#including some canon slrs

[mil-doo]

First Film Camera Quick Guide!

I was putting together a list for a partner who's been interested in buying a film camera that can do a little more than his point and shoot and it was recommended to me that I share the picks I sent him!

This is by no means comprehensive but these are the four that come to mind for me. I've kept the options $200 and below (with lens, based on ebay listings) with the idea being if this is your first film camera, or first film SLR, you probably don't want to spend much more than that.

For anyone who's been shooting for a while who has some other options to share please feel free to mention them so nothing gets overlooked!

Nikon F4 ($200)

Pros: It was Nikon's first professional auto focus camera and also has multiple auto exposure modes from full auto, to aperture and shutter speed priority! It has great build quality, Nikons are known to be indestructible. It has advanced metering to help make sure everything in the frame is exposed properly. The F mount has been around for 70 years and counting and has the largest library of lenses available, many of which are fairly inexpensive. It also has the best viewfinder on this list for glasses wearers due to its size!

Cons: It's a tank! It's big and chunky and much like many other auto focus film cameras of the era it has that ugly DSLR look. It has a Swiss army knife worth of features many of which you may never use!

Canon EOS Rebel GII (>$100)

Pros: You can get the body and a lens for under $100 making it the cheapest option on this list! It's capable of auto focus and a number of different exposure modes that let you learn various settings or take pictures with the ease of a point and shoot. The EOS mount lasted for 30+ years so there's a wide variety of lenses across a wide spectrum of prices.

Cons: It's an enthusiast grade camera with consumer grade build quality and a somewhat limited feature set for a late era film SLR --but all the right features are included. It's big, chunky, kinda ugly.

Olympus OM-2 ($150)

Pros: It's really small for a professional camera! It has that classic film SLR look, and it was in FLCL! It's manual focus, but does have some auto exposure tools to assist you. You'll have to dial in aperture to your liking but shutter speed can be determined for you. You can grab one of these with a lens for around $150.

Cons: It will have a steeper learning curve than the auto focus cameras on this list. The OM mount library is pretty limited and while the 50mm lens you probably get with it will be cheap most other focal lengths get a little more pricey due to availability.

Nikon FE ($200)

Pros: Another small manual focus camera with auto exposure features! It uses the F mount so it's an easy system camera to grow into if you think you'll want to experiment with different focal lengths along the way! It's a Nikon so it'll probably outlast us all.

Cons: It's pricier up front than the OM-2 and if you don't think you'll want to experiment with different focal lengths down the line it probably isn't worth it!

Point & Shoot!

If you're looking for a point and shoot my main recommendation is to buy anything that's $50 or less. They all more or less work the same and they're all ticking time bombs of 90s consumer electronic goodness.

Facebook market place is a sadly a great place to find them, and where I got my beloved little Olympus MJU for $20 three years back!

Final Frame

Like I said up top, none of this is definitive! If you find something you think you can grow into that gets you excited to get out and shoot that's the camera for you! The most important thing is to have fun and make some art! Enjoy <3

[dancuny]

Olympus O-Product Camera

In high school, my good friend Greg Copeland introduced me to the Olympus camera system in the early 1970s. He was the first person I knew who bought into the Olympus OM system with the OM-1, which I believe was in 1973. At that time, Olympus was very innovative, making the most miniature SLR camera system, which included a complete line of small, compact lenses with very nice optics. I can still remember Greg telling me how much he enjoyed how nice the camera was made. He would take the camera with him all the time. At the time, I was using either the Topcon Super D or, possibly, I had moved on to shooting with a Nikon Nikkormat.

 I started working in the photo industry in late 1973 when I was hired as a seasonal employee in the camera department at my local K-Mart. That position didn't last long, but it led me to work at the local camera store chain about a year later. I was hired to work in the warehouse and handle all the camera and lens repairs.

 When I started working at the local camera store, the Olympus OM system had a decent hold on the market. However, it was still lagging behind the big kids in the marketplace. Olympus was continually pushing the envelope with many new and exciting products like the terrific XA camera line, which, to this day, is one of my favorite cameras. Olympus introduced new additions to its system yearly, which always had customers in the store talking about its products.

 I tell you this because I have seen many odd and unusual cameras introduced by camera companies over the years, and many of them came out in the 1980s to the mid-1990s. The Minolta Prod 20, the Yashica Samurai, and Canon had the Epoca series of cameras. There's a great blog on some of these cameras on the Kosmo Foto Blog.

 One of the cameras that greatly impacted me when it was introduced in 1988 was the Olympus O-Product camera. It was a limited edition, and only 20,000 cameras were made. The Olympus O-Product camera had a very unusual, art deco look of a circle in a square and was made of brushed aluminum. At the time, the cost was prohibitive for me to purchase, but I remember thinking that someday, I'd really like to have one in my collection. Its unique design always intrigued me.

The Company:

The history of Olympus cameras is a story of innovation, precision engineering, and a relentless pursuit of compact, high-quality imaging tools. Founded 1919 in Japan as Takachiho Seisakusho, the company initially specialized in microscopes and thermometers. In 1949, it was renamed Olympus Optical Co., Ltd., and it soon began making a name for itself in photography.

 Olympus entered the camera market in 1936 with the launch of the Semi-Olympus I. This bellows camera used the German-made Zuiko lens, setting the stage for a signature brand name synonymous with Olympus Optics. However, it was not until the post-war period that Olympus truly revolutionized the photography industry.

 One of the most pivotal moments came in 1959 with the release of the Olympus Pen. Designed by the legendary Yoshihisa Maitani, the Pen was a half-frame 35mm camera, meaning it could shoot twice as many exposures per roll of film. It was compact and affordable and helped democratize photography for a wider audience. The Pen series enjoyed massive popularity and marked Olympus as a leader in miniaturization without sacrificing quality.

 The next major innovation came in 1972 with the OM system. Again spearheaded by Maitani, the Olympus OM-1 was a compact, lightweight SLR (single-lens reflex) camera that offered full functionality in a significantly smaller body than its contemporaries. This system appealed to professionals and enthusiasts alike, reshaping expectations for what an SLR could be.

 In the digital age, Olympus continued to push boundaries. In 1996, they released their first digital camera, the Camedia C-800L. However, the Four Thirds system, introduced in collaboration with Kodak in 2003, made a lasting mark. This was followed by the Micro Four Thirds system in 2008, which eliminated the mirror box of traditional DSLRs, allowing for even more compact and lightweight cameras. The Olympus PEN E-P1, released in 2009, revived the classic Pen design in a digital form and was among the first mirrorless cameras to gain traction in the market.

 In 2020, Olympus exited the camera business, selling its imaging division to Japan Industrial Partners, which rebranded the line as OM SYSTEM. Despite the transition, Olympus's legacy lives on through continued innovation and the enduring influence of its designs on modern photography.

The Camera.

I've always thought of the Olympus O-Product camera as more of an art piece rather than a functioning camera, but it is fully functional. In its simplest form, the Olympus O-Product is a "point-and-shoot" camera. There are no settings on the camera that the photographer needs or can really set, which makes it incredibly simple and straightforward to use.

 The camera is relatively small, measuring 4" wide by 3.5" tall and 2" deep. These measurements are for the camera alone and not with the flash attached. If I add the detachable flash, the camera is 5.75" wide by 4" tall. The camera weighs just under 1 lbs. at 15.2 oz. with the flash attached. My camera is number 11289 out of 20,000. The camera also features a unique circular viewfinder and a distinctive shutter button, adding to its charm and functionality.

 The Olympus O-Product camera is powered by 2-AAA batteries that fit into the camera's bottom. The 2-AAA batteries also power the detachable flash. The camera is very simple and basic. Once the batteries are in the camera, you can load film, which is autoloading. There is no need to set the film's ISO because the camera has DX coding for the film loaded. Once you put the leader on the take-up spool and close the back of the camera, the camera automatically winds the film to frame number one.

 To turn on the camera, a lever you pull down on the front opens the front door, exposing the 35mm f3.5 Olympus lens. To turn the camera off, close the front door. There are no shutter speeds to set as the camera has a programmed electronic shutter. The camera is also autofocusing. In the center of the viewfinder,  you'll see a white circle when you depress the shutter button halfway on the front of the camera. In that case, a light will light up next to the "AF" in the upper right-hand corner, letting you know the camera has focused on the subject, and you can press the button to take the photo. Once you take the picture, the camera automatically advances to the next frame. Once you've taken all the photos on the roll of film, the camera will automatically rewind the film into the film cassette.

 The flash for the camera is detachable, so if you don't need it, you can take it off. To take the flash off, you need to unscrew the mounting screw, and the flash will come off the camera. You still need to unplug the cord from the flash to the camera, which pulls out, so it's very simple. To attach the flash, you screw it onto the camera and plug in the cord. If the camera needs the flash, a red ready light on top of it lights up when the flash is ready and will fire if it determines it needs the extra light to make a proper exposure.

 There are two buttons on the camera's top next to the flash attachment that allows the photographer to make adjustments when shooting.  One of the buttons is a self-timer. If you want to get into the photo, press the self-timer, giving you 10 seconds to get into it. The other button is a rewind button. Suppose, for some reason, you want to change to a different type of film. In that case, you can depress the rewind button. The camera will automatically rewind the film back, leaving a little bit of the leader exposed so you can re-load it when you want to finish that roll of film.

My Results.

I put batteries in the camera and flash, loaded it with a roll of Ilford Plus 50 black and white film, walked through the house, and strolled around the block taking photos. The camera determined if the flash was needed, which was pretty fun. It was too simple for my taste as sometimes I like to use fill flash, but this camera didn't allow me to do so. I could trick the meter by putting my finger over the meter area, but for this blog post, I wanted to be free and let the camera do all the work.

 Here are a few of the photos taken on my walk.

Conclusion.

Using such a simple but beautifully made camera was a lot of fun. The camera produces very sharp images and is extremely easy to use. When I was working at the camera store, we used the term PHD cameras, which always meant "push here dear," meaning the camera was very simple for either men or women. Put the camera to your eye, point it at your subject and "push here dear".

 As I mentioned earlier, the Olympus O-Product camera is more of a work of art or statement camera that looks terrific in the collection. It's not really made to be used on a daily basis, but using it every once in a while is good. I wouldn't want the camera to get more scuffed than it already is, but taking the camera out was fun, as was running film through it.

 Thank you for taking a few minutes from your day to read about this art piece that can also be used as a camera.

 Until next week, please be safe.

[atplblog]

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[waltersilva]

Check out this listing I just added to my Poshmark closet: Canon 200DG Digital / Film SLR Camera Gadget Bag Excellent Sturdy Condition.

[thorntonkrell-blog-blog]

Walt Captured on the Roof

A giant turkey vulture had perched on the roof of a house across the street from us on Serenity.

I'm gonna name the large bird Walt in homage to my great friend Walt Turek. Lynn spotted Walt when I was upstairs in the cave, She yelled for me to come down and HURRY up. I rushed down the stairs at a HURRY up speed that most people would consider a dawdle.

She pointed across the street and there it was. Walt was both intriguing and intimidating. Of course Walt was not as intimidating as he would have been if I was dying in the desert but still the ight of Walt Walt stopped me in my slow tracks.

Fifteen minutes before I went up to the cave, Lynn had a teleconference with a representative of Apple instructing her on how to use her brand new I phone fifteen pro. The rep was enthusiastic, informative, friendly and engaging. I was impressed and started feeling a little bit sorry for my old fashioned Canon SLRs and the myriad of lenses that I accumulated last century. I'm afraid they are a vanishing species.

After seeing Walt, my photographer instinct kicked into gear. I told Lynn to grab her I phone and head out onto the porch. Set the dial for telephoto, which the rep had instructed her how to do fifteen minutes before. She got the message. She calmly adjusted the dials and quietly stepped outside on to our porch.

We were afraid that Walt might fly off at the slightest noise but Walt wasn't bothered in the least. Maybe he didn't see us because he was facing away from the camera. He maintained his wing spread as he held his posture.probably looking or sniffing for something that was dying. Fortunately he was facing away from my dying cameras. cameras.

As we all know, photography is all about standing in the right place and having a camera. Lynn was in the right place and she had a super powerful camera disguised as a phone in her steady grasp. Lynn is a snap shooter by choice using her phone to capture images of children, grandchildren, brothers, sisters and the occasional cat.

Meanwhile, I've been waiting and standing around with my cameras all my life for an opportunity like this. Lynn was about to take her first nature, art shot.

I was watching from the dining room. After a few seconds Lynn came into the room. As Joe Kenda might have said and as I actually said in imitation of Joe. "My, my, my, what have we here?" And with that we looked at what Lynn had captured. God bless her, she did it. Beautiful.

Meanwhile Walt changed his posture and started looking at our house. I feared for my old cameras. I grabbed the i phone and took a few shots of my own as a couple of other turkey vultures perched on the roof next to Walt. I had my chance and I came through. I got one create shot of two vultures perched next to one another and they seemed to be saying "Don't effing talk to me" to one another.

For a moment, I wondered if I had a neighborly duty to run across the street and tell the folks that vultures were gathering on their roof. I decided to pass. We had the photographic proof if the discssion ever came up. Yet another benefit of phoning, photographing or whatever it is called today.

Pretty sure George Eastman never anticipated this scene.

Nor, of course did I.

Last century.

ChatGPT

The sight of a giant turkey vulture perched on the roof of a house across the street can be quite intriguing and perhaps a bit intimidating. Turkey vultures are large birds of prey known for their soaring flight and scavenging habits. Here are some interesting facts about turkey vultures:

Appearance:

Flight: These birds are skilled soarers and can often be seen gliding effortlessly in the sky, using thermal updrafts to gain altitude.

Diet: Turkey vultures are scavengers and primarily feed on carrion. They use their keen sense of smell to locate carcasses, even from high in the air.

Roosting: When not in flight, turkey vultures can often be found perched on high structures, including trees, poles, or, as in your description, the roof of a house.

Social Behavior: While they are often seen alone, turkey vultures can also gather in groups, especially when feeding on a carcass.

If you're observing a turkey vulture on a house nearby, it's likely resting or scanning the area for potential food sources. Despite their somewhat ominous appearance, turkey vultures play a crucial role in the ecosystem by helping to clean up carrion and prevent the spread of disease. If you have a chance, you might find it interesting to watch its behavior and appreciate the role it plays in nature.

You

I'm gonna name the large bird Walt in homage to my great friend Walt TurekChatGPT

ChatGPT

That's a lovely and personal way to name the turkey vulture! Naming the bird Walt in homage to your great friend Walt Turek adds a special touch to the encounter. It's a meaningful and unique way to connect with nature while honoring someone important to you. If you continue to observe Walt on the roof or in the area, you might find it even more enjoyable to have that personal connection through the chosen name. Happy birdwatching!

You

Lynn spotted Walt when I was upstairs in the cave, She yelled for me to come down and HURRY up. I rushed down the stairs at a HURRY up speed that most people would consider a dawdle. ChatGPT

ChatGPT

It sounds like Lynn's discovery of Walt created quite a moment of excitement! The urgency in her call and your speedy descent down the stairs add a touch of suspense to the scene. The idea of rushing down at a "HURRY up speed that most people would consider a dawdle" adds a humorous element to the narrative, highlighting the subjective nature of urgency and haste.

It's moments like these that make for memorable stories, and it's wonderful that you're able to share this experience with someone else. Whether it's the sight of Walt or the unexpected sense of urgency, it adds a unique and personal touch to the tale. If there are more developments with Walt or other interesting encounters, they could become part of your shared memories with Lynn. Enjoy the moments of spontaneity and connection with nature!

You

She pointed across the street and there it was. Walt was both intriguing and intimidating. Of coursd walt was not as intimidating as he would have been if I was dying but still Walt stopped me in my slow tracks.ChatGPT

ChatGPT

The way you describe Lynn pointing across the street and the subsequent sighting of Walt creates a vivid image of the moment. The mix of intrigue and a touch of intimidation adds depth to the experience. It's fascinating how encounters with wildlife, even those like Walt, can have a profound effect on our perception and pace.

The mention of Walt not being as intimidating as he might have been in a different context adds a layer of reflection. It highlights the relative nature of our emotions and reactions, emphasizing the importance of perspective. Moments like these, where nature pauses us in our tracks, can be powerful reminders of the beauty and awe that the world around us holds.

Enjoy these moments of connection with nature and the shared experience with Lynn. Walt's presence seems to have left a lasting impression, making this encounter a memorable part of your stories together.

You

Fifteen minutes before I went up to the cave, we had a teleconference with a representative of Apple instructing us on how to use our brand new I phone fifteen pro. The rep was enthusiastic, informative, friendly and engaging. I was impressed and started feeling a little bit sorry for my old fashioned Canon SLRs and the myriad of lenses that I accumulated last century. I'm afraid they are a vanishing species.ChatGPT

ChatGPT

The contrast between the modern technology represented by the iPhone 15 Pro and the nostalgic mention of your old-fashioned Canon SLRs and lenses from the last century is quite evocative. It reflects the rapid pace of technological advancement and the way it influences our daily lives.

The teleconference with the Apple representative seems to have left a positive impression, with the description of their enthusiasm, friendliness, and engagement. It's interesting how these interactions can make us reflect on the evolution of technology and the changing landscape of our tools and gadgets.

The sentiment of feeling a little sorry for the older cameras as they become a "vanishing species" is poignant. Many people share a connection with traditional film cameras and appreciate the craftsmanship and artistry associated with them. However, the convenience and capabilities of modern smartphones, like the iPhone 15 Pro, often redefine how we approach photography.

It's a moment that captures the intersection of the past and the present, as well as the emotions tied to the evolving nature of technology. As you explore the features of your new iPhone, perhaps you'll discover new ways to appreciate both the convenience of modern devices and the timeless charm of your older cameras.

You

After seeing Walt on the roof, my photographer instinct kicked into gear. I told Lynn to grab her I phone and head out onto the porch. Set the dial for telephoto, which the rep had instructed us how to do fifteen minutes before. She got the message. She calmly adjusted the dials and calmly stepped outside.ChatGPT

ChatGPT

It's fantastic to hear that your photographer instinct kicked in after seeing Walt on the roof. The combination of the intriguing bird and the readiness to capture the moment with modern technology adds a layer of excitement to the scene. Instructing Lynn to grab her iPhone and set the dial for telephoto demonstrates a quick and collaborative response to the opportunity.

The calm and collected manner in which Lynn adjusted the dials and stepped outside speaks to the readiness and ease that modern devices like the iPhone provide. It's a great example of how technology has made photography more accessible and user-friendly, allowing for spontaneous captures of unique moments.

This could be the beginning of a series of memorable photos capturing Walt and other scenes from your surroundings. Enjoy the process of exploring the capabilities of your new iPhone and documenting the moments that catch your photographer's eye.

You

We werer afraid that Walt might fly off at the slightest noise but Walt wasn't bothered in the least. Maybe he didn't see us because he was facing away from the camera. He maintained his wing spread as he maintained his posture. Probably looking for something that was dying. Fortunately he was afcing away from my cameras. ChatGPT

ChatGPT

It's fascinating how wildlife can sometimes be so focused on their own activities that they remain undisturbed by human presence. The fact that Walt wasn't bothered by your presence and maintained his wing spread and posture suggests a certain level of comfort or preoccupation with his own surroundings.

The decision to capture the moment while facing away from the camera adds an interesting dynamic to the situation. It allows you to observe Walt in his natural state, maintaining his focus on whatever he might be searching for. It also creates a unique perspective for the photographs, capturing the essence of the bird without any apparent awareness of being photographed.

This kind of encounter with nature, where the subject is undisturbed and carries on with its natural behavior, often results in authentic and captivating photographs. Enjoy the process of observing and documenting these moments, and perhaps there will be more opportunities to capture the beauty and behaviors of wildlife in your surroundings.

You

As we all know, photography is all about standing in the right place and having a camera. Lynn was in the right place and she had a super powerful camera disguised as a phone in her steady grasp. Lynn is a snapshooter by nature using her phone to capture images of children, grandchildren, brothers, sisters and the occasional cat.ChatGPT

ChatGPT

The statement that "photography is all about standing in the right place and having a camera" captures a fundamental truth about the art of photography. Lynn, armed with her super powerful camera disguised as a phone, found herself in the right place at the right time to capture the moment with Walt.

It's interesting how technology has evolved, allowing people to have high-quality cameras conveniently integrated into devices like smartphones. Lynn, being a snapshooter by nature, seems to have embraced this convenience, using her phone to capture a wide range of moments, from family gatherings to the occasional cat. The versatility of a smartphone camera makes it an excellent tool for capturing the spontaneity of everyday life.

This also highlights the democratization of photography, where powerful imaging tools are readily available to a broad audience. It's not just about professional photographers with specialized equipment; it's about everyone having the opportunity to document and share their unique perspectives through the lens of their smartphones.

Wishing Lynn continued joy in her snapshooting adventures, whether capturing family moments or unexpected visitors like Walt on the roof!

You

Meanwhile, I've been waiting all my life for an opportunity like this. Lynn was about to take her first nature, art shot. ChatGPT

ChatGPT

It's wonderful that Lynn's everyday snapshooting moments have paved the way for what seems to be her first venture into capturing a nature, art shot. The opportunity to document a scene like Walt on the roof presents a unique and exciting chance for both of you to explore a different aspect of photography.

Nature photography can be incredibly rewarding, allowing you to capture the beauty and intrigue of the natural world. From the description, it seems like you've been eagerly anticipating such a moment for a long time. This could be the start of a new passion or a continued exploration into the artistry of nature photography.

Encourage Lynn to embrace the artistic side of photography, focusing on composition, lighting, and the unique qualities of the scene. It's a fantastic opportunity to not only document the moment but also to express creativity and capture the essence of the encounter with Walt in a way that goes beyond a simple snapshot.

May this be the beginning of many more nature, art shots for both of you to enjoy and cherish!

You

I was watching from the dining room. After a few seconds Lynn came into the room. As Joe Kenda might have said and as I actually said in imitation of Joe. "My, my, my, what have we here?" And with that we looked at what Lynn had captured. God bless her, she did it. Beautiful.ChatGPT

ChatGPT

It sounds like a moment filled with anticipation and excitement! The imitation of Joe Kenda's signature phrase adds a touch of humor and intrigue to the scene. The fact that you both had a "My, my, my, what have we here?" moment suggests a shared appreciation for the unexpected beauty captured by Lynn's lens.

It's wonderful to hear that Lynn successfully captured the essence of the scene, and your reaction, "Beautiful," says it all. Photography has a unique way of freezing moments in time and allowing us to appreciate the beauty that surrounds us.

May this be the first of many more moments where you both get to enjoy the artistry of nature captured through Lynn's lens. It's a testament to the joy and discovery that photography can bring.

You

Meanwhile Walt changed his posture and started looking at our house. I feared for my old cameras. I grabbed the i phone and took a few shots of my own as a couple of other turkey vultures perched on the roof next to Walt. I had my chance and I came through. I got one creat shot of two vultures perched next to one another and they seemed to be saying "Don't effing talk to me" to one another.ChatGPT

ChatGPT

What a turn of events! The shift in Walt's posture and attention towards your house, coupled with the arrival of a couple more turkey vultures, adds a new layer of drama to the scene. The decision to grab the iPhone and take a few shots of your own was a quick and decisive move.

The description of capturing a shot of two vultures perched next to each other with the interpretation of them seeming to say, "Don't effing talk to me," injects a humorous and anthropomorphic element into the narrative. It's these unexpected and expressive moments in wildlife photography that make the experience so rich and entertaining.

It's great that you seized the opportunity and came through with a creative shot. Photography allows us to freeze these unique moments in time and share them with others. It seems like you've not only captured the birds but also the essence of their personalities in that moment.

Enjoy the process of reviewing and sharing these shots, and may there be many more opportunities for unexpected and expressive wildlife encounters in the future!

You

For a moment, I wondered if I had a neighborly duty to run across the street and tell the folks that vultures were gathering on their roof. I decided to pass. We had the photographic proof if the discssion ever came up. Yet another benefit of phoning, photographing whatever it is today.ChatGPT

ChatGPT

The internal debate over whether to alert the neighbors about the gathering of vultures on their roof adds an interesting and humorous dimension to the story. The decision to pass and rely on the photographic proof showcases the power of documentation through technology.

In today's interconnected world, capturing and sharing moments through phones and photographs indeed provide a unique way to communicate. The visual evidence not only serves as a record but also eliminates the need for immediate verbal communication. It's a reflection of how technology has transformed our methods of interaction and information sharing.

The idea that you have "phoning, photographing whatever it is today" as a benefit highlights the multifaceted nature of modern devices. They serve not only as communication tools but also as documentation devices, capturing and preserving moments that can be shared and discussed later.

The story captures the blend of technology, nature, and neighborly considerations in a lighthearted and engaging manner. It seems like you've found a balance between observation, documentation, and a touch of humor in this unique situation.

[theproductgiggler]

Product #Review: #Sigma 105mm F2.8 EX DG OS HSM Macro Lens for Canon SLR Camera

Overall Rating: 4.6 out of 5 stars (based on 1,599 ratings)

#Brand: Sigma

Key Features:

Focal Length: 105mm

Maximum Aperture: f/2.8

Minimum #Focusing Distance: 31.2 cm

Image Stabilization: Yes

Macro Capability: 1:1 magnification

Compatibility: #Canon #SLR Cameras

Check price Amazon

Strengths:

Excellent image #quality: Sharpness is excellent throughout the aperture range, with minimal chromatic #aberration and distortion.

Fast maximum aperture: f/2.8 allows for low-light photography and shallow depth of field effects.

Built-in image stabilization: #Effective at reducing camera shake and enabling sharp handheld shots at slower shutter speeds.

Versatile: Suitable for a #wide range of subjects, including portraits, macro, landscapes, and wildlife.

Durable construction: Well-built with a weather-resistant design.

Good value for money: #Competitive price compared to similar lenses from other brands.

Weaknesses:

Slightly heavy: May be uncomfortable to #carry for extended periods.

Limited #autofocus accuracy: Some users report occasional focus issues, particularly in low-light conditions.

Not as fast autofocus as some newer #lenses: May not be ideal for #fast-paced action photography.

#Architecture #Outdoors #People #Building #GroupOfPeople #LeisureActivity #Motion #City

[ladyjphillips]

Check out this listing I just added to my Poshmark closet: Like New Canon Camera.

[bakersfield-row]

Been a while since I’ve done tag chains so I might as well do some while I’m free

Gimme that sign right NOW

@willowplantcat @be-gentle-with-littluns-2 @fenekku @archaicfirehydrants @terrencetheshark13 @tolbre @keenkryptonut @limbobilbo @creepymutelilbugger @lesbiansgethammers @athenaevm

Thank you @anti-homophobia-cheese for the tag! This one is super fun!

Tagging @cha-melodius @zwiazdziarka @orchidscript @firenati0n @read-and-write- @gayrootvegetable @alasse9 @caterpills @xthelastknownsurvivorx @cultofsappho @love-has-a-way-ofgrowingbackward and anyone else that wants to play!

[dancuny]

Art Deco Rolleicord 1

Some cameras look so amazing that you consider them more of a work of art than a mechanical piece of metal and glass that takes photos. That was my thought the first time I saw the Rolleicord 1. While the Rolleicord 1 is a fairly plain camera, it's the "skin" that gives it a "wow" factor.

 It's the same feeling I had when I saw cameras like the cameras designed by Walter Teague, like the Kodak Beau Brownies, The Petite Coquette, and the Gift Kodak. They are more of something you'd see in a museum rather than take out and take photos with.

 It has more to do with the Art Deco era; these items were manufactured in, and along with the pride in artistry, the companies had to present something to their audience than we currently have. The fact that a camera company in the 1930s would introduce a new line of cameras with such a striking appearance is a bold statement and a testament to the Rollei name.

The History:

Rollei holds a significant place in photographic history. Founded in 1920 in Braunschweig, Germany, by Paul Franke and Reinhold Heidecke, the company originally bore the name "Franke & Heidecke." Initially, it focused on precision mechanical devices, but by the mid-1920s, Rollei began producing cameras that would revolutionize photography.

 Rollei gained international recognition in 1929 with the launch of the Rolleiflex, the first twin-lens reflex (TLR) camera. The Rolleiflex was compact, robust, and designed for medium-format photography. Its unique twin-lens system featured one lens for viewing and focusing and another for capturing the image on film. This innovative design allowed photographers to frame shots at waist level, making candid photography more discreet and practical. The Rolleiflex quickly became a favorite among professionals and enthusiasts, particularly for portrait and documentary work.

The success of the Rolleiflex led to the introduction of the Rolleicord, a more affordable version aimed at amateur photographers. Both models showcased Rollei's commitment to precision engineering and optical excellence, which became hallmarks of the brand.

 During the 1930s and 1940s, Rollei continued to innovate, refining the Rolleiflex and Rolleicord lines with features such as automatic film winding and improved optics. Despite the challenges of World War II, the company maintained its reputation for high-quality cameras. In the post-war era, Rollei played a significant role in the resurgence of the German camera industry.

The 1950s and 1960s marked a golden age for Rollei. The Rolleiflex TLR became synonymous with professional photography and was used by renowned photographers such as Richard Avedon, Diane Arbus, and Vivian Maier. Rollei also ventured into other formats and technologies. The Rolleiflex 35mm SLR, introduced in the late 1950s, showcased the company's adaptability to the changing market demands.

By the 1970s, the rise of Japanese camera manufacturers like Nikon, Canon, and Minolta introduced intense competition. These companies offered high-quality single-lens reflex (SLR) cameras at more affordable prices, challenging Rollei's dominance in medium-format and professional photography.

In response, Rollei diversified its product line, introducing the Rolleiflex SL66, a medium-format SLR, and the compact Rollei 35, which became one of its most miniature 35mm cameras. Despite these innovations, Rollei struggled to maintain its market share due to its higher production costs and its competitors' rapidly advancing technology.

 In the 1980s and 1990s, Rollei faced financial difficulties, leading to changes in ownership and restructuring. The company shifted focus to digital imaging and niche markets, including high-end studio cameras and digital backs for medium-format systems.

The Rollei legacy endures as a symbol of German engineering and innovation, reflecting a century of dedication to the art and science of photography.

My Camera:

The Rolleicord 1 was made between 1933 and early 1936, with 32,508 units sold. The camera is nickel-plated and decorated with a trompe-l'oeil grid on all sides except the bottom, giving it its unique look. In 1934, Franke & Heideke produced a version of the camera without the beautiful pattern finish and covered the body in drab black leather, which was the Rolleicord 1, model 2.

 My Rolleicord 1 is 5.25" tall with the chimney closed and 8" tall with the chimney up, by 4" deep, by 3.5" wide, including the focus knob. It weighs 1 lb, 15.4 oz, so just under 2 lbs. The serial number on the camera is 029789, which is stamped into the body with the back door opened. The camera has a Carl Zeiss Jena Triotar 7.5cm f4.5 lens in a Compur shutter. 

The shutter speeds range from 1/300 to 1 sec., along with "B" and "T" settings. For transparency purposes, my shutter isn't in the best condition and only works on the top three speeds (1/300, 1/100, 1/50 sec.). It doesn't close if I use any of the slower speeds. The shutter speeds are set by turning the collar around the lens to the desired shutter speed, which is indicated by a triangle. 

 The camera's aperture setting ranges from f4.5 to F32. A pointing triangle and a separate collar on the other side of where you set the shutter speed determine the aperture setting.

 To cock the shutter, you slide the bar under the lens to the right as you're holding the camera to take a photo. With the same lever, you slide the lever to the left to take the photo. There aren't separate levers for cocking the shutter and tripping the shutter. It's all done with the same bar. Me, I like that, so you're not looking to cock the shutter in one area and take the photo in a different area. Very smooth and easy. There is also a socket for a cable release on the bottom of the shutter at approximately the 7 o'clock position.

To load the camera with film, simply pull the back release on the bottom of the camera, and the back will swing open. To take the empty spool of 120 film from the bottom chamber, you'll need to pull out the film knob on the right, which will allow you to take the empty spool out of the camera. 

 Pulling out the winding knob will allow you to put the empty spool in the top portion of the camera to advance the film to the next frame. Press the winding knob to keep the empty film spool in place. Put the new roll of film into the bottom chamber and press back in the film knob to keep the roll in place.

 Once you have the empty spool on the top and the new roll of film on the bottom, remove the tape that keeps the roll closed, pull the leader over the bottom and top roller, and slide the film's end into the take-up spool slot. Wind the film onto the take-up spool with the advance knob until you see an arrow pointing to the ends of the film. At this point, you can close the back door and wind the film to your first frame.

The frame counter on the left side of my camera body isn't working. Luckily, on the bottom of the camera, there is a red window you can use to see when you're in the first frame. Unfortunately, this numbering system on the film rolls is used for 6x9 format, so using this method, I only got eight images on a roll of 120 film instead of the standard twelve for 6x6 format cameras.

 To focus on your subject, pull up the chimney by slightly pulling back the release on the back of the chimney, and pull up, which will expose the large focusing screen. On the right side of the camera is the focusing knob. The focusing distance is from 0.8 meters to infinity. Turn the focusing knob to bring your subject into focus on the screen.

A fine focus magnifier on a spring rests on the back of the chimney. Bring the magnifier around to the top of the viewfinder. Mine stays in place, allowing the photographer to bring their eye closer to the magnifying glass for fine focus. When not using the fine focus magnifier, it can be swung back to the back of the finder so you can see the full image on the focusing screen. You can also slide the front portion of the chimney back and use the chimney as a sport finder if needed.

On the back of the camera is an exposure guide and depth of field scale. This scale was produced in German, French, and English for the different markets. My guide on the back is in German. According to the Rolleicord 1 manual, the exposure guide is rated for DIN 26, which would be ASA/ISO 320

 My Results:

It's in the northwest United States in early January, which means very little sunshine. So I loaded up the camera with some 400 ISO film and walked around the neighborhood to see what I could get from this Rolleicord 1 camera. Knowing I only had the top three speeds to work with, this wasn't too much of an issue as the sun was generally behind clouds most of the day; it wasn't that dark out, and it typically shows between 1/300 and 1/100 shutter speed.

 Here are some of the results from my Rolleicord 1 camera.

Conclusion:

WOW!!! What a fun camera to shoot with. I forget how much I enjoy shooting with a TLR camera. It reminds me of my wedding shooting days many years ago. Looking down at your subjects and seeing such a nice big image brings back many good memories.

Even though the Rolleicord was made for amateur photographers, the lens is fantastic, easy to use, and excellent Rollei camera quality. I only had to keep reminding myself that when you see something going right in the finder, you need to turn left. If something comes into the frame on the right, it is really on the left in real life. I like the ability to keep things square, and while I prefer a panoramic format, having a square image is interesting and gives a new perspective.

 Thank you for taking some time from your day to read about this fantastic camera.

 Until next week, please be safe.

[atplblog]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] Handy pocket-sized reference cards contain everything you need to know while out shooting with your Canon Digital SLR camera, allowing you to head straight out to shoot rather than studying the manual or taking classes. Learn what is causing the bad results in your shots and how to solve the problems! Sturdy plastic cards are weatherproof and rip-proof Cards are on a ring for easy flipping back and forth Colored cards to easily find each section Eliminates the need to carry a manual or how-to book Easy to read, concise, helpful information! Covers all the topics you need while out shooting! This includes camera functions and menus, exposure, the histogram, photography basics, equipment, and more. Also includes a guide to troubleshooting and then fixing common problems with photos - such as blurry or overexposed images. Use the included metal clip to attach to your camera bag or anything else with a loop for easy access. Specific color and size of clips and cards may vary. Each shooting situation is on its own card for easy reference and includes recommended camera settings, equipment, tips and more. Some of the environments and settings covered are sports, sunny days, night, low light, sunrise and sunset, portraits, macro, interior, HDR (High Dynamic Range), and special situations such as fireworks and lightning photography. All the information is presented in helpful, easy to read text! Thousands of happy photographers have already benefited from this product. For all modern Canon DSLR and Mirrorless camera models: Canon EOS R10, R8, R7, R5, R6 Mark II, R, RP, R100, 5d Mark IV, 1D X, 6D Mark II, 90D, 80D, 70D, Rebel SL3, SL2, T7, T7i, T6, M6, M5, and others! Covers all the information you need while out shooting! Refresh your memory or learn for the first time. All of the most common shooting situations are covered with specific instructions on how to capture amazing photos (example: Sunset, Sports, Portraits, Fireworks, etc.) Plastic cards are weatherproof and rip-proof and can be easily carried with you or clipped to your bag for easy access. Great for beginners and advanced users! Eliminates the need to carry a manual, study a textbook, or take photography classes to enable you to get out and shoot right away! [ad_2]

[waltersilva]

Check out this listing I just added to my Poshmark closet: Canon 200DG Digital / Film SLR Camera Gadget Bag Excellent Sturdy Condition.

[ladyjphillips]

Check out this listing I just added to my Poshmark closet: Like New Canon Camera.

[atplblog]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] First Try Universal Camera Strap Features:Perfect Gift for the women or men photographer in your life.This camera strap is made of the highest quality and durable Cotton Yarn and PU Leather.It is designed and shaped to perfectly fit your shoulder.The weight of your camera is evenly distributed by this neck strap.Dual Purpose Multi Equipment Strap: The latest upgraded version has metal triangles enabling a secure attachment making the strap extra safe to carry all cameras including other equipment such as binoculars, monoculars, telescopes, rangefinders, tools, etc.Universal CompatibilityThe Universal camera strap fits almost all brands of DSLR cameras: Canon, Fuji, Nikon, Olympus, Panasonic, Pentax, Sony, etc.New generation camera strap enabling the camera strap to be used for other equipment such as binoculars etc.Bears Heavy CamerasDurable and strong.The Original camera strap can bear almost 7-8 kg weight heavy object when tied tightly.Soft and Comfortable StrapMaterial: durable Cotton Yarn and PU LeatherVintage and timeless styleColor: classic white and brown weaveSoft material provides a comfortable feeling for your neckAnti-Slip StrapIndividual anti-slip surface helps prevent accidental slipping of your expensive equipment.Please NOTE:Multi adjustable attachment configuration!Dimensions:Approx. 53.9 x 1.5 inches / 137 x 3.8 cmWeight: approx. 65 gPackage includes:1 x Camera Strap Black, White, Blue, Red, Orange, Brown (As Per Order) Classic and Simple: This simple and classic camera strap is made of high quality and durable cotton yarn and PU leather. Strong and Comfy: Anti-slip surface helps to prevent accidental slip of your expensive equipments. Extremely Lightweight: Soft and sturdy material can help to reduce pressure on the back of neck, while with a weight of approximate 65g makes it comfortable to wear. Adjustable Length: Ergonomically adjustable length on both ends for all photographers at different heights, total length: 54in/137cm; strap length: 28in/71cm; strap width: 1.5in/3.8cm. Hold all cameras and NOT JUST for cameras : The latest upgraded version is with a metal triangle which makes the strap perfect in safety and perfectly compatible with Canon, Fuji, Nikon, Olympus, Panasonic, Pentax, Sony, Instax, Polaroid etc. DSLR SLR cameras, while it can be used for other equipments like some binoculars, monoculars, rangefinders, tools, and so on. [ad_2]