#is inola's lover

[carrotcouple]

Got back into sky and remembered all the lore I'd created for my sky kid.

[iskelan]

A’Sai and Inola, baaah I wanted to do some romantic shit too, so here’s one more lazy sketch.

Inola turned out really cute here ^__^

[curious-wildflower]

Silent Hill: Past Lives- 1867

((The comics are sort of their own canon. For the most part they do not interact with the game's story at all. This comic "past life" does shed a little light on a character from Downpour, and there is another called  Anne's Story that directly ties into downpour from the perspective of it's title character. SO they will be the only Silent Hill Comics i go into because frankly they fairly shit and will annoy you if you seek them out out of love for Silent Hill.))

Set just after the end of the American Civil War and the opening of Toluca Prison, Howard Blackwood, the postmaster of Silent Hill is the first person that Jebediah "Hellrider” Foster and Esther Munroe meet on their way to Silent Hill.  

Jebediah is a formally violent outlaw in the Dakota Territory who after falling in love with Esther goes with her to Silent Hill inheriting family from her uncle in Silent Hill.

Howard Blackwood gives subtle indications that he has intimate knowledge of the goings on of Silent Hill, both mundane and esoteric. Jeb ends up confide in Howard throughout the comics, telling him of his terrible past, a flashback shows that he was either a slave tracker or an overseer before being drawn to Silent Hill.

The Past Life 1st issue — Jebediah and a pregnant Esther, ride into Silent Hill in hopes of starting new lives. They take up residence in the old inherited family house, when Jeb heads outside to put his horse in the barn, he finds a bottle of whiskey that triggers a flashback: some time ago, Jeb received money from a man named Grimes in return for murdering a group of people for unknown reasons and celebrated the payment with a bottle of whiskey.

Suddenly he hears Esther screaming from inside the house. Jeb runs inside to discovers an old Cherokee woman, Inola, sitting on the floor with bleeding hands and a knife nearby.  

As Jeb looks something to stop the bleeding, Inola speaks to Esther about her unborn child and her relationship with Jebediah. When Jeb returns, Inola states suddenly that she must leave and that her wounds are manageable. Jeb still annoyed by Inola breaking and entering but stands down due to an unnerved Esther begging him to let her go. As Inola exits, Jeb tells her to take the knife with her, but she replies that it doesn't belong to her, that she was "just returnin' it." And calls Jeb by his old nickname when he was an outlaw, Hellrider.

Past Life, Issue 2 — Opens with Jeb sitting at the end of his bed worrying that with all the sins he has committed, it's too late for him to start leading a good life but Esther reassures him that things will turn out okay, then reveals herself as a macabre, skeletal creature. Jeb awakens to find realize it’s a nightmare.

In the morning, Jeb leaves to talk to the local sheriff about Inola. In town, Jeb runs into Howard, who informs him that Sheriff Seth Creviston is currently at Toluca Prison, overseeing its conversion from a POW camp to a normal prison. Jeb experiences a sense of déjà vu upon hearing the Sheriff’s name.

While waiting for Sheriff’s return, Jeb goes to Leek's Tavern and meets the owner, Jonas Leek. Jonas's wife, Helene arrives and acts seductively towards Jeb, emasculating and embarrassing an increasingly hostile Jonas. She acts as if she and Jeb were former lovers and even calls him Hellrider. The sheriff suddenly enters and defuses the situation.

Meanwhile, back at the house, Esther is sweeping the porch as the creature from Jeb's nightmare watches nearby.  

Esther experiences a vision of a young woman struggling to give birth while her mother tells her, "Hurry! They're coming!" before passing out.

The sheriff assures Jeb that Inola is harmless. Jeb disagrees, showing him the knife that Inola left at the house, he cryptically suggests that the knife really belongs to Jeb, and that he just forgot about it.

As Esther wakes up on the porch, Inola appears and helps her into the house. Esther tells her that Jeb went to report her to the sheriff and worries what might happen if he comes back and sees Inola. Inola tells Esther to rest for the sake of her baby and before leaving remarks on the irony of a criminal like Jeb reporting to a sheriff.

Past Life, Issue 3 — Two weeks later while cutting firewood Jeb flashes back to his ‘Hellrider’ days and realizes that he's met these townspeople before, turns out Helene Leek and he carried on an affair, until one day Jonas came home and found the two. In his rage Jonas took Jeb's knife and tried to stab him, but Jeb uses Helene as a shield, killing her. He then shoots Jonas dead takes back his knife and leaves.

In the present, Jeb is interrupted by Howard, who is passing by on his mail run. The two talk and Jeb confides his feeling that there's something abnormal about Silent Hill. Howard says the town has a way of reminding people of the past and brings up the legend about this land being filled with spirits. Howard vaguely shares his own past, of hardships endured as a slave of how he has had to kill in self-defense. Jeb then tells of his time as a murderous outlaw and of how Esther nursed him and helped him leave that life behind. However, Jeb tries to defend himself by revealing that many of his victims were Native Americans he had been hired to kill by aristocrats or government officials claiming they don't count. Before leaving, Howard ominously says that "it all counts."

On Sunday, Esther has a nightmare of the same woman frantically trying to give birth with her mother's assistance. After waking up, she and Jeb prepare to go to church, Jeb notes her ill complexion and advises her to rest, but she insists that she needs to go before the baby’s birth.

At the service, Jeb sees Seth Creviston and has another flashback: he once stole a sheep from a farm and cooked it. Sheriff Creviston tried to arrest him for it, but Jeb slashed one of his eyes out with his knife. Freaked out Jeb takes Esther and leaves the church. On the ride back to the house, Jeb declares that he's done with this town.

As Esther enters the house, Jeb goes to the barn and begins drinking the whiskey, oblivious to the fact that the skeletal creature is watching him, its belly very pregnant.

Past Life, Issue 4 — Jeb’s sitting in the barn looking at his knife when Esther goes into too early labor, he tries to get to her but suddenly everyone he’s killed before is back and standing in his way, Inola and the skeletal monster—Inola's daughter, Awinita—enter the room. They lay Esther on the floor and prepare to ‘assist’ the delivery.

Jeb hears Esther screaming and tries to get to her when Helene appears and tries to seduce him. Jeb stabs her in the chest killing her—the same way she’d died before. Jonas then appears and tries to kill Jeb for stealing his wife, but Jeb shatters an oil lantern on Jonas' head, setting him ablaze the fire spreads to the house.

Esther realizes that the pregnant woman in her nightmares is Awinita, and Inola is the one telling her to hurry before ‘they’ arrive. Now, Inola echoes those words to Esther and tells her to push.

Creviston stands in Jeb's way, telling him that this is not about Jeb or Esther—it's about the baby. In defiance, Jeb kills Creviston with an axe. 

Meanwhile, Howard Blackwood senses what's happening and rides for the Munroe farm. 

Under Inola's instruction, Awinita seemingly merges with Esther, causing their babies to become one. 

Jeb enters the house, and a final flashback reveals his darkest sin: during his mission to kill the Cherokees, he found Inola and Awinita, who was giving birth. Jeb took out his knife and killed the baby. 

Esther delivers the baby, and Jeb tells Inola to take it and leave. He then cradles Esther, who appears to be dead. It is unknown if Jeb escapes the burning house, leading to ambiguity of his fate. 

Outside the burning house, Inola meets Howard and introduces the baby as her daughter, Awinita. Howard calmly inquiries about the fire, and Inola replies that the spirits of Silent Hill are no longer silent, that the fires burn for them, and that "they've only just begun.”

[fredrickzoller]

Six Sentence Sunday

And now for something completely different. So @canis-raine and I have this massive backstory for Aldo that explains his scar as well as his personal motivations for being leader of the Basterds. I’d really like to write it out someday, of course, lover of writing historical fiction that I am.  The story takes place over several years, with some jumps in between, but mainly when Aldo’s around 19-22, and features a couple of OC’s we developed, including his family (Mom, Dad, two younger sibs), and his two closest friends, Inola and Roy, who also end up being the Beta Version of the Basterds with him, as well as his first real romantic relationships. Most of it takes place in Knoxville, which isn’t terribly far from Maynardville, and it was really interesting (and painful) to research what went on during this time, the early ‘20′s, especially where the Klan was concerned.  But it makes for fascinating material for a story backdrop. Anyway, here’s a snippet from the opening I have planned, where Aldo and Inola meet for the first time.

Now, it ain't exactly wise to be spendin' nearly all he's got on ice cream, but he never claimed to be anything of the sort.  And, 'sides, it ain't like he's planning on doing this every time.  Like how Pa donates his money to the church – s'all for a good cause, and in this case, the cause is Aldo's sweet tooth. He'd get somethin' for the twins, but they're a little too young to be gnawin' on candy. Maybe in a year or two, when they're big enough to sit still for the whole ride, he'll take 'em here and they can pick out their own treats. He's cuttin' through a side alley that leads to the square when he gets this creepy itch along his bones, a twisting in his gut – he's being followed.  He tries to ignore it, tries to ignore Pa's voice in his head sayin' That's city folk  for ya,  but there ain't no ignoring his arm gettin' snagged, and all the rest of him being slammed up against the alley's wall. Aldo's instinct is to fight off the son-of-a-bitch who's pinned him, but his eyes widen when he sees, well, there ain't any less true way to describe his attacker.   Piercing brown eyes drill into him, belonging to a lady – no, a girl – that's taller than him, lookin' meaner than a polecat but 'bout a million times prettier.  Fact, it's the meanness that gets Aldo's blood racin', and he can't keep his mouth from hitching up in a smirk.

[th3p1nkfr34k]

Sorry this is just bothering me a bit

So I got a little issue I wanna mention

I'm really tired of the automatic equation of flat chested or like women with thin flat uncurvy bodies being minors.

I get a lot of people hate L*l*con. I do too, immensely.

But not all flat bodied ladies are L*lis and shite. Some full grown ass women are flat.

Hell my wife who is older than me is very flat (sorry my art style makes her look more curvy).

I get the hatred for l*lis, just calm down every now and then. We NSFW artists try our best to make it very clear they're adults and not make them look at all like kids. But damn from my own experience sometimes skinny bitches are hard to draw sometimes.

I have some fully grown adult women who are very flat bodied. Lucy Dentelle, Molli Lolli, Suk-Ja Lin, Crissy Stall, Celina Lux, Bubble Pop, Alice Inola, Hideko Matsui, Tamiko Doi, and a lot more. Yes this list is long but these are adults but I have had people mistake them for kids. Tamiko is literally a stripper. Bubble is a mom, she's nearly 40. I have still had someone mistake her for a teenager. I try my best to make them very distinctly adults, but flat bodies can still look young. I plan on working better at that.

But I'm sorry if this sounds like some kinda l*li defense. its quite the opposite. Sometimes artists just have trouble with flat bodies. I do. I'm just saying don't pounce on everyone who has a flat bodied women as some kinda l*li lover.

On the flip side

NOT EVERY BIG TIDDY BITCH IS SOME KINDA WHORE. I know I seem like the last person to be saying that considering what I do.

But even I myself have some scantly clad big tit girls that are not whores. Mujigae being my best example. She's sexy as hell, but a very pure being.

I dunno these two points have been bugging me lately. More the first than the second. I'm just really bothered that I've seen people afraid to make certain characters because of the pedo l*li witch hunt right now. There are actual pedos out there to go for. Don't just assume flat girls are l*lis. We try our best not to make them look like that.

Now there will be the argument of "WELL WHY NOT JUST MAKE THEM FULLER FIGURED?!". YA KNOW SOMETIMES ITS NICE TO HAVE LESS CURVY FIGURED WOMEN WHEN THE MAJORITY OF THE TIME YA DRAWING SOME HENTAI TITTIED BITCH WITH AN ASS FOR DAYS. Variety is the spice of life and not all women got giant tits and hips, some are very tiny. Again, my own wife is a damn twig thats nearly flat as a board.

Just don't assume l*licon where there is none.

and thats my rant of the time being. Later my babes. you can hate me now. We need more flat titty girls out there, I love my hentai sized tits, but flat girls exist. let them work it too.