#it feels like something solomon would listen to that abandonment aftermath once he's hit the bitter anger stage of grief
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friends are currently debating whether 'lost in the citadel' or 'montero (call me by your name)' is the better solphisto song and here are the main points for each side of the argument:
"lost in the citadel works for both perspectives and their tragic yuri romance" (lines 'i need time to get up and get off the floor / i need time to realise that i can't be yours' given as main example) - jo
vs
"montero cos those two definitely want to f-" - james (perhaps better known as captain bhole)
#on a more serious note jo's point did make me a little insane#again: the line 'i need time to get up and get off the floor / i need time to realise that i can't be yours'#this is so solomon-trying-to-recover-from-mephisto's-perceived-abandonment coded#but it is also so mephisto-unsure-of-how-to-go-forward-after-disappearing-on-solomon-for-millenia coded#obey me solomon#jtta mephisto#solphisto#there were arguments to be made for some of the other songs too but these were the main contenders#personally i also nominated life after salem#it feels like something solomon would listen to that abandonment aftermath once he's hit the bitter anger stage of grief#(at least he would have if music recordings had been invented and also lil nas x had been born back then)#i just feel in my gut that he went full teenage-girl-after-first-break-up for a period afterwards#(the other nominee was 'thats what i want' for the time they had together before mephisto left but that one was less talked about)#you know i didn't realise it until i went back and re-did some stuff but solphisto ended up with such Divorced vibes#believe it or not i didn't actually intend for them to be romantically involved when i first wrote their backstory#(you can see that in the first asks proposing the pairing i was kinda hesitant lol)#but looking back. the tragic yuri was always meant to be#to the anon who first called them yuri btw: you've changed my life
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