#it could have been such an interesting arc from idolization to believing that she's surpassed him

[wh0dunit]

anyway good a time as any to say that i hate how punchline is handled like 95% of the time. going to be heavily leaning into her being a social media influencer who is dealing designer drugs and running the royal flush gang. she uses her audience to both cover up and commit crimes for her. oh and she's never been romantically involved with j.ok.er.

[blueink2k]

Propaganda in Death Note and How It Played Into Light’s God Complex

[This is based on information from the anime, as I have yet to read the manga for myself. Caps from or references to the manga may be included to emphasize points or provide visuals, but the version of the plot I'm referring to is taken from the anime.]

Light Yagami does not pick up the Death Note knowing he’s going to use it to commit mass murder and become the God of his New World.

Actually, he does the opposite. He kills someone to test it as he’s under the impression it isn’t real, convinces himself it was a freak coincidence, and decides to try it out in a way that will provide a more concrete conclusion. When it does end up working he’s stunned, to say the least.

“I killed them both...I killed two men. Those were human lives. I-It won’t be overlooked. Besides, who am I to pass judgment on others?”

Light Yagami, the perfect, straight-A, model student, has just confirmed he killed two people using some strange supernatural notebook that just happened to fall into his hands. He’s always believed strongly in his morals. He’s been on course his whole life to join the police force like his father an deliver justice, and here he is, an indirect murderer. 

So what does he do about it?

...He comes up with a reason to justify himself. 

The people he killed were criminals. Mere scum who do nothing but rot and infect the world. Wouldn’t everyone be better off without them? It isn’t that he’s never considered this before, he has, albeit not to the same degree as taking their deaths into his own hands. But now that he has the power to do so, why shouldn’t he? He’s smart, he’s determined. He’s capable of it.

In fact, in his mind, he’s the only one who is.

He’s kind of right. He’s the top of his class, he comes out on top in national tests, he barely even has to try. Plus, he’s the only one that has a Death Note, and therefore the power to do this. 

At this point in time, he doesn’t consider himself a god. He doesn’t want to rule the world, he just wants to change it. Something else important to note is that he doesn’t refer to himself as Kira or anything other than Light. 

...That is, until...

Websites start popping up all over claiming that whoever this mass murderer is is named “Kira”, a god among men risen to punish criminals and save the world.

Two things to note here;

Apparently, “Kira” is returning, meaning there must have been some kind of previous belief in an entity that either did something similar to Light or had the same beliefs. There isn’t any other canon mention of a previous Kira, and this in and of itself is pretty vague, but given that there’s tons of religions in real life that have never had a big breakthrough, it’s reasonable to believe this could be something similar. That, or a creepypasta. Or a cult.

Light created this understanding that he had to be the one to change the world to cope with his murders. Actually - that might be the worst way to put it, since we know how strongly he feels about justice and being given an outlet to carry out this wish of world peace just enhanced this, but nonetheless... It’s impossible to assume he’s doing all of this without even a speck of guilt. Therefore, this is the first hint of appreciation or even just acknowledgement that what he’s doing is right. 

Disregarding the first point (as interesting as I find it), this is really the first time Light is ever told what he’s doing is good. His own father - who he idolizes -considers Kira evil. His sister flat out says she hates him. Of course, this is all after Kira actually does become popular, but still, all he receives from that point on is disapproval from the people he cares the most about. The online love for Kira is all he has.

So, yeah, he probably internalizes it.

He thinks he’s doing the right thing. He thinks he’s giving others justice. He thinks he’s the only one who can do this. Others agreeing is only enhancing this. They’re the ones who call him God.

As the story progresses, Kira’s power and popularity grows. He gains direct news coverage, people begin sending him names of people to kill, his following grows. So much so, that when someone gets a Death Note and figures out that must be what he’s using, their immediate response is to find a way to contact him.

Cue Misa Amane and Sakura TV.

Sakura TV is a news program known for its unreliability. Demegawa, the director, even says he’s willing to make things up for publicity. And that’s when the Second Kira tapes arrive. 

This, however, is only the first encounter with Sakura TV.

After this, the only direct involvement the police has with it is in the Yotsuba arc, when it’s used to lure out Higuchi. Otherwise the program promotes Kira all on its own, even going so far as to create Kira’s Kingdom - half a scam for viewers’ money, half a way to get more people to see Kira as God. And it works. He gains a following of people who believe he will create a new, better world, and will even give themselves up to help him. 

An example of this following is when a mob of followers attacks the SPK under Kira’s orders. They’re so quick to join in, and are even willing to put their names and faces on TV in trust that Kira will not kill them.

All of this publicity sparks fear in the general public. People begin fearing that if they do something wrong Kira will kill them, causing crime rates to drop nearly 70% over Kira’s 6 year reign, as well as completely stopping wars.

Demegawa is eventually killed. Other news programs begin scrambling to claim the voice of Kira, topped by NHN, where we are reintroduced to Kiyomi Takada as Kira’s spokeswoman as well as one of his greatest supporters.

Light, as much as he hates Sakura TV and NHN’s depictions of Kira, uses them to his advantage as much as he can.

But really, imagine what this is all doing to him.

At the beginning, he struggled with grasping what he was doing as right. His sense of justice, righteousness, and perfectness shattered by a single notebook. But this is perfect, he figures that if he really wants to fix the world, this is one surefire way to do it. And yeah, his family hates Kira, but online he’s worshiped as God. We already know he has a pretty decent ego, and all of this is doing nothing but fueling it.

To top it all off, as he continues with his killings, his following grows. More and more people begin to support him, every single day there’s news stations upon news stations covering his story, some negative, some positive. People from all over express admiration towards him, even the President of the United States sides with him. He is literally worshiped as Kira, as God.

This all makes it sounds like his god complex starts later in the series, so to clarify; no, he does not pick up the book with plans to become God, but the second people start fueling his ego, the more twisted his ideals and motivations become. He’s the only one who can fix this rotten world. He holds the power of a god in his hands, he does what only a god can do, and everyone treats him accordingly. He is Kira, he is God.

Between websites, news programs, and his cult-like following, Light had enough attention to feed into his ego for a lifetime. He was perfect pre-Death Note. Smart, charming, set for success. There never was a time where he was particularly not narcissistic, it was just that he only felt this way inside of himself. The way he presented to others? A perfect, cool guy persona with an - in all honesty - annoying prickly jerk hiding inside. But no one ever knew this, he never let them know, and because he was always naturally successful it was more of an expectation he just met rather than surpassed, so he wasn’t consistently praised and this incredible self-esteem wasn’t propped up by anyone but himself.

To cycle back to the title of this rant-essay-analysis-whatever you’d like to call it, I want to share some examples about exactly why I even classify this news coverage and whatnot of Kira as propaganda.

Kira’s supporters cause a riot at SPK HQ under Kira’s orders and Demegawa’s direction.

Mikami providing his insight as to why he supports Kira on television, openly promoting Kira and encouraging others to join him.

Takada announces her new role as Kira’s spokesperson on NHN.

Mikami uses his power as Kira to kill members of Kira’s Kingdom, supposed followers of Kira who have been using his publicity to gain money and attention.

Most of this doesn’t exactly look like your standard propaganda posters or news story, but it does fit the overall criteria;

Information from a biased viewpoint used to promote/publicize a certain view (accepting Kira as God)

Shows exclusively positive views on Kira

Assigns Kira positive adjectives and makes him appear as good (God, savior, messenger from Hell), never considering or showing the bad

Presenting only positive statistics (Light does this in his monologue where he brings up the 70% crime rate drop, and given there’s no way he could have calculated this on his own he likely got it from one of these media sources. Not that it’s incorrect, per se, but he does fail to mention how many innocent people he’s killed in order to do this.)

Appeals to regular, everyday people by talking about how he’s doing this for the betterment of the whole world. People who are directly affected by crime are also likely positively impacted by this.

Initiates and spreads fear by explaining how Kira only attacks those who do wrong.

In the end, Light’s personal descent into his god complex, as well as his effects on the world can be attributed to many things, but it would be a crime to ignore just how big of a role news and other types of media played in this without his direct input. To think, if Light had won and overtaken the police like he was going to, he’d have absolutely no problem stepping into his shoes as God. Everyone else already set the stage, he just had to get there first.

-

This is my first Death Note analysis, so please excuse any errors, I just watched the anime for the first time and am doing my best to piece together all of the plot and especially Light’s deep characterization the best I can. If I ever read the manga or find something new, chances are this will be updated. But as for now, it’s finally finished after a week or so of procrastinating. Thank you for reading if you got this far! <3

[collisiondiscourse]

on the wonder duo (part 1)

(BNHA Analysis Post Ahead! This isn’t explicitly romantic, but it is an analysis of the relationship between the two most popular characters in BNHA--Katsuki Bakugou and Izuku Midoriya. Split into two posts because I realized that this was gonna be long as HELL)

yall ever think about the fact that the wonder duo is perfectly set up in so that bakugou and deku together are the better version of all might?

bc like. ive been thinking.

everyone knows the win to save and save to win parallel. How they are supposedly two halves of a whole perfect hero (which, previously, was defined as all might)

but ever since bakugou and deku started working as one—growing together to win AND save and continuously reminding each other that they shouldnt try to do things alone, ive realized that its BECAUSE theres two of them that they surpass all might. its not a case of deku and bakugou both being 50% of an ideal hero, but rather i think that they are 100% of what all might SHOULD HAVE BEEN from the very beginning.

as early as the AM v AFO battle in kamino, we see the effects of all mights flawed existence. the fact that he, the greatest and supposedly infallible symbol of peace, was destroyed—society had begun to collapse. there was suddenly no pillar to hold people together and the impacts were so severe that even in the latest chapters of mha it keeps on getting worse. the truth is, all mights biggest mistake was the burden he placed on his own shoulders

with bakugou and deku... its different.

its different for them because down to their attributions, they seem like two halves of a whole person.

i think that the wonder duo are going to surpass all might because of the fact that they work together.

@bakugoukatsuki-rising @svpercraigus @tybee​ @isaustraliaathing​

(batshit crazy and conspiratorial essay under the cut !)

1. Complementary Colors

I’d like to first preface literally everything I say by the fact that I am not an expert analyzer or literary major in any way. I am literally just some random fan on the internet who has wayyy too much time and looks wayyy too deep into things, but here we go!

A common thing we see when we talk about bakugou and deku is the way they are... sort of an inverse of one another.

Down to the design of their features and the way they move, Deku is the obviously softer of the two. There’s an intentional contrast between the two of them, in the way that Deku’s drawn with round shapes and curvy hair and the way Bakugou is literally all spikes and half-mast eyes and rough muscles. Bakugou’s movements too are languid and showy, with the way he leans when he walks and splays his legs and kicks open doors. Katsuki, in a casual sense, is loud and dramatic. 

Deku on the other hand s finicky. He jitters when he walks and he’s often fidgeting and mumbling. Comparatively, the aura he radiates is energetic and frenzied, even self-conscious to a point unlike Bakugou’s calm and confident movements.

the point is, there’s a clear difference in how either of them are designed and what exactly they are supposed to represent. They utterly complement each other down to the way they behave and even their main colors (red-orange and blue-green) being literal complementary colors.

Now, moving to my more ungrounded points, this is quite a bit of a stretch so I’ll try as much as possible to make sense of these with hyperlinked sources because. yeah.

Down to their names, I think Deku and Bakugou both symbolize something deeper. I think that the way Hori expresses characters and what they’re meant to do is something that we have to pay close attention to when we talk about the Wonder Duo’s rise to success.

Izuku Midoriya (緑谷 出久), as some of us may know, does have an interesting meaning when broken up. According to a lovely fan translation of his name, ‘Izuku’--while not an actual name used commonly in real life--means to ‘Come out’ or ‘Long time’. ‘Midoriya’ on the other hand means (Midori) ‘Green’ and (ya) ‘valley’. The translator further pointed out that his first name ‘Izuku’ could be a reference to him being the first legendary hero to come out of the long-running All Might Era. (or, if you’ve been reading @/bakugoukatsuki-rising’s posts, the first significant anime protag in a long while to come out as queer, ppfft)

but that isn’t my focus right now.

We know that Hori LOVES telling stories with names, and more often than not in the BNHA universe, names alone tell us a lot of things about the characters. When referring to Izuku’s last name, Midoriya, it’s important I think to step back and realize that hey, maybe there’s something more to Green Valley than just the fact that his motif is all green.

After searching for a lil on the specifics of green valley, I’ve found out that across many cultures, the colour green and valleys in general tend to represent life. From dream analysts, to Christianity, and even old Taoist teachings, valleys are seen as areas of fertility and escape. They are seen as safe havens and often escapes for people to come to after running away from bad circumstances.

(Sound familiar?)

Deku, in essence represents life and peace. He represents being the “salvation” that the world in BNHA needed. To me, it sounds like Horikoshi is trying to say that he is the long-awaited hero in the sense. The one that people can feel will create a society that feels safe for everyone after years of All Might just saving people from themselves as a band-aid solution.

On the other hand, we have Katsuki Bakugou (爆豪 勝己), who’s name we commonly know means (Katsuki) Winner and (Bakugou) Explosion Master. He is essentially, the champion. The power. His name means success and power and all the things that make up winning.

When putting them side by side, it then becomes increasingly... interesting to me how their names almost perfectly slot into All Might’s save to win and win to save mantra, and how they are both quintessential parts to what made All Might as a hero.

2. Hero Too!

Now, I’m not even gonna really TOUCH much of what happens in canon. If you want me to do a step by step breakdown of their arcs in regards to the plot of manga and anime, feel free to send me a gratuitous ko-fi tip so I can pay for the headache I get after trying to organize my thoughts into word vomit.

What I WILL talk about on the other hand, is the subtle shift both of them slowly have in regards to how they look. Bakugou and Deku, while growing up, seem to have MANY many parallels--but before I elaborate on all of that, I wanna talk about something else.

Detour: Deku’s Red Shoes 

We all know the iconic symbol being Deku’s red shoes. For all his life, save for some outfits like his hero one, we see Deku more often than not wearing his signature red sneakers which have become a running joke in fandom.

But the funny thing is, in Japan, red shoes seem to have an interesting connotation.

In 1922, a popular Japanese nursery rhyme was written, called “Red Shoes”. The interesting part to me about this song was the symbolism that, in my tiny pea-sized brain, I could connect to the story of BNHA.

The story goes that there was a little girl with red shoes named ‘Kimi’. She was from Shizuoka prefecture (which, if you didn’t know, is most likely where Musutafu supposedly is) and was raised by a single mother. When she was young, her mother had to entrust her with a foreigner under the impression that they would give her a better life in America. The stranger is a man named Charles Hewitt (who was described to have blue eyes) and supposedly took her away. 

The singer of the song (supposedly the mother, but some argue it was written from the perspective of a childhood friend) believes that Kimi is happy and living a better life away from them, when the reality of the situation was much worse. The young girl with red shoes in actuality had Tuberculosis, and thus the foreigner whom she was entrusted to had left her to fend for herself and eventually left her to go to America while she died alone and orphaned.

“When I see red shoes, I think of her.”

A very interesting story with very interesting implications indeed.

-

Anyway, moving on to the more... “nuanced” and connected parts of this section, I have every reason to believe that Bakugou and Deku were simply MEANT to be working together down to how they dress. Now, I’d like to discuss their hero costumes.

At the start of their series, using these godawful pics for reference, it’s clear to see that neither of them seem alike in any way--reflecting the dissonance in their relationship at that point in canon.

ough. deku why. (yes we know why its because you love your mom you stupid little bunny <3)

Anyway, we see an immediate gap in how the two of them are. Deku’s first costume is one that reflects how he treated his dream of being a hero. He was still in that childlike idolization phase, the one where his dreams and aspirations were hinged on pure feelings and inspiration from All Might. Katsuki on the other hand was a lot more tactical--professional to an extent. The gap between their respective development with their quirks is something that is clearly felt in every fashion decision they’d made.

(Notice how Deku’s green is a lot brighter and less like the green accents Katsuki has all over his costume.)

As time progressed however... their costumes changed. The colors, the silhouettes, the practical functions, most things.

(Deku’s Gamma Costume and Bakugou’s Winter Costume used respectively)

we begin to notice a few similarities.

As the show goes on and we see more evolutions of their costumes, it almost seems like they begin to look like a matching pair. Deku’s green grows darker and almost teal in nature, while Bakugou’s orange is veering towards red territory. This is important to note because red-orange and blue-green as I said earlier were complementary colors as compared to simply orange and green. The minute shift is something I really wasn’t quite sure was intentional, but something I find interesting to pick up nonetheless as the colors they used to accent their costumes begin to match up.

Secondly, I think and important thing to note is silhouettes. The way that both Bakugou and Deku’s costumes are designed follow a lot of parallels that typically we don’t see with the rest of 1-A. For one, they both have a combination of tight long-sleeved tops with a bulkier set of bottoms. They also share the use of utility belts and metal pieces typically worn around their necks. Deku has his bunny-eared hood that mimics All Might’s hair, while Bakugou has his orange and black explosion ear-pieces that mimic his own quirk.

i don’t think any other people in class 1-A match each other as subtly yet strongly as these two. Uraraka and Deku and Bakugou and Kirishima do come close however.

“But Codi, you fucking knob!” I hear you plea. “This is such a reach and tells us practically NOTHING!” And yes, I’m inclined to agree with you! You’d be sort of right in the idea that this is a reach. Maybe I am looking too much into this, and maybe it really isn’t that deep--but I do think that them subconsciously matching outfits means something quite brilliant.

In the way that their costumes are designed, each aspect of either outfits have a very logical explanation. The changes were strategic and made with their fighting styles vividly in mind, so what that tells me is that BECAUSE these costumes are so complementary or similar in nature (Bakugou’s reinforcing his arms while Deku reinforces his legs), these two are implicitly showing the audience that their combat styles are complementary as well. 

The evolution of their design choices and similarities tell us that even unknowingly, their minds line up in strategy on the battlefield--a clear exhibit for why they would be INCREDIBLY POWERFUL as a Hero Duo to begin with.

When I look at their hero costumes side by side, I see a mirror. I see the way that these two are reflections of each other and are strong where the other isn’t. The point I see in BNHA repeatedly is that EVERYONE HAS A WEAKNESS. Nothing is infallible, regardless of how hard you train or how powerful your quirk is. Everyone will always have a weakness, but the significant difference I see when fandom discusses the future of Pro-Hero Society is that the new generation is finally raising itself to be RELIANT on each other. 

Observing their fighting styles and the simple use of their quirks, its obvious that they are indeed two parts of a whole hero. Bakugou, who’s quirk emphasized his arms and hands and the power that comes from it, while Deku who’s quirk now emphasizes his legs and lower body and the way he’s always running to save people.

IN CONCLUSION:

As they become heroes, it is easy to assume that if nothing else, Bakugou and Deku will cover each other’s weak spots (especially when you consider the way Deku probably won’t be able to keep using his arms with the way both the anime and manga are going...) (also chapter 285, anyone?)

-

Part Two: Interactions, OfA

kofi || commission details

[welcometomy20s]

March 31, 2021

.Hololive Quarterly Report

I was trying to write this, then it became painfully too long, so I stopped and I’m going to try a much abbreviated version. I don’t why I’m writing this preamble.

Usada Constructions - Buy

CEO Pekora has come back from the creative crisis in late January, her response to the Akukin relay, Pekoland has been quite the success, and Pekora has hired three new people and taken two into actual production, and there has been talks of two more recruitments. Usada constructions has been the premier revenue maker in the server already and with renewed vigor, Pekora has inadvertently cornered the service industry, with her business associate Moon, making the HoloID mall, and hiring Botan or Menya Botan and Kiara of KFP in the process, and thinking hiring Watame, which has a food delivery service.

Future is looking bright for UsaKen and one should buy the stocks now.

Akukin Constructions - Sell

Akukin has a bright start with the recent hiring spree then the wildly successful AKukin Building Relay... and boasting 25% of the workforce in their wake. But CEO has been hampered with failure of her personal projects, first with her loss in the Mario Kart tournament, and then her failure to get the elusive solo Master in Apex. Perhaps, buoyed by her failure, she’ll return to Minecraft, but for now... there has been minor outing of the employers.

Both Mio and Marine went on Minecraft once after the relay, Marine to push Kanata to make her noteblock machines, and Mio in basically upkeep. Rest of the players have been quiet or have been associated with other people. Roboco have played once of twice, although she didn’t even participated in the relay. Choco has been mostly working as a broker for Flare, who is a contractor for Akukin. Lamy and Nene has been basically doing their own thing, mostly since they haven’t had anything else to do... and that’s it, I believe. Iofi, Mel, and Akirose never returned to Minecraft after the relay.

Well, Shion returned after four months with Rushia as the guide... but seriously, Akukin is all but over unless there is a serious reorganization. Sell them!

Shirauni-Elite Conglomerate - Buy

This is outside of current consensus, but it makes for me because it fits the current state of things. Miko and Flare first found their calling by basically gaslighting Kanata into operating a school. They have sense collaborated many times, Flare being part of the four heavenly kings and expanding their partnership in the urban environment, more specifically in Los Santos.

Flare’s turn in Minecraft basically leads me to reassess Flare’s strengths. Flare was kind of the straight man of the 3rd Gen, but she has shown that she could be as wild and unpredictable as the rest of the Hololive Fantasy. Flare eventually roped Polka into an apprenticeship, and Polka’s ability to pop into the most unexpected direction really helped with Flare’s stream as well.

Flare is having the time of her life, and her lover Noel has finally turn the tide on her devastating decline due to the great ASMR purge in early 2020, by embracing the English duolingo... finally passing up people, after falling so far.

Yeah, you should buy here. Although Miko’s recent pause is little worrisome...

Oozora Constructions - Hold

Subaru has been doing a lot of work... her biggest strength has been her free talks, she is a great storyteller, but that’s obviously hampered by language, which is why Subaru made the difficult move of having English summary in her topics, which is a great improvement for her... but her collabs have been on fire, and I mean Oozora Police was just amazing, with good timing as well.

Apparently Subaru has a new costumes, collabs, and original songs coming up in the next quarter, so Subaru is going to surpass already high expectation made during this quarter. As for her company though... well, Subaru has been a... lone duck in the situation. (Sorry for the pun)

Famously outcasted as Kanata and Marine were chatting up with Moona and Reine, Subaru has been lonely for quite sometime. Subaru has been working an actual commission from Korone, although Korone is most inconsiderate Hololive member (as evidenced by two consecutive Kuukiyomi tests), which is a bad sign. Rushia has been working well, both independently and with Subaru... now Luna... that’s the cinch of the situation at this moment.

I’ll talk about Luna later, but overall Oozora has its strength and weakness perfectly balanced. It’s a hold for me, although it can be a buy quickly...

Haachama Constructions - Buy

Haachama started off kind of lost. She recently moved back to Japan, and she didn’t really knew what direction to go off on... apparently a horror unfiction was her choice. It is a great unfiction, in all its spirit, the meta-component worked perfectly, the improvisational and interactivity was unparalleled, it is astounding that this a one-woman production, since even a dedicated team might not pull off this feat, taking images made minutes before the stream is due and incorporating them into the story flawlessly.

Akai Haato always impressed me, but this arc showcased that to everyone. And her future seems to be bright as she starts working on Season 2. Just buy!

OkaKoro Constructions - Hold

Both Okayu and Korone has been steady in their output, minimal collabs and continuing their series of old games. Korone has been particularly clever in her selection of games. Everyone playing Undertale, why not play the game that inspired the whole thing, Earthbound? People are playing Dragon Quest? Well, how about a classic version, Dragon Quest 3, instead of 11S?

But other than that, there wasn’t much going on... then the OkaKore anniversary concert happened, and I realized they still have so much progress. One commenter said how Bloom was a failure because there wasn’t any idols in that list, namely Watame, Okayu and Korone, and I started to agree.

But that’s just one performance, we don’t know if this would be foundation for something better. So let’s hold on the papers for now.

Kureiji Constructions - Hold

There’s always a bit of anxiety when one is lauded as the next new star, least to me, I was always anxious about Ollie’s growth. She could be great, she has plenty of talent, she’s a massive simp and a social collaborator, but her personality can turn on a dime if not careful. Fortunately, Ollie made good on herself, having one of the more explosive growth and becomes generally accepted as a peer, recently doing a large Mario Kart collab.

It’s still a hold, since I have residual anxiety, but this is a good stable company.

Seiso Pillars - Buy

I never really got the appeal on Sora, until she put on her glasses on. Her movement was so fluid and practiced, you can tell she’s a young lady with ambition, which is contrary to the goddess image. Azki has been making the move that Suisei did in end of 2019, slowly putting herself in the comedic spirit of rest of Hololive, and her Vtuber showcase is freaking phenomenal.

Suisei has been flirting with the pillar in Minecraft, and bring the third of HoloKazo(?) in Los Santos, letting her psychopathic side fully. Suisei used her arbitrary demonitization to her advantage, reinvigorating her streams immensely. I thought about holding, but honestly this is a buy. They are going to get better.

Shirakami Forestry - Hold

Fubuki wanted to finish her cherry tree by spring. Well, that didn’t happen. But Fubuki has been doing okay. Fubuki has made some radical moves this year, firmly associating with Coco. Remember that Fubuki’s explosive growth was due to Chinese fans, and this is true of Aqua as well (which is why Aqua has been more distant lately), so to associate with one of the most hated Vtubers by the ‘West Taiwanese’ is a risk, but one made with the knowledge that her base can be shifted, since this did not impact her growth at all.

So Fubuki is going to be Fubuki, no matter who she associates with. Hold.

Free Agents - ???

Matsuri might be the most valuable free agent, but she’s kind of like a public official, helping to keep stock on the commons, and helping Luna as well. This is why Luna is the kingmaker. Luna has connections with both Subaru and Matsuri, but their connection is either loose or non-associative. She can be convinced, but she could easily refuse... and who knows how that would affect Pekora.

Most people thought Matsuri was going to join UsaKen, and that might still be the case, although Pekora is notoriously uncomfortable of senpais.

Risu is next valued player. After her explosion in the 4th quarter, Risu has been struggling to keep afloat, although Risu seems to be fine with her laggard growth. Her impromptu Nier;Automata streams are always a delight, and her Spring soundboard has been fun as well. Risu also returned to Minecraft for a bit, so she might be on the hunt... she would be a great addition to UsaKen.

Ayame is the third player. Ayame has been inconsistent this quarter, mostly since she streams the least amount out of anyone. Her recent collab with Marine was something though, although that’s going to be paused for a bit.

Anya is the last person, just because she doesn’t have Minecraft and she is the least subscribed member. I think it was surprising how Anya’s stream has been. Instead of doing gatcha and perhaps talking stream, her game selections has been far off the beaten path, more so than Korone and Okayu, and she has been blazing (that’s another pun) her own trail much to her detriment.

I mean she’s fine in the grand scope of things, still very interesting move.

Okay, that was the short version, and even then it’s really long so... yeah.

[republicstandard]

Bulletproof Monk is a Nietzschean Critique of Western Civilization.

It should be obvious to all that handing over the reins of a multimillion-dollar action movie to a man whose experience extends as far as making Christina Aguilera videos is not going to produce great art. It's not even going to produce a decent Crouching Tiger rip-off. If you are looking for decent fight choreography you could do worse than just getting Iron Monkey from 1993 instead; Donny Yen is a bad ass in that movie. That movie, however, is not the unconscious (and self-conscious) product of a civilization searching for actualization. That movie is the 2003 suck-fest that is Bulletproof Monk.

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The McGuffin of the movie is a magic scroll, protected by Buddhist monks in Tibet, which when read aloud grants the reader the power to make the world anew; a heaven in the hands of a good (super) man, or a hell in the hands of the weak, evil or corrupt. The monks have a single warrior who is the guardian of The Scroll of Good and Evil, and this man is granted great powers. Straight off the bat, we are talking about faith in particularly Christian terms. All of a sudden, Nazis!

It is apparently the 1940s, and the Nazis are doing Red Skull style searches for esoteric power. The Nazis are led by a man who knows of The Scroll and the power it contains and wants to take it all for himself. In my Nietzschean reading, I believe that this is the Word of God, left unattended by God post-mortem.

"Because human beings would no longer have a god to turn to, to absolve them of their guilt; but they would still be racked by guilt, since guilt is an impulse instilled in children when they are very young, before the age of reason. As a result, people would loathe not only one another but themselves.”

From Will to Power, Preface, 2nd Paragraph

"What I relate is the history of the next two centuries. I describe what is coming, what can no longer come differently: the advent of nihilism... For some time now, our whole European culture has been moving as toward a catastrophe, with a tortured tension that is growing from decade to decade: restlessly, violently, headlong, like a river that wants to reach the end, that no longer reflects, that is afraid to reflect."

Nazis in this meta-analysis represent the only culture Westerners have left so many decades later: variously, misplaced faith in the state, faith in society, and faith in technology. They are effectively a meme version of the totalitarian ideologies of the 20th Century, we may as well consider them to be stand ins for Communism and rampant consumerism also. The first act of the Nazis in Bulletproof Monk is to murder the monks with MP-40s; literally, 'we' destroy the faithful with our technological creations. You can even read this as a metaphor for the New Atheists of the late 20th Century, we have so much insight from technology that we can convince ourselves that there is no need for faith at all, easily we can dispose of their simple arguments- represented here by the brother monks linking arms, their show of faith and togetherness against imminent destruction. Still, State and Science are not enough for the avatar of human intellect, the evil Nazi Strucker (Karel Roden).

All are insufficient to grant Strucker life eternal- only true faith can do that, and as we know, God is dead. That's why he seeks the magic scroll, which has the power of great good and evil- that's a faith analog. Strucker and the Nazis are modern Western society writ large throughout the film. And you thought this was a bad popcorn flick with Stiffler from American Pie in the lead. In any case, the eponymous Monk ( Yun-Fat Chow) briefly kicks some Nazis in the head before Strucker shoots him in the chest. The Monk falls from atop the mountain, clutching the Scroll. It's a deliberate dive, a leap of faith; the parallel to Jesus in the desert when he is tempted by Satan (Luke 4):

8And Jesus answered him, “It is written,

“‘You shall worship the Lord your God, and him only shall you serve.’”

9And he took him to Jerusalem and set him on the pinnacle of the temple and said to him, “If you are the Son of God, throw yourself down from here, 10for it is written,

“‘He will command his angels concerning you, to guard you,’

11and

“‘On their hands they will bear you up, lest you strike your foot against a stone.’”

12And Jesus answered him, “It is said, ‘You shall not put the Lord your God to the test.’” 13And when the devil had ended every temptation, he departed from him until an opportune time.

That probably means we have Stifler from American Pie as Jesus. Deal with it.

In the Joseph Campbell Hero's Journey reading, we have just witnessed a complete character arc- the Monk begins the movie as an apprentice, and by the end of the first scene has faced evil, taken the call to adventure, received supernatural aid and surpassed his mentor, and transformed in the abyss of death and rebirth. Quite a lot for an opening scene of a not-amazing film.

What I contend is happening is unintentional on the part of the moviemakers- either that or for reasons inexplicable, the director Paul Hunter managed in his sole feature film credit to construct a near perfect Nietzschean metaphor. There is also the likelihood I'm reading too much into pop-culture, but this is my column and I will do what I want; and if I want to tell you that trash Hollywood movies are warnings against nihilism and exhortations to a new cultural awakening, I will.

We then flash forward sixty years or so, to meet the true protagonist, Kar (Seann William Scott). Whereas the Nazis represent the Will to Power, the civilizational malaise caused by a lack of faith in a higher power, Kar is Western Civilization in modernity. He has no family, no history, and no interests other than himself. This is the elevation of consumer capitalism to the status of religion, expressed in his early scenes as Kar robs the Monk of the Scroll (unwittingly, of course) and then attempts to bargain it with the bizarre gang-leader Mr. Funktastic (Marcus Jean Pirae) in exchange for a peace treaty. Funktastic, a testosterone-driven Billy Idol clone who speaks only in cockney rhyming slang, attempts to literally castrate Kar for insulting him with a gift of faith that is condensed into the most powerful artifact on Earth. Freudian! Ignorance reigns on all sides, but in a fight -and with the assistance of a mysterious love interest- Kar manages to escape by using his martial arts skills. The Monk sees the fight and approves grudgingly.

Funktastic!

There's a lot going on in that scene, and none of it has to do with the layer of proto-philosophical schmaltz that has the routine fulfillment of prophecy trope playing out in the overt storyline. This is Nietzsche's “total eclipse of all values,” based on the rise of what Tom Wolfe described as “barbaric nationalistic brotherhoods.”  Nationalistic brotherhoods in the real world would be groups like ISIS, Boko Haram, rather than any sense of Nationalism as we understand it in the West today.  Funktastic and his crew are one such brotherhood who threatens Kar/The West; who just wants to be left alone to steal from others. One might consider this to be a jab at Westerners who culturally appropriate, or act in stereotypically Black or Asian manners -see Eminem or Weeaboos. Kar is definitely a Chinaboo.

Kar is raised by a Japanese Man (Mako) who looks after a Chinese cinema. The reason is never explained. My reading of this is that Westerners have become so ignorant of other cultures (and by extension, ourselves in relation to other cultures) that all cultures are thus interchangeable. I think that this is where the ideas of multiculturalism and to a certain extent the criticism of cultural oppropriation comes from.

Kar trains himself in martial arts by copying old kung-fu movies, in a montage. We now have 3 Eastern archetypes training the West in learning re-connection to our collective soul- even William Scott's character named himself "Kar" Cantonese for family, so he will never be without one. Adorable! All he knows is theft and looking out for himself, very much the antithesis of faith or enlightened behaviour. Even the love interest Jade (Jaime King) is a metaphor; the daughter of a gangster -Russian, of course!- who leads a double life. We might consider her to be, variously, all three Brothers Karamazov, as she is ignored by her father (jailed for being a mobster) and leads a double life. Like Dmitri Karamazov, she spends her nights courting attention -with Mr. Funktastic of all people- but is, in reality, spiritual, like Alyosha; and also a skeptic, like Ivan, when it comes to Kar at least. That's an interesting lens to view this movie through, too. Dostoyevsky had his own criticisms of civilization that appear to have been proven true.

And they both get into the Ethnostate! Yay!

Strucker and his grand-daughter ( Victoria Smurfit) show up to continue their pursuit of faith/Monk to transform themselves into supermen. Strucker is now very old, wizened by time. Their faith in the state to conquer and provide meaning has proven insufficient. These Nazis are so evil they even set up a highly leftist SocJus "Human Rights Organization" to hide their true motives. Another unintentional reveal of the underlying faith in society of the progressives/communists. This front company claims to denounce man's evil to man, but in fact, is hiding the worst evil of man; that we are faithless and self-serving. I found it quite cute in retrospect that we have literal Nazis propping up social justice causes here.

Meanwhile, Kar and the Monk become friends after a scene in which Kar tries to make the Monk leave his house by fighting him- and failing to do so, of course. The Monk is literally faith incarnate. Once that takes root in a civilization it seems hard to root it out.

An enlightened man would offer a weary traveler a bed for the night, and invite him to share a quiet conversation over a bowl of Cocoa Puffs.  ~ The Monk

If Western Civilization were enlightened, it would understand that faith itself is not something to be fought against, but to be conversed with. I think that's what is going on there at least. In any event, Kar and the Monk go on a buddy-cop adventure in which, shock and horror, the Scroll is lost to the Nazis. Fortunately, it transpires that the Scroll is actually a recipe for noodle soup! That message is expanded on when the Monk talks pure Greek Philosophy while teaching Kar about fighting. Martial arts itself in this movie is a metaphor for internal struggle.

It's not about anger - it's about peace. It's not about power - it's about grace. It's not about knowing your enemy - it's about knowing yourself. ~The Monk, channeling the Temple of Apollo at Delphi.  nosce te ipsum.

Without going scene by scene I think you can catch the point I am trying to make. The Nazis are so evil they kidnap a bunch of Buddhist Monks to literally suck the spirituality out of their minds using some device involving rushing water, Strucker achieves part of his goal by reading the words of faith from the scroll which had been tattooed onto the Monk this whole time. He is resurrected and dons his Nazi uniform once again to proclaim his evil nature. In the Nietzschean reading, he is not the superman- he is what the Nazis believed Nietzsche meant by the superman.

You have to admire his commitment to Hugo Boss if nothing else.

The Monk, wise as ever, keeps part of the secret in his own mind. Strucker is incomplete, as he lacks the true humility of faith that the brotherhood of monks knew at the start of the movie- the literal Word of God cannot be wielded by man; any man. That understanding is faith in the creator, that understanding is what the Nazis and Communists failed to comprehend, leading to mass murder on a scale never seen before in history.

Air is as real as you and me. You have to step on it as if it were a stone, swim through it as if it were the sea. All you have to do is truly believe. -The Monk

And then Kar kicks the Nazi-Superman off a building with his righteous belief. Deus Vult!

If we affirm one single moment, we thus affirm not only ourselves but all existence. For nothing is self-sufficient, neither in us ourselves nor in things; and if our soul has trembled with happiness and sounded like a harp string just once, all eternity was needed to produce this one event—and in this single moment of affirmation all eternity was called good, redeemed, justified, and affirmed.  — Nietzsche, Will to Power

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Alright, it's not a perfect analogy and I think the Nietzschean idea of the Superman does not come to fruition with Kar's ascension to protector of the scroll; in fact, Jade also ascends, to provide a true, living Tao element to the movie. What my reading thus concludes is that this story is one of Western Civilization rediscovering faith, through the rejection of the failures of the 20th Century; state worship, society worship, self-worship and ultimately the rejection of minority-worship and multiculturalism also.

Kar through his transformation into the Guardian of the Scroll defeats the Nazi Spectre- the very real threat of supremacy ideology- that is his negation, the opposite of the life force he represents throughout the whole film. He also is bound to his divine feminine counterpart "for life" through faith, essentially restoring conservative idealsof marriage and family- the same family that Kar felt he never had and so adopted the concept of family from Cantonese. Now dressed in superfly leathers, Kar and Jade wish the Monk a happy retirement; a symbolic passing of the torch so to speak, from the ancient spiritual philosophies of the East to the still relatively new and immature Christendom.

So, maybe I've read too much into a movie which is objectively trashy and it reveals more about me than anything else; but that was fun. I'd like to think that the Western culture that we inhabit is alive, more than just a few hundred million points of consciousness screaming into the void. If that is true, then the collective song of our people will throw out strangely prescient pop-culture that embeds hidden meanings, without the active intent of anyone involved. In all honesty it could only be in a truly nihilistic and lost culture that Bulletproof Monk could ever be made. This movie sucks, but I love it anyway.

As the Monk says, "Water which is too pure has no fish." There's probably zero meaning in that.

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