#if you don't live in aotearoa it's still worth learning about

[mayasaura]

I don't really know where this lands on the scale of basic to hot take, but I don't see the locked tomb as a very overtly political series. Like yeah, it has a lot of subtext you can interpret politically, obviously, if that's your jam. but to me, the series has always been an intimate exploration of existing as a badly uncomfortable and isolated person. there are a lot of different reasons people in the series are fucked up, but the important thing to me is that they are. and that they're being witnessed. To me it's a love letter to all the deeply fucked up people out there (esp the deeply fucked up lesbians) saying "you exist, and someone sees you"

Edit: Since apparently people are linking to this post to interpret and argue with it indirectly, let me clarify. I don't mean the story is apolitical. I mean that as I see the story unfolding, the central narrative is focused on the characters, and the heart of the narrative is human connection and character exploration. Of course there are political themes being explored—I've posted a lot about them myself—but that exploration is about asking a lot of questions I don't expect the series to necessarily answer.

Tamsyn Muir doesn't have the answer to colonialism. She does have the answer as to what will happen to two mentally unwell painfully lonely girls I suspect we've all grown quite attached to.

[barbwritesstuff]

Top 5 TV series!

I forgot I put that 'top five' thing into my queue and wasn't sure what prompted this message until I scrolled back through my blog.

Thanks for the ask, anon! I hope you're ready for some unpopular (and very dated) picks.*

5. Art Attack

Look, I was a lonely kid. For much of my childhood it was just me and my brother... and this very keen British man who taught me how to turn scrap paper, paint, and foil into my own spaceship cockpit. Ideas from this show allowed me to decorate my room as a kid, got me through high school art class, and saved my arse several times when I was a kindergarten teacher in South Korea.

One of the best informational programmes ever made. They should bring it back.

4. Air Crash Investigation

I'm sorry. I know it's cheap. I know it's tacky. I know all that. But I love this show. I love learning about and solving mysteries that aren't murders (sorry Sherlock), and the terrible acting makes it so much better. I can't watch this show with people, because I always try to guess the cause of the crash before the end of the episode and yell it out... and I don't know anything about planes to I'm usually very wrong.

Example:

Me: "It's the bulkhead! Check the bulkhead, you fools!"

Voice over: "The investigators check the bulkhead, but find nothing."

Me: "Yes! Because it's clearly the wings, like I've been saying all along."

3. Justice League Animated Series

I got into this series really late. I'd just moved out of home for the first time to go to film school and was having a hard time making friends. I don't know how it happened, but I somehow ended up watching the entirety of the DC Animated Universe during that time, which is impressive, because internet was expensive and terrible where I was living, so I had to go to the library, download episodes, and walk the 45 minutes home carrying my massive old laptop. It was a feat, but it was worth it. This show did what the Avengers couldn't, made me love superheroes.

2. Yu-Gi-Oh!

When I was 12 I was the best Yugioh player in my school. Sure, it wasn't a big school, and not everyone was into the game, but it was still a big deal for me, especially as I was also the only girl who played. The game has since evolved way beyond my skill level, but at the time, I was a god among mortals. 12 year old mortals, but still. I got up early every morning to see the latest episode, and then I went to school ready to d-d-d-d-duel.

Xena: Warrior Princess

I'm sorry. This show is just so nostalgic for me. For a while, I grew up on a farm with no actual TV signal, but we did have old VHS recordings of Xena and I watched it religiously. Lucy Lawless is amazing and this show is forever the best thing to come out of the 90s (and I say that while also, myself, being a product of the 90s). It has:

Monsters

Magic

Mayhem

Queer Love (not explicitly stated, but this wasn't queerbaiting, this was censorship, they were a couple by the mid point of the series, they just couldn't say it, so instead they made a lot of unsubtle sex jokes and came up with obscure reasons why they always had to kiss to save the world).

Aotearoa (New Zealand is the most beautiful place on the planet, I'm sorry if you disagree, you are wrong).

Tonal whiplash (not just between episodes, but sometimes in the same episode, and it was wild)

One very horny vampire episode

Xena can sometimes fly without any explanation

They met an early reincarnation of Jesus and he was a conman living in India?

You know that scene where Character A gets hurt and Character B goes absolutely feral? This.

Leather bikinis and ninja kicks except it's ancient Greece, maybe

The musical episode was the best episode

They fight on ladders a lot and I just think that's neat

*Disclaimer: I am into more modern and normal things but I'm in a nostalgic mood, so these are the things you get to hear about today.

[mayasaura]

Reblogging to give this context better visibility, since someone's started vagueing around the original post

I don't really know where this lands on the scale of basic to hot take, but I don't see the locked tomb as a very overtly political series. Like yeah, it has a lot of subtext you can interpret politically, obviously, if that's your jam. but to me, the series has always been an intimate exploration of existing as a badly uncomfortable and isolated person. there are a lot of different reasons people in the series are fucked up, but the important thing to me is that they are. and that they're being witnessed. To me it's a love letter to all the deeply fucked up people out there (esp the deeply fucked up lesbians) saying "you exist, and someone sees you"

Edit: Since apparently people are linking to this post to interpret and argue with it indirectly, let me clarify. I don't mean the story is apolitical. I mean that as I see the story unfolding, the central narrative is focused on the characters, and the heart of the narrative is human connection and character exploration. Of course there are political themes being explored—I've posted a lot about them myself—but that exploration is about asking a lot of questions I don't expect the series to necessarily answer.

Tamsyn Muir doesn't have the answer to colonialism. She does have the answer as to what will happen to two mentally unwell painfully lonely girls I suspect we've all grown quite attached to.