t like it.”
“She gave me her number,” you point out.  “I don’t think she would mind.”
Barb shakes her head.  “Not her.  Her,” she says, nodding across the room to where Melissa is standing. 
You cross your arms across your chest.  “What has Melissa got to do with anything?”
Barb raises a single eyebrow, the action still smooth and effective despite her drunkenness and it makes you blush. 
Averting your gaze, you shake your head.  “It doesn’t matter what I feel,” you sigh.  “She’s not…She thinks I’m some stupid kid.”
What you don’t see, is Melissa standing close enough behind your chair to catch your words.
*
Somewhere after speaking to Barb you decide that trying to be the sober parent of your little Abbott family just isn’t working.  You’ve lost track of most of them, and honestly, you’ve given up trying to find them.  They’re all adults and can fend for themselves.
You still have eyes on Barb and Melissa though, the former dancing up a storm and the latter apparently winning an ill-advised drinking competition. 
Not that you can judge, of course.  You know you’ve drunk more than you should, feeling pleasantly buzzed from your seat in the corner of the bar.  You should call it a night before you do something you’ll regret, like call the woman Barbara told you not to.  Sober, you wouldn’t.  Drunk, you’re flattered enough and wouldn’t say no to the company. 
With a sigh, you push yourself up out of your seat and head towards the elevators.  Pushing the button, you watch the numbers light up as the lift descends.  You squeak in surprise when a strong pair of hands land on your hips, turning you around as a plump pair of lips meet you own.
“I don’t think you’re some stupid kid.”
You blink slowly a few times, taking in the woman before you.  Melissa.  Melissa Schemmenti just kissed you.  You shouldn’t, but you don’t have it in you to deny yourself the pleasure of feeling her lips against yours once more.  You kiss her back with enthusiasm, not protesting when she backs you into the elevator as it opens and moaning as your back hits the wall of the small metallic box, the weight of Melissa pressed against you. 
You’ve always admired her curves.  Pressed against you they’re a dream. 
The clearing of a throat far to close snaps you out of your living dream and you feel Melissa take a step back, biting her lip as she guiltily throws a glance over her shoulder, registering Barb standing in the elevator, her back to you both as if she hasn’t just witnessed exactly what you were both doing. 
Standing close, you grin at the devious smirk being aimed your way by a certain red head.  There’s a dangerous glimmer of mischief in her eyes.  Smudged lipstick and mussed hair from where you hands couldn’t help but run thought it complete the look.  The woman is a work of art. 
You look up as the elevator doors chime open, realising this is your floor.  Stepping forward, you slip past Barb, who merely raises an eyebrow.  You throw a look back at Melissa, who sways forward as though to follow you, before hesitating. 
The doors slide shut, and honestly, it’s probably for the best.
You miss the dark chuckle Barb lets out as the lift begins to ascend once more.
“What you laughing at?” asks Melissa, scowling.  She’s annoyed with herself for hesitating.  She knows what she wants, and she just let it walk out of the elevator.
“You two think you’re subtle?” the older woman drawls.  “She has more of your lipstick on than you do.”
*
If PECSA was party central the night before, it was hangover central the morning after.  You’re sitting outside on the low wall, sunglasses firmly in place, your phone in one hand and a bottle of water in the other as you take in the cool morning air. 
“You regret what happened last night?”
You turn to see Melissa, similarly attired.  “What?”
She comes to stand beside the wall on which you’re sat, her gaze wandering anywhere but you as she speaks.  “I came to your room last night.  You didn’t answer.”
“I didn’t hear you,” you admit, watching as her head whips around.  “Too busy throwing up everything I ever drank.”  You feel the blush dusting your cheeks, but continue.  This feels too important to let a little embarrassment stop you.  You take off your sunglasses so she can see your face as you speak,  “I have many regrets about my choices last night, but what happened in the elevator isn’t one of them.”
A slow smile spreads across her lips as she shifts to take a seat next to you.  She slips her own sunglasses off, finally letting you see her eyes.  “Good to know,” she murmurs.  “Me neither.”
You can’t help but smile at that.  You notice her gaze wandering and realise she staring at the phone still clutched in your hand. 
“You planning on using that number you were so interested in yesterday?”
“Honestly?” you ask, seeing the uncertainty in her face as she nods regardless.  “That woman was hot, and while I was more than a little flattered she gave me her number…she isn’t a patch on you.”
Pale cheeks blush adorably pink at your words.  Melissa isn’t used to hearing things like what from you.
“Don’t look so surprised,” you scoff, nudging her shoulder.  “You’ve seen yourself in a mirror, right?  And you needn’t think I go falling in pools over every pretty woman I see.”
“I really distracted you that badly, huh?” she asks, a little of her confidence returning.
You bump her shoulder with yours once more.  “Shut up.”
A gentle hand moves to cup your cheek, turning you to face her as Melissa presses a gentle kiss to your lips.  “For the record,” she says quietly.  “I don’t think you’re some stupid little kid.  I think you’re beautiful.”
You take in a shuddering breath.  It all feels too good to be true.  “What happens at PECSA stays at PECSA?” you ask sadly.
“I’ve never been one for playing by the rules,” she smirks back at you, pressing another quick kiss to your lips before pushing herself to her feet and offering a hand to you.  “Come on, we gotta go find Barb.  Reunite her with her shoes, sobriety and sanity.”
You take the hand being offered like a lifeline, grinning as Melissa starts walking, swinging your joined hands between you.  It’s only as you pass through the front doors to the building that her words even register.  “Wait?  Her shoes?”
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valar-did-me-wrong · 3 days ago
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I'll answer about the "work Adar does to heal himself part" but first I believe noone said the choice/work needs to be done to become worthy to get healed by Nenya.
I believe me & the other person above were saying Nenya can't heal evil like that, you have to heal that evil inside you yourself. We were talking how Nenya can aid you in healing but it can't do the self searching, acceptance & repentance that healing involves. (Precisely why sauron won't have benefited from it)
And as someone said in another post related to this topic; which has suddenly replaced the celeborn hate of last month for some reason, Sauron has already had atleast 2 other people try & aid him in this matter since S1.
Diarmid gives him advice on how to move on and chose good everyday, that's how you get forgiven. Galadriel keeps on telling him in S1 how he should let go of the past & start anew. These characters have been trying to aid sauron but he did not listen to any of that. So why suddenly will he listen to Nenya's aid?
S2 shows how he chooses self deception instead of self searching & acceptance and greed & selfishness over repentance. He doesn't want to choose good so no power can redeem him yet.
As for Adar & his choices/work he puts to heal himself. I believe the first thing that differentiates him from Sauron & solidifies his eventual redemption is how they both treat the orcs.
Both Adar & Sauron are involved in the making of orcs.
Sauron treats them as lowly, inferior creatures whom he sees as so unworthy that they are just disposable slaves to him, despite being his own creations; albeit flawed.
Adar on the other hand, sees their existence & suffering, knows his involvement in it & instead of hating it & them along with it he chooses to love them, fight for them & try to break the cycle of abuse that perpetuates their plight.
Looking at your mistake, accepting it as a mistake & still not hating the outcome of it is an act that requires self searching & acceptance, it doesn't appear in a vaccum.
This is choosing to do good (not hate beings that did not have any say in their doomed, violent fate & instead try and make their lives easier)
This doesn't erase his crimes against the southlanders but those crimes also don't erase his genuine love for his children. 2 things can be true at once, this show is beautiful in its complexity this way!
Then there are passing instances of choosing to do good on which the show doesn't focus too much but they exist. Like not humiliating & torturing Galadriel in the orc camp like she does with him in S1 & trying to forge an alliance with elves in his fucked up way before the siege.
The show has been sowing the seeds of Adar's redemption ever since the first scene he was in in S1, where he kills one of his children to ease their suffering, which again the show has been consistent with showing his intentions are good but his ways are fucked up.
Which those ways will remain fucked up till Nenya basically does to him what Diarmid & Galadriel in S1 do for Sauron imo.
This is why it actually isn't right to blame showrunners, writers & Galadriel for Sauron's lack of redemption, when Nenya or anything other than Sauron himself cannot heal him of evil.
S1E1 of ROP sets up the theme of "Nothing is evil in the beginning"
This is a true to life imo & nuanced take on evil.
The show expands on it by showing us Sauron in his repentance phase where he is trying to return to his beginnings when he was still good.
S2E1 gives us the theme of the season "To be forgiven one needs to choose good everyday"
Again a very nuanced take on goodness, individual responsibility & willpower.
The show expands on it by simultaneously showing us Adar & Sauron starting on the same side & choosing different paths in the end.
This season shows us Sauron not choosing good, actively harming others and letting his decisions be based on greed & selfishness.
While Adar who's character's evil side was already established in Season 2 with the abuse of Southlanders gets his origins & motives fleshed out and then gets presented with the choice where he chooses good.
This show puts a lot of effort into nuances, complex topics like the cycle of abuse and dark characters that are very human & grounded in reality.
To imply that Magic Ring = Evil Eraser in a show like this imo diminishes the hardwork put into it & all its characters who have their own minds, motivations & challenges. (the very things we praise ROP Galadriel for having)
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anxious-lee · 2 days ago
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|| Ridiculous Problems Require Ridiculous Solutions ||
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A/N: me going to sleep at night knowing i write OOC tickles for serious media: 😴😴😴
Summary: Jayce refuses to get some sleep, but Viktor might have a way to convince him.
Word count: 1292
---
It's easier to scold someone else's lack of self-care than it is to work on your own.
When Viktor neglects his sleep, Jayce knows exactly what to say every time. "You can't keep overworking your body like this. Sooner or later, you're going to shut down."
But when Jayce neglects his sleep, he finds new ways to rationalize his decision thanks to his sleep-deprived daze. He pretends like he can't see Viktor staring ironically at him from down the table.
Okay, so maybe he was being a bit of a hypocrite. But these were special circumstances! They were expected to present a new Hextech device to the council in a few days, and they were running behind schedule. Jayce had tried to speed things along by putting in a few more hours at his station, but what was supposed to be "a few hours" turned into the entire night.
Viktor, as Jayce expected, was none too pleased. He insisted that they had already done more than was even necessary, and that any more modifications could have been dealt with in the morning. He even had the nerve to parrot Jayce's own lecture back to him.
"If you keep this up, sooner or later your body will shut down."
"Why does that sound so familiar?" Jayce groaned sarcastically. Regardless of his ill-advised choices, this machine still needed finishing, and that was what he was going to do.
He couldn't quite remember getting up out of his chair and making his way over to the toolbox, as the world seemed to blur around him, but a curmudgeonly voice brought him back to the present.
"Jayce, please, what you've done is good enough. Go home and get some sleep."
"Viktor, I'm fine, I'm really fine. I can still work."
"What is it you're reaching for right now?"
Jayce blinked down at where his hand was grabbing... thin air. Dazed, he spun around until he found the tool box on complete opposite end of the table.
Viktor gestured emphatically at the box. "You see? You're not thinking clearly," His voice changed suddenly into a compassionate, almost pleading tone. "You've gone too long without sleep. I'll handle the preparations today, you can go home."
"Vik, I can't just drop this now okay? I'm so close now. I mean think about it, what's more important right now: the amount of sleep I get, or proving our value to the council?"
"I cannot believe you're asking me this" said Viktor, sounding more exhausted than his partner in that moment.
Ignoring him, Jayce staggered to where the toolbox actually was, and grabbed a wrench.
Unfortunately for him, Viktor was not willing to let this go. He gripped Jayce by the arm clutching the wrench.
"Jayce, put it down. I don't want to need to use force." Although it was certainly a threat, they both knew implicitly that Viktor wasn't very cross with Jayce at all. But dammit, he would go to bed.
Jayce chuckled. "Not happening, Vik."
"Ehhhh fine. If that's the way it has to be" Viktor said, with something akin to a smirk in his voice. A smirk that usually meant trouble for Jayce.
A hand suddenly began squeezing up Jayce's side, making the scientist bark in a choke of laughter. It wasn't often that Viktor opted to play dirty like this; only when the situation desperately called for it. He was nothing if not a determined man.
Laughing freely, Jayce remained where he stood. At a new ninety-degree angle, sure, but still standing. If Viktor wanted to take this up a notch, then so would he. He'll laugh until his sides split open, but he is not losing this fight.
"Viktor, whahat the hehehelll!" He giggled.
"I have asked you several times to take a break, but if you want to go about this like a child, then I will treat you like one" Viktor teased.
Jayce could hear the smugness in his voice.
"I'm noHOt givihing IN!"
"How unfortunate for you."
The hand at Jayce's side was now climbing it's way up to his arm. Jayce twisted around every which way he could to try and stall its arrival, but to little success. He would rather die than admit it, but he truly couldn't help giggling even if it wasn't involuntary. The sensation, sparkling its way through his nerves like lightning through tree branches, was just so funny. It was pleasant, in the most unbearable way. He couldn't fully wrap his head around it, and he didn't have time to, because Viktor was still clawing into his armpit.
Jayce wasn't going to take this lying down. He started to pull away from his partner, hoping that Viktor wouldn't persist that much. Maybe moving away would be all it took for this tickly spell to be broken.
But to no such luck. Viktor could see his plan to move before he enacted it. Quick as a flash, he gripped Jayce's arm with his free hand, now effectively pinning him to his side.
"And where do you think you're going?" Viktor asked.
"Lehet mehehe gohoho!"
"You know what it is I want Jayce. I'll keep tickling until you go to bed."
"You cahan't brihihibe me into being healthyhyhyhy!"
"Bribe?"
Oh, fuck.
"Is this a bribe then?" came the voice above him. His voice was like a warm spotlight, exposing him with the softest touch. It was the same tone he got when something truly fascinated him; when his object of study surprised him and heightened his sense of curiosity even more.
Jayce's eyes had shut tight as soon as he realized what he had said, too mortified to dare a look. The tickling had stopped. Of course it did. Why would Viktor keep going after hearing him say something that stupid? He didn't even think it, it just slipped out! But he couldn't say that he was mistaken. Because he was having fun. Goofing off, having Viktor be close to him, playing with him-
Viktor had been quiet for a total of three whole seconds, but to Jayce, it may as well have been twenty. Then came Viktor's voice.
"Well, in that case-" he said, a little too giddy for Jayce's liking.
"Wait, Viktor, I didn't mean it like-"
A hand latched onto his other side, simultaneously pulling him in like an awkward side-hug. The other hand had surrendered the grip on his arm in favor of scratching at his belly. The frantic giggles that left his mouth were not helping to ease the embarrassment of the situation.
"How about this for a deal?" Viktor smiled, a gentle and adoring look in his eyes that Jayce could not appreciate, as his eyes were still clamped shut. "We go home, get relaxed, and I tickle you senseless until you're worn out. Sound fair?"
What didn't sound fair was how flirty he sounded. Jayce's face burned red, and he knew he couldn't hide it. He buried his face into Viktor's chest.
"I'll take that as a yes."
And with that, the tickling stopped. Only for this moment. Viktor's hands now cradled his husband's face, pulling it out from his chest and against his forehead.
"You make me so stupidly weak" he said, pressing a kiss to his nose.
"Which one of us has been laughing themselves stupid for the past five minutes?"
That got a giggle out of Viktor. With a final poke in the side, he grabbed his cane and turned toward the door, with Jayce grabbing their coats behind them.
"You don't think anyone heard us, do you?" Jayce asked nervously.
"Don't worry, Sky's not here today."
From behind the closed door, Sky took that as a sign to leave quickly, and she did so without a sound.
---
I swear I am actually going to write lee!viktor soon trust
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the-universal-sun · 2 days ago
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On what age range does Stan regress? And also what type of agree gear does be use? Just politely asking as a fren :3
Yes! Thank you friend for the ask! There’s going to be more coming this way because I’ll have entirely too much time on my hands in the next few days! So please enjoy this too!
Can you guys tell what book I apparently really like?
I don’t think there’s a solid age he regresses down to, like consistently, I think it’s around the 2-5 mark, unless something happens or he’s feeling extremely distressed, then he regresses down younger. Which, in that case, means he HAS to have someone take care of him. Which is probably going to be Ford, he’s the only one he can really trust to care for him in the way he needs when he feels that young.
As for gear, it depends.
If Fiddleford is his caregiver (and even though this would be in the early 80s we are going to be anachronistic. This is fiction we can take liberties) then he’s getting at least one pacifier. Fidds probably made it for Stan so he doesn’t mess up his teeth even more, and he probably made it to have a cute little nickname spelled out. I like to think Fidds uses food/southern nicknames for Stanley when regressed, so think something like “Pumpkin” or “Junebug”. He does have his “Poindexter” plush that he’s had since he was 19, but Fidds does win him a really big Duck plush when the fair comes to Gravity Falls. He has some sippy cups because he has a tendency to tilt the cup all the way up and pour his drink all down his face and clothes. He really only has some footie pajamas for when it gets to be winter up there. It’s not easy to come by someone who will custom make clothes in gravity falls, especially nothing like the kind of clothes Stan wants. So he mostly settles for some softer clothing with fun designs and patterns. Nothing vibrant that’ll hurt his eyes. Sweats and grandma sweaters mostly. Fidds makes sure he has a lot of paper and coloring books with as many crayons and markers as he wants. He loves to color and draw. He also has some blocks, a lite brite for when the lights needs to be off so his eyes can rest, play doh, and fighting robots to name a few. He has a few story books that Fidds will read to him. Fidds wants to spoil him, but he knows that he can’t buy Stan everything he wants to, so he does what he can (for now…)
If Ford is his caregiver (we’re doing Grunkle Ford for now) then he is going to do his best to spoil Stan with all he wants as much as possible. From buying stuff online (the internet is marvelous!) to making/inventing it. Ford’s got Stan enough pacifiers stashed around the ship and later shack to have a different one every day. He’s getting Stan sippy cups of all kinds of patterns and designs. it’s easier than cups for him if he’s got dentures since he likes to take those out. He’s got one bottle for the times he’s feeling extra small. He’s got some nice and warm footie pajamas for when they’re in the Arctic, and some lighter ones for more general use-sometimes his brother just needs a lazy day where he can wear what’s basically pajamas. Those kinds of footies are going to be the kind that are animal themed with the ears and tails-Ford thinks they’re so cute. He’s also got some nautical themes pajama sets for the summers spent in Gravity Falls. That’s not even accounting for all the soft handmade sweaters Stan’s got from Mabel that he wears-his favorite having dinos on it-and the soft pants and shorts he feels more comfortable wearing now that his secrets out in the open. I’ve already mentioned Poindexter, that’s a staple for any kind of regressed Stanley, and I mentioned in a few posts Shanklin 2, the stuffed Opposum Ford gets Stan after finding out he’s barely got any Little stuff. He will give Stan all the toys he had back in Jersey and all the toys he’s ever wanted. Legos, blocks, slinkies, playdoh, etch n sketches, fighting robots, hard to break tea sets, coloring books, fancy crayons (This is art, it deserves the best!), anything Stan looks twice at really. He goes a bit overboard, but he’s just trying to make up for all the years he’s missed out on. Also Goodnight Moon, can’t forget that book. That’s Stan’s favorite out of the multitude of books Ford reads to him.
Now if it’s just Stan regressing by himself? He only allows himself the bare minimum. He has Poindexter, an old onesie he allowed himself to buy a few years beforehand, and old and worn pacifier, some crayons, coloring books, blank paper, Ford’s old coat that he likes to wrap around himself when he misses him, a sippy cup, and Goodnight Moon. He feels guilty letting himself indulge. He feels ashamed to be acting like that, a child, to be needing his paci and sippy cup, even in the privacy of his own home, even though he can’t help it. So without anyone there to tell him it’s okay, he doesn’t allow himself to indulge or to spoil himself like he is when he’s being taken care of.
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aziraphales-library · 2 days ago
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hello!!!! i was wondering if you have any fem-presenting aziraphale recs? :) i adore her very much and would love to read more fics about her!
Hi! We have a #female aziraphale tag, so do check that out. Here are more fics to add...
On Your Doorstep by miss_minnelli (E)
“Don’t you think it would be easier to already have a kid before you fall in love?” Crowley asked. “What?” “If you already had a kid, and then you started dating your ideal person, you wouldn’t have to worry about all the drama and hardship of having a kid together and that relationship wouldn’t be tainted.” Zira raised her eyebrows. “So you’re saying you’d rather have kids with someone that you’re not that romantically interested in and then what, break up with them for your dream person?” ... Zira and Crowley, friends since university, are the last two single people in their group of friends. Neither wants to be part of one of those couples whose kids destroy their relationships, so instead of waiting for their perfect matches, Zira and Crowley decide to platonically have a baby together. 
Honeysuckle & Heat Waves by pilatesandpinot (E)
Ezera Fell has returned to the town where she’d spent her summers growing up – seaside Tadfield, where the slogan is “Everyday is a Holiday” and the perfect escape for a recent divorcee like herself. But she isn’t just here for holiday or to “get her groove back”; she’s inherited her late aunt Agnes Nutter's bed and breakfast and is determined to restore it to its former glory. She’s consulted the help of the best gardener in town, except there’s one issue: he’s Anthony Crowley, the same man she serendipitously had a one-night stand with while on holiday in Paris. Will the sparks fly now that they’ve been reunited, or fizzle out?
Against Expectations by Blue_Sparkle, summerofspock (E)
After being pressured by their families into a marriage neither of them want, Aziraphale and Crowley resign themselves to an unfulfilling life together. For Aziraphale that means trying to be the dutiful wife she was always taught to be and for Crowley it means hiding an important part of who he is.
Star of the Wooded Mountain by jamgrl (T)
Going back to camp shouldn’t have been hard. Yeah, okay, there was the gender-queer thing and the whole, uh, gendered cabin situation. And, yeah, being a counselor wasn’t going to be the same as being a camper. But Tony loved everything else about camp. Tony loved the woods and the creek and the s’mores. Mostly, though, Tony loved Azira. And they were afraid. That they would be a bad counselor, that Azira would stop liking them. Twelve weeks was a long time, and Tony didn’t know if their life was going to fall together or fall apart.
10,000 Hours by AnnaTheHank (E)
Rich playboy Anthony Crowley has finally broken the last straw. He's been disowned by his grandmother, and turned away by his family. With no money and no where to go, he heads to the old family cabin to lay low until it all blows over. Romance writer A.Z. Fell has been given use of her publisher's cabin to get away from the city and work on her newest book-her first erotica. Neither expected the other to be there, but there they both were. And AZ finds that Crowley's vast knowledge of sex may just make up for her own lacking knowledge when it comes to writing her book.
Within These Castle Walls by christi_writes (E)
Victorian AU. A celebration at an aristocrat’s castle turns deadly with a murder most foul. Paranormal encounters at every dark turn, humans going carnal left and right, and if that stupid Duke puts his hands on Aziraphale one more bloody time, Crowley was going to lose it. -Or- Circa 1880's Victorian Era. Crowley's just woken up from his century nap and the world has changed, including Aziraphale.
- Mod D
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