#if there's one thing i love more than queer characters having good friends of the same sex

[ebenelephant]

Anyway so I know we like to shit on Shameless UK for not having Ian and Mickey get together (and for gross bestiality-related reasons at that) but I do think more people should appreciate the fact that these two gay men who hooked up become pretty good friends afterwards, which, to me, is really fucking meaningful for 00s tv.

[yesyourstalker]

Neta: *sigh*....... .......

Ikkan: nervous?

Neta:......a little bit yeah.....

Ikkan: *hehehe*...... Don't be nervous, you have nothing to be nervous about I'll be right here.... And after this I'll be here forever

Neta: till death do us part

Ikkan: till death do us part...(Peck).... Fix your tie....and ..... perfect.....now.......let's get married

[wedding music]

officiant: Good evening everyone, friends family we are guided here today to celebrate life's greatest moments and to cherish the words which shall unite Neta Verns

Neta: *smiling*.....*sniff*.......hehe

Officiant: and Ikkan Kane

Ikkan: *smiling*.....*sigh*.....

Officiant: you would like to exchange your vows

Neta: I'd like to go..............*sigh*...... ikkan.... I always look back and remember the first time we first met.

Ikkan: heheh

Neta: you were very standoffish and quiet heh You're also a little bit mean just a little bit

Ikkan: heheh

Neta: If something told me that that really wasn't you. I'm so happy My hunch was right. Ikkan You're kind, You're soft-spoken, you're so patient ....*crying*... I'm sorry........ Getting to see you everyday. Your smile, hearing your laugh and listening to you speak ....*sniff*...about your interest. Your passionate rants about Arpeggio and crescendo I still don't know what that means but I love hearing you say it....

Ikkan: ehhehehehe

Neta: that's the smile I like to see.... I love you Ikkan you're my best friend and I am truly grateful I'm going to live the rest of my life with you I-

[Alright he's been in there long enough. Pull him up]

Neta: what!?......... what!?..... what's happening!!....*cough*.....….*cough*.....what the fuck!!... what's going on?!

Octoling Superior: alright Verns you've been in the pit long enough. Time to get back to training. All chargers are outside doing target practice. Take your weapon and go out with the rest of them.

Neta: what?

Octoling Superior: go outside and do tragic practice. Your punishment is over go

Neta: but-but-but I was getting married! *huff* Where's my husband?! My store?! I had a store and my family.....*huff*..*huff*.... Cirrina......my daughter ......what happened to my crab cakes?!!.*huff*.......

Octoling soldier: *hehe* what's he talking about?

Octoling Superior: I've heard if you stay in the ink pit long enough without interaction the brain starts to hallucinate and starts making things up......to keep it self sane. He'll be fine.

Neta:*huff*huff**huff**sobbing**huff**huff**huff**huffhuffhuffhufff......AAAAAAAAAAAAAaaaaah-HA!!.. what?…..huh?..................*huff*.........................*huff*...................*huff*............*huff*.........*huff*.......*huff*........ where is it? Where is it?... here.....*huff*...[squeeze]

Plushie recording: Hi! Demersal the grounding fish! I'm going to ask a few questions ok?... can you name 3 you can see?

Neta:... my dresser......*huff*...my bed....my bass

Recording:.............good job!.....can you tell 3 things you can feel?

Neta:...my bed sheets....my clothes....*huff*....cold floor.....

Recording:..........okay!!....can you tell me where you are?

Neta:......*sigh*....my apartment

Recording:...............good job! Do you know what time it is? The short hand is the hour and the long hand is the minute!

Neta: I know that.... it's...6:47a.m.

Recording:.............. wow! Now can tell me about yourself how old are you!

Neta: ......................35.......

Recording: .........wow! wow!you're so big!

Neta: fuckyou

Recording:what's your name?

Neta: Neta

Recording:.........that's a nice name! We're almost done let's count back to 10 together! Ready?!10,9,8,7,6,5,4,3,2,1

Neta 10,9,8,7,6,5,4,3,2,1......uggghh

Recording: you're doing so well let's take a deep breath ok? Breath in.....

Neta: [inhale]

Recording: now Breath out

Neta: [exhale]

Recording: you are safe.... I'm so proud of you! It's ok to feel overwhelmed sometimes. I know it can be really hard.. just Remember your grounding technique and don't forget to self-sooth!...stay safe hehe bye bye

Neta: you're lucky Behi gifted you to me...if it wasn't for him you would've been sold decades ago.........[chuck] ..............[inhale] [exhale]................ nibbles come here......Did I scare you off the bed?....*kiss*.. . I'm sorry..............hm?...

Mahi:*sleeping*....

Neta: heheh...*huff*...fish still here?.......heh makes sense...

_______________________________________________

Mahi: *yawn*..........ummm....uggg....... Neta you need to get a better couch this one sucks.....oh....

Neta: no.... I don't want you to come home... Not for something as dumb as a nightmare ..hehe....I'm fine.I know..i know I know babe I get that... You shouldn't have to drop everything for me..... I know you don't mind it but I do.... I hate that.... yeah I understand........ yeah........ yeah............................. You're right.......................*sigh*....no......I still don't want you to come home..... Can you at least stay on the phone with me for a while?....... Pancakes... I think I buried some hehehehe.....*sigh*... No.... it looks fine. A little dark in the middle..... It should be fine... You cook better than I do..... What are you doing?..... Why are you milking them by hand I thought you had a machine for that........ Oh she's scared of it? awwww poor manatee......... An hour? it takes an hour to get a full bucket of milk?....... Okay that's fair. They are big...I-(gasp).... Mahi!..[inhale exhale]........ How long have you been sitting there

Mahi: couple minutes..... Can I have a pancake

Neta:. .................... Yeah, I'm fine. No, it's just my employee, yeah fish still here......... I'll call you when I get to work..... I love you too...bye................... How many pancakes do you want?

_______________________________________________

Mahi: *eating*......

Neta:*eating*.......

Mahi: *eating*.... pancakes are good

Neta: *eating* thank you

Mahi: how do to make them shape like little octopuses

Neta:...Cirrina bought cookie cutter sets years ago. sometimes use them for molds for pancakes..... I use it for eggs too...*sniff*...........*sigh*............ I have to get ready for work.....[stretch].......[POP]...mmmmm......fuck not today knee...ssssss

Mahi:...*eating*....you know you really should try investing in a knee brace I think my friend has a couple of them I can see if she can give you one

Neta: that's nice........

Mahi: so I know you have to go to work and everything in a couple minutes. Would it be too much to ask to drive me to campus I got to go to the library and do some studying

Neta: Alright..... We'll leave 15 minutes... Do you have clothes to get dressed in?

Mahi: no

Neta: we can just find something in the drawer.....

Mahi: can I borrow these jeans?

Neta: Yeah sure. I don't think they don't fit you tho

Mahi: they fit me just fine I just need to cut the pants legs

Neta: *sigh*. . You know you might as well just take the rest of my old clothes. I'm never going to fit em again anyway

Mahi: really?

Neta: yeah really I insist I really don't care. You can have them

Mahi: are you sure?....

Neta: you know what I'll just give them to my daughter she doesn't listen to 'Cyrus in the cyclones' but I think she'll like the Cool vintage look of it

Mahi: no gimme! Don't give it to her! She'll just ruin it and turn it into a jagged uneven crop top! _______________________________________________

Ikkan: I finished milking tulip

Koi-koi: That's good hun. We'll have it pasteurized tomorrow. Just keep it in the fridge in the shed

Ikkan: alright

Cirrina: I'm going out..

Koi-koi: and where do you think you're going?

Cirrina: I need to go into the city The ferry leaves in an hour

Koi-koi: I don't think so. You haven't finished your chores you were supposed to refill the Manatee feed today and You're supposed to mix up the compost in the back.

Cirrina: I know I'll get to when I get back

Koi-koi: noooo... You will do it now. Young lady, I'm not like your father or your grandfather when I say do something you do it now. You can take the next ferry

Cirrina: but I-

Koi-koi: no buts young lady

Cirrina: I'm meeting someone

Koi-koi: meeting who Exactly?

Cirrina:.............a friend

Koi-koi: ....a friend? What friend?

Cirrina: (blush)......he's a boy

Koi-koi: a boy?.....

Cirrina: ... yeah....

Koi-koi: where is he taking you?

Cirrina: a museum, around town

Koi-ko:........ A museum?........................................,........ Be home by 9:00......... Here get yourself some food maybe a souvenir.

Cirrina: you're cool grandma....

Koi-koi: uh-huh whatever...... When you get home you'll do the chores that you were supposed to do and..... You wash the dishes

Cirrina: alright

_______________________________________________

Baja: did you see the commercial mom?

Baja's mom: I saw the commercial... I am so proud of you sweetheart You're going to be on TV how exciting

Baja: I know ... I still can't believe it

Baja's mom: this is going to open up so many opportunities. The benefits will be nice. You have a nice paycheck and a lot of money, make sure you save some of it. You're going to make so many new friends!!

Baja: yeah hehe I hope I do...

Baja's mom: I know you have problems making friends.

Baja: mmmmm

Baja's mom: You're a sweet boy you really are

Baja: thank mom

Baja mom: you know this might be the perfect time for you to find someone

Baja: fine who?

Baja's mom: A partner! Ohhhhhh I'm so happy for you honey. You can go on dates. You can meet new people. You'll be married in no time?

Baja: uhhhhh I guess....... I'm going to be really honest Mom. I don't really think I want to do that right now

Baja's mom: Well I don't want to rush you but it's good to start... You know your brother is already married and your sister is on her fifth kid...

Baja: Mom

Hine (Baja's mom): I know. I know I shouldn't compare my kids but let me just finish. Your siblings are no older than you and they've already have their lives set up and I don't want you to fall behind

Baja:Mom, I'm not falling behind. I-I just...ugh....... I'm just....... I'm just not good at dating and seeing people

Hine: What on Earth do you mean baby?! you're not good at dating? Honey, you're the most talkative and social person in the family! How could you think you're not good at dating? You're a real catch

Baja:.........

Hine: What about that fella you told me about? I looked him up, I didn't really like the images I saw .. what about him? I thought you liked him?

Baja: We broke up

Hine: you broke up?....*sigh*...... So you're single?........ So what are you just......... Are you just sleeping around?

Baja: (blush)..NO! I'M NOT

Hine:Sweetie, don't be embarrassed. A lot of young adults have casual sex ...I'm just saying you know eventually you need to settle down and-

Baja:I'm not.. I'm not..... I'm not having sex. I never had it

Hine:....…Well that's ok. Personally I waited to get married to-

Sibling: HA! VIRGIN!

Hine: Maui! What did I tell you about eavesdropping! Go!.............*sigh*....... Sweetheart..... I don't want to put pressure on you sweetie...... I just don't want you to be alone we're not good when we're alone... I want you to have a family

Baja: I'm not alone. I have a family. I have you and my siblings..........and Desmond I guess

Hine: we can't live forever honey you're going to need to find someone eventually.

Baja:................... alright..... I'll try to find someone...

Hine: I know you'll find someone there's someone out there for everyone including you sweetie....

Baja: ........ yeah.....l love you.... bye

Hine: I love you too

Baja:.....................danm

Hitch: we're filming in 15!

_______________________________________________

Bayou: this painting is a. Self-portrait of Joyce Veair she was our firat prime minister

Cirrina: wow... she's gorgeous she painted this herself

Bayou: Yes... She has so many paintings around the world. She even has one in Museum d'Alfonsino

Cirrina: really...... She's very talented.

Bayou: not only that, she was very intelligent and very outspoken....

Cirrina: what's this one

Bayou: this is a sculpture made entirely out of urchin spines it was made by tosh monui. Every month he'd shed his old spines. He would collect them and Stick them in a ball of wax until the ball was completely covered in spineies. After he'd take the rest to make a body, he would call them mace men because they look like maces with a body. He soon started to model them after cave drawings of primitive urchin

Cirrina: that's amazing....oh what's this one. This one is beautiful

Bayou: this one is called 'home'

Cirrina: it's a beautiful landscape....who is by?....... This piece was painted by One of the top students in krillarney School of arts and it's one of the youngest to be presented in This museum she has won several awards and has several nominations. We are privileged to have her in a museum This piece is called home by Bayou Ster..............wow same name as you

Bayou:.........ehehehehehe Cirrina. That's me this is my work.

Cirrina: oh..hehehe I'm stupid........ It's really nice. You're really talented....

Bayou: thank you.... This is one of my favorite paintings I used an old picture of my nan's old home.

Cirrina: I love the texture and the hills and trees. It's even in the river.... Do you have more paintings here?

Bayou: I have this big painting over here. This one took me a whole month to finish this one..... I rode the fairy everyday just to get the perfect reference for crashing waves

Cirrina: wow .. . it's amazing

Bayou: it's almost 6 do you want to get something to eat. We can go to Mrs Cuddles to get some fried cod and hush puppies

Mrs Cuddles: Harold, bring these pines to table 7!...

Bayou: hi Mrs Cuddles!

Mrs Cuddles: Bayou how are you darling, Cirrina! Ohhhh... You two hungry? Let me get you something Harold, drop two more cod in the fryer!!..... You to relax. I'll get you ladies some sodas while you wait

Bayou: thank you!

Cirrina: thanks............................................. So you're probably going to think I'm really dumb but for the past 3 days I thought you were a guy

Bayou:.............hehehehe Did you?.must be the tentacle cut huh?

Cirrina: hehehe... yeah...hehehe... I'm sorry.....

Bayou: If I'm being real here I don't identify with anything in particular...if you see me as a guy I don't mind it

Cirrina: if you don't identify as that I don't want to

Bayou: I see myself as everything and nothing, masculine and feminine and anything in-between. I really don't mind Cirrina

Cirrina: All right if you put it that way hehehe

Mrs Cuddles: here you go! Fresh cod and a large bag of hush puppies for the road!

Cirrina: thanks how much do I owe you?

Mrs Cuddles: nonsense it's on the house. Kiddies eat for free here. Once you reach the age to drink you have to pay

Cirrina: thanks Mrs Cuddles!....

_______________________________________________

Neta: *humming*...(Pat)..*humming*....(Pat)......

Ona:.........

Candi: *snoring*........*snoring*.......

Tv

Baja:What is music at midnight? Well as the names in the title says we're going to be talking about music and it's going to be airing during midnight.

Announcer: music at midnight a new late night talk show! Premieres tonight only on O.E.T!

Neta:.....*sigh*....... ikkan would love this show. .........me and him cuddling watching TV at midnight. Under a blanket surrounded by pillows...................... I miss him....

Ona: [baby noises]

Neta: yeah? You would like the show too Ona?

Bowie: what are you watching?

Neta: Bowie go back to bed. It's past your bedtime, go back upstairs with your mom

Bowie: but she snores too loud!

Neta: Bowie.. .... okay

Bowie: what's in this room?

Neta: noooo that's my daughter's room you can't go in there....let's sit down on the couch..... come on........(click).....why don't we watch 'Ollie? ...you like Ollie

Bowie: alright

Tv

[Music]........Mom!..[music].......Dad!.........[music].......Leo!......[music]...........OLLIE!

Bowie: hehe

Neta: you need to lay down. try to get some sleep before your dad picks you up. You start preschool soon, you need a proper sleep schedule.

Bowie: okay

Ona: [fussy baby noises]

Neta: you need to sleep too young lady ......

Ona [crying]

Neta: someone is hungry..... Come on baby girl. Let's get you something to eat and fresh dia-(gasp).....*sigh*..... I need to put a bell on you

Mahi: I need to finish my homework I won't be annoying I promise.

Neta: where's Baja should he be at home with you?

Mahi: He's at work... They're doing a test stream or something or whatever

Ona: [crying]

Neta:.......*sigh*... Alright ........ I have some left overs in the fridge if you want anything.... Can you watch Bowie? Just make sure he's sleeping or watching TV as long as he's quiet.....

Mahi: ......(typing) alright

Neta: come on Ona....

_______________________________________________

Cirrina: ..... that was pretty good

Bayou: Yes I go there every other Sunday....

Cirrina: I leave on Sunday.... Maybe I can get another one before I leave....... Is that a music store?

Bayou: The old music store? Ye.....you play an instrument?

Cirrina: I play the cello .... It's nothing impressive really..... Second chair trying to get first chair in high school

Bayou: wow I'd like to see you play

Cirrina: no...nooo I-I couldn't .... You were going to take me to the cafe

Bayou: come on... Let's go inside....... We have plenty of time

Cirrina: ehhhhhh ok..... ...

Bayou: excuse me do you have a Cello we can try out?

Employees: sure.....hol up...let meh jest.......unlock.....here ya are..... .

Bayou: here you go Cirrina

Cirrina: [playing Bach: Cello Suite No. 1]

Bayou: [clap]...[clap] ...wow brains and beauty

Cirrina: (blush)..........you don't mean that

Bayou: I do .... You really talented

Cirrina: hehehe.............

Bayou:................

Cirrina: It's getting dark. I need to go home.

Bayou: Yeah why don't I take you to the cafe and get something to go and I can walk you to the ferry....{takes hand}

Cirrina: I'd like that.

_______________________________________________

Candi: mmmmmmm.....*yawn*........*huff*........(Squeak).....hm?

Plushie

Recording: I believe in you and your strength to keep fighting

Candi: Demersal?....... Do they still give these out?.....(Squeeze)

Recording: sometimes bad things happen and they're out of our control. It wasn't your fault

Candi: Cod I hated this thing ........ alright where are my kids? .... I'm well rested and ready to go........hey Neta..(toss)...

Neta:...ow......... hey........(Pat).......(Pat)......(Pat)

Bowie: *sleeping*..........

Candi: thanks for watching the kids. Donn had to go back to work today...*yawn*...... just needed a break..

Neta: no problem

Candi: how's Ona doing?

Ona:*sleeping*.......

Neta: she's fine......

Candi: .. That's good.. .... why do you still have this thing?

Neta: it was a gift... I got it when I was a kid...I just can't give it away

Candi:............

Neta: What! Ok what did you do with yours?

Candi: I ripped out the voice box and gave it to Bowie. He then threw up on it so I threw it away. Kids...

Neta: yeah... I had an old blanket I used to wrap her in. One blowout later and it was in the trash

Candi: hehehehe... Don't you just love being a parent sometimes?

Neta: heheheh.... Don't tell her I told you that she would kill me.. hehehdhe

Mahi:.......guys

Candi: hi mahi..........

Mahi: hey

Candi: ....... Donn's outside I got to get going.... Neta do you mind?

Neta: *scooping up Bowie*....yeeep let's go.....

_______________________________________________

Cirrina: I really enjoyed this.. I had fun.

Bayou: I had fun too Cirrina. I really like you

Cirrina: I like you too ..........................

Bayou:...............

Cirrina:...........

Bayou:..........*leaning in*............[kiss].....

Cirrina: [kiss]........ Hehehe

Bayou: hehehehehe

Cirrina: (blush)..... I- I need to go....uh

Bayou: I'll text you.......[peck]

Cirrina: bye......

_______________________________________________

Neta: alright!! Drive safe!!!!.....*sigh*......... mahi go home.

Mahi: I just got here! And I'm not being annoying. Please can I stay just one more night please

Neta: No, I didn't sleep well last night and I just had to babysit two kids. Let me have my peace. You've been staying here for a week. You practically live here. I need to clean up, I need to do the dishes and vacuum the floor, laundry .. I need to clean out nibbles's box. I need to make this place look like I wasn't wallowing in my own loneliness. All right

Mahi: you can do that when I'm here. It's not going to bother you

Neta: mahi goooooo home.....

Mahi: please can I say one more night please? I won't complain about the couch

Neta: no..... good bye

Mahi: but my apartment is quiet. You complain about wallowing in your loneliness. What about me you don't think I'm wallowing

Neta: get a pet or something ... (SLAM)

Mahi: (bang).....(bang)...... Where do I get a pet

Neta:AAAAAAAAAHHHH........*sigh*.. . . You can stay. This is your last night here. Tomorrow I will take you to the pet store after work pick out whatever you want and leave me alone..

Mahi: thanks Neta!

_______________________________________________

@fish-at-fish-fish-resort mahi go home

[fruity-phrog]

Okay, I saw someone say that Nimona, while being good representation, “didn’t take the big step forward in queer rep that everyone says it did”.

That is wrong. So wrong, my dude.

Yes, an explicit and open queer relationship in children’s cartoons is not new, per ce. Hell, just this year, two popular kids’ cartoons had the main character in an open, adorable, plot-based queer romance. But this is different for a few reasons.

Reason number one, it isn’t left in suspense. Yes, they had that split for three odd weeks, but they started the film as a couple. One of the very first scenes is them together as a couple, Ambrosius saying he loves Ballister, them holding hands, Ballister leaning on Ambrosius’ shoulder. Ambrosius says he loves Ballister three times during the film, and none of them are any more than halfway in. It’s very clear, from their very first interaction, that they are an established relationship, which isn’t something I’ve seen...at all in other animation.

Secondly, they are the plot. Ambrosius not believing Ballister, Ambrosius cutting off Ballister’s arm, Ballister trying to get the video to Ambrosius - this is what drives the plot. In any other children’s animation with queer relationships, the relationship is not the main focus. Even The Owl House, which is so amazing with its constant representation, would still make sense if Luz and Amity never happened. But Nimona’s plot wouldn’t make sense without Ballister and Ambrosius’ relationship. It, quite simply, can’t be erased. It could work as a friendship, yes, but that’s the point. They could have just been two close friends that fell on opposite sides of a fight, but they weren’t. They were two lovers that fell on opposite sides of a fight. 

Thirdly, they aren’t sanitized for “family viewing”. An emerging trend in children’s animation is to only have mlm relationships as fathers to make them seem more “family friendly”. With the exception of Kipo, there really isn’t many tv shows or films that places light upon an mlm relationship. And if it does, it'll be a teen relationship because teenagers being queer tends to come across as less “dirty” and more “innocent”. But Goldenheart is none of these things. They are adults without the mollifying aspect of having a family. And on top of that, they fight. They wield swords and they get bloody and they shoot at things and get angry and yell. They aren’t “clean” and “innocent”.

As well as this, they are in a film. Films are far more accessible than tv shows. You have to watch twenty seven episodes before Lumity in toh is canon. Troy kisses Benson on the eleventh episode of Kipo. And there are two hundred and eighty three episodes of Adventure Time before Marceline and Bonnie kiss. But with a film, the queerness is much more forward - especially in Nimona, where it’s literally the second scene. Animated films hardly ever display queer relationships, but Nimona did.

Finally - they aren’t perfect. I don’t know about you, but three weeks of thinking your boyfriend/maybe ex is a murderer? Doesn’t sound like a healthy few weeks to me. I have only seen big relationship arguments portrayed in straight relationships in cartoons - think Star Vs The Forces Of Evil - whereas queer relationships either have the massive fight prior to being canonically gay - She Ra - or have conflict, not arguments, that are dealt with quickly - Dead End/The Owl House. But Goldenheart? Goldenheart suffers. Their relationship is pushed to such extreme boundaries as for them to be pretty much exes throughout most of the movie. And yet, they are clearly healthy, happy and very much in love at the end. 

TL;DR - Nimona is amazing with the queer representation, and it is a milestone for LGBTQ+ cartoons. Not only is the relationship romantic for the entire movie, the plot is driven by Ambrosius and Ballister’s sort-of-break-up. In short, they are treated the same way straight people are. They have flaws, they have massive arguments, they have plot importance, they have backstory. They are in love. And that’s what matters more than anything else. 

[rowenablade]

Okay. I’m going to wait to do a second watch before I articulate most of my other feelings here, but I want to address one thing.

I’m seeing a lot of posts like, “I related to Izzy because I am also queer and older/disabled/depressed. By killing him off, the writers are saying that I deserve to die.”

Guys.

I’m not saying your feelings aren’t valid. I totally understand grieving a character that you relate to. But speaking as a writer, I just want to point out that trying to write with the shadow of “what is the absolute worst and most harmful way a reader can interpret this” will smother your ability to create. Twisting yourself in knots, trying to think up the worst-faith takes possible and scotch-guarding all your writing decisions against them is exhausting to the point of making you just not want to write anymore.

And we’ve seen the writers deliberately choose not to do this in Season 1. Remember all those terrible “Izzy is racist” takes that the writers and cast seemed completely blindsided by? That happened because the writers and directors and actors weren’t going over every scene with a fine tooth comb, ferreting out every shot or line of dialogue or micro expression that could possibly be interpreted as racist, and scrubbing it off. Because there comes a point where your story is what it needs to be, and you have to accept that some people will interpret it in ways you didn’t intend them to. And if you can’t accept that, you’ll never find the courage to put your work out there.

The point of diverse casts and writing teams isn’t to achieve a state of, “Nothing bad ever happens to a character from a marginalized demographic ever again.” It’s to achieve a status quo of these types of characters just being people in the world of the story. Not symbols, not representation boxes to tick, not tokens that you can point to so that you can say, “Here, we acknowledged this type of person exists, now where’s our woke points?”

OFMD is full of characters of color, queer characters, older characters, characters of differing body types. And in stories, things happen to characters. Some fall in love. Some make the same mistakes over and over. Some turn into birds. Some die.

Izzy’s character represents a lot of things, but he does not represent every older, disabled fan or fan who has struggled with suicide, any more than Jim represents all genderqueer fans, or Olu represents all black fans. That’s not how the writers were handling him. They were handling him like a character, because that’s what you have to do.

Again, I understand being sad. I am so, so fucking sad. But this idea of, “Any time something bad happens to a character I relate to means that the writer thinks I deserve these bad things to happen to me,” will poison everything you engage with eventually. Because stories are full of things happening to characters, and they won’t all be good things. And the more representation we get, the more often bad things will happen to characters we relate to.

But good things will happen too.

Queer couples get married. Disabled women run off with their favorite husbands. Middle-aged characters change careers. A multiracial polycule finds a home at sea. A fat man covered in tattoos stars in a drag show and all his friends cheer. All these things happened in the same show as Izzy’s death. This is what this world is.

Anyway. I know emotions are running high and I’ll probably get blocked or unfollowed by a few people for this. But I’m just trying to find my peace where I can, and if anyone else finds this useful, cheers.

[artsy-waffle19]

They literally put Edwin through every possible gay-romance trope but made it realistic and that's so special to me like

we got the "probably former friend can't handle feelings and turns into bully instead" but it doesn't end with them, making up and being happy, they break apart, things escalate and they both suffer from that situation for a major part of their existence. With a bit of luck and a LOT of growing they manage to talk it out and the victim finds it in himself to forgive his bully but it's never going to be truly fine. But even though they both suffer tremendously, they are faced to deal with themselves in the process and find a kind of peace they wouldn't have gotten otherwise. Because maybe it's better to hurt for a long time only to realise that it really doesn't have to be torture to be the way you are and finally freeing yourself entirely than quietly live without the conflict but also without the realisation and resenting yourself for its entirety.

then there's the situation with the cat king. Older, emotionally unstable guy obsesses over younger inexperienced guy who actually understands him and causes some sort of gay awakening. But instead of some "I can fix him" bullshit with them, ending up happily ever after because "they're the only ones who understand each other"TM we get to see Edwin set boundaries and standing up for himself which benefits the both of them. For Edwin this ends in going "Hey thank you for opening that door to discovering that part of myself but I'm actually gonna have to leave you at the doorstep now" and for the cat king it ends up with him actually feeling seen because for once somebody didn't fall for his probably usual game of "I'm bored so I'm going to make a game of getting that guy to do what i want by seducing him". The fact that they don't end up together is the reason they were good for each other.

Also the situation with Monty which is basically the experience of a lot of queer peoples first relationship. They meet and they're both somehow new to all of this. Being queer, relationships, all that stuff. And they get along and share some interests, they like soending time with each other and technically it's like in a romance book because they meet and one of them is immediately interested and then they talk and they sit on a swingset and they kiss. And there's the excitement about "apparently I'm making my first experience with romance right now" and the worry of "I'm queer...I have it harder with relationships...what if this is the best option i have? what if it's the only one?" so they go through all the romance book tropes but the spark simply isn't there and it ends in one of them getting way more invested tha the other and they eventually end up breaking up in blood. But in a way both of them got an idea about what they actually want in life out of it so even if that sone didn't end well, it did give them something.

And last but not least the "in love with best friend who likes someone else/someone of the opposite gender specifically" but instead of having that best friend be secretly in love with the character all along or suddenly turn homophobic and the friendship being ruined they talk about it and they move on and the friendship isn't damaged and in a way it might even be better because sometimes our feelings are unrequited and sometimes that's okay.

I just really really love how the show took all of those options for cheesy and in a way sometimes even forced romance tropes and went "hey, life is not a romance novel but actually that kind of makes it better because look where it got you now"

[queerly-autistic]

One of my favourite things about S2 was that we got to see so much in terms of Ed's relationships with women, and it just made me love him even more (if that's humanly possible). We didn't see him interact with many women at all in S1 (I think it was only the posh ladies at the fancy party which was...yeah, not a good experience), so S2 actually giving us a glimpse into his friendships with all these (very different) kickass women was so, so special.

I love that, as messy and fucked up as they all are, and even with the 'well we're pirates, we're not normal and we will fuck with each other' threat that hangs over everything, Ed's relationship with Mary and Anne is still so affectionate, and they both thrown their arms around him the moment they see him. Even though Ed is incredibly tactile, I don't think we've actually ever seen him be hugged like this, and it's just so lovely to watch him be embraced and clearly feel very safe being embraced by these women (and I can't with the way he clings to them, as well). I also love that this is a wlw/mlm friendship; yeah it falls apart later and turns into delicious gay-on-gay violence (and I wouldn't alter a note of it), but I love seeing this sort of affection between queer women and queer men, there's not nearly enough of it.

Don't even get me started on the BFF handshake he has with Anne - I want all the history there, give me six spin-off films about their adventures please.

And then we finally get a glimpse of his relationship with Jackie, which is similarly just lovely, but in a different way? You get the sense that they could sit there for hours, talking shit about the world, all whilst casually ripping the shit out of each other (but affectionately). You also know full well these two have talked extensively about men and know pretty much everything about each other's sex lives - we didn't see it, but I'm absolutely certain that Ed went into full gushing details about sleeping with Stede, just like Jackie did when she talked about The Swede fucking like a jackhammer (historical accuracy ftw).

And, again, whilst they're still pirates, and it's messy, the entire thing feels incredibly...safe, particularly from Ed's perspective? He feels more comfortable around Jackie than he is around most other characters (apart from Stede), just like he was with Anne and Mary.

And then, just to hammer the point home even further that Ed has, generally, fantastic relationships with women, and connects with them, and feels relaxed and safe with them, you have Ed and Zheng becoming instant BFFs literally minutes after meeting each other. Ed goes 'ooh, very cool woman kicking ass and killing people, she shall be my best friend, immediately', and Zheng is automatically incredibly relaxed and open with him, too (suggesting she feels as safe and comfortable with him as he does with her).

All I want in life is to see Ed and Zheng get silly-drunk with each other (and this is why we urgently need a S3).

And none of Ed's relationships with these women are a fetishistic 'I love women because they're fabulous' thing, or an overly patronising paternalistic 'I love the women and I must protect them' thing - all the relationships he has with women are very equal, very comfortable, fully believable, just fantastic friendships to watch play out. I feel like, given everything we see on screen, Ed generally feels a lot more comfortable and safe and open with the women he knows than the men he knows (Stede is the only other person he is this physically affectionate and comfortable with). Which is probably very understandable? Yes, the women he's friends with are all violent pirates too (that's part of the joy of it - none of them are lovely demure morally pure women, they're all violent pirates), but Ed has a lot of experience with specifically overtly abusive men - right back to watching his dad abuse his mum. And that's a distinction that matters: the show treats the violence of normal piracy and the violence of abuse very, very differently. Ed is not used to being treated softly or affectionately by men, as we saw in his shocked reaction to Stede holding his hand. I don't think it's any wonder that he gravitates more towards friendships with women (or that the men he feels the most open and safe with, such as Stede, Fang, even Frenchie, are very pointedly the opposite of the abusive men he has experience with). I just love love love that being friends with women is such a core part of Ed's character, and that we got to see all of these fantastic relationships in the show.

[dropoutconfessions]

It makes me incredibly angry when people say "Riz is canonically aro/ace" and act like you're a horrible person if you ship him with people. Like. Nowhere in the show is it ever stated that he's aro/ace. The conversation people reference as him being "canonically" aro/ace is just him expressing his lack of very specifically sexual attraction, and even then the response from his dad (and by extension Brennan and the show as a whole) is that it's okay, and that it's specifically unclear whether he's ace or whether it's just not something that's happened for him in specific yet. It is intentionally vague as to whether he is ace or not, and there's genuinely zero indication in the show that he's aro other than that he doesn't have a love interest which could be completely unrelated.

Right so I'd like to share my opinion on this for a brief moment. I am still fully here to give people a voice, but this is just, an issue that kinda hits close to home since I'm demiaro.

The most annoying thing in a lot of media is when representation is shoehorned in as a list of labels and buzzwords we're given. Queer people should not have to turn to the screen and say their full identity in order for them to be canonically queer. That's what subtext is for. That's what good writing does. Is not spell it out for you when it's not necessary to do so. They do not need it to be spelt out for it to be very clear that he's ace/aro.

I am going to assume ignorance here instead of assuming malicious intent. The idea that the reason he isn't ace, is because "it's not something that's happened for him in specific yet", is an extremely common thought process behind asexual erasure. I'm sure that's not what you intended, but that is something to reflect on in general.

Both Adaine and Riz have yet to have relationships or display crushes (not counting junior year since most of the evidence comes from sophomore year) . Adaine hasn't gotten an entire nightmare sequence / arc around dealing with here friends all finding partners and leaving them alone. Adaine hasn't expressed or had conversations about any lack of sexual or romantic feels to the extent Riz has. Adaine is headcanoned as ace/aro by some people. Riz is more than that. Riz is very much canonically ace/aro if you do the slightest bit of character analysis. There's accidental coding and then there's Riz Gukgak.

List of every single Riz trait that is hella ace/aro coded

A lack of sexual and romantic attraction to other people (I'm not counting the time where he said he was kinda into Sexy Rat, that whole scene was a bit, and absolutely insane)

Making up a partner/crush in order to fit in (I have 1000% done that and so have a lot of acespec and arospec people)

A fear of being left behind by his friends because of a belief that they will find partners and move on from him, largely caused by alloromantic culture's insane emphasis on how the most important relationship is a romantic one

The fact that almost every other fantasy high pc has been in a relationship or a crush (kristen had tracker and gertie, gorgug had zelda, unit, and mary ann, fabian had aelwyn, ivy, and mazey, adaine had oisin and possibly zayn depends on your interpretation, and fig has had ayda and a string of professionals in a variety of fields across seasons 1 and 2) with only riz as a single character

The fact his sophomore year arc was entirely about his lack of sexual/romantic attraction and fear of being left alone because of it

Like not even a joke, it was that and his dad, that was the whole arc

His junior year arc was also about his obsession to stay together as a friend group, which like I mentioned above, is very clearly based in his asexuality and aromanticism

I am not going to stop people from shipping characters ever. If you want to rewrite character sexualities, that's fine by me, I'm a big believer in "Don't Like, Don't Read". I am not gonna pretend like characters are not their sexuality in canon so that people feel justified in writing their stories. People who rewrite character sexuality can do so without making everyone else assuage their guilt for them. I know I'm on the "piss on the poor" reading comprehension website, but it's not hard to tell Riz is ace/aro in canon, and pretending otherwise doesn't help your case.

[luunamoona]

the way community handled queerness is honestly so peak. like, there're 3 main moments i can think of in the show where queerness was apparent and mentioned: advanced gay, queer studies and advanced waxing and britta's pitch in emotional concequences of broadcast television.

in advanced gay, the cornelius hawthorne is seen as a villian for having traits like being abusive towards his son, pierce, him being really racist and him being homophobic. this acknowledgement of homophobia being a bad thing is definitely good for the early 2010s, as many shows treated being queer as a joke back then. also cornelius being fucking murdered at the end of the episode solidifies the fact his actions were deemed immoral and he therefore had his comeuppance.

community only ever uses queerness as a punchline in the context of troy and abed's relationship, the punchline usually being "look at how romantic these 2 friends are how silly", which could be seen as homophobia as the same context with a man and a woman would be treated differently by the showrunners as it'd be turned into a romantic subplot.

the next example i have is from queer studies and advanced waxing. having the dean tell richie and carl that he "isn't openly anything and gay doesn't begin to cover it" is much more progressive than many other media at that time, and even now, as they'd usually have the queer character just be gay for convenience. this need for convenience is commented on in the episode with richie and carl basically coercing the dean into adopting a label that is inaccurate but convenient for his straight peers. back to my previous point, presenting queerness as being more complex and having more nuance than just gay and straight is something that is very useful to queer viewers as it presents an option beyond these 2 ends of the spectrum. unlike what other shows may do with this concept, community treats it seriously, showing the dean's inner conflict with presenting with an identity that isn't his, with lines like "i feel sick". (also side point, the line "i make gayness look like mormonism" goes so hard)

finally, there's britta's pitch in emotional concequences of broadcast television. in this, the dean protests britta's decision to make him transgender and not "all this other stuff". something i love about that scene is the ability to critique queer represention without insulting it. as a trans person, i've seen a good amount of transphobia is television. this isn't one of these times. being able to have trans identity be a part of the punchline without it being insulted is something that is apparently very hard for screenwriters of sitcoms to do, so i commend them for being able to do that. as well as this, this scene acts as a criticism of how basic queer representation in media is, how they like having one distinct, easy to understand label to give their token character, ignoring "all this other stuff". it's telling us that, like in queer studies and advanced waxing, queer idenity isn't black and white, it's a wide spectrum of identities that comes in many, many different colors.

all in all, community's representation of queerness and how it treats insults to queerness is something a lot of other shows should try to strive for. in my opinion, it has some of the most nuanced takes of queer identity and representation out of any sitcom that doesn't have queer people as a target audience. it feels very fitting, since the show is literally called community and it about a group of misfits who bond over their shared messed up-ness. this show is all about finding your people and accepting everyone, as pierce says in for a few paintballs more, "flaws and all". i think the showrunners had an impression this show would speak to a lot of queer people and i love that they were able to make us feel welcome just as greendale does to the study group.

[cannibalbuffe]

hi! I've honestly been craving some qpr headcanons with Alastor as someone who's also aroace! The concept piques my curiosity so much considering most of the stuff with him is purely romantic (no offense to those writers, I just wanna see more qpr stuff! :])

Of course! But do forgive me, annon, I got so carried away with this 😅. I just really like Alastor a lot.

I ended up writing some backstory to your relationship first, but I highlighted the start of the proper qpr headcanons if you feel like skipping that.

Obligatory I'm sorry if this is ooc, I'm still getting used to writing about these characters. This is also all based on my own perception of him.

(Also, I am aware that qprs are very different from one another and there is no single mold for a qpr, I'm just going off of what I think it would be like with Alastor.)

Uhh, I also finished this at 1 AM, so forgive any mistakes. And I'm pretty sure I changed the verb conjugations(? Is this how you say that in English?) from present to past at some point. Sorry. Enough with the A/Ns now. Hope you enjoy!

Alastor queerplatonic relationship headcanons

(gender neutral reader, Alastor x reader)

‼️Trigger-warning‼️: mentions of cannibalism (not graphic), a single mention of tongue-kissing and making out (spoiler: he doesn't want either of those things in this work.) Usage of the word queer, but not as a slur. Alastor is a grandpa and you have to explain LGBTQ+ stuff to him, but he gets it.

› At first, before you were close, it's likely that he didn't see you as an equal.

› Truly, in his eyes, it seems not really is his equal. He is the most powerful overlord in hell and he knows it.

› Unless you are someone he holds in high regard (and this is mostly based on vibes, barely anything to do with power, as we can see by how he is with Lucifer of all people) before your first meeting, like Zestial, you won't be on equal footing at first.

› You only really start getting close when his perception of you shifts.

› You respect his boundaries, you are interesting, you and him share quite a few interests (or not really, but you're at least interested in hearing about his), and you're, surprisingly, pretty wise and mature.

› And caring. I personally believe he would be drawn to that in a way that he may not even understand fully- or realize it at all.

› Still, the point is. He respects you, and you respect him.

› (And not in the way some others do, where they're only "respectful" out of fear. You would act like this regardless of his power.)

› This, by the way, is important. You don't treat him like a superior, but as an equal.

› You'd think someone like him would love to be treated like a superior, and it's true. He very much does.

› But he has to admit to himself that it does feel nice whenever someone isn't shaking in their boots and can hold really good conversations with him while still not being pushy, annoying or just generally disrespectful.

› Anyways.

› Ever since you became friends (which took long), one could say, you just kept becoming closer and closer.

› You were the first one to be vulnerable with him, of course. It happened on accident, but you trusted him enough for that.

› You were also the first one to share any more intimate information with him. Something you wouldn't tell just anyone.

› Between this, your conversations, and maybe even helping each other around (honestly, he probably helps you more than you do him, but you always offer it and always in a sweet way, never condescending, and he appreciates that.)

› He eventually felt more comfortable sharing personal things with you too.

› (He may have distanced himself a bit when he realized this, but it was short-lived. You can't be without each other for so long, and you were pretty upset at his suddenly withdrawal. You may not have mentioned it to him, but he could tell, and as much as he hated to admit it, it hurt him to see you sad because of him.)

› This marks the beginning of the path toward your queerplatonic relationship.

› I mean, you didn't initially label it as such, but it definitely started there.

› Surprisingly, I feel like the first one to ever do any sort of affectionate gesture towards the other was him.

› You knew he didn't like to be touched, so you didn't.

› But! He just started getting more and more comfortable with touching you. At first it was hands on your shoulders, or putting his arm over them.

› I can even see a head pat or two, which he probably passed off as some sort of joke the first few times, but, if you liked them so much, just became a thing he does to you.

› And then one day you, completely absent-mindedly, intertwined your arm with his while walking around.

› When you noticed you had done it and he hadn't said anything, you questioned him about it.

› "Alastor, I'm sorry I didn't ask... is this alright?"

› "This?... Oh, you mean the arms? Ah, dear, don't worry, if it weren't I would have simply told you so!"

› From them on you only got more and more physically affectionate with each other. At first you would usually be the one to start it, but eventually you were both shockingly equal in doing so.

› (You still would always ask if you could touch him beforehand, but after a while he just gave you a free-pass.)

› Not a lot in public, though. Mostly just hand holding, or intertwining arms (if in public, that is.)

› Alastor also was so protective of you. You were the person he treasured most, after all.

› Well, demon.

› Even if you told him you were going to be okay, he would watch out nonetheless. He couldn't afford to lose you, not when he's never trusted and cared for a person this much.

› You two also cuddle a lot. You were the first one to ask, as usual, but now both of you feel weird sleeping alone.

› Alastor loves being the big spoon, if you're doing that.

› But he is also quite fond of occasionally being the little spoon, although he wouldn't be caught dead admitting it.

› A hobby you two do together is cooking. Cooking with Alastor is fun... especially if you're okay with cannibalism.

› But if you don't like that, he won't insist, of course.

› He's pretty good at cooking, though! If you're also good at it, then great. If not, he'll tease you about it (in a friendly way), but still teach you.

› On teasing, he teases you quite a bit, but never in a mean way. If you don't mind, of course.

› You also may tease him occasionally, but he doesn't appreciate you teasing him in public.

› The two of you also have a good amount of inside jokes that probably confuse the hell out of the others.

› Kissing... well. I don't really see Alastor as the type who would enjoy kissing on the lips too much.

› Tongue is out of question for him, as well as any sort of making out, but otherwise... if you like it, he can do that for you.

› He might actually like a peck or two. An acquired taste for him. Don't overdo it, though.

› Of course, him being from the 1930s and not very familiar with anything LGBTQ+ related, he would, at first, be somewhat confused by the request.

› You would probably have to explain to him that nothing is inherently romantic, especially not if you don't want it to be.

› "A kiss on the lips? Well... we aren't courting, Y/n."

› "We can put our own meanings to things, though. Would you like this kiss to be romantic?"

› "Definitely not!"

› "Well, me neither. So it's not!"

› "... That is very sound logic! I can't believe I've never thought of this myself."

› Kisses on the rest of the face are something else, though. He does enjoy it whenever you kiss him on the cheek. He himself might occasionally kiss you on the forehead.

› But overall I don't think he's big on kissing.

› If you want to really solidify that you're in a queerplatonic relationship you'd also have to explain what that means to him, sorry.

› Again, he's old and not up to date with things.

› Thankfully he understands things easily.

› "I see... I suppose we do have quite the queer relationship, don't we? And it is certainly platonic. I don't see why not!"

› Going back to vulnerability. It will never feel fully natural for him to just be vulnerable with you — or anyone else, for the matter.

› (In case you couldn't tell, he's using the word queer as meaning odd (and doing a little pun. You know. Because it's a. Queerplatonic relationship. Queer. Hehehehe), as it defies the norm of what a platonic relationship usually looks like, despite being one.)

› But you know him well enough at this point to recognize whenever there's something going on with him.

› And if you show concern and give him enough time he will share whatever it is with you.

› If it's not anything too big he might even reach out to you first.

› He can also read you like a book and gives surprisingly good advice, and is also pretty good at comforting you.

› You are the only person allowed at his studio while he's live on the radio. You usually read as he speaks in the background, his voice is very relaxing. He enjoys having you around.

› He's also particularly gentlemanly to you, more than to the others. When you're with him you never have to open a single door yourself, for one. If it's raining, he'll hold the umbrella for the two of you. When walking together on the sidewalk, he's always on the side closest to the street instead of you.

› You two often go out for dinner. If you also fancy some cannibalism, he will definitely show you his favorite restaurants around. If not he will just pick the best non-cannibal places (but you know those are not his favorites, haha.)

› He just cares about you a lot, even if it took him long to admit (it may have seemed fast-paced during this, but Alastor is someone who really takes long to get close to.)

› And you care about him lot too!

› (And you're probably never going to be in a life-threatening situation again, at least not at the hands of most demons. Who would ever want trouble with Alastor?)

[wellofdean]

I read your post about Supernatural being queer somehow from season 1 and I have two questions.

1. Don't you think it straight-appropriates the word "queer" to say it just means "not normal"? That argument seems disingenuous to me, and a lot of us want representation, and to see that word applied to explicit depiction of queer sexuality, and it's a cheat that they don't. Queer studies did start as the study of queer sexualities and the experience of queer people.

2. Are you saying that the makers of Supernatural intended for it to be "flesh on queer bones"? Do you think they intentionally sat down to tell a queer story?

Those are good questions my anonymous friend. Thank you for asking. Here are my thoughts:

To answer your first question: no, I don't think it appropriates anything. Here's why: firstly, if we're talking about sexuality and gender, it's queer 101 that no one owes anyone a justification of their queerness, and not everyone who is queer is interested in labeling it or making it legible to you, and they have no obligation to do so, and not doing so doesn't make them any less queer. Furthermore, some people who are queer are not interested in sex, so what about them?

All of that together is why, for me, the entire queer project is much more deeply about non-compliance with hegemony, and specifically with hegemony around gender roles, sexuality and to put it under a big umbrella, patriarchy, than it is about who you fuck. Those things extend into so many other aspects of life that I think you can easily talk about "queering" a very wide range of topics, and possibly? ANY TOPIC.

You are responding to this post, I think, and in it, I made a choice to talk about family and hunting, and our heroes roles and characterizations in that, and did not talk about gender shenanigans or sexuality, because my point was that even before we get to anything to do with it, Sam and Dean are immersed in a queered world in a fundamental, structural way. That said, I assure you that if you go back into season 1 of Supernatural, you will find LOADS that could be said about gender and sexuality, too. As well as other things, and a particularly important area, as @ironworked pointed out in the tags, is blue collar/white collar class issues.

As I said, the depth of queerness in Supernatural is actually dizzying just in terms of the story's BONES to say nothing of how they flesh it out. Queerness is about deviation from the norm. It's about rebellion and disobedience against hegemonic systems for the sake of personal authenticity and love.

Think about Cas for a minute. Cas's whole story is that he rejects his role in a hegemonic heaven. He rebels for love, and that is pretty explicit as early as season 4 when he tells Dean "We're making it up as we go". Fellas, that is THE QUEEREST SHIT EVER even if he didn't do it for Dean, and like... HE DID IT FOR DEAN. Cas did not have to tell Dean he loved him for me to know it, and for Cas to be a deeply queered character. When he DID say it, I wasn't the least bit surprised he was in love with Dean, because seriously, we been knew. I was only surprised I got to have the immense pleasure of hearing him say it and looking at Dean's face while he took it in. Jesus. I will NEVER RECOVER.

This is my perspective on representation in Supernatural: It's excellent, and I relate to, and feel seen by it as a queer person. Nobody needs to get fucked on the maps table for me to do the math that this is a queer story. It is very, very, very thoroughgoingly canonically queer in so many ways, and not all of them are to do with sex. I think some fans will only allow it to be called queer if dudes make out in it. I am not one of those fans.

As to your second question, I think there is a wealth of evidence in the filmic oeuvre of Eric Kripke to suggest that as an artist and a writer, he is concerned or maybe even preoccupied with masculinity issues and issues around family, and around the way patriarchy fucks men up. So, yes. I think he knew what he was doing and he knew that queerness was part of the mix. For fucks sake, it's a family of men who hunt monsters. That is very fucking on the nose. Do I think he kicked off Supernatural in 2005 planning a 15 year operatic queer romance between Cas and Dean? No. I don't think anyone planned for it to go as long as it did, and it's a matter of record that some things were influenced by fan response, actors' chemistry, different writers and showrunners' preferences and etc. What I will say is that when they had a choice to "straighten shit out" or lean into the queerness, they fucking leaned in, nearly EVERY TIME. Like, it's pretty amazing how consistently they lean the fuck in.

I'll admit -- I wasn't watching it with those eyes the first time, and I didn't give it much real estate in my mind when I watched it as it aired from 2006 to the end, but the last three episodes reshaped it for me and made me angry, and also made me need to watch it all again, this time with an explicitly queer lens, and BOY HOWDY let me tell you this: the Supernatch rewatch journey is a wild and wonderful trip to Queertown. It is legit more difficult to argue that Dean is straight than it is to argue that he is queer. There is a full on CORNUCOPIA of story evidence to support that read and relatively little that convincingly counters it on the straight side, and that starts right at the beginning, when they bend pretty baby Dean over a police car in episode one, and he smirks insouciantly in his lip gloss. Do I think everyone involved knew how that looked? Sexy, submissive and a bit gay?

YES I DO.

[kinardsboy]

Prefacing this by saying i don’t hate Eddie or buddie in any way, im only tagging this as anti buddie so people can filter out criticism on a ship that they enjoy ❤️

This post doesnt really have a specific theme, I’m just kinda rambling here so bear with me lol

Something that has been bothering me for a while about the gay eddie hc, is that at least the canon basis/evidence for it, is honestly a little homophobic? Most often people claim he’s gay because of how he treats women poorly and how many failed relationships he’s been in and I just.. first off have you MET a straight man?? 😭 thats how they are..(For the most part). Secondly it’s a negative stereotype that gay men dont treat women well, so having that be one of your main points to make Eddie gay rubs me the wrong way, especially when it comes from non queer men. The other main point I see is the quote “it feels like a performance” but the thing about that quote is , its taken extremely out of context.

He was literally talking about being set up on dates, being FORCED to date instead of letting it happen naturally. Thats what feels like a performance.

I have never understood why Eddie also cant be bisexual if queer at all. he has been clearly shown to enjoy having sex with women.

And another thing that bothers me is that buddie fans shout all the time about wanting whats best for Buck, and then want him shoved in a relationship with a man that has never treated a romantic partner fairly. Again, this isnt Eddie hate but the guy needs serious therapy. He’s a good friend and a good dad, ultimately hes a good person too but he’s not a good partner and that wouldnt change just because he dates Buck.

Bob’s are constantly forcing a heteronormative role onto Buck, especially when it comes to taking care of Christopher and it just, thats not going to solve anything? Like at all? It really makes me feel like they dont understand mlm relationships at all, and what they look like and how they work, especially based on their reactions to how Tommy and Buck interact.

People probably arent going to like this take, but I see fics or posts that constantly put Christopher as Buck’s 1 priority and I just dont think its true. Dont get me wrong I really enjoy the relationship they have, but if any kid on the show has his highest priority, its Jee. Buck spends so much time with Chris because Eddie needs help, if Henren needed help or babysitting more often Buck would seem close to Denny and Mara as well. Im not saying Buck doesnt care or want to hang out with Chris of course, but I feel like people definitely overplay their relationship to an extreme extent. The same goes for buddie in general, especially these last few seasons I dont see buck and Eddie being any closer than eddie and hen or buck and hen or something. Especially considering in 704 Eddie literally didnt invite him to trivia which he knows (or should know) Buck likes lol

And another thing about Christopher is that they turn him into this buddie love child who is SO obsessed with his dad’s sexuality and its just so weird to me. They completely strip him of any independence and personality and turn him into this buddie advocate, and then put him away when he’s no longer useful or needed. Its ableism. Chris is his own character and his story shouldnt focus around Buddie or his dads romantic endeavors AT ALL.

Anyway if you read all of this thanks for indulging my rambling lol

[lurkingshan]

Japanese QL Corner

We are up to seven live airing QLs from Japan! Five of these are on Gaga and two are being generously provided via fansubs.

A brief interlude for me to climb on my soapbox: if you are a fan of Japanese queer media who is not based in Japan, you really should be supporting GagaOOLala. They are the sole international distributor of most of these shows and the only reason international fans can watch them as they release. They’re a queer-owned Taiwanese company specifically focused on providing international access to global queer media, and their monthly subscription is much cheaper than other streaming services. They’re not perfect but they are quite responsive to feedback about their catalogue and approach; please consider subscribing if you love these shows!

I’m really loving most of these shows and I highly recommend jumping in to the weekly watch!

Takara's Treasure

I fall more in love with these two every week. We finally got some answers on Takara's backstory, and as expected, it is the mother who abandoned him that has been harassing him. Taishin blazed in to give that lady a piece of his mind before even realizing who she was, and it only made Takara love him more. The revelation that Takara is holding back with Taishin because he doesn't want to be covetous like his mother sent me into a bit of a tailspin. I loved Taishin getting his moment to reciprocate Takara's care, as well as Takara's amusement that Taishin still hasn't pieced together what they are to each other. I'm excited for it to finally click for him soon.

Sugar Dog Life

I'll be honest, this first episode did not hit right for me. I always struggle with copaganda heavy romances, especially when the show is intentionally framing cops as benevolent and explicitly linking that to the romantic arc. But I liked the cooking parts of it a lot! We'll see how it proceeds. This one is being fan subbed, so if anyone is having trouble finding it feel free to hit me up in DMs and I'll point you.

Cosmetic Playlover

This one is coming in hot with two episodes a week, because Japan is trying to kill me. I like the concept and vibe but the execution is a bit all over the place; it feels like they want this to be a dark story but aren’t willing to fully commit to that, so dark things happen but then get treated too lightly. The pacing also feels a little wacky and we’re rushing through plot and relationship development in a way that leaves it all feeling a bit ungrounded. Sahashi went from harassing and threatening to out Natsume to kissing and claiming to be serious about him in the space of 15 minutes, and then suddenly in the next ep there’s a new villain and suspense plot. This one is just not clicking; I’m tilting my head with a furrowed brow.

I Hear the Sunspot

Sigh. I really didn’t need another arc about a third party interloper coming between the boys, but here we are. Maya is a throwback to the bad old femme fatale archetype steeped in misogyny and I don’t love it. She’s arrogant, manipulative, and mean for no good reason, and she doesn’t feel like she fits in this story about decent people trying their best. There was a way to do this plot with a more sympathetic portrayal of her, but unfortunately they didn't take that route. I’m disappointed that she’s with us for multiple episodes, and it’s hard to believe this rude little girl can really come between them. I said last week that it felt like they regressed Kohei and Taichi’s relationship in the time skip and I’m feeling that even more now. Aside from this mess, I really liked all of Taichi’s scenes with his friends this week as he continues trying to work out his feelings for Kohei. I hope we get back to Taichi and Kohei spending time together again soon; that’s the real heart of this show and I already miss it.

Ayaka is in Love with Hiroko

Sigh. Last week I was mad at the characters around Hiroko, but this week I am forced to be mad at the show for how it's dealing with this entire plot involving Hiroko's decisions about her privacy at work, Risa's inappropriate interference, and Ayaka's bizarre conclusion that she should announce her love for Hiroko to the whole office. This whole love triangle and forced outing plot was ill-considered and it's dragging the show down; we should not have had Risa being so wrong and manipulative or ventured into queer workplace politics at all if the show wasn't prepared to take it seriously. On the plus side, we finally got the backstory for Hiroko, and it was surprising in a good way. I hope this show can get back to the zany comedy it was doing so well before it got bogged down in all this mess.

Mr. Mitsuya's Planned Feeding

Episode 3 just went up on @isaksbestpillow's blog, and it's a fantastic one. I was howling watching Mitsuya wailing on his ex and poor Ishida trying to process this new rival on the scene. Shige continues to be the MVP and I loved the way he encouraged Ishida with a mix of sage advice and sexy sass (also loved that Mitsyua immediately knew that gossip ratted him out). And I screamed again when Ishida got worked up and confessed; I didn't expect that to happen so fast and it was excellent! This show feels so mature in the best way; I really feel like I'm watching adults who have lived.

Tagging @bengiyo to add the anime update!

[letmetellyouaboutmyfeels]

why are people so against oliver and ryan talking about buddie, don't we want this, don't we want buddie to be canon? i'm sorry are we rooting for buck to end up with tommy or something, like I don't understand why so many people are saying stop asking them about buddie?

If we want Buddie then shouldn't we be asking buddie questions? I mean I'm so sorry but I'm just very confused, shouldn't we be happy that buddie is getting this much press and love? Why are we against it?

Okay, this is going to be a long one.

There are a few reasons why people are concerned about publications teasing Buddie happening and using the ship name and asking Oliver and Ryan about the ship. I'll try to be as concise as possible.

I would like to note, I'm not going to answer a bunch of questions about this. Other people have answered similar questions plenty of times, if you take a bit to look around 911blr. I'm sure @catdadeddie has gone into this a few times.

However, I understand that we are getting a lot of new fans this season, and so I want to try and explain comprehensively for those who haven't been around. I hope this covers everything.

Whenever a ship is between two people of the same gender as opposed to two people of the opposite gender (I know, I know, but we can't get into the gender spectrum right now just play along with me), everyone involved has to be very, very careful when it comes to talking about that ship ahead of said ship going canon.

It is very easy to slip into something called "queerbaiting." I'm assuming that you and most people online and in fandom by now have heard of this term but just in case: queerbaiting is when a show acts like a queer ship might happen in marketing and promotion in order to draw in a queer audience.

Historically, this was done by having a main character played by a woman have a romantic thing with another woman (flirting, even kissing!) who was a guest star, hinting at the main character's bisexuality/queerness, only for that guest star to never come back and for the show to act like it had never happened. This was done during something called, IIRC, "sweeps week" which was basically an important week for TV viewer ratings in the 90s. It was a way to boost your numbers by drawing in queer viewers with the promise of actual queer rep that then wasn't realized. It's a marketing tactic.

Nowadays the nature of queerbaiting has changed a bit. It's an overused term that frankly people love to (mis)use whenever a ship of theirs doesn't go canon and a show dares to do things like having two people (like say Ryan and Oliver) who play the two halves of the ship do an interview together (whether you ship Buddie or not, they are close friends, and it makes sense that they'd do a few interviews together - that is not queerbaiting). A good example of real queerbaiting is Rizzoli & Isles which, among other things, took out billboards and magazine spreads showing the characters (two women) in suggestively sexual and romantic positions and with slogans hinting that the two had more than just friendship together, then never, ever delivered on it and in fact laughed at the idea of the characters being gay for each other.

(I WAS THERE, GANDALF!!!)

Because of this unfortunate treatment of queer audiences and the (historic) dearth of actual queer characters and queer ships going canon (it's getting better but still), networks, showrunners, and so on have to be very careful when, say, they want to make a queer ship canon.

Look at how ABC handled Chenford, a popular ship in their show The Rookie. Chenford was not a planned ship - the fans adored the chemistry between the two characters (Lucy Chen and Tim Bradford), the writers liked the idea and decided to lean into it, ABC gave the go-ahead, and the ship officially got together and went canon last season. ABC heavily promoted Chenford and the ship and made a lot of jokes about it in the last couple of seasons leading into the ship going canon, using the ship heavily in their marketing.

ABC cannot necessarily do that with Buddie, because even if Buddie is going canon, until that happens, they could get accused of queerbaiting. There's a much bigger minefield to navigate because of this historic misuse of queer audiences and queer characters.

So whenever journalists and publications use a popular non-canonical queer ship name for clicks and fandom interest, if that ship doesn't immediately go canon or if the network/showrunner/etc doesn't say "yeah they're totally gonna kiss! with tongue!" people accuse the show of queerbaiting. This is unfair to the show for two reasons: one, the network is not going to bother sending "shut the fuck up" letters to every single damn publication out there for using a ship name in their headline and talking about a ship - they'll be accused of homophobia and it draws even MORE attention to the issue re: the Barbra Streisand effect (look it up); and two, the people involved in the show are NOT going to spoil the anticipation and surprise by admitting ANY ship is going to go canon before it does.

This is simple marketing - the movie trailer doesn't (or shouldn't, anyway) show you the ending of the movie or everything that happens in it. TV shows want you to tune in every week and speculate and guess. They're not gonna spoil a ship ahead of time.

This means that when journalists and articles pull this shit, they're putting the showrunner, the writers, the actors doing interviews, and the network in a bad situation that they can't really do anything about. Not without causing more mess.

So that's reason number one why a lot of us are annoyed: by yelling about Buddie, these articles and journalists are setting the cast and crew we love up to get yelled at for queerbaiting if Buddie doesn't immediately happen, and there's nothing the cast and crew can do about it, and it's all so the journalists and articles can use us, the fandom, for clicks. So we're also kinda getting used here, and it doesn't feel great.

The second reason we're annoyed about Buddie questions is that it's being asked of the actors who, nine times out of ten, have ZERO CONTROL OVER THE STORYLINES.

Now, there are exceptions. Jennifer Love Hewitt, who plays Maddie, has pushed back on a couple storylines that were given to her and has therefore had a strong hand in shaping Maddie's character. One infamous (in a positive way) example is that Maddie and Eddie were supposed to be an endgame couple. JLH, however, immediately loved the character of Chimney and clicked with Chim's actor Kenneth Choi, so she asked if Maddie could get with Chim instead, feeling he'd be a better fit for her character. And lo, both the beautiful ship Madney and the insanity that is Buddie shipping was born because Buck ended up stepping into that co-parenting-Chris role that Maddie obviously would've originally filled.

However, it should be noted that JLH was an established star before coming onto 9-1-1, and her husband is friends with Tim the showrunner. I would argue that the only other two actors who have any power on their storylines are Peter and Angela, the latter because she can do whatever she wants forever, and the former because (like Angela) he is an executive producer on the show.

It's not that actors never ever get to have a say ever, but the writers, showrunner, and network have much more power. They create the storylines, they make the decisions. Not actors. So when the actors are repeatedly asked about a ship, they're put in an awkward position where they might not even know the full storyline for their character that season and now they need to answer in a way that doesn't reveal any information they do know, but also doesn't insult shippers or dash their hopes. This is a double minefield for queer ships because, again: historic insults to queer fans and characters, nobody wants to be offensive.

The third reason is that this fandom has, historically, treated Tim, Oliver, and others like absolute dogshit over Buddie not going canon. Oliver's left Twitter and taken big social media breaks because of how he was yelled at online. It's not cool, guys. Vent all you want but directing it at the cast and crew isn't okay and maybe if it was just you talking sternly that would be fine (maybe) but when it's dozens of people? It's bullying. Full stop.

Every single time Buddie has not gone canon instantly, the actors and others have gotten verbally abused on social media. Every time the actors have been asked about Buddie and not said "ohmygod yes I want it to happen so bad" (they are not allowed to say this because it might create false hope because again: historical queerbaiting) they've gotten yelled at. We are tired of the actors getting yelled at over something over which they have no control.

The fourth reason is that Oliver, especially, has gotten asked about Buddie a LOT. A lot. The poor man is very tired. He's been cornered about Buddie and asked about it aggressively by certain journalists (one journalist, Max Gao, actually tried to corner Gavin who plays Chris over Buddie - this was a few years ago so Gavin was even younger than he is now and I personally think that is an incredibly unfairly loaded question to give to a child).

If I may dive into speculation for a moment, given how the actors have been SO gleeful about the move to ABC, the fact that they've admitted ABC is letting them do storylines and little moments that FOX wouldn't, and a few other things I won't get into here because this damn thing is long enough already... I suspect FOX would not let Buddie happen. If this is the case, then actors being asked about Buddie is even more loaded because they are being asked questions about it and they can't say "yeah we want to but the network won't let us." THEY WILL GET FIRED FOR THIS.

But, whether or not my speculation is true, the fact remains that when you are repeatedly, over and over, aggressively asked if this fan ship is going to happen or not, you get tired. There's only so many times that someone can give a diplomatic answer before you just want to snap "stop fucking asking me!" Journalists love to take advantage of fandom and social media chatter to get attention for their articles so asking over and over again about Buddie isn't because they genuinely care or think it'll happen, it's to get shippers reading their article, and so bombarding the actors and writers with this question when they've already kinda said their peace a lot about it is frustrating. Just! Leave them alone!

And AGAIN: if this was a M/F ship there could maybe be room for teasing the will-they-won't-they but because of historically bad treatment of queer characters and fans, THEY CANNOT DO THAT. So the only option open to them is to KEEP THEIR MOUTHS SHUT. And keeping one's mouth shut and threading that diplomatic needle for years is EXHAUSTING.

We do want Buddie to be canon, nonny, and in my opinion we are going to get it. All this recent PR supports that, (again: in my opinion).

However, we have seen Oliver get bombarded with what he thinks about Buddie until the cows come home, and he deserves a break. There's nothing new he can say, there's nothing new he's allowed to say. We have seen other parts of the fandom scream that we're being queerbaited because Buddie didn't instantly go canon, without any consideration for the fact that a) queerbaiting is a marketing tactic and b) there might be other factors at play preventing it going canon. We have seen journalists take advantage of us, the shippers, in order to get attention, and we have seen them create an awkward and embarrassing atmosphere in interviews by repeatedly asking about the ship. We have seen shippers make us look bad by hounding the cast and crew on social media about Buddie, treating every woman actress who plays a Buck/Eddie love interest like shit (yes, I know about Edy, but she could be a saint and parts of the fandom would still go onto Instagram to call her names), and generally being absolute pills that would tempt any showrunner, actor, or writer to say "y'know what fuck 'em let's not make Buddie canon I'm not rewarding this shitty behavior."

"If we want Buddie then shouldn't we be asking Buddie questions?" No. Not like journalists and fans have been. It's something to bring up - in my opinion - sparingly and with an awareness of how queer storylines and ships and fandom have been mocked, ignored, baited, and so on over the years. They don't ask about Buddie because they give a shit. They ask because they want our clicks for their ad revenue and they want our retweets and likes and comments. And it's certainly not something to bombard the actors with on social media and bitch at them if it doesn't happen. It just makes the rest of fandom look bad and makes us look like children.

Additionally: These are not new questions! They're not only asking these questions now that it looks like Buddie will go canon, with serious hope and consideration based on the marketing and storylines. They've been asking this since season fucking two, when Buddie was clearly not planned, just to get fangirl (gn) clicks. They wanted to get attention and teehee over how Oliver/Ryan/whoever reacted to people thinking Buck and Eddie should touch dicks. 'Kay?

We know the pattern. So when every piece of media is screaming BUDDIE!!! we are not seeing it as "OMG could we go canon?" We see it as another round of being taken advantage of for article attention, another round of parts of the fandom being bullies and yelling about being baited, and another round of the actors being backed into uncomfortable corners.

That's why we're concerned, worried, and annoyed.

*collapses* I hope this covered everything and explained it all.

[tommykinard6]

Buddie fans, my loves, come have a seat for a moment.

I want to have a chat, from a long time Buddie lover to you, whether you’re new or have been here a long time.

It’s okay.

I’ve been in the trenches with you. I’ve been pulling for Buck and Eddie to get together for years. I haven’t given up, even as I’ve seen other fans leave because they lost hope. I don’t blame them. The Buddie section of the fandom has been powerful and beautiful and all consuming. We’ve gone seven seasons and up until this point, not one of the two men in question was even confirmed to be queer.

But we all need to take a moment and breathe. That’s it. Stop doom scrolling for a moment and breathe in.

Good. Now hold for a moment.

And breathe out.

I’m going to get real here, alright? And you might not like everything I say and that’s ok.

We need to stop being a problem. Stay with me. I’m not saying we need to stop shipping Eddie and Buck. Far from it. I will love that ship forever. I’m not saying we need to stop our fanfics or fanart or our love for these two. Our feelings are valid. Many of us have been in love with these two for a long time. The Buckley-Diaz family is a strong unit.

Our feelings are valid and we feel what we feel. But our reactions are utterly and entirely our own responsibility.

We need to stop the bullying.

Let’s face it, many Buddie fans have also been long time bullies in the fandom. Particularly in regard to the actresses who have played the female love interests in the past. Don’t get me wrong, aside from maybe Ali, I have disliked every love interest introduced. But have we not yet learned to separate actress from character? If we are going to dislike an actress, let’s do it for a valid reason. Marisol’s actress for example is problematic. But many fans have rained hell down upon any woman introduced.

I’ve noticed this issue for a long time. But now we’re dealing with the issue being even more widespread because of Buck/Tommy. Now fans are bullying each other. The fandom is divided, even in what is probably one of the better seasons we’ve gotten (in my opinion). I need you guys to stay with me here.

Buck is bi.

Let’s say that again. Evan Buckley is bisexual. A major character on a major show on a major network, previously a womanizer and still a very masculine figure, is queer.

This is monumental. This is amazing.

But so many of you are letting your feelings about Buddie get in the way of appreciating the progress we’ve made. Especially with the reintroduction of Tommy Kinard, Buck’s love interest.

Let’s clear up a couple of things, shall we? Tommy Kinard is not Sal DeLuca. He is not Captain Gerrard. While he was part of the old 118 and definitely was in the old boys club, not only is he not the major problem, but in most cases that he’s an asshole, it can be traced back to his own secret. It’s not great, sure. But let’s look at the facts. Chimney is friends and still keeps in touch with him. Hen appears to hold no animosity and was clearly comfortable with him. In Bobby Begins, they all are friends. And clearly, Tommy has undergone a massive self-growth period. You cannot try to back up your point with inaccurate facts.

People can change. People can also be forgiven. It’s the prerogative of those involved. Enough said.

“But TK6,” you may say, “Buck should be with Eddie! Tommy is a plot device!”

Let’s set aside instant gratification culture really quick and talk about storytelling. You cannot get everything you want when you want it. You also cannot have your cake and eat it too. Buck and Eddie, if both queer, were never going to come out at the same time. Do we really want that?! Because identity is messy. Self discovery is messy. Eddie has Catholic guilt. Buck has self esteem/worth issues. Life isn’t a fanfiction. The real possibility of their relationship surviving such a transition isn’t all that high. IF Eddie is canonically queer, he’s going to have a rougher path than Buck has had.

Also, everyone is a plot device. Let’s get real. If a character doesn’t move a plot along, what’s the point? YES, Tommy is there for a storyline. That doesn’t in anyway invalidate his existence or his presence in Buck’s life.

If you want an instant Buddie storyline, visit ao3! There are amazing stories on there.

Now let’s talk about Buck/Tommy, or TEvan.

I am a long time Buddie lover. I also proudly ship TEvan. Yes, those can coexist. I don’t often multiship, but it’s a beautiful thing. I want Buddie to be endgame, sure! But I’m also okay if TEvan lasts. If they end up being endgame, will I be disappointed about Buddie? Of course. I will also be thrilled because Buck and Tommy are a sweet couple and I’m here for it.

As a queer woman, I’m happy that Buck is bi. Multisexual representation is still sorely lacking. Male sexuality that lets a man keep his masculinity while being queer? Even more so. Just take a look at the ao3 tag. Buck is emasculated in many fics. That’s why I stopped reading a lot.

We have a ship here that includes two very masculine men, who are emotionally vulnerable and exploring something new. I understand ship disappointment. But the negativity is wild. We need to stop the bullying. We need to stop the cheating storylines. We need to stop making Tommy into an ab*s*r only because we apparently can’t handle a love interest being a good person.

At the end of the day, these are fictional characters. It’s a fictional show. But these are real people. All of us are sitting here behind our screens with real feelings. We need to stop.

Buddie may one day happen. And maybe they won’t. TEvan might be endgame. They might not be. Tis the way of 9-1-1. It’s exciting, isn’t it? Waiting for something new and exciting. It was starting to get a little stagnant.

As a queer person, I’m not trying to gatekeep anyone. However, we cannot sit here and say “stop queerbaiting us!!!!” (They weren’t, we’ve always had queer representation on 9-1-1) “give us more representation” and then when they give it to us say, “NO! Not that way!”

If it was about the representation, it being Eddie or Tommy would matter a lot less.

So if you are someone using representation to shield yourself, kindly just be honest with yourself and everyone else.

In the words of our Lady and Savior Taylor Swift, “You need to calm down”.

Now, back off into the world of scrolling you go, my lovelies. Remember, keep an open mind and breathe. At the end of the day, it’s a show. But I for one will happily wait for every episode because I’m loving this.

[madlori]

Ship dysphoria

Ok so a bit of time has gone by, and the 9-1-1 fandom is settling into a bit of an...existential crisis?

Because 90% of this fandom is built on Buddie. Buddie has always been the strongest driving force. We love our other blorbos, but it's Buddie that usually drives us feral.

Except...Buck/Tommy. OMG. It is WORKING for a lot of fans. (and JFC we cannot settle on a ship name. Tevan? Kinley? I'm gonna stick with Buck/Tommy)

A LOT of fans are having a "I'm a devoted Buddie shipper, why do I like this so much??" moment and it can almost feel like a betrayal, or that you're deserting the ship (the ship that, remember, Oliver told us to stay aboard).

And I think I can probably speak for everybody when I say that the last thing we want or need is a ship war in this fandom, something we haven't ever really had but which has torn other fandoms apart.

So I'm gonna put on my veteran-of-many-fandoms hat for a second and tell you a thing:

It's okay to ship Buck and Tommy. It's ok to do that and still ship Buddie. It's also okay to leave Buddie behind if it's not working for you anymore. It's okay to just tolerate Buck and Tommy and not really care about it, and stay focused on Buddie. You are allowed to ship however it works for you, and you are not limited to one and only one ship. If you decide you don't think Buddie will happen and you're going to cut your losses, that's okay, too. It is not a reflection on your character or something. You don't swear an oath of fealty to a ship.

We don't know how long Tommy will stick around, but Buck will still be bisexual. He may date another man. He may date a woman again. You can ship those things too.

But why is this ship hitting me so hard? I never thought I'd like Buck with another man! I'm so confused!

I get that. There are some reasons why that might be.

There is something very appealing about a ship that's canon. Some of you might never have had a canon queer ship, but the pull is strong. There's no guessing, no interpreting, no subtext-examining. It's there, it's real, you don't have to wonder if you're just overinterpreting things. Yes. Buck and Tommy kissed and are going on a date. Even if that's all it ever is, you'll never be accused of "seeing things that aren't there." Don't discount that.

Tommy, even in just 1.5 episodes, is a LOT more integrated into the firefam than any of Buck's previous girlfriends. Tim talked about not wanting him to be "siloed off" away from the main cast and that was exactly the problem with his prior girlfriends. Tommy is friends with Eddie. He knows Christopher and has hung out with him. He spent most of that loft conversation reassuring Buck that his place in Eddie's life was secure. He feels more like part of the gang than any other ones. That makes it easier to see him in Buck's life.

The mere fact of Buck's queer awakening is so monumental for so many of us that the character who helped him get there is going to naturally earn our affection immediately, and it's going to make you want that relationship to succeed, even if it's ulitmately not endgame for Buck. You want to see Buck have a good experience the first time out with a man. Of course you do.

And we just want to see Buck make out with a hot beefy firefighter. That is so valid of us.

Anyway. There is no need for a crisis. You can love Buddie with your whole heart and still be excited about this pairing, and want to see how it goes, and read fic about it. I may be writing a lil something myself.

You're good, fam.

[hotwaterandmilk]

2024 English language manga releases I'm enjoying

Here are a couple of titles I've picked up in English so far this year that I've enjoyed. Most of these I read digitally in Japanese for one or two volumes a couple of years back, but opted to wait and purchase the English print versions for my collection.

I feel like all of these books are worth the purchase price, but don't have the energy to do individual posts for each of them. So here's a very smooshed together post covering a few 2024 reads.

GOGOGOGO-GO-GHOST! from Yen Press

Akechi Ushiro is a heavily flawed, hard-working woman whose disregard for her own wellbeing results in her coming face-to-face with her equally flawed guardian spirit, Masako. The pair decide to combine their forces and begin tackling the obstacles in Ushiro's life using curses.

Hiruzuka Miyako's darkly funny tale of a woman taking control of her life alongside her queer sister spirit is such a delight . Featuring a rough-and-ready art style that helps underscore the macabre elements at play, the entire first volume is scathing in its humour and unashamed in its portrayal of Ushiro's flaws. I was surprised when this one got picked up by Yen Press a while back, but so happy to see it enjoying a stateside release. If you're after something that doesn't always play nice, GOGOGOGO-GO-GHOST! might well be for you.

Edit: If you haven't read it before, this Japanese interview with Hiruzuka is worth reading for a bit more on her background and the creation of the series.

Pass the Monster Meat, Milady! (Akujiki Reijou to Kyouketsu Koushaku) from Kodansha USA

A sweet little fantasy romance between two individuals who find solace in one another despite being reviled by the general public for their interest in monsters. One loves defeating monsters in battle while the other loves cooking them!

Melphiera is a smart, capable heroine while Aristide Rogier du Galbraith is a dashing and supportive hero. The manga art is a bit low in detail, but the characters and story are absolutely worth your time. I'd love to see the LNs that the manga adapts in English someday too. I mentioned in tags before this whole series gives me the types of vibes I enjoy in historical fantasy romance novels, so if you like that kind of content this might be a good title to check out (or recommend to friends who appreciate romantasy but haven't tried manga before).

In The Name of The Mermaid Princess (Mio no Na no Moto ni) from VIZ Media

In a country where being "unhuman" or in some way supernaturally inclined is seen as a curse rather than a blessing, Princess Mio takes medications to suppress her mermaid-esque traits and please her father. Her perspective changes when Yuri, a tutor from her fiance's home kingdom, encourages her to be herself and embrace the things that make her different.

I've seen people say this is a bit too obvious in its parallels between fantasy oppression and IRL issues, but this is a Ribon manga for young girls so yeah it's on the nose but I think it works for the audience it has in mind. Tashiro Miya's artwork here is gorgeous and both leads are quite endearing (Mio is SO freakin adorable I can'ttttt). Overall a solid little series with nicely packaged volumes for those after something for a younger audience.

The Moon on a Rainy Night (Amayo no Tsuki) from Kodansha USA

A romantic slice-of-life tale featuring two high school girls, one of whom is a budding pianist (Saki) and the other a loner who is hard of hearing (Kanon).

I don't normally go much on high school romance but the way this series blends classic GL melodrama tropes with genuine issues in an earnest manner works for me. While we see things more from Saki's viewpoint as she eagerly tries to learn more about Kanon and tries to figure out her own sexuality, we do also come to understand Kanon's thwarted ambitions and the difficulties she has with letting people in.

Kuzushiro's art is quite whispy and cute, with all the characters tending to look quite well-realised on the page. While I prefer romances that feature a character with disability to centre their perspective, I do feel this does a decent job of portraying both girls as they try to navigate their deepening relationship. YMMV on this though, particularly if you are d/Deaf or hard of hearing.

Sketchy from Kodansha USA

Ako is living an unfulfilling life with a dull job and even duller boyfriend, but she suddenly finds herself thrust into a whole new world upon encountering a mysterious young skateboarder.

Sketchy, while ostensibly about women taking up skateboarding is more a snapshot of their individual lives and the role having a hobby plays once you're no longer a child. Ako's story particularly resonates with me (I literally worked her job at a similar age) but all the characters prove interesting in their own way.

Makihirochi's art is a bit more experimental than others on this list and may not be to everyone's taste, but I do think Sketchy is still worth checking out even if you're not entirely sold on the art (which I think has improved since I first became familiar with her work through Itsuka Tiffany de Choushoku o in Comic Bunch). Titles like this, which, let's face it, have low levels of mainstream appeal, don't often get English language releases so I highly recommend supporting this one if you have the opportunity to do so.