#ida : sophia
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. I was hoping you could at least let me be happy.
Hatching (Pahanhautoja), Hanna Bergholm (2022)
#Hanna Bergholm#Ilja Rautsi#Siiri Solalinna#Sophia HeikkilÀ#Jani Volanen#Reino Nordin#Oiva Ollila#Ida MÀÀttÀnen#Jarkko T. Laine#Stein Berge Svendsen#Linda Jildmalm#2022#woman director
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Babies babies everywhere (7)
Previous / Next / Beginning
#shesthespinstersimmer#storyteller#sims 4 story#destination: san sequoia#esth#bruce & esther broussard#Micah & alma broussard#ida blum#keats broussard#shalom broussard#sophia bjergsen#michiko yamashita#bloom hidalgo
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my name is mile can I have a playlist? đ
HELOOOOOOOOOOOOOOOO MILE of course you can!!! đ mwah mwah
M - margery, my first car by vulfpeck I - i have considered the lilies by connie converse L - late july (early version) by shakey graves / lovedrug (off that) by rav & kill bill: the rapper E - edge of the earth/post mortem boredom by kid cudi
#<33333 youre my last requester so i made sure to find the beautifulest songs i could#asks#tyyyysm i hope u enjoy them ^_______^#OHHH ALSO 'idas e vindas do amor' by sophia chablau e uma enorme perda de tempo i was saving it just for you!!!!
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Fragments of a Manuscript
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A letter from John Cage to Merce Cunningham
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Lisa Kokin - Marginalia
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Robert Moran - Sketch for a Tragic One-Act Opera, John Cage
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William Engelen - Falten for Violin and Haegum
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Tibor Kalman
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Christine Herzer
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Lauren DiCioccio - Cross-Stitched Book
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Ida Sophia
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Nancy Holt - Detach Here
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The Beatles - The Word (John Cage collection)
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John Cage - original sheet music
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Ward Schumaker
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Parallel Practice - More Than Lovers, More Than Friends
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Mel Bochner - Language is not Transparent
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2024 JGP Riga Cup Entries
Entries are updated as of August 17th.
Kirill Sheiko (ISR) OUT / Nikita Sheiko (ISR) IN
Kira Baranovska (LAT) & Paula Belevicka (LAT) OUT / Natasha Jermolicka (LAT) & Miriama Sorsina (LAT) IN
Agne Inovavaite (LTU) OUT / Milana Siniavskyte (LTU) IN
Furkan Emre Incel (TUR) OUT / Mehmet Cenkay Karkili (TUR) IN
Molly Hairsine / Alessio Surenkov-Gultchev (GBR) OUT & Mimi Marler Davies / Joseph Black (GBR) IN
Aurelin Chevert (SUI ) OUT / Gion Schmid (SUI) IN
Gabriella Grinberg (ISR) OUT / Sophia Shifrin (ISR) IN
Ida Elina Vanmes (NOR) OUT / Oda Havgar (NOR) IN
Zoja Karmar (SLO) OUT / Julia Loverncic (SLO) IN
Khrystyna Haliareta (UKR) OUT / Anastasiia Vaslychenko (UKR) IN
Sofia Enkina / Nikita Kovalenko (ISR) OUT
Chiara Michaela Pazienza / Maxim Knorr (SUI) OUT
Venla Sinisalo (FIN) & Darja Tributson (FIN) OUT / Karina Innos (FIN) & Annika Pellomaa (FIN) IN
Polina Dzsumanyijova (HUN) OUT / Zsofia Szeplaki (HUN) IN
Enna Kesti / Oskari Liedenophoja (FIN) OUT & Hilda Taylor / Alexander Buchholdt (FIN) IN
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They Did Everything They Could With What They Had - Ida Sophia
âA series of five photographs show handwritten text in scaled shades of blood red reading âThey Did Everything They Could With What They Hadâ. Moles, goose bumps and imperfections betray the ground as skin. Created through the stick and poke tattoo method - although without ink - the text wound was facilitated to heal without scarring. The progression of the text colour displays the wound gradually subsumed into the body.Â
âThe body is positioned as the primary vehicle for the mind to be ferried through difficult, sometimes uncomfortable states of our human experience, such as commitment to choice and enduring some pain in order to fully heal. The statement âThey did everything they could with what they hadâ offers an acceptance, not a condoning of actions taken. Although personally relating to the acceptance of actions my parents made during their divorce, the text is intended to be non-specific and easily applicable. The representation of the wounded skin is an argument for the importance of feeling pain, its value in our social relations and alignment within our shared humanity.â
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Little Dove
day 3 entry for @comfy-vember !
day 3: Special breakfast â Spoon feeding â Forehead kiss
summary: Detective Oscar Montgomery gets to see his newborn daughter, Sophia Montgomery.
She had been so small, so, so small. Oscar felt a swell in his heart when he was handed Sophia, finding himself for the first time shaking. He never held someone so tiny before, it was like the air had been taken from his lungs when he set his eyes on the infant. She cooed and squirmed, bundled up in the baby pink blanket sheâd been wrapped in. God, she was just so little, how was she so little?
 Sophia let out a tiny little sigh, seemingly feeling at ease when she was in her fatherâs arms. Oscar swore he might start sobbing in the hospital room with Diana and the nurses in front of him. It was a warm spring that afternoon, the middle of March, when Oscar got the phone call when he was at the agency, all of the coworkers had perked their heads up much like concerned hounds when Oscar let out a shout and hopped out of chair. Elias and Charlie looked at each other, Elias furrowing his brow and Charlie hoping for the best.
 âYou mean it? You really mean it?! Itâsââ Oscar ran his fingers through his hair, âitâs a girl? Really, truly? Itâs a girl?! Well, yeah, yeah Iâll be over there right away!!âÂ
 Elias and Charlie both made their way over to the elated new father, Elias speaking up first, âIs Dee okay, Oz? Are you okay?âÂ
 Elias yelped when Oscar grabbed him by the shoulders, shaking him, âIâm a father, Eli, I'm a father!â Â
 And before Charlie could speak, Oscar grabbed him as well, âand youâre an uncle, Ceecee, an uncle!!âÂ
 And here Oscar stood, cradling his own little girl, his own little sunshine. His little dove. She blinked, opening her eyes and looking up at her father, she looked exactly like her Diana (save for the eyes, my, she got that from him). He caressed her little face with his finger, and swore he was on cloud nine when she wrapped her tiny finger around his, eyes glistening with tears. He choked, trying to let out a watery chuckle.Â
 âHey there sweetie,â he whispered, âhey, hey there. Welcome, welcome.âÂ
 She cooed, Oscar only smiled.Â
 âYour momma and I are very happy youâre here, did you know that?â Oscar said, âweâre so, so happy. We waited for so long, and youâre finally here.â
 Oscar hadnât realized a nurse had walked up to him, smiling softly with her hands folded in front, âhave you thought of a name, sir?âÂ
 Oscar froze, a name? A name. God, he and Diana had spent nine months trying to figure out a name, he debated on giving her a German or Irish name like Charlotte or Ida or Bridget Nora, if she had been a boy maybe Klaus or Anton or Declan or Finn. Diana had offered him Spanish names like Emilia, Maria, Ana, or Isabella if she were a girl, or Miguel, Caesar, Florian (after her father), or David if he were a boy. Neither names seemed fitting, Oscar had been more stressed about names the most over the course of those nine months that they hadnât come up with anything.
 Until now of course.
 âSophia.â Diana blurted out, she was laying in the hospital bed, Oscar could tell she was exhausted, her voice weary and raspy Oscar could barely hear her, her usually well-groomed locks of raven hair now a mess and sprawled on the pillows. But despite all that, she smiled. Wiping the sweat from her brow, giving him notably a tender grin. âHer name is Sophia Jane Montgomery.âÂ
 Sophia, Oscar thought to himself, Sophia, what a wonderful name.Â
 âSophiaâŠâ Oscar mumbled, âdid you hear that, Sophia? Thatâs your name.âÂ
 Sophia had already been asleep, Oscarâs eyes started to water again, âSophie⊠our little Sophie.âÂ
 Oscar held her up and planted a kiss on her forehead. Their little Sophie, their own little sunshine. Their own little dove.
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đđđđđđ đđđđđđ, ele Ă© filho de đđđđđđđđ e đđđđđđđđđđđdo đđđđđÌ đe tem đđ đđ§đšđŹ. a tv hefesto informa no guia de programação que ele estĂĄ no đđÌđđđ đđđ por estar no acampamento hĂĄ đđđđđ đđđđ, sabia? e se lĂĄ estiver certo, đđđđđđ Ă© bastante đđđđđđÌđđđ mas tambĂ©m dizem que ele Ă© đđđđđđđ. mas vocĂȘ sabe como hefesto Ă©, sempre inventando fake news pra atrair audiĂȘncia.
â đđąđšđ đ«đđđąđ âș đĄđđđđđđ§đšđ§ âș đ©đšđđđ«đđŹ âș đđ«đŠđđŹ âș đđ§đ§ âș đđđ§đ̧đÌđš â
nome completo: joseph barker. altura: 2m gĂȘnero/pronomes: ele/dele, homem cis. orientação sexual:ïżœïżœ heterossexual. nascimento:  18 de maio. ocupação: conselheiro do chalĂ© trĂȘs.
atividades: Ă©Â adestrador de pegasus, membro da equipe vermelha de canoagem, membro da equipe vermelha de queimada e lĂder da equipe vermelha de corrida com obstĂĄculos.
Joseph Barker nasceu na California, mas passou grande parte de sua infĂąncia viajando pelo mundo ao lado da mĂŁe. O motivo era trabalho, mas para a criança era puramente diversĂŁo. Sophia Ă© uma biĂłloga marinha renomada e atualmente muito conhecia em meio profissional, seu envolvimento com Poseidon foi durante sua Ă©poca de faculdade, onde sem famĂlia acabou recebendo o apoio e carinho de sua professora e amigos de pesquisa. Joseph sempre teve contato com a ĂĄgua, era difĂcil vĂȘ-lo longe do mar ou de uma piscina e, durante uma viagem para o HavaĂ, sua personalidade extrovertida o levou a conhecer e ainda firmar amizade com surfistas da regiĂŁo. Desde entĂŁo se tornou um amante do esporte. Sua ida para o acampamento aconteceu aos 11 anos, quando a casa que moravam foi invadida e destruĂda por monstros. Foi a primeira vez que Joseph viu sua vida passar diante dos seus olhos, mas acreditar em toda aquela histĂłria parecia demais para o menino que por semanas achou que o acampamento era um surto coletivo, uma mentira. Poseidon o reclamou de imediato, mas nunca se quer apareceu para conhecer o filho, nem mesmo em sonhos ou respostas as suas oferendas. Joseph cresceu ressentido e odiando suas raĂzes divinas, mas tudo em silencio. O Ășnico que sabia disso, atĂ© entĂŁo, era Percy. Durante seus anos no acampamento se dedicou em tudo o que se propunha a fazer, em partes porque adorava os treinamentos, mas em outra por nutrir uma ingĂȘnua esperança de que o pai sentiria orgulho de seus feitos e apareceria. Hoje Ă© Conselheiro do chalĂ© trĂȘs, apesar da cara de menino bobo, inocente, ele Ă© totalmente o oposto disso. Joseph Ă© muito forte, nĂŁo Ă© do tipo que precisa ser defendido, na verdade, Ă© os outros quem precisam se defender dele. Com duas guerras no currĂculo e uma terceira a caminho, tem amadurecido e muito, tornou-se mais responsĂĄvel e atĂ© exigente â especialmente com ele mesmo. O garotinho que antes tinha fama de Golden, agora Ă© mais recluso, observador e bem analĂtico. NĂŁo busca ser o herĂłi e tem raiva de quem o enxerga com esses olhos. Se realmente o conhecessem, saberiam que Joseph estĂĄ mais para um antagonista.
#@ ïž”âż 01 âžș conversation.#@ ïž”âż 02 âžș visage.#@ ïž”âż 03 âžș musing.#@ ïž”âż 06 âžș dynamics.#@ ïž”âż 04 âžș extras.#@ ïž”âż 05 âžș about.#@ ïž”âż 07 âžș flashback.#@ ïž”âż 08 âžș ask game.#@ ïž”âż 09 âžș development.
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Grave of Titanic survivor Ida Sophia Hippach at Rosehill Cemetery
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Stay Golden Sunday: Brother, Can You Spare That Jacket?
The Girls find a winning lottery ticket, only to lose it in a donated jacket. Their quest to find it leads them to a homeless shelter.
Picture It . . .
Dorothy catches Sophia reading a letter addressed to Rose (from a friend Sophia thinks is a lesbian). Rose arrives with their weekly lottery scratch-off tickets. Blanche follows shortly after with shopping bags, saying she was in the mood for leather, but Sophia cuts her off so they can scratch their tickets. Dorothy says she got three palm trees -- which means her ticket is worth $10,000. The Girls immediately begin celebrating.
SOPHIA: Where's everybody going? DOROTHY: Out to dinner. Go get ready, Ma. SOPHIA: I am ready! I'm always ready! You do that at 82. That, and carry hard candy.
As Sophia leaves to go order herself some swag, Blanche excitedly shows off her new purchase: A distressed aviator jacket. She sticks the winning ticket in the jacket pocket for safekeeping, and the three Girls decide to go for dinner. Blanche leaves the jacket on the couch as they go to freshen up. Sophia returns and answers a knock at the door: It's a man from the thrift shop there to pick up donations. Sophia, spotting the rather shabby jacket, tosses it onto the pile.
Later, the Girls are panicked, looking for the jacket. Sophia finally spills that she donated the jacket, which is when they inform her that they put the lottery ticket in the pocket. They make it to the thrift shop, where the proprietor informs him he just put the jacket out. That's when a bodyguard picks up the jacket and says "Michael" has decided to buy it. Blanche tries to get the jacket back, but the bodyguard isn't having it. He tosses the jacket out the door to "Michael," who catches with a glittery-gloved hand.
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The next day, the Girls mope at home -- they tried calling the lottery commission, but they can't claim the $10k without the ticket. Rose then spots an item in the paper: There's a celebrity auction to benefit the homeless, with one of the objects being a leather jacket worn by "a major rock star." They immediately book it to the event. They make it just in time as the jacket is brought out. They open their mouths, but a nearby man bids $10,000 immediately, and they can't beat it.
They're prepared to bamboozle the buyer to just get the ticket out of the jacket pocket, when he announces he's a congressman who's been accused of not caring about the homeless. And, in addition to the cash donation, he's dispatched an aide to give the jacket to a homeless shelter as a symbolic gesture. Later that night, the Girls manage to find the shelter and a priest greets them. He offers to let them stay the night, and they agree to look for the jacket once inside.
ROSE: Are you sure we're in the right place? DOROTHY: Mission Street Shelter for the Indigent and Homeless. This is where they said they sent the jacket. BLANCHE: Kinda drab, isn't it? DOROTHY: Blanche, it's a shelter, not the flagship of the Hilton chain. SOPHIA: Kinda reminds me of the Shady Pines Retirement Home, except here the lights in the exit sign work.
They enter with their pillows and find beds to hunker down until everyone is asleep. Rose gets into a conversation with her neighbor, Ben, a hotelier who's also from Minnesota. Blanche's neighbor, on the other hand, is a young man who offers to help her through her first night. Sophia and Dorothy, who are sharing a bed, spot a woman named Ida Perkins -- Sophia is shocked and wonders what her old friend is doing in a homeless shelter. Rose and Ben continue to chit-chat about their past in Minnesota.
The young man, Kenny, tells Blanche about the procedure for breakfast, and notes she seems out of place in the shelter. He says he's there undercover working on his doctorate in sociology. Blanche is ecstatic, as Kenny reminds her of her son -- until he confesses it's a lie, and he's an alcoholic. At Ida's bed, she and Sophia share memories with Dorothy. Ida left Shady Pines a year previously. Dorothy asks why she left, and Ida says she simply didn't have enough money.
KENNY: This is your first time? BLANCHE: Oh lord, it's been ages since I heard that from a man. Yes, it is my first time. KENNY: I can give you a few pointers if you like. BLANCHE: Now that I've never heard from a man.
Ben tells Rose that he was laid off and couldn't find work in Minnesota. He eventually hitchhiked to Miami, and he offers to listen to Rose's story at breakfast, bidding her goodnight. Kenny tells Blanche he cracked under pressure from his family and warns her to keep herself safe. Ida says she was evicted from Shady Pines with little assistance despite her pleas for it, and she has no living family.
Blanche, Rose, and Dorothy meet up after everyone else is asleep and agree to separate and look for the jacket among the beds. They very quietly sneak between the beds as Judy Collins' cover of "Brother, Can You Spare A Dime?" plays in the background. Sophia stays with Ida, and tells her there is genuine love and compassion out there. The other Girls meet again, with Blanche quietly holding out the ticket. The priest returns to open the shelter for the day. All four Girls exchange looks, and Sophia hands the priest the ticket, thanking him for everything.
"Persuasion, hell. This isn't for dinner at the Rainbow Room. This is for ten big ones! Give him whatever he wants!"
As far as Very Special Episodes go, this might be simultaneously one of Golden Girls most and least subtle episodes ever, in that it's not an obvious VSE until the final scene, but man does it make the most of that final scene. Most of the episode is devoted to the Girls attempting to get back their winning lottery ticket, only to be confronted with the reality of their already-existing good fortune at the homeless shelter in third act. It's not a particularly well-plotted episode, but it's hard to deny the hammer-blunt impact of hearing and seeing the people in the homeless shelter and their variety of stories.
ROSE: I have a really dumb question. SOPHIA: And I have a box of Chiclets. What's your point?
The first part of the episode shows the Girls winning the $10k jackpot on their scratch-offs -- not a life-changing amount of money, maybe, but still a very good amount for four older women to spend on luxury purchases. They all immediately begin fantasizing about what they're going to spend it on, only for Sophia to accidentally give the ticket away after Blanche puts it in her jacket pocket. I know Sophia's technically in the wrong for giving away Blanche's property, but frankly I think the other Girls bear a lot of the blame. If I had a winning lottery ticket, I would not let it out of my sight, much less leave it in the pocket of a jacket on the sofa.
The Girls proceed to go on the mother of all quests to find the jacket, going from a charity clothes store to a ritzy auction to a homeless shelter. Throughout the whole episode, they're laser-focused on their goal of getting their object of good fortune back, ignoring every sign around them pushing them in the direction of charity. From a major pop star wearing a thrifted jacket during a concert to later auction off to charity, to a congressman donating everything including the jacket to a shelter, to the priest who finds them beds to stay in at a late hour.
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Then they lay down and come face-to-face with the . . . well, faces of the homeless around them, and they can no longer ignore the plight of the less fortunate as they have been the whole episode. At least, that's the point of the episode. I'm not going to pretend it's perfectly plotted -- after all, these are still the Golden Girls, and you're going to root for them to win even if they're being a little bit greedy. But as build-up to that all-important musical number, I think it's well-done. (Also, one hopes the priest would actually be able to redeem the lottery ticket, but wouldn't that constitute gambling?)
And to be honest, I'm more inclined than I've ever been to be lenient with this episode. According to the National Alliance to End Homelessness, the number of people who are homeless or don't have stable housing has increased dramatically in recent years, particularly during the pandemic years. Social issues rise and fall in importance, but at this moment in time, "Brother Can You Spare That Jacket" is perhaps even more relevant now than it was when it aired.
CONGRESSMAN: Would you mind if I said a few words to the audience? SOPHIA: For ten grand, they should let him shower with the audience.
This is especially true because the people that the Girls meet in the shelter are personable (in the case of Ben), well-educated (in the case of Kevin), and elderly (in the case of Ida); I can't say for sure if these portrayals punctured stereotypes that people in the early 90s would have had about the homeless -- but it probably says something they defy stereotypes that exist now. It's a rather chilling portrayal of different social groups for whom there is no safety net, and the show delivers it in a way that's palatable for sitcom audiences.
Still, that's not to say the episode is perfect. For starters, the episode portrays all of the Girls as rather avaricious, but later episodes will show that they -- or at least Rose -- are closer to poverty than wealth. This is something that's only disingenuous in hindsight, but perhaps her having an extra $2,500 in her bank account, even if her new friend Ben doesn't, wouldn't be the end of the world. They also tackle age discrimination in the job market, the effects of which Ben represents, more comprehensively in the next season.
BLANCHE: Here, I'll tell you what our plan is. Now, there's $10,000 at stake. To find that jacket and get that ticket, we will lie, cheat, threaten, and steal if we have to. PRIEST: *enters* Oh, hello! BLANCHE: . . . anybody got a backup plan?
Also, the contrast between the wacky hijinks of the first half of the episode and the seriousness of the second half of the episodes doesn't always work. The toothy Congressman comes across as incredibly insincere, but I don't think he's supposed to? Also, I'm not sure why the episode invokes the image of Michael Jackson and his sparkly glove so blatantly when it's apparently not allowed to use his full name?
By the way, in case anyone is wondering, no, that wasn't actually Michael Jackson. But I still love how they work around referring to him. The bodyguard calls him "Michael," the auctioneer calls him "one of the world's leading musical talents," and Sophia says he's "that guy from the Pepsi commercial." Rose wasn't too far off when she made her mistake, also -- Michael J. Fox was in a few Diet Pepsi commercials in the 80s.
Episode rating: đ°đ°đ°đ° (four cheesecake slices out of five)
Favorite part of the episode
An important message sometimes doesn't need to be subtle.
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#golden girls#stay golden#stay golden sunday#rose nylund#dorothy zbornak#blanche devereaux#sophia petrillo#picture it#brother can you spare that jacket#s04e08#Youtube
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@gunbash sent: i'm just in to find out what kind of person you are.
he's hardly the first â likely won't be the last. she's sophia jones to him, won't be ida jane. not if she can help it. still, ida jane is intrigued by him. she knows she stands out in a place like this â but so does he. sebastian might want to find out what kind of person she is, but she's equally curious to see what kind of person he is too. â well, you'll have your work cut out for you. â she takes a sip from the drink she's bought herself â sophia's favorite. ida jane would be miles away from a martini, but it was a role to play. a risk for the reward, so to speak. â but i have a feeling it's the same with you, hm? â
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Graduates (3)đ
Shalom Broussard
Literature Major / Filmmaking Program / Chopra House
Shalom loves her wild, zany family. Really. But sheâd be lying if she said she wasnât stoked to get out there and see what itâs like to not be up to her eyeballs in family. Now that her brother Micah threw their parents Bruce and Esther a curveball, no way is she sticking around for Bubbeâs Idaâs hawkeye.
She canât wait to live campus life with her Chatri, her dream girl and her dorm mate đ€âš
Chatri Sarisuwan
Linguistics & Political Science Major / Britechester / Chopra House
Chatriâs got a little maneuvering to do - will she follow in her motherâs footsteps and be an ambassador? Or, will her modeling career morph into a career in fashion? Maybe she can be a boss and do both?
Honestly, her parents Decha & Pania just want her to be happy, so theyâre looking forward to the ride.
Rarahu Ngata
Engineering Major / Filmaker Program / Britechester / Chopra House
Sheâll admit it - Rarahu (Ra) was madly in love with Chatri since they were kids. Maybe it was more because she taught her languages and made her feel like she belonged. She even came to look at Decha and Pania like the parents she never had. But she came to accept Chatri as a friendâŠ. Scratch that. Family. Shalom has become a good friend too.
Now, (thanks to Decha, sheâll be entering the filmmaking world; maybe the journey will pave the wave to building a life for herself; maybe even hanging up her third wheel status??đ
Sophia Bjergsen
Physical Therapy Major / Britechester / Chopra House
Initially the Bjergsens moved out of this save, but theyâve returned so Sophia could have the University experience in Britechester . Her younger sister Esla will be attending Copperdale. The entire family has a lot to catch up on, from making friends, to her parents Bjorn and Clara keeping busy renovating their old house.
Luckily, Sophia already had a head start, having met Shalom, Chatri and Michiko, so sheâll feel right at home at Chopra House.
Previous / Next / Beginning
#shesthespinstersimmer#storyteller#sims 4 story#destination: san sequoia#shalom broussard#ida blum#bruce & esther broussard#noa broussard#micah broussard#chatri sarisuwan#decha & pania sarisuwan#rarahu ngata#sophia bjergsen#elsa bjergsen#clara & bjorn bjergsen#graduation#copperdale
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àŒ»âàŒș đ»đŻđŹ đŽđšđčđ°đ¶đ”đŹđ»đ»đŹ àŒ»âàŒș Quando vocĂȘ passa pelos corredores da academia, todos se atentam aos seus passos, afinal Ă© a grande SOPHIA GEORGIEVA IVANOV , a tĂtulo de nobre da BULGĂRIA, tendo nascido em SĂFIA no VINTE DE FEVEREIRO DE 1998 . Mesmo sendo INOCENTE E INDECISA, vocĂȘ conseguiu chegar ao 7Âș ANO, porque tambĂ©m Ă© bastante SONHADORA E GENTIL, ainda com a tenra idade de 24 ANOS. Dizem que se parece com JOSEFINE FRIDA PETTERSEN, mas sĂŁo apenas boatos!
â WANTED CONNECTIONS â TRIVIAS â PINTEREST  â SKELETON
â sign: peixes â dob: 20 de fevereiro â sexuality: heterossexual(?) â moral alignment: chaotic good â mtbi: enft-p â ativista. â positive: sonhadora, gentil, ineteligente, sociĂĄvel  â negative: inocente, indecisa, ansiosa, teimosa  â squad: bookworms â extracurricular: artes plĂĄsticas, clube do livro, programa de tutoria e clube de artes.
AESTHETIC
Bible on the headboard, bedside prayers, watercolor painting, daisy print dress, strawberry scent, sunny days.
BIOGRAPHY
JĂĄ era de se esperar que ser a segunda menina nascida, porĂ©m a Ășltima criança dentre outras nove, traria algumas dificuldades. Na famĂlia que ficava cada vez maior, era difĂcil para os pais administrarem e darem a devida atenção para toda a prole, e Sophia parece ser a que mais sofre com isso, apesar de ser a segunda menina nascida. Ainda mais para o patriarca, o poderoso conde de SĂłfia, sempre ocupado e muitas vezes indiferente Ă s necessidades da filha mais nova. PorĂ©m se tinha uma coisa que unia toda a famĂlia era a religiĂŁo, a fĂ© em Deus se fazia presente nas oraçÔes antes de cada refeição, nas idas obrigatĂłrias Ă igreja. O enorme castelo que dificilmente poderia ser chamado de lar era um lugar frio, que parecia vazio apesar da famĂlia numerosa, e a frĂĄgil Sophia sentia-se abandonada.
Unindo o Ăștil ao agradĂĄvel, os pais decidiram deixĂĄ-la sob os cuidados de um convento, em dedicação total Ă sua fĂ©. LĂĄ era ensinada a sempre valorizar a vida que levava, sob a graça de Deus, frequentava a escola local, sua famĂlia eram as freiras que passaram a cuidĂĄ-la. A verdade, porĂ©m, era que se sentia cada vez mais abandonada pela famĂlia, silenciada, confinada em uma Ășnica realidade. NĂŁo sabia sequer se aquilo era mesmo o que queria, nĂŁo tivera oportunidade de conhecer outra realidade. Apesar disso, buscava cumprir com seus deveres e dar seu melhor, numa esperança velada de que seus pais lhe dariam atenção. PorĂ©m nada mudava, eles raramente vinham visitĂĄ-la, e um ressentimento crescia em seu peito.
A vida no convento tampouco era fåcil, apesar de todos seus esforços parecia que não pertencia ao local. As freiras pareciam gentis, mas Sophia sabia dos sussurros maldosos que eram feitos, de como ela foi deixada ali por que ninguém a queria. Tudo o que a jovem podia pensar é que Deus estava consigo, apesar de todas as provaçÔes, ele é bom e justo o tempo todo. Entretanto não podia negar seu lado curioso e desafiador, questionar a fé dentro do convento causava muito desconforto e logo se recolhia aos ensinamentos que ouvia repetidamente. Com o passar dos anos se acostumou com a vida que levava, a dor do abandono manteve-se reprimida enquanto rezava por dias melhores.
E a mudança veio, de uma maneira totalmente inesperada. A morte de sua Ășnica irmĂŁ foi um choque, nĂŁo tinha noção que sua doença iria evoluir tĂŁo rapidamente, e apesar de estarem a um tempo separadas tinha uma grande afeição uma pela outra. Entretanto Sophia mal teve tempo de se recuperar do luto, seus pais mais uma vez decidiram por ela. A jovem iria substituir a irmĂŁ no casamento diplomĂĄtico que estava arranjado Ă meses, foi arrancada de sua vida tranquila no convento e encontrou-se no olho do furacĂŁo, tendo que viver uma vida que jamais pensou que teria. Mais uma vez sendo manipulada pelos pais, como uma marionete sem vontade prĂłpria, jĂĄ estava farta daquela situação. Queria ao menos uma vez decidir por si mesma, conhecer o mundo, expandir possibilidades e avaliar opçÔes. Uma rebeldia contida começava a aflorar, estava decidida a mudar a situação.Â
Entrou na academia a contragosto, porém jå tinha se envolvido na situação e aceitou assumir o papel de nobre. Não podia negar também a curiosidade de conhecer um mundo diferente do qual estava acostumada, mesmo sendo tão diferente. Continua jogando conforme as regras, porém se engana quem acha que ela vai continuar aguentando calada.
#-ËË àŒ»âżàŒș ËË- đ
đąđ„đ„đđ  » » ( biography )#tb: wedding#vamos plotar por favorr
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Tagged by @dystopian-heathen, kiitos !
Post 10 songs you like with names in them and then tag 10 people
Type O Negative - Nettie
Sonata Arctica - Tallulah
Motörhead - Jack the Ripper
Daemonia Nymphe - Ida's Dactyls
Tristania - My Lost Lenore
Summoning - Bauglir
Faun - Sigurdlied
Draconian - Sorrow of Sophia
Falkenbach - Baldurs Tod
The Devil's Blood - On the Wings of Gloria
I tag @havocinthebluebox @fayilien @satanknowz @kvtie-pie @celestialmomma @the-raven-that-refused-to-sing @the-dream-quest-of-kadath @sleepyearthbabe
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Witness - Ida Sophia
âThe repetitive and intense submergence and uplifting from the water takes a single baptism to an obsessive, relentless level. The action seeks to create space for the consequential pain of such actions to be witnessed, asking it to speak back as viewers consider their own, self-serving exertion. âShot in a single take at The Pool of Siloam in Wirmalngrang/Beachport, âWitnessâ opens with the gaze intentionally looking out, provoking the witnessing viewer to feel witnessed. Fatigue shows, echoing the difficulty of maintaining vainly hopeful actions longterm. In the bible, Jesus restores a blind manâs sight at the Pool of Siloam. This location choice was site specific, reflecting my attempt to âseeâ Jesus like my Father did. I also spent my childhood swimming here. Referencing the bleak persistence, the synthesised and sampled sound composition (including underwater Hydrophone and Tchaikovsky) builds, commanding an unrelenting grip that verges on madness.â
#performance art#baptism#full immersion#repetition#endurance performance#art#video performance#performance documentation#documentation#video art#Ramsay art prize#Ramsay art prize winner#Christianity#Faith
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