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golvio · 1 month ago

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I’m honestly really surprised how much I liked the SH2 remake (vicariously, as I have no PS5 and watched it on a VOD of a stream by someone whose opinions about the series I respect).

Sure, there are some things they changed that I wished they hadn’t, like Maria’s new intro cutscene & music laying it on a little too thick. However, I ended up really loving the new cutscenes and the way some of the old cutscenes were reworked. The new stuff really helped contextualize the characters & their relationships better and gave them more detail/depth in some areas that were left to interpretation/speculation in the original game. I loved how the “Heaven’s Night” cutscene showed a lot of the layers of the awkwardness and tension if James and Maria’s relationship, from James’ implied struggle to avoid relapsing into alcoholism to Maria’s increasingly desperate attempts to avoid being alone. The ending scene if James rejects Maria is also incredibly heartbreaking and makes her feel more like a victim of circumstance than a ruthless, manipulative demon.

I also think the stuff with Angela was really well done. I was incredibly nervous about how they’d handle the more sensitive parts of her story after the godawful handling of Lily’s story in The Medium, but I think they pilled it off (it helped that they mostly stuck to what was already there for her dialogue, with the extra scene added to better foreshadow what would come up during the Labyrinth sequence). Her VA sounded more like a depressed young adult with a post-nonstop-crying-jag rasp & emotional deadness, and her more manic lines didn’t sound like a grown woman babytalking but someone who was forced to grow up too fast emotionally regressing. I also liked how the Abstract Daddy fight was reworked to give us more insight into her psychology while also not revealing so much that it felt exploitative & voyeuristic. Making hiding in the closet from her father part of the game mechanics & sound design (the music cuts out when you’re in a “safe room”) was a really brilliant touch, as was having her own version of the “dead person radio dialogue” coming through the televisions she later smashes.

I also liked how the updated scenes with Angela and Eddie gave us clues that James wasn’t necessarily the squeaky-clean “good” person he tried to be at the beginning of the game. He’s hilariously unqualified for anything involving trauma or deescalation. He screws up with Angela because his internalized benevolent sexism causes him to ignore her boundaries to do things he thinks would be “comforting,” like reassuringly touching her arm, that trigger her into emotional flashbacks & panic attacks. And he was pretty passive-aggressive and condescending to Eddie even if he was never an outright jerk. I think Voidburger referred to it as “Minnesota Nice,” and I agree with her—it’s this archetypal WASPy polite avoidance of rocking the boat without ever actually being truly compassionate or addressing underlying issues festering under the surface that really fits Jimbo’s conflict-avoidance early in the game. James is bottling up a lot of negative emotions, and we only get to see hints of how ugly they can be from his aggression towards the monsters, though we’re initially primed to ignore it because the monsters are Not Real People. It becomes harder to ignore when it bleeds into his interactions with other humans. It also makes both Eddie and Angela’s callouts of him during the Labyrinth more reasonable and thematically relevant. It’s not just that both Eddie and James are murderers running from their pasts, but that James is also capable of great cruelty and anger. Angela’s accusation that he wanted Mary gone was a shot in the dark based on her own trauma, but it was close enough to the truth that it hit its mark, and we see evidence for that in James’ unexamined misogyny and bottled up anger even when he’s trying to be nice. Also, I loved that we actually got to see him Repress An Emotion and dissociate in real time when he starts sobbing over Maria’s body in the labyrinth, but then just…stops with this dead-eyed expression like the mom in Hereditary getting possessed by Paimon, then robotically gets up and leaves. That was absolutely nuts, but it explains so much about What James’ Problem Is in a way even first-time players can pick up on.

I really loved the reimagining of the monsters. Each type has individualized behaviors and their own distinct “personality.” The difficulty curve gets ramped up not by introducing reskinned versions of the same monster with more health & damage, but by completely changing their behavior so your idea if How Combat Is Supposed To Work is completely upended and you’re forced out of your comfort zone. And then at the very end, when the monsters “give up” as you approach the final boss fights…that was something special. It made me wonder just how sapient & capable of emotions the other “constructs” created by the town to test & torment James actually were. I felt awful for each of them—the Lying figure gave up on life & didn’t even try to defend itself or escape, the Nurse seemed exhausted like she couldn’t pretend to move like a human anymore, and the poor Mannequin looked terrified in an extremely recognizable and “human” way. They all had glimmers of humanity in there, with the only thing holding them back being that they were less “detailed” than Maria and weren’t designed to interact nonviolently with humans. And then whether you show them mercy or kill them with as little remorse as you would their more hostile counterparts influences which ending you get? That’s not something any of the other games have ever leaned into before, and I think it was a really brilliant touch.

I wasn’t a big fan of how Pyramid Head was reworked, though. He felt a little too “cool” in his introduction to be properly uncanny and frightening, and his first fight felt a little too cinematic. The only time he felt more like his OG self was during the last boss fight in the hotel.

The boss fights all got major glow-ups because now they’re not just you unloading your shotgun/rifle into a slowly encroaching Big Guy in a cramped room. They all felt pretty unique & memorable. Even Eddie’s fight got this amazing atmosphere and sense of being a cat-and-mouse game through expanding the space, adjusting the lighting, and designing the encounter around taking cover & limited visibility. Eddie’s way quicker and more dangerous than he looks, and you feel that in his fight, even though he also operates on Horror Protagonist Bullet Sponge Rules in a way that could break immersion in a player with less suspension of disbelief. The Mandarins being upgraded into a proper enemy instead of a one-off obstacle was really cool, too. IMO it made more sense for the Mandarins to replace the Abstract Daddies in the hotel, with the original A.D. being a unique, climactic enemy specific to Angela’s storyline.

#silent hill 2 remake #silent hill 2 remake spoilers #long post #abuse mention tw

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lizacstuff · 4 years ago

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Anon asks: SCK Fragman 38 speculation

(Asks under the cut)

Anonymous said: Do you think they're getting married this next episode? idk if the tattoos were confirmation

I think it’s possible? But I also think it’s entirely possible that they get the tattoos as a symbol of their love and a promise of sorts that they are through messing around, but they’re not actually married yet. Frankly, they already gave us all the wedding hoopla with these two, I’m absolutely fine with an elopement or quick courthouse style wedding, or just a couple of witnesses in a garden. Whatever they want! Let’s just get her done.

Also... I know I said it before, but I’m just in love with the idea of these tattoos. Such a great solution to their ring issue.

Anonymous said: Thoughts on all these twitter theories from the “sick” line in the fragman?

- it’s about piril and engins kid bc basak and anil filmed in the hospital, and piril was hit by a car in 36 and in 37 she had that moment where she clutched her abdomen and had to sit down

- it’s a flashback serkan has to when his brother alp was sick

- serkan is sick and it’s a way to reveal Kemal as his bio dad (blood or organ donation)

- serkan is sick and it’s a way to reveal eda is pregnant when they draw blood from her to donate

That fragman could be hinting at so many things, and it very well could have been misleading. So lets take each theory in turn.

“it’s about piril and engins kid bc basak and anil filmed in the hospital, and piril was hit by a car in 36 and in 37 she had that moment where she clutched her abdomen and had to sit down”

Very possible. Engin thinking something had happened to Piril two eps ago did feel like foreshadowing, almost preparing the audience for something. It would be so heartbreaking if she loses the baby, and seems too dark for this show, but it is something that happens to millions of women, so we’ll see.

Also can you imagine after the way Piril stuck by Selin, if Piril lost her baby, and she then witnesses Selin using her baby as a pawn to get revenge on Serkan and Eda? I’d like to see Piril and Engin’s reaction to that. Though again I think that’s pretty dark, especially for the side couple.

- it’s a flashback serkan has to when his brother alp was sick

I think this is a very good guess. Serkan probably will see a doctor after he passed out, and if it is another panic attack brought on by the stress of losing Eda, I could see a doctor telling him if he wants to move past the panic attacks, he needs to get at the root of his abandonment issues, which all lead back to his brother’s death. That could be why he’s getting out a box of his things and reading that letter. So I could very well see a flashback happening to Alp’s diagnosis.

- serkan is sick and it’s a way to reveal Kemal as his bio dad (blood or organ donation)

I’m honestly fully onboard with Kemal as Serkan’s bio dad. I hear a lot of people poopooing the idea because of opportunity, but I think they told us when it could have happened. In their first meeting, (unless my subs were bad) Aydan mentioned that Kemal had returned once to apologize for standing her up when they were young and going to run away together. I assume that was the window. Kemal showed up years later (after Alp was born) to apologize.. they had a fling and there’s the opportunity for Serkan to be his son.

Though, to me, if they’re doing something with Serkan’s health it’s got to be related to the plane crash. The chest clutching since he’s been back is concerning, plus wasn’t his hand shaking at one point? So I don’t see him having some serious underlying issue that’s unrelated. This guy does not shy away from going to the doctor and was just in the hospital for probably over a month recovering, so you’d think if there was anything wrong before, we’d know it. Unless the plane crash acerbated something that’s genetic? And/or requires a match like bone marrow or kidney. I suppose they could give Serkan some rare blood type and that would be something applicable to most any ailment. We shall see.

- serkan is sick and it’s a way to reveal eda is pregnant when they draw blood from her to donate

This one I think is the least likely. It’s been very fuzzy how much time has passed, but at the minimum 3 months since they were supposed to get married and were having sex, so if Eda were pregnant I think she would have noticed the signs by now.

Anonymous said: Liza, I know they won’t kill Serkan, but could you reassure me that they won’t? I’ve followed you since Once and you were always good at reassuring.

Ha! I remember making lists of all the reasons they would never kill Hook.

THEY WON’T KILL SERKAN.

And I’m even more certain of this than I ever was of them not killing Hook, and I was damn certain then.

There is literally not ONE reason for this show to exist without Eda and Serkan. Not one. This is their love story, and really, storyline wise, the show should have ended awhile ago, and the only reason they keep it going is to keep Hande and Kerem on screen together, making their magic. Seriously, that’s the only reason.

You see how Serkan dying would be counter to that, right? And if the show were about to end, trust me, there is nothing in it for anyone to have a tragic ending. This started as a romantic comedy, and will end as one, with a happily ever after. And if you’re still nervous, trust this, the production company is still hopeful to sell it into even more foreign markets, especially English language ones, a surprise tragic, twist ending that gets vilified on social media (and trust me this fandom is huge, vocal and capable) would really hurt those chances.

So even if we’re headed into a bad diagnosis for Serkan, he will be fine in the end, it will just be something for him and Eda to fight through. I promise.

Anonymous said: thoughts on that wonderfully beautiful fragman? i was watching with hearts in my eyes and then read the translations.. poor serkan!! if it really isn't misleading i definitely think it's some consequence of the plane crash. but, we are secure in what kind of show this is and the full knowledge that it's not a drama and no one is gonna actually die, i'm excited for the potential this storyline is gonna give us!! (esp with the return of the old writers)

I can’t wait to see that rain scene, and the after-the-rain scene and their motorcycle ride. The fragman was very beautiful, but it also felt very poignant and a little melancholy.

It’s interesting with the announcement that the second writing team was back, there were tidbits from several legit entertainment-type reporters yesterday that the show was going back to it’s roots being funny and entertaining. So a terrible diagnosis for one of the current characters, especially the romantic leading man, doesn’t really fit with that.

It the writers hadn’t changed I’d be more concerned, not about a character dying, just about the show leaning into some big sort of health-related melodrama. But I think whatever might be happening will be in service to the plot. As far as Serkan having a health-scare related to the crash, as I said above it’s very plausible. I mean what are the chances that a man survives a plane crash, is fished out of the sea, spends weeks in a hospital, gets amnesia and is perfectly fine 3-4 months later with no other repercussion? Doesn’t seem possible!

Anonymous said: Liza, the second set of writers is really coming back! We might actually get comeuppance for Selin!

YESS!!!!! Please. I had completely lost hope with the last set of writers who seemed hellbent on normalizing her behavior. Look I’d be fine with a 3 minute conversation where Serkan tells her that he knows she’s a manipulative liar and the baby is not his, that he wants her out of their lives for good, and that if she ever comes near Eda ever again he will personally destroy her.

Is that so much to ask?

Though I’d like her to be humiliated in front of the rest of the team. Just so everyone knows what kind of psycho she is and no one in Edser’s orbit is tempted to give her another chance ever again.

It will be interesting to see how this plays out. With the news that Sarp Can (Deniz) is COVID positive, he obviously won’t be back on set anytime soon. They could probably get some VO from him if necessary, for a phone convo, but I’m gonna guess he’s done on screen.

It’s time to write both characters out!

As for the 22-23, 25-30 writers coming back, that is the best news I’ve had in ages. They weren’t perfect, but the things they did well, they did really, really well. Their comedy, romantic scenes, heartfelt dialogue, accurate characterizations and penchant for sizzling scenes that “break the Turkish family structure” will all be most welcome. I’m really excited for the first time in ages.

Anonymous said: Very interesting that the fragman did not address the Selin baby drama at all. It focused solely on Edser which was a welcome change while at the same time has me a bit nervous for the angst & drama no doubt headed our way. But if Eda & Serkan are together for good now to face the challenges coming then I cannot wait to watch. The last episode was so well done but Eda & Serkan were both near their breaking points for different reasons & you just felt awful for both of them. Really glad that the engagement did not happen and the show focused on the fallout from Serkan’s amnesia. And even had the side characters addressing how difficult things have been for Eda and that she might need some time before picking things back up with Serkan! Looking forward to the resolution of the baby story/exit of Selin and seeing Eda & Serkan heal together.

I hope that the fact that nothing Selin-related was addressed in the fragman means that we finally have people in charge who understand that we are so damned fatigued of Selin that featuring her an active deterrent for viewers. Also I haven’t seen any evidence that Bige has been on set for 38. That doesn’t mean she hasn’t, it’s still possible, but it is encouraging that the ep will be light on Selin.

As far as the drama and angst, I think there’s more headed our way, however I’m hopeful it will be the good kind and not the kind that made us really uncomfortable and want to tear our hair out during the Selin/Deniz era. We know that Eda and Serkan must decide to stay together (spending time together, ring finger tattoos) so the point of the pregnancy storyline is done. When Eda found out Selin was pregnant, it gave Selin the chance for one last Hail Mary pass, and she took it, trying to break them up, but it failed. So it’s usefulness is over. She can’t keep the charade going because of Deniz, and because once Serkan has time to calm down and think, he’ll realize that any time in Slovania where he was so injured that it’s possible he doesn’t remember, he also would have been too physically incapacitated to do anything of the sort.

As for Eda needing some time, yes, things in 36 were just too easy for Serkan in terms of the fallout from his amnesic behavior. Episode 37 made him work for it and I think come to terms with the fact that, Selin manipulations or no, there’s work to do and things he needs to atone for. Putting her first throughout the episode, and showering her with love, was a good start.

Anonymous said: The conversations Selin had with Eda, Serkan and Aydan in this episode had my blood boiling. Someone stop this psycho! The unnecessary hole digging was real, my god. I don't care if she's pregnant, don't hold Eda back this time and let her fight this snake. Let everyone fight her! If she's lying to Deniz now, he can fight her too.

I know, she reached new levels of abusive manipulation. They better be planning a comeuppance, if she’s just allowed to leave with people waving goodbye, I will scream. The Aydan conversation with her posing the question about abortion was something else. It came across to me more as a threat. Like... I’m thinking about doing this, if you don’t want my decision to be your fault, you better stay on the right side of me.

The Eda and Serkan stuff goes without saying. It still floors me that she’s willing to pretend like she raped him (if he can’t remember because he was that injured and foggy, then it’s impossible for him to have given consent.) rather than just giving up and living the truth.

Anonymous said: Like I get it (kind of) but I am so sick of watching Serkan be nice to Selin. Very much looking forward to Serkan chewing her out for how much she hurt Eda with this fake Serkan baby daddy story when she is exposed. I get that Serkan feels he is to blame for calling her to Slovenia in the first place & essentially in his mind giving her hope of them being together but he needs to stop excusing her horrible behavior from there. No decent person would take advantage of that situation the way she did. It seems like the only way that Selin will have an epic fall is if Deniz decides to fight for the kid he knows must be his and tell Eda everything. Going to be tough for her to believe initially but it will have to start making sense once she thinks back on things and then if the photos surface then she will know it must be true.

Agreed. I get Serkan’s guilt, and it actually shows what a good person he is, but he needs to get over it. Because seriously, all Selin was obligated to do when she got his call was to hang up, and then dial one of the following: his mother, his father, his fiancé or best friend/business partner Engin. That’s it. Call them and say, hey, Serkan’s alive, this is where you’ll find him. But NOPE! Instead she decided to fly there, manipulate him, keep him hidden and try to use it to get back with him. She made him beholden to her, just another in the long line of brainwashing and manipulation. Her flying to his bedside was the wrong thing to do, and it would be great if someone beside Eda recognized that.

Anonymous said: Even though Selin is the worst and I just cannot wait for her to finally be unmasked as the manipulator she is, I am really looking forward to Edser in the next episode. Eda taking care of Serkan after he passes out, the two of them reaffirming their commitment to each other with the tattoos & possible elopement, Eda reassuring Serkan that she will be at his side even if the kid turns out to be his and also the two of them working together to get to the truth. So darn excited! And if the spoilers are right that Deniz tells Eda the truth and Serkan sees the photos from Ferit then I will be so happy. It is time for Selin to go for good!

SELIN MUST GO. Yes, I think as soon as the news that Selin is pregnant and trying to pass it off as Serkan’s brain-fog baby, Ferit will unleash the photos. (if it’s him that has them).

I just want Selin and Deniz gone so we can focus on other things. Their presence on this show is a energy drain, and I want to focus on rain frolicking, motorcycles and bed sharing!!!!!

Anonymous said: I'm so glad that we had a scene of Serkan telling Eda that even without his memories he fell in love with her again, he just couldn't admit it. Serkan has an interesting perspective on the memory loss part of their lives where I think he almost feels too guilty about it all and just wants to move past it. I've noticed that in his dialogues in 36 & 37 where he wants to leave it in the past and basically do his all to make it all up to her in the present and future.

I think this is very well observed. He definitely was trying to leave the past in the past, but honestly I think that’s just laziness on the part of the old writers, not wanting to have to have a reckoning for all the things they had him say or do. Since the writers decided to go that way, I could buy it’s because Serkan feels too guilty about it all. We know how much he loathes making mistakes or being wrong or owing apologies. If that’s what they wanted to do, it would have gone a long way if they’d shown a bit more of him blaming himself, especially in 36.

I was also very happy that Serkan came out and said that he’s fallen in love with her again. My only thing is I wish if they were going to do that, they would have thrown a little more detail in the dialogue. Like Serkan admitting to her that he started thinking about her all the time as soon as he returned and met her, maybe admit that he slept on his office couch clutching her wedding invitation. A couple of things like that would have been very nice for Eda to hear.

Anonymous said: SCK sure loves creating difficult situations for Eda & Serkan. I really felt for Serkan in the last episode especially since he was back to being the romantic robot we all love. He so baldly wants to make up for lost time with Eda that he rushes ahead with the proposal and then gets crushed when she rejects him. And then spends most of the episode frantically trying to figure out what is going on with her and trying to show her how much he loves her. I was really happy though that the show addressed a few different times how awful the last few months have been for Eda and it also made Serkan address it. His plan to just forget about everything and move forward did not happen. Loved that the side characters stepped up to remind him of everything he & Selin put Eda through. Not so crazy that the show decided to use Selin’s pregnancy as the plot device to get Serkan to finally realize “oh yeah, what happened since my accident is a very big deal & now I have to face it & come to terms with it” but still glad it happened. Selin is obviously so much more in the wrong than Serkan but let’s hope her downfall takes place in the next episode.

All of this. I think you’re exactly right, Serkan tried to brush past everything and I’m glad that finally the other characters stepped up a little to help make him see that he had more work to do. Special shout out to Seyfi for his sassy comment about Serkan almost marrying another woman. And finally Piril was useful and acted like a friend, the first time she had since he returned.

#Sen Cal Kapimi #Edser #sen çal kapımı #SCK Speculation #SCK Episode discussion #sck 1x38 #sck 1x27 #sckask #asklizac #anonymous

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newathens · 5 years ago

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for @razberrybi and anyone else who is invested in the ongoing analysis of trials of apollo; these are the other versions of this post that i drafted

on another note, if i’ve convinced anyone to pick trials of apollo, please hit that like button so i know we’re getting somewhere

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“[...] See, along with the fandom consensus that “HoO took a huge dive,” we have sacrificed any and all concern for Trials of Apollo. But this sacrifice of caring has steered everyone from the fact that while, yes, HoO might have took a dive, some moderate writing might have been done in order to reach the great writing. One day after all of it is completed and we see the fallout of the series and I have the motivation and time to write about a 15 book universe, I might detail out all the foreshadowing and underlying themes and plot points, etc., that lead to a major demigod dying. Given that another does die, seeing as one has already died; which means another one dying isn’t too far-fetched.

For right now, I’m going to briefly, in general terms, highlight why Trials of Apollo is such a big deal, why this series is fantastic, and why I believe Rick is mirroring the original series. And why, especially to the people who have been reading it, everyone is coming to the conclusion that a very major character��Percy or otherwise—is going to meet their end, create a conflict, or some other option of epic proportions.”

end quote

Summary: With this version, I was planning on delving into the actual purpose of ToA and the paralleling that Rick is using in order to support the theory of “Percy” (aka any huge demigod) dying.

So, ToA like I mentioned in the original post, is basically finishing up the original conflicts and I think Rick is following a pattern in order to hint at the fallout. This is what I believe, I could very well be missing the dartboard with each throw. But I mean?

Meg revealing she’s Nero’s ‘daughter’ and betraying Apollo = Luke revealing his true intentions and betraying Percy

Grover appearing at the very end of the second book = Thalia appearing at the very end of the second book; and then both of these characters who appear at the end of the second book playing a bigger role in the third book

Jason aiding Apollo with his quest being aware that he would die the entire time = Zoe aiding Percy to save Artemis being aware she would have to face her father and end up dying the entire time

*puts on pjo conspiracy dunce cap* Like come on, have you ever seen me without this stupid hat on? That’s weird. And if Rick truly is paralleling parts of the original series with this series, could Percy parallel Luke? And DON’T think in absolutes, they’re not supposed to be the same. This is more along the lines, comparing and contrasting or using tropes or symbolism or CYCLES. Stuff like that. Again, there are levels here.

Anyway, on to the next one.

start quote

“[...] And here’s why. What we started out with, in the beginning, in the very first series, all the problems and small tiny details and character arcs and etc., is coming to its final stage. It has come to a culmination of absolute chaos and Apollo’s been thrown into the fray.

But these problems that we started out with, these conflicts and issues, they have never been about Apollo. They have always been about demigods. So why is Apollo there? Why is it his series?

Guess what, it’s not about him. Don’t get me wrong, Apollo is experiencing character development. He is a complex, full-fledged character who is going through his own arc but there has been no deep, meaningful reason to give him his own series besides his misbehavior in BoO. So tell me, why is he there?

For me, personally, the way I see this entire series, Apollo is not only a character, but a vessel for the reader to see the fallout and destruction of an era in which the Olympian’s ignorance will no longer be tolerated. And this destruction and end will not come from Triumvirate. They are not going to win. They are amazing villains, some of the best villains Rick has ever made, but the three Roman emperors are not going to come out on top. Rick is not that edgy.

The destruction of this Olympian era will come due to the consequence of the war with Triumvirate. It will end because of what happens to our beloved heroes during their fight against this force. And that is why there is this idea that Percy is going to die, or take a sharp left dip into darkness, or maybe Annabeth will die, or maybe another member of the Seven will hit the chopping block, or. Maybe a lot of things, I will have a more definitive [...]”

end quote

Summary: This version of the post I wanted to get sort of technical with the book. Seriously, in terms of characters, what purpose does Apollo serve? Is he our hero? Because I can’t see it. . .

Where has the focus been on all three books so far? The other characters—we’re not so much concerned with how Apollo is feeling but more how he is reacting to and handling the issues of the other characters.

With Percy, in the original series, we were worried about him, about his future, whether he would live or die. With Apollo, we are worried about ‘will camp survive Nero’s attack?’ ‘will Apollo save Georgina?’ ‘will the Waystation survive Commodus’ attack?’ ‘will the nymphs be saved from Caligula’s wildfires?’

Seriously, Apollo is not only the main character he is being used as a tool; that’s why the focus isn’t consistently on him, that’s why he’s ‘learning’ to think of others; like, yes he’s being ‘humbled’ during his trials but also completely disregard that because there’s another purpose lurking. This is why I think ToA is absolute genius. I may only be an unpublished writer with the bare minimum Bachelor’s in English but I truly believe Rick is breaking the constraints of literature with this series. I don’t have the technical terms to make it sound more eloquent but humor me. There’s something going on here.

And could Rick tie it up with a pretty blue bow? Yeah, sure. They would win, Apollo would argue with the Olympians how harsh demigods are being treated, they don’t listen to him, he can no longer handle taking a backseat to their suffering, he takes Dionysus’/Chiron’s place at camp, the cycle continues but hey, at least they’ve got Apollo now, and fin.

But that happy ending just does not add up.

Please drop some comments below, let me know if you’re at least vaguely understanding what I’m throwing out there. I’m definitely not talking about surface-level stuff here so. . .I apologize if I’m losing people here and there.

And overall, in the simplest terms I can muster:

Jason’s dead and because of that the stakes have been raised higher than they have ever been, the heroes are going to snap, Triumvirate suck majorly, there might be a spy somewhere, don’t be surprised if another beloved character dies, I have this weird theory that Nico is going to go next and Percy last, I also have a theory Percy is going to snap and fight Zeus, Apollo might be the one to snap and fight Zeus, there’s a lot of different ways this can go, ideas on the ending will probably solidify once we see what happens in The Tyrant’s Tomb. Rick is doing something really eloquent with this series that I cannot eloquently put into words because there is so much of it. You should all read it if you haven’t started already.

Thank you for reading.

#pjo #trials of apollo #percy jackson

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