#is it taking it too far to say that freedom as a lonesome open road is a freedom that's suicidal?
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i read severance at the beginning of the panadería and i kept recommending it to everyone i know and then apologizing bc… yeah. i was kind of surprised by the end but i think ma is such a good writer and is good at weaving together all these different ideas. im just thinking about it now and wondering if u think it’s a hopeful book
shit anon this has been sitting in my ask box for i think, like, a month now, because i didn't know how to answer it. it's a really good question! i still don't have a final answer, but i do babble some thoughts below the cut (spoilers below the cut, too). and i'd love to hear your thoughts/answer! do you think it's hopeful?
i want it to be hopeful — since i've really be on a happy/hopeful-ending-only kick lately — but look …
from a realistic perspective: Candace is alone with an unborn baby and absolutely none of the societal infrastructure that someone born in her day and age has come to rely upon when tending to one's own health, much less when giving birth and caring for a child. the characters still don't know how people get fevered, and two of their group of 'survivors' got fevered anyway. shit looks abysmal for candace's chances of survival, let alone the baby's.
and from a more personal-opinion perspective, if you want to read candace's escape as finally obtaining freedom — she's no longer jailed, nor is she bound to bob's motley crew of survivors — that freedom feels empty, to me, because it's lonely. it's alone. it's individual. which makes her final freedom perhaps a fundamentally American approach to an ideal state of existence — freedom from being bound to others, freedom from routine, freedom to just do whatever you damn want — but I would rather be bound and tied to people (like, good people, of my choice, ideally) than untethered and alone. sure, it's "freedom," but it's a joyless and lonesome freedom, and imo that's not a hopeful end.
at the same time, if you take a step outside of the narrative and consider the novel itself, rather than looking at the narrative from its inside — yeah, i think it could be read as hopeful. if you want to read ma's novel as a damning diagnosis of wtf is wrong with our world, and how routine and memory and intimacy get so entangled and fcked by our society's current MO — well, diagnosis is the first step to making things better. ma's showing us, look at how easy it is to name and identify and see what's wrong. look at how fruitless candace's way of life is, in the end, and how empty and dreadful it is when we think of freedom as alone on an open road. if this ending isn't hopeful, shouldn't we reassess what we assume hope looks like?
so, uh, tl;dr: i think it's not a hopeful ending for candace. but it can be a hopeful ending for us, if we take something away from it.
#severance#anon im sorry it took so long to answer this#i recently wrote a little reading guide for how to read/discuss severance in tandem with crying in hmart and it got me thinking about this#maybe redundant to say this but i'm 100% commenting from a western/US perspective#i also recently finished we do this til we free us by mariame kaba and i think that can be interesting to consider alongside severance#not to bring in spn for no reason at all but like the gay angel said#freedom is a length of rope and god wants you to hang yourself with it#is it taking it too far to say that freedom as a lonesome open road is a freedom that's suicidal?#can we define freedom in a way that insists on connections to others?#lmao im just rambling now
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You’re in Shock
At last, it seems Hayko is dragged out of the mess he found himself in two years ago. Though, the road to freedom is not a peaceful one and especially when Nick is driving.
c.w. minor character death, guns and descriptions of blood, whumpee going into shock/being unable to verbally communicate, noncon touch (nonsexual), getting carried against will
1 2 3 4
—
Bang.
Thud.
Hayko’s eyes snapped open to watch him lower the gun, the blur of his surroundings replaced with a sudden awareness. The man—what had been one—had made a fleeting jerk for his waist when he had seen the barrel between his eyes but too little, too late. Nick had sent him down in less than a second. Then, just as clinically, tucked the gun away.
His mouth was stuck agape. He was unable to peel his eyes from the gore on the ground, make sense of what just happened when he suddenly saw Nick turn and lunge at him. Those green slits were focussed but Hayko screamed anyway and threw an arm up that Nick caught with ease and twisted, earning another wail from his sore body.
“Hey, shut up,” Nick hissed close to his ear. Hayko felt a spot of blood smear onto his wrist. “Stand, now.”
If he could obey as easily, he would have. If Nick hadn’t beaten the ability to obey out of him over the last hour, before the gunshot, before the chastising, his involvement in all of this, he would have but all he could do is push himself to his knees and keel at the sudden stab of pain in his ribcage. Hayko gripped at Nick’s arm blindly, hauling himself up through the pain until he was half-standing and could take a better look at him.
“Ah, f-fuck. Why did you-...wh—” Desperate for an answer, he stammered until Nick was pulling him to the door under his arms. He grunted as his head hit the door frame he was thrown against and slid down on pulse with his heart in his throat. Nick stood, fully visible through the open door and only an inch away.
He glanced over, eyebrows raised. “Yes?” That cool and unphased fucking tone, like he hadn’t just blown someone’s brains out directly in front of him.
“Y-you…” Hayko faltered, never before feeling so helpless. “You kill—” Nick’s expression seemed to change mid-question to the dark contortion that shut him up. He didn’t have to specify that if he wanted to live, he should stop asking questions. Besides, Nick was focussed on someone else.
“Alright Miguel, I’ve got it. I’ve gotta go, yeah.” Eladio sneered the acknowledgement into the phone at the bottom of the hall, one finger twirling the silver on his neck.
This is happening too fast.
Hayko felt everything in him freeze. On the other hand, Nick just stared ahead, arm ghosting the leather to remove the gun in a few soft clicks and rustles. Too far for the man at the end of the hall to have heard a thing. When his eyes finally did focus on the lone figure standing in the doorway, his lips curled into a knowing smile.
“Killed him already? Thought you’d go for a couple more hours,” Eladio could be heard lilting through his own grin. Hayko didn’t dare breathe. Through the corner of his eyes, he kept a firm stare on the man in black and recently added red as if he’d disappear as quickly as the other had.
The one laying a few paces behind the both of them at that moment.
Nick smiled in return, not one to disappear. “I couldn’t forgive this one, unfortunately. He pushed me too far.” And diligently, he kept his eyes lock-stock through the frame, not once letting them flicker over to Hayko who stared at his enigmatic look with a fear so deep in his bones, it could have choked him.
Soon enough, Eladio’s eyes travelled to the mess, too. “I can tell, Jesus, right through the face? You surprise me, Sinc—” He was no more than a few feet from Nick, judging by his volume. Hayko swore he could have heard the sharp inhalation which felt louder now than every other sound he’d heard that night, even his own directionless wails when Nick had hit him with the cane and then told him he’d spare his life. Now, he and Eladio both weren’t breathing.
“You trusted my father and he fucked you over. Honest mistake, right?” Hayko felt Nick’s grip choke the gun as evenly as his cold words wound around the room. He clenched his teeth together so hard from the roar of blood in his head, he thought they might crack when Nick would finally pull the trigger.
Father?
Nick laughed, watching Eladio arm jerk to realization and go for his waist. “But you were stupid enough to trust me and that one’s on you.”
The bang erupted before he had seen him raise the gun again. And another, and another, until Hayko had slid down to the ground, shielding his ears from the explosions with his palms tight against his temples.
The first gunshot had brought him from fading away into the warmth of unconsciousness. Now, he couldn’t differentiate one sound from the other. Eladio talking, no, that was Nick. Eladio had hit the ground, collapsing backwards—or forwards, no difference. He could feel the warmth seeping out and he was so close to them. The air stunk of blood and the residue of the flashes still pulsating every time he blinked and all he did was hold on tighter and tighter, praying it would all end soon.
Bang bang bang bang—
Eventually, he clamped his ears in hopes that the world would fade away, brushing past him noiselessly. It wasn’t until he felt the warmth of a finger brush his cheek after however long it had been that he cracked his eyes open.
Nick, with his face and clothes pockmarked with red, knelt at his level with a soft expression.
“We have to go,” he murmured, scratching his cheek and waiting for a reaction.
Hayko’s hands shook when all he could return was a blank stare. Feeling nothing stirring, Nick’s eyebrows furrowed and he took his jaw in his hand. Hayko moved his elbows defensively to shield his face as the man surveyed him, recovering from the blasts and blood. God, he thought he’d stare at him with that intensity forever.
“You’re in shock.” He stated it, nothing behind the words but clinical observation.
Hayko only whispered what mimicked a noise of confusion before he felt himself being lifted and lifted and, finally, slung over warmth—his shoulder. His hair fell in front of his eyes like a curtain and he wanted to sink his fingernails into the flesh of the shoulder as a wait, wait a minute, something to make him understand what he couldn’t say.
Why can’t I say anything?
What’s happening?
Nick, however, hadn’t planned this around his silent protests. He maneuvered out of the room, over what Hayko thought was a body when they both moved up, and rushed through the crushing emptiness of the warehouse. He watched the metallic patterns, let the tools envelop his vision, registering only a faint bouncing of hair next to Nick’s shallow breaths until they jerked to a stop at a door.
A strong hand pushed it open and Hayko braced himself for the blast of cold night air against the bruises and roar of blood in his ears. Diligently, it came and he winced all the same, screwing his eyes shut as Nick waded into the night.
“A friend’s going to take us from here,” Nick’s voice rumbled against his ribs and he mewled and shifted, bouncing on his shoulder with each step.
It seemed that over the past two years, things had stopped happening on cue, instead taking him all at once and winding him, too. Life hadn’t gone the way he had wanted it to and every time he had prayed for something, it had come moments too late to the point where he wondered if he had violated some nameless law to become the target of all the wrath in the world.
But at that second, a few breaths later, two headlights shone through the darkness. The crunch of gravel poked holes in the night and Nick took off in a sprint, shushing Hayko when he gasped and held on tighter. He ran down the path and planted two hands against the passenger seat window. “Roll it down,” he ordered, breathless.
Hayko couldn’t exactly distinguish the mumbling through the crack of the window but it was enough for Nick to throw open the backseat and let him tumble down. Groaning in pain, he felt the release of what he hadn’t been able to say since the gun had gone off, and let the little noises slip out into the leather as the driver changed seats with Nick. Doors closed and opened with no particular pattern and he felt himself being jostled, his head lifted.
A breathless laugh came from the driver’s. “Make him comfortable, Russki.”
Hayko gasped—wheezed, moreso and stopped himself from a hysterical laugh.
“I have you, do not worry,” Vladimir whispered quickly. His fingers worked just as fast in adjusting his head comfortably and clicking the seatbelt in place for a meager amount of restraint. Hayko buried his head against the leg, grateful the dark could shield his face from his friend, bruises and all.
With wheels on gravel flow, the initial acceleration and the feeling of being pushed back, the feeling of leaving everything behind, driving really did become meditation with enough time in the car. Hayko, for the first time, felt a few pounds lighter and even if it was his head, it couldn’t have hurt. He let Vlad cradle his head, smooth his hair back as the three dove into the woods.
He let things fall behind.
Before they had left though, he thought he had seen a sea of headlights with dark eyes peeking just enough behind each windshield, maybe a gun or two, and he could have sworn he had heard the pounding of those feet against the gravel as they left the compound behind. Weapons loading, skilled preparation, planned preparation. In the empty warehouse, he thought he heard men organizing themselves, paying no attention to Nick.
If that had seen him, they had ignored him, Hayko realized dimly but wasn’t able to make a connection. Whatever it was, he could deal with it later.
And still, he let things fall behind and let the darkness take what was left.
—
Tagging: @doveotions @heathenville @thewhumpstuff @thatsthewhump @adamantem-rose @lonesome--hunter @whumpsorbet @whumpasaurus101 @lektricfergus @downrivergirl914 @burtlederp
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#whump#whump writing#action#character death#guns#blood#shock#broken whumpee#captivity#whumper#noncon touching#nonverbal#going into shock#noncon touch#implied past torture
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So I lost the energy to keep up with the last week of prompts but I wanted to finish off this little series the way I had planned and thankfully it still makes sense! This is the longest one yet, just to fit everything in that needed to make it work. Thanks for reading! I'll make a masterlist at some point too
30. (Alternate prompt) We think of the key, each in his prison - Escape | Multiple whumpee (mentioned)
Warnings: vague noncon drugging (magical herbal tea), attempted mind control, magical mind control, magical whump, intimate whumper/creepy whumper, noncon kissing, blood, escape and bargaining for freedom
One month. Thirty days. They’d made it. They’d survived. The deal was done.
Wasn’t it?
Celeste sat them down for tea around mid afternoon, only a few hours more until they could walk away. The tea tasted strange but it didn’t knock them out, as they’d first suspected it would.
Stone wrinkled their nose at the taste but swallowed it down.
“It’s not so bad, once you get used to it,” Celeste stated.
“What’s in it?”
“Herbs, flowers, things to make you feel content. You feel content, don’t you?”
Stone looked out the window at the early summer day, the sun dancing across the meadow of tall, bright green grass. The sky was clear blue and clouds scudded across it lazily. They breathed in the scent of steamy tea cups, fresh baked bread, sweet jam and cream.
They did feel content. Not a care in the world. They rolled their shoulders and felt the tight pull of the brand between their shoulder blades. It was so much less bothersome when everything else was alright, when nothing else hurt.
Stone nodded at Celeste, even as their eyes filled with tears. Why were they crying? They felt so happy but something was wrong… something… they just wanted not to worry anymore, not to fight.
Celeste stood and wrapped them in a hug, stroked their hair.
“I don’t know what’s wrong,” Stone mumbled.
“It’s going to be okay, soon you won’t have to make any more decisions.”
Just one big decision, just the choice to run and run and never look back and never have to live more of these confusing, bewildering moments. Never have her touch them again.
Never have to miss home, again.
Celeste stroked their temples and kissed their forehead. This could be home, a small voice whispered inside their head, and they shuddered. It sounded so full of promise.
As the sun set Celeste led them to the kitchen, in new clothes but their own boots, a bag of odd belongings—jewellery, sunglasses, a bookmark—slung over their shoulder.
“Our deal is fulfilled,” Celeste said, standing with them at the large kitchen island, the back door open. Sweet dusk air filled their lungs and they smiled. “You may now do whatever you wish.”
Stone looked at her, pulling away from the hand on their arm. “Tell me why? Why do all of this?”
“I get lonely.” She shrugged. “I need what humans have to offer, devotion, energy, love—or hate. None of you give it freely anymore so I take it where I can.”
Somehow the revelation that she wasn’t entirely human didn’t strike Stone as odd, it made sense, given… everything.
“Maybe if you asked,” Stone said through gritted teeth. “Or if you were nicer, and didn’t torture people—”
“Pain is invigorating. And when you ask, people have the chance to say no.”
Stone glared and shuffled away from her, shaking their head. “I hope you’re even more alone when I’m gone then you ever felt before.”
“I will be,” she sighed dreamily. “Until the next one. And you haven’t left yet, I wouldn’t be so sure that’s what you’ll decide.”
“What?!” Stone rocked back, stepped away but Celeste’s hand snapped out and caught them by the shirt collar and dragged them closer. “Of course I’m leaving that’s, that’s…”
She kissed them on the lips and their cry was muffled by it. The brand between their shoulder blades itched, then burned, until then the skin felt clean and new.
“You have until morning,” she whispered against their mouth. “If you’re still here then, we’ll have to strike a new deal.”
She left Stone standing there, heart racing, and disappeared into the quiet, dark mansion with a lilting laugh.
*
Hours passed and Stone stood rooted to the floor. The door was right there, open! Why couldn’t they just walk through it?
Images flashed behind their eyes, dredged up memories: her eyes in the mirror, the contentment of the tea, the dreamlike states where she flitted through their mind.
What did they really have for themself, out there in the world? It was like every possibility had melted away, all the good thoughts… gone. They could barely recall faces, names, places.
Barely. But, enough.
They had a life, a whole world, freedom. They had themself, if nothing else.
It was enough determination to take one step forward, to fight the feeling that kept them stuck in place. But just one step, only one.
At this rate they’d be here all night, it would be too late.
And what if they got away but some other poor person ended up taking their place? Someone who couldn’t fight back, who couldn’t take it, who crumbled under her hands and became putty for her to shape however she wanted? Stone shuddered at the thought.
They couldn’t let that happen. The thought settled around them. They could stay. They could take the fall for everyone else, even if no one ever knew. They could do that. They could take this.
The unease inside them quietened at the idea. It was the easier choice, just to give in.
“No.”
They spoke quietly and then louder. “No!”
They struggled forward another step.
Celeste had tried to rig the game, they understood now. Tried to make it impossible to walk away, so that the ‘choice’ to stay was made for them. So that come morning she could enforce a new deal—and even without knowing what it would be Stone knew it would be terrible. The rest of their life, maybe, traded away because that’s all they had to give and she would demand as much.
“I will leave!” They shouted, voice hoarse and dry. “But… but I will come back.”
Air rushed around them, like the house took a breath, like a spell of quiet was broken. They lurched forward suddenly, stumbling against the counter. “If I can’t leave freely, I will leave on my own terms!”
They stalked across the room, grabbed for a pad of paper and pulled a pen out of their jacket pocket. Their hand trembled and they took a moment to steady it.
“Evil, conniving, wicked woman,” they muttered. “But if this is how I get away, if this is how I don’t owe you everything.”
They grit their teeth and forced their hand to write out the agreement. Line by line, signed with their name, and—in a moment of hysterical laughter in belief in magic and knowing in their bones how it worked—they took a knife from the cutlery draw and pricked their forefinger until a bead of blood welled up.
Stone could breathe once it was done, they felt light and airy, like nothing held them down. Relief filled them, bursting forth like a dam they thought it might make them cry, or whoop with joy, or even fly.
They did none of those things. They left the note on the counter, hefted their bag higher, and ran.
They made it across the meadow as the sky turned from night-black to early morning blue. They made it to a road as the first hint of yellow splashed across the horizon. They made it far enough away that the spell was broken, morning dawned to find they were gone, and free.
Free until the price they offered had to be paid.
*
Celeste woke to a silent house, but it didn’t feel barren. It felt filled with life, still. Alive, happy. Not something she had expected.
She wandered the rooms looking for her newest conquest and was surprised to find it empty. Her bare feet moved quietly through the rooms as her grief and rage began to grow. She’d been so sure, with this one, that she’d done enough. So hopeful… but perhaps Stone had been too bullheaded, too defiant. Just as she was about to give up she found the note on the kitchen island. Amongst the luxury appliances and marble counter tops and glittering china-ware, a scruffy, hastily written bond, on a small piece of paper—crumpled and messy and so very Stone. With a fingerprint pressed in red blood at the bottom, sealing the offer with magic.
I, Stone Machart, will leave this house tonight of my own free will.
I offer this in my place:
I will return of my own free will once a year, every year, for the rest of my life. For one month of each year Celeste can have me, and only me.
This contract will be broken if Celeste hurts another in my absence. This contract will be broken and my freedom forfeit if I do not return within twelve months.
This I swear.
Celeste smiled and warmth bloomed in her chest. Without losing any more time she added her own thumbprint of blood next to Stone’s. Finally, she’d found someone worth keeping, and she had a whole year to plan how to make the most of the month with her beloved, Precious, Stone.
@whumpthisway @lonesome--hunter @kixngiggles
#defiant whumpee#nonbinary whumpee#lady whumper#creepy whumper#intimate whumper#non human whumper#immortal whumper#april is the cruelest month#escape#escape attempt#bargaining#noncon drugging#mind control#magical whump#blood tw#blood deal#blood magic
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to fight (when you feel like flying)
To: Anna @twomoonstyles
From: Inm @in-madhouses
Summary: harry has never had a place to call home, not since one direction became a thing. zaemira has intentionally avoided home, fearing the monotony and a life not lived. their paths cross and like two lines that are meant to meet and fall apart every so often, they find a home in one another.
a story about binge drinking, tattoos, and how sometimes, building homes out of people can be the only thing that keeps you going. also known as a tribute to brasil!harry and the (not so) secret thigh tattoos.
Warnings: some offensive language, alcohol use heavily implied, hints of substance abuse (if you squint) and sexual references. there are also mentions of hendall, hadine and hamille although not explicitly named. the timing is also nowhere near accurate but let's call it artistic freedom.
rio de janeiro
may 2014
They break up on the eve of his departure. It’s the band’s first all-stadium tour and somehow, as quickly as they were a thing, they just weren’t by the time February rolled around.
They’d clung onto one another for dear life through the winter months and the physical hole she leaves behind is filled by the pictures of her everywhere. There are fall fashion shows, and there are music festivals, and there billboards, and there are gossip rags. As far as the eyes can reach, there she is, in one form or another.
Harry leaves for the tour with the boys and it’s exactly like he expected. He is grinning from ear to ear standing atop of the world night after night, the stars in his eyes left by the glow of the headlights is eclipsed only by ear-ringing screams they are accompanied by.
Each night is a swirling tide, even when he is not on stage.
But the mask cracks eventually.
The air stills.
They do seven cities in twelve days and he’s tired already. He’d inadvertently frowns at the wrong moment, or sigh, or have a faraway look in his eyes, barely anchored to the present. And they catch it. They always catch it. But the walls come back up as swiftly as they tumble down.
He’d smile. Smile, smile, smile. Smile until it hurts.
Smile until it’s believable.
(It never is.)
He spends too much time bouncing between staring holes into his phone and wanting to go at it with a hammer. There’s just something confusingly enthralling about the pictures and the videos of her that keep popping up. The precise red carpet movements, the long lithe legs, the perfect posture, the jawline for days.
Niall sends him memes round the clock to try to distract him from looking at new pap shots, and Liam tells him to just not to think about it.
“It’s called a quarter life crisis,” Zayn announces, elbowing Louis as they chuckle at his melodrama.
As though it’s the simplest problem ever to grace the earth, Louis offers a solution, “What you need is a good bender and a good cleanser.”
He’s got good mates, he thinks.
But then he’s in Rio and there are pictures of her at the Met Gala and next thing he knows, he’s downing caipirinhas by the glassful and there’s sun and sea and sightseeing and then more caipirinhas. He remembers exactly how everything unfolded, like watching a lifetime worth of dominoes collapse into a rather large portrait of a car crash.
&&
It’s a slow night.
There’d been exactly one walk-in so far; a giggly nineteen year-old girl who wanted a Taylor Swift lyric tattooed on the middle of her lower back.
“It’s our song,” Swiftie says in regards to the tattoo, and whether the blonde haired, blue-eyed, cherry lipped teen was referring to her boyfriend or the title of the song, Zaemira will never know.
Since then, she’d been all by her lonesome for four whole hours and the tan skinned brunette is bored. She’d left her latest acquisition, a tattered first edition copy of Factotum back on the couch she was crashing on and with nothing to read or distract herself with, she is decidedly… bored. She’s antsy and she’s restless, and she’s super tempted to just flip the ‘open’ sign around to read ‘close’ and get drunk on cheap booze at the dodgy little bar down the road. That’s what soul-searching girls do when they end up working part-time at a seedy tattoo parlour in the tv shows anyway, why should she be the exception?
She’s so bored that her mind wanders and she's thinking that maybe it’s finally time to go home, not like call it a day home, but home home.
Zaemira had packed a bag and left the comforts of London right after graduating from her graphic design degree, hoping to find some kind of excitement out in the world before living out the predestined rest of her life in a cubicle churning out ad after ad for the nihilistic consumerist society she lived in before kicking it too early. But after a year on the road, honing the needle and ink in her hands and collecting first edition Bukowski’s, she is left wondering if there’s even a home for her to return to. The concept of it now so foreign to her even though her childhood had not been lacking in much.
The tinted shop door swings open right then with a squeak and a clatter of really impressively expensive sounding heels echoes through the tight little tattoo parlour space.
It’s all limbs and hair, flailing and tumbling forward face first into the floor.
She instinctively backs up away from the swirling mess.
“I’m fine! I’m—fine, just—I’m fine,” the bloke says, waving his arms about before rolling onto his back, splayed on the floor, taking up most of the floorspace, “You should—there should be a sign. Two. Yeah, two. One in English, and one in—what country are we in?”
Zaemira blinks at this hurricane on the tattoo parlor floor and studies him for a quick second.
“You’re in Brasil,” she starts saying once appropriately convinced that he’s not about to sick all over the shop floor, “And a sign for what exactly?”
He huffs, blowing several strands of thick brown hair out of his eyes in the process, “The stairs, love.”
She squats close by to examine this specimen interrupting her plans to close early and get hammered.
“There aren’t any stairs,” she says dryly, arching an eyebrow at his direction.
He sits up, coming dangerously close headbutting her and blinks at her.
“Then what’d I trip over?”
And he sounds so fucking plaintive, adorably dismayed and hilariously distressed, that Zaemira can’t help but bark out a laugh.
“Well, if I had to guess,” she starts saying, biting down on the laugh teetering on her lips because he sounds so honest to god confused and hilariously distressed sitting there on the tattoo parlour floor, “You tripped over the fucking distillery you inhaled at wherever you went to dinner.”
He squints up at her like he’s doubting the validity of this observation.
And then, “Are you English?”
She rolls her eyes at that, “What gave it away?”
He shuts one eye to peer at the girl before him, as though considering her seriously, “You’re far from home.”
“I could say the same about you,” Zaemira contests as she recognises his too young and too pretty and too distractingly familiar face, “You’re Harry Styles.”
He blinks and there are alarms blaring in her head as he smirks.
“You’re doing the introduction thing backwards there, sweetheart.”
“You don’t like people telling you who you are then?”
“Not very much, no,” he scrunches his nose, deep in thought for a second, before turning his attention back to her, “What’s your name?”
“Zaemira,” she replies, realising they’ve been on the floor way too long and her leg is close to falling asleep.
She holds her hand out to pull him up, and he accepts it all too enthusiastically.
“What kind of name is… Samira?”
She shrugs as she helps the six footer to his feet wobblily, eyes scanning the door he stumbled in through, wondering where his entourage is, “It’s Zaemira, actually. But you know what, you get to call me Mira, drunky-pants.”
“Well, I want a you tattoo,” he announces, voice a little bleary but determined. But there’s something dangerous there, too, something that reminds him of the sting of needle piercing skin.
She eyes him up and down as he wobbles and crosses her arms across her chest.
“I don’t think so.”
“No, no. You don’t—” Harry hiccoughs and takes several steps on the spot to balance himself, “—understand. I want your name— Zaemira— tattooed on me.”
He takes extra care to pronounce her name right the second time around that she is just inexplicably fucking endeared by the entire spectacle.
Zaemira blinks.
“What?”
He frowns, as though worried he’s not articulating well enough for her to understand him, “Your name— I want it tattooed on me.”
She stares.
And then she stares some more.
“It’s a beautiful name— I never—” Harry hiccoughs, frowning and stopping himself mid sentence, “I never want to forget you.”
She’s definitely not bored anymore, she thinks.
So she cocks an eyebrow at him in a wordless game of truth or dare and he’s reckless and he’s dramatic and he’s beaming at her so brightly that she’s blinded by it, and her brain goes hazy and her thoughts switch frequency with an abrupt high-pitched whine of static.
&&
cape town
april 2015
Harry thought he was doing better, he really did. It’s been almost a year since Rio and he’s Harry fucking Styles. He’s in one of the most popular bands in the world, he has a PR perfect sense of humour, sharp fucking cheekbones, and the word Brasil tattooed on his thigh to remind him that even when life feels like it’s spinning off its axis you can always find a centre again.
But then she breaks up with him, craving a more definitive commitment that he can’t offer, and they’re on tour again when Zayn, out of nowhere, announces that he’s needs to leave for a little bit which everyone knows is code for he’s tired and done with it all.
And the world just... started to spin a little off its axis again.
So he makes plans to arrive in Cape Town earlier than he needs to and heads straight to where his life last made sense when things moved too fast for him to catch up.
“We have to stop meeting like this,” he drawls from the doorway, smug and half a bottle of duty free booze dangling precariously in his hands.
Her whole body stalls, eyes the only thing that whips up from the book she’s engrossed in. The smile that carves itself onto her lips hits him square in the chest.
She sets the book aside, breathless, “How d’you know I was here?”
“I keep tabs on you,” Harry shrugs, tone casual, with a small smile playing on his lips playfully.
He had long made a mental note to keep up on her current location whenever he could since she’s far from forthcoming about her travels. Seems only fair since his movements in contrast is so easily trackable. One quick internet search and she’d be able to know if he was in Holmes Chapel or recording in Los Angeles or out grabbing a bite in New York.
“Why, because no one else will tattoo country names on you when you’re drunk?” Zaemira teases, taking a step forward, as though challenging him to crack first.
“Precisely,” he nods in all seriousness.
They both start grinning for no reason whatsoever and the laughter that sits in their chest bubbles over soon enough.
After Rio, he had gone back to his life and she went back to hers. She moved from city to city, continually avoiding home, and he went from stage to stage, seeking solace in the certainty of instability. But still, the heartfelt conversations and indelible experience they shared in various states of sobriety in Brasil bonded them together. Somewhere along the night almost a year ago, they had reached a point at which they both understood implicitly that no matter what, one could call and the other would answer no matter where they were.
And so they did.
They shared the big news; Zaemira whenever she found a new old Bukowski book and Harry whenever he was thinking about a new tattoo. To the layman, it may sound like a shallow kind of friendship, completely lacking any kind of commitment, but it wasn't.
On the contrary, it was the healthiest and longest lasting form of a relationship that either one of them ever had. Despite geographical and emotional distance, they were allowed to grow in their own way and not have to live through minute everyday highs and lows and petty dramas.
It was as liberating as it was peaceful.
And he could tell that his sudden physical presence is throwing her off.
“Seriously, what are you doing here?” She asks, tone light but the slant of her jaw more rigid than he’s used to and her posture brittle.
“We’re on tour,” Harry shrugs nonchalantly as he walks in around the tattoo parlour.
The space is small and intimate and starkly lit. The walls are embellished with clean lines and immaculate designs and it’s just like the spot in Rio where they met a year ago. Her caramel brown eyes are tailing him around the room and he wonders how someone who works with men looking to cover up prison ink all day can look so soft.
“I know that,” she says, her tone more curious than it is wary, “But what are you doing here?”
“Can’t a guy just drop by to see his friend when he’s in her neck of the woods?”
She narrows her eyes at him.
“A guy can, but a guy never has,” her voice dripping with the implication that he’s never lacking in the means to find her.
Which isn’t untrue.
He sighs.
“I was in New Orleans for all of a day, Zaemira.”
Harry likes saying her name in entirety. She prefers Mira, but he likes the unshortened version. It’s beautiful, it’s the kind of name that commands the full use of the orifice that most people use to stuff full of food or as a tool to lick and suck.
She stares at him, surprise evident.
“How could you possibly—”
“I have you on Instagram,” he replies, crisply, before taking another swig of the bottle in his hands.
“No, you don’t.”
“Only because I can’t publicly follow you.”
“So you just check my account obsessively like some kind of creepy stalker?”
Harry shrugs.
“Think we crossed that line when I fell into a certain tattoo shop a year ago, don’t you?”
Zaemira huffs out a breathless sounding laugh that hits him right in the center of his chest.
He had thought their paths would cross when after their last tour ended. He thought he might go out to New Orleans and get into that gumbo life for a couple of days. Stroll along the French Quarter and check in for a drink at Bourbon Street. Bask in the jazz and have a look around in a voodoo shop.
But when he’s back in LA after the tour, he finds out that she’s in Japan when he calls.
“Oh yeah, I’m in Tokyo,” she said over the phone distractedly, like it’s no big deal.
He frowned at that, confused. She had a tendency of not staying in one place for too long, but it was abrupt, even by her standards.
“What are you doing in Tokyo?” Harry questioned, brows furrowing so hard he felt frown lines forming.
“A bit of this, a bit of that,” Zaemira said noncommittally, “I thought Japan might be good after finding the boy I shacked up with completely naked and asleep with his ex.”
He gaped at that casual over-the-phone confession non-confession, befuddled and aghast.
“Did you let him have it?”
“What d’you mean?”
“Did you rip his dick off? Sock her in the nose? I could get some people together and hit him in the balls for you if you want,” Harry offered, only half-joking.
“No, I just packed my stuff and left.”
“You didn’t wake them up to confront him about it?”
“Why would I?”
Her confusion confused him. Harry paused, opening and closing his mouth several times, thinking back to break ups and make ups he’s been through, talked through, and fought through.
“You didn’t want any closure?”
“Why would I want to give him a chance to hurt me more?” Zaemira retorted, quick and sharp as ever, “He’s either going to lie about it, apologise and do something like it again, or completely be like whatever about the whole thing.”
“You... didn’t... think he deserved to know that what he did was wrong?” He prods along, cautiously.
Even after months of phone calls and texts, her candor and point of view never fails to catch him off guard.
“It’s not about him though,” she said all matter-of-factly, “I mean, he wouldn’t give me any kind of honesty, respect, or consideration, so fuck that closure.”
Zaemira isn’t shy. That’s for sure.
And she isn’t coy.
She’s loud and she’s outspoken and she had no qualms telling him that she didn’t want to die where she was born having realised that she’d done nothing out of her comfort zone which is why she left and took to sleeping on couches. Harry remembers how much he enjoyed that about her. How it had been refreshing to meet someone who enjoyed the newness. Someone who actually took pleasure in what life had to offer instead of just going through the motions.
“Well, now that you’re here…” she says as she moves towards the door, flipping the sign over from ‘open’ to ‘closed’, “What d’you feel up for tonight then, pop star?”
Her voice anchors him to the present. And she’s grinning up at him like he’s a firefly and she’s a mason jar, and he feels the countdown to self-destruction rumble in the hollow space beneath his ribs like the roar of a sports car engine.
His heart skips a whole beat at that.
&&
The sun is creeping up slowly and steadily on the horizon. She’s sitting fully clothed in a fancy bathtub in a fancy hotel, clothes soaked and doing a piss poor job of trying not to smile.
She gives him a look and he just laughs, sat on the edge of the bathtub, also soaked through.
“We need to come down,” she said earlier, shaking her head as though the movement would clear her head of all that they’d indulged in through the night.
The first rays of sunlight had started to dot the skyline and he grinned devilishly, taking her by the hand, promising he knows just the thing that would do the trick. Harry promising he knows ‘just the thing’ was how they ended up high as a kite to begin with but she had trusted him thus far so she decided to trust him a little bit more. Which in hindsight was where it all went wrong because that’s how they end up in his hotel room filling up the bathtub with water and foam shampoos and bath salts.
The windows are open, carrying their laughter and giggles to the streets below. But that’s not her main concern. Somehow, in an effort to make the bath as enjoyable as possible, Harry had turned on the shower head and initiated a spray war. The physical exertion and the laughter had sobered her a bit, but the tradeoff was that she now wanted a cigarette which was not possible since he all but dunked her into the tub to claim his victory.
She pulls the soggy packet from her denim jacket breast pocket, the gross brown liquid oozing from it indelicately.
“You’ve wet my cigarettes,” she says as she tries to look upset.
One glance at him though and she’s reduced to a puddle within the puddle she’s sitting in.
“You should really quit anyway.”
“Piss off,” she tosses the wet box at him.
It lands two feet off its target with an unceremonious splat and they laugh at her aim. They laugh and they laugh some more and talk about nothing and everything.
She talks about her mum. She never talks about her mum. But suddenly she’s talking about her mum and how she left and how it broke her father and it had hurt her to see him hurt the way he did. How he had let himself be hurt like that and still cling on to the hope of her mother coming back one day.
Harry is nodding and then they’re both just complaining about how unfair and shitty life is when he says it. Blurts it out, almost, like a secret that he can no longer contain.
“I want a tiger on my thigh.”
She’s so dazed that all she can do is look at him.
“D’you reckon you can do a tiger for me?” He repeats himself, almost as though in fear that she wouldn’t understand the urgency of his request.
She doesn’t question it, but she understands the symbolism instinctively.
“Sure,” she smiles, leaning her head back.
“Tomorrow morning?” He quirks his head, eyes glazing over as he tries to, in his solidly drunk state, try to remember if he has any other planned activity.
“That’s right now,” she laughs, lifting her heavy head to look at him, “And neither one of us are sober enough to walk a straight line, let alone hold a tattoo gun.”
“I trust you,” Harry says, voice dropping impossibly lower and she hears alarm bells start to ring in her head.
She’s makes a joke about him always being so eager to drop his pants around her and regrets it instantly because he’s smirking at her and looking at her the way he does and she almost forgets how to breathe.
“Maybe you just have that effect on me.”
“Careful,” she says dryly, “Or I might think you're trying to flirt with me, Styles.”
“Oh, you'd know if I was trying to flirt with you.”
“Maybe,” she concedes, before deciding that the best course of action is to slide further into the tub, “But would you?”
His smile that follows is breathtaking and the unabashed laughter that spills over is something else entirely. It’s warm and new, with some kind of never seen before sparkle in his eye. As though it’s an exclusive layer of whoever he is when he’s around her and her only. A smile that’s peeled back and raw and intimate.
Her chest blooms of something she can’t quite explain.
&&
los angeles
jan 2016
“Look, I don’t mean to sound outrageously savage here but… you have a thing for collecting winter clings,” she says.
“What on earth is a winter cling?”
Zaemira pauses.
“It’s the Harry Styles version of a summer fling,” she states simply, “But you have them around in the winter because that’s when you get loneliest.”
They’re in a bar, it’s small and it’s cosy and it’s not the kind of place that he would be recognised which is why it’s perfect. She pours him a shot of whiskey from behind the counter because it’s harder in LA to get a legal tattoo artist job (or any other job for that matter) than one would think.
“That’s not true,” he frowns before downing the amber liquid in a go.
She stares at him pointedly from behind the bar.
“You always get a girl at the end of the year so that you have a cosy Christmas and a nice New Year and then a blowout birthday party and then you break up with them before Valentine’s Day because commitment scares you. There are multiple blogs dedicated to the this specific phenomenon.”
“Maybe,” he concedes, a ball of something hard and sour and guilty forming in the pit of his stomach.
“No. Definitely,” she says as she tops him up for another shot.
“Is that what you think of me?” Harry frowns.
There's a beat of noticeably tense silence.
“Is it untrue?” She quirks her eyebrow just a touch.
Harry drops his gaze to the liquid he’s been swirling around his glass, “Is it really so bad to just want someone?”
“Not usually, but it takes twenty-one days to make a habit and you’re in too deep.”
“What exactly are you insinuating?”
“I’m not insinuating anything, I’m flat out saying that you don’t know how to be alone,” Zaemira gleefully volunteers, completely without provocation, before topping up his drink again, “Which isn’t a shocker because you’ve never really been alone. Even when you snuck out to have your solo adventure in Rio, you dragged me along for the night. And now that the band’s on hiatus, you’re falling back into old habits with an ex.”
He promptly forgets how to fucking breathe.
She does that to him a lot, he realises.
Even though the band is officially on hiatus, he’s never felt more trapped. He feels caged in and claustrophobic in his own skin. That’s why he even took up that yacht holiday up at St. Barts. He had a physical urge to flee his life. To escape. But he didn’t think that it would become another source for frenzied paparazzi shots which fueled speculation and rumours.
He throws back the liquid in his glass in another swift go and feels the burn trickle down his throat.
“You keeping tabs on me, Zaemira?” He asks, playfully, with a teasing lilt in his voice.
She merely rolls her eyes at that.
“I’m just saying. Maybe it’s time to work on solo you.”
“You’re taking this bartender psychologist thing way too seriously.”
She opens her mouth to contest that but another patron is waving over at her from across the bar and she excuses herself to see to the obviously lost Wall Street gentlemen in the suit and tie.
The moment of silence allows Harry to think back over her words.
But her tinkering laughter cuts through his reverie.
Harry glances over and sees that Wall Street has a shit eating grin on his face, and something unpleasant churns in his stomach.
His friends were all coupling up, or getting engaged, or getting ready to pop out kids, and he realises that the only constant in his life over the two years has been their over-the-phone friendship. While media was content having him as a charming albeit a little secretive little fucker, a true lothario, kicking up rumours with grainy pictures, reaching out for a comment anytime he so much as speaks to a person of the opposite sex, she’d been his odd inner balance through it all.
And increasingly, he’s finding it difficult to share her with anyone else.
&&
Zaemira has a lot of bad habits.
She knows that.
She smokes and she drinks and she gets some kind of perverse sort of thrill out of spending her inheritance from her dead father. First she spent his insurance payout on a graphic design degree that was basically just a piece of paper. And now it’s been four years and the inheritance her father willed her hasn’t run out (mostly because she takes odd jobs to earn her keep in the various cities she bums around in) and she’s certain that this is what a quarter life crisis must feel like.
Her mother left her when she was barely eight and it broke her father’s heart. She is resolved not to make the mistakes her father made though. She’s determined to live, truly live. Even if it means not having a place to call home, crashing on couches of new friends and old. Even if it means spending one way plane tickets around the world and living out of one packed bag. Even if it means sleeping with strangers and leaving the moment they showed any sign of weakness.
What it means, is that she isn’t ashamed of her life choices.
Mostly.
There’s the small matter of a newly acquired bad habit — answering a certain call from a certain pop star whenever he rang.
She knew who he was before he accidentally wandered into her temporary place of employment of course. He was the golden boy from the band. The Harry Styles from One Direction. She hadn't been aware of much else to be honest, just that he had his start in fame from that reality show everyone watched and was involved in a band that was hailed a new coming of The Beatles.
Apart from that, he had never been relevant to her life in any way.
So when he tumbled into the dodgy, seedy little tattoo joint in Rio and practically falls head first onto her feet, she catches sight of the oddly familiar looking guy who is too long limbs and all overgrown hair, it takes a full minute before she makes the connection.
She’d seen photographs of him before, photos and headlines on Facebook shared by news organisations (or what passes for news organisations on social media anyway), and she recalled the basic impression of this Hollywood favourite in the making; the t’ shirts and the tight jeans and the expensive shoes and the barely thought out tattoos. He was basically like any young rock star in the making, cheeky and reasonably good looking, and perfectly groomed for the media and the fandom to dislocate their jaw to swallow whole.
But the boy who stumbled into the small tattoo studio is not the boy she’d seen on the interwebs.
They become friends.
He tracks her down to her exact location whenever he’s in a city she’s in and she allows it.
When she finds herself in Los Angeles, he finds himself on hiatus.
The band had been splintering since Zayn left, that much was evident. And then the band went on their ‘break’. And he’s lonely, an ailment he had long suffered from far even before he became the Harry Styles of One Direction.
So it doesn’t surprise her when he saunters into the pub she’s working at for the past month and a half.
As a rule, she doesn’t drink on the job. She’s not allowed to. But it’s hard to say ‘no’ to Harry. He’s lonely and he’s heartbroken in more ways than one and they comes dangerously close to depleting the bar’s whiskey stock because it’s a shitty little hole-in-the-wall kind of place that doesn’t really stock up often and so they go back to his place after her shift.
The too big Los Angeles house came with a pool and a view and a fully stocked bar and one moment they’re drinking some more and the next he’s on his piano, absentmindedly playing a tune he has stuck in his head and talking about life.
She’d been good at not feeling. For a long time, she didn’t even have to try. Zaemira just didn't let herself feel for people like that and it was easy. But around him, it’s suddenly not.
He’s talking about being afraid, and how he’s afraid a lot, and how he doesn’t know what to do with himself, and how the house feels too big and he’s too alone.
She kisses him.
She kisses him because she doesn't like what he's saying, doesn't like what it means, doesn't like that this boy, this rock star, this heart of gold and boots to match who had the world on his feet could be as lost and lonely and confused as her.
She kisses him so he can stop talking, and she kisses him so she can stop listening.
It works out fine.
Except—
She isn't entirely sure why he kisses her back.
His name rolls with disturbing ease off the tip of her tongue and she thinks she can get used to the way he says her name when he comes. It sounds like a prayer and a punch, a gasping exhale that hits her in the chest, or maybe in her heart, and he collapses backwards onto his bed, pulling her close to him like she belongs there.
Zaemira doesn’t sleep a wink and when morning comes she leaves her latest find from a seedy bookstore downtown, Love Is a Dog from Hell, on his bedside before she walks out the front door.
The sun hits her straight in the eye, like the glare of a cafe employee when you ask if the have soy milk instead of regular full cream. The city was a place for the hopeful, she realises. The hope that one day you’ll find love. The hope that you’ll luck out. The hope that working hard will get you where you need to go, as long as you hope and never let go of that hope.
It was decidedly not a city built for her.
She was a shitty bartender and an even shittier dreamer and the only thing that’s been a constant in her life is her slowly expanding collection of tattered Bukowski books that she will gladly throw actual wearable clothes out of her overhead carriage bag to keep said books with her. Through the years, the only thing she could rely on was the gritty, filthy words that a dirty old man could provide.
And she had no problem sharing that part of her life with him at all.
&&
paris
march 2018
It’s just a flash, but he swears he sees her in the crowd and he thinks he’s going mad.
He’s barely two weeks into his world tour. His solo world tour.
He should be thrilled. He should be basking in the victory of it all. The world is loud and roaring in his ears but in the dreams he barely remembers dreaming, he sees her there, quiet and serene and bright, as though he is finally seeing her in the light of day instead of in the cover of night. (As though his mind is trying to make up for memories that didn’t happen.)
Not too long ago, it was another face he sought out amidst the crowd in Paris. But he catches a flash of what he thinks is her and suddenly he can’t think of anything else.
Harry hasn’t seen Zaemira in two years. Two years and then some. Not since that night.
They call and they text and they avoid discussing what happened in his LA house or why she left before he woke with not even a note but just a book by his bedside table.
There was no designated moment, no exact timing, but their dynamic changed. Because life is not a Shakespearean tragedy where it’s all fade to black and bittersweet endings. There’s mundanity and somehow, they sought each other out more in that monotonous day-to-day.
Their friendship was stronger despite having flirted with the very line that kept them together. She’d gone home to London and was spending her time putting together fragments of a former life and her current life like a jigsaw, jamming the pieces together hoping they’ll fit while he, well, he had a movie to film, and then an album to write, and that same album to tour after. He’d also landed himself in another relationship. She’s a model, because as Zaemira would say, he’s a glutton for punishment and ‘no seriously, same lips red, same eyes blue, you so have a type.’
His ‘type’ gets along great with his friends and his mum likes how laidback she is when she was over for Christmas and it’s a relationship that he’s only sure has lasted for as long as it did because of the change in their friendship.
But then he realises that he hasn’t seen his friend in over two years and it suddenly doesn’t sound like a real friendship anymore.
He can’t shake the thought and the screaming fans do nothing to help set his mind straight.
His heart aches like a broken bone over something he can’t explain.
Barely off the the stage, he whips out his phone and calls.
&&
“Sorry, wrong number,” he says.
“You know it isn’t,” she says, eyes flicking toward the living room as a burst of laughter carries itself to her ears.
Zaemira grabs her pack of cigarettes and shuts the front door gently as she exits, “What’s up?”
“Nothing.”
But she’s known him long enough to read into the subtext, the world that exist in between the words he’s actually saying.
“What’s wrong?” She asks again, determinedly, taking angry long strides down the road.
He sighs, voice sounding like it’s jumped through various hoops and crossed many a timeline in many universes to reach down the phone line to her.
“It’s nothing, Z.”
But she knows something is. Knows it from the way he says ‘Z’ instead of ‘Zaemira’. Or maybe she hopes it’s something more than knows it because she wants an excuse to see him. To wander the streets of London with him. To get drunk with him. Anything with him.
Where he’s calling her from, she wouldn’t know; could be a pub, a hotel, backstage of his concert, anywhere. And she’s not sure she wants to know. They haven’t physically seen each other since that night over two years ago.
Has it really been?
He’s travelling again, on tour, alone this time around, and his schedule always seems at odds with hers. Of course, it didn’t help that he’s seeing someone. She knows because he’d rung her up to ask if he should invite said someone home for Christmas and again to ask how many times you can ask someone to come to your concerts before it starts seeming narcissistic.
She pulls out a cigarette from the pack and puts it between her lips before lighting it, taking a long drag, trying to remember if there’d been any sign that his relationship had been on the rocks the last time he called.
Zaemira inhales the fumes while he quietly stays on the line.
Harry doesn’t say anything.
“How was the concert tonight?” She prods.
“It was good,” he says, but there’s no enthusiasm in his voice, just exhaustion, “Paris is always good.”
He doesn’t sound right.
It’s the stupidest, most clichéd thing ever, but he doesn’t sound like himself.
“Harry,” she says, voice softening because he’s quiet and he’s the one who called her and she has a horrible feeling that he’s about to cry and the last time he sounded like that on the phone, she found out that Robin had passed, “Has something... happened?”
He’s not saying anything, like he’s waiting for her to say something, and she doesn’t.
“I’m just… I’m having a minute”
Zaemira sighs.
Sometime in the past two years, she’s thought on more than one occasion that she might love him. Like proper love. More than just platonic love.
But other times he just feels so fucking far away that she’s not so sure anymore.
She heaves a not-quite calming breath and takes another drag of the cigarette before filling the line with chatter. Because she gets it. She gets that empty kick in the gut sometimes. She prattles on about how home doesn’t feel like home and even though life at home is, more or less, alright it feels like something is missing. She complains about her aunt who disapproves of her decision to spend the rest of her inheritance on getting her masters and she begins to outline in exhaustive detail just how dissatisfied she feels, how everything makes her feel like a shitty daughter and a shitty niece and a shitty friend and a shitty student and a shitty—whatever the fuck else she's failing at—when he cuts her off.
“When can I see you?” he asks, like they can pretend for a second that they haven’t spent the past two years apart, like they live on the same street and he could see her in an hour if he wanted to.
She flicks her eyes back towards the house, thinking of her aunt and her cousins and how they’ve been going on and on about this big Easter party they’ve been planning.
“Tomorrow?” She suggests, knowing full well that he can’t. Not really. He’s got schedules and plans and commitments.
And a girlfriend, a voice in the back of her head pipes in.
She doesn’t need to silence the voice though because reality has its way of doing that and she hears him exhale on the other end of the line, as though letting go of a breath he wasn’t aware he was holding.
“Tomorrow’s no good. How about day after?” Harry suggests, “I’ll be in Amsterdam. I’ll get you a ticket.”
And Zaemira thinks about that for a bit, seriously considers taking him up on the offer.
And then she thinks about him, about how maybe they’re like those horrible math love stories; like sine and cosine, meant to meet and fall apart every so often, forever out of step with one another.
She drops the cigarette to the ground and watches it burn.
“I don’t think I can do Amsterdam right now,” she says after a second, “I mean I have it on pretty good authority that if I don’t go to my classes I won’t be able to complete my masters.”
She chuckles to herself at the terrible not even remotely funny joke.
“I’ll be in London in April,” he says and she can hear his breathing all but stop on the line, like he was holding his breath for her answer and she almost wishes she’s not about to say what she’s about to say.
“I’ve got work on weekends.”
He sighs again and the line is heavy with words unsaid.
“See you after tour then?”
“Yeah,” she says, forcing a grin, forcing the lie, “Yeah, guess so.”
It’s quiet between for a bit. The silence is deafening and it steals her breath a little and she’s pretty sure it has nothing to do with the cigarette she just smoked.
And then the line goes dead.
&&
london
december 2018
He doesn’t call her again after Paris.
His tour ends and his relationship ends and he half-heartedly makes excuses to himself and for himself for not calling; he's busy, of course he’s busy, he’s busy catching up with his mum and his sister and his ex co-workers and his industry friends and he tells himself that he doesn’t need anyone to help him get through the cold lonely winter nights.
But then it’s December and he calls and she picks up and they pick up exactly where they last left off. It felt good. It felt like breathing again. And he thought it was enough, but two days later, despite the promises he’s made to himself, he texts her a meme.
And then he calls again. And again. And again.
It would be almost like she’s his phone therapist except he’s also sort of keeping her functioning like a normal human that doesn’t lash out at people by texting him her darkest thoughts, so it evens out.
He’s realising with every call, and every passing day of his newly found (and truly enjoyed) singledom, that he was kind of a fuck-up. Not in any obvious, tangible, measurable way. He didn’t have a dozen different child of divorce issues, or problems with abandonment that run so deep he is constantly choosing to leave before he is left, or a mile long list of insecurities and fears that leave him utterly crippled, but he was fucked up in ways that were difficult to fully articulate.
And their relationship was a home that allows for it to be okay because they were both honest about just how fucked up they were.
Harry doesn’t know when exactly he figures it out, but he decides he’ll go see her in March. He’ll ring her and say ‘wrong number’ and she’ll call him a twat and then he’ll throw rocks at her window and hold up a copy of Bukowski she doesn’t yet have that he’ll have to find by then and yell, “Did someone order a creepy stalker?”
It’s a good plan. Except it’s two days to Christmas and she’s complaining about her cousins and her nieces and her nephews and how she just walked out when they were making pies together ahead of Christmas and now she’s just going to sequester herself in her shitty flat and spend the yuletide alone and he can’t help but smile at the whole thing because that’s so painfully Zaemira and he can’t help himself.
“I’ve got it planned out,” she says, “I’ll just Netflix and eggnog myself to sleep.”
“Don’t be ridiculous, come over to mine for Christmas,” he says, words tumbling out of his mouth completely of their own accord without passing through his head at all.
“Yeah, I’ll just come to Holmes Chapel at the drop of a hat,” she says sardonically.
“I’m serious. My mum won’t mind.”
“There aren’t any flights out, Haz.”
“I’m sure there is.”
“It’s fine. I’m used to it, I just called to rant anyway,” she says dismissively.
And Harry can see it play out at the back of his mind, the way her lips quirk, all wry and self-deprecating. Except there’s more of a bite to it than it usually would.
“What d’you mean you’re used to it?”
“I mean I only exist when it’s convenient for you,” she says it so matter-of-factly that he’s not sure if she’s making a piss poor attempt at a joke.
Her words are just so thoroughly her, and no one could say it without sounding like an attention seeking arse, but they hit him square in the gut and Harry feels all semblance of breathable air leave his body.
“Hold up—” He starts but she’s having none of it.
“You’ll see me when you see me. It’s fine, don’t worry about it.”
She changes the subject and tells him to bring over ‘like ten crates of Vodka’ when he ever decides to drop by because she’s acquired a taste for it and he chuckles half-heartedly at that.
He makes a joke about her trip to Russia and she’s saying how she should have tried harder to seduce an oligarch. But he’s roughly only a quarter present. His mind is a riot. It’s like the time in school some kid hit him with a baseball bat and he feels all the blood rush to his head.
His gut twists with a vague, rumbling kind of horror.
The words left unspoken stings more than it should.
I don’t want to be your next winter cling anyway.
&&
Her door buzzes.
It’s Christmas eve and she isn’t expecting anyone, but when she rushes down the hallway to open the building door, there he is.
It’s pure electricity in his eyes and a fire so hot in her bones that it feels like ice.
It’s been a full thirty-five months since she’d seen him in person and not through her phone. That’s almost three whole years. They’re just shy a week of the anniversary of that night and he’s still just so pretty. Painfully pretty.
He cracks the weakest smile she’s ever seen, “Hey.”
“What are you—”
“You’re not a winter cling,” he blurts out, eyes ringed red and slightly swollen like he’d been crying or up all night.
Or both.
She ignores the statement, crossing her arms across her chest as they stand out in the cold.
“Did you drive here all night from Holmes Chapel?”
“I wanted to wait. I wanted to wait until after Valentine’s Day. Because you’re not something to hold onto while I wait out the loneliness.”
“Harry—”
“Do you remember the night we met? In Rio? I was tired. I was so tired of being who they expected me to be,” he interrupts her, plaintive and gentle, “It’s why I got so drunk and slipped security. I wanted something that was just mine.”
He takes a step forward and she holds her ground, still not inviting him in. She’s not sure she wants to. Like the hours she spend not sleeping in his arms, she’s not sure she wants to be another warm body to him. But Harry is staring at her, expression terrifyingly open, honest, and contemplative, like he's looking right through her to her heart.
“Like a me tattoo on your body?”
Zaemira hates that she’s doing exactly what her aunt says she does when she’s uncomfortable; makes terrible jokes and thinly-veiled badly-timed humour in an attempt to hide her discomfort which never helps.
She hates that her aunt is right and she hates that this is how she’s realising it.
“Every other relationship I had never felt right,” Harry continues, holding her gaze as though he is equally fascinated and terrified, “Something was always missing.”
The tick-tock pounding thump of her heartbeat is so loud and gushing she can practically feel it in her veins. But he just keeps going, heart on his sleeve at the door of the girl he spent three drunken nights with and fell into bed once. As though he didn’t know he had the power to so completely destroy her.
There’s a taunting, almost brittle quality to what he’s saying that it makes her nervous. He’s making her nervous and it pricks like annoyance at the back of her head. It’s jarring what he’s saying. Striking.
“People aren’t answers to whatever mess that’s going on in your life, Harry.”
It's ridiculous and it's rude and it’s out of control and out of character for her except—
Except that it isn’t.
She wonders when exactly he’d figured it out.
And how it took her so long to realise that she’s the same as what she’s accusing him of.
She wants and wants and wants and then she takes, and takes, and takes, until she inevitably loses interest, and leaves.
And most people just let her.
But Harry isn’t most people.
And he’s there now to show her exactly that.
“I don’t want people,” he says so softly it’s practically a whisper, like he’s confiding a secret, like he knows that the harder she pushes the more she wants you to fight for her, “I just…want you. I just didn’t realize there was a difference between wanting you to want something and wanting you for you.”
The words slot into her heart perfectly like a deck of cards. The words that she never even knew she wanted to hear.
They taste like a perfectly brewed shot of espresso and too expensive whiskey all mixed into one heartstopping drink and she wants to savour the shockwave-sweet intensity of the moment.
She hesitates. And then, “Careful, Styles. Or I might think you’re trying to flirt with me.”
He grins at that. A real smile curving on his lips.
“Oh, I’m definitely trying to flirt with you.”
He tucks a stray curl behind her ears, simultaneously keeping his distance and drawing her close.
Her breath hitches on a tremulous little laugh.
She's paralysed with an emotion that feels a lot like fear and it's scraping at her skull, rhythmically ebbing into all corners of her brain like a growing virus and he's just there, staring at her.
She wants to say something. Something smart or witty or funny. But instead she just lets herself fall forward into his arms and onto his lips.
It tastes like a promise.
It tastes right.
It tastes like two beating hearts and a slow summer burn.
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Update: My Trip to China
Hi, all, it’s been an insane couple of months! Where have I been and why haven’t I been updating? Well, I’ve finally moved in a completely new place all by myself with a new job and lots of pleasant isolation in a tiny town by the sea. Right before that, my family took me overseas to China for a final family trip. I only got food poisoning twice. Oh, and I caught a cold. -v-
LONG POST UNDER THE CUT!!
Things I noticed that generally happen in China:
1) There are a lot of couples! Compared to Japan and Taiwan, I noticed the people here are more open about traveling and showing affection (and discourse) publicly. Where are the lonesome ones? Well, my brother deduced that because Chinese has so many people, the single people stay at home. TvT
2) Women like to cling onto arms or hold hands with their friends or lovers. My Shanghainese housemate was like this, too. I guess it’s a cultural thing.
3) Men tend to smoke, not women. You find women smoking sometimes, but it’s usually associated with being dirty and shameless. The men tend to cough and spit a lot. Everyone openly coughs and sneezes. There are no common words for “Excuse me” and “Bless you/Salud/Gesundheit/etc” in the Chinese language. It feels rude, but that’s how they are.
4) The subways are hi-tech. The navigation is better than Japan and Taiwan. The maps are friendly and easy to read for Chinese and English-literate people. Similar to an airport, however, you have to pass your bags and luggages through a scanning system and have your liquid containers examined before security allows you to board trains. The rides are cleaner.
5) In modern areas, everyone is very well-dressed. They have a fashion style evolved to incorporating modern and slightly retro looks. Unlike Taiwan and Japan, you don’t see people wearing traditional clothing unless it’s for shows or homely occasions.
6) There are cameras everywhere. It’s like London crosses the Patriot Act. Cameras on the highways, cameras on the streets, cameras in the subways. They use facial recognition and license plate recognition. A price of freedom to pay, but because of this system, we were able to track down one of our luggages that we left in a taxi cab. (Haha.) Security checked where my parents got off onto the subway, found the license plate of the taxi cab, and phoned the taxi driver to tell him to meet my parents at XX station to drop off their luggage.
7) They, uh, don’t like Japanese things in China. There are very few Japanese cars, buildings, and brands, going as far as vandalizing Japanese chain stores and boycotting products despite being safer and better. You can say it’s attributed to history and culture. Chinese people view self-humiliation in a different light. They can be quite envious.
8) Infrastructure is king. Not being political; from an objective outlook, the US spends a hefty amount of tax money on military. China invests in infrastructure. There are a lot of building projects going into apartments, museums, preserving historical sites, and parks and recreation. It’s at the point where national parks are completely paved and tiled. (Kinda defeats the purpose of national parks, but at least you don’t have to worry about muddy shoes.)
9) Local vendors that don’t belong to companies or corporations may sometimes be unsanitary, but the food quality is generally cheaper and tastier. Otherwise, if it wasn’t tasty, how would they sell?
10) Hype isn’t always a good thing. Just about every restaurant we’ve gone to where it was packed with people was just okay. Quiet hole-in-the-walls have a personable charm, quicker service, and equally if not better food. Real talk, the original ma po tofu shop serves tofu that is extremely spicy and bitter. Not worth it.
11) Public facilities like museums and libraries are taken quite seriously. The government believes when things are free, people are more civilized. Go figure, yet in my experiences, people were. Not sure about the museums since there’s a lot of Chinese history and culture to go through, anyway, but the public libraries are utilized to the fullest. You need identification to get inside, and every then, you’re only allowed to bring certain material into the library after going through a baggage and metal scan. There are lockers for your things. It was school time next to a university when I visited, so every seat was occupied with a busy Chinese scholar with a stack of books reviewing notes and practicing words or formulas. It was pretty surreal. I didn’t take pictures, but I’ll let you know there were very few fictional books where I visited.
12) Chinese people don’t listen to signs or tourist warning information. Seriously, as someone who’s part Chinese, myself, the tourists can be extremely disrespectful, and it’s super embarrassing. It’s usually the older generation because...well, if you know your history, you might know why they’re like this. But if it says no cellphones and pictures, you’ll find cellphones and pictures. Lower your sound? Someone’s yelling on their phone about the most trivial thing like what they ate for dinner. Stay on the path? Let me just hop this fence and proceed to head towards this dangerous slippery waterfall to take a mediocre selfie. Yeah, it wasn’t a great time. Someone like Germany would blow their brains out.
13) BRING YOUR OWN TOILET PAPER
I cannot stress enough how precious soft butt paper is. The kind they sell in China are sandpaper scrolls on your tender cheeks. Bring your own tp from home if you are to survive the plight of the outdoor public restroom. And soap or sanitizer. There is normally running water in bathrooms, but no soap! What’s the point if the bacteria is going to spread through the water?! Be prepared for squatting, turds, smells, and wet rims. Unless you stake out in your western hotel all day, you WILL find a squat toilet, and there is a high chance it WILL smell or be mysteriously slippery.
Anyway, here are some pictures I lazily took. The descriptions are all on the top of the photos.
We went to Shanghai first. The people are meh at best. But the architecture is interesting because of the heavy western influences. (Missing obligatory picture of The Bund because I exported it somewhere else.)
Beef noodle soup! My favorite! I like it with a little spiciness. They made the noddles with a knee paddle. Only $2 USD!
I’m not sure how to explain it correctly, nor do I know what the exact name of the method used to make the noodles is. I tried to explain it in the crude drawing I made below.
.
..
...
This is KFC.
The majority of the trip was spent in Chengdu in Sichuan Province. It’s hot and humid in the summer, but it was just right when we went.
There are a lot of open markets. Look at all the meat and produce! They even had morel mushrooms. Too bad we didn’t have a stove or butter in our hotel.
We visited Kuanzhai Street, a historical alley consisting of wide and narrow paths with historical buildings. Its initial intent is to let tourists experience some of the old culture of China, but nowadays, there are a bunch of vendors who try to capitalize on how many people go there. It gets very crowded.
A most mysterious wall of memes.
Not bad.
Sugar-blown rooster! It tastes like those rainbow lollipops you sometimes see at fairs or candy shops. You get to blow up the sugar, yourself. An interactive show. :)
Burnt sugar rooster! It tastes like the top of a creme brûlée.
Went on a tour to a panda rehabilitation center. Chengdu is a popular spot for earthquakes, and the one in 2017 left pandas injured and traumatized. This place helps them recuperate until they’re well enough to go back to the public zoos. Outside to greet us was a 5-some of panda statues. The one that stood out was the one on the far right with one leg. I thought he was just leaning his leg behind him, but it turns out, his leg is missing! Affirmative action?
(Missing black and white panda because my good captures were all videos.) The red panda tails are so fluffy and gravity-defying. The tails are like a foot long and stay straight in the air.
A Tibetan-like feast! You eat with your hands, and they give you gloves. Everything was fresh and tasty. They served us yak milk. It tastes like if you mix 1 part milk, 2 parts water, so it’s not bad if you don’t mind the watery taste. Over here, your wealth is measured by the number of white yaks you own.
I’m missing pictures, but there was a good number of performances with singing, dancing, and conga lines at our table. My dad got really into it. Because some Chinese cultures are normally reserved, they weren’t used to his disco dancing. Later, they called him Uncle Buddha. And they said he looked high.
Jiuzhaigou. It was closed since the 2008 earthquake due to high levels of mountain and road collapses. It opened recently, so the locals were surprised to hear that it was open again. You can even take pictures wearing local minority Chinese garb. I think it was around $3 USD, but we needed to haul butt.
WATCH THE PICKLE!! We stayed at a decent hotel, but a popular breakfast dish in China is porridge with various kinds of pickled vegetables. I figured I needed vegetables to help me “go” easier during our travels, so I ate a little of everything. So did my dad. My brother and surprisingly my mom, who eats more veggies than anyone in our family, skipped out. Two hours of a bus ride later, I threw up on the street. My dad threw up minutes after I did. We’re pretty sure the old used for the spicy pickle was stale.
Eh, what can you do?
A clear limestone lake. Surprisingly not many people here. It was also very quiet and clean.
We went to Leshan to see the giant Buddha. It’s not too bad of a walk, maybe because it’s at sea level. (Two days prior, Jiuzhaigou was at 7000ft/2100m, so it was really hard to hike without getting tired.) This thing is HUGE. You might be able to see tiny people in the upper right-hand corner for scale. Only take pictures on the Buddha’s right side!
By the way, there are a lot of little statues and tiny Buddha carvings littered on the hike up there. Per Chinese superstition, you are not supposed to take pictures of them. Some either house evil spirits that you can take home with you or you might trap good spirits from spreading fortune.
Very pretty architecture behind the statue. You can drink tea here for about $5, however, it’s a tourist trap! Don’t waste your money and time. See how these pictures don’t have tourists in them? It’s because they were all caught up drinking tea and sitting on their butts.
Aw, the picture rotated. Anyway, here’s a fly modern monk with Nike’s and a smartphone.
Kinda mad I can’t remember this place, but there were many elephant themes in this tourist town we visited. My brother (listed in the picture below with the ONLY pair of long pants and jacket he stupidly packed for the 12-day trip) found a mantou shop that sells these long buns for only 1 YUAN. That’s like $0.17 USD. As a bun advocate, he said they were tasty.
DPRAUNNDKA (Someone was drunk, alright.)
Hot pot! Taiwan was better, and the Guangdong guys were too afraid to try to spicy broth. (Like Hong Kong, haha. Because Cantonese people don’t like spicy food, according to Himaruya.) It was okay, but we only had 30 minutes to eat before catching a show. I don’t have pictures, but the sets and performances were really cool!
Gelatins! Sketchy at best but tasty-looking!
A pleasant view of the hike up Umeishan. Right past this chasm are monkeys! If I panned my phone down, you would’ve seen trash. This is from the monkeys eating tourists’ food. You have to watch your pockets and bags because they’ll go through them for kicks, usually not even for food. And don’t wear red because it intimidates them.
You can hire rickshaw(?) carriers to take you up the mountain. Great for elderly or lazy people. I think it’s about $32 per way.
Famous Emeishan statue thing. You are supposed to take pictures relevant to your zodiac sign, so there are twelve positions like a clock. It’s COLD up there. But the hike makes you warm! And there’s a cable cart that takes you up most of the way.
Zoomed-in luna month friend. It was behind a temple door. The wings looked so soft.
I forgot what this trail was called. The whole hike was about 7 km. Supposed to be 10, but it started to rain, so we skipped the end. Lots of tourists in places, but very nice scenery. Walk fast to avoid smokers. Why do they smoke while walking? :/
Beer Garden in Chengdu City. It’s a strip of bars and clubs where foreigners can sing American pop songs and drink beer. Lots of “trashy” women with rich drunk men. It’s an insane atmosphere with rich-looking people and every bar being full. Seriously. I’d show more pictures, but you really need a video to get an idea of the vibe. Here’s one of Goose Island, whatever that means. Next to it were two hedge sheep. Look at this shit, there’s a picture of the White House on the poster! Ahhh! XD
Chengdu Global Center Mall
Cheese and rice, I thought Tokyo’s AEON Laketown mall was huge. This place has a hotel and a water theme park built into it with a grocery store and food court in the basement. At this point, my family’s feet hurt from all the walking. -.-’
Boo. We came too late. All the boba was sold out. Hey, cat poop coffee on the top.
Just why?
Last full day in Chengdu. Here’s the outside of the museum. You have to wait in line to get screened before going in, however, it’s free.
An underground strip mall. Okay here me out, we tried very hard to look for bootleg Chinglish shirts, but we could NOT find any. The Chinese locals seemed to either snatch them up or we weren’t looking in the right places.
lol and that’s it. We went back to Shanghai for a full day after that, but I caught major food poisoning from something I ate. It was bad. My bowels felt all twisty and uncomfortable. So I spent the entire day in the hotel while my family had a blast eating food and looking at architecture. My brother found a slew of funny Chinglish menus. I wish I had the pictures. If I find them, I’ll pass them along.
Thanks for reading and I’ll try to update stuff when I get settled down in my new place. :3
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the second hand unwinds
Fandom: The Flash Type: Drama with a side of angst and a dash of humor Characters: Eobard Thawne/Barry Allen, also featuring Sara Lance, Ray Palmer, Nate Heywood, Martin Stein, Cisco Ramon, H.R. Wells, Harrison Wells, and Barry Allen :| (and Jefferson “Jax” Jackson) Warnings: Super spoilers for past and current seasons, as usual; canon-typical violence, canon-typical spurious pseudo-science, canon-atypical sexualities Word Count: 17562 Tag: This is just one of those stories that leads with an unexpected twist, ends in the way everyone saw coming, and leaves its beginning unwritten. In that order.
Note: I have to say that this feels less like a sequel to the ostentatiously titled Barry Allen and Eobard Thawne Walk into a Bar (or, He'll Have the Temporal Mobius Strip, on the Rocks) than Temporal Mobius Strip feels like a preface to this If you have a few minutes, I'd recommend checking that out before starting this one. But I'm not your real dad so do as you like. Also all poetry reproduced in this work belongs to Maya Angelou, as credited.
the second hand unwinds
WE THIEVES OF TIME
Your skin like dawn
Mine like musk
One paints the beginning
of a certain end.
The other, the end of a
sure beginning.
Passing Time - Maya Angelou
PART I.a
Canyon City, Yukon Territory - 1902 - Winter
It's cold. Cold enough almost to stop a speedster in his tracks. Even so, it's not the sub-zero conditions that stall Eobard's pace. The natural contrarian in him refuses to rush this, preferring to take the long way round to meet fate -- a fate, at long last, of his own choosing.
Ever since he dropped out of the time stream into this frozen frontier wilderness, a perverse sense of pleasure has been crackling across his nerve endings, every inch of him a livewire. It's not unlike the high-octane punch of the speed force firing through his veins. Not better than, not by a long shot, but it's intoxicating and heady and powerful all the same.
For the first time in a long, long time, Eobard Thawne has no idea what's about to happen. For the first time in his entire life, perhaps, he is acting on a decision he has made for himself, without the guiding hand of destiny pointing the way. Can he be faulted for wanting to savor such a precious novelty?
He turns inland from the whitewater rapids of Miles Canyon and follows the trail south through a copse of thin, bare aspens, which stretch skeletal towards a slate gray sky. They stand solemn and still like pallbearers to the hollowed-out carcass of the gutted township ahead, all sunken roofs and gaping windows, the wind whistling a funeral dirge through the bones of this ghost town.
The implacable forward motion of the industrial revolution will overrun countless frontier towns such as this before all is said and done. The arrival of the railroad signed Canyon City's death warrant, siphoning the life force out of what had otherwise been a bustling settlement and diverting human history a tad north to what will become the Yukon's capital (and only city), leaving this one to wither right off the map.
Eobard's not one to judge; as a seasoned time traveler, he's learned to remain objective about events that take place centuries before his own timeline begins. Besides, the town, abandoned, and the climate, extremely unforgiving, provide a lonesome environment suited exactly to their needs.
His heart absolutely and completely does not jump into his throat when he crunches down onto the frost-crusted main street and sees the warm lamplight streaming out from the windows of the former Canyon City Hotel farther on up the road.
Eobard keeps his boots moving forward through the snow at an even pace, using all his self-control to do so, relishing the final few minutes of uncertainty and freedom before he opens that door and discovers what Barry Allen -- and not fate, for a change -- has in store for him.
(Also, he's fairly certain these borrowed period clothes would be reduced to smoldering scraps if he attempted to run flat out to the door. The dawning 20th century does not have the technology; they cannot rebuild them.
For a brief, insane second, he imagines Barry's reaction to a naked Eobard Thawne gracing his doorstep. He's lucky he has the subzero temperatures to blame for his ruddy cheeks.)
Taking a moment more under the wind-shredded hotel awning to revel in the luxury of second first impressions, cocooned in a winter silence only disturbed by the murmur of the White Horse rapids and an icy gale slicing overhead, Eobard calmly wraps his hand around the rusted door latch and lets himself into the hotel.
A welcome warmth greets him as he quickly slides into the small front room and closes the door firmly behind him. From the look of it, the hotel's lobby had also served as a saloon, complete with a short counter running down the length of the left-hand wall and a pair of rustic plank booths set into the wall opposite. Presumably, these booths had sported table tops in the saloon's heyday, but these have been roughly torn out by scavengers most likely, and the warped stock shelves behind the bar are dusty and bare.
He doesn't see Barry at first. But there are snow-damp boots by the door, and a painfully anachronistic S.T.A.R. Labs branded space heater humming away atop the counter's peeling lacquer.
In the back right corner, beside a door that leads deeper into the hotel, there's a much more period-appropriate fire crackling inside the sooty black belly of a cast iron parlor stove. In the space between the stove and the farthest booth, a bonafide grizzly bear skin rug hugs the floorboards, and sprawled out on this monstrosity, cuddled up in a CCPD hoodie and using his balled up parka as a pillow, is the one and only Barry Allen.
Barry's got a thin paperback held aloft, but this sinks to his chest when Eobard spots him. Neither man says a word, and Eobard's excuse is the way his throat has closed up at the sight of idol-rival-frenemy tipping his head back to peer across the room with firelight in his eyes. By everything that is holy, he was not ready for this.
"Eobard," Barry says, and the name rolls almost too casually from his lips in a way that is painfully perfect, "You're late."
He says it like it's his favorite joke, like it means more than it does. Those upside-down eyes squeeze to joyous crevasses deep and dark with fathomless humor. The room feels suddenly far too warm.
Eobard responds to this with the harsh sound of him clearing his throat, and follows that up with the self-conscious business of divesting himself of top hat and gloves and fur-lined overcoat and the like.
"The train from White Horse was delayed due to difficult weather conditions and the rail company almost postponed the return trip until next week. You're lucky I'm here at all." He detects a note of petulant defensiveness in his own voice that he's not proud of, but he chalks it up to the combative nature of their relationship to date. He leans into the curve and presses the offensive. "Of course, I could have just run straight here, if only preserving the sanctity of the timeline didn't happen to be chief among my concerns."
Eobard side-eyes the space heater's sunburst logo hard to make his point, but Barry just laughs.
"It's not like I can't clean up after myself," Barry retorts, waving the paperback as if it were a suitable piece of evidence to support his argument. "Last thing I want is a time wraith showing up to crash the party."
Meddling with the timeline is fraught with such sobering and unpleasant considerations, and Eobard's flickering hope about the immediate future gutters at the prospect. He licks his dry lips and watches the dust pile up as he sweeps a finger down the bar top's pitted surface.
"What are you reading?" he changes the subject, his voice low.
Something of a cagey look supplants Barry's easy grin. He rolls fluidly upwards into a seated position, shifting around on the grizzly skin to face Eobard the right way up for the first time. His thumb never leaves the crook of yellowed pages, like he's loath to lose his place. The hood of his sweatshirt falls to his shoulders and he paws a bit at his cowlicks with his free hand before leaning back to prop himself up with his fingers tangled deep in the thick fur.
"Seeing as you know so much about me from the history books, I might have taken the liberty of some future-reconnaissance of my own."
Eobard's lips twitch. "I'm flattered," he says wryly but meaning it all the same. "And the sordid details you uncovered lead you to a little light reading?"
Barry squints, that crooked sunbeam smile breaking across his face like the dawn. "You made the front page once by publishing a white paper outlining how the Aristotelian concept of poetic diction could be applied to quantum theory."
"And you believe everything you read in newspapers?" Eobard asks, adjusting the high, starchy collar of his gentleman's costume. His ascot seems to be suffocating him all of a sudden. "You of all people, I suppose you would."
"They even printed the white paper itself as a special addition," Barry continues, brow going stern with mock gravitas, "Riveting stuff. Your propositions were very compelling."
Eobard sighs, ducking his head and flourishing a hand in equally affected acceptance of the complement. "The product of sheer boredom and rebellious teenage spirit. Ms. Cotsis' Advanced English class was not nearly as challenging as she believed. I hope you didn't waste your time on any more of my erstwhile endeavors."
His eyes are sharp on the small motions Barry is making as a clear preamble to inviting him to a seat on the bear skin. As the parka-pillow is shoved aside, Barry tilts the cover of the book towards Eobard, his handy bookmark still firmly wedged between the pages.
"Just a second-hand poetry book my mom picked up at a thrift store once," he explains, "I was afraid of looking uncultured next to a bonafide student of literature such as yourself, Professor."
There's now an Eobard-shaped vacancy on the rug in front of the fire and Eobard knows how to capitalize on an opportunity when he sees one.
With a mix of suave confidence and endorphin-rich recklessness, the same kind of tantalizing what-if electricity thrumming through him as he had experienced on the cold lonely walk into town, Eobard drops himself to Barry's side and indulges in his wildest dreams.
"As if anything could ever make me think less of you, Barry Allen," he all but purrs, laying a hand on Barry's narrow chin in a way that would have been impossible in any prior context. When Eobard kisses him, it feels exactly as though all the time in the universe is at his command, infinite possibility distilled down into this singular golden moment.
The subarctic wind shrieks over the splintered roofs and the fire sputters from the draft down the stove pipe. Eobard almost misses the quiet, helpless noise Barry makes in the back of his throat.
Instantly the gilt tarnishes over and Eobard goes as cold as the abandoned winter wasteland and his heart seems to stop beating in his chest.
One of the benefits of super-speed is the extended time frame a speedster has to think and react to the relatively sluggish goings-on occurring around them in real time. That's why even though it's probably only a span of seconds, to Eobard it feels like an eternal nightmare; how horrifyingly slowly he seems to detach himself from Barry, how chilling it is to spend a lifetime staring at Barry's blank, neutral expression.
His heart hasn't stopped at all, it's just slowed to a comic ice age crawl, the bone-shaking pound of it reverberating in his ears only once an eon. A billion galaxies are born in flame and wink out in the frozen, silent void in the time it takes him to fully consider the depth of his mistake.
"Eobard," Barry says, and time resumes with all the finesse of a smoking locomotive barreling down a mountain pass.
Barry hasn't moved a muscle since Eobard invited himself into his personal space, but now a cloudy concern has settled on his face, though perhaps that's an improvement over the utter non-reaction he'd had to Eobard's advance.
"I obviously misread the situation," Eobard says tightly, "I'm only meta-human, after all." He shifts to get his feet under him -- and look at him, farcical in spats and waistcoat, some kind of gentleman clown all dressed up and ready for his pie in the face -- but Barry's quick hand on his arm stays him from running straight out of this century.
"No, it's my bad," Barry insists, his hand dropping back to the bear skin when Eobard's knee-jerk grasp on the Speed Force diminishes, "It's been a while since I had to explain to anybody, and I didn't want to assume that it was something I needed to state up front."
His one eye scrunches up into an apologetic grin and he palms the back of his neck in that endearing (infuriating) way of his. "One of the things you probably didn't learn about me from the history books is that I'm asexual?"
Eobard Thawne, celebrated genius and criminal mastermind, blinks at Barry like a dullard. "Ah."
"Yeah," Barry nods. "Surprise."
A thin smile plays on Eobard's lips as he tries to tuck this new information into the matrix of Things He Knows About The Flash. "So you're comfortable meeting me in a romantic fire-lit greeting card of a setting, but you're not comfortable with me kissing you."
Barry's hand falls Freudianly to his mouth and Eobard finds enough common decency within him to tear his eyes away. "Well. It's not that it makes me uncomfortable -- I can see where we are, and you didn't misread anything -- I just don't have the natural instincts to respond to that kind of … thing ... the way someone else might."
For a moment Eobard doesn't have a response to this revelation. Then something slightly caustic rises and drips bitterly from his tongue. "So it doesn't count as cheating on Mrs. West-Allen if there's no sex, is that it?"
He naturally expects Barry to take the defensive or to be riled into meeting this confrontation head-on, and they share an unnaturally long second observing the glint of firelight off his wedding band, but the surprises don't stop coming as Barry relaxes with a carefree laugh.
"Dude," he says, side-eyeing Eobard with gentle disapproval, "isn't polyamory a thing in the twenty-second century?"
Eobard closes his eyes and runs his teeth over his bottom lip, staving off the lingering panic and disappointment in exchange for acceptance of this sudden swerve off the tracks. He tries to anchor himself with perspective; this is what he wanted, wasn't it? To experience the novelty of the unexpected?
"I suppose I should have expected as much from a Millennial," he finishes his thought aloud. "The Flash: polyamorous asexual."
Eobard cracks an eye open and catches Barry shaking his head with a relieved smile. "For real though, don't you have these things in your time?"
Eobard shrugs, uncoiling his restless legs towards the fire and leaning back on both his hands. Settling in. "The concepts, sure. Your era's incessant need for labels, I'm happy to report, went the way of the dodo a while back."
"Huh," Barry rejoins, considering. He matches Eobard's sprawl, although his right hand is still faithfully entwined with that beautifully archaic paperback that won't be printed for another hundred years.
"So we're good though, right?" Barry's question isn't even half-formed before Eobard starts nodding his head slowly, definitively.
"My previously imparted sentiment remains intact," he says, ignoring the little flip his heart gives. Funny how the admission, stripped of its red-blooded ulterior motive of the moment, now makes him feel vulnerable, like he's a little kid again, peering up at his hero from the cool and vast expanse of his shadow.
Only this hero isn't some unreachable myth anymore -- this is the one and only Barry Allen, alive and warm and real and boldly scooting closer so that they sit shoulder to shoulder the way equals might. The way lovers (or, at the very least, frenemies with open-for-discussion benefits) might.
Eobard clears his throat and grabs onto the here and now with both hands. "The way I see it, Barry Allen, we have a fire, we have a beast of a rug, and we have all the time in the world. I think you're going to have to start reading me poetry before I embarrass myself again."
Barry's eyes twinkle with a special kind of light. Beyond the walls of their hideaway, the wind blows relentlessly through the frozen canyons, and the river tumbles headlong over the rapids, but time itself crystallizes, silent and glacial, on behalf of two speedsters and however many moments they can together conspire to steal.
PART I.b
Canyon City, Yukon Territory - 1903 - Summer
With the Waverider nestled within the safety of the deserted alpine foothills, the intrepid away team picked their way cautiously down the weedy main street of the ghost town, peering into dark broken windows and ignoring the wind's ominous whispers rustling through the aspens guarding the trail behind them.
"This is the right time and place, boys," Sara said, looking up from the blipping chronograph to squint through the pale northern sunlight at the sagging skeletons of the ruins. It was hard to tell what they might be hiding under all the moss and rot.
A sudden banging clatter drew her suspicious attention over to one of the larger buildings, but it was just Ray heaving a fallen weather-bleached sign up against the side of what was now identified as the town's hotel-slash-saloon.
"Are we sure?" Ray was squinting as well, stepping back and brushing off his hands. "Seems a little rustic for Thawne's tastes."
Stein sniffed, pulling a handkerchief from his pocket to ward off the rising dust. "You'll remember, Raymond, that Eobard Thawne was -- or is, I unfortunately must say -- a man of many hidden facets. For all we know, he might have found such a setting, er … quaint."
"He must have been one hell of a chameleon," Nate interjected, idly testing the latch of the hotel door. The whole thing broke off in his hand. "If he was able to keep his cover as Harrison Wells for as long as he did, what with a half dozen geniuses watching his every move from over his shoulder."
"You have a knack for making compliments difficult to accept, Dr. Heywood," Stein murmured to himself behind his handkerchief. Nate didn't hear him, too busy off-loading the rusted door latch into a clump of wild flowers pushing sunnily up through the boards of the sidewalk.
Ray came around the side of the hotel, shrugging like a defensive toddler. "They don't put out PSAs about how to spot the tell-tale signs of a time-traveling body-snatching mad scientist or anything, you know."
Sara cocked an eye at the chronograph and then gave the dusty road another once-over. Nothing to be seen hiding in the shadows -- so far.
"Settle down, kids. Let's just find whatever it is Future-Cisco sent us here to find so we can get back to tracking our version of Thawne before he gets his hands on the Spear." She stepped lightly up to the boardwalk between Ray and Nate, while Stein shuffled after her as though wary of straying too far from the group.
"Ray, Martin, you're looking for anything that strikes you as something that Thawne could have left behind. Nate, you're looking for anything that doesn't fit the time period. Future-Cisco said there were twenty-second century energy signatures coming from this location, so it's probably tech, but we won't know for sure until we find it." She glanced over her shoulder. "Nice work, He-Man. You plan on deconstructing the whole place?"
This last piece was said in response to Nate's discovery of the hotel door's equally dilapidated hinges. He grunted as he set the newly liberated door off to one side.
"Ladies first," he said as if he hadn't just ripped the door bodily from the frame.
"Question," Ray piped up, ducking through the doorway after Sara as she disappeared into the dingy remains of the hotel, "How do we know Future-Cisco is right? Or even that he's telling the truth, for that matter? What if we're walking into a trap?"
Sara spun on him in the dusty darkness -- most of the room's light came from the cracks in the roof -- jabbing the center of his broad chest with the chronograph. "You really think now is a good time to be having these questions, Ray?"
He rubbed at the spot where she poked him, frowning. "Well, yeah, I guess. No one else had brought it up yet."
Sara held back a sigh. "Just assume, at all times, that you're walking into a trap, and then you won't have to wonder about it, okay?" She flicked a finger around the room. "Now spread out and help me look for whatever it is Thawne left here."
Ray's frown melted into something of a pout, and he raised a stiff hand in a small salute of acknowledgement. Sara turned to move deeper into the dim space, partially to let the guys filter in behind, but mostly to hide her fond smile.
The light from the street dimmed as Nate and then Stein, the latter still breathing through his hanky, passed through the gaping entryway. Ray turned and edged back behind the bar, looking dutifully under shelves for the boogeyman's hidden treasure.
"My question is," Nate said, crossing the length of the room towards Sara, "if Thawne was erased from reality -- his current existence notwithstanding -- then how was he able to leave anything behind at all? Shouldn't it never have happened in this timeline?"
Sara stepped back into the corner as he leaned past her to try his luck with the inner door. It didn't disintegrate at his touch this time and he poked his head into the far room for a moment.
"Well we're talking about the Thawne that originally traveled back in time and altered the course of history to begin with," Ray was saying when Nate ducked back into the main room, "Thawne-prime, as it were. All of the things he did or had happen to him before that juncture would remain intact in that original timeline. Or am I wrong, Dr. Stein?"
He leaned over the dusty countertop, scratching his head. The uncertain wood shifted under his weight.
Stein cleared his throat, tentatively dropping the handkerchief an inch or two. "Yes, I believe you're on the right track, Raymond. Cisco and I discussed the matter briefly some time ago and we came to the loose conclusion that there must exist a sort of temporal graft that occurs when objects -- or people, in practice -- move between time periods."
Sara, crouched beside the rat-eaten bearskin rug, shook her head at the three slackers and continued the search for the twenty-second century item. It wasn't under the rug. No, of course not, that'd be too easy.
"How do you mean, 'graft'?" Nate asked, stepping back to the end of the bar and crossing his arms.
Stein wet his lips in preparation of the symposium he was about to give. "Think of the timeline as a trunk, of a tree, with every infinite variation of the timeline as its branches. To keep it simple, let's look at a tree with only two such branches forking from the trunk. Imagine that a person -- in this case Eobard Thawne -- experiences time as movement along one of the branches. As a speedster, he then doubles back to a point along the trunk, makes his way to the fork and travels up the second branch, as we know, for fifteen years. Even though he originated in the first branch, he has now 'grafted' himself onto the second. Remove the second branch from the tree and you excise Eobard Thawne from that section of the timeline -- but the removal of that section alone does not invalidate the path he traveled along the trunk, which is a constant and immutable past for both timelines."
Ray nodded as he followed along. "So it's like this point in 1903 is somewhere on the trunk, and the timeline we're protecting from aberrations is actually the one he created in the year 2000, which includes the trunk, and even though Eobard Thawne will never be born in the 22nd century in this timeline, we can still find evidence of the one who was born in that timeline….right?"
"Something like that," Stein agreed.
Nate sucked on his lip, considering. "Sounds like one of the side effects of staying too long in an alternate or altered timeline is having time catch up to you. Like, the way we see changes in time start to set if an aberration hasn't been corrected quickly enough. Otherwise why would the death of Thawne's ancestor in this timeline have any effect on him if that other timeline still exists separately from ours?"
"Quite," Stein agreed, a touch more reluctantly. "As I said, this theory was the product of a brief discussion. A very brief discussion, really. More of a casual chat, now that I think of it."
Ray leaned his elbow on the countertop and the wood groaned a warning note. "Taking what Barry said about his months in the Flashpoint timeline into account, it makes sense. His memories from this timeline were being overwritten by the ones that belonged to the him that should have experienced natural time between 2000 and 2016. That does make sense, right?"
"Or how memories of having a daughter can oust memories of not having one, once the change has been made and time has set," Stein added quietly.
"Sure, sure," Nate said, drawing attention off that sore subject, "The era Thawne ended up grafting into, the early twenty-first century, he had no existing self to merge with. He must have fused into the timeline of his future self, while still retaining his individuality."
Ray tipped his head to the side, his brow knit in amicable consideration. "It's a working theory, at least."
"Hate to interrupt the egghead convention," Sara called, rising fluidly from her crouch. She stepped around the crumbling saloon furniture to Nate's side, clapping a thin rectangular object to his chest and her dusty ashy hand to his back. "Found this lodged behind the stove, something tells me it didn't belong there."
Nate briefly tried to eye over his shoulder at the cosmetic damage done to his shirt, but the pressing mystery of the object in his arms very quickly commandeered his attention. It was, the geek squad were surprised to see, the unassuming and familiar shape of a worn paperback book.
"They had books in 1903," Ray said, craning dangerously over the rickety countertop to get a better look at the thing. His statement sounded suspiciously like a question.
"While it's true that the paperback book dates back to the early 1800s," Nate said thoughtfully, "this one was published in 1994. Also, there's an inscription: 'Henry, you are the verse in my heart, happy anniversary - Nora.' Dated 2004."
He held up the book to show them the title page. A small white envelope slipped from between pages yellowed and warped with exposure to the elements, and fell to the floor with a small clatter.
Ray instantly reared back from his slouch, the foundations of the bar cracking under the force of his recoil. "Is that the trap?!"
"Could be," Sara replied, cavalier. She grinned up at Nate. "Why d'you think I palmed it off on the iron man?"
"I see how it is," Nate grumbled, steeling up his arm to the elbow and stooping to retrieve the fallen item. "I thought you brought me along for my wealth of experience as a time detective, but really I'm just here to do all your heavy lifting."
"Literally!" Ray chimed in, his self-appreciative chuckle a little on the nervous side as he warily ogled what was most certainly a trap.
Said trap, upon closer inspection, turned out to be a plain white envelope, the unsealed flap tucked in along one of the narrow ends. "That's weird," Nate mused, turning it over in his metallic hand, "It's addressed to Barry."
The crew exchanged concerned looks. "That would seem to weigh in on the side of trap, wouldn't you think?" Stein proposed. If he edged a little closer to the bright gap of the doorway, nobody blamed him.
"Wait a minute," Ray said, "Are we one hundred percent sure that Thawne left this? Wasn't Nora Barry's mom's name?"
"Nora and Henry Allen," Stein said thoughtfully, "Why yes, yes those were their names. May I see the book, Nathaniel?"
Nate passed the book over the counter to Ray, who leaned the remaining distance to pass the book obligingly to Stein. Then Nate thumbed open the envelope and dropped its contents into his palm. The futuristic round data chip plinked into his hand, metal on metal.
Sara passed the chronograph over the chip, and the device pinged a series of assertive tones. "Unless Mrs. Allen had a secret supplier of twenty-second century tech, my money's still on Thawne."
"So, what does this mean?" Ray asked the room. "Barry -- Barry-Prime from the timeline where his mom lived -- brings the book back in time to here, and Thawne-Prime brings this tech back in time and ... leaves it in the book for Barry to find?"
Sara narrowed her eyes, sweeping her considering gaze between Stein's book and Nate's chip. "Yeah, I'm not seeing the angle here, either."
"One man's aberration is another man's book of poems," Stein said absently, flicking through the pages.
Nate cleared his throat, an obvious attention-grabber. When he proceeded to say nothing at all, Sara humored him with a short, "Yes, Nate?"
"Well," he started, slowly, uncommonly shy or characteristically dramatic, "I have to admit I've seen this sort of thing before."
Ray and Sara exchanged a quick look. She crossed her arms, squaring her stance. "Out with it."
"You know the way I found you guys in 1942, right? I collected data on the past and noticed the inconsistencies -- inconsistencies exactly like finding a book out in the middle of nowhere, a hundred years before it's been published. Some of those inconsistencies led me to the Legends; but the rest of them, well, let's just say they painted a very specific picture of two time-travelers meeting up in various out of the way places. Places and times where they wouldn't draw attention to themselves."
"Two time-travelers, you mean two speedsters."
"Guess so."
"Barry- and Thawne-Prime."
"Looks like."
"And you didn't feel like sharing this information because…?" Sara flipped a hand outward in an irritated shrug.
Again Nate hemmed and hawed, stubbing the toe of his boot into a warped knot in one of the floor boards. "Ok, well I wasn't sure, until just now, that the evidence pointed to the Flash and the Reverse-Flash. And anyway, I always assumed these things were left by a man and a woman, on account of said evidence only ever showing up in these secret ... love nests."
Sara snorted. "Some love nest."
Nate waved her off. "Sure, it's nothing but a derelict ghost town now, but that book wasn't left here yesterday. Picture it, I don't know, six months ago, the dead of winter, a remote little hideaway where they won't be disturbed. There's a bearskin rug in front of the fireplace, for crying out loud. It's not hard to imagine that a little poetry would go a long way in that scenario."
"Are you saying that the Flash and the Reverse-Flash...." Ray trailed off, groping visibly for a phrase he was comfortable using in public, not finding it, and eventually settling on the all but unintelligible pantomime of tapping the tips of his two pointer fingers together.
Sara's eyes narrowed to a bright, considering gleam, her leer one of quiet astonishment as she beheld the miracle that was Dr. Raymond Palmer, actual adult.
"I'm not saying anything, but it all makes sense now that I've met Thawne in person. You can't tell me you haven't seen those leather pants of his," Nate intoned, ducking his chin to look knowingly up at Ray. He swung this look around on Sara to get her confirmation. "Sara, back me up on this."
Sara's leer deepened, even as she wagged a finger at him. "Normally I wouldn't condone your use of stereotypes, but I feel you on this one. Our boy rocks his leather and doesn't care who knows it."
As this strand of conversation spun on, Stein looked more and more like he was going to be sick. Finally he snapped the book shut as if continued exposure to it might reveal something too risque for his sensibilities, and rounded on the other three with a stuffy flap of his handkerchief.
"Please let me remind you that this is Eobard Thawne we're talking about, none other than the Reverse-Flash and founder of the so-called Legion of Doom -- a man who has ruined countless innocent lives and will continue to do so unless we stop him from getting the Spear of Destiny. Forgive me if I don't feel like gossiping about his romantic inclinations while reality itself hangs in the balance." He balled up his handkerchief and returned it roughly to his pocket as if to make a point.
The others cast sheepish looks at one another. Sara tucked the chronograph into a back pocket and held out a hand to take the envelope and chip back from Nate. He powered down and handed it over without a word.
"Martin's right," Sara said, securing the chip in a jacket pocket. "Whatever happened in the other timeline, all that's out of our hands. Let's get back to the Waverider so we can deliver this to Future-Cisco and then get back to stopping our Thawne from messing up our timestream."
IN MEDIA RES
PART II.a
Central City, Missouri - 2024 - SPRING
So this is what the collapse of reality itself looks like.
He can feel it in the periphery of his senses, this supernatural gravitational force that softly yet insistently tugs at his bones to join it in infinite oblivion. Running back towards it, back to 2024 at Barry's urgent summons, it had loomed ahead of him like a cold dark spot in the Speed Force, foreboding with all the the grim surety of a brick wall and cut brakes. He hasn't even seen it yet but he doesn't particularly feel the need to; he's well aware of the old adage about staring into the abyss. He's afraid he'll recognize himself in the void.
It hangs up there over his head like a guillotine blade, silent, impossible, unforgiving: Eobard Thawne's long overdue date with destiny.
The pinprick singularity, a rapidly unraveling rip in the fabric of space-time, is up there, too.
The midnight sky he can see as he dashes through ground zero, downtown Central City, is a vicious blood red. No stars, no moon, just the blood of a thousand trillion lifetimes being syphoned out of the past-present-future and funneling into the bottomless nothingness like so much dirty water circling the drain.
For some reason, Eobard can't stop laughing.
That is, until Barry banks up the side of a pedestrian overpass to circle back around and punch him in the face at mach speeds.
(In a dim, semi-rational corner of his brain, he realizes how this will look to the history books. The Reverse-Flash chasing the city's very own Scarlet Speedster until something gives and the two hated rivals come to blows. He can see the headline now -- but maybe that's because it's a headline he's had seared into his memory for the last thirty-five years.)
"You do have quite the fondness for a dramatic gesture," he drawls through his bloodied smile once he's extracted himself from the overturned tanker truck which had so kindly broken his fall. "It's one of the things I've always loved about you."
Barry stalks forward and shoves a hand down to help him up. Eobard readily takes him up on the offer, clasping Barry's arm in his own and flowing to his feet to stand toe to toe and eye to eye with the Flash. He won't have many chances to get this close again. He's out of time. They're out of time.
"This is not a joke, Eobard," Barry growls. He tries to pull his arm away but Eobard just comes with it, silent, intent, smiling blood. Barry has to tear out of his grip, leaving them both reeling.
"What about this is funny to you?" Oh no, Barry's mad. He's got lightning in his eyes. Bits of the city are crumbling around them, distorted into nothingness as the periphery of the singularity's event horizon laps outwards in rolling waves. Like footprints washed away in the surf. Like they never even existed.
The humor drops off Eobard's face in a heartbeat. The blood is rushing in his ears and he swears he can hear the nothing-nowhen drone of the void calling to him, a voice that wicks under his skin like oil, urging him up and up into the gentle cradling arms of perdition.
"Funny? I can't think of anything about this that's funny." He can't even hear himself. He doesn't know if he's whispering or if he's shouting. There's lightning in Barry's eyes and his world is falling down around him and there's a speck of pure non-existence growing in the sky that wants to invite him home. If he can't laugh about it, he's not sure what he could do to relieve the suffocating pressure of the situation.
Barry's lightning arcs from his eyes into the air around him as he flickers forward a step to grab a fistful of Eobard's suit front. He rocks him, attempting to shake Eobard out of his nihilistic trance. "I get it, you're angry. You think I'm not? I'm leaving everything behind -- Iris, my family, the city, my entire life. Iris," he repeats, his head and shoulders drooping. The fist on Eobard's suit clenches tight. "I didn't say goodbye."
Eobard wraps a hand around Barry's wrist, clinging to this lifeline while it lasts. He should shove Barry off, should face fate with dignity and tell him that he's right, tell him that what the universe is asking of them is righteous. Noble, even. He should lie and tell Barry that whatever happens, they didn't have a choice. That their sacrifice will mean something -- everything, even -- to those left to carry on in their wake.
Righteous? Noble? No, he's Eobard Thawne. He's the Reverse-Flash. If this is actually the promised end to life as he knows it, then he's going to claw every last shred of Barry Allen out of this existence until all that remains is a hollowed-out husk -- that's all a life without Barry Allen has ever been, or could ever hope to be.
The rumble of existential chaos spins down to a muted background whine as he holds on to Barry. This time, when he speaks, it feels as though his words travel through rarified air, crystal clear and sharp as daggers.
"We don't have to go through with it," he whispers. It's a useless, selfish plea. He can't imagine a world where the Flash forsakes his heroic duties, but Eobard's never held himself to such limitations. He can freely give voice to blasphemous thoughts. Still, he doesn't want to see Barry's inevitable look of betrayal, so he pulls the Flash close and breathes words of cosmic treason into his ear.
"There's nothing keeping us from staying right here," he's saying, and he suddenly feels a crazed conviction in the errant thought. A punch-drunk fervor to damn the world a million times over in exchange for a few more moments with Barry. "Just the two of us. Nobody will know once it's all over."
Crushed tight against him, Barry shudders. Eobard wonders -- horrified -- if Barry could possibly consider taking him up on the offer.
It takes an unnaturally long moment to realize that Barry's shaking his head against his shoulder. Then, before he can react, Barry's shoving violently out of the cage of Eobard's arms. Electricity still dances along the long lithe line of him, but his stormy eyes are dulled now by impotent remorse and fury. Eobard suspects he mirrors the emotion, dutifully playing his assigned role as Barry's foil until the very end.
The full weight of this unfolding moment lays squarely on Eobard's shoulders. He looks up, craning his head back slowly as though the action costs him more than he's willing to give. Finally, achingly, he acknowledges the infinite pitmark in the blood-red sky that winks down on him like a inverse star.
"I've been such a fool," Eobard admits to the End of All Things, "thinking I could make deals with destiny."
He tears his eyes away from the singularity and drops his gaze to Barry. His Barry. "I should have known I would never be able to pay this debt, when it came time to settle."
"Thawne," Barry warns, and it's exactly the right move in all the wrong ways. "Do what you have to do."
Eobard rolls his neck, almost a drunken, unhinged maneuver. In answer, whether he's aware of it or not, Barry starts shifting his weight from one foot to the other. Eobard thinks it's like being thrown into a long-forgotten dream. He knows, as he has always known, exactly how this ends.
"Maybe I will," Eobard tells him, his eyes sharp and his smile wicked. "Maybe I won't. Maybe thinking you could trust me all these years was your greatest mistake, Barry Allen."
Too quick for the average observer to catch, the Flash and the Reverse-Flash fly for each other's throats.
This is probably right, Eobard thinks. This is probably poetic. Ending this in violence, same as it began all those years from now. As it still must begin so many years ago.
This old dance is nostalgic, nothing like the show fights they'd endeavored to stage whenever Eobard came to town, a playful attempt to keep the wool over the eyes of history. The steps are familiar and bittersweet, each bloodthirsty blow a reminder to each of what it was like to live back-to-front with his rival, trembling in the other's shadow until the day the tables turned and their roles reversed. Only this time they're both meeting at the peak of their ability, with unfathomable reservoirs of skill and endurance, and both with everything left to lose.
Eobard feels each passing second slip away from him forever as he forces himself on the Flash in the only way he's ever felt entitled to, with fists and lightning and an unspoken understanding that he fills a niche in Barry's life that no one else in all of the multiverse ever could. His old tired anger at his scripted destiny flares up hotter and hotter as he confirms with a leaden certainty that the reverse has also always been true.
He'd always known this day would come. Only, he had naively envisioned his part in doomsday as limited to walking Barry to the door and waving him off with a tear in his eye. (And somehow this whole time he thought that scenario would be simple, easy? That he could just walk away from Barry Allen?) How hilariously mistaken he's been to think that fate would ever release him from its grand production. The role might have changed, but the script remains the same.
Be Barry Allen's undertaker, the multiverse keeps insisting, be the tool of the Flash's final and complete destruction.
A world without the Flash -- unimaginable. Incomprehensible. He'd rather no world at all.
Hadn't he always wanted the choice? Wasn't his deepest desire to choose the course of his own destiny? To believe, even for a second, that Eobard Thawne lived for himself?
Silently, the singularity whispers the kind of sweet nothings that reverberate through the darkest chambers of his heart. It would be so easy to refuse his marching orders, to play the mutineer for the first and last time, and choose to let the eternal and infinite swallow him up. The alternative --
Eobard realizes he's stopped running. Under the all-seeing eye of absolute undoing, he's got the Flash hoisted by the throat against the plate glass window of an evacuated Jitters. The brick wall on either side, the lamp post on the corner, the boxed shrubberies in the corner of his vision are all wavering in and out of existence, tenuous as a candle about to burn itself out. It won't be long now.
Barry looks down on him with unreadable eyes. He reaches -- not to pry Eobard off, not to claw for his release -- a gloved hand coming to rest tenderly on the exposed skin of Eobard's cheek below the cowl.
"Please," Barry gasps, "Eobard, please."
Eobard curses everyone and everything he's ever known, but none more fiercely than Barry Allen. He sets Barry back on his feet, every fiber of him livid as he submits unwillingly to this angelic avatar of virtue. He never had a choice. Not with Barry Allen.
And now his time has run out.
"See if you can keep up, Flash," he sneers, wild and heartsick and furious beyond reason. He doesn't wait to see if Barry's fit to follow as he tears his own hole in space and time with the sole purpose of murdering the mother of the man he loves, the result of which will be his personally authoring an infinite number of destinies; excluding, of course, his own.
PART II.b
Central City, Missouri - 2024 - SPRING
"Hit it, H.R."
Cisco rolled his shoulders, shaking out his arms and legs, the segmented lenses of his shades lighting up in preparation of the temporal shift.
H.R., stationed at the back of the breach room at one of the consoles, winked at an un-cowled Barry, who stood observing with his arms crossed at the bottom of the steps. "I'm hitting it. If you know what I mean."
Barry obliged him with a wan smile and a brief lift of his eyebrows. Cisco froze and then looked stiffly over shoulder, his eyes hidden from view but the line of his mouth more than adequately expressing his irritation. "H.R., mi amado, I'm about to vibe across timelines in a way that's going to tear a hole in the multiverse -- and that's only if we're lucky. A little focus, please?"
"Of course, of course," H.R. said, ducking his head apologetically. "I am also hitting the switch. I'm hitting the switch now." He waved his drumstick with a imperious flourish. "Once more, into the breach!"
"Thank y--ou," Cisco started to say. Before he could finish voicing the thought, reality warped itself around him and he scrabbled to wring the correct chronographic coordinates from the totem he held. He sank in a stomach-turning freefall of infinite potentiality until the psychic line he cast out into the cosmic roil caught something solid and pulled tight.
With an effect like an elastic band stretched to its limits and then being violently released, Cisco snapped out of the temporal corridor back into real fluid time. Back into S.T.A.R. Labs, too, the homey Cortex by the look of it, although the Team Flash he found there was the bizarro kind of familiar.
Dr. Wells threw a handful of papers over his head and swore fluently at Cisco's unannounced arrival. Barry took his appearing out of thin air with a modicum of grace, although he had his cowl back on in a flash. They stared at him from behind the Cortex's main computer bay.
"Thanks but no thanks, H.R.," Cisco grumbled to himself. He slid the shades off his face, trying to appear as non-threatening as possible off the tail end of that entrance.
"Mr. Ramon?" this Barry asked, recognizing the face at least, tentative relief coloring his surprise.
Dr. Wells had a hand to his forehead, sharp eyes behind his glasses darting all over Cisco's vibing gear, probing for answers without deigning to ask the questions. "My first guess would be that Ramon Industries is breaking new ground in teleportation technology."
Barry -- or, more appropriately, the Flash -- wheeled on Dr. Wells, "What, for real?"
Dr. Wells didn't hear the question. "But something tells me our visitor has nothing to do with Ramon Industries." His steely blue eyes hadn't flickered off Cisco for even a second.
Cisco smiled, a little tightly. "Sharp as ever, Dr. Wells. Let me get this out of the way because I have a lot of crazy stuff to explain and not a lot of time to do it -- I know that you're Barry Allen, because in my timeline Barry Allen aka the Flash is my best friend. And also, yeah, I'm Cisco Ramon from another timeline. A divergent timeline that I need your help to create."
Upon hearing this last bit, Dr. Wells removed his studious gaze from Cisco and turned it on the Flash. Something unspoken passed between them, and Barry carefully pushed his cowl off his face.
"This is about the singularity, then," Barry guessed, visible tension gathering in his shoulders as he crossed his arms.
Cisco sighed in relief. "Okay, so you've been tracking the singularity. Great, but, you know, also not great. Just leaves me less to explain."
"You still have plenty to explain, Mr. Ramon," Dr. Wells said shortly. He sifted some of the disarrayed papers on the desk and waved a handful at Cisco with deliberate meaning. "By what means could you possibly have been able to detect a singularity from an alternate timeline, and why, for instance, does it fall to us to create said timeline?"
Raising his hands -- one holding his shades and the other the totem he'd used to vibe this timeline -- Cisco was about to answer to the best of his ability when Barry pointed and snapped, "That book, where did you get it?"
All eyes went to the unassuming and fairly decrepit paperback. Cisco's brow furrowed. "Is that the question you want me to answer first?"
Dr. Wells looked quietly over at Barry, as if waiting for his confirmation. After a moment Barry dropped his arm and shook his head once.
"Proceed as you wish, Mr. Ramon," Dr. Wells allowed. He kept his watchful eye on Barry for a heartbeat longer, only directing his attention back to Cisco when he began to speak.
"It's like this," Cisco started, tucking a stem of his shades behind his jacket collar, "in the year 2000, Eobard Thawne aka the Reverse-Flash, murdered Nora Allen."
Barry barked an overly loud scoff. "Never happened. Never gonna happen."
"I hear you on that, I really do, Barry, and I'm sorry. You have no idea how sorry I am to have to lay this on you." Cisco's tone rode a line between sympathetic and persuasive, moving increasingly towards the latter as he went on. "But for the sake of reality itself -- both our realities -- it has to happen. You and the Reverse-Flash have a huge street fight tonight. It ends with him going back in time to kill you, but you stop him, so he kills your mother instead. This is fact in the timeline I'm from."
"Eobard would never--" Barry cut himself off, biting back the rest of the thought. He looked to Dr. Wells for assistance. "That's crazy, right?"
Dr. Wells' voice was low, somber. "Hear the man out, Barry. We know the cause of the singularity is a temporal paradox; this Mr. Ramon may very well be presenting us with the resolution we have heretofore been unable to identify."
Cisco looked around the Cortex and spotted the glass diagram board. "Some things never change," he muttered. Addressing Dr. Wells, he pointed to it. "Do you mind if I…?"
Dr. Wells waved a hand. "Be my guest."
Barry had an agitated hand worrying his jaw, and Dr. Wells put a calming hand on his shoulder as they watched Cisco squeak a cap off one of the pens and sketched a horizontal line that stretched from one end of the board to the other.
"You know the theory of temporal grafting, right?" Cisco looked over his shoulder to see Dr. Wells' small nod. "Okay. So we know that if you travel in time and spend a significant duration in another era, then you eventually merge with the you that already existed in that timeline. If this graft doesn't take, then you experience the multiverse's immune system response, which manifests as time quakes and time wraiths and so on."
He exemplified the act of traveling back in time and altering it by drawing a loop that lifted off the right-hand side of the line, connecting it to a point at the far left and continuing through in a slant that forked down and away from the trunk line
"Antibodies that reject and attack the grafted individual," Dr. Wells agreed. "You've had some luck avoiding those, haven't you, Barry?"
Barry just ground his teeth and threw a hand angrily at Cisco. "So the singularity is the next level defense response from the multiverse. Now you're trying to tell me that screwing up the timeline -- killing my mom -- is going to make it go away?"
Cisco dipped his head placatingly, his hands held up to bid them to wait a moment longer. "That's where it gets tricky, I understand. But creating a timeline where your mom is killed when you're a little kid isn't screwing anything up. It has to happen. It has happened. I couldn't be here if it didn't. But I'm here, aren't I?"
Barry balled his fists on his hips, shaking his head with a barely concealed sound of disdain. He half turned away, unready and unwilling to believe any of this.
"If you'll allow me to make a supposition," Dr. Wells said, letting Barry step out of the conversation for the time being, "if this singularity we've detected is the collapse of all realities due to a temporal paradox, then your belief is the murder of Nora Allen in 2000 by Eobard Thawne from this timeline's future will close the open loop, averting the paradox. Now, granting that, how did you conclude that the relevant parties originated in this particular timeline?"
"Ah, that," Cisco started, "It's all very timey-wimey, if I'm being honest."
Barry shot him a dirty look at his use of less than scientific language, but Cisco quickly continued. "It has to do with the flat timeline theory, which I was getting to," he explained.
Dr. Wells winced, a faint deepening of his crow's feet. "I'm afraid you'll have to enlighten me, Mr. Ramon."
"Okay, so if you think of each separate timeline as a strict linear progression of cause and effect," Cisco gestured with the pen along the length of the trunk and then again along the branching line, "then you run into some wild scenarios in the case that these discrete cause-effect strings start forming closed loops between timelines."
He pointed to the fork off the main line. "This is Eobard Thawne from your future traveling to both our pasts and directly creating this divergent timeline. Now this is today--" he drew a vertical line that cut down through both the trunk and the branch, "--April 24th, 2024."
On each of the points where the vertical line intersected the other two, he scribbled a messy dot.
"And this is the singularity. One in your timeline, one in mine."
"Very artistic, Mr. Ramon," Dr. Wells interjected, pinching the bridge of his nose.
Cisco took it in stride. "So now if we look at the cause-effect structure of the alpha timeline and the divergent beta timeline, we can say that this conversation we're having right now is Event A, Eobard Thawne in the year 2000 is Event B, and the singularity in my timeline is Event C." He wrote the letters in the appropriate places before capping the pen.
"To answer your question, getting from C to A involved a little time excavation to dig up this book, which had Thawne's temporal fingerprints all over it, and a little of my own personal mojo to trace its origin back to your timeline. But that's all academic. Now get ready for this."
Cisco held the pen against the board, along the vertical line between that ran between A and C, and carefully swung the bottom of the glass up so that the pen rested on the flat surface with only its bright red cap visible.
"In the flat timeline theory," he said, tracing the bottom frame of the board that faced the room, "this is your timeline. A view of time-space where the only thing that matters is the linear cause-effect structure; any self-contained loops are compressed into 1-D."
Cisco motioned to the pen's red cap. "And this is your singularity. Our singularity, I should say. Just one, located at the point where the consolidated timeline reaches lethal levels of quantum flux due to the unclosed loop."
"The result of the unstable paradox," Dr. Wells hummed appreciatively. "Each one of these events cause the next, A causing B, and B causing C, and C causing A. If any of these links break, the whole chain breaks."
"And you get a temporal paradox with a side of reality-dissolving singularity," Cisco finished with a shrug.
"And you brought the singularity from your timeline, didn't you?" Dr. Wells' eyes flashed with serene accusation behind his glasses, his hands folded carefully under his chin. "You ruptured time-space just by coming here."
"I had to," Cisco said simply. "The singularity in your timeline is a point of fact. They'll call it the Crisis. It has happened, and it will always happen and it's happening right now."
Dr. Wells only nodded, crunching the numbers and finding them sound. "And the only way to keep both our realities from collapsing like a house of cards is for Eobard Thawne to run back to the year 2000 and murder Nora Allen. If he's not already on his way, you can bring him here, can't you, Barry?"
Barry dropped a startled look on Dr. Wells, who met it evenly. "Why are you talking about this like it's a done deal? Don't we need to, you know, verify this claim?"
Cisco stepped towards him, a hand outstretched to placate, to plead. "I'm sorry, I'm so sorry that I dropped this on you out of the blue, but you don't have a lot of time. As we speak, both our timelines are in a state of elevated quantum flux that will continue to wreck space-time until the loop is closed. It's going to be bad. The city's going to take a hit. You're going to need to call for backup, because on top of evacuating the city, you're going to have your hands full with Thawne."
Dr. Wells arched one eyebrow. "You're right about that, Mr. Ramon. I'll send a blast out to the JLA to let them know what we're in for."
Barry's eyes went to the ceiling, and he chewed his lip while shaking his head in tiny motions as he remained unconvinced.
"I have a feeling the Green Arrow, Hawkgirl, and the Atom are free," Cisco suggested helpfully. "But again, I hate to sound like a broken record, you need to act fast. We all have until midnight tonight, then it's game over, man."
"I just -- I need a second." Barry threw a dark look in Cisco's direction, not even seeing him, and stalked from the room.
Dr. Wells, already tapping away at the screens in front of him, glanced up at Cisco and then back down at his work. "Forgive him. He knows what he has to do, and he'll do it. You'll agree that this is an upsetting turn of events for him."
Cisco chewed the inside of his cheek, digging a flashdrive from his pocket. He wagged it in his fingertips for a second, then reached over the back of the console desk to drop it near Dr. Wells' keyboard.
"It gets worse," Cisco told him, his voice flat. "Barry -- the Flash -- doesn't come back from this. Not to your timeline, anyway."
Dr. Wells met his solemn gaze, slowly straightening up from the desk and crossing his arms over his chest. "I'm sure you're aware that you are asking a lot of us, Mr. Ramon."
Cisco broke the stare first, dropping his eyes, guilty. He motioned to the flashdrive. "There's more information on that. Everything about the Crisis we could transfer from Thawne's twenty-second century copy of Gideon."
"Evidence that the Thawne with whom we're familiar did indeed wind up in your timeline," Dr. Wells mused. He put a hand over the flashdrive, slipping it off the desk and into his pocket. "I'll make sure Barry sees it. It won't make it any easier for him, but it may speed things along."
"Thank you, Dr. Wells. This won't … mean anything to you, but I've always wanted to thank you in person." Cisco shrugged, self-conscious, and a crooked smile wound its way across his face. He lifted a hand over the back of the desk, offering it to Dr. Wells.
Dr. Wells' sharp blue eyes fixed on it for a long second. Then he raised his own hand and firmly accepted Cisco's handshake. "Goodbye, Mr. Ramon."
Cisco nodded, letting go of Dr. Wells' hand and the alpha timeline with the same motion. The bright lights of the Cortex swirled away into the chaotic always-everywhere of the time stream, and then Cisco was staggering back into the cavern of the breach room.
"Cisco, how was it, did you make it?" This was Barry, his best friend, reaching out with a steadying hand on his shoulder.
Blinking hard at the transition, Cisco allowed himself to be lead a few steps towards the console platform. His bearings returned after a handful of moments, and he very nearly leapt away from Barry and up the steps, careening around the railing to crash into the computers there.
"Alpha Barry wasn't too thrilled by the news," he said, glancing down at Barry with something like apology in his eyes, "But Dr. Wells was pretty certain that they'd be able to grab Thawne and prevent the singularity."
"That's great -- Cisco, you did it," Barry clapped his hands to the back of his head, relieved and impressed.
Cisco kept working away at the computer, focus glued to the information scrolling down the screens. "Checking on the state of our singularity now. But yeah. I think we did it."
H.R., slouching over the other console, scratched his temple with the end of his drumstick. "You met Dr. Wells, then."
"Yep."
"The real Dr. Harrison Wells from this Earth."
"A version of Earth-1 Harrison Wells, yes."
"I bet he isn't as much as a silver fox as me," H.R. supposed, frowning.
Cisco's hands froze in midair over the keyboard, and he cocked his head, as if considering. "Don't be too sure of that, he had this kind of sweater-vest headmaster vibe that was working for him. You know, not too soft, not too stern."
H.R. stepped away from his console, squaring his shoulders like a man about to face a firing squad.
"I could -- I could wear a sweater-vest."
Barry hid his grin behind his hand, and Cisco didn't even look up. "Uh-huh. You look like you stole your entire wardrobe from a hipster indie band roadie that's half your age. Yahtzee, baby, quantum flux has reached negligible levels; not getting any readings on the singularity. It's almost like it never happened, which, in a sense, it didn't."
Cisco dropped his head back with a wild shout that reverberated around the breach room. "I can't believe that actually worked. I need an aspirin and a handle of tequila."
"You did good, Cisco," Barry applauded. He started to come up the steps but he paused with his hand on the rail. A heartbeat, and then, behind him, the familiar blue whirlpool of causality swirled open over the breach pad.
"I had to go and jinx it, didn't I," Cisco groaned.
Barry turned back towards the breach, holding up a cautioning hand. "I think --" he said, haltingly, "I'm coming."
H.R.'s jaw dropped. He furiously stabbed his drumstick towards Barry and glared across at Cisco. "How come he gets to make rude jokes and I don't?"
His question was ignored. Out from the wormhole came the Flash, weary and worn. His suit was ripped and bloodied, smelling faintly of diesel and smoke. His feet hit the floor and he stumbled, nearly going over if it weren't for Barry's quick blink forward to catch him.
"Hey, easy," Barry said, helping the Flash right himself. "You did it, we got you."
The Flash looked at Barry, staring through him. Then recognition visibly set in, and he pushed Barry off roughly. "I didn't do anything," he spat. "He did. He really killed her."
"Yeah, yeah he did," Barry said, glancing back to Cisco and H.R. for backup. They stared down at the two Barrys from the platform, stock still, utterly out of their depth. Barry turned back to the Flash, his hands up to settle, to soothe. "And I've had to live with that every day for the last twenty-four years. But it's okay. Really, it's okay. He only did what he had to do."
The Flash waved off Barry's consoling reach, turning to pace around the empty space in front of the breach pad. His hands went to his face, and the other three pretended not to see him wipe away his tears. After a minute of this, the Flash turned searching eyes on the room, stopping at last on Cisco.
"Mr. Ramon--"
Two voices answered him: "Yes?" Cisco shot H.R. a dirty look.
"Please, call me Cisco. Mr. Ramon is my husband." He made a dismissive gesture towards the man in question.
"We don't hyphenate on my Earth," H.R. told the Flash, as if any explanation had been asked for or needed.
Cisco snapped his fingers several times to get H.R.'s attention. "Sweetheart, how about you let the grown-ups talk now, alright?"
This trivial exchange washed on over the Flash, completely unheeded. "Cisco," he said earnestly, stalking past Barry and up to the console platform, "The Reverse-Flash -- Eobard Thawne -- what happened to him, is he here?"
It was Cisco's turn to look to Barry for guidance. At Barry's small helpless shrug, Cisco spread his hands and offered the Flash a reassuring smile. "No worries there, my friend. We took care of him ages ago."
A thunderstorm of emotion passed over the Flash's face. "What do you mean?" he asked, his voice low and cold.
Again Cisco looked to Barry, a trifle started this time around. "We … it's complicated because we didn't know who we were dealing with until it was too late. But to make a long story short, we fought him, and we won."
Barry shuffled forward and put a foot on the bottom step, looking up at his alternate timeline doppelganger. "He lost his speed in the Crisis so he built the particle accelerator and created me, the Flash, just so I could open a wormhole and send him back to the future."
The Flash ducked his head down and to the side, putting Barry in his peripheral vision without really looking at him. "And you stopped him from going back?"
Barry rolled his shoulders, defensive and a little proud. "He gave me a choice, he wanted me to choose between saving my mother or stopping him. Obviously I had to stop him."
A heavy silence filled the breach room as the Flash processed this information. "He's dead?" A flat monotone question.
Cisco sucked both his lips in and let them go with a pop. "Functionally, yes. If you want to get specific, due to temporal grafting we were able to erase Eobard Thawne from this timeline entirely."
The Flash startled everyone present by attempting to put his fist through the console's steel desktop. The force of it knocked the book, Cisco's alpha timeline totem, to the floor. In the shocked silence that followed, the Flash calmly bent and retrieved it, thumbing the yellowed pages with infinite tenderness.
"I took his speed," the Flash said after a moment. He didn't look up from the book he held. "Most of it. The second she died, the exact instant the divergent timeline was created, I felt myself start to merge with that version of me. I didn't know if I would stay connected to the Speed Force long enough to make it out. I took his speed, thinking he'd find another way back."
While Cisco and Barry exchanged another volley of nonverbal communicaes, H.R. raised his hand. "Forgive me for interrupting, but I think I must be missing something. I never met the guy, but I always understood that the Reverse-Flash was nasty business. I'm H.R., by the way. Originally Earth-19 Harrison Wells, although don't be alarmed if you don't see the resemblance. Facial transmogrification and all that."
H.R. extended his hand to the Flash, who just looked at it dully without moving.
"You were wrong about him." The Flash slowly lifted his eyes to look at H.R., Cisco, and finally Barry in turn. "He played his part in the Crisis because I asked him to, and in return for saving the multiverse, he gets erased from it?"
In the uneasy silence that followed, only one man was brave enough to speak.
"I lobbied hard to call it the 'Alpha-Beta-Crisis' because then it spells A-B-C," H.R. said brightly. "Nifty, right? Like that alphabet soup you have here, gosh I love that soup; on my Earth all we had was Roman numeral soup -- can you say booooring."
Cisco shook his head, eyes locked on the floor. "H.R., love of my life, shut your mouth before I divorce you again," he warned quietly.
H.R. just chuckled nervously. "You're joking -- he's just joking. What a jokester, my Francesco. Really keen on his jokes, this one. Always with the jokes!"
"Keep flappin' that trap and we'll see if I'm joking, won't we?" When Cisco looked up at him, there was fire in his eyes.
H.R. paled. He twiddled his drumstick and edged towards the exit. "Why don't I just go grab us a couple of coffees? You still a decaf man, A.B.A? The first A stands for--"
"H.R.!"
In the wake of the echoes of Cisco's outburst dying down around them in the cavernous stillness of the breach room, H.R. effected his escape. "Right, I'll let you unpack that one on your own time. H.R. out."
Barry stirred, making to follow him. "Nate was right," he said, bitterly, enigmatically, to Cisco as he passed the Flash on the way to the door. "Nate was right all along."
Cisco was left alone with the grieving Flash, who stood there holding that book like a ghost of a man. He cleared his throat. "Look. I don't know who Eobard Thawne was before he got here, other than what he told us about his rivalry with you. But while he was here, lying to us every day, he did a lot of terrible things. Hurt a lot of people. I'm sorry if we got it wrong, but he didn't leave us a choice."
Very, very slowly, Barry lifted his head.
"Didn't he?"
A Last love,
proper in conclusion,
should snip the wings
forbidding further flight.
But I, now,
reft of that confusion,
am lifted up
and speeding toward the light.
Recovery - Maya Angelou
MAN OUT OF TIME
PART III.b
Central City, Missouri - 2015 - SPRING
Harrison Wells leaned back in his chair, slid his glasses back off his face, and became Eobard Thawne.
"While we're on the subject of confessions," he told the blank glassy lens of the holo-recorder, "I'll admit that sometimes I've wondered if you were ever real."
Eobard chewed over the admission, irritable, shifting in his chair like he might stand up and turn the recorder off. He looked down at the glasses in his hands, and when he looked up, there was something rueful twisting in his lips, some dark humor glinting in his borrowed eyes. He leaned forward, towards the lens.
"There was one--" here he stopped for a barking laugh, little more than a scoff, one elbow on the table and Wells' glasses dangling from his fingers, "--one truly chilling moment I remember, just a few years back, just after construction of the pipeline had broken ground. The days -- and most, if not all, of the nights -- were bleeding together with the crush of meetings and inspections and deadlines and what have you; in the thick of it one would think that the place was operating on snap decisions and caffeine alone. It wasn't, obviously. A decade of carefully laid plans were being executed by the most proficient workforce money could buy, but I remember it felt like the whole thing could come spinning off the axle at any moment."
Eobard's grin threatened to bend towards nostalgic. Catching it in time, he narrowed his eyes and tipped the scales of his expression in favor of bitter and away from sweet.
"Well. One of these endlessly late nights I'm walking through the corridors, alone, and because there's a brief turnover of the crews working below, for a moment everything's silent. A real, haunting silence. Now me, I hardly notice. I've got a hundred and one issues rumbling in my head, you know, the sort of overwhelming minutia that keeps the average industrialist up at night. Nothing new there, to be honest," he shrugs, "But here I am, Dr. Harrison Wells, completely lost in the business of setting up S.T.A.R Labs, and that's when it hits me."
Eobard settled evenly on his elbows, shoulders hunched, staring down at the plastic frames he held. Positioning these in view of the lens, he shook his head. His voice, when he continued, held an anger that ran quiet and deep like the ocean.
"In that moment, I am Dr. Harrison Wells. I am the inspired mind responsible for all this -- for everything S.T.A.R Labs could and will be, I, Dr. Harrison Wells, will be recognized and held responsible. I hadn't noticed when it had become such a natural and effortless feeling to be wearing this man's name and to be standing in his place, forging his legacy. So natural, in fact, that I had to stop and seriously consider the possibility that Eobard Thawne didn't exist."
He set the glasses on the table with infinite care, looking as though all he wanted in the world was to smash them into splinters with his fists.
Eobard looked back up, staring dead at the lens, and tersely wet his lips. "And if he didn't exist, what guarantee did I have of your being real?"
He exhaled, another scornful almost-laugh, devoid of anything approaching humor. He stared into the lens for a long stretch, unblinking. Then he clicked his tongue and sat back in his chair again.
"Having come to the conclusion that none of this would mean a damn thing if you weren't out there, I soldiered on. Every day since our last … meeting, I have done, as you so rightly insisted, what I had to do. Every day spent working towards …." Here Eobard shook his head with his fingers pressed to his lips, musing for a thought that either wouldn't come or he couldn't voice.
He left that sentence unfinished, moving his hand up to scrub his forehead and eyes. Resetting his train of thought.
"I am a man out of time, Barry," he told the middle distance to the left of the recorder, somewhere off to his right. "In every delicate and calculated nuance of the phrase. I am out of time."
Eobard swung his head back around to fix the lens with a half-manic grin, his shoulders twitching with jumpy shrug that was echoed in the lift of his brows.
"'So what?' I suppose. I was never deluded enough to believe this story had a happy ending. Not any story that involves you and me. Not ours."
He shook his head, the mania hardening into a grim sobriety. "Our narrative is built on spite and is written in blood and there can be no plausible ending where both you and I find the salvation promised to all good and faithful servants. There is no clockwork deus ex machina waiting to swoop down from the wings and deliver us from our tragedy. That's not the kind of story we are, and I've accepted that. I've known from the start that there was no looking you in the eye when all was said and done. I wouldn't be recording this if I didn't know, for a fact, that this is the only chance I have to…."
Eobard grimaced, a thinning of the lips and a deepening of the crow's feet at the sides of his eyes. Maybe Harrison Wells was a man who could apologize. This man was not Harrison Wells.
"Maybe I got ahead of myself. Clearly, if you're watching this, then I managed to get myself killed." He paused to let this sink in, an ironic smile directed at the lens. "I can't be too upset about it, because if you're watching this, then I also managed to close the last loop in making this message available to you. Playing Russian Roulette against the multiverse is a thrilling prospect, I assure you." He winked while saying this.
"In any case, since this is a message from a dead man, I want to ask you not to blame these people for what they've done. In this reality it's not too egotistical to say that each one of them is a masterpiece sculpted by yours truly, so in the end, if they were able to outwit me and orchestrate my death, then the appropriate response should be pride. Forgive them, if you can. And as for this timeline's Barry Allen, I wonder if you can forgive me."
Eobard spoke these last words directly to the lens, and as they faded from his lips he dropped his gaze as if to study the lab table a while. At last he sighed and lifted his head to address the the invisible future recipient of the message.
"Barry Allen." He said the name like a prayer, resonant with awe and holy fervor. "Words alone cannot express the width and depth of the many varied sentiments I carry for you. I face my destiny with the assumption that my actions have been eloquent enough."
His gaze went soft, turned inward, focused on something he couldn't share with the lens. The flicker of a real smile danced across his face, there and gone in a heartbeat, easy to miss. "See you around, Flash. When the time is right, I'll be there."
Eobard Thawne leaned forward and switched the recording off.
The events that unfolded before the end went more or less according to plan.
First, the truth about Harrison Wells was uncovered (exhumed might be a better word, given the circumstances), exposing Eobard as the charlatan he had been since the inception of this timeline. He was ready for this. He had more than a few trump cards hidden up his sleeve. Fifteen years of preparation and a genius intellect weren't so easily bested.
"Then face me now!" an impotent Barry shouted, just a voice in his ear, all bark and no bite.
"Oh," Eobard breathed, "We will face each other again, I promise you. Soon. Very, very soon." Whether he addressed a ghost or a what-if or a never-was, or even the wounded Barry Allen to whom he currently spoke, he couldn't be certain.
Second, Eobard collected his insurance, stealing Eddie Thawne away until the final key to restoring the particle accelerator could be completed. It didn't surprise him that Team Flash took their sweet time mounting a rescue for this relative (that's a pun) waste of space, but then again they were preoccupied with monkeying around and booking rogue international flights.
"I'm impressed you went to such great lengths to keep those people from harm. Ever the hero, huh, Barry?" The sentiment came out far less sarcastic than the situation required.
Barry didn't notice. He stood there with his shoulders squared and his brow set, full indignant tantrum mode. "You've hurt enough people."
"I know, you see me as the villain. But Barry, if you were to look back -- look back carefully -- at everything I've done, every wheel I have set in motion, you would realize I have only done what I had to do. Nothing more. Nothing less." Only what another Barry Allen, from another time and place, had asked him to do. Not that he expected this Barry Allen to ever understand.
Then he was outgunned by a trio of kids who looked like they'd be more comfortable at a Halloween party than on a battlefield, and thrown into a dungeon of his own creation. The proverbial key, he presumed, was thrown away. It stung, the indignity of his capture, but imprisonment wasn't all bad; his request for Big Belly Burgers was respected for some reason, and even if he didn't have much room to stretch his legs, he'd had plenty of time as Harrison Wells to get used to that restless tingle.
Furthermore, Eobard had resumed his position of power, effortlessly continuing the manipulation of his team from the safety of his cell. Caitlin Snow, Cisco Ramon. Joe West. Barry Allen. Children unable to take care of themselves, craving his direction, his attention, even as they despised and distrusted him. He was more than willing to cater to their bad habits.
Barry, of course, came to him armed with a lifetime of thorny questions, the answers to which would only drive the barbs deeper. Eobard didn't mind watching his would-be-once-was rival buckle under the words Eobard had ready for him. This, too, was all part of the plan.
"Why were we enemies?"
"It doesn't matter. It doesn't matter -- anymore." Eobard spun some villainous lies, suited to the part. The myth of the Flash-Reverse-Flash feud, as dictated by fate, had always been destined to outlive them both. "I'm giving you a chance to undo all the evil I've done."
Then there was Joe, coming to reprise his performance of Bad Cop slash Overly Protective Father, having no idea that Eobard had already been subjected to a very similar lecture in another lifetime, albeit under a wholly different context.
"There are people you care about. Isn't there." The phrasing of the question was a formality, rhetorical almost, an answer unnecessary to confirm what Joe already knew. Eobard wouldn't lie to him at this juncture anyway. "In the future I mean. I don't think you'd be this eager, go as far as you have, to get back to your time unless there were people there that you held dear. As dear as I hold Barry, and Iris."
"I do." Eobard wouldn't lie, but he felt free to omit. This Joe, with his finely honed detective instincts, had hit the nail square on the head, although he could never have guessed the exact nature of Eobard's relationship with his daughter and son-in-law in that other life. Probably for the best not to mention it now.
And Cisco. Oh, Cisco, Cisco, Cisco.
Cisco came, with anger and betrayal eating gaping holes in his own defenses, walls built against the boogeyman too cheaply and too late, just to confirm for Eobard that the future was as yet on the right track. A to B to C to A, blood begetting blood and violence begetting violence, the Vicious Cycle in its purest form.
"Don't be afraid, Cisco. A great and …. honorable… destiny awaits you now. I only hope that as you're living your great adventure, that you remember who gave you that life, and that it was given out of love."
Soon he had them wrapped around his finger, working like the well oiled machine he had built them to be, propelling his plans headlong into their final stages. There was a wormhole to create and a time sphere to construct. There were choices to make, and Barry made them, as only Barry knew how -- with blistering spontaneity and a staggering minimum of forethought that made Eobard want to scream.
And that was as far as Eobard's plans took him, in this series of events. A lifetime of work, fifteen years in the making, crumbled into dust because favorite son Barry Allen willed it to be so. It was like Eobard had bet his entire fortune on black, and the House -- that two-faced siren called Destiny -- had spun the wheel and laughed when it landed on red.
In the end, there would be no grand homecoming for Eobard Thawne. (Bummer.)
Finally, a stray coincidence beyond all reckoning, like the trivial and all-important flap of a butterfly's wing, and, incidentally, part of no one's plan whatsoever: a choice made, unasked, by a nobody named Eddie Thawne.
Well. That's how this iteration of cause-and-effect played out, anyway. But you'd embarrass yourself in underestimating Eobard Thawne if you believed for a second that his plan ended along with him.
Beloved,
In what other lives or lands
Have I known your lips
Your Hands
Your Laughter brave
Irreverent.
Those sweet excesses that
I do adore.
What surety is there
That we will meet again,
On other worlds some
Future time undated.
I defy my body's haste.
Without the promise
Of one more sweet encounter
I will not deign to die.
Refusal - Maya Angelou
PART III.a
Central City, Missouri - 2025 - Winter
It's cold.
Cold enough to stop a speedster in his tracks? The man jingling keys out of the pocket of his genuine leather overcoat wouldn't know. He's not the right guy to ask. Not anymore.
It's cold enough to make him impatient, at the very least. He fumbles the key into the padlock on the second try, the frozen metal sticking, and the padlock arm springs open with a click. He reclaims the key and hooks the open arm of the padlock on one of the links of the security gate that keeps the hoodlums from smashing the plate glass windows. Pulling the loose end of the chain from the frame set into the wall, he checks his footing for ice before heaving the gate to one side with the shredding screech of metal on concrete.
Keys in hand again, he unlocks the door handle and the deadbolt above it. He looks over his shoulder before depressing the latch and letting himself in -- the twilit street is grayscale with muddy asphalt and smog-stained piles of snow lumped up around the streetlights. The frost-crusted sidewalks are empty and the motor traffic rumbles down roads more attractive than this one.
Maybe he suffers from a touch of paranoia, always watching his back for unseen agents spying from the shadows. Then again, maybe he wants to be followed; maybe he's waiting for someone to catch up.
You could ask him which one it is, but he won't answer. Nobody appears out of the evening gloom, anyhow, and he pushes his way on inside. The door closes. The neon signs in the windows sputter to life. They depict the colorful logos of major beer brands, mostly. Front and center, though, in a curving script that glows a vivid red, is the word "Joe's."
Inside the bar, the man occupies himself with the minutiae that comes with opening up shop. He may not be the fastest man alive, but he gets through all this in time. He is methodical and diligent, and a place like this affords him precious few distractions.
Whether it should be considered lucky or not, he isn't bothered by a single customer for most of the night.
He's finished organizing the display bottles behind the bar by relative opaqueness and is about to re-order them by label size when the annoying little bell over the door jingles brightly. It's probably one of his greatest regrets, sticking with the period (contemporary, he reminds himself) theme for the bar. But something had warned him that it wouldn't do any good to negotiate with fate; it certainly hadn't gone his way last time he had tried.
He turns towards the counter with a bottle of what happens to be a single malt whiskey in his hand, and his heart clambers up into his throat to see a blood-red windbreaker thrown carelessly over the bar.
The face it belongs to, though, leaves much to be desired. Sandy-haired, round in the cheeks, a little soft when it comes to the chin. Just some guy. Just some guy with eyes that glow with a secret he obviously wants to share.
The cost of owning a bar would be the drunks, wouldn't it, he reminds himself.
The guy's voice matches the face, plain, unexciting, nothing to write home about. "Been out of town a while," he says, like it's the funniest joke in the world. "Last time I was here this was a coffee shop or something."
"Jitters, sure," he nods, setting the whiskey down on the lower counter on his side of the bar, "Place closed up after the Crisis, been empty ever since. Landlady says she doesn't know whatever happened to the previous owners. Leased it for a song."
"Lotta people went missing after the Crisis." Red-windbreaker guy says. His mouth does this half-hearted shrug which manages to be both infuriating and charming. He gives the empty interior of the bar a lazy once-over. "Business hasn't picked up, yet, huh? How long you been open?"
The answer is a laugh, a single "Ha." To better explain this answer, he adds, "All told, about three hours. You're my first customer, in fact."
The guy's eyebrows raise slowly, an out of place look of disappointment glancing from his wide eyes. "For real? This is your grand opening? It's supposed to be a party."
"The last time I arranged for a grand unveiling, the whole thing blew up in my face." He wonders how long it'll take him to shake this incessant need to couch trivial statements in private riddles. Maybe it's just a part of him now, like so many things from that other lifetime are. "Tell you what. How about my first customer's first round is half off, is that more in the spirit of things?"
"I'll drink to that," the guy smiles. He's got a sunburst smile that looks like it comes easy. "To Joe's."
"To Joe's. What are you having?" He inclines his head slightly. "I'll beg your pardon for not asking sooner -- it's my first day on the job, you see."
The guy magnanimously shrugs it off, and then, in a move that's flat-out audacious, winks. "I'll take a shot of that whiskey you were fondling when I came in."
A shot glass is procured and the whiskey is uncapped without a word. His hand steady, he pours the guy his discounted drink. He sets it in front of his customer, but the guy just grins that foolhardy grin at him and ups the ante.
"Now I'm going to be all self-conscious, sitting at the bar by myself. Bad form to drink alone, after all. Let me buy you a drink," the guy says, cheerful, "You know, since we're catering to the spirit of things? To celebrate your un-grand opening and all."
"I think you had one too many sales pitches in there," he says in response, dry as ice. Still, it isn't like he can get drunk on the job. "But a sale's a sale."
A second shot glass procured and filled, he raises his glass towards his customer, who mirrors the gesture. "To Joe's," they say, one as bright as the other is dark, and then together they drink.
"Don't take this the wrong way," the guy says, slamming his glass back onto the counter and wincing around the burn in his throat, "but you don't exactly look like a Joe." He leans a round cheek against his fist, his eyes watery from the sting of the alcohol. Not a man well-versed in his liquor, this one.
In the other corner, fifteen years of business lunches and industry meet-and-greets and charitable cocktail galas have forged him into a veritable master in the art of drinking. His shot glass meets the counter with a demure click of glass on wood. "That would probably be because I'm not a Joe. Though some people have told me I bear a passing resemblance to one Harrison Wells."
The guy squints, coy. "I don't see it."
"It's something about the eyes," he offers, deadpan. "The other guy wears glasses. The smug old bastard thinks they make him look smarter than he is."
The other guy snorts and says under his breath, "I'm going to tell him you said that." Raising his voice to directly address his not-Joe bartender, he asks, "If not Joe, then…?"
He crosses his arms, chewing on the question briefly. "Haven't decided yet," he replies, just as brief, still deadpan. There's a hard line burrowed in his brow.
"Ok, well," the guy laughs, flopping his hand to the countertop and leaning forward curiously, "Why call it Joe's, then?"
His eyes narrow a fraction, surveying this nosy Chatty Kathy with a hint of something that might soon become annoyance. "I thought it was the bartender who was supposed to listen to boring life stories," he drawls, his voice gravel. The other guy just waves a hand flippantly to indicate that he's not bothered by this role reversal, so he grabs the shot glasses and turns towards the small sink basin set under the far end of the counter.
"I knew a Joe once," he explains, running the glasses under the tap. "Long time ago. Owed the guy a drink and unfortunately had trouble getting around to delivering on that promise."
From the other end of the bar comes a set of words that hit him the wrong way. "That's a recurring problem for you."
"What--" he turns, slowly. He slides the green-checked dish towel from his shoulder automatically, drying his hands by rote. His mind is elsewhere, churning, "--would you know about that?"
He walks mechanically back to stand across the counter from his one and only customer, glaring into this sunny round face and not seeing it at all. "Who are you?"
The guy obligingly proffers his hand over the bar. "Call me Bart."
He reaches forward to accept the handshake against his better judgement. It's like he's suddenly been knocked underwater and he's not certain which way it is to the surface, the light wavy and the sound distorted and the unyielding pressure squeezing in on all sides.
The second their hands meet, Eobard feels like a drowned man who has had his life breathed back into his lungs. Like a man on his deathbed who has been told it's all been a mistake and he's fine, he can go home now. Hell, he feels like goddamn Sleeping Beauty herself, roused from her eternal sleep by true love's kiss.
The Speed Force arcs into him -- floods into him -- sparking along his dusty nerve endings and eddying into long-dry reservoirs. The heat of it is astounding, raw electricity charging through this human conduit at an impossible amperage, and the experience of taking it in all at once is almost as terrifying as that first lightning strike had been all those years from now.
It probably only takes a few scant seconds, jumping his dead battery like this, but when Eobard snaps back into his surroundings with a gasp, it feels like he's been gone a lifetime. (In the grand scheme of things, he's not wrong.)
"I'm sorry," he says, light-headed, shaking, holding onto this familiar-unfamiliar hand for dear life, "What did you say your name was."
"Bart," Barry says, that stupid beautiful grin plastered ear to ear on his stupid fake face, "Bart Allen. I've got family in town, you may know them."
"I may -- ha, your family," Eobard mutters incoherently. He's still holding Barry's hand and when he notices this he very nearly throws it out of his grasp. He can feel the lightning in his eyes and he's afraid what he might do with all this newfound power.
"Barry Allen," he growls, planting both hands firmly on the counter top. "You're late."
Barry puts his head back and laughs.
"And where on earth did you acquire that face?" Eobard roars over the laughter, "I thought being stuck with this pruney mug until the end of time was as bad as it gets, but then you come waltzing in here looking like that. You're never happy unless you're proving me wrong, aren't you?"
"Oh that, I've got a -- hold on a second," Barry says, flicking a mirthful tear from the corner of his eye. He rummages through the pockets of his windbreaker for a moment, ultimately retrieving a brass stylus of some sort. "A gift from a little place called Earth-19, to answer your question."
Barry activates the stylus, casting a flash of blue light onto his round face. There's a flicker of visual tearing, which, in three dimensions, is hard on the eyes -- but then there he is, the one and only Barry Allen. He looks about ten years older than he should be, but that would be due to Eobard's memory being topped off with fresh memories of the wrong Barry Allen.
"Smoke and mirrors, then," Eobard nods. "Lucky you've got options."
Barry shrugs. "Light refraction technology, actually. I know the face will take some getting used to, but the newspaper says the CCPD's CSI director's been missing since the crisis, and, as far as anybody knows, the Flash has vanished for good. Bart Allen won't raise too many questions if he's moved back to town to be closer to his bereaved family in these troubled times."
"I knew a guy who believed everything he read in the newspaper," Eobard says, tossing Barry his top-shelf side-eye.
"It's a bias, I'll admit to that," Barry grins.
Eobard drops his attention to the spotless counter top below the bar, running the dishrag over it in a ploy to appear unconcerned. "And how is Iris? I shudder to think you came straight here without stopping home first."
Barry shifts and rustles with his jacket again, and Eobard glances up to see him tugging a thin rectangular object from another of his pockets. The weather-stained book goes onto the bar top between them, and they both ignore it after that.
"She's good, Iris is fine," Barry tells him, a series of bobbing nods accenting his words. "Happy I'm not dead, or not trapped in an alternate timeline, at least."
Barry stops himself, ducking his head with an embarrassed huff. He squints back up at Eobard, a hand anxiously smoothing down the already-smooth hair on the back of his head. "Which reminds me I owe you an apology for both of those things happening to you."
Eobard laughs, a single silent exhale that rocks his upper body with its force. His eyelids flutter closed for a heartbeat and he's shaking his head without intending to move at all. "You don't owe me a goddamn thing, Barry Allen. You saw him there, didn't you? I told him he could save her, even knowing the multiverse wouldn't allow him to. He ran all the way back there just to listen to her die."
That narrow chin wobbles while Barry's jaw works, and Eobard knows the effect won't be at all the same on the droll soft face he's chosen to wear for the rest of his life. "You only did what you had to do. I won't be your judge. You know I can't."
Eyes narrowed still, Eobard tosses his head to indicate the battered relic on the bar. "You watched it, then?"
"Nah," Barry says.
It's not at all the answer Eobard was expecting, so it doesn't quite take the first time. "No?"
Barry spreads his hands. "I have a good enough guess what it says. But as far as I'm concerned, whatever's on that disc is the last message of a dead man. Wouldn't be right to watch it while the man's still alive."
"You're too smart for your own good, you know that." It's not even a question. A hesitant smile is threatening to break out over Eobard's face and he wonders if, in fighting it, he doesn't just end up looking twice as undignified. "Here I thought I'd leave you a trail of breadcrumbs to follow -- that is, if you so chose. Looks like I couldn't stop you from showing up on my doorstep even if I tried."
Barry leans his angular cheek against his fist again, looking up at Eobard with a hint of dreaminess in his partially lidded eyes. "I don't know what you're talking about breadcrumbs for. You left the hugest 'this way to Eobard' sign possible. When I saw Cisco had this book, and when he'd gotten it from, I knew instantly you'd found a way back here."
Eobard rolls one shoulder. "Like I said, I told him he could save her. I gave him that choice."
"Counting on that one-in-infinity chance that the timeline created as a result of his choice would be the one to take you home." Barry shakes his head. "Those are some odds to play against. If it were me, I wouldn't take 'em."
Eobard leans forward onto the bar. "An infinite number of Eobards were destined not to make it out of there," he says, the familiar existential ache settling over him, "The only risk was in being one of them."
"But you're you," Barry says, voice low, eyes bright. "Behind that face -- which I don't mind at all, I have to say -- you're still you. And here you are."
"Here we are," Eobard agrees. He's not sure what there is left to say.
Barry taps the warped cover of his mother's book with a thoughtful fingertip. "All that stuff they found that we have to leave behind -- we've got our work cut out for us, don't we? If you've got the holo-recording on you, we can run back home and get my copy of this," he drums his fingers on the book, "out of the den. I know Iris would be thrilled to see you."
He's suddenly bashful, unable to lift his eyes from where they rest on the book cover. Their work's cut out for them indeed. They both have some battle scars that will need to mend before everything's back to the way it was before fate took them down two very different paths.
Eobard licks his lips. He reaches out and puts his hand on Barry's, on top of the book. He waits until Barry looks up.
"I intend to take you up on your offer at some point, so don't take this the wrong way: there's no rush. Now that I've got my speed back -- by the way I'm not angry with you for taking it and I'll have to find some really creative and probably filthy way of thanking you properly for returning it -- I'll close these last loops when I get to them. If I've learned anything from this life of mine, it's that everything happens in its own time. Whether you want it to or not."
Barry just nods, silent. Eobard slips his hand off and bends to pull two more shot glasses from the shelf below the counter. Barry watches him pour the whiskey, and flicks his eyes up to Eobard when one of the full glasses is placed in front of him.
"Besides," Eobard says, lifting his glass. "You can't just casually mention an 'Earth-19' and leave it at that. I've been away for fifteen years, remember, I believe we have some catching up to do."
The corner of Barry's mouth screws up into a chewed-on smile. He takes his glass in his thin fingers and lifts it in kind. "It's a long story, you sure you've got the time?"
Eobard's smile flashes brighter than lightning. "Barry Allen, who do you think I am? I've got all the time in the world."
in the infinite multiverse theory, this happens at least once
Checking the corridor was clear before he entered, Nate slipped into the study, loot in hand.
"Gideon, open a log for me, will ya? I've got to record the details of this alpha timeline artifact before we ship it off to Cisco." He squeezed himself behind the curved desk in the center of the room, setting the small worn paperback reverently on the table top between a carved stone bowl and the little magnetic globe.
"Certainly, Dr. Heywood," Gideon's ephemeral voice replied. "Will this be an addition to your series of speculations on the possible events that lead these artifacts to be strewn about the timeline?"
"You got it, Gideon," Nate told the room, his focus already scoping in towards the book and the mystery it contained.
"Very well. You may begin recording at any time."
Nate pulled the thin white envelope from its place nestled between the pages, and settled back in his chair, running a thumb over the inked letters. He cleared his throat.
"Canyon City, Yukon Territory. Nineteen-oh-two. Winter."
Here he paused, abruptly leaning forward over the desk to peer out through the door and into what he could see of the corridor beyond. All clear. He sat back again and resumed his "log."
"It's cold. Cold enough to stop a speedster in his tracks…."
Elsewhere on the Waverider, Jax put his hand on the bulkhead and poked his head into the kitchen. Empty. "Yo Gideon."
"Yes, Mr. Jackson?"
"You seen Nate anywhere? We're gonna hit up 1943 Chicago for the invention of the deep dish, wanna see if he's in."
There was a pause before Gideon answered. "Dr. Heywood is currently in the study recording a log of the artifact the team recovered from 1903. I can notify him of your plans, if you wish."
Jax crossed his arms, leaning back against the bulkhead in the kitchen doorway. "A log, huh? More of his sappy time traveler fanfiction?"
There was an even longer pause. Long enough to cause concern about Gideon's continued operation. But her voice eventually echoed down an answer. "Yes."
"That's cool," Jax shrugged. "Don't bother him on account of me. Just let me know when he's done, alright? I'm dying to see what happens next.
#the flash#fanfiction#eobarry#barry allen#eobard thawne#the reverse-flash#legends of tomorrow#sara lance#ray palmer#nate heywood#martin stein#cisco ramon#h.r. wells#harrison wells#jax#jefferson jackson#slash#words
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LOADING INFORMATION ON SIGNAL’S MAIN DANCE MOON SUNHO...
IDOL DETAILS
STAGENAME: N/A CURRENT AGE: 18 DEBUT AGE: N/A TRAINEE SINCE AGE: 15 COMPANY: KJH SECONDARY SKILL: N/A
IDOL PROFILE
NICKNAME(S): sunny, little prince INSPIRATION: sunho remembers the first time that he watched a dance performance on tv, and he recalls it fondly; remembering being so enthralled with how cool all of them were. since that moment, he’s made it his lifelong goal to become a professional dancer, and he hopes to do so by becoming an idol. he hopes to inspire others to get out and follow their dreams, too SPECIAL TALENTS:
flexibility and gymnastics — having taken gymnastics as a child, sunho is known to be very flexible, especially for a male. he can properly do the splits in both directions, and he’s also able to do lots of tumbling moves, too. round-offs, back handsprings, back tucks, aerials, and whatever else. he hopes that he can utilize these skills in his group’s future choreographies for killing moves, or simply as standout moments for himself
girl group dances — in his downtime, he tends to learn dances used by girl groups that he’s been a fan of since he was a child, and he believes he’s quite good at them, too. he understands that the power is different when moving in a more feminine fashion, and he is sometimes made fun of because of it, but none of that bothers him much anymore.
manga illustration — due to extreme boredom as a child, and due to spending lots of time alone at school, sunho’s picked up sketching and drawing as a hobby. after long-term practice with it, he’s gotten quite fantastic at it, and it’s a goal of his to produce a manga based on characters he drew as a child.
NOTABLE FACTS:
as a child, he spent a lot of time with his mother and grandmother at the bakery his family owns, and in doing so, has learned to bake his own delicious desserts.
sunho’s the youngest of five, and his four older brothers are known to be his best friends in the world. they’re his biggest support system; they keep him grounded.
he’s an avid watcher of anime, and his favorite of all-time is hunter x hunter.
whenever he’s bored, sunho fills up pages of notebooks with his artwork. he has a huge collection of overloaded sketchbooks in his dorm, and if anyone ever touches them without permission, he gets really upset as he’s rather secretive.
IDOL GOALS
SHORT-TERM GOALS:
his hopes to début are stronger than ever, and he’s confident that he’ll be able to do so soon. additionally, he’s devised a plan to showcase his strong dance skills enough so that he can become a centerpiece for the group; one that catches the eye of many and pulls attention wherever he goes. he doesn’t so much mind if he gets a low amount of lines within songs, but he wants all eyes to be on him. not only that, but sunho hopes to be able to choreograph for whatever group he’s in, as well as for other groups, but he knows that he won’t be trusted with that so early on in his career
LONG-TERM GOALS:
awhile down the road, sunho hopes to make a second début, but this time, as a solo artist with a high amount of creative freedom in dance. while he may not be the best singer or dancer, he knows that, with practice, he could be someone great; an idol to all of the inspiring dancers chasing after the same dream. he also plans on opening his own dance studio where he can train pupils for auditions into agencies
IDOL IMAGE
at first glance, it’s easy for someone to fall head over heels in love with moon sunho. his large, doe-like eyes captivate women and men easily, even if the appeal he gives off isn’t necessarily meant strictly for romance. more often than not, many feel the need to protect or coddle him; to hold him close and give him love in a more parental type of fashion. the reason being for all of this is his outer appearance. despite being the age of eighteen, he happens to look younger than what he is, and not only is it something of a blessing or what some call ‘great genetics,’ but his youthful countenance happens to be his curse, too. while he may look cherubic and innocent on this outside, within, he’s exactly the opposite. he possesses a sense of humor that’s a bit crass, and there’s an arrogance that swathes him, as well, and unbeknownst to him, all of that is entirely due to being extremely doted upon as a child. being the youngest of five children, his parents and elder brothers often held him up on some type of pedestal, which in turn, made him feel like a prince, even when they lived humble lives in apartments. he recalls moments where — especially for birthdays — he’d don a crown he purchased from a toy store and was the ‘king’ for periods of time; calling the shots and bossing everyone around. even when he’d throw tantrums when things wouldn’t go his way, his mother and father simply waved it off as him being ‘cute.’ those fits of anger didn’t happen all too often, however, as they found it very hard to say no to him.
due to such comfortable treatment as a little one, sunho grew up to be quite spoiled, but the contrast to this was that, while he was regarded as small royalty at home, at school, he was a bit of a social outcast. his mannerisms tended to be more feminine than most of the boys in his class, who were more masculine, and his interests were considered ‘girly’ by his peers too. they would often mock him for being interested in dancing to female-led pop songs, or for longing to play with dolls as opposed to other types of toys directed towards those of his gender. it was really hard for him to make friends, so he’d spend lots of lonesome hours at lunch or recess drawing in sketchbooks; coming up with stories and characters that he would dream about at night. he found an escape in this world, and he drew himself as a superhero, as a dancer, as a figure skater, as anything that he wanted to be that day, and he often adored to live within his own fantasies instead of within his real world. none of his family members were knowledgable of this, as the boy they knew at home was a totally different person; one with his own unique charms and almost comedically bossy ways. they supported his growing love of dance, and paid for each lesson that he took to help him gain confidence in it, and truly, lifted him up. these two drastically opposing sides of his life often clashed in strange ways, but he learned to navigate them as best as he could, especially since his beloved hobby had introduced him to a few new friends that didn’t judge him; making it easier for him to be happy with or without his family’s support.
as he entered his teen years and began his time as a trainee, he was filled with a newfound pride that helped him propel himself forward, but also hindered him, as well. here, he was treated like an equal; not as someone special like he was used to at home or back at his dance studio, and that drove him a little insane. why wasn’t everyone lining up to tell him how amazing he was? why weren’t people praising all of his efforts all of the time? it was a big, astonishing reality check for him, but even though he needed to learn to cope the hard way, he still struggles with feeling as though he deserves nothing but diamonds and gold. what further strengthened his pride, though, was when he gained the opportunity to be a backup dancer to his senior group, atlas, on a number of occasions, and when he was noticed for it, he was thrilled to know that his efforts to bring attention onto himself again had paid off. he deserved to be cherished, in his mind, so the small recognition didn’t surprise him much. however, what he was being recognized for didn’t sit too well with him. sunho, instead of being called ‘the next best dancer of the new generation’ like he wanted to be referred to, he was truly only revered for his cuteness: his moon-like cheeks, his expressive eyes, his short stature, and his visuals, overall. simply knowing that a minuscule buzz had been caused due to that, he has a feeling that his company will go forward with marketing him out to be some sort of baby, someone cutesy, someone he hates with a passion.
if it were up to him, sunho would want to be seen as someone mildly sexy, or as someone who holds a lot of magnetism no matter what concept is being performed, but so far, his desires aren’t looking likely to happen… and he absolutely despises what the future could hold for him once he’s able to secure himself a début. while he’ll be grateful for being given that spotlight he craves so, so much, he’ll loathe how he’ll be presented to the media; how he’ll be trained to handle himself on television, and in fan-meets. he’s never had to make such drastic sacrifices before, but it’ll be good for him in the long run.
IDOL HISTORY
> tw. bullying, homophobia.
a velvet cape of crimson hue dashed through the hallways of an eleventh floor apartment the instant that the dawn broke; the scent fried eggs and bacon decorating the air as they sizzled on a skillet found in the kitchen. in the bat of an eyelash, a very tiny boy donning a shiny gold plastic crown appears and immediately begins to climb atop a chair. mother and father look at each other in private and share a laugh, their littlest son taking his role as ‘king for the day’ just as seriously as always. he’d been keeping them on their toes with his wild antics for five years now, and up until this point, he’d been their most cherished prince. his birthday was precisely one day before the start of kindergarten for him, and while he was excited for this new adventure he’d been hearing about for the passed little while now, he first wanted to celebrate in his own way within his ‘kingdom.’ so, with that said, with his small and high-pitched voice, he greets his elders and raises his arms up high.
“king moon sunho has come to take control for the day!” he began, trying to make himself appear taller than he was, even with the chair’s added few feet. “first thing’s first: this king’s tummy is growling at him! he’s really hungry!” at his announcement, his beautiful mom and dad grinned at each other and chuckled further. “well, mommy’s prepared the king his all-time favorite breakfast food, and it just got ready! will the king go have a seat at the table so he can have his meal?” a gleeful nod followed, and he came down from his standing stance to plop himself down comfortably; enjoying each bite until he was finished. from that point onward, he went onto have a great day — one filled with a visit to an amusement park, and one surrounded with all of his family members; all of them wishing him a great first year of school as he continues to grow up just a little more before their eyes. however, what they all hoped would be a fantastic experience for him turned rotten really quickly, and he, nor they, didn’t really understand why. he went from feeling like a prince to feeling belittled and low.
as he was taken into class and dropped off, it started out alright; he was exuberant and friendly to all of his peers. however, there were things about him that weren’t necessarily typical for a boy his age. for example, he got along much better with girls, and when the class held introductions and stated what they like to do for fun, he confidently professed that he loved dancing and listening to music; his favorite artists all females. however, what really kickstarted his exposure to ridicule and bullying was when he was asked to show the class some of his moves. what once was thought to be something sweet and innocent to help him break the ice with everyone turned into a fit of laughter; the instructor having to cease the class from their rude behavior towards him. feeling super embarrassed, he went back to his desk and sank into his seat; completely discouraged right off the bat. however, he hoped that, as his day went on, he’d be able to move past the rough start; hoping that he’d be able to go home and report that he had a great day and made lots of friends.
unfortunately for sunho, none of that blossomed into fruition, and it also set the tone for the rest of his school career. whenever it his he tried to put together a band of really cool comrades, they would either complain that he was being too dramatic and too bossy, or they would make fun of him for his interests; often calling him ‘girly’ and ‘weird.’ however, instead of rushing home to let his family know what was really going on at school, he made up a story to keep them all from suspecting anything — convincing them that he was the most popular boy there, and that everyone loved him; that he was not only the king at home, but also in the cluttered hallways, too. they believed him, and he continued to live this lie for as long as he could. while they thought he was playing with pals at lunchtime, he was actually holed up in the school library; bettering his reading and learning to draw. the librarian had gifted him a copy of a book that taught him the step-by-step basics for manga illustration, so even though he didn’t have a gallery of people to hangout with everyday, he created them on paper; filling this lonely void with stories based on pretty guardian sailor moon and pokémon. magical girls and pocket monsters would have to do instead of living, breathing humans, and he was slowly becoming more happy and accepting of that.
as time drifted onward, all of the bludgeoning from his classmates only got worse, but in order to find a better distraction than burrowing his face into sketchpads and books, he convinced his mom and dad to enroll him in an after-school dance program at a studio near their home. it cost a fee that they could barely afford at the time, and being that his grades were above-average, they agreed to do so. when he started there, he not only fell deeper in love with the art of movement. it fueled him with a confidence that he didn’t know he had, and he also made friends from different school districts; those that liked him for who he was and who thought his unique talents were fascinating. he walked around with a skip in his step from that moment forward, and it proceeded on for a few years until he was nearly back to his usual self again — carrying on like a prince instead of a pauper. however, with this new chip on his shoulder came an attitude that not many of his oppressors were used to, and they made it their goal to make him submit to them again. so, when one afternoon in his sixth year of school, he stood up to them for being mean to him, and when they didn’t take too kindly to that, he was involved in a fist fight. when the principal called his mother to let her know what happened, she was appalled and confused, and it was that day when his family learned his truth, and from then on, their attention on him wasn’t that of boosting him up or stroking his ego, no, but that of honest concern and worry; all of them upset that they weren’t being told the truth for many years.
sunho become increasingly annoyed whenever they would interview him about how his days at school went, and when they urged him to be honest, he could only roll his eyes; embarrassed that he was seen as someone so weak now. this made him a bit more closed off than he was before, and he only really showed exuberance and excitement whenever it came to his dancing. it had been about three years since he started attending classes every single day after school, and his progress was astronomical. he had gotten quite good at more modern styles, including hip-hop and breakdancing, and he was easily considered one of the best in his age division. so much so, that when word began to circulate that the infamous kjh global creative were looking to recruit male trainees again after their first boy group, atlas, took a successful turn, one of his teachers let him know about it; urging him to go forth and wow the judges in hopes of becoming one of the lucky few to be represented by them. she knew that he had an interest in idol-life, and she thought he’d make a great entertainer someday, so with his parents permission, she helped him sign up for a slot in the open call. being that it was a few weeks away, she spent extra time with him after class — sometimes later into the night — working on a piece that’d not only make him standout, but also one that made him happy. having selected vixen’s smash-hit ‘crazy,’ they kept a good portion of the original choreography, but also added their own elements to it, as well. not only that, but he spent all day learning the raps and the singing verses, too, more nervous about those then the dance part of the performance. he’d never done either before, but he was hoping that he’d have a good dose of beginner’s luck whenever the fateful day came.
then, when it finally did come, he made sure to show them all of his charms. despite being taken aback by his skill as far as choreography was concerned, they couldn’t help but laugh a little given the rest of his showcase. it wasn’t that he was horrible, no, but they wondered how a boy who looked so sweet and timid, one who’s voice was still quite high pitched and almost childish, could deliver a sexy and strong performance such as that. while his rapping wasn’t always on beat, and while his pitch wasn’t at all perfect, they found his earnestness and bravery to be quite sweet. not only that, but his visuals were a standout point, too, so they decided to put in some work to help him better himself. when he learned he was to be a trainee for them, sunho was elated; immediately shaking off all the bad words the bullies back in school shouted at him on a daily basis. now, he was dead-set on making a début so he could make all of them eat their words for calling his interests ‘lame’ or for being harsh to him for acting effeminate. within the caverns of his imagination, he thought that making his way to the top would be a cinch, but oh, he was completely wrong, and when he wasn’t treated as beautifully as he was back in his own dance classes, it felt like a slap in the face.
while many of the people in his category treated him with more respect than his classmates did, he was beginning to realize that he wasn’t the only talented boy there, and he was starting to hate that he wasn’t the greatest at kjh. it caused a certain spark to ignite in him; one that made him work double-time to at least prove himself in the dance sphere. however, now, there were also plenty of ‘distractions’ that blocked him from making an easy transition into improvement, and all of these ‘disturbances’ he kept getting wrapped up in were the myriad of boys he practiced with. given his history, he was wary when it came to members of the same sex, but for the first time in his life, he was beginning to feel a pull towards them; one that confused him deeply. with a new rush of hormones rushing through his body, he viewed many of the other male trainees through rose-tinted glasses; developing crushes on a few of them. terrified of anyone finding out, he kept this strictly to himself; not wanting to build many relationships up in case his secret were to be exposed somehow. all of the years of avoiding questions about his disinterest in girls now made sense, and he was a bumbling mess because of it. instead, he did his best to push forward and focus on passing his evaluations, which were difficult enough as it was. it was becoming known that, while he was a talented dancer, moon sunho wasn’t a naturally gifted singer or rapper.
earlier on in his training, he remembers sitting in front of a piano with his tutor as they took time to play notes within his range for him; his task being to match pitch to help train his ear. they didn’t want someone who was tone-deaf, of course, so he was assisted in learning to sing in tune, with or without proper technique. being that his primary focus was dance and a bulk of his time training was focused there, it took him a much longer time than normal to strengthen his voice, and there weren’t any huge leaps of progress with it until about a year and a half in. what he had was a naturally high range, even after his voice dropped, so that was a small advantage in all of this since most pop music nowadays was placed in higher keys. however, that didn’t necessarily make him a standout act when compared to some of the others. sure, he could dance circles around all of them now that he’d only gotten better, but when they opened their mouths and belted high notes, or rapped with precision, he still knew he was severely lacking. though, his low hopes shot higher when he, along with a few others, were asked to dance backup for atlas at one of their performances. with that said, he knew that the company didn’t think too lowly of him since they trusted him with such a daunting task, so this new responsibility raised his confidence slightly. while he may not be the strongest singer or fastest rapper there, he had a lot more to offer in charm, wit, and in dance, so with perseverance, he continued to work hard in hopes of proving himself — still hopeful that a début was on the horizon for him. with this new exposure, he hoped to seal the deal even more with the executives at kjh; wanting nothing more than to be praised.
after a successful first-time dancing backup with his senior group, sunho was invited back to do so again; glad that the response given to him was as good as he thought he deserved. this second time, however, he began to gain a little traction; the video of the show he took part in reaching millions of views in no time, and in a few of the shots, he could be seen. while he wasn’t in focus all of the time, he was featured enough to get some commenters talking about him, and when word got back to him about it, he signed online to see what the few people who saw him had to say. fantasies about everyone talking about how powerful of a dancer he was filled his mind, and he knew that, if he created a big enough stir with the public, standing on-stage in a group of his own was imminent. however, when he finally read up on what some of atlas’ fans had to say about him, each post seemed to be about how ‘cute’ he was, or asking what a middle-schooler was doing performing with k-pop’s latest breakout act. being that he was currently standing at seventeen years old, he took offense to what was being discussed. while he appreciated the comments about his outer appearance, he loathed that he wasn’t being heralded for his dance skill. sure, the set didn’t focus on him at all, but it would’ve been nice to see that some people were interested in the talent of who could later become their bias when he was in the forefront. this subtle round of attention he received somehow didn’t taste as good as he thought it would, and he’s now beginning to doubt whether or not he’s ready to take part in the wild, wicked world of show business. on one hand, he wants everyone’s eyes to be on him, but he hates that he’s not being recognized for what he longs to be seen as: the best dancer of the new generation.
after three years of training came and went, sunho wonders what his future holds, and if he’ll even be able to make his mark on korea when he’s still struggling with his voice. he’d take less lines on songs if he had to, he doesn’t care, so long as he’s able to gain a spotlight for himself; one aimed right at him that’ll showcase his dancing. despite feeling unsure of the image that he’s being painted in, he knows that he needs to at least try to make the best of this experience to at least make his family. and friends, proud of him; to obnoxiously rub his accomplishments in the face of the tormentors that made his childhood a living hell. so, he continues to pour out blood, sweat, and tears in order to make his dreams come true; hoping and praying that, soon, he’ll be able to taste how sweet success is.
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Fallout 76 First Impressions: Shockingly Fun!
I went into Fallout 76 sure I would hate it. I mean, instead of taking the effort to actually develop a proper story with actual characters, towns, and factions, it seemed like Bethesda just pushed something out with as little work as possible. “Every character is a real person” sounded like marketing garbage and an epic fail.
And then I played the game. And the hours flew by. And I’ve been engrossed and engaged and have woken up each day wanting to jump right back in! And now, 15 hours along, I’m still excited to find the next delightful discovery!
A big wide world to explore! Fields to frolic in. Fiends to cut down with my machete!
Not since Fallout 3 have I felt this strong feeling of optimistic wanderlust! This feels like coming home to another comforting Bethesda open-world, and I’m taking my time to learn, adapt, and loot everything not nailed down!
Consequently, I must face the shocking and unlikely truth: I’m really enjoying this game despite the online nature! I almost cannot even believe I’m saying this! I’m the survival-hating, MMO-despising, single-player-loving guy! I was supposed to hate this!
Before you roast me in the comments, let me explain my unexpectedly joyous Fallout 76 first impressions!
No NPCs, No Worries
Perhaps my biggest surprise is how little I’ve missed having alive NPCs and “proper” quests. Instead of feeling huge disappointment, I’ve been quite happy to simply have my “quest giver” be a dead corpse with a note or a computer terminal.
This guy could have been an NPC that would jabber on and on. Now we sit silently in peace.
All NPCs being dead has actually streamlined my exploration, letting me avoid all the “run around town talking to bland NPCs” stuff that was becoming very tiresome for me in Fallout 4. Speaking of which, I actually think my enjoyment of Fallout 76 is tied to my disappointment in Fallout 4.
After Fallout 4, it was clear Bethesda was never going to give us a truly intelligent choices and consequences Fallout with realistic characters and well-written dialogue such as Fallout New Vegas. They just aren’t capable of creating this. As such, Fallout 76 wisely sticks to Bethesda’s strengths by eliminating the direct NPC interaction.
I greatly enjoy finding fun locations to explore, take pictures, and look pretty!
This radical shift makes sense to a degree. Bethesda’s games are always overwhelmed by game-breaking quest logic bugs and NPC scripting failures, so that’s mostly been deleted to focus on Bethesda’s best-in-class environmental storytelling. No one builds worlds quite like Bethesda!
Those Pesky Real Humans
It’s not all happy exploring of course. The online component comes with the usual issues. When I first began in my room in Vault 76, the very first sound I heard was a crying baby. I actually had a flashback to Fallout 3’s start, and I thought maybe this vault had a baby in it?
I hunt down and destroy all annoying real-life players. (Just kidding; I just mute/ignore them.)
Nope. It turns out some real-life father was playing the game with his baby in his room. Then other real-life voices, usually with low-quality mics, started clashing, and I was totally unable to hear the actual in-game voice speaking to me.
Despite that dubious vault-start, things became much more pleasant as I entered the wide world and players dispersed from that choke point. Each server contains a maximum of 24 people, and the world is huge. Therefore, I only occasionally ran into other players.
Enjoyably Infrequent People
Having such a low player count works out very well. I know there’s others out there (easily tracked yellow dots on the map), but I usually only have to deal with them if I so desire. And there’s easy mute/block tools to ensure people don’t get too annoying.
There’s some really atmospheric and excellent views. I built a nice little camp nearby for fun!
This isolated yet sparsely populated approach also makes so much sense from a lore standpoint. The idea is you’re one of the few dozen Vault-dwellers let loose upon a newly annihilated world, so occasionally bumping into each other and working together actually aids the concept of the game world. I wasn’t expecting that!
The Joys of Friendship
I should make clear I generally prefer playing solo, taking my time to explore. However, Fallout 76 gives me something the prior games haven’t: the dream of discovering together with a real-life friend.
I’ve run into very kind players, and we’ve teamed up and explored several locations together. We’d point out ammo stashes and workbenches, and help protect each other. I found myself having a truly unique and memorable cooperative Fallout experience!
Nate the Ripper was a cool guy, and we had a great time playing together! Friendship achieved!
And isn’t this what so many have wanted? Not some Fallout/Elder Scrolls-MMO rubbish but a simple coop mode where we can team up with one or two trusted friends and engage in jolly cooperation! So far this is what Fallout 76 has given me. I tell you the truth!
What makes Fallout 76 so great is how it feels like a single-player Fallout that gives me the option to team up. As stated, I play mostly solo, but if I run into another player, we can share stories and team up for an hour or so. Then we go back to the lonesome road, finding our own meaning in this desolate world.
Performance & Online Woes
I’m actually amazed at how well Fallout 76 runs. Sure, the game engine is outdated and Bethesda don’t know how to optimize a game to save their lives. Yes, the framerate is bad compared to other proper games. However, I can manage to reach the 63 FPS hardcap (locked FPS and FOV is terrible) with my pretty powerful Intel i7-3930k CPU and nVidia GTX 980 Ti GPU.
I found this piano out in the world and played it for a while to get a buff. That’s how life works!
I’ve been disconnected twice, but almost no progress was lost for me. The game stutters and freezes for a second or two when loading certain areas. And of course enemies will glitch out like every other Bethesda game. Both the AI and load times are…a bit too slow.
It should be noted Bethesda has announced plans to improve and update that game, so waiting a few months or longer to play is always a fine plan. But I will say my experience has been good for a new online game, and the game is very playable in its current state.
What’s the Online Point?
Perhaps the largest issue with the game is how you don’t really impact the world at all. There are no world-defining choices to make like Fallout 3’s saving or destroying Megaton.
To highlight your lack of impact, quest items and events respawn over and over, giving you the feeling the game doesn’t even care that you’ve already found and repaired that station twice already.
This is a broken down school bus. It isn’t important, but I enjoyed discovering it. That is all!
Instead of some grand destiny, you’re just one vault dweller, who’s unlikely to do big things or save the day. Some will question the point of it all and feel this is a letdown from the classic Fallout games.
However, I had a revelation of sorts after about 5 hours. The point of Fallout 76 is my personal experience. I was “chosen” to be in Vault 76, but once I enter the world nobody has chosen me for anything beyond “go explore” and “try to rebuild.”
Don’t fear, I am here to rebuild! Or at the very least I’ll wander around and loot tons of stuff!
There’s a freedom in this ambiguous directive. I get to explore this beautiful yet barren world at my own pace. I can follow the well-voice-acted “main quest” holotapes, but I can also just wander off to discover or build a settlement. Whereas other online games belong to the developer and dictate your play, Fallout 76 feels like my world.
First Impressions Summary
For me, it all clicks. I’m loving the discovery, the isolation, the occasional coop, and the overall Fallout feel. Sure, I wish there was more impactful storytelling. I wish the game engine and graphical quality wasn’t so poor. I wish there wasn’t a real money shop.
I’d use more varied poses but they have to be purchased from the cosmetic shop. Why!?
And yet, right now I want to stop writing this and delve back into the West Virginia wasteland. In 20 more hours will it get boring? I don’t know, but Fallout 76 is giving me a comforting dose of familiar Fallout mixed with a new but appealing cooperative cocktail. Maybe it’s the irradiated water talking, but I’m gulping Fallout 76 down!
PS: some people are talking about the “end-game” and nukes and all that. Don’t let this scare you. I highly doubt all the PvP-nuking stuff will negatively impact the experience for us regular players.
Here’s various points broken into the good, the bad, and the rad!
This feels like a modern Fallout
Exploration is as mesmerizing as ever
Some truly beautiful scenic views
Photo mode is a great way to document your exploits
A bleak portrayal of nuclear winter (everyone is dead)
Slowly unlocking crafting and recipes is fun
Friendly cooperative play is encouraged
No hackers or jerks or griefers so far
The first few hours are plagued by other newbie players
Open microphones by default, get ready to mute
The terrible console menus, hardbound keys
The visual details are generally very ugly up close
A lack of lasting impact on the world around you
The “events” are mostly tedious fetch/escort stuff (skip them!)
The looting lag (containers take a second to display contents)
The shooting lag (enemies warping, not all damage registers)
PvP is stupid (the end-game nukes are probably stupid too)
Inon Zur’s atmospheric soundtrack is so brilliant
Such nostalgic Fallout feelings when things go well
A huge world I can take months to explore and enjoy
The coop dream of discovering with a best friend
Playtime: 15 hours total. Nick’s reached level 12 and explored a fraction of the map. There’s dozens more hours of exploration ahead!
Computer Specs: Windows 10 64-bit computer using an Intel i7-3930k CPU, 32GB of memory, and a nVidia GTX 980 Ti graphics card.
Fallout 76 First Impressions: Shockingly Fun! published first on https://touchgen.tumblr.com/
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Old Friends - a short story in seven parts, by Brian Bourner - Part 5
When I got back home it was to find Findlay was out. Not having a key he had to ring the doorbell on his return. I opened the door to a grinning Findlay holding a full plastic sack.
“What’s for lunch?” he asked as he stepped inside.
“What’s in the sack?” I asked in reply.
“Oh, just some stuff. Sure to come in useful. I’ll just put it my room just now,” he said as he carried on along the hallway.
I had to bite my tongue to prevent an angry outburst, a tirade against collecting junk from the streets.
“Cheese pie,” I enunciated carefully, trying hard to keep the anger from my voice. “Cauliflower and baked potato.”
“Great,” he called back.
“I hope you’re not trying to find more paintings. If you think people are chucking out valuable paintings all over Edinburgh it’s a bit of a pipedream.”
“Aye, right.”
In the afternoon, Mike called. I could hear the noise of the pub in the background, reminding me that I’d entrusted Findlay’s painting to a friend who’d turned out to be a bar fly.
“Thought I’d better mention…” Mike began, “It was Phil turned up in the pub last night – been booked to play a few tunes on his banjo apparently. Hadn’t seen him for a while. Bought me a couple. I said about the picture. Phil’s into culture, music and that, but he agreed with me that two wierdos dancing was a load of pony. He reminded me though that his toe blister has a bit of know-how in the art world; Louise works as a floorwalker, security officer, at the Gallery of Modern Art. I’ve got a lot on my hands just now, pretty busy really, so I knew you wouldn’t mind me letting him take the picture. Phil says Lou will know where to go for people to have a look at it, see if it’s worth anything.”
“You mean you’ve given the picture to Phil?”
“Aye, for Louise to take up to auction houses and so on, like you said. I told him your phone number. Lou will get in touch.”
Before I had time to express my outrage at Mike’s conspicuous untrustworthiness he had already put the pub’s phone down again.
I hurried to Findlay’s room to explain the new turn of events. I opened the door to find that Findlay had already piled up a set of battered pots and pans and there was a vile smelling bundle of old violet fabric at the side of the bed. I could see where this was going.
“Findlay,” I said. “I don’t think you’ll be able to pay off loansharks with a jumble sale. How much do you owe them anyway?”
Findlay looked away and muttered “Only about twenty-four thousand, they said last time.”
I gulped and hastily closed the door.
That evening I’d just put on a CD of French choral singing when the doorbell rang. Opening the front door I found myself facing Dylan, accompanied by an equally unattractive rotund character with piercing eyes who seemed to have mislaid his shaving equipment several days ago.
“How..?” escaped before I could think.
“Hello again,” Dylan smirked. “My friend Lennie,” he nodded at the rotund character, “called round one or two of Findlay’s acquaintances. A certain Mickey McGivern suggested an association with a newly bought house in Corstorphine. He had a phone number – but if I’d called I suppose Findlay might have felt the urgent need to seek alternative accommodation. Fortunately, our friends at the Registers of Scotland helped us out with a few suggestions. We’ve knocked one or two doors today. It’s tiring work. You don’t mind if we come in?” he asked, as they barged past me.
Soon they were settling in on my new sofa looking intently at Findlay. Caught like a rabbit in the headlights Findlay sat on a chair looking like a man about to be subjected to the Spanish Inquisition.
I could see things were going to turn nasty and did the only thing I could think of to defuse the situation.
“How much does Findlay actually owe you?” I asked, finding Findlay’s figure hard to believe.
The two men exchanged knowing looks.
“Up to today twenty-five thousand, seven hundred and sixty.” Daily interest.
“Ok,” I said, thinking hard about the money I’d sweated to save over the years compared to the pain about to be inflicted on Findlay. I succumbed. “Ok, ok, I’ll pay it on Findlay’s behalf.”
Dylan glanced at the man called Lennie and Lennie nodded his fat head.
“I’ll write you a cheque.”
“Cash,” said Dylan, saves nosey-parkers trying to trace sources, eh?”
“It would have to be tomorrow then.”
Dylan and Lennie decided it would be a good idea to keep us company overnight and in the morning I drove to my bank with Dylan, while Lennie kept Findlay company in my home.
As we entered the banking hall on the Corstorphine Road Dylan said “By the way, ten percent daily, that’s twenty-eight thousand, three hundred and thirty six now.”
The bank was reluctant to release that amount in cash, even with my driving licence as clear identification. As Dylan, standing silently beside me, began to show signs of restlessness, the manager was called. I finally convinced the manager to concede to issuing a banker’s draft, payable to the holder, as good as cash.
As we left the bank Dylan grabbed the draft from my hand and I drove nervously back to my house.
Lennie and Findlay were sitting in the living room in stony silence. Dylan produced the draft and showed it to Lennie, who inspected it before casually shoving it into an inside pocket.
“Your lucky day Findlay,” he said. “Just as well you’ve got an affluent pal.” He looked at me. “How about a drink before we go; celebrate closing this deal.”
So I poured everyone a measure of the sixteen year old Lagavulin that I’d bought myself as a house-warming present. Lennie plucked some kind of fat cigar from the breast pocket of his suit and lit up without asking if I minded.
The room filled with sweet smelling smoke as Dylan and Lennie passed the cigar between them. Cigar ash covered most of my new carpet before the men left.
Soon after they’d gone the landline phone in the hallway rang and a relieved and smiling Findlay jumped up to answer it.
“Who was that,” I asked when he came back to the living-room.
“Oh, just the usual nuisance calls. If it’s nor PPI, it’s a new boiler, or some scammer wanting to access your computer or get you to cash in your pension.”
And that evening Findlay said he wanted to go out alone and sample the sense of freedom he could now enjoy.
Findlay’s room was becoming increasingly crammed with malodorous junk and I wasn’t at all upset when, a couple of weeks later, he said he’d decided to move out. Now that no-one was hounding him he’d decided to move back to the flat in Dickson Street which was no longer under threat. He said he’d be back soon to take all his stuff with him.
I almost choked at the thought of even more rubbish being crammed into Findlay’s flat but decided to say nothing. It was time to detach myself from Findlay, the unfortunate fantasist.
A week later I was surprised when a removal van turned up to collect all Findlay’s junk that I had been on the brink of transporting to the city dump. I was even more surprised when the removal man told he’d also been instructed to go on to cart away similar loads of junk from a flat in Dickson Street.
Well, I thought, at least Findlay seems to be finally clearing out his rubbish and maybe he’s embarking on a more sensible way of life.
Later that year I was out on my lonesome, having a drink at the bar of the Le Monde hotel in George Street and thinking of the life I’d left in Provence, when I saw a man who looked vaguely familiar. I approached him and asked if we’d met before.
“I don’t think so,” he replied. “Name’s Jim McGivern.”
“Of course, that explains the similarity. You must be Mike McGivern’s brother.”
At the mention of his brother his lips tightened. It seemed they didn’t get on.
Just then an attractive, heavily made up lady joined us. Introduced as Jim’s sister-in-law she started happily chatting to me. We got on like a house on fire, especially as it turned out she was mad keen on Provence. Since her children were grown up she now spent all her holidays in France. It was only when I asked her name and discovered it was Donaldina that I realized I was talking to Mike McGivern’s ex-wife, possibly out on the hunt for a new husband.
At that time I had begun to understand that my return to Edinburgh had been a grave mistake. My expectations of Findlay ever paying back the money I’d given him – almost all my savings - were diminishingly small. The people I’d thought were old friends had turned out to be no such thing and I was getting too old to start up new friendships. I was better off with the people I’d come to know in Provence these last thirty years.
Fortunately, when I shared my thinking with Donaldina she fully agreed. She wanted to be as far away from Mike McGivern as possible. As their children were in their twenties now, starting their careers and happily living their own lives far away from home, she had no qualms about leaving them to their own devices. She had no reason to stay in Edinburgh. As she adored France so much the upshot was that we both sold our houses in Edinburgh, pooled our cash, married in a Register Office without fuss, and bought a new two-bedroomed whitewashed villa close to the blue sea at Mandelieu-la-Napoule.
[continued in Part 6]
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