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wroteonedad · 2 years ago

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The e-World of Molly Soda

2023. The further in time we get, the more I realise how chronically online we've all become. Low key Instagram photo dumps are king, we're being sucked into the world of producing short videos for various different platforms and A.I is becoming bigger by the day. I still remember when DALL-E Mini first launched (I say this like it was a long time ago, but it wasn't) and I was typing things in like Wembley lasagne and some other unhinged subjects that could never happen in the real world. This little machine would then make me this cute little pixilated image combining the keywords into something weird. It's been a few months and already there are apps stealing thousands of artists work and combining it for a small fraction of their price to allow you to have about 50 forms of A.I generated selfies. Personally, I don't see the hype with those but it's whatever makes you happy. Who am I to judge? I think that Covid has really pushed the way that we as a society have become so reliant on being online, all the time. I think there are a lot of artists out there who also use being reliant on the Internet to push their forms of work out there.

Take Molly Soda for example, a performance artist based in Brooklyn, New York. Soda works from every form of digital medium that could possibly exist. Much of her work is selfie based. She makes GIFs, zines, videos and then produces them for both online gallery spaces and physical real life gallery spaces. A breakdown to show examples of this is to talk through a variation of works that she has created during the span of her career so far, all being different but fairly similar. You'll see what I mean as I speak.

Exhibit A) Comfort Zone for Annka Kutlys Gallery (14 October - 12 November 2016)

Installation view images of Comfort Zone by Molly Soda. (2016).

The full installation features a multi-media selection including photos and moving images made viewable on the laptop on top of the plinth. The works themselves are to challenge the notion of what art is to the viewer. How would you feel to walk into a space that is full of digitalised images and videos, as if you were to step into someone's iPhone gallery and have to view every piece. It explores how we engage with electronic devices which are always with us, the way our phones buzz with notifications from various social medias as the day goes on. An endless cycle. The video from the laptop on top of the plinth is titled All by myself, this features 18 hours of footage taken directly from Soda's MacBook camera roll and is then published into a video format for the audience to see. A selection of images that were never intended to reach a public audience the way that it did. Perhaps it is there to make you feel a little bit uncomfortable, immersed with all of these images of a person you don't know, images of theirs that are supposed to be private to them. But through their private images, they are stepping into their comfort zone because they have no secrets to hide from anybody.

The floor of the gallery space featured two pink TV screens, something that is nostalgic, as if you've entered someone's room from the early 2000's, featuring All I have is my phone and Phone Zone, both of these being images of Molly Soda on her phone. Instant messaging, social media, being able to speak to anyone in the world at the tip of our fingers is taking over our lives, and this is what the collection of works has been made to portray. It's powerful in a sense of how uncomfortable the works would make specific audiences in the gallery space. I on the other hand feel as though there should be more work in galleries that challenge the notion of art and instead discuss the concept of social media and digital work. Sometimes I feel as though digital works should leave the digital world and be displayed in a real life space.

Screenshot taken from Molly Soda's website.

As Soda puts it, 'a screen recording of what someone does on their computer or on their phone in the day is like a diary entry at this point.' and perhaps I'm starting to see it too. In this day and age, you truly don't know someone until you've seen their Internet history and their saved tabs which sit on the top of their Chrome. Much of the time, Soda bases her work more on classic Internet, the early 2000s. This could be purely down to how desensitised the Internet used to be, the things that I saw on the Internet when I was a child that I shouldn't have seen astound me and it's insane to me to see how much of the Internet now seems to be under lock and key. As Molly Soda puts it, classic Internet is something that was important for her personal development, but also for Internet development as a whole. Looking at her website specifically, I feel as though I am on a MySpace page, something that is oversharing so much that it doesn't look like it's sharing anything at all with anybody. Soda has spoken openly about how the general aesthetic of the Internet has changed over time, a world that was so femme and female orientated is suddenly something that is so dull. 'I think the aesthetics really got smashed. There are no more glitter graphics. (Does anyone remember Blingee??). 'It's really streamlined and white and blue, with no music. It's a little strange.'

Screenshot taken from Molly Soda's website.

It's nostalgia. It's bright pink moving blinged out images. It's when people would insert music players onto their Tumblr's and pirate music in order to play their favourite music loudly on their blog as you click it core. It's something that just doesn't happen anymore. It's make your YouTube channel entirely pink and filled with colourful comments core. But it isn't all about the aesthetics and the cute pink colours filling your screen. It's about being filled with shame as a teenager. It's about deleting your old Tweets because you said something so embarrassing that you don't want anybody to ever see that, a modern day version of making your social media private so your future boss can't find out anything about you. Soda's works are curated to be vulnerable, as in she is displaying herself in that way to the public. Perhaps as a comfort thing, to remind girls that it is okay to be embarrassed by past images or things you've said that is deep on the online archives forever.

All I have is my phone (2016)

Comfort Zone is such an important exhibition in coming to terms with the online world. One of its key reasons is also to do with not only how we are addicted to our phones and being chronically online, but also how we perceive ourselves online in this day and age. How we have these fake identities that we use to make our ordinary lives seem so much more interesting than they actually are. But also how even when we post ourselves in these public spaces and then perceive ourselves in these spaces, that they then follow us into our private spaces. How we wake up first thing in the morning, looking rough and we immediately look at the notifications on our phone, or we look at who's been watching our Instagram stories while we've been sleeping. We can never escape the world of the persona we are on the Internet, and it is brave of Soda to mix both the public and the private to create these artworks. 'The moment I post something and make it public, it becomes less of a big deal. All of a sudden, I'm in control.' Long story short, none of us should be afraid to be a little unhinged on the Internet.

From Soda being chronically online as she has grown up, it only makes sense that she has also managed to pretty much rinse out YouTube and every type of video that has trended on there over the years too. 'People think, 'oh if I just post a bunch of videos about my life, eventually I'll be able to quit my day job and become a lifestyle blogger.' I'm always thinking about how the successful YouTuber is a new version of the American dream-'if I just work enough at curating my life, eventually I'll be paid to just exist.' And while it's been true for people to make this aspect of their life to work, for many others it hasn't worked out the way they wanted. Soda has also been very plain in the way in which YouTubers design their space for when they talk in their videos, and how it is very similar to how the layouts of social media work. Very plain. She notices their interior and how they choose not to show many items in their space purely on the grounds of how they don't want their audience to notice it. 'Everything has to be really clean and look a certain way.' She speaks of how platforms such as YouTube have overtime become too advertisement friendly and how everyone is becoming the same through that. How can you as creator be different to everybody else if you look the same and act the same as everybody else? It's as if the Internet has become a very bland space where everybody wants minimal and everybody wants to talk about the same things at the same time, so when you finally find someone online who has a little bit of a personality, it's whelming.

Finally, another one of Molly Soda's exhibitions, You Got This, a show that took place just before Covid hit in 2020. The show is mixed with Internet culture with the use of American suburbia. Essentially, these two concepts are two very different things, but also interlink within each other perfectly. It is the way in which the Internet and the suburbs are heavily controlled places where status is defined by wealth you can project and what others think of you.

It is interesting because Soda's project heavily relies on video content, and because of Covid, most of the exhibition is now online forever on her YouTube account.

youtube

Decorating the desktop is an interesting concept for the way in which we view spaces and also art. It is not something that is typically art, especially when you consider it in the world of digital format. Do we even think about the design of our desktops? The only time I ever thought about my desktop was when I was back in uni and I had to show my lecturer my work and I wanted the ground to swallow me whole when I connected my laptop to the big screen and everyone could see the HD image of Antonio Garza crying and holding a knife that was my desktop image at the time. Soda likes to view the desktop space as a form of interior design because our homely spaces have become like sets because we are always broadcasting them. The way in which Soda decorates her desktop space is very much like how the space of a room a YouTuber sits in looks like. White space, big open spaces, plants and *that* inspirational quote that you can always find somewhere. Not only that, but the music. Name one YouTuber who doesn't use music like this when creating the outro to their videos, which then leads you to hyperlinks of other videos just like the one you've watched.

youtube

House Tour is another empty of example of this. The lofi beat that plays as the intro to the video starts, this video feels as though it is a punch in the face to all online influencers who post home tours, what's in my bag videos, you know the ones I mean. The house is literally the suburban mansion, the modern day American dream, but the homes always look exactly the same. It's unnerving at best.

Molly Soda's work has to be one of my favourites at the moment. It is so cool to me seeing someone who has such an Internet presence and makes it work so well with the response to art at the same time. The works are statement pieces, all so different but so alike. I would love to see a collective of these works myself in a gallery space and I really love how she keeps it real, or does she. Looking at this work has made me want to be even more unhinged on the Internet, as if I'm not bad enough for spam posting absolute garbage on my story for my boss to see.

Molly Soda's website for more.

Further reading:

Molly Soda's Comfort Zone gallery synopsis.

Molly Soda on making art from your Internet history.

Molly Soda challenges the the notion of private areas as safe-havens.

What Molly Soda has learned from watching YouTube all day.

Molly Soda wants you to know You Got This.

#writing #art review #art essay #digital art #molly soda #Youtube

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buckevantommy · 11 months ago

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in primary school (age 10-ish) i remember touch screen technology being the coolest sci-fi thing that was in the near future and i couldn't wait. They soon came out with ipods - which were cool, but not touch screen. In high school folks had indestructible nokia bricks, flip phones, and those keyboard slide phones that looked like mini gaming consoles. i remember the first generation iphone and the first touchscreen ipod around the same time I remember the new (last?) Harry Potter book coming out and lunchtime was weirdly quiet because everyone had their noses in the book wanting to finally read the story but also wanting to finish first. i remember bringing high school assignments into school on floppy disks - we're talking mid 2000s - because usb drives were quite new and too expensive. not many people had touch phones by the time i finished high school but if they did you knew their families were rich. only rich families and tech-loving people had ipads. laptops were still expensive and not something every student had, again just the rich folk and computer science kids. i remember going for walks wearing a certain hoodie/cardigan with a pocket big enough to hold my CD Walkman. i remember walking to my local video rental store - Blockbuster or Video Ezy or that independant place that had the coolest vibes - years before i could drive to rent part 1 of a tv series, season 1 part 1 with the first 4 of 12 episodes in one dvd case. i remember not being allowed to rent ma15+ or r18 movies. i remember having to do battle around the tv at certain times bc different family members wanted to watch different things and we only had one tv - a staticky, bulbous thing, not a flat screen and not a smart tv bc they didn't exist yet - bc there were no streaming services in australia yet - ipads still weren't really an affordable thing yet so people watched dvd movies on desktop computers and laptops and portable dvd players and dvd players plugged into these non-smart tvs.

i remember finding the workarounds to burn dvds. i remember whittling down playlists to fit music onto burned blank cds. i remember refusing to pay $2.99 for a song on itunes and instead browsing the sales at the local Sanity or JBHIFI store for certain artists compilation albums and unfolding the poster art to pin to my wall or read through the lyrics booklet. i remember the old printers that were slower but didn't rely on wifi and bluetooth and they always worked. i remember the cosmic screech of dial-up noise on the landline phone - yeah the one attached to the wall and with a curly cord connecting the reciever - if someone was using the internet. i remember MySpace and its customisation long before Facebook took on and eventually became the untraversable hellscape it is today. i remember Youtube before the ads. i remember the early days of social media and as everything got good for a while before they all started emulating the censorship shitstain that is Tiktok. i remember playing snake on my Nokia brick and the ringtones made via button tones.

i remember roadtrips of gazing out the window long before parents gave an ipad to each kid in the back seat. i remember bringing physical books on roadtrips and long train trips bc smartphones and ipads didn't exist or, again, were only for the rich families. i remember LayBy being a very grown up thing for people with credit cards (re:parents) long before Afterpay existed. i remember using cash to pay for everything including bus fare when i forgot my paper school pass that lived in that little wallet with the plastic window. i remember using a payphone to call friends and home because i ran out of texting credit. i remember waiting to be picked up from an after school sport of weekend game by a parent with a previously agreed upon time and place bc i didn't have a mobile phone. i remember pocket-sized digital cameras and memory cards. i remember when GoPro became a thing. i remember going somewhere new for the first time and not knowing much about it bc Googling It wasn't always possible - we got our information from stories and visitor brochures bc few places had websites let alone social media pages and you couldn’t look them up online if you were on the road.

i remember yearning for the near future where personal tech became real and then accessible; but personal tech has brought problems along with its entertainment value and multi-tool features. i remember feeling lonely and broken as a kid and a teenager bc i didn’t have access to online communities; but online is still no replacement for irl social interaction. i remember wishing there was more media for my interests and relatability; and now i’m flooded with choice in numerous streaming services that promote bingeing (fast! now! consume!) while mistreating creators and hoarde content to hoarde gold. i remember wondering how other people lived their lives day-to-day bc i was curious and bc i needed hope that i wasn’t alone but also that it could get better; now social media is raising generations of young people with neurosis to share every day of their lives and training all generations to consume content in fast-paced bite-size pieces as we doomscroll and numb ourselves to irl experiences.

i remember all of this and i’m 30 fucking 3 years young.

#90s kid #.txt #retro tech #gonig down memory lane here.. grew up in australia btw #i kinda went off at the end there whoops

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burntoutwaxwings · 4 days ago

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You guys know about the iPhone shutter button right? The one on the side of the phone?

Fuck that. It's stupid. It's redundancy for the sake of "innovation" that never needed to happen. 2 words - Sony Xperia. Those phones manage to have aperture control (on like, one Xperia, but I'm ignoring that for now), a 2 stage shutter button, real moving mechanical optical zoom, and a roughly 4k display. None of those features are innovative btw (except for the zoom). Many phones had aperture control, a two stage shutter was just imported from their cameras to their phone, and a 21:9 screen that is roughly 4k is still *not* a 4k display.

"it can help control zoom" pinching is more accraute

"focus control" tap the damn screen, ya lazy fuck

"aperture control" you don't have that. That's not a thing on iPhone. That's never existed on iPhone.

"shutter speed, exposure, and ISO control" CONGRATS!!! You just learned how a fucking photo sees the world!! Now go into the sub menus or tap on the yellow box and start sliding on the sun line.

"it can be programmed" that's what the action button was for, idiot.

"it opens the camera app" ya know what else opens the camera app?? USING YOUR SCREEN!! On android you can program a double tap of the power button.

And to all of you godforsaken imbeciles who defend apple to the last poisonous breath of theirs, I need you to know I have a Mac. I quite like my Mac. I've had an iPhone. I quite liked the iPhone 12 mini. I'm just pointing out the flaws in Apple's design. This was stupid. They could have done much better. Gestures would have been much better for the average consumer, and no one really wanted this. Else they would buy a phone that features this as a real selling point, with features to back it up, like, I don't know, being able to plug into a camera and be used as a second display??

#fuck apple #stupid stupid stupid #so stupid #it pisses me off #i cant justify this logic #i just hate that feature because its “innovative”#WHEN ITS EXISTED FOR YEARS!!!#but ohhhhh #it wasnt made of saphire and used capacitive touch sensors #so it must not be good!!!#OBVIOUSLY IT WAS GOOD #IT WASNT FOR YOU #YA DUMB FUCK #i hate it #i hate it so much #okay rant over

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atplblog · 7 days ago

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buyrefurbishedphone · 1 month ago

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iamgonnagetyouback · 2 months ago

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okay okay details:

I started crying as soon we started walking to our section, we were in the 400’s, but my tickets were under 80 euro, and the stadium was a smaller one so we were still pretty close.

I made so many videos, I wasn’t really living in the moment ☹️ but like it’s Taylor Swift, I want to remember everything. My iPhone 12 mini did not fail me with the quality tho. However, the sound was a bit too good so it’s basically mine and Taylor’s concert (I was constantly screeching in the background, especially during the lover era (when I hadn’t lost my voice yet), during ttpd and the surprise songs)

MY SURPRISE SONGS ARE MY BABIES. First she sang imgonnagetyouback, which I literally predicted (the night before I was singing the lyrics, as one would, and accidentally sang: “whether I’m gonna be your bike or gonna smash up your wife” 🫣 the song had been stuck in my head the ENTIRE week (it was a sign)) and then she complimented us on how loud we were and sang dress (caught my beautiful screeching to that on camera). On piano she first sand you are in love, which was my favourite song a while back so it just means so much to me 🥹 and it’s the cutest love song… and then… she sang cowboy like me. The day before I texted my friends saying if she sang that song, I would die… … she sang cowboy like me… I had to recover during the Midnights set.

I also bought a lot of merch beforehand, so I did miss paramore ☹️ I had just graduated so my parents gave me some money to spend at the eras tour. I got the grey zip up, the back t-shirt and the white one as well (my mom’s colleague is a big fan too and she went in Paris, but she was pretty pregnant at the time so didn’t wait for merch and I bought her a t shirt and made a matching body for when the baby was born hehe), I also got the tapestry (I originally wanted the poster with the dates and city, but it was sold out. The cashier told me the tapestry was the same price + it was like 5 times bigger) and then I got the tote bag!

Sorry this is all over the place 😭 if you wanna know more, please feel free to ask. I’m manifesting she comes to India for the next one!!! 💗

- 🌷

OMG, this is everything!! (੭´༎ຶ ཀ ´༎ຶ)੭ Your whole experience is like a dream (and definitely meant to be with those surprise songs!). I can’t believe imgonnagetyouback was stuck in your head the whole week—that’s the universe literally setting it up for you! And Dress and You Are in Love?? And then Cowboy Like Me right after?! I think I’d just be a puddle on the floor during Midnights trying to recover, too. (•‾⌣‾•)و ̑̑♡

Also, the merch haul! That’s so sweet of you to get a matching onesie for your mom's colleague’s baby! (˶ᵔ ᵕ ᵔ˶)

And the tapestry sounds epic; it’s like a piece of the tour to keep forever. (⸝⸝ ♡﹏♡⸝⸝)

And honestly, I get recording everything—it’s Taylor! Plus, your iPhone 12 mini sounds like it came through clutch! I’m manifesting with you that she comes to India because this experience sounds magical, and I need this energy closer to home!! (づ> v <)づ♡

Thank you for all the details, this just made my day! ⸜(｡ ˃ ᵕ ˂ )⸝♡

#sweet asks in my inbox ⭑.ᐟ #whispers from 🌷

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refitglobalsecondhandphone · 3 months ago

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