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cosmicjoke · 3 years ago

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No Regrets: Chapter by Chapter Analysis:

1. Preface to my analysis

Okay, so, since I’ve reached the end of every published volume of SnK so far, and have to wait until October to read the last volume, I thought I’d re-read “No Regrets” and delve into some analyzation of this story, chapter by chapter.

One thing I want to start out by saying, before I get into the details, is that I think “No Regrets” is a vital demonstration of how Levi has always cared about people, and always fought for them.

One misrepresentation I sometimes see regarding Levi’s and Erwin’s relationship is when people claim that Erwin was the one to teach Levi to fight for something bigger than himself, or to fight for others. The thing is, “No Regrets” clearly demonstrates that Levi already had a strong foundation of caring for others, and fighting for others, before Erwin himself ever had any major influence over him, and I plan on getting into all the examples of that within the story and breaking them down.

First, though, there’s an important quote from Isayama from the joint interview he did with the artist for “No Regrets”, Hikaru Sugura, in which he says about Levi, in response to the question of how he pictured Levi’s internal feelings of going from a “thug” to a “soldier”, “It’s that he found a place to make the most of what he could do, or rather, his own special abilities. Underground, where it was all he could do to stay alive, he had to live for that, but then he started to form relationships and began to feel that he could do things for others. And that’s why he first went above ground...”

This is a hugely important quote from Isayama, because he flat out says that, even before Levi came to the surface, he’d already formed bonds with people, and already began to feel like there was something bigger than himself that he could fight for, that he could “do for others”. Isayama also says here that Underground, “It was all he could do to stay alive”, which signifies with great clarity the struggle someone would have, even someone with Levi’s great strength, of surviving and making it from one day to the next in a place like the Underground. So, for Levi, it must have already been a terrible burden, simply trying to take care of himself, and live for himself. But then he meets Furlan and Isabel, and he becomes friends with them, and despite the doubtless added burden to his own existence of having two other people relying so heavily on him for their own survival, he takes that burden onto himself, and does so with willingness and responsibility. Isayama says that “It’s that he found a place to make the most of what he could do, or rather, his own special abilities.”. Erwin didn’t instill in Levi a sense of responsibility for others, or the idea of fighting for someone other than himself. Levi already had that, had already DONE that. What Erwin did for Levi was show him the path towards maximizing the impact he could have, showing him how he could use his abilities to help the MOST number of people, not just a few people. Erwin showed Levi that he could have a significant impact on the world, that he could fight for actual, positive change for all people. Another important part of that quote from Isayama is when he says “And that’s why he first went above ground...”, because it tells us what Levi’s initial drive and intention for going to the surface was, and that was to help give Isabel and Furlan a better life. He trusted in Furlan’s plans, and went along with them, because it was what Furlan and Isabel had both expressed to Levi that they wanted to do and to have. Even here, Levi is fighting for the dreams of others.

I’ve recently read the visual novel of “No Regrets”, and while it had some good parts, it also very much underdeveloped and even at times outright misinterpreted Levi’s character in some really key ways, casting him as someone so hell bent on getting revenge on Erwin, that he is blinded to the safety of Isabel and Furlan, pressing on with his plans to kill Erwin at their expense. The worst part about this, I thought, was how it reduced the pivotal moment in which Levi chooses to go after Erwin and leave Furlan and Isabel behind to an impulsive, snap decision, in which Levi puts no thought or real consideration into it. He doesn’t struggle at all in choosing how he does, doesn’t agonize over what he thinks is the right choice, because in that moment, there isn’t even the consideration of another option, he isn’t even making a choice, really, just reacting, which entirely defeats the purpose of Levi’s character motif throughout the main series, which is that he can never know for sure what decision is the right one until after he chooses, but that he has to try and make one he feels is right, and that no matter what, he can’t allow himself to dwell on it with regret afterwards. This gets corrected in the manga big time, as do several other instances of Levi’s characterization, and I’m going to go over it in more detail when I get to that final chapter. But the choice Levi makes in the manga is much, much more nuanced, considered, and multifaceted. Here, he had laid out in his head two, distinct options, and he weighs and balances them against one another in a high pressure situation, before deciding on the one he thinks is best. He doesn’t just leave his friends, thinking only of Erwin and revenge. He’s thinking of ALL of them, and of every factor leading up to that point, and that struggle for Levi is what ends up having the affect of ultimately forming his later philosophy of never allowing himself certainty in anything, but also allowing himself leniency in whatever he chooses, knowing that he can’t be so hard on himself for the outcome, whatever it may be, that he isn’t able to move on from it, or use it to keep pushing forward and learn, so that he can do better next time. It’s important that Levi’s choice in “No Regrets” is actually presented as one made with his full consciousness, one that was a fully thought out one on his part, which is why I really disliked the way it was portrayed in the visual novel, and why I’m glad they corrected it in the manga, which is the canonically accepted version of the story either way. Because it’s a vital moment in Levi’s character development, with him learning that even when he tries his best to choose right, even when he considers every factor and every, conceivable outcome, even when he does what he thinks, in the moment, is best, it won’t always turn out that way, it won’t always turn out good, or favorably. He won’t always win. He won’t always be able to save everyone. It’s a huge moment of character growth for Levi, who makes a well thought out and considered decision, and it still results in his two, best friends getting killed. It teaches Levi that he can never have full control of any situation, no matter how hard he tries, and that, in turn, gives Levi a kind of freedom in simple acceptance. It lifts a burden from his shoulders, even as he experiences enormous grief and loss.

Anyway, I’m going to be reading the first chapter of “No Regrets” later tonight, and will give my more detailed observations in a separate post. Thanks for reading, as always guys!

2. Chapter 1: The Wings of Freedom

Okay, so here we go! Chapter 1 of “No Regrets”!

There’s a few things I want to point out about this chapter, because both visually and textually, we get a lot of information about the Underground and Levi, and his relationship with Isabel and Furlan. So I’ll just go through it.

The first thing that really caught my attention for this chapter was the opening page, which is a retrospective shot of Levi after he’s joined the SC, thinking about how he can’t ever know what the results of his choices are going to be. He says here “I trusted in my own strength... I trusted in the decisions of comrades who had earned my faith...” And this quote from Levi is really important in later understanding why he makes the choice he does, at the end. He says he trusted in the decisions of comrades who had earned his faith, and that tells us that Levi believes in Furlan and Isabel, that he believes in their strength and their capability, that he believes in them enough to let them choose for themselves and trust in their judgement. We’ll obviously delve more into this as it becomes more relevant to the story. But moving on...

The next thing to catch my attention is the panels of the Underground we see. These are probably the best shots of this place we get in the whole series, as it really depicts a place that is totally run down and dilapidated, with buildings falling apart and crumbling in disrepair, filth ridden streets with literal sewage water coming out of drain pipes, and a actual cave cover overhead, complete with stalactites, blocking out all sunlight except for few and far between pockets which break through holes in the rock ceiling. The most telling panels though are the ones which depict the violence and poverty of the place. We see a panel of a homeless man passed out on the street, painfully thin looking, and under him, two men in a fight, one beating the other violently. And the next panel shows us a little girl, sitting barefoot on the ground between two men who have just blown each other’s brains out with guns. Truly, this is a violent, dark, poverty-stricken place that breeds crime and depravation. The pages before this say that BECAUSE of the splendor of the Capital city above the Underground, this place exists, and that’s accurate. Because of the excesses and decadence of the rich and well off above these people rejected by society, that means fewer resources for the less fortunate. It’s truly tragic.

Alright, now I just want to move on to some small, but telling moments here while Levi and the others are being chased by Erwin and his crew.

When Isabel is bragging about how the MP’s never learn, referring to how they’ll never be able to catch their gang, she asks Levi if what she said was cool. Levi tells her “Don’t be stupid.” This might seem like Levi just blowing her off, but the way I read it, it seems more to me like Levi is warning her not to be cocky, not to be over confident, because that’s the kind of thing that can get you killed, or caught. Big Bro indeed! We also see how mindful Levi is here as a leader, when he tells them they can’t afford to lead the soldiers following them straight to their hideout, and clearly they have a plan in place for just this sort of thing.

More importantly, Levi is fast to realize these aren’t ordinary soldiers after them, which shows his great instincts, but what’s really interesting is his internal thoughts here. His logic is telling him regular MP’s wouldn’t work this hard to catch them, and that their skill with the ODM means they must be SC. But Levi doesn’t really believe it which, given what we later find out about the deal with Lobov, and Lobov warning them of Erwin’s plans, tells us that Levi never really believed the SC would come after them. He’s clearly surprised here.

Further, after informing Isabel and Furlan and confirming his suspicions, he tells Furlan that he’s got no intention of getting mixed up with “these guys”. This tells us Levi never wanted to go through with Furlan’s plans, never wanted to join the SC, never wanted anything to do with any of it. There’s further evidenced in this very chapter, which I’ll get to in a moment. But it tells us a lot about the dubious feelings Levi had from the start, and how he probably would have simply been happiest to stay in the Underground with his friends, even though it was a hard life.

Alright, so, this next part is a big deal, and it’s an overlooked detail which speaks volumes about the kind of person Levi is. I didn’t even notice this the first time I read it, so I want to talk about it. Levi separates from Isabel and Furlan, and takes Erwin and Mike on a wild chase through the back alley’s and narrow passages of the slums. He really tries to give them the run around here, until he flips over a door, into another area. What’s really important here is Levi’s dialog. He says first “... Lost ‘em, huh?” And then he says, “That got a little crazy... I hope... none of them crashed.” This is kind of amazing. Levi is showing actual concern for the two soldiers who’d just attempted to catch him and his friends, who were doggedly pursuing them with obviously bad intentions of some kind. And Levi, after having to resort to some serious ODM skills to shake them, says he hopes that none of them crashed. He doesn’t want Erwin or Mike to get hurt, he just wants to get away from them. Considering he doesn’t know either of them at this point, they’re just nameless, faceless military dogs trying to mess things up for him, that shows remarkable character.

Of course, things go downhill from there, when Mike crashes through the door and tackles him. All bets are off then, because Levi’s life is now in danger, and when that happens, he’ll resort to physical force. Still, he only throws Mike off of him and once again attempts to get away, only for it to be Erwin who swoops down and cuts Levi’s cables. This was actually really dangerous. Given Levi’s momentum and position, he crashes hard into a nearby wall before falling to the ground. So we already see some of that ruthlessness from Erwin here. Of course, that spurs Levi into violence himself. I have no doubt that when Levi lunges for Erwin and knocks his blade away, bringing his knife to his neck, he truly intended to kill him in that moment. Levi’s compassion for these soldiers can only go so far, considering the desperation of his own circumstances. If Mike hadn’t been there to stop it, I think Levi probably would have ripped Erwin’s jugular right out, and that would have been that, lol. And then, it’s important to note too WHY Levi stops. Not because Mike was able to physically restrain him, but because he tells Levi to look around himself, directing his attention to the fact that Furlan and Isabel have been caught. That immediately stays Levi’s hand, and once again, we’re shown how Levi puts the wellbeing of his friends above himself. He could have ditched Furlan and Isabel right then and there and escaped on his own. Instead, he allows himself to be restrained and cuffed. He refuses to abandon them.

Now the next scene is hugely important to a lot of stuff.

Erwin’s got Levi and his friends down on their knees, in the sewage, questioning them about their ODM skills, and the three of them stay silent, obviously defiant. We really get a good look at Erwin’s abilities as a manipulator here.

He’s pulling the whole good cop/bad cop routine on Levi, when he tells him “I’d like to avoid any rough treatment if I can” before looking to Mike in a clear signal for Mike to pretty damn violently tear Levi’s head back by his hair before smashing his face into the sewage on the ground. And this really IS sewage. It’s not mud. If you look at the panels, we see this brown muck coming out of drain pips attached to the surrounding buildings. This water is probably, literally, dirty with feces, and Erwin has Mike put Levi’s face in this and hold it there. Now let’s remember something important about Levi. He’s a clean freak. He obviously cares deeply about keeping both himself and his environment clean. Erwin couldn’t know this about him at the time, but nobody of course would be happy about having their face shoved into literal shit. But for Levi, I can only imagine this had to be tantamount to a kind of torture. Erwin keeps questioning him, looking down at him without any kind of emotion, and Levi remains stubbornly silent, despite how awful this must truly be for him. We get a close up of Levi’s eye in one of the panels, paralleled with Erwin’s own, and Levi’s expression really strikes me as one of awful humiliation. He goes from looking up at Erwin in rage, to looking away, staring straight ahead, while Erwin keeps looking down at him.

Still, Levi says nothing, and it’s Isabel who finally cracks, telling Erwin that they didn’t learn to use ODM from anyone, with Furlan further explaining that they taught themselves as a means of survival. He remarks that “anyone who doesn’t know what sewage tastes like couldn’t understand!”. Clearly, both of them are really upset to see this being done to Levi, and I have to imagine it’s at least in part because they know how awful an experience this has to be for him, given that they know how much he desires to stay clean. Their shocked expressions when Mike first pushes Levi’s face into the sewage says as much too.

But still, Levi remains silent as Erwin then demands to know Levi’s name. What Mike does to Levi in the next panel is even worse. He pushes his face into the sewage and holds him there until Levi literally starts to choke in it, for long enough that, when he finally does pull him up, Levi is gasping for breath. I really don’t see people talk enough about this scene, but, well...

It’s a torture scene. Erwin is ordering Mike to torture Levi here. It may not be the most extreme form of torture, it isn’t the type of physical violence we typically think of when we think of torture, but that’s what it is. It’s causing Levi both physical and mental degradation, as well as physical distress.

Even with this though, Levi’s still silent and refuses to answer Erwin at all.

It’s only when Erwin literally threatens the lives of Furlan and Isabel that he finally talks. This is such an important detail. Levi was willing to take what to him must have been truly horrific treatment, but as soon as Erwin gives the signal to the other two Scouts who have hold of his friends, we see Levi’s expression shift from defiant rage to wide eyed fear as they put their blades to Furlan’s and Isabel’s throats.

Finally Levi talks, calling Erwin a “bastard”, to which Erwin simply asks him again what his name is, and after a slight hesitation, Levi finally gives it.

I think this entire scene is vital in understanding WHY Levi was so violently pissed at Erwin, to the point of wanting to kill him.

I think it’s a combination of both the humiliation and torture he puts Levi through here, and, worse still, the fact that he threatens Isabel and Furlan’s lives. Levi already feels looked down upon by Erwin here, he already feels humiliated and embarrassed and as though he’s being treated like he’s worthless, because Erwin IS treating him like that here. All while Erwin stands there, expressionless, making statements like he doesn’t want to have to use any rough treatment, etc... while at the same time ordering Mike to do just that. Already, Erwin is sending Levi the message that he’s a liar and a manipulator who thinks nothing of putting another human being’s face in shit. And then, to top that off, he shows Levi that he’s willing to hurt, maybe even kill, his two friends to get what he wants.

Is it any wonder Levi hated Erwin as much as he did at the beginning? After a lifetime in the Underground where, from the time of his birth, he had to deal with him and those he cares about being treated like worthless trash. It would be a miracle if Levi DIDN’T want to kill Erwin at this point. To have to then submit to him willingly, after all of that, must have been beyond humiliating for him.

Erwin continues to be manipulative here too, when after Levi gives his name, Erwin’s attitude suddenly shifts, and he smiles at Levi and gets down on one knee with him, in the filth, his entire demeanor seeming to shift into an abruptly friendly one as he offers his deal to Levi. Again, that whole good cop/bad cop thing. At the same time, he continues to threaten Levi by telling him if he refuses his offer, he’ll hand them all over to the MP’s and that, given their crimes, they shouldn’t expect to be treated with any kind of decency. What’s kind of funny about this statement from Erwin is that up until now, Erwin and Mike have done anything but treat Levi decently.

Okay, one more important point to make about this chapter, and it goes back to what I said earlier about Levi not wanting anything to do with the SC, and how that tells us Levi really didn’t want to go through with Furlan’s plans.

After Erwin makes his offer, we see Levi look over at Furlan, who’s giving him an intent look, and in the next panel, we see an almost surprised, or astonished look on Levi’s face, like he can’t believe Furlan is asking him to do this, before he grits his teeth in obvious frustration, and then accepts Erwin’s offer to join the SC. What this tells us is that Levi only takes Erwin’s offer because Furlan wanted him to. Because this was all part of Furlan’s plan, to go through with Lobov’s commission, to get caught by the SC, etc... It’s clear Levi never wanted this, and he’s upset at having to do it. But the fact he agrees after looking over at Furlan and seeing him implore Levi with his eyes tells us, once again, that Levi is willing to sacrifice his own desires for the desires of others. That being his two friends.

For them, he’ll join the Survey Corps, even as every one of his instincts is probably screaming at him that this is a bad idea.

Anyway, those are my thoughts for the first chapter of “No Regrets”. There’s a lot more to unpack in this manga than I think people realize. I hope whoever took the time to read my long ass post found it at least a little worth while. I’ll be moving on to chapter two next!

3. Chapter 2: One Arrow

Alright, so onto chapter 2 of “No Regrets”.

I want to talk a little about these opening panels, when Levi, Furlan and Isabel are being driven to HQ by carriage. They seem unimportant, but I think they’re actually really important in understanding Levi’s psychology going into this new situation they’re all in.

We see the interior of the carriage, with Levi and the other two, along with an escort from the SC. Furlan and Isabel are both looking out the window of the carriage, and in particular, Isabel seems incredibly excited and in awe of the passing view. She’s stood up, with her face pressed to the window. And in the next panel, we see her looking at a little girl with her mother, dressed nicely and holding a doll. This really encapsulates everything Isabel herself has probably never had. A reliable mother to take care of her, fancy clothes and toys to play with. Essentially, an actual childhood. We see Isabel’s face in the window, and her mouth is open in wonder, her eyes wide. Like she can’t believe what she’s seeing. It emphasizes the depravation and lack of privilege she’s endured all her life. Meanwhile, by contrast, Levi sits there with his head bowed down, ignoring the passing scenery, looking deeply unhappy, even depressed. When he does look up though, he sees Isabel looking out the window, and on the close up shot of him, he’s got an almost thoughtful expression, if still extremely dour. No doubt, Levi is feeling uneasy and uncertain about the situation they’ve all gotten themselves into here, but I’m also sure that he’s unable to ignore the bubbling over excitement of Isabel, her obvious joy in being, at last, on the surface. I’ll get more into this later in the post, when we see Levi really considering his friends and their dreams, and how it influences and dictates his own decisions.

But first lets talk a little about Erwin and his role in all of this.

Now at the time this series came out, Erwin’s actual, motivating reasons for doing what he does weren’t yet known, so it’s interesting to read into his actions in this story with that context. I have no doubt that Erwin really DOES care about humanity, and wants to fight for it, and its salvation. But as we come to learn from the main series, he places his own dream of proving his father right about the existence of human’s beyond the walls above what’s best for humanity, and it puts his actions in this story into an interesting, if harsher light.

No doubt, Erwin is a master manipulator. He plays both sides expertly against the middle in this story, and I’ll get more into it by the end, when his actual plan is revealed to Levi. But what I don’t see often discussed is how, exactly, Erwin got all the parts moving in the direction he wanted, to obtain a specific outcome, and how he pretty ruthlessly uses so many people as pawns to do so. It’s obvious from the context of what we later learn in the story that Erwin first spread a rumor about having evidence against Lovof stealing funds in order to force him into tipping his hand by trying to make a preemptive move. What I see people miss all the time, or at least, fail to discuss, is how Erwin also, at the same time, made it public knowledge within the Capital, that he would be going after a group of thugs in the Underground who had shown exceptional skill using ODM gear, and that he would be making contact with them as soon as possible to try and enlist them into military service, and how Erwin made these plans public specifically to encourage Lobov into seeking out Levi and his friends for the exact purpose of both implicating Lobov in a crime, and gaining Levi’s and his friends strength for the SC. One, by hiring a group of criminals to steal from Erwin and attempt to assassinate him, so he could use that as leverage in case he wasn’t able to obtain proof of Lobov’s further criminal activities, thus having two means of getting rid of one of the SC’s biggest threats, and at the same time, also manage to score for the SC the exceptional skill of Levi and his friends through forced enlistment. He even says to Zackely at one point “I intend to make use of anyone who has even the smallest potential during this expedition.”. Erwin manipulated and had control of this entire scenario from the start, and from behind these scenes moved all of these people exactly how he wanted to, to achieve his goals. That’s pretty impressive, but also pretty scary. Well, I’ll talk more about all of that when we get to it later on.

Back to Levi and his friends though.

We see them arrive at the SC HQ, and a really important conversation happens between Levi and Furlan.

Furlan seems like he’s almost bitten off more than he can chew here, beginning to express his concern to Levi about what joining the SC actually means, before Levi cuts him off, telling him he’s got no intention of enlisting, and that he only agreed to come along so that he could get closer to Erwin and then kill him. I think Levi genuinely felt murderous towards Erwin at this point, and really means what he says here, at least about killing him. Though given the end of chapter 1, with the significant look shared between Levi and Furlan, and Levi’s begrudging acceptance of Erwin’s offer, it’s obvious that Levi also agreed to come because that’s what Furlan wanted him to do, to give them the opportunity they needed. Levi’s just feeling incredibly emotional here, I think, with the way Erwin treated all of them hot on his mind. Furlan tries to implore Levi to forget about killing Erwin, that it isn’t necessary anymore because of his own plan, and the almost certainty that Lobov and his people won’t ever try to make contact with them again. He tells Levi, if he just listens to him and follows his plan, “I know it’ll work. Trust me, Levi.” Furlan asking him to trust him pulls a meaningful look from Levi, seeming to break through Levi’s angry insistence on killing Erwin. This is where the manga improved on Levi’s characterization and motivation by leaps and bounds over the visual novel, because in the next few panels, we see Levi walking away, with Furlan calling after him, concerned, but we get to see Levi’s inner thoughts, and he’s remembering specifically Furlan insisting to him that “one day, we’ll get outta this trash heap and live up above.” We see Levi thinking about Furlan’s hopes and dreams in these panels, and he has a saddened, and guilt-ridden look on his face, like he feels bad about having dismissed Furlan’s plans back there in favor of his own plans for revenge. We didn’t get any of this in the visual novel, instead the text there making Levi look like he refused to consider anyones position but his own in this whole situation. But here, Levi is clearly concerned with and considering Furlan’s desires.

We go into a flashback then, with Furlan explaining to Levi his plans, telling him that “nothing’s gone according to plan... But with you here we’ll really be able to raise hell.” Furlan’s trying to explain to Levi that since he now has Levi’s strength to rely on, they can actually get something done once they get into the Survey Corps. It almost seems like Furlan’s been planning on trying something like this, or at least, had some sort of loose plan about getting to the surface, even before he met Levi. It’s obviously something he’s been dreaming about for a long time.

Then Isabel comes back, and she’s been roughed up and assaulted, and we learn from Furlan asking her if she went to see those “low-life scumbags again?” that this has obviously happened to her before, that she’s been associating with some bad people and it’s gotten her hurt. She denies it and lies about having just tripped, but clearly neither Levi or Furlan are buying that. Levi asks Isabel what happened to her hair, and Isabel reacts badly, running away and hiding in her room. We get a close up of Levi holding a knife in his hands, foreshadowing his own intentions. Later that night, Furlan hears Isabel crying in her room, and her chanting to herself over and over that she’s going to “kill you”, presumably meaning the men that hurt her earlier. Furlan stands there lamenting that he thinks both Levi and Isabel are going “mad”, and that all they can think about is dragging everyone else down to where they are. He’s obviously terrified that he’s going to lose both his friends to the savagery and ruthlessness of the Underground, that both of them are going to end up becoming lost to their own anger and pain. He starts to say “That’s why I...” before Levi suddenly comes back in, holding a bloody knife, clearly having returned from exacting revenge on the men who hurt Isabel. Furlan asks Levi “Did you kill them...?”, and Levi doesn’t answer, but we see a completely resigned, even sad look on his face. This of course is the world Levi comes from. It’s the world he was raised in. A world of kill or be killed. Levi must have figured, if he didn’t go out and kill those men that had hurt Isabel now, then someday, they would end up going too far with her, and kill her instead. But Furlan clearly doesn’t understand, and doesn’t relate to that kind of mindset, despite coming from the Underground too. Of course, Furlan wasn’t raised by Kenny the Ripper either. This is how Levi was taught to deal with his problems, and Furlan can only see him spiraling into an abyss from which he fears Levi won’t return.

We cut back to the present then, and Levi is sitting up on the roof of the SC HQ, again remembering Furlan’s words about “This is our chance. Trust me.”. Getting to the surface and finding better lives for themselves is Furlan’s dream. The fact that Levi keeps remembering it, keeps remembering Furlan insisting and pushing the idea of the possibility of living on the surface, shows that this is probably something he would talk about all the time with Levi, trying to get him to agree to it, to believe in it. Once again, Levi is contemplating the hopes and dreams of his friends. We get another close up of him holding a knife, and it represents, I think, his struggle between his desire for revenge against Erwin, and his desire to help Furlan realize what, to Levi, is probably an unrealistic goal.

We then get Furlan and Isabel joining Levi, commenting on how beautiful the night sky is, and asking Levi how he could keep it to himself. Levi snips testily at Furlan that him and Isabel are so loud, that he’d be too irritated to get any killing done, and then Furlan looking clearly unsettled by the remark. But it’s obvious, given the context of the previous panels of Levi’s thinking about Furlan’s dream, that Levi is just being peevish and saying things out of frustration and confusion. He doesn’t really mean what he says here. He’s taking his frustration out on Furlan by saying what he knows will upset him the most. What this also tells us is that Levi is very much aware of how bothered Furlan is by Levi’s willingness to kill. He isn’t at all oblivious to it, and given his resigned, saddened expression after coming back from killing the men who assaulted Isabel, I would say Levi even understands Furlan’s dismay. That’s a glimpse at Levi’s famous compassion.

The next panels show the three of them bonding, sitting together and admiring the night sky. Isabel asks Levi if the stars are as pretty as where he used to live. I’m just going to chalk the mistake in continuity here up to this manga coming out before, I believe, Levi’s backstory of being born in a brothel in the Underground was established by Isayama. Regardless of this mistake, this is an important moment between the three of them. You can see the awe and wonder they all feel, looking up and seeing the sky fully for what has to be the first time in all their lives. Remember, all three of them have lived literally underground their entire lives, with little to no sunlight, stagnant, stale air, hideously unclean living conditions, etc... It must be overwhelming to them , just to see nature in all its splendor like that. It’s after sharing this moment together that Levi tells Furlan that he’s decided he won’t kill Erwin for now. He looks at him and says “I’m going to trust you.”. And Furlan smiles at him, clearly happy and relieved. This scene is really important, because we’re seeing Levi choose Furlan’s dream over his own desire for revenge. We see Levi place Furlan’s desires over his own, which is totally in line with how Levi is in the main AoT storyline. He decides his revenge can wait, that it’s not as important as helping Furlan achieve his goals. What’s particularly remarkable about this, I think, is that it doesn’t appear that Levi ever dreamed of going to the surface himself, and likely that he never even considered it a possibility. So just like Levi fights, later on, for a world without fear and violence, for humanity’s salvation, even as all his life experiences tell him it likely isn’t possible, we see the Levi doing the same here, deciding to fight for his friend’s dream, even as to him, it seems unrealistic. It’s obviously a pivotal moment too, when Levi tells him he’s going to trust him, because this ties in hugely with the theme which applies so much to Levi throughout the whole series, of never knowing if it’s better to rely on himself solely, to trust himself, or to trust and rely on his friends and their capabilities. Levi chooses, here, to trust in his friends, and that will obviously have it’s own ramifications down the line. Again, this is an area in which the manga improves radically over the visual novel, which had no instances whatsoever of Levi struggling with the question of the choices we make, which is absurd, since it’s one of the driving factors behind who Levi is, and how he ultimately came to see the world as he does. It was precisely this struggle between choices, between trying to choose correctly, giving so much thought and effort to our choices, and still sometimes coming out wrong, that shaped Levi into being able to accept his lack of control and instead of regretting it, using it to keep fighting.

4. Chapter 3: ... Of Revolution

Okay, so on to chapter 3 of “No Regrets”!

I’ve got a few observations, so I’ll just delve in.

First thing, and once again, I found this a huge improvement over the visual novel, but we get more insight here into the reason Erwin was so intent on recruiting Levi. During the scene in which he’s arguing with the other squad leaders about letting a group of “criminals” into their organization, Erwin pushes back against the other scouts deriding Levi and his friends. I really loved Erwin’s line here, where he says “You’re right. These people had no training. They did not earn wings from us. They grew their own, out of necessity.” This shows us that Erwin has a grasp and an appreciation for the hardship Levi and his friends faced while growing up, while most of the other SC leaders and even regular recruits can only look down on them and see them as gutter trash. This shows Erwin’s own scope of vision, his ability to look past a person’s upbringing and background and not make judgments about them based on that. More telling still is his comment about how “those wings will play a part in revolutionizing this organization.”. He wanted Levi’s skills in particular because he knew having someone like Levi around, with exceptional ability, would shift the way they all fight Titans. He was, as always, looking for ways to increase the effectiveness of the SC, and was willing to do whatever he could, and through any means necessary, to ensure it.

The next thing that caught my attention is the glare Levi and Erwin share during the trio’s introduction to the rest of the soldiers. Erwin’s right in front of Levi, standing there, reminding him of his anger and humiliation no doubt, and I think that leads directly into and impacts the next scene, when Flagon shows them their sleeping arrangements. Levi’s already no doubt irritated by having to see Erwin again, and then Flagon makes his frankly deeply disparaging remark about Levi and his friends having spent their whole lives living in a trash heap, implying that they’re filthy gutter trash, and so surely are incapable of keeping themselves and their environment clean. Levi, understandably, reacts badly to this, and gets in Flagon’s face, asking him what he just said, before Furlan intervenes. When you consider the way Erwin already made Levi feel so humiliated and Levi’s subsequent anger at it, then having to see Erwin again not long before this scene, and hearing Flagon just callously make an accusation like that must have only infuriated Levi more. I think, once again, the manga is doing an infinitely better job of portraying the tension, then, that’s starting to form between Levi and Furlan. Furlan scolds Levi after Flagon leaves, almost talking down to him when he says “Didn’t I tell you not to cause trouble?!”. Almost like he’s talking to some misbehaving little kid. Levi’s expression in the following panel says a lot, I think. Levi looks almost chastised, like he knows he’s upset Furlan, before he tries to explain himself, asking Furlan “Didn’t you hear how he talked about us? Like shit calling shit dirty.”. It’s really interesting what this says about the power dynamic in their relationship. Levi is ostensibly the leader of their group, but Furlan’s acting, in a lot of ways, like he’s the one in charge and he expects Levi to fall in line. Clearly, he’s not afraid of scolding Levi, or challenging him. All of Furlan’s insistence that they lay low and not do anything to draw attention to themselves must only be chaffing though at Levi’s already heated feelings about the kind of treatment they’re receiving, how they’re being talked down to, etc... It must be galling to him, to see Furlan not seeming to care that they’re all being so deeply disrespected. But he still continues to defer to Furlan, and agree to go along with his plan for now, though he makes his displeasure known by calling it a pain in the ass.

But seeing Erwin, and then being treated the way they were by Flagon, seems to have rekindled Levi’s desire to take his revenge, and he reminds Furlan that he’ll continue to go along with his plan, but that he’s still going to kill Erwin. Once again, we see Levi being pulled in two different directions. He’s giving priority to Furlan’s plans and wishes, but he’s still thinking about getting Erwin back. He’s annoyed that they weren’t assigned to Erwin’s squad, probably because it means it’s going to limit their contact, giving him less opportunities to kill him. Another line that I think signifies Lev’s annoyance at Furlan and how, well, dismissive he is of Levi’s own feelings, is after he tells them they have to clean the area around their beds before leaving for training, and in response to Isabel’s protests, he says “You wouldn’t want me to cause trouble, would you?”. He’s throwing Furlan’s words back in his face here, and it seems clear to me that Levi is frustrated and doesn’t appreciate the way Furlan’s been talking to him, or how little consideration for his own wishes he’s shown. There’s a lot of tension there.

Another really important scene is the one in the training yard, so I’ll got through it here.

Particularly when Isabel is talking to the Scout helping her with horse riding, and they get to talking about life in the Underground, and then Levi. What Isabel says, and the visual of the panel here, is particularly powerful. She says “It got so I thought I was gonna die. But life’s a little better since Levi saved me from that.”. And we see in the panel Levi lifting Isabels’ head up, obviously checking if she’s alive. There’s all these people, collapsed around her, and the fact that Levi is checking to see if she’s alive is interesting, because it makes me think this is something Levi would regularly do. That he would check to see if anyone was alive when he came across people collapsed in the streets. It’s probably not unusual to come across dead bodies in the Underground, and for someone like Levi, who’s lived there all his life, he’s no doubt seen plenty. The fact he checks Isabel shows a lack of callousness towards the sight, which is incredible, to not become uncaring or apathetic towards suffering, even when you’re surrounded by it your whole life. It’s a highly unusual quality to have, but of course, it makes perfect sense for Levi, who’s so full of compassion.

Nevertheless, it would have been simpler for him to just keep moving and ignore her, but instead he stopped, and when he discovered she was still alive, he took her in and gave her food and shelter and a home. She would have died otherwise. Levi had no obligation towards her, he had no, really good reason to do something so selfless, and yet, he did. And this truly is remarkable, especially when you consider the kind of cut throat world Levi grew up in, the kind of ruthless people he’d encountered, and even lived with, like Kenny, all his life.

Then there’s Furlan’s discussion with another soldier, and his story about Levi. The most interesting thing Furlan says here is how, after his own friends turned on him, he’s followed Levi ever since. And then he says “Though it might be problematic making him any kind of leader!”. It’s interesting what this reveals to us about Levi. People want to follow him because he’s so strong, but Levi himself has no desire for power, or control over others. People willingly attach themselves to him, because they think Levi can protect them, but Levi isn’t any kind of natural leader. So we know Levi was more or less forced into the role of leader by way of others seeking him out and assigning him that role. What’s interesting about this is how it, once again, reveals the kind of person Levi is. He could easily have rejected all of these people and abandoned them. One thing we know is that Levi didn’t need any help surviving on his own in the Underground. But instead Levi allows them to stay with him and willingly offers his help and protection, and though it’s probably more of a pain and a nuisance to him than anything else. It shows that Levi’s never been able to turn away from those seeking his help.

Which leads nicely into the next scene.

I’ve talked about this scene before, and how disappointed I was that they didn’t include it in the OVA. This also wasn’t included in the visual novel, which is, once more, just another way in which the manga is superior.

Flagon is once again criticizing Levi for holding his blades “wrong”, telling him he’s going to end up getting killed outside the walls. And then the training exercise begins, and we see one of the other soldiers trying to compete with Levi, and growing increasingly incensed and annoyed at Levi’s prowess. He thinks “These vagrants with no knowledge as soldiers...” and then “I trained half to death, and these criminals think they’re better?!”. What’s interesting is to see that while this soldier is fuming internally over Levi’s perceived slight of him, glaring at him angrily, Levi clearly hasn’t even taken notice of him. This isn’t a competition to Levi at all. He’s just there to do the exercises. He’s staring straight ahead, blank faced as always.

Now what happens next is once more hugely revealing as to Levi’s character. The infuriated soldier decides he’s not going to accept that Levi’s better than him, and so he intentionally pushes off of a tree and cuts Levi off mid-flight. What struck me about this is how incredibly dangerous it was. Levi’s going, presumably, full speed, through this obstacle course, and this dude, out of petty jealousy, cuts him off by flying right in front of and past him, forcing Levi to pull back and change direction. A stunt like this could have easily resulted in serious injury for Levi, or even death, if he weren’t as gifted as he is. To top it off, this soldier then brags about it, calling out to Levi “Don’t get left behind!”. Of course, his arrogance leads to immediate disaster, as the soldier that went through the course before lost one of their blades in the dummy Titan, and this dude’s flying towards it at top speed, with no way to stop himself or change direction in time. He’s about to be impaled by a blade. Considering the danger he’s just placed Levi in, then, it truly is a testament to Levi’s goodness, that he launches off the tree he’s stopped on, racing ahead and slicing the stray blade free before the other soldier can make contact, resulting in him harmlessly crashing into the pad, instead of dying. This really shows how Levi’s first instinct is always to help others. Even when others have just not only treated him badly, but even endangered his life. He doesn’t owe this soldier anything, and by all rights should be extremely pissed at him for his petty display before. But instead Levi just automatically reacts to his life being threatened by saving the man. He doesn’t even scold him afterward or express anger, just flies off and continues the course.

What makes this whole thing kind of sad is both the soldier’s and Flagon’s reaction to this. The soldier is still angry and upset over Levi’s superior ability, wondering how he can be so fast, not even sparring a thought of appreciation for him just saving his life. And then Flagon grudgingly admits to Levi’s fighting prowess, but continues to doubt him and his ability to stay disciplined. Even after saving one of his own men’s lives, he still continues to look down on Levi. That’s pretty messed up. Levi glares back at him after, as if to say “Who’s the one who’s going to get people killed out there?”. Levi saved a soldiers life, while Flagon could only sit and watch. It’s interesting too how this, tragically, foreshadows what’s to come though, with Levi not being able to save the people he cares the most about. But we’ll get into that when we get there.

Also, just gotta mention also the way Levi reacts to Isabel’s getting upset after he bonks her in the head and calls her stupid. He looks surprised when she starts crying, and it’s clear he didn’t mean to actually hurt her feelings, and it’s just really sweet, the way he rubs her head after. He obviously felt bad.

5. Chapter 4: Proof

Alright, just a few things to say about chapter 4 of “No Regrets”.

One thing that I love that was in the manga that, once again, wasn’t in the visual novel, was Levi’s reaction as they ride out from Shinganshina, as well as Furlan’s and Isabel’s. This kind of internal exploration of these characters who had never been to the surface, who had spent their whole lives in darkness, getting to see the sky for the first time, was something that was entirely absent from the visual novel, and it’s one of its biggest weaknesses. But here, we see Levi looking up at the stone structure of the wall gate, and for a moment, he imagines the ceiling of the Underground, before they emerge out into the open and the full view of the sky appears for the first time. Levi squints up at the glaring sun, and we see an expression of genuine awe and amazement on his face, as well as Furlan and Isabel. This is the first time any of them have experienced anything like this, and the overwhelming beauty of it for them is wonderfully visualized here. The way Levi goes from seeing the claustrophobia and imprisonment of the Underground, and how that opens up into a clear, blue, ending sky, really symbolizes him experiencing for the first time in his life a kind of freedom he’s never before had. And there’s something incredibly moving, but also incredibly tragic about that.

Now another point I want to address, where the manga and anime both differ from the visual novel, in a really vital way, is how here, we see Furlan lamenting that they’ve left the walls, saying “This is terrible. I never meant to leave the walls. If we’d followed the plan, we would have grabbed them and snuck away by now!”. This shows that they’ve been looking for the documents in vain for several months now, and still have yet to find them. Furlan’s plan had obviously originally been to find them and then get out of dodge, but because they weren’t able, they ended up having to wait around longer, until the time came for the expedition. Now how this is presented in the visual novel really struck me as horrifically out of character for Levi. In the novel, it’s explained that the reason they haven’t left is because Levi kept insisting that he had to kill Erwin, refusing to leave until he could do so, and if not for that, Furlan would have forgotten about the documents and simply had them all desert the SC, back to the Underground. Levi intentionally ignoring the safety of his friends for revenge on Erwin really goes against everything we know about him from canon, and was a pretty glaring detail, so I’m glad they nixed that here. There’s no mention of Levi forcing them to stay because of his need for revenge, but rather an implication that none of them were willing to leave until they got the documents. They took this a step further in the OVA even, with that one scene in which Levi argues with Furlan and Isabel, insisting that if it comes to them having to leave the walls, he’s going to go alone, and he wants them to stay behind. This really is an important distinction to make in Levi’s characterization. We know he always places the safety of his comrades above all else, if he can, and tries his best to keep them alive. And the whole reason he agreed to Furlan’s plan in the first place was because he wanted to help Furlan’s and Isabel’s dream of living up above come true. He would never purposefully endanger their lives, or so thoughtlessly dismiss their safety. This is something which gets further corrected later in the story, too, when Levi makes his fateful choice, and I’ll get more into it there as well. One detail though is how Levi tells Furlan not to worry, that he’ll “do something about the Titans.”. Levi clearly believes in his own strength, and believes it will be enough to protect his friends at this point, which goes back to the theme of him struggling to know which is better to rely on, oneself, or ones comrades. Here, he’s relying on himself to protect them. He asks Furlan “Don’t you trust me?”. He’s reminding Furlan that he’s never let him down before, and he promises he won’t now either.

We see Furlan later finding that full trust again, when Levi engages with the abnormal titan, and sees his fearlessness, giving him his own strength to fight. It speaks volumes about the kind of camaraderie shared between all three of them, that they’re able to work so smoothly and effectively together the first time any of them have ever fought a Titan, and how deeply Furlan and Isabel trust Levi to get them through any dangerous situation, as they willingly follow him into battle.

6. Chapter 5: Hearts

Alright, onto chapter 5 of “No Regrets” and then I’ll do the last three chapters tomorrow.

The first thing I took note of was how after everyone gets to the castle ruins, Levi reminds Furlan and Isabel that they’re still outside the walls, and that anything could happen, so they should “stay sharp.”. Once again we see Levi being concerned with the safety of his friends, remind them not to put their guards down. This leads into the next scene, where Furlan remarks that he never thought they’d be able to stop a titan so easily, and reaffirms his faith in Levi’s strength by saying as long as Levi’s with them, they’ll survive somehow. Levi responds to this with some self-doubt, which is really interesting and will tie into some other observations I’ve made about this chapter, later on. He says if there’s more than one of those abnormal titans, he’s not so sure they’ll be alright. Clearly, he’s concerned for the wellbeing of his friends while they’re on the outside like this. He doesn’t feel totally confident.

He then asks Furlan if he’s sure Erwin’s brought the documents with him outside the Walls, which tells us that they’ve obviously had previous discussions about this, that it was a group decision between them, of the necessity of leaving the walls in order to get close enough to Erwin to get the papers. Furlan says he made sure, talking about how he searched Erwin’s office top to bottom, observing that he found a bunch of unrelated documents, and in particular, a locked drawer which he found suspicious. Now what I find interesting here is Furlan’s internal thoughts, because I think he realized Erwin’s intentions already, but he dismissed his suspicions based on them seeming unlikely to him. But in his memory, he thinks, when he sees the locked drawer, that it’s almost like it was made to be searched, and upon opening it, he finds plenty of secret looking documents, but not the ones they need. He then wonders if Erwin is trying to tell him that they’re not there. What’s so interesting about this is just how deep is shows Erwin’s manipulation of this situation actually goes, and how many steps ahead he actually is. We saw in chapter 3 how Erwin was standing at his office window, observing Furlan, which tells us that he was always aware that Furlan was going to try and find the documents, which in turn lead to Erwin arranging his office to nudge Furlan in the right direction, of thinking the documents aren’t anywhere at HQ. Furlan picks up on this possibility, that Erwin is in fact manipulating them, wondering to himself if Erwin WANTS him to think he has the papers on him, giving him the “run around”, but he dismisses the thought out of hand a moment later. What this tells me is just how in control Erwin is here, and it made me think that it’s possible Erwin influenced Furlan’s thinking in this direction, to assuming Erwin had the papers with him, as a means of keeping him, Levi and Isabel there in the military longer, delaying their escape, so that he could intentionally force them outside the walls on an expedition, so he could see what they were actually capable of. At the end of chapter 4, after seeing Levi take down that abnormal titan, he observes to himself, “So your wings are the real thing, after all, Levi.”. This is just speculation on my part, but given what a masterful manipulator Erwin really is, I wouldn’t be surprised if this was his plan the whole time, knowing Levi and his friends wouldn’t and couldn’t leave until they had the documents.

Alright, next observation. It’s kind of funny how, after laying out his plan to search Erwin’s bags with Isabel, and asking Levi to guard the passageway Erwin went down with Shadis, and to stop him if he started to come back before they were finished, Levi’s first assumption is that he should start a fight with Erwin, lol.

More interesting is when Furlan says to Levi “Don’t kill him, even by accident. After all, if we lose an officer outside the walls, we’ll be in trouble, too.”. Because it tells us that they weren’t ever planning on killing Erwin outside of the walls when they went out on expedition. The goal was to try and find the documents, and hoping going beyond the walls would yield an opportunity to do so. This is another, vital change from the visual novel. In that, Levi is still obsessing over killing Erwin, over any consideration for the original plan, ranting even that he’s going to make Erwin get down on his knees and beg for his life before killing him, and that just struck me as wildly out of character for him. They wisely took out that entire piece of dialog here, and instead we lead into a scene of Levi guarding the passageway, and remembering the whole reason for why he agreed to come to the surface in the first place. We go into a flashback of Lovof’s messenger making contact with Levi and the others, propositioning them with Lovof’s commission. What’s really important in this scene is Levi’s initial reaction to the proposal. He’s immediately skeptical and disbelieving, and doesn’t want anything to do with it. He tells the messenger so, and tells him “Go back up there and I’ll pretend I didn’t hear anything.”. Levi shows great instincts here, sensing the danger present for him and his friends, and outright rejects any association. It’s Furlan, then, who steps in and shows interest in the deal, calling the messenger back. Levi’s clearly confused, but yields to Furlan’s look, and Furlan proceeds to tell the messenger that they’ll have to think about it, but that they’re interested. Levi’s clearly not happy about this, and once the messenger leaves, he begins to protest, but Furlan cuts him off and starts to lay out his plan to tail the messenger to find out who his employer is. Isabel expresses disbelief that Furlan actually means to go through with this plan, and Furlan again brings up the dream of making it out of the Underground, talking about how rare a chance it is, to actually live in the Capital, obviously trying to entice both Levi and Isabel with the notion. Levi points out that even if they get the documents, it’ll just lead to them being Lovof’s next targets, and Furlan responds with his plan to blackmail Lovof instead. Levi’s still dubious on this idea, asking Furlan if he really thinks “those pigs will care about a threat from the Underground?”, and Furlan responds that it’s worth a shot. He then implores Levi and Isabel again, saying “Come on, you two, don’t you want to make it up there?”, and we cut back to Levi in the present, contemplating Furlan’s words. Again, we see Levi thinking long and hard on Furlan’s dreams here, over any thoughts he has of Erwin or revenge. He’s prioritizing Furlan’s wishes over his own still, thoughts occupied by what his friend wants.

Now, this leads into a really interesting and meaningful encounter with Erwin.

Well, the first thing I notice in the exchange is when Erwin calls Levi’s friends his “subordinates”, and Levi responds with “They’re not my subordinates…”. This tells us so much about how he views himself in relation to Furlan and Isabel. He doesn’t see himself as their leader. He doesn’t want to control them. He just sees himself as their friend, and protector.

Now the conversation between Levi and Erwin gets really interesting when Erwin starts talking about having seen Levi take down the abnormal titan from earlier, and he observes that with a natural like Levi around, the others must feel safer. Levi looks at Erwin with wide eyes, before responding to him that the reason he was able to figure out how to fight that titan before was because he watched how it moved as it ate another soldier. I think Levi’s feelings of guilt here are pretty obvious. He feels bad for having watched another soldier die, and using his observations while watching to figure out how to kill the titan. It’s like he’s arguing with Erwin here, telling him the others shouldn’t feel safer with him around, that they shouldn’t rely on him. Levi is showing doubt in himself here, again, just like earlier when he pushed back again Furlan’s claims that as long as he’s with them, they’ll be safe. Interestingly, it’s Erwin who essentially tells Levi here that he shouldn’t feel guilty, that the SC is built on those types of sacrifices, and that as long as they’re fighting to take back the world for humanity, none of the soldiers there would feel regret for dedicating themselves to such a cause. I think this is actually the start of the turning point in how Levi views Erwin. He looks at him here with an almost astonished expression, like he’s seeing Erwin in a sudden, new light. Like he’s starting to doubt his own, initial impressions of him, and wonder if maybe he wasn’t totally right. But before he can think on it further, Isabel shows up and calls him away.

Levi then learns that Furlan and Isabel weren’t able to find the documents, essentially confirming that if they’re anywhere, they have to be on Erwin’s person, which leads to the inevitability of having to kill him if they want to get their hands on the papers. Levi’s find with this, because it’s what he wants to do anyway, even as Furlan shows continued apprehension.

And then we get the scene with Hange.

It’s pretty funny that Levi was about to gut Hange, for real, when he thought she had overheard their conversation. It tells us how far he’s willing to go though to protect his friends.

Still, this whole scene is actually pretty moving, in its way. Because Hange is really the first person to express genuine gratitude towards Levi and his friends, and treat them as genuine equals, to which we see Isabel in particular respond after seemingly being unimpressed. Even Levi seems stunned, muttering out “thanks”, like he doesn’t know what else to say as Hange heaps praise on them. It’s also funny how Furlan has to remind Levi to “be nice.”. Poor Levi just doesn’t know how to socialize.

But the important part of this scene is when Hange points out how everyone there is wanting to know how Levi was able to take down a titan so easily, drawing their attention, and Levi’s in particular, to the other soldiers watching them. Hange affirms what Erwin had said to Levi earlier, about how his presence there made the others feel safer, when she says “You’ve given them hope that humans don’t have to lose to the titans if we fight correctly.”. And we see here, I think, the first seeds being planted in Levi’s mind that he might be able to do more, that he might be able to actually help these people. He’s been told as much twice in quick succession. I think this is where Levi starts to get the idea for the first time that he might have found somewhere where he belongs. We’ll get more into this next chapter, when I talk about his conversation with Isabel. But for now, after Hange asks him again if he has any advice, he tells them he just has his own way of doing things, and he can’t teach it to anybody. When she tries to insist, he blows her off and looks away.

Furlan asks Levi, after Hange leaves, what the big deal is in just showing them some simple trick, and Levi says he doesn’t want to be responsible for the loves of anyone other than you two. This is really important, because it again tells us a lot about Levi’s psychology here. He doesn’t want to teach these people how to fight because he doesn’t want to be responsible for them getting hurt or killed. Just as he expressed discomfort earlier with what Erwin said, and his own sense of guilt over how he figured out how to fight the titan, Levi really seems to me like he’s afraid here of failing to protect others, and actually harbors deep doubts about his own ability to do so. So even as we know people tend to flock around Levi and follow him in the belief he can protect them, Levi himself is afraid that he isn’t strong enough to help them the way they want him to. It’s indicative of someone who’s experienced deep loss in their life, which we know Levi has at this point. Someone who’s afraid of making attachments because he doesn’t want to have to experience the pain of that loss ever again. And it shows a painful insecurity in Levi. He wants to help people, but he doesn’t want to end up failing them, or doing something which could lead to them getting hurt or killed. He doesn’t want to be responsible for their lives, because he’s afraid he can’t be.

Furlan tells him not to be so dramatic, and Levi doesn’t say anything in return, but we see a resigned, saddened look on his face, like he knows Furlan wouldn’t understand if he tried to explain how he feels.

Then we get Isabel’s comment about not understanding trying to take back the world for humanity, but her starting to realize the Scouts genuinely believe in what they’re doing. We see Levi’s silence again in response, but this one is more contemplative. He himself is starting to realize the same as Isabel. That these people really believe in what they’re saying. And again we go back to the first seeds of a sense of belonging starting to develop in Levi, even before his big moment with Erwin at the end. He’s starting to sense that maybe he’s found a place where he belongs, where he can actually use his abilities in a way that could make an actual difference in the world. It’s subconscious at this point, but Levi is starting to get that sense I think.

7. Chapter 6: Living Creatures

Okay, onto chapter 6 of “No Regrets”!

So the first thing I want to jump into here is, once again, something which the manga vastly improved on over the visual novel, and that was the scene following the flashback to Levi and his friends learning about the long-distance scouting formation before the expedition, and then Flagon’s instructions to them in the present. I don’t think this scene was even included in the visual novel, but it’s indispensable in understanding Levi’s mindset going into the fateful final act.

Isabel gets carried away by Flagon’s speech, and ends up saluting, expressing genuine enthusiasm for the SC’s cause, before realizing what she’s done and turning around, seeing Levi and Furlan looking back at her in silence. Furlan looks unimpressed, while Levi wears his usual stoic expression. You can’t tell one way or the other what he’s thinking, which is why the next scene is so hugely important, because we get a look into his inner thoughts.

I saw another person say not long ago that in this scene, Isabel expresses a desire to join the SC, and Levi blows her off and ignores her, only thinking about his revenge on Erwin, and to that person, I would like to ask ‘What scene were you reading?’, because that’s pretty much the opposite of what happens here. This scene reveals so much about Levi’s own, inner conflict, and how he’s beginning HIMSELF to understand and even sympathize with the cause of the SC, and the soldiers who have dedicated themselves to it. Let’s dissect it here a bit.

The scene takes place at night, before they ride out again, and Levi is sitting up with Furlan and Isabel, and he’s thinking quietly to himself. The first thing he’s recalling in his contemplation here is Sairam’s words, asking Levi if he knows how many elite soldiers have been eaten by Titans. This plainly shows Levi’s growing concern for Furlan and Isabel. The longer they spend outside the walls, the higher the risk of something going wrong, and that’s a worry that’s heavy on Levi’s mind here.

He then remembers, in quick succession, all these various interactions and the words of different people throughout his short time up here on the surface. He recalls Sairam hurling insults at him and his friends, calling them punks, and then Hange’s opposite words of encouragement and appreciation, telling them they’ve given everyone hope. He recalls Furlan’s words, telling Levi that with him there, they’ll really be able to raise hell, and then Isabel’s words, pointing out that the SC soldiers really believe their cause is worth dying for. Finally, Levi recalls Flagon’s degrading words, about how Levi and his friends have spent their whole lives in a trash heap, implying they’ll never amount to anything more than garbage, and last, he recalls Erwin’s words, how he’d seen the desire to kill in Levi during their first encounter.

All of this is hugely important to understanding Levi’s psychology, I think, and understanding his feelings of conflict and confusion, and how it ultimately plays into him making the choice he does. For Sairam’s and Flagon’s words, it’s the assumption people have made about Levi all his life, that he’s nothing but a worthless criminal who can’t do anything good for anyone, and Levi’s struggle to overcome that perception that people have of him. In contrast to that, Hange’s words are sending Levi the opposite message, that he isn’t just a worthless criminal, but someone who can actually contribute something positive and important to other people’s lives. He’s someone who can inspire hope. Something Levi’s always secretly wished he could do. And then there’s Furlan’s words, serving as a confirmation to Hange’s, in which he expresses his reliance on Levi to help make his own dreams come true, and Levi seeing himself in that role, of taking care of these two people whom he loves. And there’s Isabel’s words, a clear admiration and astonishment at the realization that these soldiers really believe in a cause bigger than themselves.

We see all of Levi’s greater hopes, his desire and wish to help other people, coming into conflict here with the way he’s been treated all his life by others, as a worthless, good for nothing criminal, and how that treatment has forced him to become the very thing they accuse him of being, someone ready and willing to kill, someone ready to commit crimes, etc… It’s Levi’s pride and anger battling with his deeper desire to protect and help others. The thing his life and his environment has FORCED him to become, against his truer nature. This is such a vital, important scene, and once again, the manga succeeds in explaining and revealing Levi’s complexity as a character, whereas the visual novel just flat out butchered it.

Now getting back to Levi’s interaction with Isabel in this scene, and the woeful misinterpretation I saw another person make one time.

Furlan is talking about how, given the complexity of the formation, they won’t be able to break ranks without being spotted, and he suggests they should just wait until they’re back behind the walls before trying to steal the documents again. Levi points out that if all three of them leave, then yeah, they’ll likely be spotted, and gives no further opinion. Already, Levi is thinking that maybe he could go after Erwin and the documents alone, thinking of taking the entire burden of the operation on himself, carrying the hopes and dreams of all of them on his shoulders alone, (which is why he later calls himself conceited and proud, having relied on his own strength entirely, instead of his friends too, ending in failure, which in turn goes back to the very beginning, with Levi’s statement about never knowing what the better option is, to rely on oneself, or on their comrades). But anyway, he doesn’t protest or try to counter Furlan when he says they should just focus on getting back alive. Isabel expresses agreement, and then says she knows the documents are important, but she also doesn’t want to get in the way of the SC and what they’re trying to do. Now here’s where the conversation gets really important in, once more, understanding Levi’s psychology.

He and Furlan look over at her, and while Levi stays silent, Furlan gets annoyed, chastising Isabel for seeming to suddenly care about the other soldiers, accusing her of only caring because Hange’s cookies were good. Furlan clearly doesn’t understand Isabel’s sentiments here, he doesn’t get why she suddenly seems concerned. He’s still focused on their own goals, and that’s all that matters to him. But Isabel begins to explain that it’s just that she’s starting to understand why the SC goes out beyond the walls, and likens it to how they felt living in the Underground, wanting to escape to the world above. She’s saying she understands that sense of being trapped, of being imprisoned, and the longing for freedom. And then she talks about seeing lots of her friends dying underground, while dreaming of making it “up there.”, and how seeing that made her feel like she HAD to get up there. It’s like Isabel is saying here that her dream to make it to the surface was strengthened by the dreams of others who never got to realize it for themselves, and that she wanted to make it to the surface, more than anything, as a way of giving the dreams of those who had died without realizing them, meaning. By making it to the surface FOR THEM. She starts to try and explain what she means, saying ‘It’s…” before Levi suddenly speaks for the first time since her monologue, saying “It’s like leaving the walls behind to kill the Titans…”

This is such a huge moment. Because contrary to what I saw this one person claim once, Levi is acknowledging Isabel’s feelings, and expressing empathy with them. He’s telling Isabel here that he understands what she means, because he feels it too. This desire to fight for freedom as a way to give meaning to the suffering of those who couldn’t escape their imprisonment. Levi, rather than ignoring or blowing Isabel off here, is relating to her. Her feelings are his own. Isabel smiles dreamily and says “Yeah.” Because Levi put her thoughts into words. She then keeps talking to Levi, starting to ramble about what she wants to do when they get to live in the Capital, how fun she thinks it would be to steal from all the “rich pigs” and use their money to buy useless junk, before she falls asleep.

Furlan then kind of bursts this bubble of reverie that Isabel and Levi have fallen into, and what he says here is, again, so important. He says “I’ve got to revise our plan. We’ll need to steal the documents before you and she start seriously talking about dedicating your hearts, or whatever.” Furlan’s perceived how Levi’s own feelings are beginning to match up with Isabel’s, how he’s starting to feel drawn to and sympathetic towards the SC’s cause, and he’s worried, because that’s not what they’re supposed to be there for. They’re supposed to be there to steal the documents so they can get a chance to live in the Capital. This is Furlan’s dream, ultimately, and he doesn’t want to lose sight of it to some unrealistic ideal. What’s so interesting here is the contrast between Levi and Furlan. While Levi is so quiet and reserved and hard to read, he’s actually showing himself to be more of the dreamer of the two, while Furlan is much more practical and less prone to fanciful, ideal notions like helping people beyond their own means.

We get one last shot of Levi gazing at Isable, thoughtfully. He’s still thinking about her words.

Alright, then comes the next big scene, with all of them outside again, to try Erwin’s new formation. We see, again, Levi’s gradually shifting opinion of Erwin already, when he remarks that Erwin’s idea is “brilliant”, once he sees how it works, expressing genuine admiration for it and Erwin’s mind. Levi still hates Erwin, and want to kill him, but we already see this desire in him starting to crack and come apart, replaced by an almost astonished curiosity instead. Like he isn’t sure what Erwin is, but he’s impressed, in spite of himself.

Then the storm comes and everything starts to fall apart.

Another, massive and vital change here in the manga from the visual novel is Levi’s reaction to the sudden storm. In the visual novel, Levi’s first and only response to it is that he can use it as cover to go after and kill Erwin, sparing no thought to the safety of his friends, or the other people in his squad. It was another instance in which I thought Levi’s characterization in the novel was just horribly butchered, and so once again, I was so glad to see them correct it here. Levi’s first response, after he, Furlan and Isabel start to lose contact with Flagon and the others, is to scream at his friends to not get separated. He's only worried about them in this moment, and wants to make sure they don’t lose contact with each other. He isn’t thinking at all about leaving them here yet. Just this small addition completely changes Levi’s motivations and priorities, leading into the fateful choice, and it’s immeasurably better characterization for him then what was presented in the visual novel. I’ll get more into it with the next chapter. So until then, thanks again for reading.

8. Chapter 7: Those Three

Okay, onto chapter 7 of “No Regrets”, and there’s really no need for me to say that this is by far the most heartbreaking chapter. I think, perhaps, the most tragic part of it all is that Levi made the choice that he did because he was actually trying to protect everyone. Now I’m going to break his choice down and get into the details of that, so let’s just dive right in.

First off, I want to talk a little about, once more, the pivotal contrasts between the way Levi’s choice is presented here in the manga, and how it was presented in the visual novel, and why, like everything the manga’s done so far, it’s an immeasurable improvement in the manga.

Basically, the way Levi’s choice in the visual novel plays out doesn’t in any way relate to his later philosophy which serves as the driving force behind Levi’s character in the main SnK series, while the way his choice plays out in the manga relates to it completely.

In the visual novel, it isn’t even really a choice at all. There isn’t any consideration or struggle for Levi to choose one way or the other. Levi acts purely on impulse, and as I stated in my analysis for chapter 6, he reacts to the sudden storm by wanting to use it as cover so he can go and kill Erwin. That’s it. That’s his sole motivation for leaving his friends behind. He puts no thought into it, he doesn’t consider the ramifications, he doesn’t seemingly care about anything at all except killing Erwin, and to hell with the consequences. Again, this is so wildly out of character for Levi, that I could hardly believe it while I was reading it. To make matters worse, when Furlan tries arguing with him and tries to convince him to stay, the writing directly contradicts its earlier statement that Levi didn’t consider Furlan and Isabel to be his subordinates by having him snap back at Furlan that he’s (meaning Levi) the one who decides, almost rubbing his higher rank in their social interactions in Furlan’s face, before just riding off without another thought. It’s just awful characterization. And, as I said, completely severs any relation of Levi’s actions here to the philosophy he later develops and adheres to so strongly in the main series, indeed, the philosophy that he lives by and which governs his actions, the philosophy that serves as his character motif. It turns it into a decision made purely through emotion, a purely selfish and thoughtless act taken, and indeed, the only lesson Levi would be able to take from that sort of impulsive decision making would be that he should put more thought into his actions in the future, because if he does that, then this sort of thing won’t happen again.

But that’s not the lesson Levi learns, and that’s not the foundation of his philosophy.

Levi’s entire philosophy revolves around him understanding and accepting that he can never know the outcome of any given choice he makes until after the fact, no matter how much effort and thought he puts into trying to make the right one, and finding a kind of freedom in relinquishing that control. It is absolutely vital, then, in order for Levi’s choice in “No Regrets” to mean anything, and for it to in any way relate to the philosophy which governs him later, for it to have been a well thought out and deeply considered choice, and that’s exactly what it’s presented as in the manga.

Now I want to break his choice down here panel by panel to get into why.

First of all, the first key difference between the manga and visual novel, is here in the manga, Furlan is the one who first points out that the situation for them is bad, because in this weather, it’s likely Erwin will get eaten by a Titan, and if that happens, they won’t be able to get the papers they’ve been after this whole time. Levi isn’t shown even THINKING about any of that up to this point. He’s only shown concern for Furlan and Isabel, wanting to make sure they stay together, and sticking himself by their sides. Furlan goes on to say here that in order to take the papers, they’re going to have to head to the center of the formation. Furlan’s the one who brings the entire subject of Erwin and the documents up here, not Levi, and this is a huge and important difference.

They hear Flagon fire the sound grenade, and realize he and Sairam aren’t far off. Furlan says they might be able to join them somehow, but then he hesitates, and says “but… Levi.”

Furlan is looking to Levi here and asking him to make a decision for their group. Do they go off together and try to get to Erwin before he gets eaten by a Titan and they lose their final opportunity to get the documents they need, or do they go and join Flagon. Furlan puts the responsibility onto Levi’s shoulders here.

Now here’s where things get really complex, and we see how truly nuanced, considered, and thought out Levi’s choice really was, and ultimately, then, why it turning out to be the wrong choice is so deeply tragic.

Furlan and Isabel both are looking at Levi, waiting for him to choose, and we get to see Levi’s internal thoughts.

The first thing he thinks in this situation is to weigh the worth of the lives of his squad and his friends against his own, and this is so exactly like Levi, and once more shows infinitely better characterization of him than what was done in the visual novel. Levi thinks here “If the three of us go, the team we leave behind will be shorthanded.” This is literally Levi showing private concern for the lives of Flagon and Sairam, knowing that if he takes Isabel and Furlan with him, those two’s chances of survival out in this weather diminish drastically. He then thinks “If I go alone, there’s no guarantee I’ll be able to find them again.” He’s considering his own chances of survival here, if he strikes out on his own. He knows that if he does, his own chances of getting killed increase. So here we see Levi struggling with whether to prioritize the lives of his squad, or himself. Ultimately, he decides to prioritize the lives of his squad. And I’ll get more into that in a moment.

But Levi continues to struggle. He tells himself “Which is it? Pick one.”, as the storm worsens around him. He’s agonizing over it. And then he closes his eyes, and he thinks of Isabel, remembers her saluting Flagon from the night before, and the understanding for the SC’s cause that she expressed, and how he himself understood it, and her sympathy, even her empathy with how they felt, saying she didn’t want to get in their way, meaning she didn’t want to compromise their mission. Levi himself has been developing an attachment to these soldiers, and an admiration and understanding of their dedication, seeing how like his own desire to fight for and protect the lives of others it is. To leave Flagon and Sairam to their fate and unprotected, then, would be both a betrayal to Isabel’s feelings and wishes, and his own. Levi doesn’t want to be the cause of Flagon’s and Saiyam’s deaths by taking Isabel and Furlan with him and leaving them by themselves. Also, in remembering the way Isabel saluted Flagon and her enthusiasm for the SC’s dedication, Levi must also have realized, if he took Isabel with him to steal from and kill Erwin, it would destroy any future chance she might have of ever joining the SC again, if that was something she wanted. To take her with him would implicate her in his crimes and rob her of that possible future.

Levi then thinks of Furlan and Isabel in the Underground, looking at him, and Furlan explaining to him his plans, his hopes and dreams of using this new found opportunity to make it to the world above and make for themselves better lives. He’s remembering Furlan, and Furlan’s reliance on him to make that dream come true. Remember how Furlan told Levi “With you here, we’ll really be able to raise hell.”. His plan always hinged on having Levi’s strength and ability in order to succeed. Levi knows, then, if he chooses to not go after Erwin then and there, and get the documents from him, Furlan’s dreams will be dashed, and Levi will have failed to help make them come true. And Levi has gone along with Furlan’s plans up to this point, against his own, better judgment, specifically because he wanted to help realize Furlan’s dream, to make it a reality. To abandon it now, after all of that, must have seemed unacceptable to Levi.

And then Levi remembers Erwin, standing over him in the Underground, superior and smug, callous and uncaring for how he’s disrupted and threatened the lives of Levi and his friends. He remembers his anger at Erwin, his feeling of humiliation and rage.

And it’s this memory, finally, after all the others, after considering the lives of Flagon and Sairam, after considering Isabel’s wishes, and Furlan’s dream, that tips the scale for Levi in deciding that he has to go alone after Erwin. It’s the weight of all those factors, the fear of letting Flagon and Sairam die, the fear of letting Furlan and Isabel down, on top of Levi’s own pain and anger, that decides it for him. If he doesn’t go after Erwin alone, if he takes Furlan and Isabel with him, Flagon and Sairam will probably die, and both Furlan and Isabel will be implicated in the crime of theft and murder. If he stays with Isabel and Furlan to join up with Flagon and Sairam, then Furlan’s and Isabel’s dreams likely go out the window.

This is no snap decision on Levi’s part. It’s a deeply considered, thought out and in many ways selfless choice he makes. And, again, that’s really what makes it so horribly tragic. Levi was really TRYING to do the right thing here, was genuinely acting in a way he thought was for the best, for all parties involved. He gave just as much, really MORE consideration to Furlan and Isabel and Flagon and Sairam than he did to himself. It was the combined weight of the interests of all the other people involved that pushes Levi towards the choice he makes, and his desire for vengeance on Erwin is just the final straw which tips the scale in that direction, not the one and only deciding factor. It is, from all angles of consideration, the best choice to make.

So Levi tells them he’s going alone, and tells Furlan and Isabel to join up with Flagon. He says he’ll get the documents, that’s the FIRST thing he’s going to do. Not kill Erwin. It’s the documents Levi is prioritizing here. And since he’s going after Erwin to get the documents anyway, he’ll also, he says, be the one to kill him. In Levi’s view, he’s being presented with a chance here to succeed in all their goals. In Levi’s view, this must be a win/win situation if he can find Erwin and do what needs to be done.

Furlan starts to protest, before Isabel cuts him off and says she’s going with Levi too, and Levi asks her, if she comes with him, who does she think is more likely to die, just him, or Flagon and Sairam. He’s reminding her here of her desire to not get in the way of the SC soldiers, of her sympathy and empathy towards them, and is imploring her to realize that going with him will leave Flagon and Sairam vulnerable. He’s telling Isabel that he can take care of himself, more than those two can. He says, specifically, If the four of you stay together, it’ll raise their chances of survival.”. He knows it’s dangerous to strike out on his own in this kind of weather, but he knows it increases his squad’s chances of survival if he does. Levi makes the decision here to place the lives of Flagon and Sairam over his own, and to support Isabel’s own feelings in the process.

And then Furlan begins to protest again, telling Levi to keep his cool and think, trying to explain that if he just waits a little while, the fog might clear up. He’s clearly afraid that if Levi goes out there on his own, he’ll get killed.

Levi asks Furlan then if he’s saying the Titans will wait until then, reminding Furlan that each moment they fail to act and go after Erwin, is another moment in which Erwin could get eaten, and risks Furlan’s dream being destroyed.

Furlan continues to protest, trying to impress on Levi how dangerous it is, to act alone, and Levi shouts back that he heard Furlan already, before insisting that he can do this by himself. And then he screams at Furlan “Trust me!!”. He’s putting the same request on Furlan that Furlan before put on Levi, asking for his trust, asking for his belief. Furlan may be ready to give up on his dream for the sake of Levi’s safety, but Levi isn’t ready to give up on Furlan’s dream for the same.

They glare at each other, and then Furlan asks “Is that an order, Levi?”, and Levi’s reaction to that question speaks volumes.

He looks shocked at it, his expression one of clear surprise and confusion.

He then asks “An order…?” like he doesn’t understand why Furlan would even ask something like that, before saying “Why does it have to come to that? I’m just… The two of you…”

This is in such sharp contrast to the way they had Levi acting in the visual novel and is, once more, infinitely superior.

It shows so plainly that Levi doesn’t want to be considered Furlan’s and Isabel’s leader, he doesn’t want to be treated as their leader. He only wants to be their friend, and for them to see him as their friend, and as someone they can depend and rely upon to always care about them and their dreams, as someone who will always fight for them and their dreams. He says “The two of you…” before trailing off, like he doesn’t know how to express any of that. But that’s what Levi is trying to say, he just doesn’t know how, as usual. He’s bad at expressing himself. He’s trying to tell Furlan that he’s going after Erwin because he’s trying to still make their dreams come true, he’s trying to support them and protect them and ensure that this entire situation they’ve gotten themselves into isn’t in vain. Levi’s expression as he looks back at Furlan here is heartbreakingly earnest. He looks open and vulnerable, as if imploring Furlan to understand.

And Furlan looks back, and finally realizes what Levi is trying to tell him. And when he realizes it, he smiles, and laughs. Because he realizes Levi is doing this for him, and for Isabel, and for Flagon and Sairam, even. He realizes Levi truly means well here, and has made the choice he has after deep thought and consideration. That this isn’t an impulsive or hotheaded choice, that he IS thinking clearly. Levi is confused by his reaction, and Furlan keeps laughing along with Isabel, before telling Levi “Fine. I’ll trust you.”, giving Levi the same regard Levi before showed him before, in agreeing to follow Furlan’s plan. Furlan chooses to trust in Levi’s decision making, chooses to trust in Levi’s own plan now. And then he tells Levi not to die, and Isabel tells him to make sure he comes back. They’re scared for him, but they’re choosing to trust him.

We get a significant panel then, as Furlan and Isabel fall back from him, and Levi looks back at them, as if still uncertain in his choice, despite all the thought he put into it. He’s still filled with self-doubt, even as Furlan had just moments before expressed belief in him. Like he thinks there’s something he must be missing, even though he’s sure he thought out every possible scenario and reason for choosing as he did.

What’s important too, in understanding Levi’s choice, is that it never once occurs to him that Furlan and Isabel could die. He thinks Flagon and Sairam potentially will, if they all leave them behind, and he thinks he himself might, if he strikes out on his own. But he never thinks it a possibility that Furlan and Isabel could. He chooses then, in that moment, to also trust in the strength of his friends. He shows absolute belief in Furlan’s and Isabel’s strength, to the point that he believes Flagon and Sairam need them, more than he does. It isn’t even a thought Levi can entertain, that him choosing to leave will put Isabel and Furlan’s lives in danger. With all the consideration he does, all the thought he puts into making the right choice, it simply isn’t conceivable to him, that his friends could die. If he had thought that a possibility, if such a scenario had occurred to him, he never would have left. He genuinely believed, if all four of them stuck together, they would be alright, even if he himself wasn’t.

A few others points of note in this chapter.

When Isabel and Furlan meet up with Flagon and Sairam again, and Sairam asks if Levi is dead, Isabel reacts violently, screaming “Of course he isn’t!! Levi will come back. Bet on it!”. This emphasizes, in a truly heartbreaking way, Isabel’s own faith in Levi, and her need to believe he’ll be alright. She insists that Levi will come back, and this builds off of Isabel’s continued refrain throughout the story of how Levi is “the strongest”, both below and above. Levi is Isabel’s hero, and she clings to his perceived strength in this moment, needing to believe in it to comfort herself over his safety.

This runs parallel then to Levi coming upon the butchered squad from the first rank, and his horrified realization that there are at least four Titans that did this, and that they’re heading back the way Levi came from, meaning right for Isabel and Furlan and Flagon and Sairam. He immediately turns around and tries in a frantic dash to make it back in time, thinking desperately to himself that there’s too many Titans, and they’ll be overwhelmed. And then he comes upon the sight of Sairam being eaten, and he cries out for Furlan and Isabel.

Truly the most heartbreaking part about this entire scene is how Levi tries so desperately to make it to his friends in time, but how he just simply isn’t near enough too, and can only watch, then, as they die. For Levi, who’s entire identity revolves around wanting to help others, to protect others, his own helplessness in this situation must be truly horrific for him. And especially, his own helplessness in watching the two people that mean the most in the world to him get eaten alive.

Another truly heartbreaking moment here is how Isabel decides, in Levi’s absence, that she’s going to take on his role as protector, and save everyone. How Isabel’s admiration and hero worship of Levi is, indirectly, what gets her killed here. She wants to be just like him, and in trying to be like him, she ends up dying. All of this happens in front of Levi. He has to watch Isabel die while trying to do the thing he’s made himself responsible for, which is protecting the lives of others. And the way she starts to call out for him, right before the Titan’s jaws close around her, is truly gut wrenching. Levi’s expression here is one of such utter horror and shock too, before it turns to sudden, murderous rage, and he tries once more to close the distance and make it in time, only to have to watch both Flagon, and then Furlan both get eaten too.

Levi thinks to himself, as Furlan’s being lifted to the Titan’s mouth “I’m going to end up letting everyone die.” Before screaming out Furlan’s name. Levi is already blaming himself, already feeling the abject weight of his failure. This is the moment when he realizes his choice was the wrong one.

Furlan, in one of the saddest moments of all, finally sees Levi and, as if to say ‘it’s okay. This isn’t your fault’, waves to him in acknowledgment.

Maybe most cruel of all is how Levi, even in the face of his overwhelming fear and horror and self-hatred, clings desperately to hope, still trying with everything he has to make it in time to save at least one of his friends. He thinks to himself “Come on, make it in time!!”, and only to make it more tragic still, he almost DOES make it in time, just barely a moment too late as he slices off the hand of the Titan that had been holding Furlan. Levi misses saving Furlan’s life by mere moments. It’s truly the definition of tragic, and beyond traumatizing.

9. Chapter 8: Choices

Alright, and now I’ve reached the final chapter of “No Regrets”, so let’s just dive right in!

There really is so much more to unpack from this story than I think people realize.

Firstly, just a few, truly devastating observations I want to talk about.

The first one being how, even after Furlan gets swallowed by the Titan, Levi still believes he can save him. The fact that he cuts the Titan open from the chest down to his sternum, and free’s Furlan’s arm, and the panels which show Levi reaching out for his hand and ripping him from the Titan’s stomach is just… so heartbreaking. The way too that he gently carry’s him back to the ground and lays him out, only to discover that his entire lower half is gone, and he’s dead, just the level of trauma you know this must be causing Levi is immense, and beyond tragic. This is one of only two, true friends in his life, and he’s so desperate to have been able to save him, that he clings on to the possibility to the bitter end, until he’s forced to face the bleak reality. Levi’s devastation is really brilliantly depicted in how he wobbles, as if his knees are weak, when he stands back up.

And then of course comes Levi’s rage, and how he takes it out on the Titans, expressing his grief and pain in the only way he knows how, through violence.

But maybe the most heartbreaking moment here comes once he’s through killing every Titan there, and he starts to stumble away, and his foot comes into contact with Isabel’s severed head. This is, once more, another area in which the manga improved hugely over the visual novel.

Levi’s reaction here is just… the most heartbreaking thing ever. The way he stares when he realizes he’s looking at Isabel’s head, and then falls to his knees, his overwhelming grief here is just so beautifully depicted in these panels, as he reaches out a hand to cover her eyes, and then slides them closed, in an attempt to give her some sort of dignity in death. The way he can’t even look at her, just doubled over in his grief, just killed me to see. It’s so unspeakably sad, and conveys to us readers the true depth of Levi’s despair, I think.

And then we move on from this horrific grief, to the climactic moment of the story, when Levi and Erwin again come together, and we see Levi’s overwhelming rage. Again, this entire scene was a massive improvement over the visual novel. Well, for starters, in the visual novel, they had Levi cut Erwin’s horse down to bring him to the ground, and again, that’s just so out of character. Luckily, they fixed that here too, with Levi simply leaping up and dragging Erwin off his horse.

These panels really are amazing too is showing Levi’s intense rage, as he warns Mike to back the hell off, and brings his blade to Erwin’s neck.

What’s really interesting here is what Levi says.

After the struggle of the choice he made, before Furlan and Isabel were killed, after giving so much consideration and choosing based largely on their own dreams and wishes, Levi tells Erwin here “I’m going to kill you, you bastard. That’s why I’m here.”. And Erwin responds, after studying Levi a moment, “So they… all died? I see.”. Erwin gleans here, both from Levi’s words and expression, that his friends have died, and what he says indicates that he knows the only reason Levi hasn’t tried to kill him before now is because Furlan’s and Isabel’s own well being and their own dreams were the only thing holding Levi back. Levi made no attempt on Erwin’s life before because he was placing Furlan’s and Isabel’s wishes above his own, but now that they’re gone, there’s nothing to keep Levi from acting out his revenge.

This is also where we get Erwin’s full reveal of just how in control of this entire situation he’s been this whole time, and how he manipulated every player and outcome to his desires.

This really isn’t something I see get discussed a whole lot when talking about Levi’s relationship with Erwin, and how it started out. But, unquestionably, Erwin used Levi and his friends against their consent, to achieve his own ends. He set the whole thing up, from first spreading rumors about having some sort of evidence against Lovof’s embezzlement, to then spreading the information that he was looking to recruit Levi and his friends from the Underground, thereby giving Lovof the very idea of going to them to obtain his own proof of the evidence’s existence, while simultaneously leading Erwin to the definitive proof he sought by following the messenger Lovof sent and intercepting him. At the same time, giving Erwin a means of throwing Lovof off by using Levi, Furlan and Isabel for cover. It really is incredibly impressive, but also heartbreaking, the way Erwin used Levi and his friends to his own ends, but of course, perfectly in character for Erwin too, willing to do whatever it takes to achieve his goals. It begs certain questions though about the equality between Erwin and Levi, at least at the start of their relationship. Erwin clearly had the control and power in this situation, and though clearly he never meant for Furlan and Isabel to die, still, his decision to rope Levi and them into his plans to catch Lovof and also to gain their strength and skill for the SC, did lead indirectly to their deaths. Surely, if Erwin had never meddled in their lives, and used them as tools, they would have all still been alive in the Underground.

But of course, this leads into a really interesting clash, then, between Levi and Erwin, and where we see Erwin win Levi over to his cause. This is, as is becoming a redundant theme of my analysis here, a giant improvement over the visual novel. There, it makes it seems as if Levi decides to follow Erwin only because Erwin has something Levi lacks, and until he can figure out what that something is, he won’t be able to “defeat him”, implying that Levi is still somehow obsessed with beating Erwin in some way. Like he isn’t joining Erwin to fight for his dream of a better world, but because he wants to figure out what Erwin has that he doesn’t, so he can become superior, or whatever. But here, in the manga, Levi’s reasons for deciding to follow Erwin are much more complex, and tied in with his own personal drive of wanting to help and save others, and into his relationship with Furlan and Isabel.

Levi tells him “It wasn’t worth throwing away their lives! They were nothing but pawns in your worthless game. Well, you lose.”, right before he means to take Erwin’s head off.

What’s interesting here is Erwin’s response. He doesn’t try to deny to Levi that he used Furlan and Isabel and Levi himself as pawns. He doesn’t argue, or try to defend himself on that front. What he takes issue with is Levi calling the reasons for it a “worthless game”.

Erwin’s entire speech to Levi here really builds off of the feelings Levi had already started to develop, about feeling like he had maybe found a place to belong, where he could maximize the good he could do. This wasn’t yet a fully formed idea in Levi’s head, up to this point, but the seeds of it had started to form.

Erwin asks Levi who’s responsible for killing his friends. He asks if it was him, if it was Levi, and then he asks if he really thought that if they had come together to attack Erwin, that they would have made it out alive.

This is what Levi is beating himself up over, of course. The belief that he made the wrong decision, in leaving Furlan and Isabel behind, thinking to himself if they hadn’t split up, they would still be alive. He blames himself for how he came to that decision, and starts to say as much to Erwin here, saying it was his conceit and his pride that was to blame, no doubt thinking of how it was his memory of Erwin and the humiliation he caused Levi that was the final tipping point which decided him in favor of going after Erwin himself, and also how he simply convinced himself that he would be able to shoulder all of the responsibility himself in such a dire situation, remembering how he told Furlan “I can do it by myself!” so insistently, asking him to trust him, to trust essentially in Levi’s strength. To Levi, in this moment, his own strength must have seemed worthless suddenly, his belief in it leading to nothing but abject failure. But then Erwin cuts him off and says, emphatically that, no, it was the Titans who killed them, before beginning to talk about how little they know about the Titans, and how if they continue to remain ignorant like that, they’ll never win against them. He tells Levi to look around himself, and points out how, for as far as the eye can see, there are no walls, and then suggests that, in all that open space, there might be something they can find to free humanity from its despair and imprisonment. And then he reminds Levi that there are people who want to stop this from this from happening, only concerned with their own profits and losses, content to stay where danger can’t reach them. He shows sympathy, saying it’s understandable why they feel that way, because they’ve been blinded by the walls for a hundred years, and can’t see past their own survival.

And then he asks Levi if his eyes have remained clouded too. He’s asking Levi here if he only knows how to live for himself, and if he’ll kill him and return to the Underground to continue to do so, after losing the two people he cared most about in this world.

But of course, Levi’s already learned how to live for people other than himself. That was his whole reason for coming to the Surface in the first place. In support and dedication to the hopes and dreams of his friends. Levi’s eyes HAVEN’T been clouded, he’s already discovered and embraced what it means to give your life for others, already able to see past his own benefit.

Erwin reminds Levi of that here, and tells him they won’t give up on going outside the walls, before asking Levi to fight with the Survey Corps, telling him “Humanity needs your skill!!”. He reminds Levi, even after the loss of the two people whom he had been living for up to that point, that he can continue to live for others still, that he can still fight for the hopes and dreams of others, and that he doesn’t have to return to the life of isolation and loneliness and futility that he once lived, that he doesn’t have to return to simply surviving, or fighting only to survive. He’s reminding Levi that his life can mean more than that, just like he realized when he became friends with Isabel and Furlan. That his life can have purpose, and that, if he lends his strength to the SC, he can do more even than help a few people. He can, in fact, help all of humanity.

The following panels show Levi coming to this realization. He remembers Furlan and Isabel at his sides as they rode out into the open for the first time, into the first, true sense of freedom they had ever known, and their shared awe and wonder at the sight. And Levi is realizing here, just as he had fought for his friends dreams of freedom, and of a better, more hopeful life, he can continue to fight for the same, only for everybody, for all people. He can make the most of his abilities, and help the most people, by staying in the SC and fighting at Erwin’s side, fighting for Erwin’s vision of something beyond the walls, of a kind of salvation for humanity.

What Erwin gives Levi here, really, the thing Erwin gives Levi that he before lacked, is a sense of hope. A belief in his own ability to make a meaningful, positive impact on the lives of others. It’s like Erwin’s own belief in that hope for humanity’s salvation is so strong, that Levi finds himself able to believe in it too, and he decides then and there that, for the sake of that hope, for the sake of the vision of something better, Levi will stay by Erwin’s side. Because it’s what Levi’s always wanted to do, to fight for the hopes and dreams of others, to fight to make the lives of other people better, and Erwin has shown him the way to do so. He shows Levi that Furlan and Isabel didn’t die for a “worthless game”, but for the sake of all human kind, and that’s why Levi is able to let go of his anger towards Erwin and follow him. And that really feeds into Levi’s need, later on, for every soldier’s death to carry meaning. If he can believe Furlan and Isabel died for a truly important reason, he can accept it and cope with his grief. Like Isabel expressed herself before, these people genuinely believe their cause is worth dying for, and Erwin reminds Levi of this again.

So he forgets his anger and pain, and chooses instead to follow Erwin, and dedicate himself to the cause of humanity’s salvation.

The final panels of the manga are incredibly moving, with Levi slowing down behind Erwin and Mike, and glancing back one last time to where he lost his two, best friends, before looking away and riding on, as the sun shines through the clouds. Like one, final acknowledgment of their lives together, and the sacrifice they made, before committing himself fully to his new life ahead.

10. Prologue

Just a small note on the prologue. It opens up with Furlan and Isabel and Levi sitting beneath the only, real source of sunlight in the Underground, watching the birds in the sky. Isabel wonders where they’re going, and Furlan answers “Far away... They can fly even beyond the walls. To Places we couldn’t go eve with those machines.” Isabel smiles, and says “Got that right! Just you wait! I’ll go with you someday.”, while Levi looks up into the sky, silent. This is only further proof of how Furlan and Isabel both expressed their dream of someday making it on the surface, of achieving freedom from the prison of the Underground, and how Levi would sit and listen to them say things like this. We see shots of just how grim and harsh the Underground really is here, with people lying passed out and sick in the streets, the pervasive, overwhelming darkness, and just overall depressing atmosphere. It’s the kind of place that, clearly, robs people of their will to live. Of any kind of hope. It’s important to note that Levi himself never expresses any such dream, or desire. He never voices that he wants to make it to the surface. This is Furlan’s and Isabel’s dream, their hope, and Levi hears it from them seemingly often. Probably, because of how hard his life has been, Levi’s never even considered it a real possibility, and so never even entertained the idea of it becoming real. But for Furlan and Isabel, he was willing to try. He went to the surface for them, to try and make their dream a reality.

#shingeki no kyojin #attack on titan #No Regrets #acwnr #a choice with no regrets #Levi Ackerman #Furlan Church #Isabel Magnolia #Erwin Smith #snk analysis #meta #thoughts

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vickyvicarious · 3 years ago

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Leverage Redemption Pros/Cons List

Okay! Now that I've finally finished watching the first half of Leverage: Redemption, I thought I'd kind of sum up my overall impression. Sort of a pro/con list, except a little more just loosely structured rambles on each bullet point rather than a simple list.

This got way out of hand from what I expected so I'm going to put it all under a cut. If you want the actual bulletpoint list, here it is:

PROS

References

Continuity

Nate

Representation

Themes

New Characters

General Vibe

CONS

'Maker and Fixer'

Episode Twins

Sophie's Stagefright

Thiefsome

You might notice the pros list is longer, and that's because I do love the show! I really like most of what it does, and my gripes are fewer in number and mostly smaller in size. But they do exist and I felt like talking about them as well as the stuff I loved.

PROS

References

There is clearly so much love and respect for the original show here. Quite aside from the general situation, there's a lot of references to individual episodes or character traits from the first show. For example, Parker's comments on disliking clowns, liking puppets, disliking horses, stabbing vs. tasing people. The tasing was an ongoing thing in the original, the stabbing happened once (S1) but was referenced later in the original show, the clown thing only had a few mentions scattered across the entire original show. The puppet thing was mentioned once in S5, and the horses thing in particular was only brought up in S1 once. But they didn't miss the chance to put the nod to it in there; in fact with those alone we see a good mix of common/ongoing jokes and smaller details.

We got "dammit Hardison" and "it's a very distinctive..." but also Eliot and Parker arguing about him catering a mob wedding, and Eliot being delighted by lemon as a secret ingredient in a dish in that same episode (another reference to the mob episode). Hardison and Eliot banter about "plan M", an ongoing joke starting from the very first episode of the original show. We see Sophie bring up Hardison's accent in the Ice Job, Parker also makes reference to an early episode when describing "backlash effect" to Breanna, in an episode that also references her brother slightly if you look for it.

Heck, the last episode of these first eight makes a big deal out of nearly reproducing the iconic opening lines of the original show with Fake Nate's "we provide... an advantage." And I mean, all the "let's go steal a ___" with Harry being confused about how to use them.

Some of the lines are more obviously references to the original show, but they strike a decent balance with smaller or unspoken stuff as well, and also mix in some references between the team to events we the audience have never seen. If someone was coming into this show for the first time, they wouldn't get all the easter egg joy but most of the references would stand on their own as dialogue anyway. In general, I think they struck a good balance of restating needed context for new viewers while still having enough standalone good lines and more-fun-if-you-get-it callbacks.

Continuity

Similar to the last point, but slightly different. The characters' development from the original to now is shown so well. I'm not going to go on about this too long, but the writers clearly didn't want to let the original characters stagnate during the offscreen years. There was a lot of real thought put into how they would change or not.

It's really written well. We can see just how cohesive a team Parker, Hardison, and Eliot became. We get a sense of how they've spent their time, and there's plenty of evidence that they remained incredibly close with Sophie and Nate until this past year. The way everyone defers to Parker is different from the original show and clearly demonstrates how she's been well established as the leader for years now - they show this well even as Parker is stepping back to let Sophie take point in these episodes. Eventually that is actually called out by Sophie in the eighth episode, so we might see more mastermind Parker in the back half of the show, maybe. But even with her leading, it's clear how collaborative the team has become, with everyone bouncing ideas off one another and adding their input freely. Sometimes they even get so caught up they leave the newbies completely in the dust. But for the most part we get a good sense of how the Parker/Hardison/Eliot team worked with her having final say on plans but the others discussing everything together. A little bit more collaborative than it was with Nate at the helm.

Meanwhile Sophie has built a home and is deeply attached to it. She and Nate really did retire, at least for the most part, and she was living her happy ending until he died. She's out of practice but still as skilled as ever, and we're shown how much her grief has changed her and how concerned the others are for her.

There's a lot of emphasis on how they all look after one another and the found family is clearer than ever. Sophie even calls Hardison "his father's son" - clearly referring to Nate.

Nate

Speaking of Nate! They handled his loss so, so well. His story was the most complete at the end of the last show, and just from a narrative point, losing him makes the most sense of all the characters. But the way he dies and his impact on the show and the characters continues. It's very respectful to who he was - who he truly was.

Nate was someone they all loved, but he was a deeply flawed individual. Sophie talks about how he burned too hot, but at least he burned - possibly implying to me that his drinking was related to his death. In any case, there's no mystery to it. We don't know how he died but that's not what's most important about his death. This isn't a quest for revenge or anything... it's just a study of grief and trying to heal.

Back to who he really was real quick - the show doesn't eulogize him as better than he was. They're honest about him. From the first episode's toast they raise in his memory, to the final episode where Sophie and Eliot are deeply confused by Fake Nate singing his praises, the team knows who he was. They don't erase his flaws... but at the same time he was so clearly theirs. He was family, he was the man they trusted and loved and followed into incredibly dangerous situations, and whose loss they all still feel deeply.

That said, the show doesn't harp on this point. They reference him, but they don't overwhelm new viewers with a constant barrage of Nate talk. It always serves a purpose, primarily for Sophie's storyline of moving through her grief. Anyway, @robinasnyder said all of this way better than me here, so go read that as well.

Representation

Or should I say, Jewish Hardison, Autistic Parker, Queer Breanna!

Granted, Hardison's religion isn't quite explicitly stated to be Jewish so much as he mentions that his "Nana runs a multi-denominational household", but nonetheless. He gets the shows big thesis statement moment, he gets a beautiful speech about redemption that is the emotional cornerstone of that episode and probably Harry's entire arc throughout the show. And while I'm not Jewish myself, most of what I've seen from Jewish fans is saying that Hardison's words here were excellent representation of their beliefs. (@featherquillpen does a great job in that meta of contextualizing this with his depiction in the original show as well.)

Autistic Parker, however, is shown pretty dang blatantly. She already was very much coded as autistic in the original show, but the reboot has if anything gone further. She sees a child psychologist because she likes using puppets to represent emotions, she stims, she uses cue cards and pre-written scripts for social interactions, there's mention of possible texture sensitivity and her clothes are generally more loose and comfortable. She's gotten better at performing empathy and understanding how people typically work, but it's specifically described as something she learned how to do and she views her brain as being different from ones that work that way (same link). Again, not autistic myself but from what I've seen autistic fans find a lot to relate to in her portrayal. And best of all, this well-rounded and respectful depiction does not show any of these qualities as a lack on her part. There's no more of those kinda ableist comments or "what's wrong with you" jokes that were in the original show. Parker is the way she is, and that allows her to do things differently. She's loved for who she is, and any effort made to fit in is more just to know how so that she can use it to her advantage when she wants to on the job - for her convenience, not others' comfort.

Speaking of loved for who you are.... okay, again, queer Breanna isn't confirmed onscreen yet, and I don't count Word of God as true canon. But I can definitely believe we're building there. Breanna dresses in a very GNC way, and just her dialogue and, I dunno, vibes seem very queer to me. She has a beautiful speech in the Card Game Job about not belonging or being accepted and specifically mentions "the way they love" as one of those things that made her feel like she didn't belong. And that scene is given so much weight and respect. (Not to mention other hints throughout the episode about how much finding her own space meant to her.) Also, the whole theme of feeling rejected and the key for her to begin really flourishing is acceptance for who she is, not any desire for her to be anyone else, is made into another big moment. Yeah, textually that moment is about her feeling like she has to fill Hardison's shoes and worrying about her past, but the themes are there, man.

Themes

I talked a bit about this yesterday, so I'm mostly just going to link to that post, but... this series so far is doing a really good job in my opinion of giving people arcs and having some good themes. Namely the redemption one, from Hardison's speech (which I'm gonna talk a little more about in the next point), and this overall theme of growing up and looking to the future (from above the linked post).

New Characters

Harry and Breanna are fantastic characters. I was kind of worried about Harry being a replacement Nate, but... he really isn't. Sure, he's the older white guy who has an angsty past but it's in a very different way and his personality and relationships with the rest of the crew are correspondingly different. I think the dynamic of a very friendly, cheerful, kind, but still bad guy (as @soundsfaebutokay points out) is a great one to show, and he's got a really cool arc I think of learning to be a better person, and truly understanding Hardison's point about redemption being a process not a goal. His role on the team also has some interesting applications and drawbacks, as @allegorymetaphor talked about. I've kind of grown to think that the show is gradually building up to an eventual Sophie/Harry romance a ways down the line, and I'm actually here for it. Regardless, his relationships with everyone are really interesting.

As for Breanna, first of all and most importantly I love her. Secondly, I think she's got a really interesting story. She's a link to Hardison's past, and provides a really interesting perspective for us as someone younger who has grown up a) looking up to Leverage and b) in a bleaker and more hopeless world. Breanna's not an optimist, and she's not someone who was self-sufficient and unconcerned with the rest of the world at the start, like everyone else. She believes that the world sucks and she wants it to be better, but she doesn't know how to make that happen. She outright says she's desperate and that's why she's working with Leverage. At the same time, Breanna is pretty down on herself and wants to prove herself but gets easily shaken by mistakes or being scolded, which is a stark contrast to Hardison's general self-confidence. There are several times when she starts to have an idea then hesitates to share it, or expects her emotions to be dismissed, or gets really disheartened when she's corrected or rejected, or dwells on her mistakes, or when she is accepted or praised she usually takes a surprised beat and is shy about it (she almost always looks down and away from the person, and her smile is often small or startled). Breanna looks up to the team so much (Parker especially, then probably Eliot) and she wants to prove herself. It's going to be so good to see her grow.

General Vibe

A brief note, but it seems a fitting one to end on. The show keeps it's overall tone and feeling from the original show. The fun, the competency porn, the bad guys and clever plans and happy endings. It's got differences for sure, but the characters are recognizably themselves and the show as a whole is recognizably still Leverage. For the most part they just got the feeling right, and it's really nice.

CONS (no, not that kind)

'Maker and Fixer'

So when I started writing this meta earlier today, I was actually a lot more annoyed by the lack of unique 'maker' skills being shown by Breanna. Basically the only time she tries to use a drone, the very thing she introduced herself as being good at, it breaks instantly. I was concerned about her being relegated into just doing what Hardison did, instead of bringing her own stuff to the table. But the seventh episode eased some of those fears, and the meta I just wrote for someone else asking about Breanna's 'maker' skills as shown this season made me realize there's more nuance than that. I'd still like to have seen more of that from her, but for now the fact that we don't see a lot of 'maker' from her so far seems more like a character decision based in Breanna's insecurities.

Harry definitely gets more 'inside man' usage. His knowledge as a 'fixer' comes in handy several times. Nonetheless, I'm really curious if there are any bigger ways to use it, aside from him just adding in some exposition/insight from time to time. I'm not even entirely sure how much more they can pull from this premise in terms of relevant skills, but I hope there's more and I'd like to see it. Maybe a con built more around him playing a longer role playing his old self, like they tried in the Tower Job? Maybe it's more a matter of him needed distance from that part of his past, being unable to face it without lashing out - in that case it could be a good character growth moment possibly for him to succeed in being Scummy Lawyer again down the line? I dunno.

Episode Twins

This was something small that kind of bothered me a little earlier in the season. It's kind of the negative side to the references, I guess? And I'm not even sure how much it annoys me really, but I just kinda noticed and felt sort of weird about it.

Rollin' on the River has a lot of references/callbacks to the The Wedding Job.

The Tower Job has a lot of references/callbacks to The White Rabbit Job.

The Paranormal Hacktivity Job has a lot of references/callbacks to the Future Job.

I guess I was getting a little concerned that there would be a 'match this episode' situation where almost every new Redemption episode is very reminiscent of an old one. I love the callbacks, but I don't want to see a lack of creativity in this new show, and this worried me for a minute. Especially when it was combined with all three of those episodes dealing with housing issues of some kind. Now, that's a huge concern for a lot of people, and each episode has its own take on a different problem within that huge umbrella, but it still got me worried about a lack of variety in topics/cases.

The rest of the episodes failing to line up so neatly in my head with older episodes helped a lot to ease this one, though. Still, this is my complaining section so I figured I'd express my concerns as they were at the time. Even if I no longer really worry about it much.

Sophie's Stagefright

Yeah, I know this is just a small moment in a single episode, but it annoyed me! Eliot made a bit of a face at Sophie going onstage, but I thought it was just him being annoyed at the general situation. However, they started out with her being awful up there until she realized the poem was relevant to the con - at which point her reading got so much better.

This felt like a complete betrayal of Sophie's beautiful moment at the end of the original show where she got over her trouble with regular acting and played Lady Macbeth beautifully in front of a full theater of audience members. This was part of the con, but only in the sense that it gave her an alibi/place to hide, and I always interpreted it as her genuinely getting over her stagefright problems. It felt like such a beautiful place to end her arc for that show, especially after all her time spent directing.

Now, her difficulty onstage in the Card Game Job was brief and at the very beginning of being up on stage. @rinahale suggested to me that maybe it was a deliberate tactic to draw the guy's attention, and the later skill was simply her shifting focus to make the sonnet easier for Breanna to listen to and interpret, but he seemed more enraptured when she was doing well than otherwise in my opinion and it just doesn't quite sit well with me. My other theory was that maybe she just hasn't been up on stage in a long time, and much like she complaining about being rusty at grifting before the team pushed her into trying, she got nervous for a moment at the very beginning. The problem there is that I think she'd definitely still get involved in theater even when she and Nate were retired. I guess she could've quit after he died, and a year might be long enough to make her doubt herself again, but... still.

I just resent that they even left it ambiguous at all. Sophie's skills should be solid on stage at this point in my opinion.

Thiefsome

...And now we come to my main complaint. This is, by far, the biggest issue I have with the show.

I feel like I should put a disclaimer here that I had my doubts from the beginning about the thiefsome becoming canon onscreen. I thought the famous "the OT3 is safe" tweet could easily just mean that they are all still alive and well, or all still working together, without giving us confirmation of a romantic relationship. Despite this, the general fandom expectations/hopes really got to me, especially with the whole "lock/pick/key" thing. I tried to temper my expectations again when the character descriptions came out and only mentioned Hardison loving Parker, not Eliot, but I still got my hopes up.

The thing is, I was disappointed pretty quickly.

The very first episode told me that in all likelihood we would never see Hardison and Parker and Eliot together in a romantic sense. Oh, there was so much coding. So much hinting. So much in the way of conversations that were about Parker/Hardison's relationship but then Eliot kept getting brought into them. They were portrayed as a unit of three.

But then there was this.

I love all of those scenes of Parker and Hardison being intimate and loving and comfortable with one another and their relationship. I really do. But it didn't escape my notice that there's nothing of the sort with Eliot. If they wanted a canon onscreen thiefsome, it would by far make the most sense to just have it established from the start. But there aren't any scenes where Eliot shares the same kind of physical closeness with either of them like they do each other. Parker and Hardison kiss; he doesn't kiss anyone. They have several clearly romantic conversations when alone; he gets important conversations with both but the sense of it being romantic isn't there.

Establishing Eliot as part of the relationship after Hardison is gone just... doesn't make any sense. It would be more likely to confuse new viewers, to make them wonder if Parker is cheating on Hardison with Eliot, or if they have a Y shaped relationship rather that a triangle. It would be so much clumsier.

Still, up until the Double-Edged-Sword Job I believed the writers might keep it at this level of 'plausible hinting but not quite saying'. There's a lot of great stuff with all of them, and I never expecting making out or whatever anyway; a cheek-kiss was about the height of my hopes to be honest. I mostly just hoped for outright confirmation and, failing that, I was happy enough to have the many hints and implications.

But then Marshal Maria Shipp came along. And I don't really have anything against her as a character - in fact, I think she has interesting story potential and will definitely come back. But the episode framed her fight with Eliot as a sexyfight TM, much like his fight with Mikel back in the day. And then his flirting with her rode the line a little of "he's playing her for the con" and "he's genuinely flirting." The scene where he tells her his real name is particularly iffy, but actually was the one that convinced me he was playing her. Because he seems to be watching her really closely, and to be very concerned about her figuring out who he really is. I am very aware though that I'm doing a lot of work to interpret it the way I want. On surface appearance, Eliot's just flirting with an attractive woman, like he did on the last show. And that's probably the intention, too.

But the real nail in the coffin for me was when Sophie compared herself and Nate to Eliot and Maria. That was a genuine scene, not the continuation of the teasing from before. And Sophie is the one whose insight into people is always, always trustworthy. She is family to the thiefsome. For this to make any sense, either Eliot/Parker/Hardison isn't a thing, or they are and Sophie doesn't know - and I can't imagine why in the hell she wouldn't know.

Any argument to make them still canon leaves me unsatisfied. If she knows and they haven't admitted it to her - why wouldn't they, after all this time? Why would she not have picked up on it even without an outright announcement? Some people suggested they wouldn't admit it because they thought Nate would be weird about it, but that doesn't seem any more in character to me than the other possibilities. In fact, the only option that doesn't go against my understanding of these people and their observational abilities/the close relationship they share.... is that the thiefsome is not a thing.

And furthermore, the implication of this conversation - especially the way it ended, with Eliot stomping off looking embarrassed while Sophie smiled knowingly - is that Eliot will get into another relationship onscreen. Maybe not a full-blown romantic relationship. But the Maria Shipp tension is going to be resolved somehow, and at this point I'm half-expecting a hook-up simply because of Sophie's reaction and how much I trust her judgement of such things. Even if she's letting her grief cloud her usual perceptiveness... it feels iffy.

It just kinda feels like I wasn't even allowed to keep my "interpret these hints/maybe they are" thiefsome that I expected after the first couple episodes convinced me we wouldn't get outright confirmation. (I mean, I will anyway, and I love the hints and allusions regardless.) And while I'm definitely not the kind of fan who is dependent on canon for my ships, and still enjoy all their interactions/will keep right on headcanoning them all in a relationship, it's just.... a bummer.

Feels like a real cop-out. Like the hints of Breanna being queer are enough to meet their quota and they won't try anything 'risky' like a poly relationship. I dunno. It's annoying.

That's the end of the list! Again, overall I love the new show a lot and have few complaints.

#leverage #leverage redemption #leverage spoilers #leverage meta #my meta #this turned into a BIG ol ramble #i planned to write like a couple of sentences for each point but noooo

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firelxdykatara · 3 years ago

Note

I’m just really confused as to where this idea that Zuko is gaycoded came from. Like people are allowed to have that headcanon but I don’t understand where people are coming from when they try and claim that he was undisputedly gaycoded and trying to deny it is homophobic when he’s only ever shown romantic interest in women.

I made a pretty long post on the topic a while back, but the ultimate gist of it is this: there are a lot of elements of Zuko's status as an abuse victim and trauma survivor that resonate with queer folks. This is understandable and completely fine! However, there are some parts of the fandom who have taken that to the other extreme and will now insist that those elements are uniquely queer, and that they can only be read as some sort of veiled gay/coming out narrative, even though that doesn't make much sense since there is no part of Zuko's narrative which is unique to any sort of queer experience.

I think the problem really does stem from two things being conflated--Zuko's history of abuse and trauma, and trauma&abuse being something a lot of queer people have experienced. I suspect it goes something like 'I see a lot of myself in Zuko, and I was abused for being gay, therefore Zuko must be gay too in order to have had similar experiences.' This can then lead to feeling dismissed or invalidated when other people point out that those experiences are not unique to being queer--but on the flip side, abuse victims and trauma survivors whose abuse&trauma do not stem from queerness (even if they are queer themselves) can feel invalidated and dismissed by the implication that their trauma must be connected to their queerness or it isn't valid.

This is also where the 'people don't actually know what gay coded means' part comes in, and I realize now that I didn't actually get into what gay coding (and queer coding in general) actually means, since I was so hung up on pointing out how Zuko doesn't really fit the mold. (And the few elements that exist which could be said to count are because of the 'villains historically get queer coded bc Hays Code era' thing and mostly occur in Book 1, not because of how he acts as an abuse&trauma survivor.)

Under a cut because I kind of go on a tangent about gay/queer coding, but I swear I get back to the point eventually.

Queer coding (and it is notable that, with respect to Zuko, it is almost always framed as 'he couldn't possibly be attracted to girls', rather than 'he could be attracted to boys as well as girls' in these discussions, for... no real discernible reason, but I'll get into that in a bit) is the practice of giving characters 'stereotypically queer' traits and characteristics to 'slide them under the radar' in an era where having explicitly queer characters on screen was not allowed, unless they were evil or otherwise narratively punished for their queerness. (See: the extant history of villains being queer-coded, because if they were Evil then it was ok to make them 'look gay', since the story wasn't going to be rewarding their queerness and making audiences think it was in any way OK.) This is thanks to the Motion Picture Production Code (colloquially and more popularly known as the Hays Code), which was a set of guidelines which movies coming out of any major studio had to adhere to in order to be slated for public release and lasted from the early 1930s until it was finally abandoned in the late 60s.

The Hays Code essentially existed to ensure that the content of major motion pictures would not 'lower the moral standards' of the viewing public. It didn't just have to do with queerness--cursing was heavily monitored, sex outside of marriage was not allowed to be seen as desirable or tittilating, miscegenation was not allowed (most specifically interracial relationships between black and white people), criminals had to be punished lest the audience think that it was ok to be gay and do crime, etc. Since same-sex relations fell under 'sexual perversion', they could not be shown unless the 'perversion' were punished in some way. (This is also the origin of the Bury Your Gays trope, another term that is widely misunderstood and misapplied today.) To get around this, queer coding became the practice by which movies and television could depict queer people but not really, and it also became customary to give villains this coding even more overtly, since they would get punished by the end of the film or series anyway and there was nothing to lose by making them flamboyant and racy/overly sexual/promiscuous.

Over time, this practice of making villains flamboyant, sexually aggressive, &etc became somewhat separated from its origins in queer coding, by which I mean that these traits and tropes became the go-to for villains even when the creator had no real intention of making them seem queer. This is how you generally get unintentional queer-coding--because these traits that have been given to villains for decades have roots in coding, but people tend to go right to them when it comes to creating their villains without considering where they came from.

Even after the Hays Code was abandoned, the sentiments and practices remained. Having queer characters who weren't punished by the narrative for being queer was exceptionally rare, and it really isn't until the last fifteen or so years that we've seen any pushback against that. Buffy the Vampire Slayer is famous for being one of the first shows on primetime television to feature an explicitly gay relationship on-screen, and that relationship ended in one of the most painful instances of Bury Your Gays that I have ever personally witnessed. (Something that, fourteen years later, The 100 would visually and textually reference with Lexa's death. Getting hit by a bullet intended for someone else after a night of finally getting to be happy and have sex with her s/o? It wasn't remotely subtle. I don't even like Clexa, but that was incredibly rough to witness.)

However, bringing this back to Zuko, he really doesn't fit the criteria for queer coding for a number of reasons. First of all, no one behind the scenes (mostly a bunch of cishet men) was at all intending to include queer rep in the show. This wasn't a case where they were like 'well, we really wanted to make Zuko gay, but we couldn't get that past the censors, so here are a few winks and a nudge', because it just wasn't on their radar at all. Which makes sense--it wasn't on most radars in that era of children's programming. This isn't really an indictment, it's just a fact of the time--in the mid/late 00s, no one was really thinking about putting queer characters in children's cartoons. People were barely beginning to include them in more teen- and adult-oriented television and movies. It just wasn't something that a couple of straight men, who were creating a fantasy series aimed at young kids, were going to think about.

What few instances you can point to from the series where Zuko might be considered to exhibit coding largely happen in Book 1, when he was a villain, because the writers were drawing from typically villainous traits that had historically come from queer coding villains and had since passed into common usage as villainous traits. But they weren't done with any intention of making it seem like Zuko might be attracted to boys.

And, again, what people actually point to as 'evidence' of Zuko being queer-coded--his awkwardness on his date with Jin and his confrontation with Ozai being the big ones I can think of off the top of my head--are actually just... traits that come from his history of trauma and abuse.

As I said in that old post:

making [zuko’s confrontation of ozai] about zuko being gay and rejecting ozai’s homophobia, rather than zuko learning fundamental truths about the world and about his home and about how there was something deeply wrong with his nation that needed to be fixed in order for the world to heal (and, no, ‘homophobia’ is not the answer to ‘what is wrong with the fire nation’, i’m still fucking pissed at bryke about that), misses the entire point of his character arc. this is the culmination of zuko realizing that he should never have had to earn his father’s love, because that should have been unconditional from the start. this is zuko realizing that he was not at fault for his father’s abuse--that speaking out of turn in a war meeting in no way justified fighting a duel with a child.

is that first realization (that a parent’s love should be unconditional, and if it isn’t, then that is the parent’s fault and not the child’s) something that queer kids in homophobic households/families can relate to? of course it is. but it’s also something that every other abused kid, straight kids and even queer kids who were abused for other reasons before they even knew they were anything other than cishet, can relate to as well. in that respect, it is not a uniquely queer experience, nor is it a uniquely queer story, and zuko not being attracted to girls (which is what a lot of it seems to boil down to, at the end of the day--cutting down zuko’s potential ships so that only zukka and a few far more niche ships are left standing) is not necessary to his character arc. nor does it particularly make sense.

And, regarding his date with Jin:

(and before anyone brings up his date with jin--a) he enjoyed it when she kissed him, and b) he was a traumatized, abused child going out on a first date. of course he was fucking awkward. have you ever met a teenage boy????)

Zuko is socially awkward and maladjusted because he was abused by his father as a child and has trouble relating to people as a result. He was heavily traumatized and brutally physically injured as a teenager, and it took him years to begin to truly recover from the scars that left on his psyche (and it's highly likely, despite the strides he made in canon, that he has a long way to go, post series; it's such a pity that we never got any continuation comics >.>). He was not abused for being gay or queer--he was abused because his father believed he was weak, and part of Zuko's journey was realizing that his father's perception of strength was flawed at its core. That his entire nation had rotted from the inside out, and the regime needed to be changed in order for the world--including his people--to begin to heal.

That could be commingled with a coming out narrative, which is completely fine for headcanons (although I personally prefer not to, because, again, we have more than enough queer trauma already), but it simply doesn't exist in canon. Zuko was not abused or traumatized for being queer, and his confrontation with Ozai was not about him coming out or realizing any fundamental truth about himself--it was about realizing something fundamental about his father and his nation, and making the choice to leave them behind so that he could help the Avatar grow stronger and force things to change when he got back.

TL;DR: at the end of the day, none of the traits, scenes, or behavior Zuko exhibits which shippers tend to use to claim he was gay-coded are actually evidence of coding--they aren't uniquely queer experiences, as they stem from abuse that was not related in any way to his sexuality, and they are experiences that any kid who suffered similar abuse or trauma could recognize and resonate with. (Including straight kids, and queer kids who were abused for any reason other than their identity.) And, finally, Zuko can be queer without erasing or invalidating his canon attraction to girls, and it's endlessly frustrating that the 'Zuko is gay-coded' crowd refuses to acknowledge that.

#atla #zuko #on queer coding #atla fandom salt #salt for ts #asked #mudbend

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itsclydebitches · 3 years ago

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Why do people get hung up on whether a gay person in media is a good or bad representation of them? I'm gay and I can tell you we aren't all the same? Being gay is our 1 common trait. So as long as they're gay then you've done it. Gay people can be kind, mean, racist, open, kinky, reserved, shy, outgoing, sexist, and literally anything else under the human experience.

Because I am perpetually hungry, let's tell a story about cookies.

You are a bright-eyed, optimistic, baker in the making. Your goal is to wow the world with your culinary skills, so of course you head to The Best Baking School for your degree. Over the course of your studies you learn how to perfect a thousand different cakes, an equal number of pies, and more versions of brownies than most would even assume exist. But cookies... oh, cookies are your passion! You can't wait to learn about the wealth of cookies you can make too. Then, sure enough, that part of your education finally arrives.

Funny thing is though, it's just chocolate chip.

Surely there's been some mistake? The cookie experience is vast and nuanced! Why in the world are your instructors — supposedly the best in the world — reducing cookies to a single class about baking chocolate chip and chocolate chip alone? Hell, why are cookies so sparse in the curriculum as a whole? You're never asked to bake them as a demonstration, or practice with them, and they're definitely not a given across everyone else's baking experience. Cakes, pies, and brownies... they're the default. Cookies are comparatively rare and when you do get to study them, everyone is super focused on the chocolate chip.

Then you graduate and head out into the world, only to find that pretty much everyone is as cookie-blind as your school. A few years back you never would have found cookies in the average grocery store and yeah, the fact that there's a cookie section now is great, but it's, uh... all chocolate chip! Many bakeries still don't carry cookies at all, but when they do it's - again - chocolate chip. Chocolate chip out in restaurants. Chocolate chip at the bake sale. Your friend invites you over and proudly presents a massive sweets tray that includes a single, sad looking, chocolate chip cookie. They beam at you in pride. Isn't it so great?

"Uh..." you say. "Well..."

Every once in a while someone will switch out milk chocolate for dark chocolate, or add nuts alongside chocolate chips. One bakery was even crazy enough to exclude chocolate chips entirely! Crazy according to the press, anyway. Because for years now you've been shaking your head, wondering what exactly is so progressive about realizing that sugar cookies exist. You've found other bakers interested in cookies and, by god, there are thousands. So many flavors! Gluten free and allergy conscious! Someone even made a sweets tray that was predominantly cookies, can you believe it? The problem is, almost none of them are mainstream. Your friend baking cookies out of their personal kitchen is doing fantastic work, but their baking doesn't have the impact that those grocery chains and established bakeries do. Their work isn't going to fix your school's curriculum. Too many people still think that cookies are exotic somehow. They're not the default. And when they do acknowledge their existence, it's chocolate chip over and over. Until one of them adds those nuts and suddenly the whole country is losing its mind about how inspired, creative, progressive their baking is. Meanwhile, you're ready to scream because that baker doesn't even know that something as "exotic" as a gingersnaps exist!

The worst part? Most of these cookies are... bad. Like they exist, yeah, but good god most don't taste good. And that's the whole point of a cookie?? What is the point of buying cookies if the cookies themselves are awful? You go to these bakeries, these restaurants, your friend's house, and you try the very limited cookies on offer, only to find that they've been sloppily baked. Doesn't anyone care that the baker burned their cookies to a crisp? That another straight up forgot to add sugar? This one dropped his on the floor and still tried to serve it to you! But the overall sense is that you should be grateful for getting any cookies at all. "That cookie is an offense to my taste buds," you say and people shake their head at you, disappointed. "I liked the taste of it," one says. "If you don't like it, go buy a different cookie!" Well... easier said than done. "It's not that bad," another says, shrugging in defeat. "I mean yeah, I don't really like it, and the baker stopped making them two years ago... but I'm just happy to have had any cookie at all, you know?" You do know, but that doesn't mean it's any less frustrating. You look at the hundreds of cakes available, these bakers spending decades perfecting their recipes, and wish cookies had even a fraction of that work put into them. You find people who agree with you, absolutely, but there's this this prevailing sense that a cookie is a cookie. Any cookie will do. Supposedly.

Except go long enough and you feel like you're ready to lose your mind. You take some poor person by the shoulders and go, "Doesn't this bother you? Doesn't this make you furious? There is more to the cookie world than these three flavors, 90% of which is chocolate chip! And we deserve well-made cookies, not the crap they've been upholding as the next culinary masterpiece!"

But this person just shakes their head. "Well of course there's more to cookies than three flavors. There's a huge variety of cookies! I know that."

"Yes, but the world isn't selling that variety."

"Of course they are! Just last week I had an oatmeal raisin. That's amazing!"

"Yeah and how many years did it take you to find that?"

"Well..."

"And how did that oatmeal raisin cookie taste?"

Your prisoner pulls a face. "Ugh, not good. Oatmeal raisin is definitely not for me. It's hard as a rock! I really don't understand why someone would want to eat that on a regular basis."

"But it's not supposed to be hard as a rock!" you cry, waving your arms. "That's the problem! Oatmeal raisin is so goddamn rare and then the one time we get it, it was badly baked. Of course people are turned off by it. Everyone who already loves oatmeal raisin is getting pissed because their favorite cookie is misrepresented, they're unlikely to see more of them now, and everyone is still serving the most tasteless chocolate chip cookies I've ever had, acting like this is the pinnacle of cookie baking! Do you even know that a macron exists?"

The person pats your hand consolingly. "Of course I do. My roommate's sister's boyfriend used to bake macrons, you know. I don't know why you're so hung up on this. Cookies can be whatever the baker wants them to be. Provided they're a flat-ish sweet cake, they're still a cookie!"

You hang your head, giving up. "Yes, they can be so many things, but they're not. Let me know if you ever find a bakery actually making the variety you keep acknowledging exists. Bonus points if those cookies are edible. My soul if they're delicious, as a cookie should be."

"You know," they say, still patting your hand. "There's a bakery making chocolate chip with dark chocolate next year. Everyone is talking about it. You should think about buying one before they take it off the menu!"

You contemplate just walking into the ocean.

Now, incredibly long metaphor concluded... switch out "cookies" for "queer rep"! The representation matters because no, just making them gay isn't enough right now. You're right that queer people can be anything under the sun, but right now media isn't providing us with that variety. It's not enough to acknowledge that such variety exists, it actually has to make it into our books and onto our screen. Taking just characters who identify as gay and putting aside the HUGE variety of other identities for a moment (of which we are mostly lacking in terms of rep), where are the gay asexuals? The gay people of color? The disabled gays? Trans gays? Did your gay character appear for just a handful of episodes? Were they killed off? Are they nothing more than a stereotype or comic relief? Is this the only gay character in your entire story? We need to ask questions like this because though gay people can be anything under the sun, our media landscape has only shown a miniscule portion of that variety.

Today, even in 2021, our representation of gay people is still pretty limited to:

You are only coded as gay and evil

You are only coded as gay and queerbaited

You are canonically gay, but a cis, ablebodied, white person

You are canonically gay, but were written terribly/killed off/punished by the narrative/generally making the real gay people watching you feel awful about their identity

You are canonically gay, but you're not human. Gotta other the queerness by making you an alien/robot/fantasy being

You are canonically gay and that's your entire existence. There is one (1) narrative of how you knew by the time you were four, never questioned your identity after that, suffered through a family that rejected you, and now all your major arcs revolve around being gay. You are gay and that is it.

Despite being a list of six, that's still incredibly limiting. Are there exceptions to such a list? Always, but that doesn't mean the list isn't still dominating. We can look at any individual gay character and say, "Of course they can be evil/white/killed off/a joke/etc. because gay people can be anything at all," but when we look at the trends, when we look at ALL the media together, we see that gay people aren't actually depicted as being anything... they're depicted as being these handful of things, severely limiting how gayness is represented. Bad rep. If you hit up the bakery and question why there's only versions of chocolate chip available yeah, the baker can go, "But cookies can be any flavor! Including chocolate chip!" They are not, technically, wrong. The problem is not that chocolate chip exists, but that chocolate chip dominates and other flavors are rare, ignored entirely, or baked so badly it's actively damaging to that flavor as a whole. Yeah, your gay character can be mean. Or kinky. Or murdered by the story. But when so many gay characters are mean and kinky and murdered by their stories — when you're not getting other versions to balance that out and gay characters are still rare enough that it's just 1-2 characters trying to carry representation for an entire franchise — you start realizing that the claim of "Gay people can be anything else under the human experience" is an easy way to shut down the conversation of whether that variety actually exists in our storytelling yet.

It's not enough for the baker to acknowledge that yeah, of course there are hundreds of cookie flavors and of course cookies taste great! They've actually got to learn how to bake them properly and fill up their store with them.

#queer #mymetas

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softinkshadows · 4 years ago

Text

Hot spring tales (Hisoka x female reader)

A Hisoka x female reader one-shot, with a sprinkle of Chrollo.

Situated in the HxH universe with canon timeline.

Disclaimer: nsfw, contains smut and explicit sex (but we know you're here for that)

Word count: 5000++ (wow did i just write 5000 words of smutty smut)

----

Pale, slender fingers tap against the phone screen. He finds the contact he is looking for and dials the number, raising the phone to his ear. Around him, dusk settles over the ragged terrain of the Gordeau desert. The wind gains in strength, almost pushing his combed black hair free. The phone rings for a few seconds before the person on the other end picks up.

“Did you figure it out already?”

“Probably,” he says, his grey eyes catching the last wisps of fading light to the west. “The nen exorcist may very well be on Greed Island, which is East of York New. It seems you will need to enter the game as well.”

“Shall I procure one of Battera’s? He did buy all of the ones auctioned this time round.”

“No, that risks complicating things. What we need is a game privately owned by someone who is easily contactable, allows us to stay untraceable, preferably one who we wouldn’t have to kill and is reasonable towards helping…” he trails off, realizing that there is indeed someone who matches the conditions, someone who he would very much like to avoid for the time being… The irony of fate, he thinks, grimacing in irritation.

“It seems we will need to pay a visit to her.”

“Her?”

“I will send the address over to you. It’ll take me at least a day to get there, so you should start moving first. It would be better if you were the one handling negotiations this time round. And avoid mentioning my name, or the troupe’s.”

“Oh?” the voice on the other end piques with curiosity.

“We have… history. I’ll trust that you can strike a deal by the time I’m there?”

“Of course. After all, the chance to fight you is on the line.” He can almost hear the other man smirking gleefully through the phone.

“It’ll be dangerous, so try your best to be good, or our deal is off. Consider this a warning, Hisoka.”

----

You find yourself back at your quarters after dinner, alone in the large dressing room. Looking in the mirror, you arrange your hair neatly around your bun, making sure to tidy it for the next wave of customers tonight.

The underground auction has recently ended, and more people are flocking to your establishment. Kurohasu Onsen (Black Lotus Onsen) is renowned as the gathering-place for anybody who is somebody: a bathhouse that functions as neutral ground for politicians, powerful members of the mafia and hunters who have ties to the underworld to carry out business negotiations. A safe haven for murderers and thieves. All are welcome, although at a hefty price. The exorbitant entry fee is itself a gatekeeper of accessibility, and many have brought treasures and precious artefacts in the hope of gaining your favour. As weapons are allowed for protection, fights inevitably break out, but rarely do they erupt into something serious. All staff at the onsen are strong nen-users who pay close watch to customer behaviour. They have nen-restrainers on hand to subdue feisty ability users, and if not, there’s you, whose mysterious yet formidable presence is enough to elicit compliance. It is not uncommon to see off customers with missing limbs and near-fatal injuries, a warning punishment for breaking the establishment’s regulations. Furthermore, it is the iron-clad rule that the onsen is the one place where truce is enforced, upheld, respected. And you, the infamous proprietor, the black lotus of Kurohasu Onsen, are not someone to be crossed. Your customers are well aware of this.

You get up, ready to leave, when you turn to look at the mirror again. Your black onyx hairpin fits in and across your bun, easily reachable within seconds. Your eyes travel down to look at the black shimmering contours of your silk robe with its ornate floral embroidery, opening at two slits that end above the knee, the garment tied fittingly at the waist with a scarlet obi sash. Presentable, you hum in approval, before walking out the door.

Your secretary Esa is already waiting. “Give me updates,” You demand.

She follows you briskly down the corridor as you make your rounds to greet notable clients. Esa does this every three hours, reciting the list of new guests checked in since the last report, the rooms they booked, the meetings they have arrived for, and the fees paid. You remember everything, noting the ones who offer presents not entirely up to standard, or troublesome ones with a sketchy behavioural record.

“A while ago, a Hisoka Morow checked into the deluxe room. 50,000 Jenny a night for 2 nights, with a possible extension.”

The name catches you slightly off guard. You have never met the man, but from your intel he’s one of the most sought-after fighters at Heaven’s Arena. And a dangerous murderer too. But as far as you know, the man works alone and doesn’t get involved with politics. Why would someone like him be here?

“He has a meeting?” you turn to Esa.

“If he had, he did not say. Most likely for leisure, though. The onsen is famous for its baths too,” replied your attendant matter-of-factly.

You pause for a while to think, before calling over a male security staff with a wave of a finger. “Keep tabs on Hisoka. Let me know if he’s up to anything.” The staff bows and immediately embarks on fulfilling your order. You return to your duties for now, but the seed of suspicion and uneasiness does not go away.

---

“Ahh… now this is not bad,” Hisoka smiles to himself as he climbs into the water. He rests his head against the smooth stone edge of the outdoor bath, watching the steam lift gently from the softly rippling surface. When Chrollo told him about this place, he expected it to be dim and grimy, trawling with underworld scum. Instead, what greeted him was the pure luxury of mineral-rich baths, large clean rooms and 1000 thread-count sheets. He could get used to this. Not to mention…

His eyes wander over the bath, taking stock of the situation. Being quite late at night, most guests have retired to respective meeting rooms for drinks and negotiations, with only a smattering of visitors, mostly individuals or pairs, left lounging in the outdoor section. The only other people are the ever-present security staff, including one particularly persistent male staff standing at the private viewing balcony above. At least the nen users here are stronger than usual. A slight tremor of pleasure runs through his body, and he runs his fingers through his wet hair to shake the feeling before it builds into bloodlust. It’s been a while since he killed. He is still riled up from two days ago, thanks to the blond runt. And Chrollo, that damn bastard.

He observes the nen-users with half-closed eyes. 75… 80… 85… He evaluates. Not too shabby. Then he senses it. 97!! He feels the sudden presence, an impeccable zetsu with a tinge of icy smoothness and fiery calm toiling beneath its surface. It is enough for him to widen his eyes and sit up straight, a hot tingling sensation travelling down his spine, pleasure surging into his body for a split second, almost goading him into a fight right there and then. Well, what do we have here? He looks to the source of this pressure, golden eyes flashing and meeting yours, as you look down at him from the balcony above.

One look and you know he clearly lives up to his reputation. He is suppressing his power by default, but his presence leaves a slight prickling static in the air which only stronger nen users can detect. He also seems to have noticed you, judging by the slight shift his posture, the electrifying gaze beneath his damp red hair and the sudden tension in the air with his nen flaring, almost breaking its zetsu. Despite the distance, both of you lock eyes for a moment, each one feeling out the other, gauging abilities, locating motives. What the hell is his aim? You face the sheer intensity of his gaze with your own cold, calculating glare, both of you guarding your intentions yet attempting to penetrate through the other’s guise, staring each other down as if in a challenge. No one relents. But you can’t help but feel a rising irritation, that the man sitting naked in the outdoor bath three floors beneath you is getting under your skin, and a distracting kind of warmth creeps in... You look away. You nod to the staff to continue strict monitoring and return to your room.

Hisoka watches you leave, and instinctively his fingers run through his hair again, this time harder than the last. Oh, Chrollo… Don’t tell me that’s her? A smile tugs at the corner of his lips. Oh, you were right. This is going to be dangerous.

---

You don’t hear any more concerning updates on Hisoka until later the next day. Besides using the baths for extended periods of time, and mild complaints from other guests of his lengthy and uncomfortable stares, he hasn’t caused any trouble. He hasn’t physically contacted anyone either.

“Come again?” you stop abruptly, mid-way through scanning the paper records of this month’s taxes and bills, glancing up at your secretary.

Esa clears her throat and speaks again. “Madam, Hisoka Morow has requested for a meeting with you today.”

Hmph. You scoff a little, your eyes narrowing to ponder the next course of action. You had expected something like this. There is no way someone like him would travel all the way here just to use the baths, let alone without engaging anyone. If his aim is to negotiate matters with you, it must be something quite serious, given that neither of you have gone out of your way to meet with each other previously.

“Shall I cancel?” Esa asks, ready to deliver the order and reject the fool that had the nerve to request a meeting with you on such short notice.

“No. Make it tonight at eleven, after I complete my usual rounds.”

“Understood.”

---

It is night, and the onsen quietens for the day. Only the soft rushes of spring water from the outdoor baths and the muffled sounds of late-night negotiations drift by. You find yourself finally seated across from him in one of your private meeting rooms, both of you silent but never once taking your eyes off each other, quietly assessing one another.

Now up close and clothed in a blue yukata, accentuating the red hair that falls close to his shoulders, you can’t help but find him just a little more attractive than you imagined. His golden eyes are calm, steady, even confident, a rarity for anyone for finds them in a room alone with you. Most people would have bowed their head in submission long ago. You keep your own icy composure. But the force of his nen suppressed under zetsu, his incredibly toned body beneath his yukata and that arrogant way he looks at you make your body feel warmer than usual.

When he sees you for the first time that night, seated on the far end of the room, he feels it again. That powerful presence that keeps goading him, that sends electrifying jolts through his body. You’re seated comfortably on the floor, almost reclining, yet the hard, murderous edge of your gaze shows you are constantly on guard. Simply exquisite. He almost licks his lips but controls himself. A fine opponent… to kill? No, no, much too soon… that would be a waste. Chrollo comes first.

The meeting hall is much too large for two people, spanning over 24 tatami in size. On both sides, paper screen doors open out into an elegant view of the autumn trees in the estate, shedding its red delicately in the wind. A long, low black lacquer table in the center of the room separates you and him, each of you seated on either end. Silence continues to hang in the air. A staff gracefully pours a luxurious blend of sencha into the cups, before she places the tea pot and tray on the floor, bows, and takes her leave quickly. You notice Esa hovering by the doorway to the room.

“Esa, you may go.”

“But Madam-” your secretary protests but stops as you give her a glare. She of all people would understand you’re probably the last person in the establishment who needs any form of protection. As her footsteps recede down the hallway outside, you turn back to the man in front of you.

“To what do I owe the pleasure of meeting you today?”

“It has come to my knowledge,” Hisoka finally speaks, and the slow, sly curl of his tone lights another fire in you, “that you are in possession of one of the most sought-after items in the world of late. I have a pressing need for it and would like to negotiate a deal.”

“I’m a collector of the rarest treasures, so you’re going to have to be more specific,” you scoff, taking a sip of your tea.

“I’m talking about a certain game.”

“Ah, Greed Island,” you retort indifferently, although inwardly puzzled. Why would he go to such lengths just for a game? Didn’t seem like the type. “What makes you think I’ll agree to your request? What is in it for me?”

Hisoka pauses, contemplating something before pushing onwards with a slight smirk. “I’m not sure if you know of a certain man by the name of… Chrollo Lucilfer?”

He waits for the intended effect and sure enough, you react. Immediately, at the mention of the name you’re hit with an unpleasant sensation that makes you grit your teeth, and your eyes blaze with a hint of fury. Without realizing, a cracking sound fills the room as the cast iron tea pot on the floor dents with the force of your nen.

Hisoka looks at the pot quietly before he smiles, lifting the tea cup to his lips, his eyes only growing darker as he trains his gaze on you. Interesting. “May I know, if it’s not too much to ask, the reason for your disdain of the man?”

“I’ve known him for a long time. He tried to kill me twice, once on purpose and the second time by accident. Clearly, he did not succeed,” you say, finishing your tea.

Beautifully exquisite. Another thrill runs through his spine, almost making him tremble with excitement. Perhaps it would be safe to suggest…

“I’m looking for Chrollo. He’s been running from me for a while now, and last I heard he has been spotted hiding out in the game. I would very much like to settle our score soon. Of course, perhaps to your advantage I fully intend on killing him, with pleasure,” Hisoka continues, waving his hand in the air with dismissive complacency.

“If only it were so simple,” you retort, knowing the full potential of Chrollo’s abilities. “And how can I take you for your word?”

“You can’t.”

You look up in mild distaste at Hisoka. What a bastard. You could slit his throat right now, with that cocky expression of his. And yet, your body feels a little hot when he’s looking at you, his gaze ruthlessly penetrating and his nen just on the edge of flaring.

“Name your offer, Hisoka.” You say his name for the first time, aware of how his gaze hardens when you do so, and your body burns with a strange desire which you suppress under the guise of irritation.

“I’m not offering.”

“What?”

“Allow me to use the game, or I will go on to kill everyone in this establishment, including your precious secretary and all your guests. It’s been a while since I had fun and I won’t stop when I do.”

The audacity. You slam your cup on the table and glare at him, your nen bristling beneath the surface. It was a mistake to let him into the bathhouse. And the worst part is that he is right. He could take out everyone except you here with ease, and you’d lose your manpower, your reputation, your business. Everything you worked hard for since leaving meteor city years ago. Perhaps it’ll be wise to dispose of him right here, right now.

In a split second, you draw the long onyx pin from your hair, leaping across the length of the table with such grace and speed that the tea in Hisoka’s cup barely ripples, as you aim for this throat, slicing the air in front of you. He dodges at the last moment, his eyes wild with a feral look as you nick of a few strands of his hair and the sharp edge of your hairpin draws a faint red line along his throat. He grins. He’s clearly enjoying this. He moves to land a counter-attack but you jump away. You’ve put distance between the two of you again; you grip your hair pin, calm and poised for another strike, while he similarly crouches, one hand reaching to stroke the mark you made on his throat.

“Now you’re just getting me excited,” his voice drops to a low purr.

Here you are, seconds after nearly killing him, and you feel your body reacting to his voice and his unapologetic desire. You know you have the power to end him, yet a tingling sensation creeps over the lower half of your body. You can feel sweat starting to gather around your stomach, while another warm wetness pools further below, between your legs. It’s been so long since anyone made you feel this way. Not since… Your thoughts are interrupted as he appears behind you, aiming for your head.

“Pay attention, darling.”

There’s barely any sound in the meeting room as you and Hisoka continue to spar in near complete zetsu, restraining nen to avoid alerting the attention of other guests and the security staff. His eyes gleam more with your every strike, his moves maintain its strength but do not get more forceful, and neither do yours. You feel the exhilaration of the near-misses, of your bodies brushing against one another before pulling away, the light friction of fabric against fabric, as if locked in a graceful dance that neither of you want to end. Moonlight cascades through the open balcony, and there’s a glint in Hisoka’s eyes.

“Let’s stop pretending we’re serious about killing each other, shall we?” he quips with a smirk.

His words register, and you halt. You weren’t noticing it before, but he is right. You weren't trying. You falter for a moment too long. Then he rushes you, pinning your body down onto the floor with his own weight, brute force mixed with excitement to the point that his nails dig into the straw of the tatami below, ripping it slightly. He raises a hand, about to spill your blood, when your control slips. Before, your brief exchanges saw your body feeling hotter, winding tighter as it did more cautious. But now, with him pressing down onto you from above, not pulling away, gripping with a strength that few possess and with a wicked look in his eyes, you can’t keep it down anymore. You let out a throaty moan as his holds you hard, feeling your underwear getting more soaked with every passing second. His eyes widen in surprise, and he pauses. You and him remain quiet like this for a while, the wind from outside gently caressing both your bodies, teasing out an answer.

Then, as if on instinct, both your mouths crash together. Neither of you are ashamed at the pure lust that erupts between the two of you, bloodlust still not completely abating which spurs you and him on even more. His tongue slips into you mouth, determined on stealing your breath, your hand clasped around your hair pin still trapped within his, his ferocious strength barely just surpassing your own as you do not back down, struggling against the restraint. It is still a fight, after all. Yet his other free hand trails down your silk robe, slithering between the open slits to your thighs before raising one of your legs to wrap around his torso. You moan into his kiss and move against his clothed body, desperate for friction.

"Patience, my dear." He pauses, giving you a sadistic grin.

You’re not going to let him keep staying in control. In a surge of strength you topple and roll over him in a flash, slamming him to the floor and stabbing the pin right into the tatami next to his head, at which Hisoka lets out a loud groan. You press and rub yourself against him, leaving small bites along his neck, your hair starting to come loose and fall to the side of your face from the exertion. The warmth between your legs grows, and it’s not just you. Hisoka is only wearing underwear beneath the yukata, and you feel his erection, hot and hard beneath your rolling hips. You feel your own slick starting to run down your inner thigh, and you ache to be filled.

You pull away and gaze down at Hisoka, who’s just starting to get a little breathless with desire, his eyes clouded with lust. You pull the hairpin from the floor and aim it at his throat. You command, your voice cold and edged with arrogance.

“Stop wasting my time and just fuck me already.”

At this, Hisoka lets out a low growl, flipping you on your back, almost tearing the obi around your waist to shreds with his hands. His mouth latches onto your neck and you cry out, as his hands reach under your bra to free your breasts, rolling your nipples between his fingers, alternating between gentle strokes and forceful pinches. Your body shakes with pleasure and you grind against him, your hands fumbling to move his yukata out of the way. You cover your palm over his bulge, which is already straining hard against his underwear. He bites a little harder on your skin as you do, goading you on. You reach beneath the fabric, stroking his most sensitive spot, and you feel him shudder against you. Oh, to have such a powerful man like him at your mercy.

Before you have time to think, your pleasure increases ten-fold, white-hot and surging through your body as his fingers find their way to your slit, obscenely slick with your honey.

“Oh? This wet for me already?” he murmurs into your ear, sending shivers down your arms and making you moan.

He sits back a little, his piercing gaze boring into you as he lifts his fingers to his lips, licking it clean. “So sweet,” he whispers, his eyes never leaving you, almost taunting your state of helplessness before him, and you twitch with pleasure.

“Shut u-” you demand, stopping short with a intake of breath as his tongue circles your nipple and he thrusts two fingers into your aching slit, expertly thrusting, stroking, caressing, hitting all the right spots as you can’t help but moan and fist his soft, red locks. His thumb finds your bud and rubs, with increasing pressure, matching the circling motions of his tongue. Hisoka pulls away and looks down at you, panting and wriggling beneath his touch, your words incoherent but eyes still fierce with power and control, and he finds himself growing harder, unbearably hungry. You feel his desire through his nen, bristling with lust, fingers coaxing you to bliss and eyes ravishing you unabashedly for everything you are and you feel yourself pushed nearer to the edge.

“I’m close,” you gasp, and you see Hisoka smirk dangerously as he pulls his fingers out of you. The pleasure that builds now cuts short, tapering off.

“Kisama,” you mutter in annoyance as you ram his body against the side of the lacquer dining table, pushing him into an upright, sitting position. He chuckles at your urgency and vexation yet remains turned on as you clutch your hairpin over his throat as a warning. His golden eyes are glazed over and quivering, a sign he is properly riled up, his hair now a mess, and his breathing is slightly heavier than before. You pull his large erection free from his underwear.

“You bastard. I’m not going to give you any time.” You growl, and his eyes grow more piercing.

You lower your soaking, aching pussy onto him. The stretch makes both of you groan in unison, and you almost come immediately from his entrance. He is huge in both girth and length, and it takes a while before you’re accustomed to his size. It was so long since you had proper sex with anyone. After he is buried in you to the hilt, you pause, glaring at him with a look aggressive with lust and a need for control. He moans in pleasure and you feel his grip on you tighten considerably. Then you move, slowly first, then quickening your pace, rolling and rubbing against him so his cock enters you at the best angles. His hands reach up to grab your hips, steadying you while he snaps up into you, pounding with such speed it makes your mind go blank with pleasure.

“Ahh-h—h!” you moan, louder this time, shaking with the mounting pleasure as he enters you fast, viciously, more than you can keep up with. You get wetter with each of his thrusts, squelching and slapping sounds filling empty room as he pulls out and fills you completely again with each punishing stroke. You feel yourself nearing your climax, your body swaying and jiggling with the rhythm as your bounce on Hisoka's cock, pressing your fingers harder around his body.

He senses it too, and growls, refusing to take his eyes from yours. You feel his nails rake your hips, grabbing your ass, pain and pleasure intermingling as your near your end. Waves of white-hot pleasure wash over you as you moan into your orgasm, your eyes closed in bliss as you tremble violently, clenching tightly around Hisoka, muttering curses as you come completely undone.

Before you have time to come down from your high, Hisoka pulls out, his rock-hard cock dripping with your honey, before grabbing you and laying you down on the table, towering over you once more. Then he fully sheaths himself inside you in one go, making you cry out at the jolt of oversensitivity as he pushes towards his own end. Using the slick from your orgasm, he goes even faster now, relentless, his hands holding your legs wide apart so he can have unfettered access to you while he slams into you without restraint.

"You like this, don't you? You like being punished like this?" He purrs with forcefulness, a sign he is close, lustful gaze boring into yours while he pummels into you.

You can't help but shudder at his words, but you spit out through gritted teeth. "Don't get cocky. And don't you dare finish inside, or I'll kill you before you are even done."

His control snaps. You feel his cock twitch inside of you. Then he pulls out and comes, moaning with deep satisfaction in your ear, his warm load spilling onto your stomach. After he finishes, you both gaze as each other for a while, barely out of breath, sweat glistening against skin. Your clothes are both in a mess and disarray, his hands are still spreading you wide and bare torso pressed against you as you both bask in the afterglow, sharing a moment to take in the surreal pleasure of what was an extremely unplanned but steaming hot round of sex.

"So with this, do we have a deal?" He breaks the silence with a devious smile.

"I'm not that cheap if you think once is enough." You retort as you clean up, pulling your clothes back on. "At least three more times, with an additional fee of 300,000 Jenny."

"Aren't you a greedy one," Hisoka smirks, tying his yukata back in place. "Alright. It's a deal, not like I'm complaining. I might deliver more than you ask for." His golden eyes travel across your body once more before meeting yours, and you can still see a faint glimmer of lust, ready to be reignited.

"Enjoying yourself?" An icy voice comes from the darkened doorway.

You don't even need to look to know who it is, recognizing the voice immediately. Cold grey eyes gaze at you from a figure leaning against the entryway.

"Chrollo," you almost spit out.

"Ah," says Hisoka naturally, "you're finally here."

You turn to scowl at Hisoka, realizing his blatant lie from earlier. You wonder for a moment how Chrollo even got in to the onsen without your notice, given that him and the troupe remain high up on your guest blacklist. Then you sense his nen, or rather his lack of it, a blur void except for the vague tinge of someone else’s foreign nen around his chest. A contract, then. He's harmless now.

Chrollo steps into the room, dressed elegantly in a black yukata, his hair let down comfortably. "Seems like you taste in men hasn't changed. I took a gamble on that." His steely grey gaze, piercing, calculating and formidable in confidence, still make you tremble a little, despite knowing him for years.

You take a while to understand and chuckle, looking from Chrollo to Hisoka. "Seems like we both got played."

The latter narrows his eyes at Chrollo before running his hand through his hair, sighing. "Well, as expected of him. Again, not like I'm complaining."

"Hisoka, leave us for a moment," you order.

"As you wish." You feel him step out but loiter along the corridor, waiting to pick up on the following conversation. Now it's just you and Chrollo left in the room. He doesn't move closer to you.

"It's been long. Too... long." Chrollo speaks, his voice calm but you detect a tinge of nostalgia, affection, regret and caution all entangled in one.

You know what he means. You can even see it now, the times he drove you wild, nearly killing you with nen. You can see all the times his lips met yours, growing a steady fire with a kiss, his fingers grazing your skin and making you moan and whimper while you grasp his hair tight in your hands, your mind blanking and feeling the universe come apart and stitch right back together...

"You won't be able to handle me now, in your current state. I would break you. It wont be pleasurable for any of us," you reply coolly. You catch the sound of a stifled laugh from the hallway outside. "Once you get your nen back, I just might reconsider."

You stand up, letting your silk robes fall gracefully past your knees once more. You arrange your bun and slip the onyx pin back into your hair.

"You can use the game tomorrow. I'll have it prepared. Tonight, I'll be busy receiving my payment. In full." You pause a little next to him, giving him one last, long look, before walking out the room and towards your quarters, Hisoka trailing behind.

Alone, Chrollo's eyes are deep and unreadable. Unconsciously, his hands are balled into tight fists by his sides. Then he breathes deeply, chuckling to himself.

What a woman. "Hisoka, you'd better get the job done. Fast."

---

Notes: omg this took way longer than i expected to!!! I’m quite proud of this one ;) I got inspired by a mobage card of hisoka, chrollo and the phantom troupe at an onsen and decided to do this imagine piece! Hope you enjoyed my fellow hisoka simps, it was so fun to write ;)

#hisoka morow x reader #hisoka morow #chrollo lucilfer x reader #chrollo lucilfer #adultrio #adultrio x reader #hxh #hxh imagines #hunter x hunter #one shot

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writerthreads · 3 years ago

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The top 10 classic fears in literature

By Prof. Marianna Torgovnik on TedBlog

Fear #1: Death, death, death—did I mention death?

An almost universal fear, death recurs in literature more than any other fear, all the way from canonical works through fantasies like J.R.R. Tolkien’s The Lord of the Rings. I list the fear of death three times since it occurs in many forms: fear of our own deaths, fear of family members or close friends dying, fear of children preceding parents, the death of an entire culture.

Some examples: Shakespeare’s Sonnets (“Like as the waves make towards the pebbled shore”; Hamlet (“To be or not to be”); John Keats (“When I have fears”); Virginia Woolf, The Waves; Pat Barker, The Ghost Road. This list could go on and on, because the fear does.

Fear #2: Avoiding death for the wrong reasons.

Literature loves paradox and so, paradoxically, the second greatest fear is avoiding death for the wrong reasons: when death will inevitably follow a noble or moral act or out of cowardice, especially in war. For understandable reasons, this fear is less common than more general fear of death, but it is out there and memorable nonetheless.

Some examples: Sophocles, Antigone (to bury her dead brother, Antigone famously courts death); Shakespeare several times — Hamlet again (“There is a providence in the fall of a sparrow”) and Antony and Cleopatra (to avoid capture by Octavius); Charles Dickens, A Tale of Two Cities (“It is a far, far better thing that I do than I have ever done”); Harry Potter in his pursuit of Voldemort.

Fear #3: Hunger or other severe physical deprivation.

Survival tends to trump the finer emotions when it comes to fear. Sometimes time specific, the fear of hunger nonetheless reminds us of basic things. In romantic novels or poems, it can be and often is a symbol for more abstract needs, like love. In Holocaust literature, it portrays humanity strained to the core.

Some examples: Dante, The Divine Comedy (Count Ugolino and his children); Samuel Taylor Coleridge, “The Rime of the Ancient Mariner” (“Water, water, every where, nor any drop to drink”); Charlotte Bronte’s Jane Eyre; Elie Wiesel, Night; Susanne Collins’ The Hunger Games.

Fear #4: Killing or causing the death of someone you love.

Whether by murder, negligence or a set of circumstances beyond our control, the fear of causing the death of someone we love is a big one. It’s a stock feature of numerous spy and crime dramas, where we tend to brush it off since the hero (think James Bond) or (more rarely) heroine’s beloved is almost always a goner. Numerous operas by Verdi, including Rigoletto and Un Ballo in Maschera use this theme, sometimes more than once; in fact, opera thrives on this fear, as in Bizet’s Carmen. It usually takes serious and even majestic forms in literature.

Some examples: Patroclus dying for Achilles in Homer’s The Iliad; Othello killing Desdemona in Shakespeare’s Othello; Thomas Hardy, Jude the Obscure (“Done because we are too menny”); D.H. Lawrence’s Women in Love (Gerald choosing to die rather than kill Gudrun); Gillian Flynn’s Gone Girl.

Fear #5: Being rejected and/or being loved by the wrong person.

At last we come to a fear that can have a lighter side and, sometimes — though not always — a happy ending. In literature, characters fear being rejected, being loved, and being loved by the wrong person in almost equal proportions. Once again, the examples span the ancient classics all the way up to the present.

Some examples: Woman loves step-son madly in three versions of the same story, none with a happy ending (Euripides, Hippolytus; Racine, Phaedra; Mary Renault, The Bull from the Sea); mixed up couples set right in Shakespeare’s As You Like It; love triumphs by the end in Jane Austen, Pride and Prejudice; two different kinds of love lead to tragedy in Hardy, Tess of the D’Urbervilles; mixed results in Jeffrey Eugenides, The Marriage Plot.

Fear #6: Illness, disease and aging.

Closely allied to the fear of death — but not identical to it — the fear of illness is another constant though, as we’d expect, the disease most feared changes over time. The bubonic plague used to be the leading contender; TB enjoyed a long dominance until cures were found. Nowadays, cancer and, more often, dementia are far greater fears. There is at least one stunning example in this category of embracing the fear being absolutely the right thing to do: Flaubert’s St Julien, L’Hospitalier, in which the saint embraces a leper and achieves transcendence.

Some examples: Giovanni Boccacio’s Decameron; Daniel Defoe’s Journal of the Plague Year; Oscar Wilde, The Portrait of Dorian Gray; Albert Camus, La Peste (The Plague); Ian McEwan, Atonement; Jonathan Franzen, The Corrections.

Fear #7: Lost reputation, divorce or scandal.

People used to fear this one more than they do today, when our motto seems to be that no publicity is really bad publicity and unseemly revelations are the order of the day. Still, this is a significant fear, and one that even recent books revisit in original ways.

Some examples: Sophocles, Oedipus Rex; Leo Tolstoy, Anna Karenina; D.H. Lawrence, Lady Chatterley’s Lover; Thomas Wolfe, The Bonfire of the Vanities; Phillip Roth, The Human Stain.

Fear #8: War, shipwrecks and other disasters.

The fear of shipwrecks can seem archaic — but they were the airplane crashes of yesteryear. Shipwrecks can be mere episodes or the core of the plot; in early literature, they are closely allied with war, a more global disaster. While other disasters arouse fear — earthquakes, volcanos — war and shipwrecks lead the field. Both change characters’ lives, with variable results.

Some examples: Homer, The Odyssey; Defoe, Robinson Crusoe; Jonathan Swift, Gulliver’s Travels; Tolstoy, War and Peace; Yann Martel, Life of Pi.

Fear #9: The law and, more specifically, lawyers.

Fear of the law is a surprisingly classic fear, weighing in at number nine. But what’s meant by the law changes over time. While fear of God’s judgment remains plausible in literature, it is far less common today than fear of society’s laws — and specifically the rapacity of lawyers and the law’s ability, in Dickens’ words, “to make business for itself.” In some modern books, the law becomes a metaphor for the meaning of life.

Some examples: The Bible; Aeschylus, The Oresteia; Nathaniel Hawthorne, The Scarlet Letter; Dickens, Bleak House; Franz Kafka, The Trial; Arundhati Roy, The God of Small Things

Fear #10: That real life won’t resemble literature.

While this might seem the most trivial of fears, in fact it drives a lot of great literature. Some characters want life to be elevated, inflated, like epic or romantic literature. Deprived of that illusion, they die or take their own lives—looping us back to fear #1. Other characters favor codes of renunciation that have been called by literary critics “the Great Tradition,” fearing that they will gain something by immoral or amoral actions; a variation on this fear is the fear, as George Eliot’s Dorothea puts it, “I try not to have desires merely for myself.” Not at all light for avid readers, this fear usefully reminds us that life is not really like a Henry James novel.

Some examples: Miguel de Cervantes, Don Quixote; Gustave Flaubert, Madame Bovary; George Eliot, Middlemarch; Henry James, The Ambassadors; Julian Barnes, The Sense of an Ending.

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gravitywonagain · 3 years ago

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For the ask game! Numbers, 2, 8 and 13

!!!! Thank you so much!!!!!

2. top 5 favorite characters? what specifically do you like about each one?

Oh man, this was harder than anticipated! I decided not to include wwx and lwj because I have spent a lot of time writing about them and why I like them. So, for the rest, in no particular order (because I tried, I really did, but it's too subjective): Wen Qing: She is amazing and I love her. She is complicated and talented and her and wwx should have just stayed in the burial mounds forever and developed new and horrible cultivation practices. Or just grew radishes. Either way, I don't care. I just wish she stayed around longer. Only she can snark wwx back into line and make him eat his goddamn dinner! Plus her whole past with wrh is so fascinating, so complex. Xiao Xingchen (and Song Lan, but if I had to pick one, I pick xxc): Look, this guy was trained by bssr! He and his husband cultivation partner travel the world, don't get involved in sect bullshit, literally say "call me when the world is ending," and then just fuck off to keep all the regular people safe while the sect cultivators kill each other about politics. He goes to his teacher, breaking the one fucking rule she gave him, all to help a man who has already rejected him. And then, while blind, he just keeps doing his thing?! His story is tragic as fuck and I love him. I just want his story, you know? From being brought up the mountain to collecting the scattered pieces of his soul (just let me have this). Nie Huaisang: This man. This man. I love nhs because here is a man who has actively hidden his potential from everyone, and he has succeeded so well that even jgy, who prides himself on his scheming and perception, misses him. Can't see him. And nhs doesn't let on until the very last minute. Meanwhile, he successfully runs a sect while pretending he's useless, he gets to basically just chill and buy pretty fans and make scenes at conferences. Hashtag life goals. Lan Jingyi: "The Un-Lan-est Lan," terrified of ghosts, best friends with Hanguang-jun's kid, wwx's #2 duckling, my sweet boy. I love this kid. I want his entire story. We don't get nearly enough of him in canon, but what we do get is solid gold. I just want to put him in every single scene and hear his commentary. I want him mouthing off to sect leaders and shaking in his boots while he volunteers to be bait for fierce corpses. He makes me so happy. Also he deserves to marry best boy!lsz. Luo Qingyang: Specifically the version in cql. She is just constantly Doing Her Best and I'm here for it. This bitch actually leaves her sect because of the nonsense she just can't stand anymore. And then! She finds a husband and settles down and still nighthunts and she's just a boss. Plus, see headcanon below :)

8. three headcanons: one that you believe so strongly it's pretty much canon, one that doesn't make much sense but it's very dear to your heart, and one that you don't think is close to canon at all but would be interesting if it was.

1. JZXuan and Mianmian are best friends. There's no evidence for this, probably because we don't get the time to explore either of them very much, but sect heir!jzxuan and da-shixiong!mm are best friends forever. Nothing will change my mind. Not even canon evidence. I don't care :) 2. Wen Qing is a lesbian. Why? I don't know. It doesn't even make sense for me because I kind of ship her with jc, but like, in the way that sometimes lesbians are attracted to men. But mean lesbian!wq just makes me happy and so it is true in my head. 3. WWX and LWJ knew that they loved each other but always had reasons not to act on it. Absolutely nothing supports this. Several things actively refute this. But both of these boys are highly intelligent, highly perceptive, and highly self-sacrificing. Also, it's so much more interesting this way. Their mutual obliviousness irks me deeply.

13. opinions on: jiang cheng, jin guangyao, and xue yang?

JC: My feelings about jc are kind of always in flux. Mostly, I think that he had bad parents and a lot of rage. I think he never grew, never worked on himself, especially after his family all died. Yes, he became a sect leader and built his sect back up from ruin, and that's admirable, but that was pretty much done by the time his siblings died. After that, he was never able to move on or let go. He can be interesting to explore, but I don't like him, if that makes sense. JGY: I really like jgy as a character! Like, I hate him, but that's why I like him! He's fascinating and I just wish that in canon he cared about something other than his father's approval. Because there's so many fun aus down that road! And also there's something about his constant calculating that I absolutely love. XY: Okay so I absolutely love the chaos monster that is xy. I especially love his time spent learning all of yllz's horrible notes. The whole Yi City arc is fascinating and I wish that it had been expanded into a full story, but xy is a monster. An interesting monster, but still a monster. I don't like shipping the songxuexiao in canon timeline unless things are super different, though. The manipulation just pokes at my bruises in a really bad way.

#okay so translating that kids story took waayyyyyyyy longer than i thought #why did i use so many new words?!? what is wrong with me?!#but this was a perfect way to chill out after!!! :D #dovebeast #you are an angel #ask game

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imagining-in-the-margins · 4 years ago

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Hi! You often give alot of insight into anons like this and your my fave CM blog so that's why I'm here! So I'm finishing up the last seasons (and lord it is hard to get through) and they just introduced Max and I cannot stand her. She was just so rude and it felt like she had 2 different personalities the entire time she was on screen. And I worried that this meant I was like hating women because I don't like other female characters like Maeve, JJ, Hailey, and Seaver. But then I started thinking and I honestly think it's cause these Characters are women poorly written by men. But then I wondered how they created likeable Characters like Emily, Kristy, Blake, Tara, and Penelope (leaving out others like Savannah because they're under developed in my opinion) I don't know what's the difference in the writing for these Characters or of there isn't any at all and I'm just being hateful in a way. What are your thoughts?

Ah, I think about this a lot. Thank you for thinking I’m interesting enough to answer this, also!

I think you’ve really hit the nail on the head with the writers doing a poor job at most of their female characters. However, I think it’s possible (and very common in this fandom) for people to dislike any character Spencer showed an interest in, which is also problematic and rooted in internalized misogyny. To me, it all comes down to why you dislike the characters.

(A LOT More Below - Bit of a Rant)

The first step I took when reflecting to see if this was my problem was rewatching and seeing which female characters I loved. Along with the ones you listed, I also found a number of side characters I greatly enjoyed, including Lila, Austin, Dr. Linda Kamura (from Amplification, the anthrax episode), Einstein, Megan Kane, and a few other random case characters. So, right off the bat I found multiple characters who Spencer showed an affinity for. I also greatly enjoyed Cat’s character, although I found her to be underdeveloped in canon (Fanon has done a good job, IMO) and often contradictory in her character design.

If you didn’t like any of these women, and your reason is related purely to Spencer’s reactions to them, chances are you might be suffering from a bit of jealousy rather than improper character design - not that you need to like them all (or the ones that I like), but because they are all very different. You should, theoretically, find something to enjoy about at least one of them.

But the CM Writers have a TERRIBLE habit of writing women that are easy to hate.

There’s a bunch of controversy I see over Haley Hotchner, but the truth is that they wrote her to be hated. That was her sole purpose. Her character’s decisions were poorly thought out and she was shown to be malicious 80% of the time. This was intentional. She was written to personify the trope of the nagging housewife. If you dislike her, you have done nothing but follow the narrative.

That being said, you should also criticize why they wrote her this way. Because it didn’t make any sense. She married a prosecutor - a dangerous, time consuming job. She had Jack when she knew he was with the BAU. Why did she randomly change her tune? Why did she suddenly demand he gives up on his dreams that she was fully aware of for years? I’d argue they wrote it like this to further the narrative of “the wife who traps you with a child to force you to do what she wants” which is garbage writing. I wish people could look at the potential she had if they hadn’t written her like... that.

Maeve, I find, is problematic on multiple aspects and I’ve talked about it before. Her narrative was poorly thought out because as soon as they pitched the idea of a long-term love interest for Spencer, everyone (most notably Gubler) rejected it. They didn’t think it was necessary for his character, who already had a lot going on with the ignored plot lines of his drug addiction and mother.

There were multiple problems associated with her character that were never addressed. The fact she essentially just took advantage of a patient because she was bored, she seemed to “correct” his interests and show annoyance when he disagreed with her, she lied about having a fiance, she was shown to be considering breaking up with him... there’s a lot.

Her character is poorly written. It had a lot of potential, but they just kind of stopped caring once they decided to kill her off. She had more faults shown on screen than redeeming qualities. For many, they liked her because they see there was a potential that we’ll never see (fair). But for people like me, we interpret it as a idealized fantasy of what could have (but probably wouldn’t have) been, which is not healthy for Spencer.

JJ is an interesting character because you can feel the constant struggle between AJ Cook and the writers. They really sabotaged JJ at every step of the way. I’ll be honest and say that I think there are some reasons to hate JJ, but they aren’t the reasons I see most often. Almost all of the JJ hate I see is surrounding the idea that JJ is an evil, manipulative, jealous bitch. But.. she’s not. Even in Truth or Dare, when she pulls that asshole move that was wildly OOC for JJ (in my opinion), she isn’t shown to be jealous or cruel about it.

I think she’s the most likely target for people who’s hatred is driven from jealousy or disliking conventionally attractive women and assuming them to be bitchy by nature of looking “beautiful.” I think Lila Archer* also falls into this category.

But as I said, JJ was also written with a lot of flaws. I think it’s fair if you don’t like her character or the way she treats Spencer, but I also hope that you similarly criticize the whole team in the same way, and don’t just pity Spencer because he is smol uwu babie who needs protection.

(* Yet another reminder that I ask everyone to not message me about J Depp or Amber Heard. Reactive Abuse is an extreme trigger for me and I will block you if you try to get me to talk about it)

Seaver got a lot of hate based off one line of dialogue. I think it was a bad line. If they had left it out, there would be essentially no reason in my mind to dislike Seaver. I used to dislike her a lot, but the more I rewatch the show, the less she bothers me. She was just a young student who wanted to learn about her father/herself. She was MASSIVELY underdeveloped because they kicked her off just as quickly as they invited her in.

NO character was developed that quickly. Her scenes were a bit cringey and the plotlines were bad, and her character was mediocre. I don’t think she deserves the hate she gets. She is a lukewarm character.

I hate everything Max’s character represents. She was introduced to show that Spencer could be trained to be “normal” and it’s anti-autistic bullshit. She had no personality besides “I hate my low-brow job as a teacher and couldn’t be fucked to change it until a man told me I was smart.” She was cracking high-school-clique jokes while her family was about to be murdered. She immediately abandoned said family to make out with her boyfriend who just admitted to enjoying kissing the woman who tried to murder her family.

Her character makes absolutely zero sense. I do not understand how she is so liked. I really don’t (other than the fact that RLC is absolutely wonderful).

If they had left her character out, I think we would have been better off for it. We could have seen Spencer wrestle with defining himself by the women in his life and learning to love himself (without just replacing those women with... another... woman...)

That being said, those who cling to Max for hope of a happy ending for Spencer... I felt that. Fanon and fanfic can solve all character deficiencies. I believe in you.

So, yeah. I’d say if you’re worried about why you dislike women characters, you’re probably on the right path. I’d just reflect on why you dislike the characters you do and whether they are written as misogynistic stereotypes. It makes complete sense to reject characters written for the purpose of making you hate them, but we should all pour one out for the brilliant actresses that had characters with so much potential if not for men ruining it.

#Criminal Minds #anti-maxcer #anti-maeve #answer #answered

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waatermelon-sugaar · 4 years ago

Text

Under My Skin: Chapter 2

Series Masterlist

Words = 4.3k

Chapter warnings = swearing, bad words, let me know if I missed anything!

Summary = Despite the explosive argument that resulted on your last mission with Poe, Leia decides another is in order

A/N = I made up the planet that they go to, as far as I’m aware it doesn’t exist in the Star Wars canon, but when I wrote the first draft I had no wifi to research a planet and then I couldn’t be bothered to change it. Also I know nothing about flying, nor about physics, I have based this on my (limited) experience of driving and therefore taken a lot of artistic license - I am sure what I have made these characters do is not actually possible.

Edit = Cross posted to AO3

Chapter 1

***

Poe Dameron was irritating on a normal day. A grounded Poe Dameron was worse. Like a caged fathier with no outlet for his excessive levels of energy it felt like he was pacing the length of the base multiple times a day, making it almost impossible to avoid him.

Not that that stopped you from trying. To complicate matters, you were doing your best to not think about him at all. So far, it was going well. You hadn’t even talked to him since the debrief, making a special effort to not even look at him when he was in the same room as you.

The debrief had taken place a couple of days after you’d shouted at Dameron, and had been unbelievably awkward. Leia and General Holden had been polite, running through any spare details of information gathered in the compound, what type of books there were, what they were about, what languages they’d been in.

After you’d talked, it was Dameron’s turn, answering questions about the objects in their cases, what planets they were from, how old they were, if they formed a collection. It felt like it went on forever, finally making it onto questions about your shooter, was it the suspected owner, how many droids appeared, was the security system as expected?

You were sure Dameron would be sneering at you, so you avoided looking at him, and didn’t dare directly address him. Keeping your hands clasped in your lap had helped prevent visible shaking.

Saying as little as possible, you’d escaped at the first opportunity, ignoring how Poe stood up, and desperately pretending that you couldn’t hear how he immediately started to talk, more animated than he’d been the entire time you’d been there.

Both of you had been in trouble; Dameron for hiding his injuries, and you for shouting at him. And while he’d been the one officially grounded, it was of little comfort, knowing that it was no doubt due to him failing his physical. And now Dameron had been able to defend himself and probably slag you off in the same sentence while you had left, feeling like a child sent to their room.

But unable to fly it felt like he was all over base, just where and when you didn’t want him to be.

Like now. You were working on a mission report with a bar of chocolate to keep you going, lying nearly horizontal on a couch. Background music was playing in your headphones and your datapad was open with a number of tabs and the mission report was there, right in front of you, half written - and yet your eyes kept flicking over to Dameron sat by the center table.

You weren’t sure he’d seen you when he walked in, hidden as you were behind the shelves in the corner. You liked this nook, it always made you feel protected and the idea of Dameron finding this corner and no doubt ruining your sense of security vaguely irritated you. Looking through the gaps you could see his legs resting on the chair opposite him, and if you sat up a bit, you saw that his back was to you, facing the door, his shoulders tight.

Ignoring him, you tried to get back to work, and you would never have admitted it, but the noises as he worked was...nice enough, in it’s own way. Little growls of frustration that you could barely hear over your music, the occasional sentence read aloud, BB-8’s reassuring little beeps. They made you feel less alone.

Finally, finally, you finished. Dameron didn’t look like he was any closer to getting up and leaving, and you took your time shutting down your pad. You’d have to pass him. It had to be done, you wanted to have a shower and go to bed, but...still.

You intended on ignoring him, but it felt excessive to leave without even a - “Goodnight, Dameron.” It was short as you passed and you resisted the weird urges inside of you that wanted to insult him and make sure he was ok at the same time.

He didn’t say anything at first, and you exhaled heavily in relief, and...something else which you didn’t want to unpack.

Until he said your name. Your first name.

You stopped walking, jaw clicking in annoyance as your back tensed. “I’m sorry.” His voice floated from out behind you, strong but quiet. You looked at the door in front of you. It was probably about 4 steps away - you couldn’t have walked a little faster?

“In the medbay, what I said… it was out of order. It was too harsh and I’m sorry.” He paused and you still didn’t move, frozen to the spot. “I didn’t mean it. Any of it, sweetheart. I-” he paused again and changed his mind. “I’m sorry.”

Finally you turned around, a strange trembling rising from your stomach to your chest. Your eyes narrowed, mouth turning up in distaste.

“You’re sorry?” you spat, taking care not to look at his face. “You were only too happy to badmouth me to Leia and General Holden afterwards though!” You took a step backwards, conscious of how far the door was. Your eyes rose from the floor to his face, ignoring the slight signs of tiredness around his eyes, the first time you’d looked directly at him since the medbay.

Shaking your head, you glanced away, the reminder sending hot embarrassment through you, still.

Dameron’s head has dropped into his hands and he’s pulling slightly at his curls. Your breath quickens in annoyance as you start talking again. “Whatever, I-” The slamming of his hands on the table interrupts what you’d been about to say. His hands are clenched into fists, knuckles white, and the look on his face scares you.

“You don’t have a clue! You’re determined to think badly of me aren’t you?”

For the first time, words escape you. Dameron walks towards you, quick paced and you back away until you reach the wall. There’s something poking into the small of your back, but the physical discomfort is less than the discomfort you feel radiating off Dameron.

He’s close to you now, close enough that you can smell him, a deep rich smell, one that smells like a man, and why do you like it? His hands are clenching and unclenching at his sides, like he wants to reach forwards and shake you.

You match his glare, finally finding your words, “I’m determined to think of you based on your actions, Commander.” He stiffens at the use of his title, but you continue. “I know you’re a better pilot than I am, but you need to learn not to look down on people who are a lower rank than you!”

Dameron’s mouth opens...and then shuts without comment. As you continue glaring at him, you realise this is the first time he’s been speechless around you. And it’s now, his body so close he’s nearly pressing you into the wall and what the hell is poking you? You can feel your heart beating quickly and you hope he doesn’t notice it in your neck.

“Well, maybe I do, but you need to learn not to judge others. Not everything’s as simple as it seems!” He’s not shouting anymore, but his voice still feels dangerous.

Whatever. You don’t want to be a part of this anymore. You push roughly past him, hitting his shoulder as you do and mumbling a “Fuck off” under your breath as you finally make your escape.

***

No sooner had you rejected Poe’s apology than you wished you had accepted. It had been an automatic reaction, snapping back at him in your hurt. You’d never been close to Poe, the snub he’d given you when you met preventing you from ever seeing him in a favourable light.

And Poe’s apology was causing an annoying thought to run through your mind. One you had absolutely no business thinking about, and you didn’t know what had brought it about.

But still. What had you missed out on by not being Poe’s friend?

The answer was, of course, absolutely nothing.

Especially now.

It would no longer be enough to bicker like siblings with a rivalry. Regret made you clench your jaw and your heart around Poe Dameron, a physical remainder of the damage you’d done.

This was a new feeling. This was proper anger, real hurt. It was unfamiliar and you weren’t quite sure what to do with it.

You didn’t walk around the base unless you had too now, preferring the isolation of your room to the fear that would shoot through you every time you saw someone with curly hair.

Instead, you found people came to you. Rose was a frequent visitor and you were always happy to see her, even if she didn’t quite understand your reluctance to leave. Members of your squadron came to catch you up on what you missed and after a couple of days you began to think maybe you were being ridiculous. Would it really be so bad if you saw him again?

The decision was taken out of your hands when Kare knocked on your door. She was holding her helmet, with her orange flight suit zipped up. She had a pretty bad case of helmet hair, blonde strands flopping into her face contrasting brilliantly with her brown skin. Dameron stood behind her, determinedly not looking into your room, looking slightly at odds in a normal shirt.

Great. You couldn’t even avoid him by not going anywhere.

“Hi!” she started, pausing, “Are you alright?”

You hum gently at her, tiredness scratching at your eyes, despite the amount of sleeping you’ve been doing. “What’s going on? Where are you off to?”

“I just got back from a recon mission,” she tells you, and sleep is still pulling at you. “General Organa asked me to tell both of you that she wants to see you for a briefing tomorrow.”

You look again at Poe, as he nods stiffly.

“Is that everything?” He’s not even looking at Kare, and you shoot her a questioning glance.

“It’s at 8 in her office,” Kare says, shaking her head, silently telling you not now. You bit back an irrational laugh as Dameron nods again, leaving as fast as he can. “You’ve pissed him off!”

You’ve not managed to shut the door as she says this, and you shush her desperately as the two of you dissolve into giggles. “So it’s true?” Kare’s taken Rose’s usual seat at your desk, spinning round with the soles of her feet scraping on the floor. “You shouted at him?”

You sigh. That.

“I - yes. He did something stupid,” you tell her and she lets out a chuckle.

“When doesn’t he?” And maybe it’s something about her expression, and the contrast with her dry tone, but it makes you laugh again as she continues, “Don’t worry, everyone thinks he deserved it.”

“Really?” you ask, surprised. “They do?”

She nods, “Yeah. You’ll have to work with him on this mission though.” She’s picking up objects on your desk, and haphazardly returning them to the wrong place. You huff a little at the idea but change the topic.

***

Walking into Leia’s office the next day, you immediately rolled your eyes when you saw Dameron pulling a face as he made eye contact with you.

“Ok this stops right now.” Leia’s voice is sharp and to the point as she glares at the two of you. “This is ridiculous. The two of you are on the same side, fighting the same fight and you can’t even be in the same room?”

“With all due respect General, the enemy of my enemy is not my friend,” you say, not looking away from Dameron. He looks better than usual, wearing a black t-shirt that somehow makes his hair look darker, his arms stronger, his face fresher.

Leia huffs, and gestures to the seat next to Dameron which you take ungraciously, as she continues. “Perhaps not, but you are on the same side. I would like to ask for at least civility towards each other.” Dameron’s wearing tac gear, you realise, scanning up and down his body. Knee pads blend into the black of his trousers, which are tucked into a hefty pair of boots. Your eyes keep catching on the smoothness of his jaw and throat, he must have just had a shave. “Shake hands.”

Your mouth drops open, finally looking away. “What?!” Both of you speak at the same time. You look back at him to see him smiling gently at you. You frown, but stick your hand out, breaching the gap.

“Truce?”

You’re acting annoyed, but there’s a thrumming excitement rising again in you. A mission is a mission, even if it means working with someone you don’t really want to.

You ignore the very small part of you that does want to be friends with him.

Dameron’s hand is warm when it grasps yours, strong in his conviction, and there’s something unreadable in face as he replies. “Truce.”

Leia smiles at you when you turn back to face her, and you have to squash down your own, wanting to remain annoyed at Dameron. Clicking a button on her desk, she starts playing a hologram. It’s a video replay of a number of ships - 2 distinctly First Order TIE fighters, and 3 Resistance X-wings. The TIE fighters are moving in a way you’ve never seen before, unprecedented skill allowing them to miss Resistance shots that should have been hits.

Leia allows the video to play a number of times before waving her hand to freeze the image. You can only gape at her, not quite sure what she wants you and Poe to do about it. Dameron’s hands are already twitching in your peripheral vision, like he’s imagining how he would manipulate the controls to achieve the same effect.

“This was supposed to be a simple recon mission, which was not supposed to have any engagement,” Leia starts, “but the First Order showed up, and our pilots decided to shoot first, but couldn’t make a hit. I want the two of you to work out how they managed to do this. And I’ve arranged for the two of you to practice on Greplimin, which is a largely empty planet two parsecs from here.” Sighing, she leaned on the desk, giving Dameron the holo stick. “Can I trust you not to kill each other?”

Dameron leaves as fast as he can, muttering something about finding BB-8, but you hang back, waiting by the door to ask Leia something.

“Why have you asked me?” You still feel too vulnerable when you look at her, and in the back of your mind you wonder if you’ll ever get over this.

Leia only raises an eyebrow, asking you to elaborate.

“I’m not the best pilot.” You start desperately. “I know I’m not. I would never tell him-,” you throw your arm at the door, “-that, but it’s true. I’m not the best person to ask and if you want someone who gets on with Dameron, I don’t - why, why did you choose me?”

Leia sits down and you stand there, feeling weirdly lanky.

“You’re right.” How is she so confident? “You’re not the best pilot. But you have an unconventional way of flying and the First Order didn’t manage to pull that stunt by being conventional.”

“Figure it out, Lieutenant,” she dismisses you, attention already on some papers on her desk.

***

Dameron had begun to make dinner by the time you’d finished setting up the tent. You’d grumbled under your breath as you worked to construct the two camp beds, sure that the Resistance could afford two tents. Outside, Dameron’s quiet conversation with BB-8 was muffled, indistinct words floating to you under the chirping sounds of the birds and insects.

Even in your grumpy mood as you’d flown out, you could appreciate the beauty of Greplimin. Green had stretched out as far as you could see, circling until you’d found a good place to make camp. A large clearing surrounded by trees, a lake not too far of a walk for water, which was now set alight with the glow of the three suns as they began to set.

The food, cooked by Dameron over an open fire, was nice enough, but something had risen to the back of your throat, making it hard to swallow. You don’t talk much, saying the bare minimum in order to resist snapping at Dameron unnecessarily. As much as you don’t want to admit it, Leia is right - you are on the same side of the war. Conversation is stilted and unnatural, so you take the cowards way out, feigning tiredness to escape.

But that doesn’t mean Dameron has any business being as attractive as he is on this mission. It’s as though ever since your argument in the common room, his attractiveness has increased dramatically and you hate it.

By the next morning, a slight stubble had started to grow, darkening his jaw and making your heart beat a little faster as the two of you eat in silence, lit by the glow of the sun rise. Out of annoyance, you told yourself, after all, it’s unprofessional to have stubble. And anyway, who can grow facial hair that fast? From the look of him yesterday, he’d freshly shaved.

And he’d started to look at you differently too. You’re just not sure what the difference is.

The next day is spent flying. Both you and Dameron are a little rusty, having both been grounded for a month now. You have to focus on breathing calmly when you first sit back in the cockpit, the image of Poe near to collapse in the seat behind you sending you back to your last mission. You have to turn around to convince yourself that he’s sat in the other X-wing.

Turning on your comm link, the two of you run through pre-flight checks together, methodical and reassuring, before running through the normal exercises, switching between who is acting as First Order and who is Resistance.

It’s nice. Comforting, even, the familiar routines you could do in your sleep, muscle memory taking over when your brain stumbles.

And even though neither you or Poe say a whole lot, it’s a nice safety net, knowing that there’s someone on the other end of the line. It’s the odd little phrases that he uses, praising you or himself, with the occasional swear word or whoop of delight thrown in. He’s playing music, because of course he is, but you can only catch the odd bar, not enough to recognise any songs.

Not for the first time, you recognise the intimacy of comm’s, how talking directly to the other’s ears feels...more personal, somehow. So you bite back any quick replies you think of, pushing down any breathless laughter at his comments.

You love flying too. There’s nothing quite like the feeling of floating in the sky, taking turns at a ridiculous pace, and feeling adrenaline burn you up on the inside.

The usual exercises end up taking over the whole day, you and Dameron blasting them until they’re perfect. Briefly you wonder if this is what it would be like to be in Black Squadron, perfection expected rather than a nice added bonus. He doesn’t seem surprised though, when you manage them. You frown, you’d expected some kind of taunt about how you’d done better than he’d thought...but the comms were silent to your expectations, just the odd, respectful, “Well done.”

On the third day, you give the First Order’s new moves a go. Neither you nor Dameron are quite brave enough to fully twist the way they did, and you’re not sure what his worry is, but the idea of overheating your engine mid-flight is enough to stop you.

Lunch is spent with the two of you eating together and poring over the video, stopping and starting it at different moments to talk over the best ways to fall out of the spin. Having a goal, a problem to solve makes conversation flow much easier and you’re grateful for it. It’s something else to concentrate on and you can ignore sparks of irritation as he scratches his stubble, the noise swooping low in your chest.

After lunch, Dameron acts as First Order, and it’s a surprise when his voice crackles through the comm links.

“I’m going for it.”

He’s determined, and you know there’s not much you can say to stop him, especially because you’re out here to solve this, but you still yelp out a “What!”

“If I can get enough height I reckon I could do it.” Comes the reply and you can only sigh and watch as Dameron’s ship starts to climb. Switching gears, you start to follow, circling round to imitate how the Resistance would catch up.

Poe starts to twirl as he descends, copying the way the First Order pilots had gained speed and unpredictability, and you struggle to hold your ship steady in his airstream.

He starts to spin faster and faster, cutting his engine and throwing the X-wing to the left. You’re miles behind now, having been unable to reach the same speed and you can only listen to his steady swearing as he struggles to start the engines back up again.

As he reaches closer to the tree line you start shouting. “Deploy! Deploy now!” Desperation laces your voice, “Poe deploy your parachute NOW!”

And he does.

A plume of fabric billows out from the back of his X-wing, slowing him down enough that you can see the exact moment when Poe restarts the engines. It doesn’t last for long though, and all Poe can do is control his landing, skidding through the trees.

You careen after him, bruising your landing and scrambling to get out of the cockpit to go and help clear the door to get Poe out. “Are you alright?” You ask, looking into his eyes to check for signs of a concussion. He was wearing his helmet, but that was a rough landing.

And his eyes are a really pretty shade of brown, swoons a voice inside of you, which you try and squash with a few choice swear words. Now is definitely not the time. There is never a good time for noticing Dameron’s eyes.

Poe seems alright though, accepting your hand of help to jump out. “I never knew you cared, sweetheart” he grins, and then groans. “Could do with some water though.”

So you help him back to your campsite, giving him a glass and sitting next to him in silence. Except, for the second time that day, it’s comfortable.

“The spinning was good,” you offer after a moment.

You’re not looking at him, the water glimmering as a distraction. He only hmphs in return.

“It was!” And are you trying to convince Poe Dameron of all people that he did a good job? You take a quick glance at him out of the corner of your eye.

He’s looking in the same direction as you and you note that the colour has returned to his cheeks again.

“You got good speed up,” you continue, “faster than I could and we just need to figure out how to cool our engines down - especially when we’re in hyperspace.”

“I want to know how they didn’t crash into each other.” You look at him again, his voice thoughtful. “There’s just so little control, once you cut the engine after spinning like that, you’re subject to airflow but they knew where the other would be.”

“Do you think it’s possible they’re better than us?” If you hadn’t watched Poe talk, you’d have thought you hallucinated.

Grinning, you shove your shoulder against his. “Better than you and me? You’re having a laugh.”

“Yeah that’s not it.”

There’s not much to say after that, the occasional huff of laughter bubbling out.

***

You do eventually have to go back to the X-wings, both of which need patching up. The hull of yours is damaged where you hit some trees when landing, while Poe has to start with packing up his chute before even thinking about the wiring and his engines.

Once you’ve done all you can for yours, you clamber into Poe’s cockpit. Thankfully he doesn't notice at first, allowing you a moment to compose yourself. His sleeves are rolled up, exposing his forearms as he grips together some wiring. BB-8 is sat in the pilot's chair, beeping some instructions at him.

Meanwhile there’s a tool sticking out of his mouth, and something about that is insanely sexy, but you clear your throat before your mind can go anywhere. Poe looks up and oh maker this man is going to destroy me.

You scowl at him as you speak, as though scowling can undo your traitorous thoughts. “Do you need a hand?” Poe looks like he’s going to say no, but then something sparks out, hitting his hand, and he drops the wires, mouthing a swear in pain, although he keeps his teeth clenched around the screwdriver.

Oh shit. Oh shit, shit, shitshitshitshit.

You can’t look away from his mouth and you need to reset, to go back to square one, base level, because your heart has stopped in your chest and you know what this means. Instead you whack Poe over the head as you push your way into his space, stepping over the wires on the floor.

“Do you want my help or not?” you ask again, and maker you’re rude. Your parents would be disappointed. But Poe looks surprised that you’re offering again.

His eyes meet yours when he replies, steady and unwavering. “Yeah that would be nice.” The tension gradually dissipates as the two of you work together, rewiring and melding your way through the underneath of the control panel.

You do your best to ignore the touches, telling yourself that it’s inevitable in such a small space as your hands brush together as you lean over him, or how close he is when he peers over your shoulder to instruct you which piece to hold while he adjusts them back to their proper place.

***

Thanks for reading! Reblogs and comments mean the world to me 🥰🥰🥰

Chapter 1<----->Chapter 3

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#poe dameron x reader #poe x reader #Star Wars #poe dameron #fanfic #Star Wars fanfic #poe fanfic #poe dameron fanfic #if I missed any warnings/triggers pls let me know!

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