#in other words i just came back from the cinema. i watched the new ghibli movie and it was great but i almost killed someone

[yohankang]

there's nothing!!! NOTHING that makes me more violent than people eating in a cinema

[recentanimenews]

The Best Anime of the 2010s

Here it is, the third and final installment in our Best of the 2010s series! We’ve gotten manga and video games out of the way, so it’s time for anime.

If you’re just tuning in, here’s how it works: our three contributors (Evan Minto, Ink, and David Estrella) each ranked their top anime series and movies released between 2010 and 2019. We scored them all based on their positions in the three lists, and came up with a single combined list of 10, which you’ll find below. We haven’t seen every anime out there, so there may be some conspicuous omissions, but of all of our lists, this is the one we’re most confident in. That’s mainly because the contributors covered over 120 titles between the three of them! The full lists for anime, manga, and games, including our individual rankings, are now available on the Ani-Gamers Patreon.

Below you’ll find everything from lo-fi comedies to tragic war stories. And befitting the many ways anime is produced and distributed, our list contains TV series, net animations, short films, big-budget feature films, rotoscope animation, and more. It’s been a great decade for anime, and we hope you find something new (er, more like old) to add to your watch list. Enjoy, and feel free to chime in with your own picks in the comments!

10. Tantei Opera Milky Holmes: Act 2 (2012)

David Estrella: No one believes me when I say that Milky Holmes II is an essential anime and frankly, I don’t have the wherewithal to argue with close-minded idiots that have had the bulk of the 2010s to listen to me for once. If you have to ask, it’s already too late for you but in case you’re 14 and your first anime was a post-Bleach shonen thing, Milky Holmes is a comedy that begins as a mildly amusing goofy slapstick magical girl detective cartoon and soon spirals out into an insane spectacle that completely incinerates all the other half-way passable, middle-of-the-road multimedia schlock that used to made before it all became indistinguishable idol gacha crap. Someone went highly off-script on this production and every Milky Holmes afterwards is not even worth mentioning next to these first two seasons. Between this, gdgd Fairies, and Teekyu, the last breaths of creative expression in TV anime were all concentrated in 2012, and before we knew it, it was gone.

9. Flowers of Evil (2013)

Ink: As far as manga adaptations go, hell, as far as film goes, Flowers of Evil is nothing short of a masterwork. Layering animation atop live action (rotoscoping) to emulate the basic premise behind the poetic movement so treasured by the “tortured” protagonist … not to mention actually including relevant, inspirational poems, Director Hiroshi Nagahama takes great risks – from pacing to form and even content – and sticks the landing with technical and emotional force to improve upon the source material (even though the anime only adapts half the manga). It’s an anime that reveals how beautiful ugliness can be and vice-versa.

8. Kill la Kill (2013–2014)

Evan Minto: There’s nothing quite as enjoyable as watching Hiroyuki Imaishi and Kazuki Nakashima go to town on an anime TV series. Kill la Kill is a bonkers ride from start to finish. It’s got superpowered talking school uniforms, nudist secret societies, fanservice so obnoxious it somehow becomes cool, and a never-ending parade of shocking heel-turns. There’s something in there about fascism and the fashion industry and maybe if you squint hard enough you can argue it’s feminist, but the most important F word when it comes to Kill la Kill is “fun.”

7. Kizumonogatari (2016–2017)

David Estrella: I don’t think I’ll ever fly to Japan for the sake of seeing an anime film on opening day again, and fortunately Kizumonogatari was such a peak for cinema that I’m perfectly fine with that. Kizumonogatari left me fulfilled in a way that people with weaker immune systems would pass on to the hereafter upon leaving the theater. It’s not a coincidence that my interest in anime tanked severely once the Kizu trilogy wrapped up since, with a few rare exceptions, very little anime possesses the same ambitious spirit as I found in Kizumonogatari. While Makoto Shinkai is busy making extended Apple commercials under the guise of magical realist teen romance films, I’m really finding it easier and easier to call the anime medium completely and totally solved as early as 2017.

6. From the New World (2012–2013)

David Estrella: Due to circumstances outside of my control, From the New World appears higher on the list over the definitive best anime of the decade and I’m stuck writing about it. I’ll play along if only because From the New World is a great show that deserves another look to appreciate how much it was doing within the boundaries of weekly 24-minute episodes. Adapted from a science-fiction novel that will never be translated and published into English, it’s the rare sort of anime TV show that gets its hooks in early and continues sinking them in until the thought of taking a break before reaching the resolution is unbearable.

5. JoJo’s Bizarre Adventure (2012–present)

David Estrella: The loudest JoJo people say that Stardust Crusaders is the best JoJo, then two camps split between Diamond is Unbreakable and Golden Wind say their JoJo is the best JoJo, and then I’m the obnoxious voice in the back that hoots and hollers anytime someone says the phrase “Battle Tendency”. All the other JoJo’s are technically more sophisticated than the first couple of parts, but none of them really match the sheer power of that initial hit, those two amazing openings, and the actual best JoJo, Joseph Joestar, voiced by Tomokazu Sugita giving the performance of a lifetime. At the very least, we will all be haunted by Roundabout memes for as long as JoJo remains relevant.

4. Endless Night (2015)

Ink: Storytelling that relies solely on visuals is seemingly rare in anime these days, and even though Sayo Yamamoto’s Animator Expo figure skating short (which led to the more verbose Yuri!!! on Ice) is backed by a perfectly expressive song by Hiroshi Nakamura, the latter is made superfluous thanks to emotionally soaked movements and settings, laudably implemented surreality, seamless flow, minimalist color palette, and evocative texturing. Seven minutes (if that) lays out, engrossingly, a complete story of inspiration, infatuation, and (ultimately) realization. Ignore the East German judge; the passion and implementation is a 10/10.

3. Inferno Cop (2012–2013)

Evan Minto: “Best of” lists like this one have a tendency toward “high” art, toward stories about Big Ideas and Important Subjects. Inferno Cop is the lowest art of all: a series of nonsensical, lo-fi cutout animated shorts written with the reckless abandon of children playing with action figures. It’s also one of the funniest anime series in a very long time, and certainly one of the best comedies of the decade. It’s only fitting that it served as the world’s introduction to Studio Trigger, who closed out the 2010s with their smash-hit feature film Promare.

2. The Tale of Princess Kaguya (2013)

Ink: The recently late and perpetually bereaved Isao Takahata was, ironically, given the work about which this blurb is written, a realist compared to Ghibli co-founder’s (Miyazaki) escapist tendencies. Why, then, is this retelling of a very familiar folktale in The Tale of Princess Kaguya so powerful? Because the characterizations are as palpable as the animation is expressive; there are few scenes in the all of anime that draw breath like those of the MC’s dashing sequences. The art itself is simultaneously emulative of both a child’s picture book and a depiction of time as age sets in. Fairy tales are forever. RIP and thank you, Takahata.

1. In This Corner of the World (2016)

Evan Minto: This movie handily snagged the #1 spot in our ranking, and it’s not hard to see why. It’s a story about the hardships of World War II told not through combat, but through the grueling travails of civilian life. In This Corner of the World’s gut-wrenching tragedy is tempered and amplified by the currents of love and big-hearted, true-to-life comedy that run through it. The film is a beautiful tribute to the innocent souls trampled by war, comparable and even — dare I say — superior to the classic Grave of the Fireflies.

Check out our list of the Best Manga and the Best Video Games of the 2010s!

The Best Anime of the 2010s originally appeared on Ani-Gamers on February 21, 2020 at 8:43 PM.

By: David Estrella

[recentanimenews]

Crunchyroll Remembers Their Favorite Lupin the 3rd Stories

On April 11, Kazuhiko Kato—better known to his fans by the name Monkey Punch—passed away. Kato created many amazing works in his time, but the best known and most beloved of all was easily Lupin the 3rd. For many of us here at Crunchyroll, it was one of our earliest anime, if not an actual gateway series.

  Today, we here at Crunchyroll News and Features are taking a look back at our favorite films and episodes, as well as what made us love this crazy series. We'd love to hear from the rest of you, too: tell us in the comments what makes you love the Lupin Gang and what story you loved most. If you're new to the series, we hope this encourages you to check out one of the standards of anime.

  Thanks to everyone on the team who took part and shared their memories!

    Paul: The true genius of Lupin III is that the characters are archetypal, and so they can map onto whatever story the writers and directors want to tell, from slapstick nonsense to hard-boiled, noir-style thrillers filled with murder and gratuitous nudity. Lupin, like Batman, means something different to everyone, and there is so much more to the character than simply “red jacket”, “blue jacket”, “green jacket”, etc.

  My first experience with Lupin III was The Castle of Cagliostro, and I've got a lot of time for The Woman Called Fujiko Mine and Jigen's Gravestone, but I'm sure everyone and their cousin has some kind words to spare for those entries, so I'll devote a few phrases to the weirder animated entries: The Fuma Conspiracy, The Mystery of Mamo, and The Legend of the Gold of Babylon.

  Although I own two different DVD releases of The Fuma Conspiracy, I remember almost nothing about the film itself except that it involves Goemon getting engaged, the entire film is basically an extended (and exquisitely animated) chase scene, and the AnimEigo release had to fudge Lupin's name as “Rupan” because of the lawsuit with Maurice Leblanc's estate.

  The Mystery of Mamo has clones, a giant space brain, ridiculous cameos and product placement that got scrubbed from the Geneon release, like 6 different English dubs, and perhaps the single greatest visual rhyme in anime cinema history, which juxtaposes Lupin teasing Fujiko's nipple with world leaders pushing the Big Red Button for a nuclear missile strike.

  The Legend of the Gold of Babylon is so goddamned weird that is makes The Mystery of Mamo seem “two bedroom one bath white picket fence in the suburbs” mundane by comparison. I haven't managed to sit through the entire film in one viewing, but it's co-directed by Seijun Suzuki and it's arguably the most divisive work in the entire Lupin III franchise, so it merits a mention.

  But none of these wild and woolly adventures would exist without the original manga from Kazuhiko Katou, aka “Monkey Punch”, and while straight manga Lupin with no chaser is way too raw for me, it's the primordial essence from which all other interpretations of the characters spring, and the world is a smaller, meaner, and pettier place without Lupin's creator in it.

    Carlos: I’ve always loved the phantom thief genre in any medium. I loved it as a Super Sentai, adored it when Persona 5, and of course, couldn’t get enough of it in the eclectic series of Lupin the 3rd.

  Kazuhiko Katou’s legacy has truly been immortalized in Lupin’s escapades, being one of the earliest examples of the phantom thief trend in Japan and modernizing Arsene Lupin’s adventures for generations of fans to enjoy. The anime world has lost an old time visionary, but he left us with his timeless classic that I’ve loved for so long, and will enjoy for years to come. Whenever I sing “Memory of Smile,” I’ll raise a glass to Monkey Punch.

    Noelle: My first introduction to the series was Castle of Cagliostro, having also grown up on Ghibli, and something about that was just so fun and enjoyable.

  The Detective Conan crossovers are also a bit of lighthearted fun- Lupin exists everywhere!

  All Lupin works embody the phantom thief sub-genre, but instead of being something heavy and ominous, they are free-spirited. Lupin, Jigen, and Goemon all have chips on their shoulders, but that doesn’t stop them from causing trouble and generally having a good time while doing so. Every installment is witty, clever, and I’m always eager to see how the gang will come out on top.

  The truest Lupin installment that greatly stuck with me is of course, The Woman Called Fujiko Mine, which ranks as one of my favorite anime series to this day. It doesn’t focus on Lupin himself but Fujiko, and her adventures of self-discovery and living her own life. This one was a far more serious series, especially compared to the far more carefree Lupin series that I’d been exposed to, but it worked.

  I’d usually watch Lupin whenever I wanted something that I know I’d enjoy, but also makes me feel good. There aren’t many series that manage to do both.

Rest in peace, Monkey Punch.

    Nicole: It’s been hard to reconcile with the fact that Monkey Punch is gone... My first encounter with Lupin came from Castle of Cagliostro, where I immediately fell in love with the Miyazaki directed version of Lupin as a dashing thief and the misfits that followed him around. I remember hearing from a lot of people when I first wanted to expand that “Oh that isn’t really Lupin, that’s a sanitized version of him,” and over the years I kind of find myself disagreeing with that more and more. Lupin is a lot of things to a lot of different people, and I think Monkey Punch really created a unique and amazing set of characters that various directors then worked with and left their mark on. I still find myself rewatching Cagliostro whenever I get a chance, and I find it an amazing ‘first anime’ movie to show to people who have never really seen much anime at all before.

  The Lupin TV series are filled with so many amazing episodes, and when I originally drafted up a top ten list last year, I ended up starting to rewatch the whole thing again. Even though some adaptations of Lupin are a bit better than others, I would say that anyone who likes the idea of a master thief and his madcap capers will find a lot to love almost anywhere in this series, and I hope that maybe in this sad circumstance of Monkey Punch’s passing, people will get curious enough to investigate the series and fall in love with it too.

  Some of my favorite Lupin memories and moments, aside from Cagliostro, have to be those dealing with Zenigata. As much as I love the Lupin crew, there’s just something charming and attractive about Zenigata’s character that always made him so much fun to watch. As I mentioned in my list, there are a lot of interpretations of Zenigata, but I always prefer the hard-boiled, semi-noir detective version of him that episodes like “Until the Full Moon Passes” or “The Woman the Old Man Fell in Love With” depict. I think the reason I always liked Zenigata so much is that he’s really important for Lupin to play off of, and without Zenigata, I don’t think you’d really enjoy Lupin as much as a character! The moments where the two of them really face off, or even work together, are some of the most magical moments in the series overall; on that note, I really recommend curious viewers to check out “The End of Lupin III”, another great pick.

  Finally, I’ve come to appreciate the Miyazaki influence in Lupin more over the years, and realize that without Monkey Punch, we probably wouldn’t have Studio Ghibli today; those who are curious to see where Miyazaki got some of his original directing starts might want to check out his Lupin episodes, and of those, “Farewell, my Beloved Lupin” is amazing (and keen Miyazaki fans might see a lot of similar designs here to later movies!) and of course the amazing Miyazaki take on Fujiko in “Wings of Death: Albatross”! I’m sure there’s so much more I could talk about or recommend, but I’ll just say that Lupin, in all of his incarnations, is worth it, with something for everyone, from various movies and tv shows to spin-offs like the amazing Woman Called Fujiko Mine, I hope that creators will keep honoring the vision and memory of Monkey Punch and deliver us more amazing Lupin content in the future.

    Joseph: Like many people, my first exposure to Lupin as a character was in Miyazaki's Castle of Cagliostro feature, which I still think is his best movie as a director. That characterization of Lupin, I would go on to learn, is just one of many, and I would soon see just how different his origins were when Tokyopop started publishing Monkey Punch’s original Lupin manga in English. Looking back, it's probably not the best representation overall, but it's still interesting to see how the character has evolved since those rough early days.

  The next time I caught him in action was back when Part 2 would air on Adult Swim—*checks paper* almost SIXTEEN YEARS ago?—and I've kept up with him and the rest of the gang irregularly over the years. My favorite thing about the franchise is just how flexible it is in general. While the broad strokes of each character may remain along the same lines depending on the jacket du jour, Lupin offers up a distinct canvas on which artists can apply their own unique sensibilities. I especially appreciate stuff like 2012’s The Woman Called Fujiko Mine, which is about as decadently artsy as Lupin gets.

    Kara: I spent two semesters in my college's anime club my freshman year being generally okay with anime. It was Castle of Cagliostro that got me all the way in. I remember when I finished watching it, I turned to my friend and said, "I'm actually kind of sad there's no more movies with these characters in them." I had no idea how ridiculously wrong I was.

  I loved earlier specials and series, but what I'm loving now is the flexibility the characters have after 50 years. We had The Woman Called Fujiko Mine, which was downright surreal but ultimately rewarding when the other shoe drops. The new movies have been fantastic as they bring in a largely new cast. And for me, Part 5 was some of the most satisfying anime I've ever watched, Lupin or otherwise. It felt so in the spirit of Kato-sensei's original work, while still creating new riffs on it.

  For me, anything Lupin is my go-to on a bad day. I know it's going to be funny, I know the "good guys" (whether or not Zenigata sees it that way) will win the day, and I know there's a lot of heart in every single version. It's hard to believe the gang's creator has passed on, but I'm also glad he got to see his work beloved by the world, and that it will continue strong for new fans.

  Series available on Crunchyroll:

>> Part 1

>> Part 2

>> Part 3

>> Part 4

>> Part 5

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Kara Dennison is a writer, editor, and interviewer with bylines at VRV, We Are Cult, Fanbyte, and many more. She is also the co-founder of Altrix Books and co-creator of the OEL light novel series Owl's Flower. Kara blogs at karadennison.com and tweets @RubyCosmos.

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By: news+feed@crunchyroll.com