#idk man vega can blow up armoured vehicles with his mind but also he's such an old fashioned romantic methinks

[androgynouspenguinexpert]

babe wake up androgynouspenguinexpert posted another character analysis from the train during her finals week because she's banned herself from drawing anything new

its time to tackle vega, because he's cool.

all of the characters carry a unique narrative theme or motif - the importance of self worth for gavin, impostor syndrome for asher, consent and control for marcus, etc. vega's theme is one of, if not my favourite: nature vs nurture, learned behaviour, and the morality of necessary evil.

vega doesn't start out as a moustache-twirling villain, but he's certainly hurting people for selfish reasons. however - the line between right and wrong starts to blur even across vega's first few appearances. as he points out himself later, vega has essentially created a closed loop of suffering to feed from. yeah, he got someone roofied and kidnapped, which is bad, but he's limited his victims to two people. ivan and baby. there's even a case to be made about baby's safety - ivan is volatile and incredibly dangerous (breaking either glass or ceramic with his bare hands???), but we never see him physically harm baby other than restraining them.

vega's age (pin this) has granted him an incredible level of experience and therefore intellect. he's probably the smartest piece on the board right now, save maybe for brachium (but he's sort of on a board of his own anyway). vega knows exactly what he is. he feeds on suffering and agony, and there's nothing that can change that. equipped with this knowledge, vega has managed to streamline the production of agony without really getting his hands dirty, and basically guaranteed the survival of both people involved.

then in comes caelum. he accidentally discovers vega's operation, and immediately runs to freelancer for help. vega proceeds to kick the shit out of caelum for snitching, and almost kills him. again, this is bad. i'm definitely not defending vega's actions here - but think of it from his point of view: he's set up a way of passively producing agony and is minding his own business. a daemon who is 24 (at time of writing) stumbles across this, and immediately threatens to shut it down as well as get him arrested. that's like a toddler walking in on a meth lab and running to the cops. vega probably could drop everything and relocate to avoid the department, but that would take a lot more time and effort than just soccer kicking the toddler over a fence. so he tries, and fails, because gavin steps in. gavin being able to overpower vega - despite being potentially hundreds of thousands of years younger - speaks to the inefficiency of vega's agony system, and he's smart enough to be well aware of that. agony (in a relatively nice part of california, anyway) isn't really a renewable resource like lust or joy are. harming someone, whether physically or otherwise, enough to fuel vega for any significant amount of time would either permanently damage or kill that person. that's not sustainable.

and then vega gets arrested. the human government asks a being probably older than civilisation to pinkie promise he'll stay in a little concrete box for a while. vega explains later that he doesn't believe in unnecessary violence - unless he decides that it is necessary, i guess - so he probably went along with his arrest fairly peacefully. there's another analysis in here somewhere about where (or from whom...?) the department learned its containment methods, considering they haven't really figured out aria yet.

but anyway - vega gets tossed into maximum security. and even from behind the ward, he's finding subtle (and less subtle) ways to stir the pot, especially with his new department-assigned therapist (another quick aside that's too good for the tags; did anyone else find it super fucking funny that vega's first real friend on elegy is his therapist?). i think vega feels neutral about elegy, leaning ever so slightly towards liking it, but he knows what he is. a demon. vega never was, and never will be, human. that's why he never audibly speaks (which is a fantastic detail) - he's rejecting the most basic form of modern human communication. language. yes, he knows english, but he's probably never spoken a single word out loud. vega's fear of daemons growing away from their roots is also why he starts testing for cracks in the warden's façade - he's worried that daemons are starting to assimilate a little too much. they're losing their identity as a separate species, and losing sight of the sacrifices made during the cacophony. and he's right - the cacophony has entirely faded into myth. his suffering and loss has now been turned into a fable; a cautionary tale about dealing with forces beyond our control.

next is the escape, which is both interesting and sick as hell. vega proves that he's not a fan of violence for the sake of violence by mincing some solitaires, tossing an unconscious warden over his shoulder, and escaping the detention facility. this is vega's first real selfless action. he definitely could have left the warden to the solitaires, but chooses to save them because of their compassion towards him. this shows a little of vega's internal struggle - he's never been around unconditional like, let alone love, because he doesn't need to. he needs to be unlikeable. manipulative. cutthroat. these are the things that keep him safe, but more importantly fed. we know from his imperium counterpart (who will eventually be getting a post of his own) that vega wants to be wanted. as much as he denies it and dodges the topic when it's brought up, vega is not intrigued by the warden because he can toy with them. he's drawn to them because they're willing to understand. they're hesitant, but for now they're giving vega the benefit of the doubt. he's never been given that before.

he also starts to wear down the warden's already fragile sense of morality with the kidnapped department officer. although his methods are very questionable, vega is correct again when he explains that he doesn't really have a choice. he won't hurt the guard, and the guard can't hurt him or the warden, but will keep spewing out hate that vega can feed on for the forseeable future. he's killing two birds with one stone as well - the warden is an inchoate. it's far easier for vega to track down (read: kidnap) one racist than to juggle the emotional intake of two people.

i don't think vega is just trying to break the warden out of their department mould for the sake of shenanigans, nor does he want to return to the glory days - vega knows that humanity and daemonkind are now inseperable after the imprisonment of the sovereigns.

he just doesn't want daemons - genuinely good people trying to make the best of a not fantastic situation - to lose sight of what they are. what they used to be. not anarchists, or pawns for the department. starchildren.

forgive me. i tend to wax poetic.