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lone-hand · 7 years ago

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THE MANY, DIFFERENT FACES AND VOICES OF UNCLE PHIL

UNCLE PHIL, CHURCH OF AQUARIUS, BORN WINNER...Personas or caricatures from the mind of Phil Osborne . Phil is a musician, artist, film maker, animator, and general renaissance man. His music and art all come from the same world, it’s Gremlins meets Carpenter meets Pee Wee’s Playhouse meets Monty Python meets Uncle Phil. Phil lived inside this world in his Monster Party Galleries (1&2) in Victoria BC and now he is living in Montréal. Here we talk about his Church of Aquarius album Obliged with Tact and Etiquette::::

“I think there's as much truth, if not more truth in something comedic.”

When/where did you start recording Obliged with Tact and Etiquette?

I started writing and recording material for it in the summer of 2012. I went to Victoria BC to visit some friends and wrote the first song, high as a kite, out of nowhere to make my friends laugh, a sort of fake british psychedelic pop song. I was trying to sound like monty python trying to be early pink floyd. I recorded a simple demo of it and everyone loved it.

After I had that first song done, I started thinking i should do a whole album as an homage to all things british i love. Music with that sensibility I love so much, pipers at the gates of dawn and syd barrett are the main influence, the beatles too of course. The voice I use is pretty much my impression of the Jeremy Hillary boob phd character in yellow submarine. I threw in some fake Shakespeare in humbug,your majesty, I even put a tea brake in the middle of that song.

Over the next 4 years, I wrote lots of music for it. I re-recorded some of the songs more than 3 times to get it just right. I also got help from my friend Leigh Newton ( daiquiri, major entertainer, the sun through a telescope,world war 4 ect..). he’s an amazing musician and can play everything. He re-did high as a kite his way and gave it more kick. I released that as the 7 inch with the b side sung in french.

So OWTAE is your “British” album?

Besides the brit stuff, the music from the quebecois tv show passe partout is another one it's like folk and electronic. Pierre f. brault wrote the tunes. I rediscovered the show and the records and the whole thing is serious genius. Plains of Avadoon is a tip of the hat to them.

Are the stories told on this album true stories or is it all fictional?

They are all a bit autobiographical. I used the feeling of being 19, lost and stoned as a guide for some of the songs. Going to see the magician is about those nights I spent with a friend as we walked across town or drove to go see this drug dealer ( the magician ). We always had to avoid running into police in my small town of Gatineau, they are insane and can easily stop you for no reason (watch out, there's pigs in the dark..) Past the train tracks and the tombstone sea is about the secret passage i use to go to my parents house, a path i have walked so many times since i was a teen.

Would you say OWTAE is a comedy album first and foremost or does that even matter?

I tried to keep all the songs in a good mood. It's supposed to be an upper. If it makes someone laugh and smile, it's a good thing.

Is music too self serious right now?

i think there's as much truth, if not more truth in something comedic. Something serious can often make you laugh anyway, so is there really a difference? As for bands being too serious, let's be more specific and describe them as bands that aren't trying to get laughter as a response. That's definetly the popular approach out there and it gets stale after awhile. We need a bit more wackyness in our music. At least some contrast, damn it! I want to hear different moods in a bands set. i don't want the same song 12 times, and upping the tempo ain't good enough. Do a dumb song and follow it up with a sad country tune. Why not? Aren't we all kind of moody people? Sad on Tuesday morning, wacky on Wednesday night?

Amen. So then how do you decide if something is an Uncle Phil/Church Of Aquarius/Born Winner recording?

At first i couldn't decide on a name for my music since it was just a crazy mix of styles with 60s to 90s influences. I just called it Uncle Phil, real simple. Then I decided to split my influences in half : church of aquarius for all things 60s and 70s, born winner for all things 80s and 90s. I'm gonna use the uncle phil music name as the music publishing name just for fun instead.

“I used the feeling of being 19, lost and stoned as a guide”

Are these characters you or do you always write music in character?

I'm not even sure there's a difference. I end up doing so many takes of the songs, I live the stories and I become one with the characters. It's serious shit, yo.

But does your music and video and artwork more or less exist in the same world?

i like to think it doesn't. A big part of the fun of making art is you get to create new worlds. Of course every world needs characters and stories. Every song, robot toy, puppet or drawing is a diferent character and sometimes they inhabit the same world. I make the albums like they're movies. Each song is in a specific order.

Your writing is almost like a stream of conscious, and everything is done at home with efficiency and speed, can you explain your recording process a little?

It usually starts with a song title and the words flow out right after. The melody comes when I read the lyrics over and over again. Walking outside helps with that. The mood of the lyrics defines the melody i hear in my head. It's basicaly either funny, dark, wacky or mysterious. Sometimes I write an instrumental part on guitar or keyboard and then i keep that on the shelf. I write some lyrics way later and then remember that part i wrote a while back and it fits with the lyrics. the real work is not writing them. it's getting the right sound quality, arranging and then mixing. That last part in the song birth process is the hardest and least fun for me. It usually ends with a deadly migraine! I gotta hire help for that at some point.

Did that process change in any way during the creation of OWTAE?

This lp is more intricate with arrangements than past things which were usually done on the spot. I learned that sometimes a simple demo of a song has more magic than a refined recording of the song . That’s why im putting out diferent versions of the album. Demos and alternate mixes, at least on tape, made available at shows. Kenneth J. Maclaurin made me an amazing cover for it and each tape will be a diferent colour variation of it. One for each season.

“Making movies is like trying to express yourself in slow motion. In quick sand. Music is a nice little walk in the woods.”

Is your work an homage or was everything always an homage?

I would say all of my art is pretty much all an homage and there's nothing wrong with that. The music i'm making is for sure, the sound and references are specific to time periods. I think we all try and alter the things we love in the art we make, we celebrate it. I guess a person or band is original in the sense that instead of just doing a byrds cover or something, you write a song that kind of captures their sound. Maybe you add another influence in there if it feels right. So what started as a sort of attempt to imitate created an original piece. that's good. I think imitation is usually not as conscious and mechanical as the word makes it sound. The song you wrote that sounds like a band you like came out of having their music in your blood. It's gonna come out of you when you least expect it. It's natural and healthy and then you can do so many alternate combinations with music, it never gets boring. You can make that imitation byrds song and stick a distorted tuba or a vocoder in there to switch it up. Go nuts!

On the topic of art, have you got other art projects you are working on right now? Any animation?

Mostly music related stuff every day lately but i need to continue making and selling toys now that i know what works and what doesn't. I'm getting back into that, gotta move these robots and monkey paws again! I’m working on a short called douche bag.

I’ve done animated videos for a fair amount of bands. daiquiri, giallos flame, babysitter and fuck the facts among them, but animation is literally back breaking work and when I get involved with that again it's as a writer or director. Drawing thousands of drawings is dangerous for me. I’m more interested in puppets now since you dont have to animate every frame of a character's mouth moving. I have many projects in mind for puppets and they are slowly coming into this reality.

(for music) Born winner as a one man live act is in the works, more church of aquarius shows, albums for both projects on the way, an album of me covering some film music such as empire strikes back....

What's happening with ghoul street?

Ghoul Street is a short feature puppet horror comedy i'm working on. It's bigger than my other projects. This involves getting a fair amount of people to help. Some human actors, lots of voice overs etc... It will see the light of day at some point, it's just a matter of time. Most of the puppets are made and are all waiting in an attic somewhere...

Is music your favourite art form? How is making music different from making a film or drawing?

I get to express myself quickly with a song. The song's words and melody come out naturally, lyrics are nowhere near as complicated as writing a story. I get a lot out of it. If there's a chip on your shoulder, writing and singing a song about it takes care of that better than any other art form. You can make music pretty easily with just your voice or one instrument, you don't need much. Of course, that simple demo must evolve into a carefully arranged and well played recording but it's still easier than animation. Making movies is like trying to express yourself in slow motion. In quick sand. Music is a nice little walk in the woods.

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