#if Ozai can see himself in Zuko

[peony-pearl]

Zuko mentions to Ursa he would like for his little siblings to come to the Fire Nation to enjoy the summer festival.

By saying ‘siblings’ she knows he’s talking about Chiyo and Katsu - Ozai’s children.

Ursa, Noren and Kiyi have taken residence at the Fire Nation palace for years now, ever since Ursa was discovered on the outskirts of Hira’a. Once Zuko got the information out of Ozai just over ten years ago where his mother had taken up residence, he was escorted there by Aang to reunite with her. Ursa did not hesitate to return to her children once Zuko lifted her banishment, and she was a key figure in Azula’s recovery.

When Ozai broke out of prison, Ursa was a driving force in trying to find him after he threatened Azula’s life. Knowing he was out there, free, for the past decade has haunted her.

And then, just two years ago, Zuko and Azula received news of his whereabouts... and they found him with the help of Aang, Katara and June.

And they let him keep his freedom.

Zuko’s explanation of the events sounded like a bad dream. Ursa listened to her boy, whom Ozai had savagely scarred as a child, defend his decision after seeing Ozai happy out in some Earth Kingdom farm with a new family.

She was speechless. Zuko had left children in the midst of this monster.

Azula was the one who was more critical of her father’s new life. She vented to Ursa about the pain of seeing him so happy with this naive, sheltered woman who decided to stay with Ozai even after learning about his past. Regardless, Azula would eventually begin receiving letters from both the woman, Niwa, and from her younger sister, Chiyo.

And then Zuko dropped the bombshell.

Chiyo was an Airbender.

Ursa spoke to Aang upon his return with Zuko and Azula. He seemed over the moon, to not only learn there was another Airbender in the world, but she was the descendant of one of Aang’s fellow Southern Air Temple residents, and this revelation gave him hope that there could be more Airbenders in waiting out in the world.

And yet, despite all of this... Ursa could only remember the man who who began denying her as a wife when his lust for the crown became stronger; the man who planted the seeds of lies to his daughter of her being a monster, seeds that blossomed into a beautiful, deadly flower. A flower that he ripped out of it’s garden bed and crushed under his boot when she was no longer useful. And Zuko, the son that he turned against and berated and scolded when all he ever did was his best, until the day he finally tried to step into more assertive shoes earned him a permanently damaged eye.

“So...” Zuko begins to speak. “I’ve thought about inviting dad and Niwa and the kids. I’ll make sure he doesn’t come around you, or Noren or Kiyi. But... he’s kept his end of his promise so far. I’ve thought it was only fair to extend a hand back to him.”

Ursa knew the promise: to write to Zuko and Azula, and to maintain a form of communication on a regular basis.

Zuko also regularly received letters from Niwa and Chiyo, and each one ensured truth to Ozai’s words. Even Azula, who often worried that Ozai was telling Chiyo what to write, would read her little sister’s letters that contained questions and thoughts only a seven year old could ask.

Ursa sighs as Zuko makes his case; he stumbles as he sees his mother’s unhappiness. “I-I can have them stay on the other side of the palace,” he says. Azula sits next to Ursa; Aang sits next to her.

Azula squeezes her mother’s hand. “Or we don’t have to invite him.”

Zuko nods, albeit reluctantly, to his sister’s suggestion. Azula becomes miffed.

“Why are you so adamant to see him here?”

“I’m not! I just-”

“You’ve asked every year since we found him if he can visit.”

“That’s only two years, Azula,” Zuko sighs. “Uncle’s been asking about him too.”

“Well, Uncle’s senile,” Azula crossed her arms.

“Azula,” Ursa gently admonished her daughter, who turned her gaze away as she pouted.

Aang touched Azula’s knee, but remained focused on Zuko. “Maybe just invite the kids?”

Zuko shook his head. “Katsu is only two, and to give up her kids so suddenly for a week may not be easy for Niwa.”

Aang grinned at Azula. “It would be good practice though.”

“Get your head out of those clouds; no kids until those vows are said,” Azula smirked.

“You keep declining my engagement!”

“This is a talk for another time,” Azula hissed quietly.

Ursa, having maintained her silence, wrings her hands together. “... Zuko, in the end, you are the Fire Lord. And this is your home.”

Zuko shakes his head. “Yeah, but-”

Ursa holds up her hand. “I admit. I am not keen on seeing him again. Ever again. But... I know this is something you’ve felt strongly about. Ultimately, the decision is yours to make. I simply ask that you inform me of the decision so I can... make arrangements.”

Azula grinned. “Poison arrangements?” She asked, nudging her mother’s ribs. Ursa chuckled.

“If only I could be so lucky.”

“Guys,” Zuko said in exasperation. “Look... I’ll just invite them next y-”

“No, stop it.” Azula rolled her eyes. “Just tell them to come. Spirits, you’re such a downer, Zuzu.”

“Yeah, Zuzu,” Aang echoed his fiancee. Zuko shot him a tired look.

“I agree,” Ursa said. “Invite them. Besides; should anything go wrong, we have you three to keep him in his place; and Kiyi is becoming more proficient in her own bending.”

“Yeah; if he pulled anything we could take him!” Aang agreed.

Ursa could see the look on Zuko’s face though; but still, he nodded and watched as Aang and Azula decided to retire to bed. Ursa lingered, waiting to talk to her son in private.

“Zuko,” she said, reaching out to touch his shoulder. “You don’t owe him any-”

“This isn’t about owing him. I know where I stand on what dad did to me; to us.”

“And yet you’re so hopeful to see him again.”

“Is it wrong to hope for a new path? I found mine, mom. Outside of the Fire Nation. Away from him. I found my life, my meaning. And so has he. I saw it. I saw him experience a life he’d become fully invested in. I saw two happy kids; a beautiful home... And...”

“... And?” Ursa asked.

Zuko swallowed.

“... And I was so mad he found it without us. But you know what? I also found my path without Azula. And... she’ll always have that in her mind. But she’s forgiven me.”

“She could not control the struggles you faced.”

“As I couldn’t control hers; and I’ll always have dad’s favoritism to remember. We’ve all been subjected to lives we didn’t want. Dad was one of them. So were you.”

Ursa folded her arms in front of her, looking much like her daughter. Zuko pleaded to her, still not quite over the fact that he was so much taller, and yet he still spoke to her like she towered over him.

“Mom... The last thing I want to do is hurt you. But there’s a part of me that wants to see this through. He’s my father. And I’ve hated him, and part of me still hates him. But after everything I’ve learned... if Aang can forgive me for everything I allowed to happen to him and his friends... if Uncle can forgive me for turning away from him, I want to know I can reciprocate that.”

“You don’t have to forgive him.”

“Mom, I haven’t. I will never forgive him for what he did to me, or Azula, or you. But I feel like I have an obligation, as the Fire Lord, to make sure he’s not causing trouble. I called off the searches once I saw how much he’s changed. Others have done the same for me. Time goes on. He... He looked out for me back when we were looking for Chiyo. I was hurt and he stayed with me.”

Ursa’s eyes widened as Zuko recalled the event to her for the first time.

“When I told him we would find Chiyo he was thankful for me. I... Sometimes I think maybe now... Maybe now I could get to know my dad-”

“Zuko you don’t have to.”

“I know I don’t. But it’s my decision. I respect every bit of advice I get from you but this is something... something I need to do for myself. If Azula never wants to see him again after this, I will never invite him again.”

Ursa reached out to hold her son’s hand.

“And you’re not scared?” She asked. Zuko laughed.

“Mom, I’m terrified.”

Ursa’s face became one of determination.

“Then I will be right here with you.”

“I’m not scared that he’ll hurt me,” Zuko insisted. “Like you said, we can handle him if he were to become a threat.”

Ursa clasped Zuko’s hand tightly with both of hers. “But you’re still scared,” she said. “And I won’t let you be scared alone; not after I missed so many years.”

[mugentakeda]

iroh azula antagonism is sooo important to me guys i cant ever read azula redemption fics cus none of them include their insane beef. its such a lonely world out here. can u even imagine how nuts it wouldve been if she found out abt the white lotus. i need to talk ab them dude

i like to imagine the trip back to the fn after ba sing se zuko didnt talk to iroh at all while he was in the brig because he was so in shock and still reeling that iroh outright betrayed him and his family and nation for the avatar. those three years iroh spent with zuko on the ship encouraging him meant what now? "why would he banish you if he didnt care" meant what now that you helped what would undo the banishment evade me?

and azula has never been above gloating, even over the most pathetic scum. so she makes sure to head to the brig the night they depart, her exhausted brother conked out in his quarters none the wiser, mai and ty lee flanking her. and even though the mission had been to capture the avatar dead or alive, theres something about looking down at her restrained uncle whod been working the whole time to get zuko (who has an unending list of faults but is loyal above all else and had been trying his hardest to fulfill the terms of his banishment even while being a wanted criminal to their nation- something she will not overlook) to betray their nation is somehow more satisfying by tenfold than looking down at a restrained avatar.

she knows just how hard iroh takes losing. he lost ba sing se and a son years ago, and here he has lost ba sing se and a son once more. or a boy his senile, trauma-riddled mind has convinced him is his son. her uncle bet against her father by trying to turn his son against him for whatever traitorous and foolish reasons he has and frankly shes just overjoyed to have him out of the way once and for all, because azula is a dragon just as much as iroh and she will always strive to protect her blood, because irohs the one who let zuko into that war room in the first place, because what right does he have to allow her foolish brother that couldnt keep his trap shut to save his life in a situation like that and then have the audacity to try and turn him against them when zuko even being in ba sing se (instead of working under azula along with mai and ty lee like he shouldve been) was all his fault in the first place? she hopes freeing zuko of him stings unlike anything else. she hopes if that sting manifested in reality it would take the shape of an ugly stamp right across his face and haunt him for the rest of his days in his self made prison.

and then iroh can say that zuko had no choice BUT to be loyal above all else because if he wasnt thats a death sentence from ozai. and then azula can say that thats wise of her father then because if that wasnt how it was then their whole family would be an infested nest of lying cowards like iroh. mustve been something her dad learned from his dear old brother. and what can iroh even say to that

[melzula]

Can you please write jealous Zuko? It can be however you like😊

a/n: i love jealous zuko! however this ended up being more angsty than i intended😭 hope you enjoy!

summary: a party at the palace leads to a deep revelation for zuko

He was miserable.

The palace didn’t throw parties very often these days, but the recent conquering of another Earth colony was deemed a call for celebration, and so all of the noble families in the Capital City were invited to attend. A grand feast was held and praises were showered upon Ozai throughout the night. It was one of the rare times Zuko didn’t have to worry about his father’s wrath, and so he should have been enjoying himself.

But he couldn’t, not when he could see that across the way another boy was flirting with you right in front of him.

You were Zuko’s everything- his childhood best friend that he’d always held harbored feelings for. During his banishment he thought of you constantly, and upon his arrival he immediately asked you to be his girlfriend. You were sweet and friendly, easily approachable and always able to cheer him up despite his moodiness, you were perfect. And apparently this other boy could see this too.

You smile out of politeness and nod along to the boy’s rambling story about his fire bending skills and high IQ, not very interested in listening but too nice to brush him off. It infuriates Zuko to see someone else take advantage of your kindness, and he’s unable to just sit back and watch any longer.

A harsh hand lands upon the boy’s shoulder, startling both of you in the process. Zuko’s eyes are blazing with fury, his palm scorching the fabric of the boy’s robes and scaring the spirits out of him in the process.

“Can’t you take a hint? She doesn’t want to talk to you!” the Prince bellow angrily, prompting a few guests nearby to turn their heads curiously towards the commotion. A bit embarrassed at the sudden attention, you gently pull Zuko’s hand away and drag him out to the gardens before he can escalate the situation any further. The last thing you need is for him to cause a scene at his father’s party.

“What?” Zuko says defensively as you wordlessly walk through the palace hallways. “I was helping you!”

“You were acting jealous again,” you chide gently.

“No I wasn’t!” He argues defensively only to shrink under your pointed gaze. “…I was.”

“I love you, Zuko, but I don’t love how jealous you can get sometimes. I’m your girlfriend, don’t you trust me?”

“Of course I do!” He interjects quickly, almost offended at the notion.

“Then what is it? Why do you act this way?”

Zuko is silent, his eyes casted sullenly to the floor as you patiently wait for his answer. You take his hands in your own and give them a reassuring squeeze to let him know you’re there for him, and the act seems to coax him out of his stupor.

“I’m afraid you’ll change your mind about being with me, and once the right guy comes along you’ll realize you’re better off without me,” he admits quietly, almost ashamed to voice the thought out loud.

“Zuko…” you utter sadly, heartbroken at the fact that he could even believe such a thing.

“Why do you want to be with a boy who’s been exiled from his own country before? Whose own father burned his face? Who’s so messed up in every way possible?”

Gently carefully cupping his face in your hands, you tilt his head upward to meet your sincere gaze. His eyes are glossy with tears he refuses to let fall, and your heart aches for the poor boy before you. You wish you could take away all of his hurt in agony, but you can’t, so you do your best to take away his insecurity instead.

“I wish you could yourself the way I see you,” you tell him lovingly. “You are more than enough for me, more than I could ever ask for. You’re strong, you’re brave, you’re smart. You’re you. I love you, Zuko. No one’s ever going to get into the way of that.”

He says nothing in response but simply yanks you into his arms for the tightest hug you’ve ever possibly received. You know he isn’t the best at words or emotions, but his embrace conveys that he is grateful for every word to come out of your mouth.

He knows he may be jealous at times, but he also knows that he doesn’t have to be anymore.

Because you’re not going anywhere.

| atla tags: @sirkekselord @niktwazny303

| zuko tags: @thebluelcdy @royahllty @the-firebender-girl @ilovespideyyy @yiyibetch @eridanuswave @lammello @a-monsters-love @knaite-solo @taeeemin

[rockpaperimpala]

So about Netflix's the Last Airbender....

I am literally so confused you guys. You made me think I would HATE this show. And I LOVED it. Me. Known perfectionist and hater.

Katara was lovely. Yes, she started as a more soft spoken character than her cartoon version, but she was still passionate and hopeful throughout, just visibly unsure of herself. I think people were thrown off by this actress' natural way of expressing herself, which is Different from animated katara for sure, but not bad. Then she spends the whole season growing in Confidence and Fire. I Adored her fight with Paku, it really did feel like a payout of the whole season's development, and the bending kicked ass!

The Bending Kicked ass!!! The martial arts was fun and fast and creative and exciting! It looked SO good. That alone would be enough reason for me to watch and enjoy any show.

Zuko's actor was fantastic. He really captured the rage and confusion of this 16 year old banished prince. And there were so many Added moments between him and Iroh wich to me enriched their relationship. Like YES! This is why I'm watching, to see more of them, to see things done a little differently.

Iroh facing the consequences of his actions at Ba Sing Se!! That's what I'm here for!

Zuko's relationship with the men on his ship! That's what I'm here for!

The Extra layers we get to Ozai manipulating his children!

Also no one is talking about Admiral Zhao, who I had SO much fun with. I feel like they slightly fleshed out his character in a really dramatic way, really developing the hubris and frankly insane grasping ambition of someone who would kill the moon. I completely enjoyed this wilder, less controlled version of him, who comes up through the season from basically nothing and no one!

I am OBSESSED with King BUMI and his anger and disillusionment with the world! Like this was SO real. Living a hundred years of futile war would do that!!!! It is one of my favorite changes to the whole series. This new layer of emotion and character depth is what I'm here for!

Sokka was SO funny. He literally had me laughing out loud so often. That actor GETs Sokka, and GETS the way his humor is delivered. And is also able to tap into the more vulnerable side of him. People said he was "obsessed" with leadership. WHAT? That is a young person trying desperately to do his best and to try and find his place in the world, to figure what he has to offer. I loved his pride at hearing the Mechanist say that he would make a good engineer, and the sweetness of the moment that Yue's father says that he can be a hero without being a warrior. Sokka does so much growth in this series, in understanding himself and life.

And his chemistry with Suki was adorable!! I even like him and Yue (who was a totally unexpected sweetheart, despite her terrible wig)!! Like he has that same ability that Sokka has in the original to Connect with people.

Aang was great! He WAS fun loving and sweet and funny. I don't know what you guys wanted. Cartoons are always bigger and more exaggerated than live action. People's eyes swell up an, birds fly around their heads, and there are funny sound effects. That larger than life quality is the strength of animation! You have to look for different strength in live action. Like the SUBTLETIES of the acting choices. This little actor brought so much kindness, innocence, and strength to Aang.

And I FELT his frustration at being asked to do this at 12, his fresh hope anytime it looked like someone more experienced would be able to help him and no one did, and that's why he didn't learn waterbending this season, because he kept waiting for an freaking ADULT to show him the way, to help him carry this immense burden, but every adult he meets asks him for help instead, asks him to carry it himself, and then the finale hits and he realizes that there won't be any adults helping, he does have figure this out himself, and he makes the hard choice, takes on responsibility more than his years and offers himself to the ocean spirit, and he might have been lost entirely if not for Katara!

And that counter running theme to the show pays off: that he doesn't have to do it alone. He may not have more experienced guidance, because the adults have let him down again and again, but his friends will be with him, and they will figure it out together!

This is there throughout the series! Katara tells him this about learning waterbending, when he says he still wants to wait. Bumi tells him this in the palace at Omashu, and Aang sees the faith he has in his friends repaid!

I like these changes! And the show still found time for silly fun adventures and character building moments.

The show was never going to be the animated original. That is already a Masterpiece, and it frankly did NOT need to be adapted at all. I did not WANT a live action adaptation. I was adamantly convinced I would hate it. But the changes that they netflix show gave are what I Iike most about it. If I want to see Zuko say "you rise with the moon, I rise with the sun," I will go watch the animated original, because that version is perfect. And now, if i want to see Zuko say "Lu ten would have been proud to have you as a father," and see iroh pull him into a tight hug, I can watch this live action version, which is very good too. I'm going to disagree with most of the people on here and say that the Netflix's Avatar: The Last Airbender, DOES capture the heart of what we liked about the original show. It's spirit, fun, excitement, and characters. And the changes made are the reason we should be watching.

[blluespirit]

okay first three episodes thoughts

good

bending is cool as fuck

sozin’s actor does an amazing job at full crazy but calculated

scenery is STUNNING

monk gyatso made me cry. idk why i just saw him and wanted him to give me a hug so bad

APPA ACTUALLY LOOKS GOOD AND NOT LIKE A LITERAL MONSTER

i wasn’t sure how id feel about them showing the air nomad massacre but i think the importsnt thing is that they showed it was a massacre - and that although they can defend themselves, they don’t have the ability to fight back like an organised army would bc they’re pacifists! they attacked a peaceful group

the abandoned fire nation ship in the southern water tribe looks so fucking cool

ARTIST ZUKO???!!! LETS GOOO

Dallas does an amazing job at getting across Zuko’s intense desperation

I actually ended up loving all the Sokka and Suki interactions sm it was so cute and wholesome

Katara is perfect i will kill and die for her

Azula’s opening scene being her manipulating those people trying kill ozai ultimately leading them to getting burned alive by him and smiling - literally so fucking good. she is the best villain in history of forever

really good move having the mechanist (Sai!) and Teo be in Omashu imo. having them destroy the northern Air Temple so carelessly always pissed me off

THE FREEDOM FIGHTERS ARE LITERALLY PERFECT I AM SCREAMINGGGG

I was wondering how they were going to introduce the Mechanist and Jet in a limited amount of episodes but I like how they combined the two stories

Also Sokka absolutely nerding out in the Mechanist’s home is so important to me

Zuko getting has ass beat by that lady for fighting Aang is literally so funny and reminiscent of the goofy aang vs zuko fights we see in season 1 (to be clear: i adore zuko. this is NOT hate on him)

Zuko losing shit about his notebook and trashing his room and then outing himself as a fire bender in Omashu is so perfect. god i love him so much. it’s very season 1 zuko. it’s giving I DONT NEED ANY CALMING TEA!!!

things i was not a fan of: (some of these are a little pedantic i’ll admit)

Exposition is a little is a little janky but i’ll forgive it i guess bc at least it isn’t egregious as The Movie That Shall Not Be Named

Aang leaving just to get fresh air/clear his head and intending to come back is a silly change to me. all i keep thinking about is the storm where we got those epic Zuko and Aang parallels which now doesn’t really work and also takes away a lot of Aang’s depth. A good change adds to the story, but personally this seems to take it away

WHY would they not make Katara the one to bring him back from the avatar state? just seems like a strange choice to me? not saying this from a shipping point at all but that moment is a big step to their bond/friendship especially since they have only just met

Still don’t understand why they made the head of the village Suki’s mum. like i don’t think it’s a terrible choice but they still could have let them have a mother/daughter bond but still let Suki be the leader without any implications of nepotism. it mostly seeems silly

tl;dr - really enjoying it so far!

[vidduality]

SPOILERS for Episode 6 of the Avatar Live Action series

AKA why this episode makes me SO grateful for this adaptation (re: the Zuko flashbacks and the Agni Kai).

----

Wow.

I admit, I was really worried at the idea that Zuko might potentially fight back in the Agni Kai against his father in the live action. I expected to HATE it, and it's certainly a bold change, but it fits in SO WELL with why Zuko is the way that he is (and why he works so hard to push down his empathy whenever Aang tries to reason with him).

The Agni Kai - Zuko obviously did NOT want to fight his father. He still tried to apologize and beg for mercy, but in the end he was just too terrified of his father to disobey a direct order.

But when Ozai left him an opening to see what he'd do with it, Zuko couldn't bring himself to actually land a blow that might burn him. Making his lack of ruthlessness the weakness that Ozai ends up mutilating him for - even straight up telling Zuko that compassion is weakness and then demonstrating by holding his own child down and lighting him on fire - adds a layer of depth that only enhances the original scene (and in another stroke of genius, we see Ozai nearly in tears himself. He's convincing himself of this lesson as well as Zuko, which was likely passed down to him by his own father). Honestly, this to me is even more heartbreaking than Ozai burning him for refusing to stand and fight. Zuko did everything his father asked and he still failed, because his family has distorted what it means to be honorable and believes Zuko's capacity for mercy to be a shameful weakness unbecoming of an heir to the throne.

The 41st Division - And here come the waterworks. Assigning the very people Zuko was hurt so severely for trying to save to his ship as it's being cast out of the fire nation (presumably forever, with the Avatar not having been seen in 100 years) is SUCH a brilliant addition. His crew resents Zuko for being stuck on this impossible mission with this bratty, angry child. And Zuko is too ashamed of his "weakness" to explain why they were assigned to him.

I can totally see Zuko's hurt at their lack of respect making him even more angry (especially after everything he went through to save them from being sacrificed), and his seemingly irrational anger at them just continuing to make them resent him more in a neverending feedback loop of anger and disrespect that's been growing and festering for 3 years.

Which makes the scene at the end when Zuko's crew finally learns about how he saved their lives (as well as why he's obsessed with the avatar, why he's banished, what his scar means and why he's trying so very hard to rid himself of empathy, even if he can never quite manage it when it counts) so much more impactful. I SOBBED when the 41st Division stood at attention and showed him their utmost respect and loyalty, possibly for the first time since they've been on that ship. Zuko's soft "what's going on?" at finally being honored by his crew is just imprinted on my brain.

The seed of the idea that his compassion may NOT actually be what was shameful about his banishment afterall can finally begin to take root.

I just, damn, I love this episode so much.

[burst-of-iridescent]

i really hate it when people act as though zuko is being selfish or self-serving in some way when he tells aang in the finale that the only choice he has is to kill ozai because a) at this point, zuko is right and b) zuko's brutal honesty here is coming from a place of fear for both aang and the world.

are we all forgetting that unlearning his own idealization of his father and realizing that ozai never had been, and was never going to be, the person zuko thought he was, was a significant part of zuko's own arc? it took him sixteen years to understand that giving ozai any grace or understanding or forgiveness was a mistake, because it would be just another tool for ozai to manipulate him with. and that's not zuko's fault, because he was an abused child growing up in an incredibly damaging environment, but it does make sense that he doesn't want anyone else, especially aang, doing the same thing.

zuko is harsh on aang here because he sees in aang the person that he used to be - the innocent, naive kid who wanted so desperately to believe that ozai wasn't a monster, that there was any shred of humanity within him at all to be appealed to. it's not a coincidence in this show so rife with parallels that aang goes to face ozai at around the same age that zuko has his agni kai. and what did it get zuko, when he threw himself at his father's mercy and counted on ozai's non-existent humanity and compassion to save him?

zuko isn't coming down hard on aang because he's angry that "aang won't do his dirty work for him" or whatever other bullshit version of this argument i've seen zuko antis make - he HAS to impress upon aang how dire this situation is because he knows better than anyone that believing for even a second that ozai can be redeemed is incredibly dangerous. aang cannot give ozai an inch because it will only be used against him (and indeed, this does happen in the final battle when aang turns down the opportunity to redirect lightning at ozai and in return ozai presses his advantage to the point where aang would almost certainly have been killed if not for rock ex-machina).

furthermore, this idea that zuko wanted ozai dead for self-serving reasons doesn't really have much basis either, because if that was the case zuko could have just killed ozai himself during the solstice. he doesn't because at that point, he still had an alternative: aang (and you'll notice his word choices never explicitly refer to what ozai's fate will be; it's only "i'm going to help him defeat you" or "taking you down is the avatar's destiny"). as with many abused children, it's likely that zuko himself didn't really know if he wanted his father dead, but when it came down to the final battle without any other viable options presenting themselves, it was something he had to resign himself - and aang - to.

zuko himself does not lack faith in others (in fact, his whole journey is about understanding that his love for and belief in humanity is a strength, not a weakness) but he's learned the hard way that having this faith in the wrong people can result in devastating consequences, especially when the stakes are so high.

i imagine it terrified zuko to see the echoes of his younger self in aang, knowing he's sending him to face his father at the height of his power. at this point, with no knowledge of energybending or any alternative way to defeat ozai, well aware that a fight with his father can only end in bloodshed, zuko has no choice but to give aang the reality of the situation: kill, or be killed and doom the world alongside you.

[splosh-crime]

ATLA AU - Zuko Can See Ghosts

Dead people in ATLA either reincarnate or stay as ghosts until they’re ready to do so. There is no afterlife just as there are no gods. The closest thing to gods ATLA has is spirits but if the Spirit World was the afterlife, I think there would be a lot more humans around when Avatars visit. Iroh’s only there because he went in before he died.

Zuko knows why his mother left because Grandfather Azulon is still there as a ghost to tell him Ursa poisoned him to save Zuko’s life. He was going to haunt Ursa until he realized Zuko could see him and haunted him instead. Surprise, surprise, the guy who ordered the death of his grandson is a dick.

There are many servants dead by Ozai’s wrath in the palace. Their ghosts teach Zuko to stay quiet and fade into the background where it’s safe.

When Lu Ten dies, he regrets that he wasn’t able to save his young cousins from Ozai. Lu Ten stays a ghost and mentors Zuko in combat, bending, and strategy.

When the 41st Division die despite Zuko’s protests, and Zuko himself is burned and banished, the 41st Division find out Zuko defended them and stay ghosts to teach him all they can.

Zuko’s able to escape before the pirates hired by Zhao blow up his ship because the ghosts haunting the pirates warn him. This doesn’t change the plot, but it does save Zuko some pain.

Aang is followed/haunted by Monk Gyatso while Sokka & Katara are followed/haunted by Kya.

[dreadsuitsamus]

nsfw, fem!reader, breeding and ozai being ozai

Guarding the former Fire Lord, even with his inability to bend anymore, is daunting. Though a prisoner, Ozai is still intimidating and dangerous, those muscles not simply for display. There aren't many guards willing to take on the task of keeping a watchful eye on him for even a single shift, let alone during all of their working hours. Your bravery and resilience is rewarded with handsome payment, though by now, you'd do it for free! There are certain... benefits that have come with your position.

"Ah, ah— Mm! My Lord, oh, yes...!" You throw your head back onto Ozai's pillows, his time spent as a political advisor to his son having offered him a nicer cell than a typical prisoner would have, thanks to the leverage he still holds over the young man. Ozai has your limber legs spread wide against the mattress, your toes touching the headboard as the man above you plows into you with vigor, his cock reaching places inside of you that you never knew existed before fate brought you directly to him.

Ozai hisses, his grip tightening around your ankles. "That's it... Take it. Take my cock, my power, my all. You'll give me a new heir, one that will be perfect, one that won't fail me like the others! You'll do this for your King, without fail!" He spits out, the excited luster of his ideals getting him off as much as the way your slickened walls grip his shaft and beg to be filled once again, as he has every night for several months now. Whether you're on duty or sneaking into his chamber, you take your Lord's seed and humbly await the night you'll fall pregnant and kick his plans into gear. He cannot bend fire anymore, but his theory rests on your firebending abilities and his genetics to create a child that can bend, and be the very best.

Zuko was a failure from the very beginning, and Azula's demise must surely stem from her mother, a woman never loyal to the Fire Nation and Ozai himself. This heir will be the one to make him proud.

"Breed me, my Lord! It is my duty, my destiny to bear your child! Together, we shall restore your honor, your legacy, with our children."

Ozai's grin is maniacal, his laugh sinister as he lowers himself to speak directly into your ear. "You're getting ahead of yourself, aren't you? You've yet to give me one heir, let alone multiple!"

"The solstice is nearly upon us." You pant, a mewling whimper breaking your concentration as your Lord twists your nipples that will one day feed his child and help him to become strong.

"And...?" Ozai's strong fingers squeeze the sensitive buds harder, grinning at how pleasurable you find his pain to be.

"T-There will be no better time to fall pregnant, my King. Our child will be strong, guided by the stars to take back what is yours!"

"Oh, really? So do you suggest I'm wasting my time now then?" Ozai begins to pull away, only slipping out a mere fraction of his slick-coated dick before your fingers, small and soft and so breakable like the rest of you, are threading into his hair. Amused, Ozai pauses with a raised brow and cocky smirk on his lips. "What's this, hm?"

"My Lord— My love." You breathe out, sneaky legs snaking around his trim waist to summon him back into his fully-seated position. "Please..."

"Please what?" He hisses, those strong arms slipping around your waist tightly in what's nearly a darling embrace, though he still remains only partially inside of your cunt. "Are you simply here tonight as my whore?"

"For you, I am anything." Your chest heaves, beads of sweat prickling you from head to toe. "The mother of your proper heir, the one that sees to your exemplary care... Your courtesan, your lover... Your wife, if you'd have me."

Ozai's large hand, one you'd still not fear even with his power intact, comes to rest at the side of your face. "Provide me a firstborn son that can firebend, and then we'll discuss a permanent relationship."

Your much smaller hand covers his, hopeful tears welling in your eyes. "I won't let you down, Phoenix King Ozai."

"See to it that you don't." Ozai's lips capture yours in a rare kiss, and he again rocks his hips to yours, soon filling you to the brim with seed that takes, settling deep into your womb to create the child that will swell your belly with his pride.

[zvtara-was-never-canon]

I believe Aang was right to end the war by sparing Ozai. But the only (imho) valid reason some people say he should have done it is because they wanted Aang to realize that pacifism is flawed.

I'm gonna disagree with you here, because a lot of the flaws fans talk about pacism and how ATLA in particular handles it as a concept are 99%:

1 - People being ignorant/racist and not knowing the difference between pacifist monks and "make love, not war" hippies.

2 - People being ignorant/racist and refusing to understand that there are different kinds of pacifism, even within the same cultures/people groups.

Aang is very clearly not the type of pacifist to go "You can NEVER react with ANY kind of violence towards someone else, even if it's to defend yourself/someone else" (which does exist, both IRL and in the show, just look at the owl spirit in "The Library").

We see him fight, and even be quite aggressive in said fights, in a lot of episodes. We also see he has no issues with invading the Fire Nation. More importantly, for the longest time the Avatar State was a result of him being pissed off enough at some kind of injustice that it makes him lose control, meaning he is very clearly affected by the horrors of war to the point of RAGE.

What makes him a pacifist is the way in which he doesn't WANT to lose control, doens't WANT go from aggressive to full on cruel, and, yes, wants to defeat his enemies, but not kill them.

And as I keep repeating, the show DOES make him question that last boundary he set for himself. He gets told by a past Avatar, who was also an air-nomad before anything, that, when there is such a large threat to everyone's life, including his own, he has to put aside his own spiritual needs and take a life - provided there isn't another option. But there was, so Aang took that, even after he decided that, yes, if there was no other way, he WOULD kill Ozai.

What people don't like is that Avatar, although questioning some types of pacifism, is far more interested in questioning the way people are WAY too eager to use violence to solve their issues, and, more importantly, expect someone else to get their hands bloody.

Fire Lord Sozin starts the war because he, according to himself at least, wants what's best for everyone and would like to share the Fire Nation's glory and great life with the other nations. He tries to do by invading foreign territories, killing his best friend, and commiting genocide. The fucker even has the dragons, an obvious Fire Nation symbol, to be hunted to extintion.

When Jet is angry at the Gaang for ruining his plan to free a village from the Fire Nation's control by blowing up a dam, Sokka asks "Who would be free? Everyone would be dead."

Zuko is banished because he spoke out against a Fire Nation higher-up's plan to use soldiers as fresh meat to bait the enemy into a more vulnerable position, thus assuring the nation's victory in that battle. He openly says "These men love and defend our nation, how can you betray them?"

When Zhao wants to kill the moon spirit, Iroh tries to stop him by pointing out that the Fire Nation needs the moon too (seriously, if it wasn't for Yue's sacrifice and Zhao's death, the Fire Nation would have had to create a word for "Big-ass wave that wrecks everything and kills people" like Japan did).

When Aang is deliberately trying to trigger the Avatar State because he doesn't want anyone else to die in the war, Katara, who had her life ruined by said war, is against it because while she opposes the Fire Nation, she cares about Aang and, in her own words, seeing him in so much pain and rage hurts her too. When Aang can't force himself to go nuclear, an Earth Kingdom ruler attacks Katara and makes both her and Aang, two very traumatized child soldiers, think he is going to kill her.

More importantly, when Ozai wants to burn down Earth Kingdom cities, he says "A new world will rise from the ashes, and I'll be supreme ruler of everything", to which Zuko concludes that, if they don't save the world before his dad takes over, there won't be a world to save.

And what does he say to Aang when he is about to kill him? "You're weak, just like your people. They didn't deserve to live in world, in my world."

Avatar does questions pacifism, and is critical of it on ocasion (again, watch "The Library"). But it's biggest theme is being critical of VIOLENCE, of resorting to it immediately without considering any other option and acting like it doesn't have long-lasting negative consequences, both to the person suffering it to the person inflicting it (see Azula's breakdown, Zuko's angry outburts only making him more miserable, Jeong Jeong growing to resent being a firebender, Zhao accidentally burning his own ships, etc)

The show is constantly highlighting that, yes, sacrifices need to be made for the greater good - but that CAN'T be normalized because it inevitably leads to a never-ending cicle of cruelty, as well as suffering to the one who has to do the dirty job (because lets not forget there's a big difference in how a soldier that is constantly in battle sees the war and how a king that just gives the orders but never goes into the actual combat sees the war).

The show embraces pacifism, despite knowing some versions of it are flawed, because the narratives themes are:

1 - EVERYONE is capable of great good and great evil

2 - No group has the right to impose it's own lifestyle onto others

3 - If everyone is either dead, mentally (and physically) scarred for life, or preparing to kill someone as revenge, then being killed by someone who wants to avenge that person, who will themselves be killed for revenge later, then the "greater good" you're sacrificing everything for doesn't actually exist because NO ONE will have a good life in a world that is stuck in the cicle of violence.

[peony-pearl]

GOD!!! I love Iroh

[prying-pandora666]

“Zuko Never Wanted To Kill Anyone”

Zuko tried to kill Suki. He fired a shot that would’ve fried her to a crisp when she was down on the ground. The only reason she lived was because Sokka deflected it.

Zuko drove his ship into the ice in the SWT, nearly running over several children. One child almost fell between the cracked ice and had to be rescued. That would’ve been a death sentence. Zuko didn’t care.

Zuko repeatedly burns down or causes serious damage to villages with people living inside them. Including children.

He tells his own crew members that their lives done matter, only his goals, and forces them to steer into a dangerous storm that could’ve gotten them all killed.

He violently robs civilians when he is on the streets. And not only out of desperation, but also for luxury items he feels entitled to.

Even as a small child, he laughed at his uncle’s joke about burning the largest civilian city in the world to the ground. While he’s actively seizing it and no one can get out.

Zuko betrays his own uncle to his nation, knowing he has been branded a traitor and may well be executed if not imprisoned for life in horrible conditions that will surely lead to premature death. In one of the comics Zuko is told that Iroh may not even survive the trip home. He still goes through with it.

He hired an assassin, behind everyone’s backs so it wasn’t even being done in service as a soldier for his nation, to murder Aang just to protect his own social status and his father’s approval.

He goaded Aang on to kill his father and mocked Aang for wanting a non-homicidal solution.

He crashed his sister’s coronation—not aware that she has banished everyone, mind you, so he could be walking into a highly protected fortress and potentially have to kill his way through soldiers and servants—and challenges his sister to an honor duel. He does this precisely because he recognizes she is mentally unwell and that he can exploit this.

He goaded his sister into shooting lightning at him. Lightning which is lethal. While she’s comet boosted. Just so he can risk his life because a small mistake could fry his heart. So he can redirect it… nowhere? Potentially multiple times as she can possibly chain lightning while comet boosted. Why? What possible reason could he have to put himself in such a dangerous and fruitless scenario?

He was trying to kill her. Zuko has never been against killing.

He just changed sides.

And before you say “but he redeemed! He changed!” Yes.

I do know he changed. It’s what makes his arc so powerful. The fact that he was so willing to kill and invested in the war.

But he is still learning and he clearly didn’t realize that trying to kill his sister was wrong until she was chained up and sobbing. Only then did he finally see through Ozai’s manipulation pitting them against each other. She was never a monster. She wasn’t just the embodiment of everything he had failed to do, not just a living obstacle to overcome. She was also dad’s victim.

And in doing so, Zuko finally breaks the cycle of “brother killing brother” in their family that Iroh warned about.

It’s an incredible redemption story.

It only works if we admit Zuko was once a villain who did bad things and had selfish and sometimes cruel intent.

[saijspellhart]

Things I liked about the Netflix ATLA and some critiques:

Before you read. Please go watch the series, take off your blinders and keep an open mind. It’s surprisingly good. This review has spoilers.

They reordered some scenes so that emotional moments would have a larger pay off. Like getting to see and experience Aang’s relationship with Monk Gyatsu, and seeing his tribe before it was destroyed. So when he has his breakdown in the air temple with Sokka and Katara later, you really feel and understand his agony.

Azula is introduced earlier, with a story running simultaneously with the Aang’s journey but not involved with his. So she has a chance to be more fleshed out and explored before she becomes a major threat. Only time will tell if this more complicated Azula comes close to the animated one. Big shoes to fill, but not a bad start.

Fire Lord Ozai plays a more sinister and oppressive role. Not a faceless boogeyman anymore. You get to see his machinations and the cruel games he’s playing with his family, and see the emotional abuse that warps them.

Appa is adorable as fuck, and so is Momo. So well animated, such gorgeous care put into them.

Kyoshi, Kuruk, and Roku make more of an appearance. With Kyoshi narrating the prologue. And if you loved the novels you’ll see they incorporated more of Kyoshi and Kuruk’s backstory from the novels than what we saw in the animated cartoon.

The acting was competent, even if a little wonky at times. I found Sokka very endearing, I loved the kid they cast as Aang and you can tell they really tried to find a balance between serious and playful. They didn’t always hit it, but the effort was there.

Zuko was great. I think they nailed him and he had great chemistry with the actor playing Iroh.

King Bumi was great, I love how they made his internal struggles more complex. He wasn’t just a crazy old man anymore. He was a crazy old man who was weary and worn down by the horrors of loss and war. A crazy old man who struggled to reconcile that the best friend he lost is the avatar and wasn’t there for him.

I loved the costume and set design. It was like stepping into the actual world of ATLA. Cities were complex and well constructed. Every setting was incredible and the attention to detail was intense.

Zuko’s boat is full of artifacts he pilfered from the Air Nomads while hunting for the avatar.

They changed how Aang got the bison whistle so it makes more sense and fits more seamlessly into the story. It never made sense why a random peddler would be selling a bison whistle if air nomads and bison have been gone for 100 years. Not impossible for a peddler to do, but not probable. The Netflix series actually gave more meaning for the artifact and changed how Aang received it.

Emotional points in the show are now more intense and brought me to tears.

Commander Zhao is more competent and conniving, and his presence felt more dangerous and less comedic.

Sokka’s outright sexism was changed from putting girls down, to just manly machismo, talking himself up. Not gone, but not degrading. They decided to let the sexism message shine more prominently with the northern water tribe, rather than tackle it twice with Sokka too. (Sokka’s sexism being solved in one episode was never well written to begin with. And the animated series quickly forgot about it and moved on to him tackling more important issues, like his being a non bender inadequacy, his leadership journey, his physical combat journey, and him finding himself as more than just the funny sarcastic guy.) For time constraints, it was better the Netflix series did not to tackle the same problem twice, especially when you might not have the resources to give both sexism issues the gravity it deserves. By focusing the sexism problem to the northern water tribe they were able to give Katara more attention.

We got to see Katara’s water-bending go from being ultra sloppy and weak to badass. It feels like they are spending more time focusing on her developing into a warrior rather than being the mom of the group. I’m honestly not sad about it. She’s still the hope ridden, emotional glue, but now it feels like she explores that warrior side a little deeper. It felt so earned when she got the title of master at the northern water tribe finale.

The actor playing uncle Iroh nailed the role. I couldn’t think of a better live action adaptation of Iroh. I love him so much.

The shirshu looks fucking phemonal.

Koh was scary as fuck and I love it. They really nailed his horror elements. Even if I’m a little sad that they changed some things about his face stealing. (He eats faces now to steal them, rather than stealing when someone shows emotion.)

The three actresses who play Mei, Azula and Tailee actually look appropriate for their age. Since they are introduced earlier, they are clearly younger, and since this show is intended to get more seasons, the casting choice made sense as we are intended to watch these girls grow up over the course of the entire show. These actors will get older, and the characters will get more menacing and sharper. It’s great. It’s thoughtful. I love it.

We get to see Zuko’s dynamics with his crew more. And find out that he did more than just speak out against his father at that meeting. His outburst at that meeting saved an entire squad of soldiers, and they don’t even know it. Zuko feels such disdain and bitterness because of the situation, and his crew doesn’t even know why. It’s so complex, you can see how the abuse Zuko endured causes him to take out his anger on his crew, and in turn they are bitter back. And it’s this cycle, that festers. But the crew also grows with Zuko, they change and evolve as he evolves. And it’s such a delight to watch.

They could have cut the Secret Tunnel minstrels altogether, given the time constraints and that the episode was mostly fluff in season two. A fun romp, but not necessary. But the creators knew people loved the minstrels so they found a way to use them anyway. Because they knew they were special. I am thankful for that, even if they show up waaay earlier than they should.

I was honestly more sold on Sokka and Suki’s relationship in the live action. It’s was so adorkable. Do I wish it had more time to develop? Yeah, of course I love a good slow burn. But that didn’t mean it wasn’t fun as hell watching the two flirt so badly with each other. Sokka being a buffoon, and Suki overstepping and being too rough, before realizing she was being too hard.

Some Critiques:

They reordered some episode storylines to happen at the same time, and while it does bloat some episodes. it’s understandable due the episode and budget limitations. In the cartoon, during the inventor episode Katara didn’t have a lot to do, and during the freedom fighters episode Sokka didn’t have a lot to do. So they ended up combining both stories into one hour long episode in the live action, so that both Katara and Sokka would be involved in something. Is it the best? No. But it makes sense. I get it.

Katara starts off bland in the first episode and it takes a bit for her to grow into the character.

The past avatars can be a bit strong with the doom and gloom, and I wish they’d toned that back.

Koh and Heibei (I dunno how to spell the panda spirit’s name) got combined to the same episode, and Koh stole Heibei’s spotlight. Again, I understand why these got combined, but I think it could have been handled a little better and Heibei should have gotten more closure.

There should have been a ninth episode, placed between the two episode Koh storyline, and the Northern Water Tribe storyline. Why? Because the Koh storyline was really heavy and intense. And it leads right into the season finale. An extra ninth episode should have been added with a more lighthearted tone. Something to ease the tension between the two very intense storylines.

Aang should have been using a glider to flit about the temples in the first episode. But it’s not something that ruins the whole show. It was a dumb that only happens in a single episode in the season.

I really missed Momo and Appa’s presence. They appeared atleast once in every episode, but it was still sad they weren’t more of a presence. Again I understand why. They were so beautifully animated that everytime they were on screen it (without a doubt) cost the production thousands of dollars. They were generous including as many of the unique animals and creatures as they had.

I still don’t think Sokka had enough time to develop a relationship with Yue at the northern water tribe. It was rushed and contrived in the animated version, and it was rushed and contrived in this Netflix version. There also wasn’t any of the chemistry like Sokka had with Suki to make the whirlwind romance work. I never liked the romance from the original, and I wasn’t a fan of it here. But that’s ok, because it’s such a small and insignificant thing.

In conclusion most of the changes I can see made were due to budget, and episode limitations. The creators were clearly trying to bring theater-cinematic quality to what was essentially an eight hour long film. And you cannot deny that this show is stunning. Absolutely breathtaking. Most of the episodes cut were filler, and while hilarious and mostly loved by fans, were stories not as necessary in the grand scope. You could feel the love and appreciation the creators included in this series. It wasn’t soulless, it wasn’t a heartless cash grab, it wasn’t a shot for shot (thank god) but it also didn’t butcher the source material.

I understand that the animated show creators had creative differences with the live action Netflix adaptation creators. But that doesn’t mean that the Netflix series completely failed. As every fanfic writer out there knows, the original authors are not going to love what you create based on their works. Tolkien hated every adaptation of his works, HATED them. But no one is going about saying that the Lord of the Rings trilogy movies were hot garbage. A creator doesn’t have to endorse a project for it to be good.

Netflix ATLA is good, it’s not perfect. And it never was going to be perfect. The cartoon it was based on wasn’t perfect either. But the ATLA cartoon was definitely some huge shoes to fill that set a bar very high. Any adaptation was going to struggle to be just as good.

I think the Netflix adaptation was a treat and a pleasure to watch. I think people should go into it with an open mind and see that it’s not trying to replace the cartoon. It’s a love letter to the cartoon.

PS: According to behind the scenes commentary on the Nickelodeon ATLA cartoon, the reason we didn’t get a season 4 was because the creators wanted a live action film. Nickelodeon offered the original cartoon creators the option to make season 4 or to spend the budget meant for season four on a live action ATLA film. The original creators chose the live action film directed by M. Night Shamalan. They wanted a live action for their show over a 4th season. They had no idea M. night would butcher their baby with his pathetic film all those years ago.

This show was a second chance after the M. night abomination. And you know what? It’s a pretty decent adaptation. And guess what? With a resurgence of interest in the series, we are getting more animated content for the original animated series. There’s definitely something for everyone on the horizon if this succeeds.

[sokkastyles]

I think it's implied that Azula started firebending before Zuko did, and not even just that Zuko started at a later age than Azula. If Azula 5 or 6 in the flashback in Azula in the Spirit Temple when she first starts firebending, then I think Zuko hadn't started firebending yet as a 7 or 8 year old. And that probably informs the reactions we see in the comics from their parents as well.

I mean, I think Ozai would have very much held Zuko's lack of firebending over his head. My theory is that Ozai's disfavor of Zuko began to fester as soon as Zuko was born, due to Ozai protecting his own insecurities onto Zuko (and also being jealous that Zuko divided Ursa's attention). This would be easy for Ozai to do since Zuko is both his firstborn and a boy.

So by the time Azula comes along, Ozai is already convinced that Zuko is a failure (and it's possible that there were disfavorable omens when Zuko was born that fed into that perception, maybe Zuko was late learning to walk or talk, etc.) and that he will be a late bloomer, or maybe not a bender at all.

And poor Zuko, for his part, becomes a self-fulfilling prophecy, as kids often do when they live in a household where the adults in their lives don't expect them to flourish. So every time Zuko failed to hit a certain milestone, Ozai would use that to either torment him or Ursa on how her son was a failure.

So when Azula is born, Ozai is determined that she will be everything Zuko is not. And maybe Azula does things that encourage this perception. We know she's precocious, and again, it's a self-fulfilling prophecy. Ozai gets pleasure out of giving Azula every praise and advantage he denied to Zuko. How long before either of the children began to make a single spark do you think Ozai was telling his family how sure he was that Azula would firebend first, and rubbing it into their faces how that meant Zuko was a failure?

I think this fits with both the reactions we see from Zuko and Azula as young children in the comics. A lot has been made of that scene in Azula in the Spirit Temple when Ursa reacts with fear and disappointment on seeing her daughter bending, while Ozai is exuberant and demands Ursa praise their daughter. We, the audience, know who Ozai is. We know his excitement for his daughter's firebending skills is not out of caring or pride for his daughter, but all about himself and the weapon he wants to make Azula into. There is reason for Ursa to be fearful, here, but it's fear of Ozai, not fear of her daughter. And, as the comic also states, fear for Azula.

I also want to go back to that scene in the Search where we see young Zuko coming to his mother, waking from a nightmare where Azula has set his room on fire. Both Azula and Zuko are very young in this scene, and of course Zuko's fear is ridiculous. Neither of the children have started bending yet.

But if Ozai had already been telling his family how strong Azula was going to be, and how weak Zuko was in comparison, that explains very well Zuko's fear.

There's also something here of fire as an element both prized and feared by those who wish to control it, and I think both children learned very quickly the dual nature of fire and made it a core aspect of their personality.

I think about that image of baby Zuko in awe of Iroh's flames in Legacy of the Fire Nation. How long before the wonder of fire turned to fear, and anxiety because he just couldn't seem to measure up?

Can you imagine how terrifying it was for all of them living with Ozai? Not because he was physically violent, but because of the violence in his threats, the subtle reminders of how his rage could be turned on those who didn't meet his expectations at any moment. And he'd already made up his mind that Zuko would never meet his expectations and that Azula had to. No wonder Zuko learns to fear his sister at an early age. No wonder Azula learns that it's better to be feared than to be a disappointment.

[samooooo1]

(Credit to the artist(NhanHoang) for this https://www.artpal.com/lordnx1997)

Zuko with a s/o, who learned lightningbending directly from a dragon

_____________________

•He probably be suprised and shocked at first, even more so when he learns that you didnt learn fire bending but lightning bending itself, he be like "HOW?!" Since he could only redirect lightning but bend? Thats a whole new level of mastery for him.

•He be quite amazed and it would bring him great comfort to him, knowing his darling can protect themselves even when he isnt there, it eases his mind and he be quite happy about it.

•Boast, thats one thing he will actually do, when having a council meeting as the firelord Zuko, he will boast to his offical how cool and powerful you are.

•He probably ask you if you wanted to spare with him, he is very curious since he himself was taught a bit by dragons, the time when had to teach Aang firebending.

•If you ever manage to defeat him, he be a blushing mess, a bonus if ya are a dominant women 😏, it be pretty funny I could say.

•He would directly get you to meet his Uncle Iroh, as lets be honest since the banishment of Zuko, Iroh was a better father to Zuko then Ozai ever could have been.

•His Uncle would have been also suprised but in a good way, he would tell the story of how he himself has meet the sun fighter.

•They wanted a demonstartion, they truly wanted to see what a dragon could teach in terms of firebending. When they saw you lightningbending, they were even more so shocked, as your lightning wasnt the typical purplish blue, but.. red?...It looked so majestic infact that Zuko made a potray of you with a dragon with red lightning.

•Its safe to say, he would love the red lightning of yours, he may ask for some advice at times in the form of bending tipps but most importantly, the red lightning makes a great show and he would find it fascinating, maybe it would even start a long royal family tradition, one who is firebending should one learn the red lightning and the other the blue version of it, so that on every marriage the two lovers unite in fierce lightning dance, giving the witnesses a show and a true testimony to their love.

_____________________

New One shot over, hope ya enjoyed it, God bless :D Bye byeee

[theofficialpresidentofmars]

Atla AU where during the Eclipse, Zuko confronts his father, and Ozai is shocked when he discovers that his son can redirect lightning.

… that is to say, when Zuko receives the lightning thrown at him and is momentarily overwhelmed by the sheer amount of power rushing through his body, he’s not thinking as much about where he’s aiming his redirection than he maybe should have been, and his father receives a shot-to-kill lightning bolt directly to the chest. Fatally.

Zuko comes to his senses and is left alone in a room with a body, and a terrible feeling in his stomach.

To his surprise, when the eclipse ends, the doors open, and the guards rush in, he’s not immediately exiled, or executed, or even imprisoned. He’s simply met with mouths agape and the sort of silence you’d expect when the fate of a nation hangs in the balance. He’s taken to a quiet room while the Fire Sages examine the crime scene to determine what the will of the spirits is, and then brought out again to face them when they’ve made their decision.

Any member of the Royal Family can challenge for the right to rule via Agni Kai. Zuko challenged his father, and although it was not a match in the traditional sense, it was only fair for him to do so after his father’s disrespect of the ‘traditional sense’ in enacting Agni Kai three years ago; and won. The Fire Sages announce that by the Spirits’ decree, he is the rightful Firelord.

Zuko does not tell them what happened, nor correct them when they make the assumption that he has mastered the cold-blooded fire and shot lighting as an attack on his father and an attempt to gain the throne for himself. He stays silent, he does not speak up when they talk politics, he does not protest in the slightest. All he feels is a numbed fear of what this means, what this means for him, but more importantly, what this means for the war. It was not his destiny to defeat the Fire Lord. His father taken down by another member the royal family is expected at best, a cause for martyrdom at the worst- but it is not a victory for the Avatar. It is not in itself something that will bring the end of the Fire Nation’s conquest, and Zuko knows enough politics to know that he is trapped. If the Avatar had taken out the Fire Lord, there would be hope in the other nations, and there would be doubt within his own nation, enough so that altogether they could be steered back onto the right path, but that didn’t happen. With him on the throne now, he is trapped in rooms with admirals and generals and bloodthirsty tyrants who would be more than happy to figurehead him while they carry out their own sick ideas, or who would see him fall for what he did to their old and more respected head of state. They do not respect him, for his age, for his inexperience, for his disrespect. He cannot speak out, he is in no position to instigate real change.

He knows he cannot abdicate the throne either, because however bad he has it, his sister in his position would solve nothing. Even if she thinks she is, she’s not ready to be the Fire Lord, and obviously she has wildly different ideas of what makes a good leader to him. He can’t find his uncle, let alone face him this way.

And also because for the war to end, the Avatar has to defeat the Fire Lord. If Azula were on the throne, Zuko has no doubt that this ‘defeat’ would be in the same vein as what would have been Ozai’s.

He doesn’t know what it means for him. He has an idea, and it’s not like it’s much better, but if he can spare anyone else from what’s coming, it’s the least he can do, maybe the only thing he can do to try, right?

.

A funeral is held for his father. The Fire Sages announce to the nation what the spirits have made of his death, and proudly crown Zuko the new Fire Lord. They proclaim that it is a good omen for their nation, a sign of their just cause to have such a strong leader come and enact justice in order to claim the throne and lead their nation to victory.

Agni guided his hand, they say, and with it, the start of a prosperous new era. Long live Fire Lord Zuko!

The citizens of his nation accept him readily, and there is a terrible feeling in his stomach.

.

“Why is everyone wearing white?”

Sokka poked a finger at one of the locals, less inconspicuously than he might have thought. “I thought red was supposed to be these people’s colour. We look out of place.”

“Haven’t you heard?” The merchant at the stall over thumbed out a pamphlet, and handed it, unfortunately enough, to the one of them that couldn’t read. “We’re in mourning. You two should be in mourning too.”

Sokka tried not to be too indignant at the man’s eavesdropping, but he supposed information was information. And this seemed like pretty important information. “Okay, well, who died?”

“Who died? Have you been under a rock?” At that, Toph smirked, but Sokka was too concerned with this sudden news to bring up the semantics of the Western Air Temple.

“Just tell me!” Sokka felt a piece of paper in his hand, as Toph had finally decided to relinquish her useless bounty. Sokka whipped it up to read, and his eyes caught on the words the exact moment the merchant clarified-

“Fire Lord Ozai?!”

This was unbelievable. This was completely insane. This was…

Sokka knew that this should have been good news, but all he felt was a horrible, terrible, growing sense of dread in his stomach. Beside him, Toph had stopped moving, and Sokka knew she was listening very intently for something.

“It’s true,” she helpfully confirmed. Even she couldn’t keep the surprise out of her voice.

“He was killed during the Day of the Black Sun,” the merchant went on. “Not by the invading forces, but within the sanctity of the palace walls themselves.”

The pit in Sokka’s stomach grew larger.

“It was lightning that defeated him. He was struck down, they say, in Agni Kai. Defeated by his son, and successor.”

This was bad. This was very bad.

“So that means…” Sokka’s gut had figured it out, but his brain was still putting the pieces together.

“We have a new Fire Lord, one who inspires us, one who gives us hope that we will end this war victorious.”

“Zuko.” Toph stated bluntly, without a hint of readable emotion in her voice.

Sokka corrected her. “Fire Lord Zuko.”