#it really is a damn shame i can't find more fics that have shawn actually be psychic

[retiredgremlin]

is shawn maybe actually psychic pt1

so I just finished watching 6x14, Autopsy-Turvy and that bit in the beginning is very interesting, from 2:13 to 3:15. The bit where Gus lays on the street and Shawn backs up, thinking through the incident presented to them.

Bob White, the victim of the current “case of the week,” was run over by a bus. The bus didn’t see him because a singular street light was out that night. Neat, okay, so Shawn is thinking through that, right?

And then we are shown the light going out, with glass raining down on Shawn, who visually reacts to it. We are shown the shot of where Gus was on the street, only it’s pitch black now. Shawn asks Gus if he’s still there. We get a glimpse of the usual “psychic recreation” then with the bus driving over the spot where the body would have been, showing how the body would be completely invisible. When whatever this is is over, we see the lights come back on and things resume regularity.

I wanna talk about this.

I wanna talk about this because this bit is....unprecedented. I haven’t started my critical analysis yet and I usually need the second pass over a series to burn everything into my memory, but I have no recollection of being shown something like this before.

Typically, we see “recreation visions.” Those show past events and have a grain filter over them, maybe a little desaturation. Notably, Sometimes Shawn’s memories are also shown this way (which hohoheehaaa is a whole ’nother can of fucking worms but let’s stay on track here-)

Let’s do a play by play here.

We are shown the light going out, with glass raining down on Shawn, who visually reacts to it.  Shawn states that [the report] says the streetlight directly above the bus stop was out. The camera zooms in on his face before cutting to a set distance away and the light in the scene is shown to flare before we hear the bulb break. The light goes out and glass falls onto Shawn. Shawn is shown physically reacting to the glass with squinting and a slight flinch. The camera zoom and reset indicate a change of scene, despite still just watching Shawn. The following events are presented to us as a physical change to the environment, one that is shown to interact with Shawn who is reacting to this change. 

The place on the street where Gus is laying is now in total darkness. Gus is now obscured as there is no light. This further enforces the physical shift to the environment. This also implicates that Shawn can no longer see Gus, just as we no longer see Gus. Shawn then cocks his head to the side, accompanied by a sound suspense sound cue. This body language is often used in media to convey confusion, curiosity, or inquisition. As someone who does this irl, I use it as a visual cue that I’m listening/paying attention if I’m unable to make eye contact during the conversation. At the very least, removing conjecture, it’s a reaction to a stimulus, indicating attention of some sort.

Shawn asks Gus if he’s still there. This is when this starts to hit home, right? This statement all but confirms that Shawn is no longer seeing Gus on the ground at all. This also confirms that what we the audience are seeing is something Shawn is experiencing in that moment. Shaw cannot see Gus currently and thus he asks for a verbal confirmation. We hear Gus respond, exasperated, saying Shawn can damn well see his face on the asphalt. Except Shawn can’t. Instead Shawn is seeing the space as though one of the lights was punched out. Shawn then comments by saying, “That’s interesting.” This is a verbal acknowledgement of what is visually happening in the scene right now. What precisely about this scene is interesting? We could easily infer the explicit lack of a visual Gus while still hearing Gus. Otherwise, why ask if Gus was still there? Notably, Gus’s response reinforces that he is not experiencing the change to the environment that Shawn and the audience are, as he is not reacting to it.

The usual psychic recreation kicks in to show us the bus running through the dark patch. Cue the typical grain filter of the scene. These visuals clearly mark the shift from real-time to flashback/past events, as the show has trained us to read this visual. This is also what we normally see when a scene is revealed to us or facts come together. The show could have just as well have shown us this flash without showing the dark street real-time, but they didn’t Why? Why is this different? Why does this call for a different kind of visual? I would assume because this is different somehow.

The recreation ends and we see the light come back on. The flashback recreating is over and simultaneous with the scene shift back to Shawn’s face, we see the light coming back in again and zooming out from Shawn’s face, mirroring how the scene started. This marks the end of whatever moment was happening.

Taking all of this into consideration, what conclusion are we left to draw from this short scene? Shawn experiences what we just saw: he sees the light flare, hears the bulb break, feels the glass fall around him, and sees the street as though this street light was out. It’s not as though it’s recreating something though, or imitating how a light would have actually burst. The light flares before popping, mimicking how a light would act when it dies. The filament grows thin and puts off a super flash as the filament breaks.

This does not mean the fucking glass shatters though. Conversation does indicate that the light being broken is why it was out the night Bob White was run over though. This is piece of the....”vision,” shall we call it, imitated what would have happened. But for the light to both flash and break? Unless I’m terribly mistaken, it’s usually one or the other that will put a bulb out of commission, not both. This lends additional credence to this being an unnatural occurrence. Given the glass shatters after the flash, to would indicate to me that the light dying somehow lead to the glass breaking? Either way, it’s a bit extreme and unusual, which plays into the entire strangeness of the scene. 

It’s like is someone grabbed the space around them and metaphysically punched the street light. Somehow Shawn is experiencing a manipulation of the space around him, enough to alter what he’s sensing in a targeted and specific manner. 

Now sure, we could just say what this scene was meant as: a visual built to communicate to the audience what is going on. Psych likes to show us how a situation is being assessed, what information Shawn is taking in and processing. But where’s the fun in that, especially with how they chose ground this short experience through having Shawn experience it.

You want to know something else I find very interesting here? 

Shawn’s response is mild.

Listen, I dunno about you, but I probably would have had more reaction to a bulb over my head suddenly bursting and throwing glass at me. I probably would have had more to say if I suddenly wasn’t seeing light when there was light in front of me, especially if it wasn’t that I suddenly lost all sense of light, but that a singular light suddenly and magically seemed to turn off.

Guess Shawn wouldn’t though! He takes this all fairly well in stride. There are two major possibilities here. One is that he’s more focused on the case than anything else so he mentally dismisses whatever is happening and proceeds until it goes away. There is precedent to him acting this way when he gets fixated on something, but we’re not seeing many signs of that here. Option two is that the reason Shawn barely reacts is that this not new or overly concerning because he is aware it is not real.

Shawn certainly recognizes what’s happening as unusual, but he is not panicked or caught off guard. When asking if Gus is still there, his voice does not betray anything strange. He is simply affirming. His “that’s interesting” comment also expresses no concern and he does not dwell on this occurrence, simply makes use of it. This leads me to believe that this is not the first time Shawn has experienced something like this. Something where he needs to see something in a different light (ha), and it just happens. We are not shown this prior because the show had no reason to concoct this sort of occurrence before now, as most investigation could be done through the physical clues given in the state they were in. This is new for the audience, but this is presented as something that isn’t really that new to Shawn.

The thing is, the vision is accurate. The vision is not an exaggeration or unrealistic distortion of the space. It is the space as is, except as if the light went out. Not that suddenly everything went dark or that he can’t see anything. To see the space as it would be with one thing different, especially when that one thing is something that interacts with everything in the space? That’s...something.

Let’s not forget the cinematography and sound cues though. With the scene starting up, we get real close and personal with Shawn’s face before the camera cuts to where it’s zoomed out again. Well, what does a camera cut indicate? Typically the shot is focused on the character relevant to the scene, whatever you should be seeing to line up with what’s happening. We were already looking at Shawn though, so what purpose does this cut serve? They wanted to shift the perspective we were viewing Shawn with. This cut indicates a change to the scene. Directly following this cut, the light bursts. This cut signified the shift from reality into the vision. When the scene was over, the camera cuts to Shawn’s face and is zooming out, clearly outlining the end of the vision. This explicitly bookends the start and stop to the strange phenomena.

As for the sound, we hear a back and forth piano tune leading up to the start of the vision. It starts just as Shawn is backing up from Gus laying down on the street and continues through Shawn noting that the report says the streetlight was out and fades as the glass shatters and finishes falling. This is a leadup, a lead in, an indication of something eerie going on. It lets the audience experience a moment of strangeness as the music disappears when we look back and see the street is dark with no Gus. We get a short violin sting to punctuate Shawn cocking his head and the recognition of something wrong here. When get a softer, deeper version of that sting as Gus responds, accentuating something even stranger going on. As Shawn lifts his arms to mimic a bus steering wheel, get a short orchestral bit that strings into the recreation of the bus driving over Bob White and concludes with the vision. This feels like a carry through, a dramatic reveal piece. 

These shots and sounds of this scene do everything to accentuate that something fucking weird is happening here. Please note that I have an education in art, not cinematography or music, so I can give an interpretation of them as a critical consumer, but I cannot speak speak to them in the manner of a trained and educated professional. Take my opinions there with a grain of salt. 

What is all of this then? How does this happen? What is this scene telling us?

I have 2 ideas.

1.) His eidetic memory is able to be used to create hyper realistic visualizations wherein the space can be manipulated.

2.) This is a preternatural vision and Shawn has latent psychic abilities.

Honestly, these possibilities can coexist with each other, and maybe they should?

This scene is deliberate, is the funny thing. The way is was shot, the way it was presented, the way the characters interact. Nothing here is a mistake, but it’s out of left field as a totally new way to observe a crime scene from anything else they’ve shown in the series. (I have only seen up to this episode, so if there’s another incident after 6x14, then neat, I’ll dissect that to when I get there.)

In conclusion, this scene leads me to believe Shawn has the ability to see, or is subject to the phenomena of seeing, space in a manipulated manner. The space mimics reality and reacts like reality, where variable can be arranged and shifted. Evidence from this incident would indicate these shifts are based on what Shawn is currently thinking about or puzzling through, showing him the scene the way he needs to see to it rather than how it necessarily is.

I, personally, would like to think this points to genuine latent preternatural abilities that tie into his eidetic memory and how that exists. Mostly because I think it’s fun that the show about the fake psychic is actually a show about a sort of psychic who doesn’t realize he’s actually sort of psychic while pretending to be a psychic. I think is an incredibly fun take to explore. Which I will later because I have a working idea of how this all connects in and functions but this has gone a bit long for a dissection of what is a minute or less bit at the beginning of a single episode.

This is the prologue to my TED Talk: “Shawn Spencer is probably psychic” and in this presentation I will-