#idk i don't play the viola but also all musical instruments deserve love Tbh

[cutesymiku]

fuck it! making a gender for loving the viola (as in the stringed instrument) because violas deserve love

[ghost-of-you]

I just came across your analyses of all the 5sos albums and can I just say: chefs kiss. amazing. from the way you approach them both musically and lyrically (are you a musician? you have a very good ear) to being able to tell who is singing which part of the harmony (when there’s more than 2 singing at once I have No Idea, and even when there’s just 2 I’m still a little hit and miss). so grateful you exist and did them!!! not only for my enjoyment purposes but also because of my crazy projects I’m about to tell you about just in case you’re interested

anyway, it started with the RAH version of teeth. I’m a classically trained violist, I’ve played in many orchestras, I looked and asked everywhere I could think of just to lay my hands on something like the score so I could maybe pull some musician friends together and play it. No avail. Then, sleep deprived and slightly manic and very unmotivated in the middle of writing my honours thesis I must’ve played that bass riff when messing around on my viola and was like ‘this isn’t even hard let me just open musescore’ and decided Luke’s voice best fit the cello and calum the viola and six hours later it was a whole orchestral piece with the riffs passing around the upper strings like the RAH version and also woodwind and brass instruments somehow and then the bass riff led me straight into thin white lies which quickly morphed into NITSW (and can I just say that bridge is the best thing ever when played by strings) and I was like, this is telling a story. That became the first movement of the concerto.

second movement had to start with the flutes playing the piano intro of lover of mine, then I borrowed ghost of you from youngblood and threw in lonely heart, all the ones in vaguely 3’s as far as timing goes went in, all satisfactorily longing (if mvmt 1 is Relationship Angst) ending on a reprise of ghost of you chorus a semitone up (I’m not even sure anymore tbh, it’s def less cohesive but pretty I think) and I tried to copy its RAH intro as an outro. By then I realised I wanted to make the third movement about self discovery that ended on red desert because the album is just SO SAD and it deserved a happy ending and I wanted to try fit as many songs from the album in as I could (no shame and kill my time didn’t fit thematically unfortunately and easier should’ve been in movement 1 but sonically it just didn’t go, at least not yet I’m open to attempting to incorporate any of those songs) so started with old me. I realised I could overlay it with best years. Weird choice I know but the chords and melody worked well enough (and I still don’t think best years has been brought to justice ngl). Then I overlaid wildflower with high which is surprisingly a combination that I love, and it worked music wise and I thought they offset each other alright?? I’m still not quite sure where I’m going with it yet. but then comes red desert and I did the RAH intro and the whole song with harmonies (does get repetitive and idk what to do with that yet) and it’s like. yay, I gave CALM a happy ending.

I guess what I’m asking is I want to do more of these for more of their albums or combination of them (like they’re genuinely so fascinating from a musical and storytelling lens I can’t get enough) and I’ve got some ideas but I want to hear if you have anything you can just hear coming after each other. like complete mess and red line or smth?? even moodswings and space between a rock and a hard place?? idk. just ideas. throw them all at me. I’ll do it and dedicate it to you

Okay, first, no, not a musician, it's just that my dad was a dj, so i grew up around a lot of sound equipment because he's very particular about sound quality and that totally developed my ear for that type of stuff and my interest for music is that much more intense because of it (i did teach myself how to play the guitar and i do sing, but, like, i don't have any real training) and I really appreciate you coming here to say these, because i have a lot of fun writing those. Also I saw your tags, don't know if you ever figured it out but the milf anthem is mrs all american lol

Second, I'm desperate to hear what you did with calm, from the description alone it feels like something impressive, I'm very interested to see how you overlayed high and wildflower because i can see it, but i can't really imagine how that would actually work sokaosksokas

And third, I actually have quite a few smaller combos i like to push together (i went through a mashup phase when i was learning how to play 5sos songs lol) but i usually go from lyrics and adjust the guitar to fit my voice, i have no idea how that could work for you, but one i always do is vapor -> lie to me -> why wont you love me -> bad omens (it used to be high at the end, but then they dropped bad omens and i liked the way that narratively bad omens closed the loop, you end up trapped in the relationship you know it's not working I like that a lot for this combo), i have a few weirder ones, that are mostly the ones that i never fully managed to make it work but i think they could, like moodswings into bleach, story of another us into close as strangers, i know you saw my post about rearranging 5sos5 to tell a story and for some reason i think you can overlay caramel and bad omens, and red line and you don't go to parties (this one i admitedlly don't really know, but i think the red line riff with the ydgtp riff could be something, just a feeling lol), there's the rhythm section mashup, tomorrow never dies -> babylon -> tears, that I think you can make something with the bass in all of them, for some reason vapor and me myself and i, talk fast -> not in the same way -> blender -> kill my time, this one i think its cool because of the 80s pop of the melodies and the progression of the story with the lyrics, lover of mine -> best years -> older -> ghost of you, again you have the narrative and i think the piano can work all of there to make this tragic love song. And this is everything i can think of right now, but i will probably think of more as soon as i hit post tho soaskookasas

But seriously, this sounds really cool, please let me know how it progresses <3