#idk. i'm going berserk about my favorite little freak today
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loooootta parallels between klavier and hugh dancy's will graham, tbh. same principle of being transformed first against your will, then accepting the change because you're too far gone to go back so you might as well walk forward, and finally completing the transformation yourself because you've come to see the beauty inherent in the change. by a similar token, ondine is a little bit of both bedelia and alana.
#OOC.#the more i draw parallels between nbc hannibal and jallaklavi the more these fuckers take on a clearer shape for me#i initially set out to make a non-romantic venom out of jalla & klavi but i think...klavi does come to love jalla in a way#more indecipherably so than strictly platonic or romantic but it's definitely a love of sorts#it's a love born both from the necessity of cooperating to survive and out of the comfort of being enabled#by a similar yet opposite principle klavi comes to love ondine (although it's strictly platonic there) bc she understands him#& eventually because she understands him but she doesn't Like him. there's a safety in being Checked after running off the rails for so lon#i don't think ondine ever loses herself to anima the way klavi loses themself to jalla bc she doesn't Love anima. she isn't Made to#all of ondine's problems come about so naturally and humanly that she doesn't treat anima like her savior or her villain. anima just Is.#anima is someone that asks for her help and ondine gives it bc she's got nothing to lose and everything to gain. and she gains a lot#meanwhile jalla is part of the REASON that klavi loses everything. why he loses every shred of safety and future he had#and klavi can fight their presence in his life all they want but it will never change anything. he's not strong enough to fight forever#but if he comes to Love the good things about having a mad god in their head then. there's less he has to think about losing#idk. i'm going berserk about my favorite little freak today
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