#it is an odd mistake to keep making

[rikusahoge]

"But be safe. No reckless stunts."

On Sora and Riku's respective recklessness as showcased in the series, and what it means for their relationship

Under readmore because i am going to talk a lot

As an aside: Im going to be pulling from the Japanese text, though I am not a native speaker or really any kind of speaker, so take what I say with a decent amount of scrutiny. I'm more than willing to be corrected on these conclusions!

One line that has stood out to me in kingdom hearts is the repetition of "no reckless stunts!" and similar phrases. If you examine the original text, three slightly different words have been used to mean "reckless", which I'll include below (pulled definitions from Jisho, mostly)

無謀 (mubou): reckless, foolhardy, rash, ill-advised, mad (scheme)

無茶 (mucha): reckless, absurd, unreasonable, ridiculous

無理 (muri): impossible, unreasonable, unjustifiable

Importantly for what i want to talk about is how "muri" is used in situations where a character wants to express that something is impossible (think of a character giving up all hope due to an insermountable obstacle in front of them, they may mutter something like "muri da...") keep a pin in this, it will matter toward the end.

Also note that each of these words starts with "無" (mu), which usually means nothingness or absence of something. The definition of this kanji isnt super important, it's more important that its presence ties these three phrases together in a really unique way as i hope to demonstrate.

what i propose is that both Sora and Riku are depicted as reckless characters, albeit in different ways. The established pattern I've noticed is that Sora: "mucha" & Riku: "muri". I will tentatively refer to "mucha" as "rash" and "muri" as "impossible" (despite that it does also mean other things in some cases! bare with me it'll make sense)

Dialing back a bit, we have seen countless moments of Sora acting rashly. It is one of his key character traits and it tends to get him in trouble. He has a big heart, and is quick to anger.

Sora's response to loved ones and helpless innocents that have been put in harm's way is to repetitively bash things with his keyblade (and ask questions later).

It's Sora's rashness that allows Org 13 to use him to complete kingdom hearts. The extreme end of his rashness is showcased when he stabs himself to release Kairi from his heart.

Tldr. I think it's pretty well established and easy to argue that Sora is one to leap before he looks.

Now, Riku might be a little harder to sell as reckless, because of how well he tends to hide it. He carries himself as a role model for Sora, and tries to be the responsible friend. But if we look at his patterns of behavior, despite how he carries himself, he is quite reckless!

Without thinking of the consequences, he rushes the open door when destiny islands falls to darkness, eventually succumbing to it himself. He lashes out several times at Sora, particularly dangerously when he fires off a dark firaga in Hollow Bastion. He closes the door to darkness with Sora without knowing what would happen to him if he was trapped in the realm of darkness. When Sora is asleep, he sacrifices his form to defeat Roxas, without any assurance that he would ever be able to get his old form back.

We see Riku's recklessness too in the fight against Xemnas. He recklessly throws himself in front of Xemnas twice, hurling Sora away from danger and taking a very nasty blow to the hip. I'd count his dive to save Sora in DDD among these, mostly due to his risk taking behavior when it comes to saving Sora. Finally of course we see it in KH3, with his ultimate sacrifice. (but i think importantly, this scene isn't just recklessness, but I'll explain in a bit)

So tldr. Despite Riku's mask of level headedness and resolve, he has been shown over and over to take massive risks without caring for the consequences. Which is pretty reckless, in my opinion!

Sora and Riku's recklessness, mind you, is also called into question by Yen Sid, who tells Riku the reason he kept Aqua's fate a secret was to keep Riku and Sora from staging a "half-baked attempt at rescue"

He says similar in Japanese, but i want to just note the word he uses when he describes the rescue attempt as reckless (highlighted for ur convenience):

(the highlighted word here is "mubou", it will come back later in an Important way, so keep it in mind)

he's *basically* saying that if Riku, or worse, Sora, knew about Aqua, they would have recklessly marched into the realm of darkness to rescue her. Because he knows they are both ... Like that.

I would be remiss to not mention that Sora's impulsivity and recklessness is something Riku admires! After Yen Sid tells riku not to be rash, and Riku excitedly tells Mickey he's ready to help save Aqua, Kairi observes that Riku has changed, and he's more like Sora. Riku asks if that's a compliment, but I think it's clear that he feels it is. He says it's more Fun to just follow his heart, which is sora-esque. (;_;) This is also something he brings up to Sora when they're on the dark margin together, that he's jealous of how Sora can just follow his heart. It's clear Riku has started to embrace his more impulsive side, to follow his heart like sora does. This is important later!

So now that I have my premise Mostly set up, I'd like to highlight a handful of scenes that I thought were really telling about how Sora and Riku relate to the terms "mucha" and "muri", respectively.

Let's start with Sora and "mucha".

The first instance i have found "mucha" used is in Olympus Colliseum.

lets recall How Herc initially loses his power in KH2, and compare it to the movie.

In KH2, Herc is tricked into leaving the colliseum unguarded by capturing Meg and hiding her in the underworld so that Herc and Sora must go to her rescue. Hades sends a hydra in to destroy the colliseum while Sora and Herc are busy fighting heartless and Pete and rescuing Meg.

Upon seeing the destruction in the colliseum, Herc falls to his knees, and you can visibly see his colors fade to a more ashen complexion, similar to his appearance without his powers in the movie. He calls himself a piece of shit basically and Meg helps him up to limp to safety, leaving Sora to defeat the Hydra (ahem sora helping riku walk in twtnw after xemnas fight anyone)

(Herc even has a second journal entry for his Desaturared form.)

You leave the world after defeating the hydra and jumping up on its back a few times, and after sora d & g are named true heros. Yay. But Herc doesn't have his power back yet, which will later be addressed in the second episode.

Herc's loss of power is much different from the movie. In the movie, he agrees to let Hades take his strength for a day in order to keep Meg from harm, and release her from the contract she had entered with Hades (iirc). This was all so Herc wouldn't get the chance to save Olympus from the titans that Hades revives in order to take Zeus' throne for himself.

Herc still tries to wonderboy his way into rescuing the town, and fights a giant cyclops. While he lacks physical strength and gets pretty much Pummeled, he ends up beating the cyclops with his wit - but in doing so, a pillar is knocked over. It is about to crush Herc, but Meg pushes him out of the way, and is crushed to death.

She gives her life to save him, which in turn returns strength to Herc, because the contract was only good if Meg remained unharmed.

What I'm mostly trying to say here on this tangent is Herc's loss of power in KH2 specifically is very reminiscent of Sora losing his keyblade in Hollow Bastion, which is later echoed in the keyblade graveyard when he feels he loses his strength to fight after losing his friends. I bring up the movie to show how bizarrely different it is from the Kh2 plot, perhaps precisely to make the parallel between Sora and Herc stronger (and the parallel between Herc and Riku, by the way - Herc falling to his knees, losing his power, and giving up, only for Meg to walk him to safety, is a parallel to Riku losing his will to fight and press on after the battle with Xemnas - Sora refuses to let him and in the same Exact way he helps Riku walk on)

So Hercules, when faced with the impossible wavers, and loses his strength and will to fight. This is important so keep it in mind. Impossible/Muri isn't stated here as far as i know, but it's important that he is feeling utterly defeated and unable to win.

The second visit to the world is when we first see the term "mucha"/reckless used as far as I was able to find. Hades casts Meg into the Soul Hole and Herc dives in to save her without hesitating (mechanically to write Herc out of the boss fight, but)

We later see Herc emerge with Meg, his godly aura restored (he is Radiant!) something that *should* have killed him. and should have been impossible. But his desire to save her was so great, he recklessly dives in, without knowing that he will succeed. Luckily, all he had to do to prove he was worthy of godhood and power in both the game and the movie was to use the strength of his Heart rather than his fists, as a true hero does:

Sora scolds him and tells him not to do anymore crazy stunts after this reckless dive to save Meg (screenshot makes it look like herc is saying it sorry lol) and that is where we can see the term "mucha" being used in Japanese:

instead of crazy stunts, Sora moreso says "but don't be reckless (mucha)":

to which herc responds:

"people always do stupid things when they're in love" (note he doesn't repeat reckless, he says "baka" lol)

so here we have a direct link between herc's sacrifice when he dove in to save Meg, the restoration of his power/Godhood, and acting recklessly (mucha), without Fear or Doubt, to save someone he is In Love With. put a pin in this because it's all connected.

Now moving onto KH2.9 and KH3. From the start of the game we are told Sora has lost the Power of Waking, and his Entire goal in the game is to regain it, wake Ventus, and prepare for the battle in the KBG with Xehanort.

The Power of Waking is already a very vague, disney-esque power, essentially the power to free sleeping hearts from slumber (and first introduced to us in DDD, particularly in terms of Riku waking Sora up in a sleeping beauty retelling but I'm getting ahead of myself)

Yen Sid suggests that Sora go to Olympus for clues to regain his power, as Just Like Sora, Hercules also lost his power, but was able to regain it.

It's pretty straightforward, but in the interest of not making this post a fucking novel ill try to keep it short. Herc tells Sora he's not sure just *how* he got his powers back, just that he wanted to save Meg with all his heart when he (recklessly) dove in to save her. The game is trying to tell Sora that it's the Power of Love that brought back Herc's strength, and that Love will be key in bringing Sora's PoW back, too.

Specifically, I think that Herc's story and the other worlds Sora visits are saying that it's True Love that will bring Sora's powers back. Acts of true love in KH3 are framed as courageous, selfless, and performed unconditionally.

Despite the visit to see Hercules, Sora still doesn't gain the PoW. He has an idea of what he needs to regain it, but he has to visit multiple Disney worlds to learn more about the power of true love and sacrifice (well also separation but thats not as important to this post) before he's ready to test it out for himself.

After Arendelle (i think) we get to another important cutscene where Riku, Sora, donald, goofy, & mickey meet up with Yen Sid to discuss the progress they've made on their respective journeys. Sora wants to go to the Realm of Darkness with Riku & Mickey because he's worried, but they Won't let him because he doesn't have the PoW. Riku does the fondest laugh known to man, eliciting a bit of anger from Sora, but explains it's because of what Yen Sid had told him earlier - that had Sora or Riku known about Aqua being trapped in the RoD, they would have recklessly gone in to save her.

he's pretty much directly quoting yen sid here, just like he does in English (saying half-baked instead of reckless too). So basically saying here Sora would have marched into (the dark world) recklessly (had he known where Aqua was) - again using "mubou" like master yen sid.

Interestingly, when we get to Sora telling Riku to not be reckless in the dark world to Riku, he's not repeating the same word for Reckless that Riku is using (Now this might be just a flow of the conversation thing, which i certainly cant confirm as a non-native speaker but i think it's still notable)

Sora says something similar to what is said in English; with a few distinctions. A rough translation would be "but don't overdo it, call me if anything happens" (need I gripe one more time that english localization cuts out sora telling Riku to call him; which is why he spends the rest of the time apart from Riku wanting a call, and why its so unhinged that Riku triangles for sora and basically summons him. I DIGRESS)

This line is translated as "but be safe, no reckless stunts" in English, which serves as a callback to what Sora tells to Hercules in KH2, (further solidifying a herc/riku parallel) but IMPORTANTLY, Sora is NOT even saying the same thing he said to Hercules in the Japanese script. He's saying something else - 無理しないで (muri shinai de), which is usually translated as don't overdo it - but literally means "don't do the impossible". This will be important later when I talk more about Riku so keep this in mind.

We immediately get Donald saying "Sora's the reckless (muri) one" (abbreviating for simplicity) but Jiminy disagrees. In English he says "He's not reckless, he just doesn't think!" but in Japanese he says this:

Which i know im going to butcher any translation I do, but Jiminy is basically saying "[Sora's] not muri he's mucha". That distinction is important enough for Jiminy to make a joke about it. That Riku might actually be the one who is overdoing it/trying to do the impossible (muri), while Sora is the one who runs headfirst into danger recklessly (mucha). Which, i think, is quite fitting, given the actions theyve done through the series.

Importantly we get one more instance of "mucha" which I think really ties Sora's trait "recklessness" together nicely, and puts into perspective what the repetition of these phrases is doing from a story telling perspective.

After Sora finishes up the remaining Disney world visits, S, D, & G find out that Chip & Dale have lost contact with Riku & Mickey. Sora is very upset at this, and is Determined to save them (Riku) (with all his heart). Sora has NOT GAINED THE POW at this point, and they don't know how to even get into the RoD, so Sora opts to "let his heart be his guiding key" to find his way to Riku and the RoD. (Recklessly I might add, he hasn't called or talked to Yen Sid or consulted anyone about it lol)

He arrives at Destiny Islands and mysteriously finds Master's Defender which happens to be the key to getting him into the RoD. Right? Well. We know from the glossary that the established method of reaching the RoD is with a keyblade of darkness, through dark corridors, or with the Power of Waking.

Others have argued this (see SRT) but it's heavily implied that Sora regained the PoW on his way to rescue Riku. That he used it explicitly to get into the RoD is where people tend to be a little caught up in the details, because it *does* seem like Master's Defender plays a role, which begs the questions - is it a keyblade of darkness? What the fuck was it doing there? etc. (literally saw on a kh wiki that sora got into the RoD because Masters defender was a keyblade of darkness, which is unconfirmed currently lol) It's also not traditionally what the PoW looks like. There's a huge door that appears, Sora isn't using the kingdom key, he doesn't burst out of Riku's chest. Etc.

HOWEVER. I think with the context of the narrative arc Sora is going through, the foreshadowing present in the game, and The Reckless Rescue angle can at least prove that he DID regain his power here, regardless of whether or not he explicitly used it to get into the RoD. I'll try to briefly summarize the points I've seen made before I add my own.

After the visit to Olympus, Sora explains to Yen sid that he didn't regain his power but he still learned a lot. Yen sid stresses again that sora needs the PoW, Sora gets pouty, and Goofy cheers him up by saying "maybe something will trigger it real soon". Shortly after a bit of banter, there is a knock at the door, and Riku and Mickey walk in. The camera kmakes a point to show Mickey off to the side, then pan up to Riku as he walks in to close the door, who is centered in the view (almost as if we are watching from Sora's POV, who is anticipating Riku's appearance in the door).

Putting this side by side is a little unfair, since it's not an immediate jump from Goofy saying this to Riku's entrance, but it's pretty in your face about just what (or who) might be key to reawakening sora's PoW.

We also get some heavy handed foreshadowing in the next visit to Yen Sid's tower, right before Sora tells Riku to not overdo it:

Yeah. and he does, importantly, get the power of waking, not BEFORE he comes to the rescue, but BECAUSE he comes to the rescue.

Now for my contribution since I stole the last two/three points from other posts. Just before Sora enters the RoD, he tells D & G to stay behind and that he has to go alone. (Sigh, yes, this scene is a parallel to Riku using the PoW to save Sora in DDD - it *has* to be him, and him alone) D& G protest, but eventually relent. But Donald doesn't let Sora go without saying this:

(In English, Donald says "you promise to be good?" inexplicably) but in Japanese he tells sora (basically) "Don't be reckless" - aka. No Reckless Stunts, complete with the use of "mucha" (recall Donald in the previous scene was the one to call Sora "muri" before being corrected by Jiminy). This is similar to what Sora tells to herc, so we are pretty much full circle on this scene being a callback to Herc rescuing Meg in KH2.

Like Herc, Sora does the reckless thing. Like Herc, he heroically dives into the abyss to rescue his loved one with all his heart.

Like Herc, Sora regains his power the moment he resolves to rescue Riku, even if it is not made explicitly clear to Sora OR the audience (perhaps the fact that he regained the PoW is why he is able to save aqua, too)

I could probably go on about this and what it means for Sora for a long time, but I think it's high time I actually wrote about "muri" and Riku's recklessness, so let's rewind a little.

I've already brought up how Riku relates to Herc in terms of his recklessness and heroics, but theres a few more things to add. of course. I'll recap with pictures of one of the parallels i've already discussed:

So here i think at least metaphorically, we can argue that Riku has lost a bit of his "power"- or rather, his drive. After everything is over, he just collapses, ready to die or be left behind. Sora WONT let that happen. So Riku asks Sora to lead. He confesses to some of the jealousy and superiority he'd been feeling over Sora for the past few years, and seems to be trying to find a new direction in his life, having now repented Quite a bit for the sins he committed in KH1.

Riku's entire purpose for fighting after KH CoM and KH2 was to wake Sora up, keep him safe while he does his keyblade weilder duties, reunite him with Kairi, and send him on his merry way. Sora refuses to let him leave, and demands that he comes home with him. So he does. but without his jealousy over his feelings toward Sora, or without his feelings of guilt and feeling he needs to make it up to Sora, what is left to drive him to keep fighting?

DDD gives him a pretty strong answer - it's where he both rediscovers his sense of purpose and gains the Power of Waking in the process. And his dream eater powers too. btw

Riku's journey in DDD is, simply put, not really about passing the mark of mastery exam and becoming a keyblade master. it's about remembering What he lives for. remembering his promise to Terra, and how those feelings have evolved - from wanting strength to protect the Stuff that matters as a child, to, in DDD, discovering that the "stuff that matters, like his friends" was Sora the Whole time, and that Sora is actually a "precious best friend" that he wants to protect. It's About recovering his strength, like Herc needs to do in KH2.

So how does Riku regain his "strength"? By Sora-style taking a reckless dive into the deep abyss of Sora's heart to wake him using the PoW.

(Not once was I able to find any mention of "recklessness" here, or any particular language that ties this moment together cleanly with what happens in Olympus Colliseum in KH2, but the repetition of diving down into an abyss to rescue someone (with all your heart. etc) is Enough of a parallel to make the connection between this scene and Herc's dive to save Meg)

It is within the deepest depth of Sora's heart where Riku is interrogated by three pieces of Sora's heart about what he's afraid of, what he cares about more than anything else, and what he wishes - All canon answers involve the mention of "precious" - "taisetsu" (sorry im not explaining this one im going to just assume you know what im talking about if you are a soriku that reads meta you should know.) - to lose something precious, my precious best friend (fuck da english localization for this one), to recover something precious that I lost. It is here that we see Riku's simple "protecting important stuff" become "protecting something precious/my precious best friend" (note that this hasn't quite become "taisetsu na hito"/precious person but hes getting there)

Ansem the wise is there i guess and he tells Riku that his 3 answers are what were the key to waking sora up, and I think, importantly, are what give Riku his "strength" back. He has rediscovered his purpose, which is, to him, protecting Sora (with all his heart)

Continuing into KH2.9 we have another couple scenes that will both complete Riku's development from protecting stuff that matters to protecting a precious person and also continue to make a strong connection between him and Hercules.

It's been pretty well established that these two scenes are deceptively mistranslated, but i'll go over it again

Herc here is saying "taisetsu na hito" which is translated to "person I love most"

The EXACT phrase Mickey uses to tell Riku why he's feeling more powerful and fearless in the RoD, in the literal next scene in 2.9. They were supposed to be VERY CLEAR hit you over the head parallels but, well. SENA said fuck gay people i guess.

Riku repeats what Mickey says into his hand ("strength to protect my precious person") and recalls his promise to Terra, to protect the things that matter. (again it's implied it's always been about protecting sora, he just didn't have the language or understanding of himself yet to know how to say it)

There is absolutely no room for nuance here. This is explicitly framing Riku's feelings for Sora on par with Herc's feelings for Meg eg. explicitly romantic. And that it's his ROMANTIC LOVE for Sora that is what gives him his strength - not just to protect Sora, but also to do THE IMPOSSIBLE

phase ??? of my argument will now commence hang on to your butts. (i wrote this all in one night im tired)

Now that ive Exhaustively set that up. lets actually get back into discussing what I initially set up - riku doing the impossible "muri" thing.

As a reminder, Sora tells Riku to not "attempt the impossible/overdo it" in the RoD. And to call him if he needs him.

So Riku, instead of attempting the impossible in the RoD by facing the demon tide, does call Sora, which ends up being what saves the day! Yay!

I have bad news though! Riku is terrible at listening to advice when Sora is in trouble.

Now recall what I mentioned earlier about the fall of the guardians in the KBG and Sora's subsequent breakdown being a parallel to Herc losing his power in KH2. Sora *fails* everyone here, and he explicitly states he is worthless, without strength, when he loses them. It's very in line with Herc losing his powers in KH2.

(just putting these in here to hurt you and myself)

So, we get the Herc parallel, but it stops here for Sora. He doesn't do some grand self sacrifice for Riku to prove his heroism and regain his "power", but i think theres a reason for that beyond it just being Riku's time for the spotlight but I am getting there.

In the english localization, Sora says "we've lost, it's over". It's a subtle change from the Japanese, where instead of "it's over", Sora simply utters "muri da--" ("its impossible") (in the wettest saddest voice you can imagine)

It's at this moment where I do truly think we're meant to make the connection between Sora saying "its impossible" and Sora telling Riku to not attempt the impossible. It fits in nicely with Sora telling Herc to not do reckless stunts, with the slight change in language from "reckless" to "impossible", and with the impending self sacrifice. Riku knows that beating back the demon tide is impossible. But he does it anyway (compare to how, when faced with a much smaller demon tide, and he was losing, he listened to Sora's advice and called Sora for help instead of attempting the impossible)

So we have Riku's ultimate true love sacrifice for Sora, which both takes his life and grants him a spot upon an alter in Olympus, perhaps symbolically giving him some sort of ascension for his heroic deed. And again tying his sacrifice intimately to Herc's.

Because Sora and Riku are both "herc" and "meg" here I am going to make a little bit of a reach. Recall that I went through the effort of recapping the climax of the hercules movie. for no reason. There is a connection though even if it's loose, and i would kick myself for not including it.

In the movie, Meg, like Riku, protects a powerless Hercules from impending danger in her own act of true loves sacrifice. Her death gives Hercules his strength back (partly due to contract BS but it's still a romantic moment). And her death is what drives Hercules to dive into the Soul Hole to rescue her soul at a potentially great cost, which is what ultimately restores his godhood (showing his strength of heart). Riku sacrificing himself for Sora can be seen to be more like the events of the Hercules movie, Riku standing in for Meg - Sora does have to restore Riku's heart after it's been taken by the Lich, after all, much like Hercules brings Meg's soul out from the Hole. And Riku's sacrifice is what gives Sora the resolve to keep fighting. (not arguing with anyone who thinks it was only kairi because it wasnt lol)

So Riku attempts the impossible here, and ultimately he is rewarded. An interesting nuance is that the phrase "attempting the impossible" isn't meant to be taken as a challenge. From what ive read from native speakers, the phrase Sora uses really is better translated as "don't overdo it" as it is less about proving yourself to be able to overcome crazy obstacles and more about keeping your expectations in check. But Riku is reckless, and following his heart, which he learned from Sora.

I hope I've properly illustrated how Sora and Riku are both painted as reckless in different ways, and how the language used in KH3 is making direct references to Herc's reckless heroics in KH2 and in the actual Disney movie. And how these reckless acts are showcasing how much these two love each other, because I still have one more point to make. Namely, how this ties into Cinderella, and ultimately KH4.

In Terra's route of Birth By Sleep, he happens upon a distraught Cinderella, who has had her dress torn up by her step sisters. She was planning to go to the ball, but cannot, because it is "impossible" (muri)

Terra tries to console her. It's all very reminiscent of the scenes of Herc's, Sora's, and Riku's defeats.

After Terra fights off the unversed summoned by Cinderella's negativity (toxic much..), Out of the blue, the fairy godmother appears and makes everything better. She fixes up Cinderella with a dress and a ride to the ball, and sends her on her merry way.

She explains to Terra that she appeared to Cinderella to show her that her dreams *can* come true and that she typically appears only to people that have a strong belief in their dreams. Terra says he believes in dreams but you have to work for them, to which FGM responds that simply believing in dreams is already a difficult thing on its own. (Ventus also compares Terra to Cinderella. btw. because of his strong dreams)

Now. Sigh. Im not the only person that has pointed this out. The FGM quite literally appears to Riku, but only after a year has passed and they have no leads on Sora, and after it's implied that Riku is starting to lose hope.

In the limit cut, you can see Riku's sad wet puppy dog face as he talks about how hard everyone is working, and how they haven't found anything at all. He says "if Sora is really out there, don't you think we would have found something by now?" - Again, he's losing faith in his dreams of Sora's return. This is important.

I do not have the strength to go through and find all the times Riku told everyone to believe in Sora in KH3. It's a lot. And the last thing we hear him say Near Sora, is to let him go on his suicide mission to save Kairi - to BELIEVE in Sora (#wish).

So one, we know the dream Riku believes in is Sora, and two, we know he is starting to lose his belief in his dreams, like Cinderella before the ball, when he dress is destroyed.

Right after it's clear their is no lead through the data from Org 13, FGM appears, just like she did for Cinderella. And she tells Riku that His Dreams Are Literally A Key To Find Sora (that hes quite literally been #dream drop distancing into sora's dreams while hes in unreality is already so much without the FGM being there to explain this to him but KH is crazy!)

One last thing to really drive this home. The FGM brings Riku and Kairi to the nameless star to bring the three keys together.

And what does she tell Riku, before he leaves?

"Be careful. Do not attempt to do the impossible."

---------

if you read this whole thing... well... im proud of you. I know i definitely missed stuff, because it would be so hard to go through all the games and really dig for the use of this term especially when I dont speak japanese at all. and because i wrote this all in one night. But dont hesitate to comment or reblog if you have anything to add. I freaking love kingdom hearts

[mapsofnonexistentplaces]

deliberating on making a cleaned up + annotated version of the deloused storybook, would anyone be interested in that?

[averlym]

May I req soft parrlyn please

thank you for the req, here they are <3

[o-wyrmlight]

Hello. Me again.

I wanna do a bunch of comics as I replay the games so I won't answer everything XD but to answer a basic question;

You can play as a male or female Shepard, but Bioware intended the main character to be female. But because video games they were afraid dudebros wouldn't want to play a female lead so they just gave you a choice. Both are called "Shepard" because it's the last name. (Femshep's first name is Jane).

There is also character creation. So you can create a Shepard OC. but Shepard is one of the weirdest main characters I've ever seen, because as the years have gone on... instead of people leaning more into the self insert style of mass Effect, default Jane Shepard has become more and more popular. So these days most art and fanfic will write her as a default instead of a player/reader insert. it's fucking wild!

Also I am still in ME1 so she's still in uniform, but uh... that doesn't last.

........also yes I own the hoodie....

As for everything else... I selfishly don't want to spoil?? Even tho you can literally google it?? 😂 Because I wanna draw it because who boy.... do my babies have a storm coming....

I see! That is super cool, though--I like that female Shepard was intended to be the more canonical between the selectable characters. I wasn't 100% sure about it because I do remember seeing a mention or two about an option between male and female, but I've really only ever seen concept of female Shepard.

And I also think that it's super neat that Shepard's default is so popular! It's sort of a double-reverse of what you'd expect, and people are so baller for that, to be honest.

It sort of reminds me of how--when I play a Legend of Zelda game--I'll usually default to the names I can chose as being the canonical names. Link as Link, Epona as Epona, etc... same with the Pokemon games.

I think part of the reason for that might also be due to consistency. It seems like Mass Effect is a chronological series that takes place over the course of a period of time that features the same characters, so it'd make sense for the main character to remain the same over time.

You look at game series like Fallout, customization is much easier to get a hold of because each game (if I'm correct) features a new main character. It allows for more customization of the experience to fit around the character, but since Mass Effect is in that chronological story that follows the same or a similar cast, it's easier to have an agreed-upon default than it is to have a thousand or so different Shepherds, especially since they all end up sharing the same name (which takes away a part of that customization process).

It could also be that, as Shepard is the name given to the character, it feels ingenuine to a lot of people to have them deviate from their default--as if it's changing their identity. Already having the name implies that the character doesn't exist in a vacuum--they already existed before in the context of the game.

I! Am! Rambling! But I do find it super interesting to think about this!

[katyspersonal]

Yeeeep. Basically, my katyahina main disappeared, because Tumblr has the glitch where it falsely flags blogs as bots and so they cannot send DMs, their notes/asks aren’t visible for other users, and their posts do not show up in any tag or search. It doesn’t even depend on THE blog - someone can post wild shit violating terms of use and get reported and they’re still good, meanwhile another user can get shadowbanned for like, having a cute D3ltarune ask blog or something.

I guess I will just use the wait time to draw something else, but it has been a problem for a week, I sent staff 2 emails by now, and still nothing got fixed. I decided I will give it until April and if my blog is still shadowbanned - I will have to create a new one and repost all my art and theories in it. Naturally it won’t return the notes previous posts had, but it is about ‘existing’, not about notes.

[kalicocoa]

Hey so to the people who keep going through all of my Proseka memes and then following me?

Hi there! I’m Calico, nice to meet you! Uhh, I don’t make those anymore? So if you followed for them I’m just warning you: You will not see new ones LOL Hope this helps.

[29121996]

.

[insanechayne]

~ ~ ~

[tojisun]

!! fem reader; soft and tender sex :((

simon and the way he worships you — how he trails kisses from your shins to your knees; then nuzzling the inside of your thighs, leaving shallow bites that make your breath hitch, before dimpling the meat of your hips with his hands.

simon and the way he adores you — slow caresses of his fingers on your hardened clit, his thumb gentle against the sensitive nub, before slipping two of his lubed fingers inside your slicked pussy.

he breathes in sharply just as you gasp at the stretch, his eyes alight with his own desire, and greedy as they take in the image that you make: whimpering and squirming, your hands fisting the sheets as your head thrashes from where it lies on simon’s lap. your legs squeeze close at every dizzying slide but simon is quick to prop them open with his free hand, his palm pushing down at the fat of your thigh with a gentle beckoning.

“you feel good, sweetheart?” he asks, his voice so soft it’s almost devoured by your mewls.

“yes,” you hiccup, blinking your eyes open to meet his. it is awkward as you’re seeing him upside-down but you do not mistake the tenderness in the way simon’s gazing at you.

simon’s looking at you like you are the loveliest thing that ever happened to him and you feel it in his touch; in the way he crooks his fingers when you softly begged, “there, please? s’good there, si.”

his lips wobble and you really, really want to kiss him. and so you ask him just that, your hands loosening their hold on the quilt to caress his bulk—the soft pads of your fingertips tracing the lines of simon’s nerves as they map up his arms. he is so big, his arms are so long, that you couldn’t fully touch them all, but that is alright because simon’s already bowing down to meet your lips.

the kiss feels odd as his lips slot against your own in an opposite angle, still, you tremble at the gentleness of it all.

he sucks on your lower lip and you lick into his mouth, bumping against his tongue. the first touch makes you moan at the same time that simon’s fingers begin fucking you again, and you squeal, your back lifting up from the bed only to be pressed down again by simon’s weight.

he pops off from kissing you with a chuckle. “shh, sweet girl,” he murmurs. “i’ve got you.”

simon and the way he reveres you — how he clings to you just as tight when you tell him you’re cumming.

“so good f’r me,” simon gasps out. “so beautiful. so perfect — look at me, sweet one. look at me- ah,” his eyes crinkle when he smiles. “there she is, my beloved.”

it’s that which pushes you to your orgasm, your heels digging into simon’s back as your head drops into the pillows with a cry. simon follows, folding his body against yours to trace kisses on the column of your throat and you keep cumming, gushing at the intensity of it all.

so good! so good!

[snowballseal]

Hi! I really adore your writing. You have really caught each guys essences.

If your requests are open, I was thinking of something like how each guy would carry you and in what type of scenario. I thought Zayne would do bridal style and Sylus over the shoulder, but if you see it differently, feel free to do it as you see fit 😊

How they would carry you (LaDS)

Note: This was such a cute request!! I had fun writing it, though I definitely rewrote Rafayel's like three times cause I couldn't make up my mind on the scenario. I went with a different idea for Zayne, but I think you'll like it ;)

I really hope you enjoy this! And I hope I wrote them all well. Thank you for the request.

Also, I'm incredibly sleep-deprived, so I apologize for any mistakes/inconsistencies.

---

Sylus *over the shoulder*

“My feet hurt,” you grumble.

“Perhaps you shouldn’t have worn such cheap shoes,” Sylus hums, voice bordering on between teasing and mocking.

You shoot the man a glare. He gives you a smug smile in return, arms crossing over his chest.

Of course he’s right. But you can’t admit that, not after you made such a fuss about ignoring his warning before the night began. You had been stubborn, maybe a little too stubborn. The restaurant you were going to was just so nice, how could you not wear heels? You wanted to look nice for your date, and they paired so well with your dark cocktail dress. Of course you’d forgotten about how much they hate your feet.

Every step feels like a bunch of nails digging into your feet. Why did you park so far away? Oh right, because you thought the night was so nice, you wanted to take a little walk before dinner…Not your best idea in retrospect.

Another step makes you wince.

Sylus suddenly stops. This forces you to pause as well, your arm curled around his elbow as you walk. You glance at him questioningly, trying to hide the pain, not wanting to bother him further by complaining. Or endure more of his teasing.

But his gaze burns over you intensely. You shift a little, heat climbing up your cheeks, but putting your weight on your other foot only makes that prickling pain shoot up your leg, and you can’t stop your lips from twisting into a light grimace.

For a brief moment, Sylus’ face softens. He lets out a sigh before removing his jacket. Your brow furrows as he slips it around your waist, the warmth of the fabric covering your bare legs.

“Sylus?”

“I’m not so cruel as to make a woman suffer, kitten,” he hums, securing the coat by tying the sleeves. He then leans up to your face, lips quirking up into a smirk. “Especially when she got all dolled up and pretty just for me.”

Before you can blush even darker, you’re suddenly being thrown over his broad shoulder. You let out an undignified squeak, instinctively squirming to try and get out of his grip. You kick your legs, hands scrambling against his back.

“Sylus!”

“Careful, kitten, otherwise I might drop you,” Sylus warns, voice dancing with amusement. His hand slips below the hem of his jacket to curl over the back of your thighs, locking them to his chest. You freeze, heart fluttering wildly. 

What a brute.

Though, there’s really nothing you can do to escape this man. Not that you really want to.

“Sylus, seriously, this isn’t funny,” you still whine, trying to keep face.

“Would you rather walk barefoot?”

Your nose scrunches at the thought. While you are in a nicer part of the city, it still sounds gross. You guess this is the lesser of two evils. Letting out a defeated sigh, you prop your elbows against his back to try to get comfortable. Also trying to ignore how defined his muscles feel against you.

Sylus hums approvingly, “There you go, kitten. Just relax.” 

His hand tenderly squeezes your thigh and you’re actually thankful he can’t see just how red your face is. Probably as red as the wine you had with dinner.

It’s definitely embarrassing. Especially when you pass by a few people, catching their odd stares. But it’s hard to care when Sylus starts massaging your legs, his touch overwhelmingly gentle in contrast to his previous actions. His thumb presses firm circles into your ankle, drawing a breathy sigh from you.

“Feel better, sweetie?” He murmurs, and you can feel his voice rumble through your body.

“Definitely helps,” you breathe, “Though you could have just carried me in a more comfortable way, Sy.”

“Now, where’s the fun in that?”

“This isn’t fun for me,” you grumble petulantly.

Sylus shifts, suddenly putting you down. You blink in surprise when you find yourself sitting on the hood of a familiar car, your lover leaning over you. His fingers trace your leg, grazing up your arm, until he can cup your cheek, bringing your faces so close that you can feel the warmth of his breath against your lips.

“And how can I make it up to you, my dear?” He purrs lowly, lips grazing yours teasingly.

“Well-” Letting out a shaky breath, you reach up and slip your arms around his neck. A blush still coats your cheeks, but you give him your best innocent look, pouting your lips as you mess with the silver strands at the nape of his neck. “I think a full massage at home might make up for the discomfort. The last one you gave me was pretty nice.”

Sylus quirks a brow in amusement, “Is that all?”

“Nope. I also want you to watch a sappy romcom with me. Then I’ll forgive your brutish ways.”

That breaks the intense air between you. Sylus chuckles, the sound deep and fond, making you smile. He leans down to press a chaste kiss to your lips.

“I accept your terms, kitten.”

“Good. Now chop chop, mister! Let’s get home!”

---

Zayne *koala style*

“Darling.”

Your eyes flicker open, eyelids heavy. Letting out a sleepy hum, you drag your blurry gaze to meet a pair of warm, hazel eyes. Zayne kneels beside the car, thumb brushing tenderly over your cheek to keep you from falling back asleep. You lean into his touch with a content sound, making him smile.

“We’ve arrived home,” he murmurs, voice quiet, “Would you like me to carry you inside?”

You nod, head still fuzzy with sleep. All you can really focus on is that you don’t want his touch to go away. It feels so nice.

“Alright. Can you wrap your arms around my neck for me, darling?”

You reach out blearily, your fingers blindly finding their way into the soft strands of hair at his nape. Zayne carefully turns you until your legs dangle out of the car, giving him a better angle to slip an arm under you. He picks you up like you weigh nothing, drawing you flush against his chest.

You instinctively wrap your legs around his waist, letting out another happy hum as he readjusts you so you can tuck your face into his neck. One of his hands stays secured under you, the other sliding up to hold the back of your neck tenderly.

It’s almost impossible to not fall back asleep like this. Surrounded by his warmth, his fingers massaging your neck so lovingly, the gentle sway of his body as he walks. Your eyes flicker closed again as you nuzzle deeper into your lover.

You love when Zayne holds you like this. Not that bridal style isn’t nice, but this is just so much closer, so much easier for you to wrap yourself around him. Plus you like the feeling of his fingers gripping your thighs, reminding you of just how strong the doctor is. It just makes you feel…safe.

“Wish you’d carry me like this more,” you mumble thoughtlessly into his neck.

“Is that so?” Zayne hums, a small smile curling his lips.

“Mhm.” 

You press a sluggish kiss to his collarbone to show just how much you like it. Zayne’s steps falter imperceptibly. But you notice, a bubbly giggle escaping you.

“Don’t trip, Doctor Zayne,” you tease sleepily.

He pinches your thigh in warning. “Perhaps a certain hunter shouldn’t be so distracting.”

You squeak, pulling yourself further up by his shoulders. Zayne chuckles, palm smoothing over the spot, though he didn’t actually pinch you that hard. Still. You draw back a little to pout at him.

“So mean, Doctor Zayne. What if I bruise?”

“My apologies, darling,” he murmurs, not at all apologetic. You hold your pout, only weakening when he tilts his face up to brush your noses together. “I’ll be sure to treat it once we get inside. A kiss should do, hm?”

God, he’s so perfect. You’re not sure your heart can take it. The warmth behind his eyes, the small, rare show of affection. It leaves a lingering heat under your skin that turns your cheeks rosy pink, and you duck your face back into his shoulder to hide your blush.

“So, so mean,” you grumble.

A fond smile graces Zayne’s lips. If he’s being honest, he likes carrying you like this. He likes how you feel in his arms, your weight, your warmth, the rise and fall of your chest against his. It’s not often you let him take care of you without complaint, so he takes full advantage of when you do. It helps calm whatever deep-seated need he has to look after you.

The fact that you’re so easy to fluster is a mere bonus.

You settle back into a comfortable silence, barely paying attention as Zayne navigates through your apartment complex. You only notice when he shifts his arm further under you so he can fish his keys from his back pocket and unlock your shared apartment.

He doesn’t bother to turn on any lights as he carries you through your home, straight to your room. You grumble as he bends down to set you on the edge of the bed, your fingers tightening around his neck when he starts to draw back.

“Don’t go,” you plead softly.

“Wouldn’t you rather be in more comfortable clothes, sweetheart?”

“‘m already comfy,” you assure him, leaning against his chest, “Just take your pants off and cuddle with me.”

“What a bold patient I have,” he teases, though his voice dips into a low timber that makes you shiver.

“Get your mind out of the gutter, doctor,” you whisper, a little bashful, cheeks going warm again. “Just don’t want you to stop holding me.”

Zayne softens. His fingers trace along your heated cheek, drawing you back just enough so he can lean down and capture your lips in a lingering kiss. You press into him immediately, a delighted sigh passing your lips when he settles onto the bed beside you. When the kiss ends, you tuck yourself back into his side, content once again now that you get your way. A drawn-out yawn escapes you, and Zayne curls his arms around your waist, guiding you so your head can rest against his chest.

“Sleep now, I won’t go anywhere,” he promises softly into your hair.

“Mmm, love you, Zayne.”

“I love you too, my snowflake.

---

Rafayel *bridal style*

“Oh, “ you chirp, cool air washing over you as you step out of the venue, “it’s raining.”

The two of you were attending the opening night of Rafayel’s new exhibit. You’re surprised you didn’t even hear the rain, considering the streets look about flooded already. Puddles collect along the sidewalk, a small river running along the edge of the road. Paired with the rapidly setting sun, it leaves a chill in the air that makes you shiver slightly.

“I like it,” Rafayel hums and drapes an arm around your shoulders, drawing you into his side. You glance at him, biting back a smile when he playfully avoids your gaze, as if trying to keep your warm might hurt his “cool” factor. “The smell of the ocean is stronger when it rains, don’t you think? And the puddles look like tide pools.”

“They certainly do,” you giggle, “though neither of us are really prepared for the rain. Should we call a cab? I’d hate to ruin these shoes since you just got them for me.”

You look down at the kitten heels you’d worn for the event. They’re so cute, a soft baby blue color, decorated with little pearls. You remember pointing them out to Rafayel on one of your walks down the pier. They were just so pretty, and reminded you so much of him in a way, but the price was out of your range. Not that it deterred Rafayel, of course, who secretly went back the next day to get them for you.

A pair of shoes really shouldn’t mean that much to you, but every gift from Rafayel feels special. You can’t bear the thought of messing them up.

“Hmm, I think I have an easy solution.”

You let out a squeak when Rafayel suddenly ducks and sweeps you up into his arms, bridal style. You instinctively wrap your arms around his neck, clinging to him for dear life at the sudden loss of balance. The sound of Rafayel’s laughter rings in the air, light and full of mirth, as he dashes into the rain with you.

“Rafayel!” You squawk and break into your own fit of laughter despite the icy cold rain immediately drenching your clothes. “Rafayel! Put me down!!”

“I’m already carrying you, putting you down would just be more work,” he teases, that infuriatingly charming smile pulling at his lips. “Now you don’t have to worry about the puddles, at least.”

“But we’re still getting soaked!” You squeal, trying to hide away from the rain by tucking your face into his neck. “Why didn’t we just call a cab?”

“A little rain won’t hurt us, yeah?”

“Says the merman. It’s freezing.”

Rafayel chuckles, the sound close to your ear. Warmth blooms across your cheeks when he presses a kiss to your temple, the touch lingering and soft with adoration, making everything slow down for just a moment.

“Then hold me tight.” he whispers, voice dipping to a low rumble that has your heart racing, “Take my warmth. It’s yours, my beloved bride.”

Any remaining complaints get lost somewhere in your throat. The heat under your skin rivals the cold. A dark blush coats your cheeks, and you try to bury yourself against his chest. You can’t hide from him though, your neck just as rosy, and you can practically feel Rafayel beaming with pride.

Stupid fish.

But he is warm.

You let out a wavering sigh, pressing the cold tip of your nose into the warm crook of his neck. Rafayel shivers, but his hold around you only tightens, as if he wants to envelop you in the heat of his body. It’s almost like being held by one of those heat up stuffies. It’s so comfortable, you can’t help but melt into him, fondness for the merman curling deep inside your bones.

“Do you always run this warm?” You murmur and rest your cheek against his shoulder so you can look at his face.

“Not always,” he hums. A stray drop of rain drips down his jaw and you reach to brush it away. Rafayel’s voice shakes almost imperceptibly at the touch, the tips of his ears going red, “For the most part, Lumerians endure harsh, cold temperatures, so we actually run colder than you humans.”

“Then why are you so warm?” You ask curiously.

His blush only spreads, until his cheeks match yours. The artist glances away, almost looking embarrassed to admit, “My fire evol is useful for more than just fighting wanderers, you know.”

Ah. So he can warm himself up with his evol. And he’s doing it to keep you warm.

The revelation fills your chest with a giddy kind of love. Like, a fuzzy, dizzy kind of love. You bite back the urge to keep teasing him, to see just how red he can get. God, how can you love this man so much? Every new thing you learn about him, every surprise he somehow pulls out of his sleeve, leaves you slipping further into the ocean of affection you’re already drowning in. The rain is nothing in comparison.

“I guess you’re my knight in shining armor, then,” you sigh wistfully, “Against the wanderers and the cold weather.”

“That’s right.” Rafayel puffs out his chest a little, almost like a preening bird. A giggle escapes your lips, and he gives you one of those heart-stopping smiles. “You should really thank your knight in shining armor, cutie. Otherwise I might not feel so inclined to swoop in to save you next time.”

“Well, thank you, Rafayel.” In the blink of an eye, you reach up and draw his face down to yours, capturing his lips in a chaste, yet searing kiss. The artist jumps back, eyes wide as he stares down at your mischievous grin. “Even though we could have just taken a cab and avoided all of this.”

His shock quickly turns into a pout.

“You’re no fun, cutie.”

---

Xavier *piggyback style*

“Really, I’m fine, Xav-”

You wince as Xavier gently flexes your foot, hot pain prickling up your leg. The hunter gives you a rather disapproving look.

“You do not have to lie to me,” he sighs and lowers your foot back down, “I will not think less of you for being injured.”

Heat creeps up your neck, and you have to tear your eyes away from his soft, unassuming gaze. It really wasn’t that bad. While fighting a wanderer, you had dodged an attack too quickly, somehow, twisting your ankle in the process. You couldn’t just stop fighting though, so you had grit your teeth through the pain until you finished the wanderer off, and then collapsed on a nearby rock. That’s when Xavier had rushed over to you, asking what was wrong.

You attribute your embarrassment to the stubborn bit of pride you carry as a hunter, so used to taking care of yourself that you don’t often let others do it for you.

“I’m really okay, it’s probably just a sprain,” you grumble, “I’ll ice it when I get home.”

“And how exactly do you plan to get home?”

Your nose crinkles. Right. Glancing back at Xavier, you find him looking at you with a small, rather amused smile, eyes sparkling with mirth. The little punk. He really can be mischievous when he wants to, huh?

But you do not have an answer to his question. So you just shrug, letting out a heavy sigh. You’ll just have to rely on him this time it seems.

“Would you like me to carry you?”

Immediately, your blush spreads up your neck, painting your cheeks rosy and warm. Eyes wide, you look at him incredulously.

“Xavier, that’s- I don’t- What?”

“I can carry you.” The hunter tilts his head, much like an adorable puppy. Your heart flutters at the sight. How are you supposed to resist that?

“I mean,” you hesitate, scratching the back of your neck, “if you think that’s the best solution…”

“It’s the simplest one,” Xavier hums, quickly standing up, pulling you carefully to your feet as well.

He turns around, ducking a little so you can get on his back. You hesitate again, though.

“Are you sure?” You ask, voice wavering.

“Positive.” Xavier looks at you over his shoulder. That gentle smile curls his lips again. “Who wouldn’t want to carry a pretty girl on their back?”

God, you hate him sometimes. Shaking your head, you gingerly step closer. You curl your arms tentatively around his shoulders, careful to avoid his neck so you don’t choke him. Then you jump. Xavier catches you with ease, fingers slipping under your thighs to hold you as he stands up straight again. It only takes a moment for him to find his balance as you get comfortable, your chin tucked over his shoulder.

He hardly seems affected by your weight. Like he’s carrying a light backpack. It eases your consciousness a little.

“I always forget just how strong you are,” you mumble.

Xavier holds back a shiver at the way your breath warms his ear. His fingers tighten around your thighs though, thumbs massaging circles into your skin. You hum softly, facing tucking into the collar of his uniform. This is nicer than you thought it’d be.

“You could take a nap until we reach our destination if you’d like.”

“No,” you sigh, though you do feel suddenly exhausted, “That wouldn’t be fair. I want to keep you company.”

“Mm, okay. Then what should we talk about?” Xavier peeks at you, amusement curling in his chest at the thoughtful pout you give.

“How about…what we’ll get for dinner tonight? We did complete the mission, afterall, we deserve a treat.”

A low chuckle escapes the hunter. Tilting his head, he presses a chaste kiss to your cheek.

“Whatever you’d like, my star,” he hums, fondness warming his usually calm voice, “Is there something you have in mind?”

“That new diner opened down the block from us, we could try that!” You suggest, excitement lighting up your features, like a kid in front of a christmas tree. You look at him, smile brighter than any star he could compare you to. “What do you think?”

How could he ever resist you?

“Mmm, sounds delicious.”

“Perfect! We’ll go there then!”

You spend the rest of the walk back to the transit station talking about what dishes you might order, what movie to watch as you eat. Anything and everything. Neither of you notice the odd looks you get, too comfortable to care.

You all but forget about the pain in your ankle. Why focus on that when you can focus on the absolutely charming man willing to carry you all this way?

---

Can you tell which characters I main based on this? Just curious.

[dalamjisung]

A muted shade of green ✧ Spencer Reid

genre: fluff, light angst

word count: 6339

pairing: reader x spencer reid

description: Dr. Spencer Reid is simply adorable. And you actually think he might be perfect. Until, that is, he isn't.

a muted shade of green masterlist // next chapter

His apartment is a muted shade of green and you always wonder why is it that he painted it so dark. The book covered walls never fail to impress you, making you smile into the ether that was this place with its shelves and shelves of worldly stories. His taste, you think, is more towards the classics and refined tales that carry significance and importance in the world of literature. Dostoyevski, Austen, Orwell, Doyle. Though here and there, in some corners of the living room or thrown haphazardly in the kitchen counter, you see peeks of contemporary names, the ones you’re sure you sold him a long, long time ago. Murakami, Zadie Smith, George. 

You met Spencer when you first moved into D.C., about a year or so ago, and sometimes, you really think that it was just yesterday when you first saw him with his purple scarf walking inside your store.

“Excuse me.” 

You have too many books in your arms to even see who is talking to you, but you apologise nonetheless; it’s the least you can do for your first customer. “I’ll be with you in a moment, apologies for the mess, we literally just opened.” In your defence, you had been so busy unpacking all the new orders and organising things into shelves that you absolutely forgot to put the plaque with your opening hours by the door. You can hear his shoes clicking and clacking around the place, and a wave of anxiety washes through you. If he leaves with a book– luckily two– you will have made your first sell and that just might remind you that of the reason why you decided to do this in the first place.

Carefully putting the pile of Maggie Nelson’s on the counter, you finally turn to face him, tired smile from ear to ear when you see him holding two books already. “You found something you like?” You gently ask, voice calm and fingers fidgeting while you wait for an answer. “Many things, actually. I’m quite glad to see a wide variety of books here, it’s been hard finding something new to read lately.” 

His voice is pointed and it echoes in the empty store. The clock on the walls says it’s 7:58AM and you suck in a breath; it’s definitely too early for someone to be looking for books, but maybe he wants entertainment for his commute, maybe he needs a distraction for the way, or maybe he is odd like that. 

It must be cold outside. The man is wearing a purple scarf  inside what looks like a wool coat, and somehow, he fits in there, in your store. He looks like the kind of person who would be buying books as early as 8 in the morning and you’re not sure if that is adorable or unhinged. 

“Just these, thank you,” The loud thump of the pile of books he deposits by the cashier makes you gasp. “You have a great selection here, I was lucky you open early!” The twinkle in his eyes is what keeps you from telling him that that, in fact, was a big mistake. In the middle of rushing to get the keys from the landlord in time, get the deliveries, get everything sorted and organised, you had completely forgotten to put out the hours for the shop. 

“I am glad you found us here! Do you live nearby?” At this point, you’re just trying to make conversation as you bagged his items, smiling at the titles and happy to see your favourite book in the midst. “I live just across the street, actually,” He said, giving you his card. “You’ll see me a lot, I’m afraid.”

“And what should I call my most loyal customer, then?” One look down at his card and you would know, but you wanted him to tell you himself. 

“Spencer Reid.”

There is not really a sound reason as to why you walk so freely into his apartment. The first time he asked you to do this, he was going on a case and needed someone to water his plants. As it turn out, your store is quite literally across the street from his building and you don’t really mind the mindless task, so you tell him to not worry, you’ll take care of it. It had been a few months since you two met, five or so, and despite taking you some time to truly understand, you got used to the fact that Spencer created a routine for both of you, knocking on your shop’s door every Monday at precisely 8 in the morning. With time, you stopped questioning him even when you had many, many questions– was he even reading all these books? If yes, how?! Every visit, he left with three books or more, and unless he pulled all nighters every night, those were simply sitting on his desk. 

Instead, you start putting a few titles aside whenever you spot them. You start it with ‘A Gentleman From Peru’ by André Aciman, short and sweet. Next week it was ‘A Little Paris Bookshop’ by Nina George. Then ‘Cultish’ by Amanda Montell. And just like this, you two form your own little book club, his visits extending beyond their usual thirty minutes into the better part of the hour to talk about the plot, the characters, the arcs. You know there is quite a lot you don’t know about Spencer, of course there is, but you learn more and more with every little debate you two have. You learn about his morals through the character he likes, and his dreams through the plots he enjoy. You learn about his photographic memory that allows him to quote his favourite sections to you, and you learn that he is a very logical man through his hatred for the inaccuracy of investigative books. You learn and you learn and you learn and you find out that you like learning about Spencer. More than you like learning about anyone else, that is, and now, every time he walks in, you can’t help but get excited, smiling as you only imagine what you would learn that day. 

Sometimes, you did notice the absence of your favourite customer. He would disappear for weeks on end and then act like nothing happened, and you get it; he doesn’t owe you anything, you’re just the lady that sells him books, but you feel like there is something that is starting to bloom when, every time he comes back, he brings you a book. “I thought you’d like it,” Is all he says before leaving with his bag of new reads. For a moment, it’s like an exchange, but Spencer never demands anything of you; never asks for anything more than new books and recommendations. 

It’s quite rewarding finding the books you sold him scattered through the apartment. There are a couple in the kitchen, open split on the counter and you smile fondly at the clumsy way he marks his books. There is no folded page, no book marker, no random picture; just his book, cover facing up, open and splitting the spine in half enough to crease. You shake your head, smiling like he’s done this just to rile you up.

“Oh my god, don’t!”

You don’t mean to shout but it’s too late. His eyes widen in shock and he immediately freezes, mouth stuck in a little ‘o’ shape that makes you blush. “What did I do?” 

The wince in your expression is as visible as the light of day when you speak. Your hands hover in the air, unsure of what to do now, but still trying to do something. “The book, Spencer,” The words come out like a whine, and if you start stomping your feet you might as well look like a child. “The spine. The book. The– oh my god, the noise!”

The way he laughs at you is contagious, and you start laughing with him, face hidden behind your hands in embarrassment. Owning a bookshop doesn’t come for free. Your particularities when it comes to your literary treasures are enough to scare any sane person away. “You know, there are worse sounds than a book’s spine breaking,” He mused, closing the book before walking to your counter. His nimble fingers drum a soft rhythm as he waits for you to go around and charge him for the book. It’s a symphony, almost; so loud in your quiet store that, for a second, your heart is tuning in, thumping as his fingers do, beating to the song he creates. 

“You don’t have to buy it,” It’s a little ridiculous how airy your voice sounds then. Aren’t you a little too old to have a crush? “It’s okay if–“ But he doesn’t even let you finish, rattling off some facts about the writer. Most of the time, actually, he is rattling off some fact about something, and some you know, some you don’t, but you never interrupt him. You like hearing him talk. 

You miss hearing him talk. Whenever Spencer leaves, you miss him. You miss the knock on your shop’s door at 8AM. You miss the shy little chuckles. You miss the purple– the constant, always there purple. A wave of sadness hits you then, looking around the apartment with a longing expression. 

The first time he calls you over, it’s not really an invitation. A week before it happens, he doesn’t show up for your Tuesday unboxing and you have to carry all the new orders inside by yourself. It takes double the time and despite the effort it takes you, it’s the absence of his coy chuckles and snarky commentary that leaves you breathless. When you open the boxes, checking inventory to make sure there had been no issues with your order, you find the book Spencer asked you to get him. It’s one of those special books, so old and unique that you could only get your hands on it because you had contacts in the space. “Huh,” You frown at that– it isn’t like Spencer to forget something. Hell, it isn’t like Spencer to forget anything. Before you can cower away from doing it, you send him a text. You have his number saved in the system, and this feels wrong, it really does. Using his personal information that he gave to you as a client felt wrong. But for a second, it makes you stop biting your nails in anxiety. 

Your book is here. 

It’s Y/N, by the way. 

He doesn’t answer right away and you wallow in your regret for as long as you can. Your shoulders hunch forward as you line up the new arrivals in the shelves. Your frown sits on your forehead all day while you help other passing customers. Your hands brush against the book, all ready and wrapped up and sitting on top of the counter. You hate waiting; you hate waiting for someone or for something to happen as if you’re praying for a miracle. Literature has taught you many lessons in life. It has shown you countless of love stories that could’ve been resolved with a simple conversation. It has told you about people that waited and waited and waited until time passed them away. It has taught you that waiting is simply delaying the inevitable. 

But what literature has not taught you is that, sometimes, waiting truly is all you can do. 

That day, you don’t get a message back. 

You get a call instead. 

“Y/N?” The familiar voice on the other side speaks before you can and your shoulders tense up. Something is wrong. He sounds hoarser than usual, airier, too. 

“Spencer,” You say back, clearing your throat of any remnants or indicators of how nervous you are. “Spencer, are you okay? You sound rough.”

Even his laugh sounds weak and a zap of worry rushes through you. “I’m fine,” He mumbles, and you know he’s saying it out of politeness. “I just got sick. I think I have a cold, it’s nothing much, really.”

The relief that washed over you in crashing waves is almost embarrassing. Even though he is not there to witness it, your face still flushes in a dramatic red. “Oh. I see. Sorry, I didn’t mean to bother you–“

“It’s not a bother,” The way his voice interrupts you, so strong and concise, makes you chuckle. “You’re not a bother. I uh, I’m glad to hear my book arrived.”

For a moment, you both stay quiet. You, on your end of the line, are nodding like he can see you. Except he can’t. Except he is waiting, probably, for you to say something. Do something. “I can bring it to you. If you want.”

This time, there is no pause. “Yes. I mean, yes, please. I– I don’t have anything new to read and–” Spencer pauses to cough and you start moving immediately. There is no one in the store and you quickly change the sign to ‘closed’, grabbing his book and your bag before locking the door behind you. There is a pharmacy at the end of the block and you keep your cellphone balanced between your shoulder and ear while your hands make sure you have your wallet with you. “Sorry.”

“No problem at all,” You cross the street in such a hurry that you don’t notice the traffic, getting a symphony of horns calling you out as you run to the other side of the street. “Shit…”

“Are you okay?”

“I’m fine,” You tease, laughing a little and entering the pharmacy with purpose. “So just a cold, right?”

“Y/N, where are you?”

“Out,” There is no need to be vague, but you don’t want to give him a chance to protest. “I should be at yours in fifteen minutes with the book.”

“Just the book?” He asks in such a suspicious tone that you can’t hold back a laugher. 

“What else?” Thank god for automatic cashiers speeding up this entire process. You are in an out in less than five minutes and before he can even answer, you are almost at his door. Admittedly, you are speed walking, almost running, in a futile attempt to get there sooner. “Which apartment do I buzz?”

“Apartment 23.” And that is the end of the call. 

By the time you make it to his floor, panting just as you hike the last step upwards, he is already waiting for you, and you can’t say you’re terribly bothered to have a man like Spencer Reid waiting for you by the door. “Spencer,” You still admonish, a small smile playing on your lips. “You shouldn’t be out and about like this.” 

“Then who would let you in?” The mischief in his expression, much like that of a child making an innocent joke, makes you giggle, nodding in agreement. “Do you want to come inside? I promise everything is clean, I’m not a slob or anything.”

“Yeah, let me come in so I can give you your stuff.” 

“I knew it wasn’t just the book,” The coughing fit that followed has you rushing your hands, pulling things out of your bag in a desperate attempt to get him the medicine you bought. This had always been your curse, the flustering anxiety of wanting to help but being unable to take your time. Shaky hands push the book towards him, with the medication and some old receipts stuck to it. 

“Oh shit, sorry!” You squeak, grabbing the receipts and shoving it back in your bag. One of these days, you’d have to close the store early to clean this thing. “But uh, yeah, I got you some cold medicine and your book. I’m sure you know this with your big brain and all, but you need to take this before bed, cause it makes you drowsy, and this other one in the morning since it has caffeine! And you should be good in no time… hopefully!”

In life, a pause is not always a bad thing. It’s a time to think. A time to appreciate, to enjoy. It’s a time to be. A pause, however, from the man whose brain worked a thousand miles an hour, doesn’t feel like something to be thankful for. “Is… Do you not like that brand? I didn’t want to get the generic thing, I don’t know why, I–“

“Thank you.”

At first, you barely hear it. For someone whose voice is so rough and hoarse, you’re surprised he can still sound so smooth and airy. Your reaction is obvious; he can see the blush in your cheeks and the way you bite back a smile. “Y/N, thank you, I really appreciate it,” He says it again and now you think he just wants to get a rise of you. “You didn’t have to.”

“I know,” You shrug, faking humbleness while you keen at his praise. “I wanted to.”

“I know.” 

There is a dance that happens after that, one that you find yourself enjoying quite a bit. Spencer is more present than ever, and you’re getting used to having him around. It’s like you two broke the glass wall the kept you at a safe distance, and now is when you two discover each other a bit better. Like how you find out that, when Spencer’s hand lays on the cashier counter, just an inch or less away from yours, you feel the heath that it emanates. Like how your fingers curl and your palms itch at the sight of his shaggy curls falling on top of his beautiful eyes. Like how his laughter is deep when it’s true and dry when it’s forced. Like how he can read 20,000 words per minute, but he chooses to read 183 instead just so he can read you passages out loud.

You are not sure what he has learned about you, or if he even cares to learn something about you, but the thought still makes you smile. “What’s gotten you so smiley so early in the morning?” 

Ah, yes; another thing you’ve learned about Spencer Reid– he is as quiet as mouse when he wants, and as loud as an elephant when he doesn’t. “My god!” You jump, hand immediately going to your heart to try and keep it from beating our of your chest from the shock. “Spence! You scared me!”

“I’m so sorry,” He laughs, raising his hands in the air, shaking the two cups of coffee he is holding. “I come in peace.”

“And with bribery, I like your style.” 

His style doesn’t change, still haven’t. For ages, you think he buys you coffee at the nearby cafe. You don’t really know the name of the place, some cliche Cafe something something, but the one time you’ve been in there the coffee was terrible and the music too loud. It’s hard picturing your shy, smiley book-lover in there, trying to order something without raising his voice. It’s only when you see the go-to paper cups on his counter, on the fourth or fifth time you come around, that you realise Spencer has never gone to that cafe to begin with. 

The cups are still there. You make a point in spotting them every time you come over– next to the microwave, close to the paper towels. The reminder that this man has, in fact, been making you coffee most mornings validates the fluttery feeling you have whenever you think of it. It makes it somewhat logical. “I must be spending too much time with him,” You mumble to yourself, pushing your sleeves up and getting to work. You are there for a reason, and if those wilting plants die on you, you fear that you might just never be invited back. “Why does he even have plants?” 

You don’t know much about Spencer’s job. He hasn’t told you anything about it except that he travels a lot for it, but you can imagine it is something of importance– a man like Spencer was someone of importance, after all. In your mind, you can imagine him walking into an office down by the Financial District, working with big corporations as an advisor. Yes, you can absolutely see him as some sort of advisor or consultant, but something about him working in finances doesn’t sit right with you– he is yet to talk to you about crypto investments and how to better implement a payment system into the store. Shaking your head, you switch it up. Financial services, aren’t quite right, but maybe an editor, working in a publishing house. With the way he devours books and how well-rounded his personal library was, you could see him as a Publishing Director instead, reading manuscript after manuscript. 

The thought of him reading brings a smile to your face. In his living room, there is an armchair that sits next to the large window on the west wall of his apartment– he says he likes how the sunset hits and makes the pages look warm and golden, turning words into a burning fire of knowledge– and you can practically see him there, blanket over his legs, books and books pilled next to it. It’s your own little secret, how every time you come over, you grab a book, any book, and you sit there for thirty minutes, forty, fifty, an hour; until the sun has completely set and you have to get up to turn the lights on. 

Today, when you sit down, when you bring your knees up, when you drape the blanket over you, something feels incredibly right and incredibly wrong. On the pile of books next to you, right at the top, lays a copy of Gulliver’s Travels. If you remember correctly, which you usually do, last time you sat down at that spot you managed to read up to chapter five before the sun was gone. When you grab the book and you see the bookmark you gave Spencer the second time he visited the store, and you frown– usually, he’d pick up from where you left off. “How long has it been since you last came home, Spencer?” You muttered out loud, grabbing the book regardless. Because even when it breaks your heart to know something has been keeping him away from his precious nook, it fuels your heart to know he leaves your book where you can easily pick it up. To know he doesn’t mind you sitting on his armchair, to know he doesn’t mind you reading his books, to know he doesn’t mind you settling, somehow, in his house. 

A knock on his door, however, breaks you away from your precious moment of rest and relaxation. For a moment, you can’t move, frozen in place light a kid that has been caught doing something wrong. It’s only when they knock again that you move, shuffling to the door to look through the peephole. “Who is it?” You ask, voice weak and shaky. 

“I have a delivery for Spencer Reid.”

How silly you feel in that moment, hand over your heart as you take a deep breath in relief. Unlocking the door, you smile to the USPS guy. “Sorry, he isn’t home right now. I can take it for him.” All you have to do is sign it and close the door, but once you put the package on the counter and your eyes catch sight of a note scribbled on top of the box, all those butterflies inside of you slow down. And find perch. And for a second, make you miss them just like you miss him. 

The first time you think Spencer might have a girlfriend is when he comes into the store with a certain look in his face. He is practically glowing and his eyes don’t leave his phone for a second. “What has you smiling like that?” You two are close enough to ask these kind of things now, making jokes about each other as if you have been friends for ages. “Or uh, who?” Even though you started the conversation, you want to end it now. There is a sour aftertaste in your mouth when you suggest another person to be cause of his happiness, and you know, right there and then, that that is just your jealousy speaking. At this point, you’ve been harbouring a crush on Spencer for the almost two months and there’s only so much a girl can take before exploding. 

“Oh, it’s just a friend.” Somehow, this answer doesn’t settle you as much as you hoped it would. 

The second time is when he brings a woman around. She is blonde, and loud, and colourful, and you eye her carefully. They are matching costumes, and for a second, without even saying, you already feel left out. It’s stupid, being this green over someone so pink. If Spencer was purple, and if you are green, than that woman was pink– she is happy and light and exciting. Next to her, you… well, you are as muted as his green walls. “Y/N!” He calls for you with such a big smile and you just don’t have it in you to pretend to be busy anymore. 

“Hey Spencer,” It comes out quiet and a bit distant, but he doesn’t seem to notice, not with the way he is going back and forth on the ball of his heels. “And hello, ma’am. Welcome, I’m Y/N Y/L/N, the owner. Please let me know if you need any help.”

That day, you two barely talk, but that’s okay, because Penelope, as she introduced herself to you after you help her find a specific book on coding, speaks for both of you. She says that it’s lovely to finally meet you, and mentions how much she has heard about you, and you think this is a very cruel thing to do to your poor, squeezing heart. But you push through. You pretend you’re tired, you apologise for the distance, and you lie about a cough. It’s better if they stay away, you say, but Spencer doesn’t buy it. Instead, he buys Penelope her book and leaves with promises of coming back the next day with your usual coffee. 

After that, you don’t see Spencer for two weeks.

It’s a bittersweet feeling when you get the text that he is back. After almost a week and a half without seeing him, you miss Spencer. He created a space for himself in your life and in your store, and when he is gone, it’s just not the same. But just like how he did, you created a space for yourself in his apartment. Suddenly, the muted green walls aren’t claustrophobic or smothering, but comforting. They are safe. Familiar. They are Spencer. And just like you said, you miss Spencer.

“Y/N!” 

You should be happier to hear his voice, but it’s not the same. The fluttering in your stomach is still there, like a slow buzz trying to come alive, but it’s not the same. Not when the note on the box, flashing like neon signs behind your close lids, has been tormenting you and your poor heart ever since you made the mistake of opening the door. “Y/N? Are you here? The door says open…” At one point or another, you have to come out of hiding and face him. Delaying the moment, though, is the best defence plan you’re able to come up with– if you look into Spencer’s eyes, if you see that pretty smile he has every time he comes back from a work trip… you’re fucked. 

“Y/N, I need you to tell me if you’re here!” It’s not the same. 

His voice. It’s not the same.

Usually mellow and undulating, Spencer sounds stiff, like he’s holding something back. Something new. Something… heavy. There is an edge to him right now, so sharp and cutting that it has you stepping out from behind the Science shelf in pure curiosity. And just like people say, curiosity killed the cat. In this case, however, it almost kills you. 

When you turn the corner to find him by the door, the first thing you see is a man. He is tall and handsome and oddly serious. The way his brows are pulled together make you falter, steps slowing down and mouth opening to ask if he needs help.

That’s when you see it. 

More like you catch a quick glimpse of it, the shinning spark of metal to your side, and you do a double take. You have to do a double take. It’s like your brain doesn’t believe what you’re seeing, and you move your head so fast you feel your neck tensing up in that way that makes your eyes water. “WHAT THE FU– OH MY GOD!” There is no way to throw yourself against a wall graciously, arms over your head and fear written all over face. You land in an awkward angle and your shoulder takes the brunt of the shock, making you gasp in pain while your legs give our under you. 

Of all the ways you’ve imagined Spencer, him holding a gun up to your head was never one of them. “Y/N!”

“Oh my god!” You think you might pass out– you’re breathing too fast and your chest is squeezing, squeezing, squeezing to the point of physical pain. There is a ringing in your ears, muffling the entire conversation between Spencer and the other man and even though you try, you can’t look up; you’re frozen in a state of distress. For the first time since you met him, you’re scared of Spencer Reid. “I– I– Oh my god, I c-can’t– I can’t b-breathe, I can’t–“

“Y/N, look at me! Look at me, you’re okay, I’m so sorry, I’m sorry,” The moment his hand touches your shoulder, you’re shrinking away. 

“Who are you?!” You manage to gasp enough air into your lungs to scream at him. One shake hand moves to the back of your neck, pressing down on the sore nape as you finally move to look at him, crying and all. “Spencer, who are you? Who is he? What is happening? Why do you have a gun in my bookshop, why–“

“Ma’am, I need you to take deep breaths,” The other man quickly holsters his gun and you actually think you might be going insane when flashes you a badge. “I’m SSA Derek Morgan, I work with Spencer. We are with the FBI.”

Federal Bureau of Investigation. Spencer is a fed. And he never told you. 

“The FBI…?” You whisper, eyes going wide and breath hiccuped in your throat. “S-Spencer, you work for the FBI?” Nothing about this makes sense to you. The gun, forgotten in his left hand and now pointing down and away from you, is all you can look at. The gun that looked heavy and cold. The gun that those hands hold– the same hands you’ve wished and, admittedly, dreamed of holding yours instead. The gun, the gun, the gun.

The gun. You’ve never seen a gun before, not this close. In museums, of course, and in movies and shows, but never in real life. You don’t have interest in it either, having voted, without fail, for anti-gun laws and representatives. Anything and everything about this, about seeing him with that deadly weapon, feels wrong, and you really think you might be sick soon.

“Kid, put it away, you’re freaking her out.” 

Then is when you catch sight of the Spencer you know. It’s the clumsy actions, looking almost freaked out himself– his hands fumble with the holster and it takes him a couple of tries to fit the gun properly. That’s when you know for sure– you are going to be sick. “Trash,” You mumble, trying to get up but falling again and again. “Trash, pass me the–“ But there is no time and you throw up right there and then, between the cashier and the nonfiction section. 

“What just happened?” 

“Morgan, get her some water– there, over the counter,” The rapid successions of words make you feel a bit better, a cadence of tone and rhythm that has your hands finally stabilising. “Y/N, you’re in shock. Adrenaline kicked in and left, and you pressured crashed, which is what made you nauseous. You need water, and to come sit by the counter.”

It’s funny, how in any other circumstance, you’d be ashamed and embarrassed to have gotten ill in front of him. As far as you know, Spencer is a germaphobe and this surely counts as germs. But as he grabs your hands, gentler than you’ve ever seen him grab any book in your store, and brings you to your chair behind the counter, you wonder if he forgot or simply doesn’t care. Both options don’t make sense. “Spence, what is going on?” Your voice comes out winey and rough, and there is no way to hold back the pained wince when you feel the sting spreading through your throat. Sip by sip, you try your best to drink the water and soothe yourself, but nothing seems to help. 

Nothing until you hear him next to you, small and quiet and, dare you say, meek. “I’m sorry.”

As much as you’d like to tell him he has nothing to be sorry for, he does. “I see…”

“It was just… it was new, having someone not know I’m FBI,” His thumbs play with each other and you’ve known him long enough to recognise that Spencer is nervous. “And we started getting closer and I just didn’t find an opportunity to tell you.”

“There were plenty,” You clarify, feeling a bit of a bitch for the bite in your voice making him gulp. “But it’s okay. I’m not… I’m not anything of yours, I guess, so it’s okay. You don’t owe me anything.”

“Don’t say that. You’re my friend.” That hurt.

“Do you point a gun at all your friends or am I just special, Spence?” It is supposed to be a joke, but the memory makes your bottom lip start wobbling again and you feel stupid. You feel so, so incredibly stupid right now that you can’t even begin to explain why. “Sorry, I’m just– I’m not okay.”

“I know, and we’re sorry,” There is such raw honesty in his words and he manages to make you smile a little. Your hand is still shaking, but you stretch it out towards him regardless. It’s a conscious decision to hold onto his wrist, covered by his jacket, than to reach out for his palm, and from the way he looks at you, you know he recognises the effort. “But you need to come with us.”

“Why?” You cry out, a single tear coming out of the corner of your eye. At this point, the shock is going away and you’re more overwhelmed than anything else. You’re scared and confused and overwhelmed and it’s his pulse, beating again and again, that brings you back to Earth. “Why do I need to go with you? What is going on?”

“Y/N, when you were housesitting for me, you received a package, right?”

In the midst of everything, the memory of that day, that box, that note, all fade. Frowning, you shrugged. “The delivery man knocked and said he had a package for you… I’m sorry, I didn’t mean to intrude, I–“

“No, no, no, you didn’t, you didn’t. Please.”

“Ma’am, when you signed for the package, did you use your name?” The man, Morgan, ask, and all you do is nod. Of course you signed with your name. “Kid, we need to take her to the office now.”

“I am not going anywhere until you tell me what’s going on!”

Finally, some energy in you. Some strength. Your voice echoes in the empty shop, and the chair tips back when you stand up on stiff legs. Looking at Spencer is hard, when you feel the burning of your rage inside, but you still do; you still meet those pretty brown eyes, you still stare him down until you practically force the answers off of him. “The package… did you see who it was from?” 

“Spencer, are you insinuating you’ve pointed a gun at me because I read a message your girlfriend wrote on the package she sent you?! Because I didn’t mean to– I didn’t! It just… It was there, right at the top and I–“

“She is not my girlfriend,” He immediately cut you off, hands waving in front of him in a visual demonstration of desperate denial. “Not at all! I don’t have a girlfriend! I was–“

“We can deal with this later,” Morgan is quick to interrupt, sighing as he looked at you. “Y/N, we re really sorry to disrupt you like this, but this is for your own protection. Please lock the store and let’s go.”

It takes time for you to gather everything you need. You are not a disorganised person by any means, but suddenly, you can’t remember where you put what. Your bag is thrown under the cashier, and your keys are, for some reason, in the Fiction shelf. Your glasses are in your head the entire time, and Morgan has to point that out to you. The more you look, the more flustered you get, yet somehow, you make it to the car. Morgan is driving and Spencer is on the passenger seat, and the way they keep talking to each other using words that make no sense to you make you want to scream. “Spencer.”

The heaviness of his name, said with such emotion,, lingered in the air. His eyes meet yours through the rearview mirror, and he nods. “Yeah?"

“Spencer,” You whisper again, eyes wide in shock as reality starts to dawn. “Spencer, if she’s not your girlfriend, then who the fuck is Cat Adams?”

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AAAAAhhhhh I'm trying something new >.< I've been a massive criminal minds fan for a long, long time and Dr. Spencer Reid has my heart <3

Please let me know what you think, this is my first Spencer fic and I'd love if it got to turn into a series!

[misaamoure]

“You’re such a fucking brat.”

“Fuck you… mmph!”

Sylus chuckled lowly at you attempting to muffle your voice.

It always started with a little bit of an argument.

It’s not that you two didn’t get along; it’s just that you didn’t always get along. Arguably because of him.

For whatever fucking reason, Sylus loved to tease you and get under your skin.

Whether this be by stealing the glasses right off your face and holding them high above your head, even going as far as to suspend them in air with his evol, or generally just poking and prodding at you verbally until you snapped; he got an odd kick out of pissing you off.

And then turning around and acting as if you were the unreasonable one.

You often pondered what his redeemable traits were, if he had any. Nonetheless you made a deal, and it would hurt your pride not to fulfill it.

Annoying as he was, he was stupidly handsome, and his deep voice and tantalizing stature sent chills down your spine.

Sometimes you liked it when he bullied you. Just a little bit… not a lot.

Especially when it progressed on to a charged type of banter.

“Watch your mouth, kitten.” He’d pretend to warn you ever so sternly. As if his cock wasn’t aching in his pants at your defiance.

He found you so hot when you got like this.

“Or what, Sylus? What are you gonna do?” And you’d egg him on every single time.

Then he’d get up, walk over to you, grab your neck and slam you into the wall behind you.

He’d grip the sides of your neck harshly and force you to look up at him, which made your glasses shift.

“You’re aching for it that bad, huh? Maybe you’re useless at seducing me, because this seems to be the only way you know how to get me to fuck you.”

You looked up at a him with hooded eyes, your hands gripping arm he was using to choke you.

Sylus wasn’t oblivious to how you were trying to hide how pleased you were with yourself.

He knew you loved it as much as him. Riling each other up like this. Matching each others energy.

“Fucking hell,” He threw his head back, feeling his cock throb at just the look you were giving him. “Open.”

You did exactly as he said, not breaking eye contact as you opened your mouth for him.

Sylus wasted no time in moving the hand around your neck and running his thumb over your lips and tongue before spitting in your mouth.

“Swallow.”

You did exactly as he said, not missing the glint in his eye and the palpable bulge in his pants as he watched you.

“Say you liked it.”

“I liked it, Sylus. Please give me more.”

“You’re such a dirty little bitch.” He put his hand over his face, trying to hide his smile.

Suppressing the urge to roll your eyes at how much he was clearly enjoying this and how you were enjoying playing into him, you take the hand he put over his face and move it to the back of your head as you get on your knees.

You couldn’t mistake how wet you were, annoying and hurtful to your pride as it was.

This dynamic was so invigorating, and you were so attracted to him.

Once again not breaking eye contact, you licked the expanse of his hard on through his black slacks, sending a shiver down his spine.

“That’s a good girl. Keep going, just like that.” He breathed out.

Unbuttoning his pants, you made quick work of taking his cock out.

That was another thing about him… his size was annoyingly impressive.

His dick was thick and lengthy, and he knew exactly how to use it. That’s why you even bothered entertaining his fuckery in the first place.

“Want me to fuck your mouth?”

You hummed, more eager to have his dick inside of you than anything.

“I think I want to fuck you first,” He quickly reached down and grabbed your arm, pulling you up. “Turn around.”

It was times like this you were sure Sylus had a sixth sense for you and your desires.

You once again did exactly as you were told, making quick work of your mini skirt and the panties you were wearing underneath.

Pulling your skirt up and pushing your panties to the side, you reached back between your legs for his cock, making him chuckle.

“So eager,” He rubbed his tip up and down your folds, making you moan lightly. “You want it that bad?”

You huffed. Your attitude returning due to him fucking around again.

“Sylus for fucks sake,” You whipped your head around to look at him, staring at him pointedly. “Get the fuck on with it already!”

“You were so nice earlier,” He began to push the tip inside you before pulling out, teasing you as he loves to do. “I’m starting to think you don’t like me anymore.”

“Sylus-”

“Alright alright I’ll give you what you want.”

He finally pushed his entire cock into you, making your jaw drop.

Fuck it was so big. It was like he was in your guts.

“Oh… my god…” You whimpered, feeling your knees buckle.

Grabbing you by the waist, Sylus held you up.

“Easy there sweetie,” You practically could hear the smirk in his voice. “We barely started.”

“Shut up…!”

He laughed. He couldn’t help it, look how tough you were trying to act like his dick wasn’t making your knees weak.

He leaned forward, lips grazing your ear as he spoke, “Allow me to help you out.”

Taking both your hands in his, he bent you forward, pulling your arms up behind you and holding your wrists together with one hand.

You moaned at how deep he was in you in this position.

“Like that?” He ground his dick into you lightly, making you gasp. “Is that good?”

“Yesss Sylus,” You moaned out. “So good!”

That’s all it took for him to start fucking you in earnest.

Moans spilled from your lips with every thrust uncontrollably, the pleasure of him pounding into you was undeniable.

“So fucking tight, my god.” Sylus threw his head back and groaned.

He was just as loud in bed as you, he truly had no shame in his game in any aspect.

“You’re such a fucking slut you know that?” He grunted through clenched teeth.

“Yes… right there!” You practically screamed as he slammed right into your g-spot.

“Here?” He started fucking you even harder, aiming for that spot in specific.

Your mouth fell open into a silent gasp as your eyes rolled back.

You couldn’t even bring yourself to answer his question.

The pleasure make your clench down on him desperately, making him groan loudly.

“Keep doing that and you’ll make me cum.”

“Inside.” You babbled mindlessly, trying desperately to get your words out.

“What was that?” He smirked, using your arms as leverage to pull you back into his thrusts. “Couldn’t understand you.”

“Need you… to cum inside… Sylus!”

“Hm?”

You felt your orgasm impending as he continued to fuck into that one spot that made your vision go white.

You knew you weren’t gonna last much longer.

“Please please cum inside me!”

Sylus knew he couldn’t hold back anymore. Picking up the pace of his brutal thrusts, he felt that familiar knot in his abdomen tightening.

“Cumming… I’m cumming!”

He barely had time to respond before you were cumming all over his cock, squeezing him even tighter than before.

“Fuck…”

He felt your spend dripping down his balls every time he thrusted back into you.

Feeling his own orgasm quickly approaching, he thrust deep inside of you.

Moaning right in your ear, he came deep inside of you, feeling his cock twitch and throb with every spurt of thick cum.

It was so utterly satisfying to the both of you.

Sylus observed the milky white ring around his cock and he weakly thrust in and out of you, riding out his orgasm.

A content silence fell over the both of you.

That is, of course, until Sylus decided to ruin it.

“You’re so much cuter when you’re quiet, sweetie.”

“Shut the fuck up.”

[capslocked]

PRAXIS

male reader x irene

23k words

"A girl could walk in and mistake this for an affair," you remark, and Irene smiles up at that.

The sound of city traffic underneath your open window makes for an uncertain backdrop - though the browns of her eyes glimmer caramel in the dying light. Something sweet, the beginnings of an addiction if you’ll let her.

"A girl could walk in," Irene says, "but, she never does."

It was not a good idea, of course, to keep doing this where the whole world could see, where your shadows and silhouettes make lurid shapes against the blinds, but your office is small and the lighting is soft and Irene keeps pushing up onto her tiptoes, pressing you flat against your desk, trying to kiss you, and you won't be able to stop her - or want to, not when she's already leaning into you with her arms loose around your hips, her eyelashes heavy, her mouth a pink line of want against her smile.

It’s inevitable, maybe.

Here's what they might catch in the exact moment, in a not-so-distant memory:

Your heartbeat, quiet and slow and distant, like there's too much blood for it in your veins, your skin electric-pulsing underneath Irene's, the feel of her leg hitched up your waist, your hand wound tightly in her ponytail. The tiny sigh of a smile at the corner of Irene's lips, like you're tickling her somehow - you'll stop if she really wants you to, but - she doesn't. She never does.

Why wouldn't we want to be mistaken for something? is what you’re supposed to hear; she's too haughty, too proud. Someone could catch you. She’ll never come out and admit, just what would anyone do, if they did?

So yeah. It’s complicated.

You give a little, Irene pulls back. You do your damndest not to push. You hate how goddamn easy it is to convince yourself of anything, everything - whatever the lie. Irene isn’t ignoring you. She doesn't ignore the texts you send her. You don’t need to make plans more than two hours in advance. Mixed signals are such a misunderstood phenomenon: she can just be shy, sometimes. Maybe she doesn’t want to intrude. She was nervous, but she felt really fucking good on top of you - maybe next time, the guilt will be a bit less for both of you.

It’s just sex, she says once to you after; there’s no strings attached. How could it get ever more perfect than that?

-

(And she’s right. You know she’s right, or at least you very well should.

See, you’ve been talking for hours about how you shouldn’t be talking for hours on end. Kissing her after a conversation you’d had around the fact you’d both be better off as friends.

So how's that gonna sound, anyway? Here, go on, try saying it:

Bae Irene? Yeah, met her on the subway - that's the story, the reason you know her; you got on a train one day and she was the prettiest person there. You were both headed to the same place. You’re just not sure when that's gonna change.

And well, the way you see it: you’d feel so much lighter, like a feather, with her off your mind.)

-

To be candid, you can't really pin down how any of this started. The logistical details, sure. However the suggestion, the sex, the seclusion - these things, not so much.

Somedays, if you squint, it plays out rather predictably. You’ll be going about your business, a particularly average day everything considered, or - well, mostly. Today, there are just the two minor caveats:

First off, your key grinds in the lock when you jam it in. That part is pretty normal, but to your surprise, the door is already very much open.

So, that's odd, you think. That's very odd. You slide inside, cautious, and as you call out an even more cautious "hello?" you realize all the lights are on - so either you've been robbed or are currently in the state of being robbed by someone with suboptimal visual acuity. A disability-washed-burglar. Not to minimize crime, of course, but that'd be interesting, you think, or representative perhaps? Maybe.

Alternatively,

Irene's let herself into your apartment again. It’s quite plausible.

She's not great at the whole 'asking permission' thing, though she swears every time it'll never happen again. You peek around your foyer: there’s her coat, her heels, her shirt, a handbag - all strewn about the hall like she’d been raptured and left a delicate trail of destruction, which does sound a lot like the Bae Irene you've known forever.

(Okay, six, seven months isn’t forever - but you get the gist; the general principle still applies.)

Now another, horrifying option is that both theories are true, simultaneously. A home invader has in fact gotten to Irene. In the middle of robbing the place. How terrible, how awful, how genuinely macabre, what a genuinely-

"Yeah, hey," you hear, followed by a heavy, sloshing thunk. "Welcome home or something."

Sure enough, as you enter the kitchen you spy your truly awful vision being confirmed. One of them, anyway. There is your incredibly hot (this is in reference to Irene), extremely fashionable (same boat as before, honestly), dangerously intelligent (yes) and notorious rulebreaker of an (it really bears emphasis on how hot and fashionable and stylish said rulebreaking often is) acquaintance as per her standard. Irene. A roguish and impossibly captivating conglomerate of trouble with a mild attitude and perfect posture; as a collection, she's a collection you want, a package you intend to keep, an accessory you'd die for. That, and a kettle on the stove apparently, so she can make you tea while you languish on the floor, and you could live like that forever, or so the dream goes.

Also right, the second caveat: there's the robbery. She's stolen a button-up out of your closet.

And look - she's actually so much prettier than she has any business being. Hair up in a messy bun, lips painted light. Nail polish starting to fade. She's still in her nylons and a tight little pencil skirt and you can't really complain. You'd need to be legally dead.

"Hi," Irene says, and the burner sputters to life. "Where'd you go?"

"The bank. And then I had to return books," you say, shucking off your jacket. "You know, I wasn't aware anyone else was living here."

"Excuse you," Irene replies. She turns, leans her forearms on the counter; the shirt buttons are misaligned, but she makes it look like a stylistic consideration - how the sleeves are pushed past her elbows and the neckline has already slipped down one of her dainty shoulders.

She has your clothes. She has an irritatingly winsome half-smirk. The clock above the stove says it’s barely even 9 PM.

"Do you get your mail forwarded here, too?" You shuck off your jacket. "To further clarify, why not call first? Maybe text? Hell, smoke signals could do."

"Because it's a hell of a lot easier to ask you for forgiveness," Irene tells you, knowing, "asking for permission gets me nowhere," and then grabs a mug from the cupboards. She seems to know where everything is already. "I don't know why you get so bothered about it, honestly, what should I do? Call you and say, wow, babe, I am planning on letting myself into your apartment, sorry, yeah, I was thinking we could - ah fuck - you know what, I am irreparably, incomprehensibly horny."

"Nice vocab."

"Thanks," Irene says, beaming, and even tips up her chin to show it.

You notice that you actually match right now, since it is, technically, your shirt. Sure, your collar’s a little stiff - and she’s barely able to keep the fabric from folding and spilling over her lithe frame, but that hardly matters. It's so ungodly hot. She could wear anything - or, probably, nothing, if you're being honest.

And you are, mostly.

So you pad into the space right behind her to tell her some truths, the things you think - but she spins on her heel before you get the chance to grab her, which is a pity; you'd love to do that, maybe just push her flat to the wall. You know, if she'd let you. She would. Probably. You'd ask, definitely, but you’re thinking you wouldn't even have to.

Irene crosses her arms. The collar keeps slipping. You see her collarbone, smooth. She is flawless, no fucking wonder. You are almost terrified of her at times.

"How do you know I’d have said no?" you ask, and it sounds a little sweet - then there’s you noticing an old bruise along her throat, where her shoulder dips down; that was probably your doing, probably from this week, last Saturday maybe? Her skin seems softer somehow, looks like her makeup was fresh at the beginning of the day and the end of the night, that kind of evening smudging. She's smiling with her nose crinkling up. 

She doesn’t react when you press in closer. 

"Really." You’re waiting for her. Probably waiting for her to kiss you, to reach up on her toes and latch her wrists behind your neck, to reach her mouth to yours - though, she doesn't. Her breathing picks up, so it's almost like she doesn't have to, she's smiling at you so sharply. It’s a rare win for restraint as far as your apartment is concerned.

"So then where lies the issue?" she asks, and then she simply waits on this smoldering sort of glance.

You can’t help the laugh that follows. "I mean it's the principle of the thing."

Irene hums at that. She glances to the side. Toward the windows, back to you, and then all over your face.

"Then, allow me a principle," she finally says, staring straight at your mouth, real subtle-like. "Yes, I'm going to keep coming here. Probably a lot. I mean, unless you have an actual issue you'd be hardly one to talk: Mr. Keeps Do Not Disturb Active At All Fucking Times. I bet you're the last person to go through their voicemails, too."

"Guilty, but look - I hit critical mass, like, a thousand unheard messages ago. It’s untenable and unreasonable. You should be offering me pity."

"You are ungovernable." Irene sinks back a bit against the countertop, slow, smooth and sinuous. "You're basically a hermit." She smiles at her own assessment, the grin growing with its truth. Her eyes sparkle in the low-light and her teeth bite at the bottom of her lip. The tea kettle starts to rattle.

"I think we’re supposed to be discussing the breaking and entering here," you correct, dryly, and step a bit closer, "also just for the record, hermits are implied loners. And yet."

"And yet," Irene echoes, letting her voice trail away.

There's an uptick in the corner of her mouth, and she glances at you, quick, momentarily mirthless. You wait for the punchline, the verbal parry, the expertly timed jab-

"What?" asks Irene, and her face instead is all soft edges, light pink lips, and clear, uncomplicated eyes. She grabs for the end of her sleeve and folds it one more time down the slender length of her forearm. The watch on her wrist catches the light. "It's a decent theory."

This almost feels normal, you think, like a routine, something domestic - Irene leaving her things all over your apartment, Irene occupying your bathroom cabinets and the space on your shower rack that used to belong to a singular bar of soap. This is a tale of a typical hookup arrangement gone absolutely off the rails: sex for a night here, a dinner together there, a break from the monotony. You shouldn’t even know Irene that well, you think, or nowhere near as well as you do - and somehow that didn't stop you from giving her a spare key to your apartment - or it didn't stop her from wanting the damn thing.

You try not to read too far into that last one, since you're probably the only idiot that hasn't noticed how smitten Irene has been from day fucking one. It’s your fault, it’s hers; there’s a case to be made for either.

"You can see how a girl might walk in and jump to the wrong conclusions," you remark.

Irene laughs at that, "Oh yeah?" and her eyebrows raise, her lips pursing in an immediate half-smile - this hot little line that’ll get kissed right off her mouth if she’s not careful. She doesn’t even pretend to react otherwise: that same brand of pleased, almost flirtatious - a bit unyielding. Pragmatic, maybe. Not fully on board, still keeping a distance, just an inch outside of what it could be. She never stops fucking with you. She's never anything but beautiful.

It's very unfair, if anyone’s keeping track.

"You mean like an affair?" She laughs out loud. The mark at her temple dots the expression like an exclamation point. "Like me, as your mistress. That’s fucking crazy." 

"Satisfy my ego. Pretend that wasn't, in any conceivable world, the worst possible phrasing, but yeah. More or less," you say, "one which would, mind you, seem very poorly planned on both our parts, all things considered."

There's a pause where she scrutinizes your face; you stare evenly back. It's kind of a bluff. You are sort of a self-centered prick, on occasion, but you are not lying to this woman; you have no reason to. Maybe it's a gamble: to hope she understands you better than she ought to, or to wish she'd accept you in spite of that. To want her, in your home, at your leisure, a friend or something more. 

Trying to materialize words for the immaterial is largely the dilemma.

"An affair, huh" Irene repeats slowly, tasting the word carefully, like she's trying it on for size - and she cants her hips towards yours. Her fingers had wrapped around the bottom of your tie at some point. "My goodness, that’s like, so, so romantic of us."

"Also jesus, please, ‘mistress’ is horribly gauche," you say, and Irene tugs a little too hard and you step forward. The smug look on her face suggests, not entirely unpretentiously: how else, then, shall we call it?

"But look at me. I am in your kitchen, I’m wearing your clothes," she reminds you, with another tiny pull, which draws you so much nearer. You can feel your neck prickle. "That makes us quite close, wouldn't you agree, darling?"

"Dial it back," you tell her, because Irene's the only person in the world that can put so much stress on a single fucking word and get away with it. 

But she's watching you, watching you still, intently. She looks good, smells somehow even better, You inhale her. There's this cloud of shampoo, fragrance, whatever she's decided to wear - citrus today, light. God, she's so fucking gorgeous.

"I'm still trying to scold you," you end up adding, because it won’t go without saying.

"And I'm waiting for you to." 

It's not the right answer, though your annoyance dissipates almost as quickly as it rises: Irene could probably charm her way out of anything if she really tried, maybe, and still make the entire world like her even better - so instead of responding, you just sigh, and sink further into her. She wraps your tie once around her knuckles, and tugs again, harder and pointedly, but it's not so hard that it hurts; you know she could manage that if she wanted. Irene just grins up at you, rosy in the face and pretty: no pain, just fun.

"Are you mad?" She tilts her head in and places her exhale right over yours. You could count her lashes if they’d stop fluttering. "Are you going to tell me you'll send me packing now? Just order me right the hell out of here and change the locks, do you mean it?"

"I would, definitely," you say, without so much as a beat missed. "If I weren't so busy being inconvenienced by the fact you're so goddamn pretty."

"Mhmm." Irene fits her lips to yours, murmuring, "exactly."

Her body presses and pushes up against you, and you're thinking again about Door A, Door B. Thinking about your future, her future: it doesn't mean anything. Who needs to dream, when Bae Irene's already such a walking daydream? Hypothetically - a wicked little fantasy if nothing else. She still can't fucking resist pulling away after just a second, just a touch too soon, and laughing right against your lips - even though, when you open your eyes again, her eyes are softly closed and she’s leaning in for more.

The reality is: the two of you, inextricably, are bound in each other's pull. A binary star of (1) extremely talented, (2) equally charming colleagues that only accidentally get lost inside the same room: (3) office, (4) storage closet, (5) bedroom, (6) living room, (7) kitchen, (8) the little-used laundry nook. Your list keeps growing. It is exhausting, but maybe not the worst: not, actually, so bad-

Your hands flatten against the cool material of her skirt.

"I could," you mutter, trying so hard, "you know, stop this. Maybe."

"I actually happen to believe you," Irene's saying. Her teeth graze your chin. "But maybe you can try," she offers, not so helpfully, "just this once?"

The hem of her shirt slips up the long stretch of her leg. It doesn’t move far before the bend of her knee has her pinned, skirt pressed flat to her thighs. You aren’t exactly a gentleman, so you pull it to her waist as you press even closer. The nylon feels wonderful against her legs.

So you let it boil down to the instinctual, the obvious. To physicality: her hip against your own, her soft sigh as the kiss grows in strength. You wrap an arm around her middle; her hands cradle the sides of your jaw - the tip of her tongue brushing yours - then her fingers find their home on the nape of your neck. When you touch the inside of her thigh, across the smooth fabric, ghosting over the center - where the tension is tightest - her lips part a little. She shivers. You try not to smile about it.

"Slow?" you ask her, and the amusement feels unfair to her, even if it is your best attempt to appear thoughtful. She sinks her nails into your skin and her eyelids open slightly. They gleam. "Told me to try," you point out.

You touch her, feel the heat as she says, a little strained, "I did." She swallows. "I'm allowed to change my mind later, though."

"Fine," you relent, "then so am I."

She considers this briefly. Her lashes lower and raise. She nods.

And the teasing has to go somewhere. "Well," you murmur, and kiss the hinge of her jaw. "Mistress it is. Guess there isn't much left to work with, huh." And in any other context, these are the things that earn you another patented-glare, a toss of a pillow over the bedspread, a hard swat on the chest, an indignant 'well fuck you, I can't believe we're having sex!', an abject departure, a million things all at once - at its most dramatic and emotional: a maelstrom of verbal riposte.

Here, though-

She hikes her leg even higher around your hip. Her fingernails clench even sharper. Your tie falls down a button, to the crook between her neck and shoulder, and her hair comes free of its messy ponytail. The line of it skims over her breast, just so.

Irene sighs louder, and does that thing, a deepening in the middle of the noise that lets you know exactly how badly she wants you - this, you're getting familiar with, or the start of it at least, that fine-tuned way Irene wants someone when she doesn't even hesitate to show it. It was odd, and at first almost embarrassing to see. That might've even been part of the charm, you think: Irene could want to devour you. You were you - slightly interesting, and in her eyes, probably the most intriguing fuck - but whatever her reasons, it all clicked for Irene. She had a system to evaluate and adjust and execute. There wasn't room for wasted effort.

"Hey," she hums, low in her throat.

"Yeah," you say, lifting her right up onto the counter. 

And see - there are these gestures, reminders, not always in good faith, where you make her feel small: Irene's wrists are suddenly so narrow, one right at the surface of the counter, fingertips cool at your collar, and her nail polish chipping a little at the edges. Your palm is larger, enveloping the high, broad arch of her hip, the sharp line of bone to muscle to sinew. She feels fragile, is what it is, a fine-boned little bird, a thin silhouette under her loose, borrowed shirt - it's almost poetic, a regular old fuckbuddy - a physical habit, and you know her, know how many inches, and you can find your favorite parts of her in the dark, but-

"Want your mouth," Irene's saying now. Her lips glistening, eyes liquid; you want to tell her that that's an indisputable victory, just objectively, even before the clothes fall.

"Tell me where to put it," you offer back, and watch the corner of her lips twitch up.

She runs her hand through the back of your hair, mussing it, the lazy drag of her nails, her heel right to your lower back. The light from the stove is doing her wonders, gold catching off the paleness of her skin. "Make yourself useful, I think, like on your knees."

You raise an eyebrow at her.

"Don't give me that look" - and Irene shrugs her shoulders back - the shirt falling more, the flat plane of her stomach - this jut of bone, the pretty contour of her ribcage, the stark outline of her body just under a few too many buttons.

"It just comes off a bit greedy," you say, letting the words twist, playing with the hem of her skirt between your fingers.

"Maybe because you reward that kind of behavior," Irene retorts immediately.

"You’re spoiled," you laugh. "That’s all. Just spoiled. Life must be great for you, do nothing and let someone else do everything."

It's another one of those, 'you fucking like it', and Irene smirks like the shape of her mouth here is foreplay enough alone. She might be onto something. Like the easy back-and-forth - how she's sharp as razor wire underneath you - a double-edged sword if the weapon knew the sheath.

You lean in. She places her palm flush to your heart, like she can measure exactly how long you’re drawing this out with its steady thud. You know she’ll repay it in turn: she thinks it's hot to jerk around with your emotions before she fucks you, like playing roulette with her orgasm, yours - a slow crawl, a nice burn. Her fingers curl.

"And here you said I was ungovernable."

Irene huffs, slightly. "You are still fucking talking."

"If I shut up, will you scream for me, sweetheart?"

You run a hand up her waist. There's this whiny intake of air. Then Irene says, soft and slow: "earn it."

(Maybe you shouldn’t keep enabling her. Therein lies the problem. Okay, so maybe you like this particular problem.)

But she's tugging your tie out of the way before the words leave her lips. The distance you have between is scant, which seems to be fine, with the way she leans in as the last syllable drops off her tongue, kissing the corner of your mouth, impatient.

It takes approximately zero convincing to drop to your knees; that much has not changed. You glance up at her. Your hands curve to her waist, sliding up. It's funny - how your fingertips just brush under the billowy fabric, how the taut skin over her ribcage fills the length of your palms, and then a touch further. Perfect proportions, as Irene usually is; you're on your knees and that's by design.

Your thumb rolls over the outline of her nipple and it peaks, draws into a quick, rosy point beneath the flimsy cotton, like an open invitation.

Irene smiles lazily, gorgeous - and sinks back again against the countertop. Her feet land on your shoulders. The nylon in the bend of her ankle slides soft at your throat, gentle. "Waiting." She sighs a little. "Still, waiting."

You press a kiss over the nylon, the fabric underneath, teeth barred and tongue pushing. "You said slow," and the rest of you might as well catch on fire, just for borrowing a moment’s composure. You can see yourself bringing her down to the floor, the kitchen tiles, spreading her legs and fucking her into the linoleum, scratching them up, making her cum as many times as she asked. But there's this heavy drag down your back, the nerves blooming. "So let me. I won't get distracted," you murmur - or don't, really - into the softness between her hip and waist, along her navel, the tight planes of her tummy. "I promise, I'll get there, baby."

She hesitates. The breath she holds back is a telltale pause.

And the first thing that really sinks into Irene's skin, besides yourself, is this: every last shred of hesitation she was waiting on, the self-control? Now gone. You've done nothing but serve its loss. She seems to sense her power; and in one blink, the act is apex. In a beat her nerves are recovered, and the nerves are fuel. A natural killer, an organic toxin, that same smile curving her lips, a pointed glint to her eyes.

"Baby, your mouth," Irene insists, her knees falling to the sides, "open. And yes," and a pause, or maybe an addendum, a double meaning in the downtime, "to be perfectly frank: free for me to use. To come and go as I please."

"Haven't left my fucking mind for a minute, sweetheart," you offer up right back, not bothering with restraint.

Irene clicks her tongue. "But yet, you don't ever do exactly as you're told-"

She hiccups, or something close to it - because you grab her ass, bring her hips closer, until you can sink your nails into the firm give of flesh.

Irene looks down at you, eyes just wide, and - ah.

She sighs. Sighs because she knows - you can find god in everything; that’s the goal, that’s the creed - and maybe Irene wasn’t your original way, maybe you were always meant for a different sort of holy figure, but the words you choose are doctrine in the end; that first prayer you got down on your knees and said to her was no less truthful for its betrayal. There are rules to it: this is faith, the religion. This is her. You belong to Irene, and she belongs to you.

"Um. Did you just tear my stockings?" she asks, like a sudden realization, her mouth still dropping.

You nod, because, well, yeah, and pull her panties to the side. "Permission, forgiveness, et cetera."

In lieu of a reprimand or a rebuke, she lets a shockingly pretty little moan when her pussy gets stretched by a finger, two - and they're wet, slippery, easier than the lace had ever expected, and she's already so plush, red and rosy. Irene has always gotten wet quickly, with your fingers, your cock, your mouth on her - and her head falls back in one languorous stretch. The tightness around your finger is dizzying. You'll never grow tired of watching her: a sudden shift, the spine so pretty when arched, the pulse of blood under her thighs, the fluttering of her cunt as it comes to the very precipice of letting you in.

"Do you understand me, baby?" she's asking you, and her breath seems to pick up and the muscle flutters again.

You waggle your eyebrows and lean in, and whisper against her skin, "better than anything."

Your mouth attaches to her clit and never lets go. You fuck her, all sweet, on two fingers. Down to the last knuckle. You curl your fingertips, and she's gasping. The scent of her drives you fucking crazy; this is what paradise has always tasted like, and heaven's the press of her thighs - your name spilling from Irene's mouth. She gets wetter, and wetter - you lap as it floods out of her, down her thighs. You lick it, taste the salt and her bitterness and her arousal, how her pussy grows slick in an instant, swollen under your touch, wanting, aching. Her heels press over your shoulders and dig in, tight.

When you look up over the tight spasms in her diaphragm, you realize she's got the shirt unbuttoned, finally. Fabric spilling down to the granite, skin and bra and sheen; you wrap your arms around the perfect curves of her thighs, the nylon shifting soft on your hands and bringing her closer, hitching up to your shoulders. This is only part one of what you owe Irene - the easy part, actually: you can see her clench in the same breath that she's straining - the need and want to fill her up a sin, the wet smack as her folds are pried apart by the flick of your tongue, the sounds of your hands, the desperation. She'll want, and you'll get, until she can barely handle it. Until the tremors overwhelm her, until it is too much and it never will be, ever enough - until she's left so gorgeous like that, shivering.

The kettle's got the pitch to its scream now, and the volume. The sound makes you grind your teeth. Lick harder, suck longer, kiss a bit deeper - her clit, the pink tip of your tongue pushing in past the folds, between the ring, deep and heavy. Fingers moving slow, almost absent-minded, flitting across her breasts, pinching a nipple - Irene groans. The metal rattles louder, louder.

The shirt's rumpled, tangled, bunched up between Irene's elbows. You lean your teeth to the crease of her hips. You lick, the smell filling your nostrils, her fingers threaded in your hair - holding you where she wants you to be:

"And fuck, ah, do you, oh god- fucking do you- have an," she sighs, trembling as the movement of your jaw sends her shuddering, as your mouth runs and your hands open her legs. She pants. "Oh, darling. Have an honest-" she laughs and the sound pitches too, "-idea, I mean-"

Irene has started grinding against you. Your heart is thundering.

"-of what I'm-"

A moan finally breaks from her lips, so disarmingly beautiful. Irene grabs for the edge of the granite counter; she can hardly seem to make out what she wants. Her orgasm is cresting higher, each flick of your tongue and soft sound of you bringing her there, near. You like that she needs you, like that the word 'insatiable' becomes an insufficient assessment. You push, you move - her hands tug you. You taste her: a warmth, the depth, the pulsing.

"-what you're" - a gulp, a gulping swallow - the fridge keeps beeping, the front door sticks, and it'd be so perfectly quiet if not for the fucking tea kettle. It keeps boiling and boiling and you are drinking your fill, drowning. Her skin smells fucking delicious. You can feel her heat pooling. "Fucking, o-oh, fuck- fucking doing-"

You smile into it. Against her messy, quivering cunt. You are: unashamedly smug.

And fuck. She's gone, swept away, carried off, the pressure of your lips sending her crashing back down with a moan - the kitchen still buzzing and the steam a bit of a haze, and you haven't even finished bringing her through the dying breaths of her orgasm before she's gasping, pulling you back up on your feet:

"I need you, I- right now. Up here-"

Irene tries to grab for your neck again. She doesn't seem to mind her own lack of strength, though. In any other circumstance you'd think she'd look a bit pathetic: her shoulders curved, chin resting in a hand, a absent, pleasantly confused grin, legs and hair a complete unmitigated mess - and here: her lipstick wiped, mostly smudged, her wet, glistening thighs-

"Tell me," you say, and a thousand possibilities are imagined. To get inside of her, feel her nails dragging across your chest, her teeth at your throat, her moan as you slide into the very heat of her - fuck, you cannot stop. She's got you spinning and you’ll gladly lose this particular battle; a typical Bae Irene ending. "Please, tell me."

The water boiling over has begun to crack; and the first tendrils of steam begin curling into the air.

"God," says Irene, shaking with her body so desperate, her hand still grasping you back. The look in her eyes seems so beautifully wrecked, but in no hurry to show it. She smiles, because she wants that over anything. "Don't you fucking listen?"

She grins.

"Ah." Irene shakes her head, pulls your head back, staring, but does not rise to a sit, just slides herself out. One leg kicks, one, then two, from the corner of your eyes: her nylons shredding down their long seams. You're on your feet; you're not really standing, but then you have no real bearings to start with. Your cock is throbbing.

She just scoots on out, and shuts off the stove, and sets the kettle a step back.

"Maybe," you say, pressing your thumb to the seam of your pants. You could probably die of lust right now and have no regrets. "Maybe not. I think I need more convincing."

It would probably also help if your thoughts could stop racing.

"Huh."

She turns - though not with the skirt. The hem has fallen to the floor. A puddle at her ankles. She's only slightly out of breath; the wet between her legs gleams. The slick, smooth fabric of her lingerie sticks to the swollen outline of her pussy. Her fingers dip down, playfully, so she's leaning over the counter. She tugs, and it presses and plays and sticks at her center. You're obsessed, half-crazy from it. Her expression twists; it's fucking bliss. She smiles, one breath, then two - the house settles. You cannot stop staring; you can't. Your mouth feels hot and dry and sticky, wet from her cum, and your pants, you can't quite breathe and the view's only getting better: Irene naked, against the counter, the jostle of her breasts as she strums herself, as her breathing catches and rises, and those nails digging deep into her clit as her eyes drift shut-

She's biting her lower lip - but she looks at you and - stops, her toes pressed to the linoleum.

The moment is suspended, and suddenly the words do not fit anywhere in your throat.

"Want it?"

"Fuck," you exhale, and maybe she isn't just asking that out loud, she's the embodiment of the fucking question: the need between her legs so vivid. She laughs again, licks the taste of herself off her fingertip, sucks at the curve of her nails - she touches the tip of her tongue to the very edge of her upper lip. Her smile, in its sharpness and precision, remains unswayed.

"Bend me over?"

And then, very quietly, and without so much as a scoff in disappointment-

"Fucking christ," you mutter, and nearly fall in a heap towards her.

-

It's borderline unhealthy, that this happens as often as it does: sex that leaves you breathless, sex that shivers across every inch of your fucking skin, sex that aches afterward, that drives your lungs to strain, a moan trapped forever just behind her teeth. Her hips were either made for your rough palms, or you’ve worn them down to your grip. Softened all the edges. Her thighs open to you like you own her. The ridge down the center of her back, your mouth trailing down every vertebrae - her pussy. The inside, the depth - and everything she doesn't mean to let out: all these little notes she's learning with each thrust of your cock into her, and you think you should just say yes, give in.

Let it go, and just trust.

Sex as routine? A repetition of desire. What is routine is that, with Irene:

There's always a new discovery. She has you when she's bent over and you're pounding her knees into the cabinets. She has you on the floor with her. She has you when she's bent over and you're eating her out again, then on top, and on your couch, and with her legs kicked high on the shower wall, and - you fuck her, you find room for her on the bathroom sink. You cum all over her stomach and she just smiles dreamily. You fuck her until she’s almost sobbing, and then you're saying her name like she has your life and your attention, for everything and nothing at all. And after an hour of letting her have your patience, and your dick, your face pressed against her throat, and her nails deep in your back - you tell her she needs to stay. 

It’s a hell of an admission, apropos of nothing.

"Oh? Say that one more time for me," and she's half-covered, the comforter pulled up over her the gentle slope of her breasts, the bedsheet tucked around her waist. "Again," and you have no real use left, you're certain. The most recent orgasms have nearly shattered you both in half: Irene can barely focus on your mouth, where your hips had slammed hers into the bed and - you are pretty certain - definitely did crack her skull right off the headboard.

"Yeah," you mutter face down into the duvet, "you should stay."

"Then it's decided," Irene says out loud, rather victorious, and drops a hand down the span of your back. She's there still, fingering her own cum from inside her pussy. The look in her eyes, sly. The message in them could not be any clearer: what an excellent suggestion, since you both know she'll have no shortage of reasons to keep coming back, anyway.

-

It all feels rather satisfying, pretending not to like the girl. It feels good not caring where she is at night.

As she had said, like an affirmation, a real statement: "this thing, between us, is so uncomplicated. It's so easy."

And she’s right: 

She fucks, and you cum. She looks pretty. That's what she wants to show off, she does and does it well, and as long as you don't pay attention and pretend like it doesn't matter to you, it's an absolute fucking win-win. That's it: that's exactly why, when she calls, when she comes around and asks about dinner, you ask how far you're expected to go for her. What'll earn you her gratitude? Her pleasure's a quick hit, and it's free - if she asks nicely, if you're up for it, if it isn't the same bullshit, same scene - and the night's never a big deal to waste. That's her script; there's your line:

"What's your endgame here," is a thing you're always asking.

She tips her head, her hair falling off her shoulder, that old cliché, those large brown eyes, batting and fluttering. Just curious, but also to draw attention; what a killer pair she has, they're gorgeous. Your eyebrows raise, and your mouth falls open as her fingers dance over your chest, playing with the collar of the button-up that you aren't entirely convinced doesn't belong to her.

"Who says I have to have my mind made up right this second?" is Irene's usual comeback - a favorite - followed by another favor, then an expectation. Then, as your hands fall to the small of her back: "for you, the point is probably the chase," she reminds you, a low little murmur.

Your heart thrums with the little spike of anger. Then again, your cock's feeling the yearn ahead of everything else already; it’s a bad habit, and not getting anything you need. Or, there's a tumble, a mutual surrender in this somewhere. 

"Sure, says you." 

You kiss her so easily. Run your fingers through her hair and drink down her sighs, pull away and pretend. Pretend to dislike how pretty she looks when you do things like this. Pretend like you haven't missed her, that there is no desire, not to run your touches down the back of her knees, or sink your hands into her perfect little ass.

"Didn't need me to," she points out, the lick into your mouth. And her finger curls right under your chin, nails a pretty, perfect oval shape, manicured and soft at your throat, that way she loves - the angle intimate. "And yet. Not stopping me, are you?"

Which you're not. Neither of you is fool enough. You don't hate yourself, she doesn't hate the truth. So, whatever, sometimes you give in to it - if you could call this a 'means to an end', you suppose that might just about cover the ground, because her plans, her reasons don't matter to you, and vice-fucking versa: just to find an answer, or to find a few dozen, and that's enough.

You're no good at love; she says she's not looking for it either, no heartfelt romantic shit to get a tear out of you, she'd tell you at the start:

"Let's just play it by ear, how about that? I could surprise you. You could surprise yourself."

-

(But fuck: Irene's surprisingly full of surprises.

Take when she texts a few days later.

Hey, a blip on the screen, an innocuous string of numbers you refuse to mark a contact. There's too much power, and leverage. She isn't asking. 

It's been too long.

A winky emoji.

I think you’re able to do me a big favor.

A period. It is imperative. She would tell you, with an authority she certainly isn't trying to front or to prove: she likes her punctuation.

I could really, really do with that same favor that you gave me back when we went to that housewarming party, you remember. It'd really be the best thing you've done with your evening if you could help me out. Call it the nice thing to do.

Is your vibrator out of batteries? you text back.

You are a genius.

Thanks.

Let’s go somewhere.

Just this once. But dinner's on you.

A selfie. Slippery fingers, glued to her pussy, running through the glisten-

Oh. Actually, it'll probably be twice.)

-

So. ‘Surprise yourself’ was, naturally, the key. 

It's difficult to have a notion as to how exactly you might surprise yourself - but here you are a little later; she's dressed and in heels, and that's a relief, or rather a delight: this woman looks devastating with her hair down. But still, like this: the hem to her slacks that draws her thighs down to an elegant peak, the nice blouse she's got her buttons done to the top, and one less: this cleavage isn't wholly visible but the shadow is still a tease, her thin jacket only pinning in how her waist is cut into such a deep arc. Irene had asked if this looked too formal, and the second response in your brain was to ask why: her normal wardrobe's worse - less clothing, more fucking exposed. Then again, you might not mind watching Irene work so hard if it meant your hands get full quicker-

"That is absolutely no way to put it," she admonishes.

"Come again, Mistress?"

"Ass," she mutters. It's not even a reprimand so much as an agreement, you can see where the smile is trying not to crack open. "No," she corrects, and smiles anyway. She pushes a lock of her hair behind her ear, "I just mean- fuck you and your terrible metaphors. Anyway, we should go. You drive, my car is a total mess."

-

You take her out. There's dinner. There's drinks. It's something like a date, because that's what she wants. The hostess smiles politely. The waiter raises a suggestive eyebrow at your fingertips grazing Irene's leg underneath the table, and you both ignore the interest. You pass him her credit card without comment when you go to settle up. When you stroll about, the sun is going down and the dying light paints her skin orange, yellow, and red. She tells a story about work. You manage to get a few of your own. Your fingers loop through hers and the action makes her do this lovely smile.

So the gist of it is: you have a fling, her name is Irene, there’s some vague cohabitation occurring, and - oh, she's an absolutely fantastic lay.

It's the sort of thing that on the surface level sounds like a total and complete win, even for all its contradictions, flaws, and pitfalls. She fucks, and you're willing. She looks pretty. You keep her content. That's enough, as a friend-with-benefits; more of the benefits than anything else, she always reminds you. And every now and then, when Irene starts making demands of your time, of your availability - making plans, making reservations, making the expectation known that the two of you have a standing obligation, ‘benefits’ penciled into your schedules every Tuesday and every weekend (and Thursday, too, if neither of you is booked) - she suddenly becomes more complicated than she should have any rights or reason being. There's a kind of security you take away from it.

Irene's holding her clutch in the parking lot, posture perfect. The sky's on fire and the setting sun is burning down the horizon all around her.

"Can we do it in your car?" she's asking, totally nonchalant. 

"What?" "Sex," Irene repeats, like you didn’t understand the question. Her expression is bright, seamless. She holds her wrist behind her back, and twists a little on one heel. "I want to get you off."

This is a case study; you’re walking, breathing empirical data. You’ve gone from wondering to knowing about what they say in regards to women of a certain age. The appetite. The inexplicable desperation. It used to be a joke. Maybe it's because men in their 30s are unusually relaxed with their dating life, or all of their friends are talking about wedding rings, kids, a white picket fence - with life a non-event to handle with finesse and a delicate grip. Or: maybe Irene simply isn't complicated in the ways people seem to expect her to be. She’s needier for sex than usual, for starters. "Are you expecting some urgent business meeting, or an important call - any sort of personal news, maybe - like, in the next half hour?"

"Are you serious," you manage. Fuck her, actually.

"I don't know why, I just feel like you might appreciate the cramped quarters. We can make out while you cum and stuff."

You almost snort, but - her hips have that sway. The door’s unlocked. You stare. The purse settles on the passenger's seat. This girl is so stupidly pretty.

"You, uh, wanna get on top?" you ask, voice already slightly drying at the sound.

Irene reaches over and traces your jaw. Her thumb feels lovely pressed to the seam of your lips, rubbing over them slowly. Her mouth is this gorgeous color and you just can’t stop staring. "So cute. What’s your best guess, sherlock?" She pats the roof of the car, gently. "Get the fuck in."

-

Irene is, at her most shameless, a list of demands: give me your fingers, touch my clit, do it now; take my wrists, fuck me faster; don't you dare fucking cum - there's no rush here, so put in the effort. You have a basic idea of where you're both headed, and the situation demands you to, um, obey. The sound of her wet cunt fills the tight confines of the car.

"Fuck, Irene."

At her most elegant, she's pretty much the same, but she fucks like a total dream: 

"Slow, yes," she'll coo into your ear, in the early stages, before her head starts falling back and her chest rises, and all the sweet notes from the back of her tongue get driven to the fore, and there are moans instead of directions, groans and cries. "Feel me. Deeper. Fuck, babe, just like that."

Her nails drag deep, and that's not usually the plan - the start is fast and easy; her pussy drips like she's soaking a cloth, a fresh layer every second, and a clench that swallows every thrust; and somehow the friction's good enough that if you stick around and keep your focus, you get Irene begging for mercy by the end of it, just to savor and relish the sensation, the motion of your body into hers.

"There," and her eyes flutter, "yes. You are so fucking hard for me." She leans in, kisses the shell of your ear: "you’re fucking stretching out this little pussy, baby, you know that?"

"Jesus. Fuck, please-"

"Should we? Should I let you?" She clenches down, "fill me up, babe? You think you're worth the privilege?"

"If you'd let me - Irene, the things I could do," you don't breathe, "jesus fucking christ."

And she looks at you with wide, honey-smudged eyes. Pretty even when fucked; especially so. Her fingers get wrapped in your collar and she’s nodding her head in rhythm with her quick little bounce. The snapping of her hips. Up and down, and up and down like she’d be insulted if you didn’t drain your balls into her perfect little womb right then and there. She says don’t do this, don’t do that - and then she fucks you like you’re supposed to.

"Yeah, that’s right, be a good boy for me," her mouth whispers, even though there is no one else in her car, you're pretty sure. Her voice is like a vice, just you, with her hips, her hot little hands pushing you down so she's riding the top of your head. You can hear her dripping down into the space, a new leak.

"How're you gonna deal with it when I'm filling your tight cunt?" You thumb at her ass, squeeze. "This pretty, round ass? Want me to cum inside you every which way, huh? Marking up my territory?"

You hear her stutter on a reply, as her pussy gives a particularly strong flex, another contraction.

"All those wet loads, dripping out your cunt, down your thighs... on your lips... you gonna taste every last one, princess?"

She has a face like she wants to hurt you for that one, the moniker - you have a sneaking suspicion there's nobility in her blood, laid deep somewhere in her veins, another lifetime lived far from this one: she'll have a predilection for thrones, diamonds, queendoms to rule. And if that were true - well, you'd be downright lucky if she consented to an audience, even less entitled to her hand. She's out of your league regardless. Or maybe, she's the furthest thing from royalty and she just knows the script better than anybody. Kneel, she'll say, and you find yourself obliging; give me your mouth, your fingers, she'll ask, and you're compelled. It's all ingrained.

"What was that?" she asks, incredulous, riding your cock so hard the seat shakes instead.

"I said: this cunt, christ-"

You bring her closer to your face, have to feel that clasp of heat with every stroke - and when it is so fucking deep, her hips lock up, clamped, thighs quivering - you just hold her in place, give her a few breaths, let the satisfaction really sink in, even if she's already moaning.

"Well, I guess you got me there, huh." Her mouth gives her away, the lopsided-grin. "Yeah. So cum, give it." And then it twists. Her face looks so beautiful in distress, and you're certain you've had that thought many times since: if the situation demands it - maybe it would be just fine to push a little bit more? It's a neediness that doesn't go understated, even when Irene's more whining for it: like, the fuck are you waiting for, her tits out, panting, sweating, cursing and moaning at the slow drag through her slippery muscle, a grip like satin, like velvet.

You’re a total mess: 

"Breathtaking, the faces you make for me" - "you look so good, like that, so handsome" - "has anyone ever fucked you this good?"

It’s official. She'll have to scrape you off the leather.

And as if to add insult to injury, Irene’s hands come up to her hair, holding it up into a messy bundle above her head. There’s a tilt of her chin, a bite into her lip. She’s bouncing fast, taking your cock deeper on each twist, and it’s all very performative. Fucking Irene is as visual an experience as it is visceral, because chiseled into her figure, the lithe frame, are these model-esque proportions - like she’s not actually five foot nothing in her socks. 

(A beautiful little paradox. She’s showing off here. She’s showing off, simply because she can.)

"And you’re the one always calling me greedy," she breathes, like the punchline, as she takes the next inch, the wet slapping of skin. There's heat. So much fucking heat - she's got a pulse that pulls you forward and won't let go, your balls hitting her ass and thighs soaked, so red and plush and beautiful, a softness that takes a second and an elbow's reach and, fuck. Her thighs on the dashboard. "You've been-"

Your palms fit into the curve of her ass. How a small, fragile, dainty thing like her can have so much to grab onto remains a mystery and a fucking miracle.

"-a bit of a prick, honestly, for a minute-"

But she's so responsive - and you want to wring it out of her, really, a desire to destroy and savor, even when that sounds a little wrong and too close to sacrilege - you really ought to just call her the ultimate fantasy: she has the cutest tits, soft creamy thighs, tightly wound curves and a sexy-as-sin attitude; and when she sits heavy on your cock, wiggling her hips in a circle, you lose the plot and a little bit of your mind.

"-have to say, it's been getting to me."

"Here's hoping it doesn't give," you grumble as your arms tense and your back aches, your shoulders strain. Irene seems unconvinced, and she usually is, but the drive is relentless.

"Then you'll have to hurry up," the rake of her fingernails across your neck, "won't you?" and she is too slick and so eager, "because you’re gonna cum for me, sweetheart, just let it all out, baby." Her cunt and her heels in the upholstery and the stinging welts draw you deeper- 

Your hand braces around the center console. 

She has her lips on your temple, your hairline: "I’m imagining how my pussy will look, all creamy and used and pretty - all because you fucked it nice and hard and raw - no matter how many times I fuck myself with my fingers, I'll keep feeling the ghost of this fucking perfect cock."

The noise that leaves your lips is a full, throaty, ragged groan, your muscles shaking and skin burning. "Irene, god," you sputter out; it's not super attractive, you think.

Irene kisses the juncture of your shoulder and neck like it’s music to her ears, her jaw against your jaw:

"You've got to stop edging me, love, my little pussy was made to get stretched by your cock, show me-"

You thrust in deep. 

"Fuck."

"Oh," she whispers, eyes hooded and lashes sweeping low, an awe so thick to her voice. "Such a good boy for me - now. Make me cum, yes - make me cum all over you - mhm-"

You jerk your hips again - your pants hanging around your thighs, her blouse pushed up around her waist. You've twisted and knotted the fabric over and over into something you can pull or hold onto - it's not clear to you yet which idea's more pressing.

Because there's no breathing room. You need to twist your hips just to fuck into her - her lips are parted with this insatiable moaning, and it's sweet and pretty and filthy. She wraps one knee higher. There's the lock to your ankle, but she's grabbing the lever and trying to pull your seat down, the rest of it; you absolutely let her. All this in heels that would be impressive without a tight wet pussy pressing down on the length of your cock, begging for what seems like an endless number of thrusts into that delicious heat, the perfect clutch. She rides you rough: the leather beneath your knees shifting with the constant scuffle. Her elbows bent, a thumb grazing her tits, pushing up the silk and the lace.

Her soft, pale skin is spilling all over you, her limbs finding purchase as her mouth slides against yours on a new rhythm of need and want: "that's the thing, right? You're such a delight when you put your mind to it." She's pressing a kiss against your temple - her tone, this intimacy, a hotness between her thighs that leaves you breathless, dumb - it's the only sort of inescapable validation that might suit.

You had the perfect view as she shrugged the jacket, unbuttoned the blouse, sat the bra over it, just undid her slacks: this perfection, laid bare, exposed in your passenger seat with her tits squeezed in both palms. Then it was her hand tugging at the zipper to your pants.

So - you're fucking her harder than you have any business doing. Her nails are digging trenches in the skin of your forearms and you have the slightest sense of everything she has, wants, demands; you've had her under you, bent her in half, folded at the corner of your bed. You’ve fucked her with your cock so far into the slick-dripping hole of her cunt until she can't stop cumming - or begging - or the Irene-equivalent.

"There you go," she says into your throat, like it's nothing, and sags a little further into your chest. "There we go," she repeats. Her brow is glistening with sweat, and you kiss it: hot, and a little bitter. You can't help it. 

You're fucking her harder than she can handle. You're filling her. She's stuffed to the fucking brim with your cock, bulging at the folds of her insides.

And, christ, her fucking waist. She is so small, so fragile-looking. You wrap both hands around her middle, and as her hips grind forward, meeting the roll, she grabs your wrists, holds your hands up her ribs and gets, and gets - oh, just where you fucking left her. Your knuckles are left digging to the silky skin, bruises dotting purple across her back, her neck, her tummy and her thighs, every surface - you're grasping and claiming what she has to give you, just a hint. There's a million and one ways to love, to give back, to please a partner - but you have one goal: you're not an artist, you're not a philosopher, or a poet - so you’ll leave physical marks, reminders, of everything you've done and will do. You’ll make her cum. Just hold her still and make her cum again and again and again. The weight, the lift. If she asked, you would. Fuck. You would. She rides your cock and rocks you into the upholstery of the passenger-side chair. She sinks down and presses her mouth to the edge of yours, just shy, her own teeth pulling at her bottom lip-

"Your cock feels," and here Irene takes the moment for a heavy, contented sigh. "-ah, fucking unbelievable. Your fucking cock, jesus."

Her voice is… it's really so dreamy. The praise does strange things: you reach down and pull her thighs so they tighten at your waist. There are no illusions here, she's found something worth chasing. The bare-boned desperation drives her insides wild, you can feel it. The clench, the pulse, the absolute slutty-slick dripping, a real, honest, aching cunt, warm and clamped at the hilt of your cock - it's obscene, and your patience is stretching paper-thin. You aren't asking any questions; she's not taking them.

It’s just you and this petite, absolutely stunning, heartbreakingly gorgeous girl sitting in your lap and working herself on you like a doll, and- oh. She really does look great. It's impossible to look away.

The windows are fogged, and her cunt feels divine as she runs you further into your car seat. Her hips snap up, back down - the soft drag and then the cinching flutter. The inside of her, a total fucking delicacy. One of your hands slides across her back, counting the rise-and-falls of her spine. One, two, three, and so on. Her lips are flush at your throat. You feel her whimper.

It’s the most perfect noise you've ever heard.

"Baby," she mouths at your collarbone, her movements becoming more spastic, more erratic. "I can feel you throbbing."

The encroaching dark keeps threatening the corner of your vision, so much tighter each time.

"You're going to make me," you're gritting through your teeth - this feels a little insane, a little irrational. "Irene you- you’re going to make me fucking cum."

"Oh?" Irene’s reply is immediate. She slams herself down on your cock, hard. "Then cum."

Your patience is truly nothing at this point. There is not a single breath left inside her either: the heavy swell of her chest is proof enough, those eyes fluttering shut, the angle shifting as her ass meets your thighs. "Seriously, I'm going to fucking fill you, and it is gonna slip all down the back of your legs - Irene - sweetheart, I’m going-"

Her fingers curl behind your head. "Cum," and she groans, "I know- I'm here. Take it. Use this perfect little pussy, I want to feel you cum." and you pull the pace up into a frantic tempo. The metal beneath your back creaks with the strain; the bounce of her ass against your groin. The moan, it pitches: a need, a lust, and she is rolling, rutting her body in circles on top of you, a wild gasp and then a beautiful cry, almost in pure unbridled ecstasy.

The angle shifts and - fuck. You’re able to fuck up into her so easily. Her cunt is hot and soft in all the right places, wrapped around your cock, tight and snug like she was made for you. Every drag of slicked skin and clenched muscle sends you both reeling.

"Irene," you barely say, and you're cumming, you’re fucking filling her up with cum - the only possible endgame. You can’t stop fucking into her even though she's just been fucked senseless, stuffed with your cock: little helpless noises, squeals and yelps like they're being tugged out of her. She goes limp on you, and then she collapses, shivering and whimpering with every deep-bore pulse: you're going to mark every inch of her body, claim every part of her soul.

"Oh my god." A groan. Another. It's coming off her like a wave - like a river, really, you're drowning. "It is so, so fucking hot. Your cum, in my pussy..." She trails off.

Her tight cunt twitches: pulsing with every motion. She squeezes down - hard. It takes a great effort for you not to let out a loud, embarrassing whimper. Your fingers dig into her ass, her hips, steadying her grind.

But you're looking right into her eyes when she falls apart, too, that long, tensing shudder, the gasping groan - fuck - because she feels exactly like everything that you've done, you know: Irene's tight cunt has kept your cock perfectly in place. She was just waiting for the spill of it before the final, hardest crest. The smell's in the air and the haze is all through her expression and, god, you want her, you could just sink a million words into that, every possible adoration and every bit of yourself and you still wouldn't be getting the entire story; just fuck - you can never not be fucking her, never not want to have her riding your lap, moaning out and falling and dragging every part of your body deeper-

"Mmmmm," Irene lets out, soft and satisfied, a tiny whimper in the way that she goes all soft around your cock and comes down and presses a wet, tired kiss at the base of your throat.

"Mmmm-m?"

"Thanks, I think." Her blouse is falling off one shoulder, the material crumpled. There are creases all across it. She's biting on her lip, flushed. "Thanks for that."

-

It has to be said, here - because you know, because the sun is setting on your open window and your arm is snug at Irene’s waist and neither of you even have to mutter a word to acknowledge the fact that it will inevitably rise across your living room carpet again. 

Irene is everything you might have been running from, everything you’ve ever chased - and you’d never ever stand a chance.

-

Greedy, however, just isn't the right word for it. Not really. 

It's the way she leans in when you kiss. The way she fidgets. The way her tongue brushes across her bottom lip. So no - greedy isn't quite the right way to say it. It's more: instinctual.

She's this not-so-subtle tincture of want and desire, in its most basic form - and that makes this all so dangerous, isn't that right, miss? Because want isn't something to toy with; want is, by design, something measured in its inability to be indulged.

(And for the record, your car hasn’t even moved from the lot. You were supposed to get frozen yogurt but that's looking less likely, judging by the way Irene's fingers are tapping lightly across your shoulder, your own clamping down on her chin.)

It’s just so indulgent. Irene hasn’t left your lap, blithely warming your cock for you. Stealing kisses while the day’s last light bleeds low over the buildings. Soft sighs. Whimpers, mewls, muffled little keens of, "oh, oh, please." You trace the edges of her, where your body becomes hers, and her movements are fluid - supple and knowing and just this side of eager.

The car feels now even more cramped and narrow than advertised, the sweat in your skin starting to bloom. The musk of sex, a creeping heat: "go ahead," you rasp out. 

She nods, a helpless dip, and that comes with a sigh, "yes, fuck, right there," her cunt squeezing, a hot, slick little velvety clench; there's something about being buried inside her and seeing her fall apart. This slow rock and build-up. All the hard edges worn to a perfect point. Her dark eyes are glowing, her clever little tongue darting to her lip.

You hold her, slumping together in the front seat. The leather squeaks with the gentle shifts, the slides. The color rising in her cheeks. She likes when your breath catches; her smile goes sharp, a hint of teeth: it's very obvious that she is very very drunk - on control, on cock, it doesn't seem to matter.

A beat passes before the architecture returns to her muscles. She's sitting up, and with your hand firmly cupping her ass, and your teeth pressed to the flat of her breasts. "You," she gasps, the most unironic and unexpected reply. The corner of her eyes is still glistening, still dazed, still blissful. "Don't play dumb. Fuck - no, don't stop."

"Sorry, say that one more time for me, miss."

"You- ah." She grins, and her hip shoves your cock out with a filthy wet sound in accompaniment.

The air of the car is sticky, and her slick is still covering your waist, so the discomfort makes the little groan extra appreciative, anyway.

"Fucking god-" she grumbles, and the whine that escapes is an order for attention.

You take her jaw with both hands. Pull her, and look her right in her eyes and kiss her. Not slow. Not gentle. Thoroughly, so the tip of her tongue reaches the very roof of her mouth. She ends up with her back shoved roughly into the dash, and your fingers tangled through her hair and tugging. And her laugh turns to a whimper, her eyes a half-closed - you fingerfuck her cunt open. Thumb pressed tight to the clit. Two, and the palm of your hand smacks between her thighs, resonating all throughout the car. It's your own hot cum coating your knuckles and drip-dropping off your wrist, so she's melting and needy. The evening's passing, her hands go to her bra, so she's twisting and slipping, the orgasms strung together like the pearls on her bracelet.

Her fingers squeeze yours, then let go.

She licks into your mouth. "Jesus, you're way too good at that," is what Irene murmurs, when you're both just left breathless, half-shivering, merely recycling the same torrid air.

"Let’s get you home, princess," you kiss into her skin, joking. "Before curfew."

She sits up. "Shut the fuck up."

"Sorry," you lie, smug - not sorry at all. "Can't help it. You're too pretty when you get like that."

"What, when I'm cumming for you? When your cock is inside me? When you're fucking my brain to mush?"

Her heels clack to the ground.

"You’re gross," she adds, and shoves your arm.

"You like it," you say to her, "don't lie."

"Because I’m just this sweet innocent thing, right? I can't be held accountable for anything. Look at you, fucking me like this - corrupting me." A flutter of eyelash, and she leans forward to meet your eyes. She's adjusting the straps of her bra. She's a picture-perfect pinup girl. "Is that really what gets you off?"

"It's not bad." You let yourself soak in it, for a second, just staring at her. "The whole naive, helpless schoolgirl act. It's a classic for a reason."

Irene snickers. It's sweet-bitter, and that's fitting. You like how her blush is red and stubborn.

"Goodness," she says, like you can't see the dust of a smile, of a smirk, take shape on her swollen mouth. "Okay sure, let’s get into that; say my dad is sitting up with worry." Her head cocks, playful. "My family probably sent a search party out for me," and her laugh's lighter than air, warm, a few shades shy of ridiculous - if you thought that the sound could make you as much of a fool as she does - then yeah, that’s pretty accurate.

"What - like in a rocking chair, with his shotgun and everything?"

"Yeah, you’re so fucking dead. He's so going to shoot you on sight when he sees the absolute state you're returning me in. His precious little girl, " Irene picks at her bra, tucks herself back in, adjusts her hair. The last of her hairpins drops, falls to the dash. It rolls back, between your legs. "Pull the trigger and turn you into swiss cheese. Last rites, eulogy, the full nine yards." Her makeup's smudged - red lipstick, the tip of her nose - and you just don't feel like pointing it out yet.

"Cremation, most likely?"

"Eh, who knows," she smiles, and now, more than ever, there's not a sign of hesitation in her face, her voice, the light and effortless way she drapes across the interior, stretches. "You’re so cute though. Maybe he'll give you a chance and let you run."

-

It hadn't really occurred to you until you arrived onto the front steps of Irene’s apartment and watched her sink back against the door, exhaling softly in the fluorescent light, her eyes heavy, but you have a sneaking suspicion that you're doing everything completely out of order. 

You aren't in some trope-addled tv drama, and Irene isn't your childhood-friend or your slowburn-material, someone with a sentimental backstory.

Maybe in a parallel universe, some twisted alternate ending, where she's in this long, silky wedding gown, both sides of the aisle are watching you commit sins the way people can't resist doing in those fuck-it stories, all heat and sex and dopamine without remorse - but not now, not yet.

(Probably - probably not ever, and if that's a cop-out you can't help it. Because isn’t it silly, the things the people will do. Pretending to not be in love, all for the sake of the chase - getting themselves hung up in this world of digital advances and missed connections.)

You'll regret it later, you think. That's an unforeseen variable you should've predicted, though, isn't it?

Because you've both loved before, both been hurt, the excuses are all in the chamber: all the mixed signals and stereotypes. How she looks at you - or doesn't, some days. Your past, hers, the differences. You've never known exactly how this should go, if there even is a best version of this love to pursue, the idyllic happily-ever-after, that perfect white dress. Fuck, that is not the daydream you're supposed to be having.

The story instead, is like this: you drive her home. She sings along to the music on the radio. She kisses you over the console at a red light. Someone honks. You walk her to the door, because you're old-fashioned when you think it’s useful. You're a charmer, she's yours. You grab her by the chin and probably end up making out for far too long.

Just imagine if it had all been by the book:

A first date, then text messages. A second, where you're supposed to invite her to dinner, drinks. You’re supposed to call her, on the phone, with your voice and everything - low, a little assertive - not bossy or controlling, no: that's what the third date's for. There's a checklist for what to do, what to say; how you're supposed to kiss her, and why she's supposed to act all shy, the picture of demure - like she's innocent, though she'll be anything but. At the end of it, you're supposed to pay. She won’t let you. You're supposed to walk her home. She's supposed to linger, put the keys in the door and ask you what you're doing next - she's supposed to look over her shoulder as she walks inside and say goodnight, be coy, let it dangle on the edge. And that's supposed to be that. All of it: quintessential.

Nowhere in that manual does it say anything about pinning her up against the door and slipping your hand into her slacks either - underneath the soft, dark lace of her panties and placing your other palm over her mouth so the neighbors don't hear what a little slut she can be when she wants to.

Just this side of coquettish. A total delight.

Irene practically sobs into the side of your hand. Her mouth drops open, and you haven't even really touched her; she's wet already, soaked - well. She's always wet for you.

"I'll catch you later," you breathe into her neck, letting your fingertips skirt the puffy lips of her cunt on the drag back up because you’re actually not old-fashioned, like at all.

She tosses her hair, lets a sigh run through her smile, the blush, the creased eyes - and disappears through the door. It's the simplest way you two will ever say good night.

-

Ignoring all the rules of engagement, you and Irene never actually tiptoe around each other.

There's never even been a third date because the lines between hanging out and fucking and hanging-out-fucking blur with astounding ease. It's no real shocker: it's the little details in the way you find her sitting next to you at work, hips shifting minutely from side to side on the stool as she sifts through sheet music, sipping her latte, just barely making a sound.

It's the little details in the way she shows up, dresses to all the events, hands brushing yours to call attention to the ends of her fingertips; it's how every camera in the room seems to favor her.

If any of the 14th-century courtship philosophers could ever weigh in, now would probably be ideal. You’d be grateful, sure - because Irene is the epitome of entanglement. And that's your excuse. If anything's going to kill you, let it be her.

-

The texts do dry up for whatever reason. 

Three hours between replies just to conceal a bit of earnest emotion or whatever. You wonder what that's called, wonder when it gets so boring - why all these steps had to be so dull, and why you can't do without them. The modern era has, after all, rendered the ancient rituals pretty fucking pointless - you could both use a time machine to the medieval ages, then you could get the fireworks. The gallant. Some declaration or betrothal - maybe a show of sword, a fistful of your bride's maidenhead. Or whatever the fuck they were calling it in those days, it all sounds a bit crude-

When it really comes down to it, this is less about the charm, the proposal, or the lack thereof. Less about the dear Irene, will you be mine, and more about the want. Want that's palpable, messy: about shedding decorum together and feeling filthy and rough, taking, receiving, biting into the sweet skin of her inner thighs and spanking her so hard she can't walk the next day.

That's all it is, you're pretty sure.

And look - she still attends a majority of your work functions even though, strictly speaking, she has no reason to. Everything is relatively normal, or maybe you don't know how normal is supposed to look, and that's alright because you're trying - and all you really care about is Irene smiling at you with that one knowing tilt of her mouth - and - and she does. 

Hey, you're not entirely hopeless.

-

(The toxicity, the slammed doors, ignored voicemails and belted taillights zooming off into the night - look, not everyone is built for all the drama, not everyone feels the thrill at the tip of their fingers when they cut their losses and move on to the next. Floating through the memories thinking, wow, what a waste of time.

That's not you, you're aware. And Irene’s seen it before, probably, had a story just like it in her own life, maybe been there, maybe not, but isn't it fascinating how all of it always sounds the same no matter how the story gets told.

So, keep it simple stupid. It's easy that way. Don't confuse her, or yourself, don’t fuck it up by demanding more. 

Afterall, it feels good, pretending not to care where she is at night.)

-

So - take some credit, you do something right for once. You call her.

It’s a Saturday and she’s working late because she’s a singer. She's between hair, makeup and costume. Bored. Or, pretending she is, and if you were a lesser person, the type to lie to yourself, you'd let the pretension sit as-is. It's not even difficult: no effort required to sit back, close your eyes, and listen.

"The way he was just staring at me was so embarrassing," Irene is going on about this production assistant, and her voice is always light, playful - it doesn't matter who, it doesn't even matter what, it's the cadence to her speech that lulls. "Like I could read his mind."

"Can't you?" you ask, indulgently.

"Okay, don't try being cheeky, mister," Irene scolds into the phone, but it's hardly stern; her tone's the softest kind of sultry, like caramel, dripping. "He wanted to bend me over the table. Get some nice little marks in."

Hey, who could blame him? She exhales, almost sounds annoyed - the pout on her face is practically audible.

You are not a good person by the longest stretch of the imagination. "Then what stopped him, princess?" you question, not a hint of chivalry left in you. "Fooled me - isn't that your kink? Fucking men you've barely just met."

She laughs - once, breathless and abruptly; something sharp. You're not actually joking and she can't pretend otherwise. "Fuck." The word is a sigh, the suggestion is all over the air. You aren't blind. "You would, wouldn't you? Probably love to see me bent over, too - and split in half on some stranger's cock. Worshiping it like you've taught me, or whatever the fuck."

You hum in amusement, putting the pieces together from what she hasn't said. "Aw," you coo. "Missing me already I see."

"Don’t flatter yourself," she shoots back, all quippy, fast: quick reflexes, the stuff of her brand. "What am I meant to be doing while I'm waiting for the crew, huh?"

And well, that’s the thing - you end up on the phone for far too long, far too late: she leaves you to wait a minute when someone knocks on the door, and you'll have her later, probably, but what's wrong with dreaming of fucking her in one of those dressing rooms, pulling that corset down her curves and kissing her silent in case someone walks by - leaving teeth and nail marks across the tops of her breasts. You expect her to bring the conversation to something a little more in the moment, but her voice carries back into the room and she's asking you, casually, what's for dinner, how was your day. You laugh, tell her a funny story that happens, talk about everything that's mundane, everything she should know and would know about you if you actually spoke all the words in your head.

"Hey," she says, at some point, quiet and suddenly gentle, and you're already wrapped around her finger and you've yet to tell her. "I like talking to you. Keep calling."

This isn’t like you, really. Or it hasn’t been - not in a while.

"As if that's up to you," you shoot back, your voice so dry you know she can see straight through it, but maybe you're doing alright, making leeway - because at least, it's a placeholder. Irene seems to understand what you can't explain.

"Ha." Another laugh, airy this time: easy-breezy. A vocal shrug. "My hair is way too cute right now to deal with your smart mouth, anyways - they're waiting for me." She hesitates, but the gap isn't uncomfortable, a space to breathe. "Let's just say you'll get tired of me before I get sick of you."

"Do you want me to see?"

"Later," says Irene, almost hurriedly, like an excuse, but in a pretty way, and the click on her end of the line is still warm.

(You hang up, stare at the wall and take deep, shaking breaths: in, out, hold - when you don't, you can taste her. But still, you wait for the feeling to subside.)

-

At first, she had seemed entirely untouchable. It’s funny. At first, you were convinced she'd look right past you.

-

She sends you a video, no commentary: the pretty, delicate sweep of her mouth brushing her shoulder. Her arm casts a shadow down the rise of her hips and your eyes trail that shadow south, across the soft planes of her stomach.

There are no questions after it, no words or emojis. Just her. In lingerie and no fucking context. The sound of her inhales.

(She says things with her face like that - or rather she says nothing at all. There isn't a hand-written translation key, though she leaves clues. She's playing it up, knows how you like her when she gets mouthy, lips glossy, knows how you like her panting. It wouldn't take much if she put her hand between her legs for you: you'd suck on her fingers, clean them off. You'd do anything.

The sound she does make eventually is low, frustrated. It's filthy - just thinking about her, all alone and barely touching herself: waiting for your reply.)

-

And yeah, it'd feel good not having to think about the bullshit anymore - you’d do your best to convince everyone that it's casual: the looks, the touches, all of it - the two of you together. It'd be a total lie, and you'd know it: everyone would know it, but that doesn't really matter. Because keeping things careless works. Never had it been about the feelings, and it's a cop-out, sure, that old cliché, but look - there's a really good chance you'll muck this up if you're given the power to put a name to the way her pupils dilate a half second before she grabs at you. Or the way you always fall a little more for her.

You think about that, about the worst of it: that she could ask you the most invasive question on her mind and instead, you'd answer, honestly and willingly, just like that: "hey, do you want to stay the night?" 

-

But here’s the thing: she's a singer and she's got all these friends. Colleagues and acquaintances from work who are, in her words, also 'friends' (code for: people I am required to tolerate by contract.)

Hey, you're no marriage counselor - you won't try to figure out the etiquette. And her labelmates aren't a total disaster.

It's only fair to make an appearance, meet all these alleged Bae Joohyuns. And - she likes it, in that way Irene likes a lot of things you do to her. She’s texting you a new address every few minutes, texting nonstop by the time you've matched a tie to a shirt and are actually considering heading out. It's this afterparty, or wait, sorry, we're actually at a bar now - no, scratch that, it's a friend of a friend's place, you'll love it, I think? - and you can't really picture her stumbling through the city at midnight like she is, but there's a blurry photo of her and Seulgi and Wendy crowded around a mess of champagne flutes on a counter. An outdoor patio, a rooftop garden somewhere downtown. Her dress is breathtakingly gorgeous. There's an arm snaked around her waist and that's - hmm.

Wendy wants u here lol, the next text reads, and okay, you can't actually be bothered to give her shit for that right now. She can't be helped.

Someone's having fun, you type out instead.

Maybe I'm bored, comes the reply, just as fast, and then a few seconds later: i don't think anyone knows me here.

You roll your eyes. You'd love her despite, or maybe because of, a personality like that. "Never took you for anything like a celebrity."

Fine. I'll have to think of something to do, then, Irene responds, almost lazily, the following text-delete cycle appearing under your thumb like some new and innovative high-speed braille. Maybe.

But you could also come over and get me off, you think she should add. That could be fun, too.

No dice.

Meet me soon, she texts, and maybe a drunk mind speaks a sober heart, but she doesn’t even know what it does to your stomach when she follows it with, I miss you.

You wonder, a little, how you got here. You wonder if things like that ever just become normal.

-

Kang Seulgi is standing out front when you spill out of an uber and onto the sidewalk, all stooped over under the yellow haze of the streetlight on the corner, smoke coming up off a cigarette hanging out of her mouth.

The chill night wind picks up and the edge of a leather jacket flaps behind her. It's almost eerie in how mundane the sight should be - and you think it's funny: Seulgi can make herself at home, anywhere.

"Hey," the brunette calls, stepping up. She's tall in her heels, the crescents under her eyes deep. The stars in the sky are shining against all the bright signs and street lamps, and it's hard to spot them. "Haven’t I seen you before?"

"Around the office, probably-"

Seulgi's eyes light up - she's not as drunk as the photo suggested, you think - and she gives a bright smile. Her eyebrows jump in recognition: a blur, the glimmering pulse of neon over glossed eyes and a lip caught by a canine. "You're Irene's-"

"-work friend," you answer quickly, before she has the chance to finish. It makes her laugh, which you weren't really counting on, and pocket her hands. You have enough bad ideas; you don't need hers as well.

"Oh. So you’ve got an arrangement," she suggests.

"It's an occupation," is as much as you'll tell her. "We all have one."

"Mhmm," she agrees, the wince on her face passing as a thoughtful hum. She shrugs.

"Did you-?" You clear your throat, don't know why it's hard to get out. "Is, uh, Irene in there?"

She takes a slow pull, long eyelashes sweeping over her cheekbones. Smoke spills out over her top lip. "Of course," says the girl, with all the attitude. "Just, not so alone."

"So," you start, cautious. "Do I even want to..."

Seulgi waves her hand, drops ash off the cigarette. "Nothing to worry your little heart over, friend," she mumbles, shrugging. Her fingers are delicate as she blows smoke between parted lips, eyes angling up at the city lights. "She said she was meeting someone cute. And I’m left wondering, if that someone could be you."

"Um," you respond. "Could be."

"Hm." The word is loaded, considering, and when she takes another step forward there's a smirk painted to her mouth, the deep red cut in the center of her lips almost reflective. She tosses her cigarette aside: a clean arc into a storm drain. "Interesting."

Seulgi's fingertips brush your collar as she ducks into the door in front of you.

"Later, pal," she tosses over her shoulder, and doesn't look back to see what happens next.

-

(You’d feel so much lighter, like a feather, with her off your mind.)

-

A crowd's scattered around the rooftop, now spread a bit thin - most of the people you recognize from tv screens and billboard ads, and everyone else seems a mix of other media. They're talking to each other in hushed tones about some shoot-down, this piece of gossip. They're comparing agent fees, checking the pockets of their jackets, flicking gold-plated pens in their designer hands. The whine of a power drill going a mile a second comes from over the railing: a few shots left to take. A skeleton crew works behind a camera, behind the glass, but no one seems to mind the business of film in the midst of celebration. They really are a different breed, aren't they?

You pick her out of the crowd instantly - in a white silk cocktail dress that costs more than a college tuition and no sense to act the part, Irene is seated among all of them like she fits. It's never a surprise, her at the center of things.

The seam at her hip rides up when she turns to reach for her drink, her leg extended long: overstretched, one toe pointed elegantly as if she could place her full weight onto a thin little stiletto heel and not snap both ankles. Her bottom lip is coated with bright gloss, pink smearing as it pulls at the straw.

There's a pause where everything slows down: she licks the crease of her mouth, sucks something golden and sparkling down, swallows, blinks - slow, pretty, perfect. Her hair is dark, cute, spilling onto her shoulders, and it brushes a collarbone, slips a little into the slit between her breasts. She's looking for someone, gaze traveling across the patio, swimming through the party - searching - and then, suddenly, those deep-water brown eyes catch yours.

They shine just a little bit brighter.

And then, the only logical thing: Irene smiles, before her feet carry you right in your direction.

-

Inside, things aren’t so loud. The night had gotten its worst out of the way early, the only source of music low and reverberating through the walls, the ceilings - all dark and liminal spaces; you and Irene find one to spare and fall into each other there, slow and searching and full of everything. It would be enough to get lost in her completely, this sweetness. You, and the kiss, and nothing else.

It's almost private enough to call it quiet; you're both out of sight and hidden, but there's voices, drowned noise all around. The bass can be felt through the floorboards, underfoot, but you can only focus on the rhythm that thrums from inside of her chest.

There's a disarm, here, too:

"I kissed someone tonight," Irene confesses, and then there's this break, a fragment where neither of you knows who you are to the other, what any of this means - if she'll bite down, be that sore reminder of a few unspoken words.

"Did you."

"Yeah," she says, exhale tickling your jaw. Her lips drag on skin, trace bone - and maybe it should bother you, but either way you can't help it: a thought finds purchase. Irene in someone else's grip, just enough a squeeze. Someone she'd like, or someone she could put herself back in a relationship with, or whatever they're calling this - and all at once, she's trembling.

The revelation is a bit like getting shot through the heart. A simple, awful: fuck. You think you might be bleeding.

Irene pulls the strap of her dress back up her shoulder and explains how it happened, out in that patio garden: a closed-mouth thing, some fleeting nothing, really, a bold dare on his behalf and her lack of inhibition. No, she assures you - he tasted like vodka and it was boring. She kept his hands off her ass, just in case you wanted to know. But still, the blood pumps harder in your veins knowing what she has and hasn't done - and what's wrong is how you only hear her confession in the middle of feeling something envious, a sudden, strong, profound desire to mark your claim: you'd leave this bruise, something ugly at the hollow of her throat. It makes you a possessive, possessive kind of person, and the sentiment, you figure, can only end in trouble.

"Sorry," she sighs, tipping her face forward to brush her forehead against yours, her eyes scrunching as she apologizes. "I don't think you wanted to know, but-"

You're trying to distract yourself; she's pressed between you and the wall, arms circling your neck as her spine bows under a bit of pressure.

"Yeah?" you question though. You can't not. There's this telltale roughness, the need to breathe: you'll hold on too long, take her mouth the way she deserves, keep her quiet, and let your tongue flick across hers until her lips are numb. "What then - should I care? Am I meant to?"

She swallows. It's all reflex.

"He kissed me," is all she says, and then her palm is stroking against the shell of your ear, soft, quiet. "Then he kissed me again." 

She shivers, eyes wide, wet and round and wanting: you could say you understand how he could only dream of being the one to turn her head and bring out her charm, the easy way she smiles, but-

"All I could think of was you."

There was never a chance to compete; this star whose shine eclipses. Your binary system was never quite fair, was it?

Your hands are on her wrists then, trapping them at her sides; her eyes smoky and dark and looking straight up at you. She can't breathe like that, mouth agape as your nose brushes hers, your words blowing straight against the heat of her lips:

"Are you still thinking of me now?"

It's only that - though you can hear a sound building up from her lungs. You kiss the line of her jaw and whisper things into her skin: you have me, you can have me, you've always had me. The truth.

And her eyes are slipping shut: mouth curling into the kind of smile that drives you crazy; half the reason why you're all over her in the first place. You don't care where she's been so long as this is where she ends up, your face brushing hers, the kiss held just out of reach - you press into her forehead, her nose, her cheeks; she tilts her chin towards you, begging you to just - but your mouth is on her, feather-light, not near enough: she chases the pressure, gasps your name as your lips find hers, tongue sliding right past, and oh-

It's fast. It's heavy: you take, you push; her whole body shifts and shudders when she finds a grip, one hand braced on your shoulder as the other swung upwards, pulling you closer by the jaw. Your hand runs up her thigh and you hear her inhale, deep.

Irene kisses you like she was made to. She makes sounds with her tongue against yours, ones that twist in you, wind, undo. Like this, it'd be so easy to just let it go - take, take, take. There's not an inch to hide as your hand climbs her bare skin, feeling a shiver rise as her breath rushes hot against your cheek, over and over and-

"Breathe, baby," you mutter, and Irene huffs like it's a game, one of her soft shuddering hiccups, like there's something you should've known - the gasp when you kiss her mouth open, how it was getting easier to drown. She's not drunk, but she's getting there - and she doesn't ask to take it back when you both tip and crash into the wall beside. The reverberation of her back hitting the surface is nothing like the rest.

You take her arm, press her further against the space.

"Bedroom," she barely manages to request. Breathes, the sound shaking and short, almost - almost a plea, or a prayer. A beg. "Somewhere quiet, please. Anywhere. Please."

There's nothing Irene doesn't do without grace - but how she needs you: her limbs give, and she sags, falls against the line of your torso. There's this full, bordering helpless sound as you find her waist, holding her up, pulling her closer. You're kissing in this empty corridor, knocking on doors, jiggling locked door knobs and wasting time, barely, maybe, forever until you can step back into some stranger's guest room: some hallway hideaway; the unoccupied kind of paradise.

"I want you," she mutters when your hand traces the slope of her neck, and then her face is burying against the space below your ear, her open mouth skirting across the sensitive skin there. "So bad, so much. Out of these clothes."

Her neck tilts and you lick. You find a place beneath her ear, kiss - hard. Irene says please. You leave a mark. You know you’ll leave more. 

An unlocked door, and she shoves you into a bathroom instead, fucks you in there with her underwear tugged to the side and her skirt rucked up her thighs: the mirror reflecting back every whine, the squeal you draw out of her when your teeth dig too deeply, the shock, the undiluted want in her eyes when she leans up against it. You have her half on the sink, your arms a cage around her lithe waist, your grip white-knuckled in the silk outline of her dress; she cums around your fingers, cunt slick and slippery, gasping your name so loudly that you have to shush her; and even after that, when her gaze locks into yours, the pretty round of her cheeks all red and her lashes stuck with her tears: when she tugs your zipper down, fits you between her legs and pleads for you to fill her with your cock until the tightness around it is unbearable, fucking her just as you're pulling apart her clothes, the clasp of her bra snapped so hard she curses - even that doesn't stop. She doesn't ask you to stop - she's incorrigible, needy, practically begging.

"Please." Again. Again, as she touches her cheek, fingertips on the skin that's already turning a deep crimson, all shades and blooms; and then she touches the lipstick-smudged prints at the top of her breast, and all the ones on her jaw. Your teeth, where it was light, and your tongue where it was hard. You took, and you marked, and the way she is, her thighs quivering like an aftershock; her body pliable, barely-breathing: that was almost all of what she asked for.

Your hips snap, and the impact jolts through her: ripples sent into the curves of her body from the pleasure, the pain. You try not to listen, not to look - not the obscenities leaving her mouth in a steady stream as you press her down against the counter: every hiss and moan, your name, jesus fuck-

Irene cums a second time with a wail, like someone's hurt her, like she's been set free, like she'll never again breathe so well as she does when your lips catch the scream and hold down the sobs, fingerprints at the faint, fragile curve of her nape.

"God," she whimpers into your mouth; and the sound, that voice, as she moans it to you: "your cock - is gonna kill me, baby."

Her cunt is tighter around your cock than it's ever been, this total vice grip, her hips lean and arched upwards where she lies, slick-dripping onto the bathroom counter; the edge of her heel catches on the marble-topped basin, and her ankle knocks over the handsoap - the whole of it hitting the floor and shattering. 

She doesn't care. She can’t. She's a fucked-out mess: her black hair in knots, sticking to her hairline, her face flushed with need.

"Darling," the sweetest, her soft voice cracking with a laugh, the tipsy tilt of a joke; she's begging with it, some lazy, pretty curl of a request, some pretty plea that turns around into a bite, the heat, the feral - you kiss her harder. Take her harder. Leave a few more marks: just so you know she'll still feel it later, bruised and sore and sorry, and it might be too much, but oh, the way Irene grabs and pulls and fights and tries to cling when it crosses the line; she'll be feeling this tomorrow, a sharp tugging at the inside of her chest as she rubs circles into the scrapes and imprints on her hip bones. This reminder; of what's right there, if only-

Mine, you bite against her skin, and the voice in her head might scream with it.

You can see the fantasy in her eyes: her standing here in the mirror after you've filled her pussy, fucked your cum back into her cunt and had your fingers inside her for so, so long that she'd been soaking, dripping with it - your palm pressing firmly on her swollen, desperate clit, two fingers hooking deep, right on the spot that makes her twitch, tremble. Her jaw goes slack, eyes fluttering and back arching as you watch her drip with the mess you've made of her.

"It was always, I think-" and she hiccups, a small pained sound, "it was always gonna be you." She says it like an apology, voice quieter, more uncertain, a little shaky. "I just can't get you out of my head."

Your hips are reckless, a little mean - but your mouth moves slowly across hers. It's tender. It’s everything. 

"Baby," you plead back: and it's something soft and small when you sigh it into her mouth. Your fingers tracing her ribs and feeling how she breathes with your every motion; how you're filling her so deep she almost can't. Choking, with a whimper, like it's hard - and then her jaw goes slack, eyes snapping shut - her knees bend - like she'll give up on the control. Her body slackens and gives under you; her legs widen to fit your hips, all her weight sinking backwards on the marble-top-

She keens when you bottom out, a high, delicate noise. Whimpers at how full she is of you; she must've felt your rhythm slipping and letting it run too rough-

And even then. She asks, totally breathless, panting: "Right there," and fuck, god, please. "I love this," she whispers, the sweetest, the most gorgeous, lips moving as slow as a prayer - "and you fuck so good. And-"

Irene swallows; her chest expanding and then halting, shallow and deliberate. Her chin turns; her mouth opening in some expression of yearning before the word comes; a gasp, and she can't - she can't quite-

"Keep- baby, please." Her throat makes a noise and all the words taper. "Please, right fucking there."

She makes another sound, strung out and desperate - and she keeps gasping the faster you thrust your hips. Each drag through her hot, wet cunt has you both clambering closer.

"This," Irene's panting, this terrible, wonderful realization in her mouth. "This feels like-"

A stutter. A strangled sound: you don't even catch a full breath before she's trying again.

"-like us."

Oh, Irene, her heart murmuring. Like something soft, like something hard - this burn, this hurt; Irene, in her prettiest, highest pitch - the way she speaks, the way she breathes, her voice dropping a decibel like some clandestine secret. Like sin, a honey-coated whisper in the space between you two.

"Irene," you say, and she melts like you’re inscribing it into her skin. DNA-deep, carved into her bones. She takes it like a baptism, something in it an invitation, a promise to hold her dear - and all at once, that smile grows, blooms. 

It's intimate. It's affectionate. Fuck, it's true.

You break open her world with her own name, spoken like a sigh and sounding like sin.

There's this hollow, raspy sound she makes. Beneath the shallow of her clavicle. When your fingers push down, her nipples pressing back into your palm - there, as her breath hitches, as she quivers - right there; her cunt trembles around you, eyes wide-open, and you're just watching each other lose yourselves until Irene has to beg for another kiss, and the next, her fingers grasping at the collar of your shirt as she slips her tongue into the corner of your mouth. You wonder why she bothers with perfume; when all she is is vanilla and cinnamon, a saccharine so sweet with a touch of spice; she murmurs the words into your ear: I want your cum. Fill me up. Use me.

You think:

God, her body; god, the feeling. The sound.

Think, still:

Look, your hand. At her waist. At her pussy. Right here. The place where you're connected. Flesh, bone, a stretch of skin - the raw, obscene mess you make; when all it takes is a rock of your hips, a thrust upwards and in to dismantle everything that is her, everything that is Irene, until her entire world is centered around you-

It could be a chorus, a refrain:

Let go. Let me see. Drown me out. Kill the lights. You’ll take three hours over three weeks where you pretend she doesn’t exist. It's simple. It’s, it’s-

It’s this: the press of her to your skin. The nails to your scalp, down your neck. The splay of her legs across your thighs. The sweat - hers, yours - all of it together; your mouths meeting and meeting and meeting. Again and again.

God. It’s the entirety of you which you were hoping to avoid. You love this woman. You fucking worship her, all of her, every piece and the whole - that she's making that noise in the back of her throat, soft; that her breathing is rising, ragged; that you do this to her, just this.

It happens in a blink. You tell her to turn. Tell her to bend. 

She ends up over the counter, gripping the sink, and you lift the fabric up to bare her ass and keep fucking her, deep, deeper. This sound is all you need, this whine that Irene makes, like you're reaching even her furthest, hottest spots - and then the push through her sopping cunt, how she spills around you and the slickness smears at the insides of her thighs; she clings and squeezes and fucks back against you so wildly, she doesn't even recognize her own name. It's the moment when she loses all sight: that's when you bury inside her, pull back her hair, wrap your hand around her throat, and she's under you, on you, body angling upwards like a flower to the sun. She cums so easily, shuddering into the pull of the climax; her pussy tight around the throbbing swell of your cock - the deep and penetrating pain of that desperate pleasure, like a flash-flood, an earthquake, oh, the grip, the warmth-

The moment stretches, just like that. 

Her heels kicked off and toes arching to scuff at the cool, tiled floors; she's sensitive; she wants to play dirty. Your grip loosens, that same tender thing when her throat bobs, a little movement, swallowing for you. She knows exactly what she's asking for, exactly what this all means - Irene begs so prettily: "put it inside me."

There's a few seconds in which you feel nothing but the heat and the way she flinches, like a reaction that's programmed straight into all her nerve endings; the raw instinct; the shudder from deep within her core when your hot cum finally starts to spill thick and heavy inside her - it's been too long since your last proper fuck, and her moaning in the mirror is, how do you say: an incredible inspiration.

"Your pussy," you can hear yourself say, throat gravel-dry. "Is so fucking tight, baby, shit-"

And she's nodding, voice ripped to ribbons. All the words liturgical, a prayer. She's begging with them; yes, please, fuck, god yes, give me-

Her thighs press together, but her eyelids have begun to fall.

"Use me," she mutters. Her breathing begins to even out - the very real sign she's spent, near unconscious. "Want this, want you - so fucking bad."

And the evidence is there. Irene is falling apart beneath you, hands fisting and legs spreading even further as she's braced against the sink, bent, and presented. All of it makes a beautiful sight: the spread of her toned, ivory thighs; her ass pale and her folds so pink; how she's bent, waiting. Everything about her is an artistic consideration, designed, purposeful.

"Christ," is all you manage. The strain is evident in how your tone rasps.

Because your hips are still pumping Irene’s cunt with cum. Fingers wrapped around her tiny waist and pulling her ass flush against your hips for good measure. Again and again and again; no room for doubt: you've missed the warmth, the fullness. Soaked to the hilt as your length curves within her; she coos, and she loves it. She says it’s ruinous. She says it feels incredible. She says it around the shape of your name and with no hint that you should ever stop fucking her apart.

"Feels so fucking amazing." She's panting and she can't say another word for a while; it's a fact and the other is simple. "It's - so good."

She can't stop moaning. 

You’re both breathless, watching her reflection in the glass, a study in motion: the soft bounce of her breasts in the mirror, the cords of muscle tensing in her abdomen, the small, pinkish mark blooming below her left ear. There's her lower lip, pinched between her teeth, her eyes flickering shut as her hair drapes across her naked shoulder and her skirt rolls higher on her waist. She doesn't try and muffle herself: you could hold her down, or even give her your fingers to bite down on - let her go a little wild as she wrestles against the instinct to stay silent, keep quiet. You plant an open-mouthed kiss against the side of her neck and look up, see her watching the movements, her dark eyes lidded, dazed, fucked-out-of-her-mind content as she smiles - lidded and lovely and impossibly knowing and rocking her hips into the moment.

"You are unbelievable, you know that?" you're murmuring, your palm on her shoulder. Pushing her flat. "Absolutely breathtaking."

You rub a thumb against her cunt, pull at the outer, exposed, sensitive parts as Irene's smile falters. You just keep pushing.

"Oh, baby," she whines, pleading for more. For one more press, another, anything: she begs you. "Your cum feels" - she swallows hard - "so fucking warm inside of me."

A shush, the palm soothingly pressing between her legs, and she bites her lips hard. Still trying.

So - you push it all deep into her cunt. 

There’s this beat, this moment, this quiet - where her eyes pinch tight, voiceless, speechless.

And right after, Irene is whimpering: her body seizing and shaking and arching away from the viscous slickness that just keeps building with each and every drag; the cum left on your cock when you pull it out, leaving Irene on the verge of sobbing, collapsing on her stomach, trembling. Your fingers are covered in her cum. And this is how she likes it, stretched and sloppy. The shudder through her body is proof: all over her nerves, electrified. Irene’s shoulders go limp when she feels the push - then your knuckles, curling. The gentle touch, the pressure, the fingers spreading her slit.

She asks what else, anything, please, and hints at wanting more; so much more.

“Irene,” you say, smiling into the ends of her hair. Maybe, you consider. Maybe later, maybe when you're fucking her flat on your bed; your cock up her tight ass or your palm coming down heavy on the supple roundness. You let her fantasize a minute, imagining it's the roughness she wants to receive; maybe the hot, slow grind of you still inside her or the whisper at her neck and her toes digging into the sheets. The offer has her breath stuttering in the mirror.

Irene tells you it's unfair.

"Sorry," you say, and don't mean a word.

Another breath in, the lungs expanding against your palm, ribs slipping. In and out, a reminder.

"Don't be," Irene manages, exhaling a laugh.

She offers you her lips, you know she doesn't mind - and she kisses you. You sink down to the bathroom floor and she sits so easily in your lap, your mouths meeting over and over again. She strokes your spent cock. Your hands squeeze her thighs and you take her chest in your mouth. Wiping your own smear of wetness off her tummy, bringing them to her face, letting her nose knock into your palm and lick at the tips. 

"Can you taste how sweet your cunt is? Baby," and your mouth is on hers, kissing all traces off her tongue-

There's so many things you could do, it's enough to keep you sated for ages. Her back is pressed against your chest, and you gently draw another spill of cum leaking out from her pussy; she shoves your digits into her mouth, sucks until her jaw clenches, your thumb rolling around the roof, tongue pressed right between.

"If someone sees us," she whispers, licks her lips, your fingers, moans, tilts her hips and grinds down a bit. "We'd be so screwed."

"Don't worry, I'd say," and you can't help the tease in it; your voice low and all grit, the heat and your heart rushing through every vein. "It'd all be my fault."

It's filthy: her sitting in the puddle of your cum, making it soak the thin material of her dress; your heavy spill leaking from her cunt and soaking your slacks as the mess seeps further and further down your pants and her ass-

"We are such a disaster." She says it wistfully. "You and me, like this. A total fucking disaster."

(With your clothes torn open, hair a disaster, the imprints of your lips and fingertips all over her, she means. If it was anybody but the two of you: oh, how ridiculous it would seem. But the sheer audacity of the possibility has her looking at the cum glistening on her thighs. Then looking back to you, her dark-brown eyes, brighter than stars, searching the depth of the hold in yours, your arms wrapped around her.

Maybe she just wants to have this. For as long as you're giving it to her.)

-

You can feel yourself falling so deeply into her, the pull. The draw. It feels a lot like being lost. Like, there's something about loving her. The night's long and she's pressed so closely, fitting like something just perfect, and the way her hands find your ribs is the nicest, fondest ache. You only break out of the haze once the footfalls of her heels begin to echo behind you. The bass fades as you both make a run for the exit. It gets harder not to laugh - your giggling voices slipping between you. You have her nose pressed to the dip of your collarbone, kisses dropping in her hair, her lips curved into a smile every time your thumb does another circle - that place right below her hip, or right there behind her ear.

"Take me somewhere," she sighs. Her body pressed against yours, her cheek snuggling against you.

"Any suggestions?"

She shrugs, and the elevator chimes. "I wanna sit with you."

When she leans forward, just the faintest movement, her mouth upturning in the smallest smile. Her eyes flit away, and her brow wrinkles and lifts, like this: here. You could swear, to god, or the devil: there isn’t an ounce of light inside you that doesn't live at her mercy.

The clock is ticking down into the small hours. The night at its calmest, darkest, most wicked stillness.  You ask her again, this time, just for clarity, a bit of guidance. "Somewhere we can go? If you have nowhere in mind, we could head back if-"

"No." Irene shakes her head. "Take me anywhere but home."

-

You're drunk. Irene's a little worse off. Her heel snaps. The usual grace, the poise, her ease, that’s all but vanished. It's just her: Irene. Hair windswept and the edge of her nose nipped by the chill, the moonlight.

She’s so fucking beautiful.

The night can hear her laughter in the air; you have her hands clasped around your middle, legs hoisted over your elbows. You’re carrying all fifty kilos of her across the pavement; the streets are quiet and the city's yours. Her dress bunches, and her voice is in your ear, a kiss peppered to the back of your hair. The both of you collapse and - ow, it's the crash onto concrete, a scrape and a bruise and a story to piece together tomorrow. Is this from the tumble? the sex? I don't know, Irene will say, sealing a band-aid over the red, the swell. Maybe this, maybe that. It all happened. The physical marks, the chemical thrill - the proof of life, a permanence, tethered.

"Let me, Irene," you're insisting, half-joking, pulling at the broken heel and tossing it a mile behind you. And like it's instinct, you just can't - can't help yourself. "Your legs are gorgeous, but, y'know. I’d hate to see you get hurt."

You run your palm down her calf and steal the other shoe. It gets tossed in the same direction, over her whine. "Babe."

Irene pouts, still too lovely, still too fucking sweet. 

She doesn't laugh, or blush, or try to argue. Instead, she sweeps your hair back, curls her fist at the nape of your neck, and suddenly you're staring, eyes locked and wanting. Irene leans in, her weight settling against your forearms, and gives you a look; just long enough and tender and dreamy and calm enough to have the ache of your heart match its rhythm with her own.

"What the fuck," and her smile cracks open as the words struggle in her chest; her hand goes down your arm and strokes a featherlight finger to the edge of your jaw. "Please don't throw away a woman's shoes without permission."

She hiccups. Sways.

You kiss her. And kiss her, and kiss her. Irene smiles right against your mouth.

"Stay right here," she says. "Go get my fucking shoes, but stay right here with me."

-

Look, it feels so good, not worrying where she is at night.

-

"I thought," she's whispering as you cross into a twenty four-hour minimart, Irene on one arm and both her heels in the other - a pack of wet wipes in your hand - and then her pausing, stopping; this brief flutter of something - she says, "I used to think about how this would all eventually fall apart."

Irene leans forward and gives her weight onto you, hand playing around with the sleeves at your elbow.

"I used to wonder which one of us it would be," and the cashier is ringing up your purchases: a bottle of water, a cold compress, baby wipes and neosporin. The ice cream Irene's insisted you treat her for. She runs a hand up the back of your hair and smiles when you meet her eyes again, "which of us would drop the other, you know, first."

"The thought still come up?" you say, sliding a bill onto the counter and offering a quiet "keep the change."

"Yeah, sometimes. Or I mean I'd be watching you, sometimes, I guess." She smiles at your reaction, bumping your shoulder. "That’s the look."

You're walking out to the parking lot and you're pressing a soft kiss against her brow, waiting, patiently; because you always do, waiting. "Do I need to ask?"

Her grin, close-mouthed and gentle, a tinge of fondness, of humor: "you're going to ask either way."

"Hm," you say, popping the lid off the ice cream, breaking off the flimsy paper seal of the container. She's in the pocket of your blazer, Irene's fingers weaving in between yours, her hand reaching for a bite and grinning all the while.

It's four-thirty AM and the early hours will catch up to you, but. It's this: the yellow-orange streetlight above the two of you and her bare feet dangling off a concrete half-wall. In a white cocktail dress and sitting, you and her, atop a parking barrier. You're here, together, watching the skies lighten in the east - there, where the road will split to lead towards her place. Towards your own.

"There's no way," she says, wiping the corner of her lips with her pinky and then making a face. "For us to be together and not mess this up, eventually, somehow." She steals the carton and balances it between her knees. "There's no way to save this."

"Probably not."

Her mouth curls. There, and gone; there again.

"Doesn't that scare you?"

Your stomach is a riot of twists and nerves and the base of your throat is tight, like a swelling.

"It does." You lick your lips, can't think. "A bit, sometimes." You look at her - her profile, her silhouette, the messy, knotted ponytail, the wisping hairs beneath her temple. The press of her lips, how the gloss rubs off onto her knuckles, staining. "But then I see you - and I can't imagine how I'd even pull a 'it's not you, it's me,' convincingly."

Her throat clicks, and she leans her head against yours, and you're forgetting everything else.

You both stop. Sharing a bite. Sharing the silence.

There, and gone.

"Hey," she breathes out - and you can't explain her expression, how her brows knit together; she squeezes your hand, a tremor, and the corner of her lips pulls upwards, almost apologetic; sad, or thoughtful.  "This ice cream is so fucking freezer-burnt."

"It’s not great."

You watch her nose twitch like she's holding back a sneeze, or a sniffle. She laughs instead and leans against the warmth of you; the smell of her, your bodies touching.

"I love it," you hear her say, and she doesn't give the container back.

-

Irene falls asleep in the backseat of a cab as the sun rises, your blazer draped over her chest; she murmurs your name and pulls closer, seeking warmth. The traffic thins as the roads lead to where she'll disappear, and you find yourself dreading it already.

In a day, maybe two. It’s funny. You could end up hating each other. You might have to force a pause, or take a break, or even step back from her entirely. That’s how it goes. It's the hardship, it’s living - it’s the knowing that she has a lease on life that will end, will expire, a loan where all her days are slowly counting down; a timer you recognize the injustice that it might someday read zero.

Not to get too far ahead of yourself, or to project some awful ending where one isn’t likely: but when Irene and you are like this, soft, sleepy, curled into each other; her hand at the small of your back, resting; this close, and closer. Your heart aches with an ambiguous type of feeling, indescribable-

Irene shivers a breath and presses her face into your shirt; and like a revelation: you fall further.

"Where do I take her, sir," the cab driver asks, and your eyes turn, watching her chest rise and fall, steady, easy; as her grip grows looser and her cheek presses onto the leather seats.

She's too gorgeous, too pretty in slumber, in sleep, the innocence the most dangerous thing; you fix these wispy tendrils of hair back behind her ear and press a hand to her temple, stroke the line of her jaw, the bow of her lip. How soft, she's always the sweetest sight - with her head resting, her mouth falling slack, eyelashes fanned out over the fullness of her cheeks, and all of her like this, all her darkness tucked away: you think about all those times you've traced her from across a room, across a city; if there was anyone else you'd rather wake up beside, in your bed and beside the pillow; someone who doesn't pick your fights and your silences and loves them in spite of, despite everything. Who lets the fights burn white hot until it leaves you both splayed raw and exhausted, in her, on you-

Someone who fits so, so perfectly with the grooves and the curves, who completes you.

"Just drive," you murmur, looking away, blinking away. "I'm not gonna remember."

You're thinking about a book you'd once read, an idea. The world of difference, the fact in its finer detail; all the myriad iterations of 'loving' and 'missing' and 'want': the imperceptible shifts between being the absence of something and feeling it, tasting it, taking it, drowning it and holding it in your palms, seeing it every time you turn, breathing, living: wanting to never let her go-

"You alright back there, bud?" the driver asks. The tone: the slow and steady understanding, his age, how he watches you, the soft shake in your voice, the gentleness with which you hold your gaze - he knows. A blind man could read what your heart’s written on your sleeve. "Late nights are a killer," he says, a chuckle, before shaking his head, muttering, "but mornings even more."

There are a few more hours left. Maybe more, maybe less, of not worrying, and not caring. The thing about loving Irene is this: her touch, the press and the tugging and pulling; her body and her heart; she can be anyone, the best friend, the boss, the mistress, the princess. The pet. And you would be remiss, she says, not to remember: you, too, can be just anybody. So long as it’s you, I always come running.

-

It's the last time you kiss her, and that's an okay thing; you pull off the side of the street to brush your hand up to her temple, and when Irene opens her eyes to you, her lashes fluttering against the swell of your cheeks; her hair in soft strands over her forehead and framing her face like this. This vision of her is for you, all yours, all the little things.

"I’ll see you soon," Irene says, sleepily, and you know that you will.

-

The nook she occupies in your head by now, is so well-established.

You can't remember when it began. Not like there was a sign, a hint, or a clue. Just, her. And her lips and her tongue and her touch, all this reckless abandon - like everything else, there had to be a leap.

Even with all the lights burning out and the moon hidden in clouds and the nights and days unraveling around you - in those early days, the press of her shoulders or the palms of her hands would always send the worst kind of butterflies through you, like everything else - just her, the sway and the tipsy, the turn and the look she'd have before she would touch the pad of her thumb to your cheek and drag her nail down the curve of your smile.

(It had felt - and you're no longer in it - but it had felt so frighteningly fast.

Weeks, she had told you once. I fell for you in weeks. Months? Years? Fuck, no time at all.)

-

"Hey," Irene says in the not-so-distant present. She's sitting across the kitchenette - knees under her, bare feet pointed to the window, and the steam rises from her tea.

"Mornin'," you mutter sleepily. Stretching, craning your neck and arching your shoulders and ignoring the pop in your lower back, the strain at your ankles. Irene tilts her chin up and blows through the steam. There's an air of self-sufficiency, a state of mind she seems to always have, as if, the ability to ignore her vulnerability is a muscle she could constantly flex, expand, train herself to avoid - and all you're noticing is how that small movement has her shifting and curling over the cup, trying to keep warm. Her hair is pulled high in a knot and held up by an elastic, her baggy sweats loose and rolled twice over, the camisole low, a thin strap sliding off her shoulder.

"When'd you-"

"Had to wake up earlier today." She blinks, her legs slipping open, bending.

"Any chance-"

"No." And Irene snorts. The teasing pull of her lips has your stomach twisting a little more: "you know me."

That you do; the lazy Sunday, the slight pull in the center of her lower lip as she purses it. Irene, with her hair messy-perfect and that stupid fucking smile, so careless, and the joke-flirt she's doing; she knows just what she's doing and, yeah, god. You still have a weak-spot for her and it's so big; the twist in the base of your throat. Your morning wood rising. You’re familiar with this: the deep ache.

"You know," you say instead, blinking through the heaviness of your lashes and scratching a thumb against the line of your jaw. "A girl could walk in and mistake this for an affair."

"Girls love me." She turns the cup around in her grip and grins again, makes sure that the image stays locked. "Or," and Irene holds up the fingers, counts on two. "I've had two affairs in my life. One is basically a distant memory-"

"The other?"

Her teeth press down on her lip again. "How am I doing so far?"

"Honesty and self-disclosure in the kitchen, at eight in the morning? Irene, you're really outdoing yourself."

She lifts a brow, then brings the mug to her mouth - like a second-rate cigarette and a scalding-hot burn. "If you did bring a girl here," she says after a while. And, smiling: "she'd see me sitting here, incriminatingly pretty. I mean, she'd probably cry. Screaming fits, a fist fight. Then the waterworks - oh, he was my first! I loved him! He took my flower - ow, don't touch me, I think I might faint-"

"I doubt it."

"Ooo," Irene sing-songs, turning and crossing the space to sit on the armrest beside you. The sway of her body's so obvious. You've got enough room to pull her onto your lap, but you keep your hands to yourself. She runs the tips of her nails over your shirt, just above the buttons and across the sleeves. "Hun, I bet she'd kill you. It'd be very bloody, but romantic. Sad, but inspiring in a mundane sort of way - something you've only heard in mystery novels. Riveting, sordid stuff. Could fill your entire inbox. I mean, as they say in Chicago: he had it coming."

"Nah," you decide, after a yawn. "Too dramatic."

"Not at all," she scoffs, peering at you over the tops of her glasses. "The man she loved was a heartless betrayer."

"Can I ask why my imaginary girlfriend always comes across like some cliché young ingénue? You seem to have a lot of opinions about this girl."

"What, the girl next door, a little smart, but neglects her intuition?" She flips the bun at the back of her hair. "All wide-eyes, a ribbon in her hair, a flower-child who's seen too many Wes Anderson movies." She sticks her tongue into her cheek. "Never once stops thinking about the bad boy."

"If you want to get technical, all my girlfriends have been older than me."

"Whoops," she says flatly, hand falling to her collarbone, "spoke too soon. Got you wrong. No need to panic. I'm sure you, a man, are not drawn to some young thing, easily swept up in a passion. Simply, if nothing else, for the sweet naivete. Those hushed little moans and then, the screams. She would tell you it hurts - and on the same note, she’d be begging you for more - the little slut. God, she'd still be so, so nice and soft and quiet. Ready to be anything for-"

"And if you're the girl?" You stand up and grab her wrist. "What then?"

She pauses, considering this new development.

"You do not treat me very well." Irene pushes the bridge of her glasses back up the curve of her nose. "No candle-lit dinners or grand, public gestures." She twists a curl of black hair around her finger. "Definitely not a confession on bended knee - oh, no, never, never - you'll not have to stoop to that. Because you are, in fact, quite terrible at it. I don't think I'd have a single opportunity to pine pathetically, waiting. And maybe you're a bad kisser, actually," she concludes.

You tsk, scandalized. "You are really not cut out to be the ingénue at all."

Irene laughs, softly, reaching out to tug gently at a tuft of your hair. She smiles up at you - and it's so easy for her, somehow. So graceful. "Shall I fix that for you?"

"Do not fall for me, sweetheart."

"I will try to resist the urge." She tilts her chin and presses a finger to her lips. "Kiss, first."

You lean forward, let your nose bump her temple, her hairline. "Glasses, first."

"Whiner," she murmurs. She yanks, gently. Tugs and pulls, and presses the pad of her finger at the sharp cut of your jaw - her gaze half-lidded and slow as she holds yours. Like she's reminding herself, something she can't forget - what it feels like, exactly. A reminder. You can only keep your eyes on the slide of her jaw. "Gonna keep you like this forever."

"Love," you find yourself whispering. Sometimes you wait just so you can relive that first kiss. Irene swallows. "What a beautiful temptation."

-

You imagine, again, if it had all really been by the book:

Three dates and a letter of recommendation. Making her pay for half, instead of making her feel guilty about paying at all, which for the life of you, you can't fucking figure out: how to treat a woman. Chivalry in modern times: a fucking travesty, truly. She'd lure you to her apartment, or you'd do the same to her - just after the first, you know, the obligatory. The getting to know her, except you'd end up skipping the post-dinner steps of being a gentleman, which would leave the night open-ended, and you wouldn't give it much thought until the kiss against her door is so fucking filthy it makes you reconsider everything and everyone, you know, the morality of fucking someone more than once in a day.

You'd have hit all the milestones, she'd have to lead you to bed, and you'd play all her favorite movies as she lays across your chest and shows you what she likes to do best: finger herself, or something. And you'd talk about it, afterward, you'd acknowledge it - because this should be what dating is, right? This should’ve been the next few months of your life. Running that same exact pattern, knowing each other so well you can tell what sex will be like before it even happens, anticipating exactly what kind of text you'll get the next day - the call the following night, the feel of her hands on you in all the right places. The lazy moans, her lipstick imprints on your skin, the smile at the corner of her mouth. Nothing like putting your own fucking hand in her pants and rubbing a few hasty circles until her slick gathers around her knees and she can't walk for a whole day.

Things fall into place, they fill gaps, the idea must be mutual at some point - mutual attraction, mutual enjoyment-

How it is Irene got to spending five, six nights a week at your place is beyond you. Not because you're worried about what people will say. You're not. It's just - weird, to not know what you've done to make this last so long.

Are there rules to loving someone? Is there a checklist, a script - what praxis will keep things in place: comfortable. Last you checked, you have no fucking idea how to treat someone like she deserves. To treasure and cherish, hold her tight but never cage - what qualifies, huh?

"Irene," you say, one day - as you're both brushing your teeth. Because really, what does.

She looks at you like she's bored.

"Forget it," you reply, laughing to yourself and leaning down to rinse your mouth. "Idiot."

"Wait, no," she says, stopping mid-brush, her toothbrush bouncing obscenely in her mouth. "What?"

"I said forget it," you tease, and of course, the glint in her eyes is a warning if you ever saw one - but who would you be, then, if you didn't lean in close and tell her, ever so gentle. The three words could be: not a clue, or, you're so petty, or, simply, I adore you and she’d let that one lay to rest.

You choose them a little differently, and Irene's face lights up like she hasn't known all this time. 

A foamy spill of toothpaste leaks down her chin. "Th'a m'eh?" She's a mess, wide eyed and dripping and already reaching to swat you on the shoulder, disbelieving. "You can't just-" and her face scrunches, this exaggerated - ugh! - before she hides it in her hands.

Oh, you love her, and it feels so good, not pretending.

"Again. Say it again. I didn’t even hear you." She knocks her knee against yours, grinning behind her palms, wide and genuinely - happy. "Like, have some decorum."

Laughing - so hard you can't breathe - you shake your head and curl your fingers tenderly around her wrists, pull her hands from her face. "You are so greedy," you attempt between breaths, letting yourself press against the softness of her palms, her wrists, the pads of her fingertips - wanting to be a poet, she is a masterpiece - and tell her properly.

-

a/n: thanks for reading, it's always unbelievable to me anyone ever finishes these fics. This one's a very belated 'thank you' present for @yieldtotemptation. I'm like way late, but thanks for everything.

[yandere-romanticaa]

⚘ 𝘢𝘴 𝘴𝘸𝘦𝘦𝘵 𝘢𝘴 𝘢 𝘮𝘦𝘭𝘶𝘴𝘪𝘯𝘦𝘴 𝘴𝘮𝘪𝘭𝘦.

The Iudex of Fontaine is a busy man. However could he possibly keep track of you in the hustle and bustle of everyday life? Fortunately for him, the Melusines have his back.

yandere! neuvillette x gn! reader.

Soft orange cracks of the setting sun lurked in the office of the Iudex, the endless stacks of papers causing him much stress as his mind wandered to literally anything other than the work he ought to be doing. His hands shook with worry as he glanced over at the large glass of water beside him, the clear liquid seemingly staring back at him, daring the man to finally make a move.

Despite his status, despite his power, Neuvillette was but a man when it came to you.

Never in his life had he allowed himself to grow so attached to another person. For all those centuries he spent walking on this Earth, Neuvillette kept a calm demeanor and polite face to the world. He was renowned for his kindness and gentle heart despite the viciousness his duties required of him. He stood high as the personification of justice itself, a proud symbol of everything which needed to be held up high and respected. He was indeed very much respected. Even loved in some special way by the people of Fontaine.

He never realized just how much his soul ached for the presence of another human being by his side, someone who was willing to allow him to just... be himself. Someone who would allow him to drop the mask for a few blissful moments, a person who would tell him that it was okay for him to make a mistake.

Neuvillette never acted on these desires.

That was precisely why he felt so starstruck at the downright violation of his heart.

How could you do this to him? How dare you do this to him? Neuvillette lost count how many times he tried to shoo you off but it was to no avail. It was as if you were glued to him by the hip and he adored every moment of it.

His weeping heart was not ready for the intensity of his emotions.

Sometimes when no one was around, he would shed tears at the thought of you. What were you doing? How was your day? Why did you care so much about him? Were you even aware of the emotional turmoil you caused him? Honestly, he could not even be mad at you.

He loved you too much to ever be angry with you.

Dark grey clouds would hover high above all of Fontaine, the tears of the crying dragon cascading down the world. Neuvillette would sit in his office, alone and scared, with no one to comfort him.

That was his first initial thought at least.

Some people say that there is a rainbow behind every corner and as time passed, the Iudex learned that lesson too. Tiny footsteps would tail behind him like looming shadows, always there but out of reach. Whenever he would turn around there would be no one there and if there ever was he would have to lower his gaze down towards the ground, only to be met with the face of a smiling Melusine. He would have a chat with the sweet creature which always managed to lift his spirits, even for a little bit. The conversations were usually brief but as time went on the tiny Melusines became more... nosey, shall we say.

They would ask the Iudex personal questions which they could have not known about such as who was that person who kept visiting him in his office. What was his affiliation with them. The blush on his pale cheeks always gave him away which always caused the Melusines to giggle but they would say nothing more, always dropping the topic as fast as they brought it up.

Melusines did not understand human nature and its complicated feelings. Neither did Neuvillette, which they knew. That was no reason for them not to try to learn.

One day though, Liath delivered a set of organized documents straight to Neuvillette's desk. He first found this to be odd but the Melusine said nothing, only giving him a mysterious little smile as she waited for the Iudex to see the contents of the things she had brought.

With a delicate touch, Neuvillette took the files in his gloved hands and opened them carefully. His eyes widened in shock as he read everything with utmost care.

Absolutely everything inside was about you.

Your height, weight, age, birth certificate, some little things that were written down by hand such as your hobbies, names of friends and family, places you frequented.

Neuvillette quickly shut the folder, his heart pumping hard and fast as he looked back at Liath.

"This was a joint operation by all of us. We just wished to ease your suffering, Monsieur Neuvillette."

He could feel his throat drying up with each passing moment, any semblance of a potential word which he wanted to say all dying on his tongue.

This was wrong, illegal even.

He still could not help but to feel touched.

He did not reprimand the Melusines for their actions. He was ashamed for relying on such tactics. For the time being though, this could be a surefire way to help him ease his anxieties.

Perhaps he could even woo you a little in the process as well...

🖤 TAGS: @genshinarchives, @mod-kisa-blog, @juuuuuj101010, @kalopses-sonderes, @b10h4z4rd, @xiaopleasecomehome, @mayulli, @saturnalya, @alatusprinz, @ficsreblogs, @lakxcpsta, @mewmeowmika, @ranposgirlboss, @goldenglow149

[too-much-tma-stuff]

Finally getting help (pt 2)

This one actually is edited thanks to @basementqueercock! Thank you friend!

part 1 | Masterpost

-------

Vlad had been making a stink at the Gala about the Wayne brats taking his godson from him without his permission when the music suddenly cut out. Bruce Wayne himself stalked towards Vlad with an expression that was honestly a little intimidating, even if Vlad obviously wasn’t scared of such an empty headed pretty boy even if he was one of the richest and most influential people on the planet. He was Plasmius! He could take a rich pretty boy is he had to!

“Ah! Mr. Wayne, thank goodness! Your children have taken my Godson off somewhere! I’m sure it’s just a harmless prank but he’s a bit fragile and unpredictable so I really think that it would be best if-“

“Is he fragile and unpredictable because he’s pregnant and you knew?” Bruce asked low and dangerous. Silence spread out around them, even though there’s no way they could have heard they saw the look on Brucie’s face. He rarely got angry but when he did it was serious, when he did it usually meant someone had hurt a kid.

Vlad blanched for a moment, Danny had been so tight lipped about it, so unwilling to tell even those he trusted how did These people know?! “What? What on earth are you talking about? Of course he’s not pregnant, I mean he’s a boy!” Vlad huffed and Bruce’s jaw tightened even more somehow.

“He’s not leaving with you. Get out.” He said low and menacing, then raised his voice. “Sorry to cut the party short everyone but something has come up, a situation that really needs my attention so I’m going to have to put an end to the party early.”

“What do you mean!? He’s MY God son! MY heir! You can’t just keep him from me!” Vlad said, he knew that his eyes were starting to glow a little red but he couldn’t help it. “He’s MINE! Return him to me or you will regret it I swear!”

“See him out.” Bruce said dismissively to a handful of guards who had approached at the start of the commotion A lot of the socialites were already starting to see themselves out, now was not the time to argue, or even stick around when it looked like this might get physical.

“I will be back! I will be back with lawyers and police and the brat’s parents,” Vlad vowed but couldn’t risk fighting the guards any more than a usual old man would on the way out with so many eyes on him. Well he just needed to find a place alone. Then he could transform and come back, possess Bruce Wayne and make him do something heinous in public to ruin him for this.. this- this INDIGNITY!

-------

Bruce was having a hard time keeping his Batman expressions off his face as he saw that everyone was out of his house and he knew his children were having the same trouble. Dick looked like he was ready to bash someone’s head in and Steph wasn’t that much better. Damian was standing by the door, seeing everyone out with frosty politeness that no one would mistake as genuine. Bruce felt just a little bad, it wasn’t anyone’s fault what they had found tonight. No one else knew about the clearly abused teen they were currently harbouring, but none of the family could help it either. Bruce would send all the guests gift baskets once they could announce what was going on.

Alfred was on the phone with Bruce’s lawyers, sending them the mildly distorted audio from Danny’s earlier conversation with Cas and Dick, and the footage from Vlad Master’s outburst. That had the same sort of distortion over it too which was odd, he’d have to look into it. Cas had already informed him she thought Danny was a meta of some sort, maybe it was connected to that? Or maybe they were aliens? Though Danny being trans was currently the most plausible explanation for his pregnancy. They’d find out more later. What mattered was the footage of both of those would be enough for Bruce to get emergency custody while the family was investigated. 

Tim was with Danny in the room Alfred had fixed for him, helping him settle in and lending him some clothes. Tim was the closest to Danny’s age and also one of the calmer ones right now so he was in charge of trying to make Danny feel safe and comfortable while the family took up battle stations to deal with the legal and logistical elements of this.

Bruce made sure everyone was out, the perimeter was secure, and Oracle was at her computer watching the security feed for anything suspicious including the pattern of distortion Vlad and Danny seemed to emit. He wasn’t sure how paranoid he should be about all this, but he’d seen the way Vlad’s eyes sparked red when he was angry and Batman was sure he was a lot more dangerous then he first seemed. And not just in the way that he was apparently willing to impregnate a boy young enough to be his son.

Finally he couldn’t avoid going to check on Danny anymore. Not that he was Really avoiding it, just that he knew this was going to be an exhausting and difficult conversation and he needed to brace himself for it. With every step towards Danny’s new room he felt the weight gather on his shoulders of what this child must have been through.

He knocked, and let himself in. Immediately clocking the way Danny tensed at the sight of him. Of course a rich older man would set off his alarm bells. Bruce gave the softest smile he could and went to pull out the desk chair across from the bed Danny was sitting on, well out of arms reach so he wouldn’t seem like a threat as he sat down. He glanced at Tim who nodded and went and sat on the bed next to Danny. Solidarity, willing to stand up against Bruce if Danny needed it, safety.

“Hello Danny, it’s nice to meet you. My children told me a bit about.. your situation,” Bruce said with a small grimace. “Would you mind if I ask you some questions? I promise I won’t judge you whatever you say, and I promise I am on your side. No matter what I will try to keep you safe okay? Just tell me the truth, it’ll help me do what needs to be done.”

“Alright Mr. Wayne,” Danny said, though he was still wary.

“Thank you, please call me Bruce. So first, what’s your full name?” he asked deciding to start super easy.

“Daniel James Fenton,” Danny replied softly.

“Your parents names?”

“Doctors Madeline and Jack Fenton,” Huh the fact that he called his parents doctor like it was part of their name seemed to be significant though Bruce wasn’t sure exactly what it meant.

“How old are you?”

“I’m 16,” He said. A little older than he looked but still no where near old enough to have the weight of the world on his shoulders like he did.

“And you’re pregnant?” Bruce asked as gently as he could, Danny nodded. “And you’re sure?”

“Yes,” Danny said softly and Bruce nodded, licking his lips a little.

“Did you take a test then?” He asked and Danny grimaced making a so so motion.

“It’s not… that simple,” He said softly.

“Can you explain it to me please?” Bruce asked softly.

Danny took a deep breath and licked his lips, hesitating, opening his mouth to stat, hesitating again and biting his lip. Bruce stayed quiet as he watched the conflict on Danny’s face. “You work with the justice league right?” Danny asked suddenly which seemed like a bit of a non sequitur to Bruce but he needed. “A bunch of the members aren’t human right?” Ah, Bruce nodded again. “And you’re okay with that?”

“Of course I am Danny,” Bruce promised, soft and reassuring. “People don’t have to be human or from earth to be people. Whatever is going on with you you’re still a person, and a kid, and deserve to be protected.”

“Okay,” Danny said as he scrutinized Bruce’s body language for any sign that he was lying. “Okay. I’ve never been able to trust any adults with this shit but I can’t keep doing this on my own so okay. I’m not human, not fully anyway, not anymore. These are..” He touched his stomach. “Like if you did an ultrasound you wouldn’t see embryos more like… Hang on Here.”

Bruce blinked as Danny suddenly, reached Inside himself, and before he could panic Danny had pulled out a perfectly round object that filled his palm. It shimmered with light from within, cold and sparkling with stars. “Our kind is more energy and light then anything else. This is Us, the mind, heart, everything we are is stored in our core the rest is formed around that. I mean for most of my kind, I’m still half human.” Danny said before replacing the orb inside him. “I have two other little cores inside me right now, feeding on my energy to develop properly, you could see them on an Xray. I don’t know how long they’ll take honestly.” He sighed caressing his stomach again.

 “But I can feel them inside me, I can feel their worry when I’m scared, and their joy when I’m happy, and their love. They’re my babies.” He said with the softest most paternal smile on his lips. The bags under his eyes were awful, he was clearly exhausted and stressed, but his expression told Bruce Danny thought it was all going to be worth it for his children. It brought a lump to his throat he had to clear before he could speak again.

“Okay, do you have access to healthcare appropriate for your.. species?” He asked and Danny nodded. Though he was tight lipped still.

“There are protections for non-human species in America you know,” Tim said.

Bruce and Tim exchanged a confused look as Danny barked a laugh. “Not for MY kind, we were specifically excluded,” He said with a wry curl to his lips. “The shadow or echo left behind when a proper human dies, not sentient or sapient they say. Malicious and dangerous they say. To be captured or exterminated on sight. They would take me, experiment on me, probably put my babies in jars or something.”

Oh, oh fuck, he was shaking, eyes blank and glassy like he was heading towards a panic attack. “Danny! Danny look at me,” Bruce said as he leaned forward and Danny’s gaze flicked up to his face. “I don’t know who ‘they’ are but I promise I will do everything in my power to make sure they don’t get you. You’re clearly not what they say, and anyone who would hurt a child is not the good guy in this story.”

“Who are they?” Tim asked with an expression that promised swift and vicious retribution.

Danny took another deep breath. “The GIW, the Ghost Investigation Ward. They’re a government agency, they’ve been hunting in my hometown for a while. Early on we tried to call the Justice Legue, but I think they were jamming the lines or something,” Danny said looking down and biting his lip.

Fuck this poor kid really couldn’t catch a break! Bruce was sure that the ‘ghosts’ these idiots were hunting weren’t really anything of the sort, but he would look into this and see what he could find. Tim was clearly itching to as well bad he wasn’t willing to leave Danny alone with Bruce, good lad.

“And what about your parents? Do you think you could be safely returned to their home?” Bruce asked, as much as he wanted to keep Danny reunification was supposed to be the goal of fostering.

“No!” Danny nearly yelped sitting up straight. “No! They work for the GIW! They design most of their weapons. If they ever found I’d been contaminated- I don’t want to think the worst of them but even if they still recognized me as their son the babies-“ He cut off, wrapping both his arms around his stomach and curling in on himself.

“Okay, we’ll call child protective services, my lawyer, and the Justice League. We’ll get to the bottom of this,” Bruce promised Danny. “And you can stay here as long as you need to. Is there any other family you would want to go to?” Bruce asked, just to be sure, but he wasn’t surprised when Danny shook his head and grabbed a pillow to hug.

“And I know Oracle and Red Robin will be itching to find out more about this ‘government agency’,” Tim said. “I want to go tell them Danny, if Bruce and I go will you be okay on your own or do you want me to ask Cas to come stay with you?”

“Cas please? If she’s not busy?” Danny asked uncertainly and Tim nodded. Bruce was getting up before Danny spoke up again. “I have a sister, Jazz. She knows about me not being fully human, but not about the babies. She’s a good person, and she’s almost an adult. I don’t know, I just need you to know she’s good, and I don’t want to mess things up for her,” Danny said worriedly.

“Of course Danny, thanks for letting me know,” Bruce said with a smile already making plans to get her out as well. “We’ll let you know as soon as there are developments.” He promised before both he and Tim ducked out. They split up, Tim going to find Cas and ask her to go back to Danny before they reconvened in the bat cave, they had a lot of research to do.

next>

[seiwas]

₊˚⊹｡ don't let go, okay? | gojo satoru

wc: 2.1k

summary: it has to be some sort of fate that you happen to be stuck with gojo on valentine's day.

contains: f!reader, slowburn, fluff, reader and gojo are 21, reader and gojo are ‘guardians’ to megumi and tsumiki but they are not romantically together, japanese valentine’s chocolate tradition, reader’s cursed technique (vaguely), kind of pining

a/n: in the 'conversations on love' universe but takes place before the main series (would be nice to read but not necessary to understand this). theme song for this is what love is by zimmer90.

part of 'do you know what love is like?', a mini-series of almost's within 'conversations on love'. also included in how to be your lover boy (a valentine's collab by augustinewrites & seiwas)

The night is crisp when you step into it, the clean cut of a cool breeze tickling your cheek; it sweeps past you in the edge of winter and spring. 

You walk along the street. 

A sort of faded, vintage hue paints Shimokitazawa, wooden boards with worn down signages holding names of antique shops in every corner. The night feels older here, retro lights tinging bars and pubs more maturely than those nearby in Shibuya. At the street across, the sign of a cafe is flipped the other way to formally open the speakeasy it transforms into. 

You’ve only been here twice before: once with Nanami and Utahime years ago, while searching for old vinyl records the three of you had gotten into, and another with Tsumiki, some time last month because she’d mentioned wanting to check the thrift shops. 

Who would have thought you’d be back so soon? With—

“Satoru,” you call out, half-giggling, “why are you sniffing?” 

Gojo trails just a few inches behind you, body bent over closely to catch a whiff but not near enough to touch. Each inhale he takes is punctuated with the sound of whizzing air, condensing to fit through his nostrils. 

“You smell like chocolate.”

Out of all the plans you’d anticipated on Valentine’s Day, being roped into a mission with Gojo at the last minute was definitely not one of them. 

You shake your head knowingly, the corners of your lips curling; Gojo can smell sweets miles away, you could honestly mistake it for his cursed technique. 

He pulls back, falling into step with you. 

“Tsumiki asked me to help make some earlier.” 

Heavy jazz floats through the air as you pass by a bar entrance, the music muffling as the doors fall shut a few seconds later. Your boots clack against the pavement. 

“Oh?” Gojo perks up, voice turning an all-too-familiar hint of nosy as he teases, “What kind?” 

You snort as you dig your hands further into your pockets. For someone who claims to be all-seeing and all-knowing, Gojo is a lot more inquisitive than he seems; his nonchalance is but an added security much like his infinity is, dissipating only in company he’s comfortable sharing that side of him with. 

It’s been a while since Gojo’s been ‘home’ in the past week, so you don’t blame him for wondering. 

“Tomo mostly,” your gaze shifts to the side, waiting for his reaction, “though I did notice her sneaking a few honmei ones when I wasn’t looking.” 

There’s a slight stagger to his step as his shoulders tense up, his sunglasses shifting higher as his ears push back. You bite down your laugh. 

For as clueless as both you and Gojo are when it comes to being guardians to Megumi and Tsumiki, you think Gojo’s grown an odd mix of semi-brotherly-kind of-fatherly-mostly-guardianly protectiveness over the both of them—to Tsumiki especially. You can tell because his reminders to Megumi are always sealed with some form of ensuring Tsumiki makes it home safely. 

‘Home’, which is where the kids stay, but it’s neither yours nor his—just a place nearby that keeps them protected and comfortable. You’re with them most days, Gojo staying when he can, but with the higher-ups assigning him on missions left and right, there’s hardly any time for him to drop by. Hell, you haven’t seen much of him either, besides the rare instances of bumping into him along the halls of Jujutsu Tech, a whine almost always drawn from his throat. 

You see his curiosity as an effort to check in.

He only hums, hollower than his usual responses. The sound of his footsteps fill the gaps of what would typically be a seamless back-and-forth with you; you try not to comment on it. 

Indinstinct chatter brings the street to life, smooth beats cascading warmth against the chilly breeze. Despite the noise, Gojo’s silence feels unsettling—as if there are words forming at the tip of his tongue, withheld for reasons you can’t quite get a read on just yet. 

So, you wait, learning more and more that he usually comes around when—

“Did you?” 

The question is half-murmured, part of it lost to the night. 

Did you what? Notice Tsumiki?

“Hm?” you tilt your head towards him, tucking strands of hair behind your ear in an attempt to hear him better. 

He doesn’t answer. 

You stop walking. 

“Did I what?” you adjust your coat before turning towards him, catching the slightest of his gaze before he looks away quickly.

(“Did you make honmei chocolate?” he means.) 

Still, no answer. 

The tips of Gojo’s ears dust pink, and you try not to comment on that too.

His bottom lip is pulled between his teeth, slipping free before his Adam’s apple bobs, swallowing. 

“Wanna see something cool?” he changes the subject, removing his sunglasses and turning back to you as if none of it happened. As if he didn’t ask you anything, as if you didn’t ask what he meant—as if you didn’t just catch him at the tail end of a wistful stare. 

The shift in his tone happens so suddenly, it feels disjointed. Unnatural. But you’ve gotten used to moments like this from knowing him for so long; Gojo always says less of what he truly means. 

You focus on his face, yellow and red retro lights dancing on clear blue. He looks almost freakish this way, otherworldly—a crazed look you’ve gotten familiar with. His hands are stuffed inside his pockets when he stops, gangly long legs outstretched by the shadow beneath him. 

There’s really no time to be doing this right now, the both of you just 10 minutes away from the mission’s location—an abandoned building housing a special grade curse that lures people in with fabricated memories. Around you, the neighborhood’s nightlife has dwindled, your walk thus far having brought you farther from the heart of the place and closer to somewhere quieter, more secluded. 

Gojo looks too excited, eyes beaming wonder and mischief along with something else you can’t quite figure out yet. You purse your lips in thought. 

“C’mon, it’ll be quick.” he smirks, the dimple on his cheek deepening as he shrugs, “I’ve finally perfected it.”

A beat—skipped before your heart races. 

You wonder if he knows, if he’s using this to his advantage, because—

—when have you ever denied him when he looks at you this way? 

The higher-ups should have known better than to pair you together for a mission. Your instructions were merely ‘to assist’, but you hardly believe it considering Gojo almost always handles these things on his own. It’s more babysitting, you know, to keep the damages of his technique to a minimum. 

They shouldn’t have called on you, of all people—you’re on Gojo’s side. Always. 

A smile threatens to escape your lips, warmth spreading within your cheeks; you roll your eyes jokingly, stifling a giggle before relenting.

“Fine.” 

He guides you forward, chest bumping against your shoulder blade as he picks up pace. It’s a clear road ahead of you, the streets emptying out to more greenery; your senses are filled with the smell of the earth mixed in with the faint cotton of Gojo’s cologne. 

This is bad for your feelings. 

(Being this close to you feels like the ticklish drag of fingernails just right before it creates indents in his chest.) 

There’s something brewing between you and Gojo, neither of you have just addressed it yet. He pulls away when the moment is too close but still looks for you first after missions, an almost automatic question to either Shoko or Ijichi about your whereabouts.

You’ve been catching his stares too, almost always at the split-second before he turns away—a reaction on impulse. The silence between you feels fuller lately, as if there are words he wants to say but is choosing to withhold. 

When the space is vacant enough, he steps a few inches to your right, left hand stuffed inside his pocket as he shakes his arm hesitantly, almost awkwardly. 

“You have to hold on to me,” he instructs you. 

Your eyes widen, equally surprised and shy as you slowly take your hand out of your coat and slip it into the empty space, resting it on the crook of his elbow. Gojo freezes very slightly. 

He shakes it off just as quickly, “You might be sensitive to my domain because of your technique, so stay close just to be safe.” 

Then, his head tilts towards you, a little closer than you’re both used to. This near, his eyes hold a perfect morning sky, eyelashes hanging like wispy clouds on a clear day. 

Your gazes meet and you blink twice, goosebumps littering your skin. 

“Don’t let go, okay?”

Another beat—followed by another, and another, the sound of it growing louder. 

You almost miss the way he says it gentler than normal, how sincere it feels with his breath tickling your cheek. 

“Okay,” your fingers curl around his arm tighter. 

He lifts his other hand up, crossing his fingers as he recites the mantra to his domain. In an instant, the greenery around you disappears, stark white taking its place. 

“What do you think?” Gojo asks almost immediately, crossing his arms over his chest. Your fingers stay curled onto the crook of his elbow, sandwiched between his forearm and bicep; his other hand rests a few centimeters away from yours, nearly touching. 

You scan the space, examining its vastness. Minimalist. A blank sheet—

“It’s…” you try to find the right words, “... empty?” 

He gasps exaggeratedly, “Hey!” then pouts in fake offense, “I made it porcelain white at least. This isn’t pure white you know.” 

You eye him from the side.

He chuckles, breaking his act, “You should be honored.”

A pause—his tone shifting to something softer, more vulnerable. 

“You’re the first person I’m bringing in here.” 

His admission is unexpected, but it feels relevant, makes you feel like it, too. 

You’re touched, knowing how secretive he’s been on perfecting his domain since Toji and Geto; he only ever tells you and Ijichi about it. No one ever pressured him into achieving his perfect domain, but he feels like his existence necessitates it. 

“It’s clean,” you finally say, playing along, “I like it.” 

He eyes you this time, dimples deepening the more he attempts to poorly push down his smile. 

“Shame I can’t really do much with it, would have wanted to spice up the interiors a bit.” 

You snort, knowing full well that Gojo’s very much the type to pick one piece of furniture and anchor the entire place’s aesthetic off of that. 

“Someday,” you catch his eyes again. 

(It echoes in his ears, the quickening thump of his heartbeat—pink noise that can’t possibly be a product of your technique. 

In the silence of his domain, all he hears is that sound and you.) 

He hums before looking back to the empty space, “Acoustics would be good by then, we can try your technique in here.” 

You nod, the corners of your lips curling; his pinky presses against yours so faintly you wonder if you just imagined it—if he had meant it or not. 

. 

The special grade is dealt with within a quarter of the time it took you to travel to here, but Gojo seems to bear the consequences with another one of his migraines—a mixture of fatigue from activating his domain earlier along with sensitivity from the increased bustle in Shimokitazawa’s night life as you exit the neighborhood. 

You make a mental note to get him something that covers his eyes a little bit more than those circle frames he uses—an imbued blindfold maybe? You’ll have to think about it some more. 

(When you both get ‘home’, you set up the couch, offering him the spare bedroom so he can sleep off the headache. It’s a quick trip to the kitchen for a glass of water when he catches a glimpse of it—a fully decorated box of honmei chocolate partially hidden at the corner of the counter. 

The card has half of his name written in your handwriting.

You don’t end up giving it, but he does receive some chocolates from you, still. It’s a belated gift the next day, along with the ones you gift to Shoko, Yaga, and Ijichi—a tradition you’ve kept up since you were 16. 

But, his box has an extra piece, and you even tailored each one to all his favorite flavors: sakura, strawberry, zunda, and anko; his card is the same one you left half-written, just now fully spelling ‘Satoru’. 

So, he thinks his might be a bit more special, and he’s realizing that he likes it that way—he might prefer it much more, actually.)

a/n: haven't written col in a while but this is the official launch of 'do you know what love is like?', a mini-series of almost's within the 'conversations of love' universe! there are lots of details that connect to some of the col works but this happens before all of the ones released so far (so you don't need to read the main series to understand this, but it would add to the full experience if you do!).

thank you notes: @augustinewrites love u my valentine, this fic wouldn't exist without you 🥹 + @stellamancer col couple is here!! with chocolates!! thank you for going over this for the first read 🥹 ily niku + @mididoodles @twentyfivemiceinatrenchcoat my cheerleaders!! thank you for the support always 🥹

comments, tags, and reblogs are greatly appreciated ♡