#i've known the basics of the libs story for a while now just from being into mildly related bands

[ohchosen]

AUTHOR PORTRAIT ... get to know the author behind the blog! repost, don't reblog !

BASICS

NAME:        val AGE:         24 PRONOUNS:         she / they YEARS OF WRITING:          ok how specific are we talking. because i can say like circa 2010 i was on facebook writing bad twilight fanfiction + rp ( which then progressed into bad thg fanfiction ) or i can say elementary school and my little short stories i was always ad - libbing. regardless, it's definitely something i've had a knack for my whole life and it was literally just a matter of time before i found out about rp. and yes before you ask it was my personal facebook. when i was 11. that had all of my relatives added. yes they saw it. years writing on tumblr is different and i think i jumped ship and found out about tumblr rp around 2012 / 2013 and with that came my first formative decision which was to watch supernatural. you know where this is going. yes it was bad. no i'm not showing anyone.

REFLECTION

WHY DID YOU PICK UP WRITING?           i needed a hobby and had unrestricted internet access. i kind of answered this in the question before so jokes on me blah blah blah but without getting too personal i had a very difficult time in school with mental health and tumblr, known weird kid haven, was my little safe space where i could freely pursue what i enjoyed and was really my first venture into fandom spaces. i started in the supernatural rpc [ horror music ] and slowly meandered my way through book fandoms, to animanga, and finally settled on the video game community where i've been good and SAT for like six years now.

DO YOU HAVE ANY WRITING ROUTINES?          not necessarily. it's a miracle if i'm able to sit down long enough to open up my drafts and get going, but if i can lock in i'm all set. i find it hard to listen to music while writing because my brain cannot separate the two and i will accidentally start writing down the lyrics but i've never actually considered tuning into instrumentals so ,, thank you vos. writing that down............

WHAT'S YOUR FAVORITE PART ABOUT WRITING?         stealing from vos in stealing answer solidarity but the rp community aspect. it can be awful and exhausting as some of us know good and well but it can also be incredible depending on who you surround yourself with. it's so validating finding people who share your little niche interest or even niche - er pairing ( hi vos ) and then to just completely devolve into sending memes and posts and screaming until 2 am in dms. i've met so many of my closest friends through rp, and stealing vos' answer again, but the characters i write who turn out the most developed are those who have been shared with friends. noctis would be nowhere near as fleshed out as he is if not for the people i met in the ff fandom all those years ago.

THREE THINGS YOU LIKE ABOUT YOUR WRITING.         oughhghh, um. i'm bad at taking compliments and even worse at complimenting myself so bare with me.

i've definitely grown a lot in terms of style and prose, and i'm actually pretty happy with what i'm able to spit out in terms of aesthetic styling as compared to even a few years ago. one of my biggest insecurities ( that still pops up here and again mind you ) was never being able to match length, and i was in the worst writers' block for a few years that i finally managed to escape out of around 2020 and now i can confidently say i'm writing more regularly than i ever have. so to answer the question: it has been my personal growth in my writing and it turning into something i can be confident in and proud of.

i really do enjoy the mundanity of editing my replies. i love to see the progress i make edit by edit and how cohesive and put together a piece of writing becomes the longer i work on it. i fully 100% devote myself to one reply at a time, which is a nightmare for quantity but sooooooo rewarding if it means i can put something out to the best of my ability and not stress myself out worrying about whatever else i owe. i am a self appointed slowpoke, and i've learned over the years to not let myself feel guilty about that because as long as it can become something i devote time on and put effort into, then it really shouldn't bother me how long it takes.

three things is too much to ask for lets all just walk away slowly.

A QUESTION FOR THE NEXT PERSON

HAVE  YOU  MADE  ANY  STRONG  CONNECTIONS  /  FRIENDS DURING YOUR TIME WRITING?          i'm pretty sure this question was intended for vos only but its way too late now and i've already written your accolades so you have to deal with it. this post is just going to be exceptionally long now.

vos @stagehunt my right hand man who has been with me for every gacha related poor financial decision. everything you said i'm literally sending right back to you. i knew no one in that fandom and was in way out of my depth before stumbling across you and your blog. i am so thankful we crossed paths and shoved our little barbie dolls together and said kiss because developing, and i mean really developing tomo would not have happened without your input. at this point you definitely deserve writing credits on him too because the way he turned out would be nowhere near the same if not for your influence. i've had a blast experiencing genshin's story with you and knowing without fail you'll be thinking the exact same thing whenever hyv fumbles the bag again, and yes. one day i GUESS i'll play more than 7 hours of hsr. luv u xoxo.

plum, @sherez, my love, my heart. it's crazy how fast the years have flown by and now all of a sudden i've known you since 2018??? i still remember seeing you from afar on ez and always being blown away by how much love and devotion you put into your characters. we are quite literally bonded for life after surviving the [ redacted ] rpc and i can't think of anyone better to come out beside than you. you can't get rid of me bitch!!!!!!!!! the amount of effort and care i've seen you throw into v, and how far she's come in terms of development blows me away. she is easily one of the best written characters i've ever had the pleasure of reading and i am so excited to keep following her growth. besides how freakishly talented you are, it's astonishing how much we have in common. bc who tf else would i be talking to about forgotten mcr lore in the year of our lord 2024. if no one got me, i know plum got me. booket....... booket for my sweety.......

lu @tactition its crazy how in the short little time we've spent together how much i've bonded with u. if i got down on one knee and pulled out a ring would u say yes.... my yaoi soulmate........ its INSANE how well our character Types (tm) mesh together, and i know karma is coming with its kiss for me when i finally download nier and have to atone for what i put u thru when i made you play final fantasy. please be gentle with me im delicate........... real talk tho.. you have so quickly become such an important person in my daily life and i literally feel myself go !!!! whenever i see a new dm from you because i know its always gonna be good. your character takes blow me away and even for myself who's nearly 7 years deep into the final fantasy scene, it amazes me how you still manage to shed light and new perspective on characters i've known for years. let’s kiss freaky style.

i've very much condensed my little bubble into people i actually want to surround myself with atp, and there's always a handful of mutuals on every blog that i don't necessarily talk to but who have been with me for years now so. sorry you can't leave or i'll become a danger to myself and others. kisses :*

WHERE DO YOU DRAW THE MOST INSPIRATION FROM? this is definitely a muse - specific question since it varies from character to character. with noctis specifically, it's mostly music. i have a few different playlists for him after writing him for so long, and while i can't listen while i write they all offer different types of mood setting for him. other times, its media involving fantasy tropes or characters that have similar struggles to him, off the top of my head ( and something i connected early on ) is the character u.enoyama r.itsuka from given. there's a lot i could say here regarding which aspects i took inspiration from but the majority was the similar personality he has to noctis, the internal thought process he offered when i read the manga, and the way he struggled with his sexuality that struck the loudest chord. don't quote me on any of that since i haven't been caught up with given for like 5 years now but !!!!! yeah the end.

NEW QUESTION: how do you relate to your character personally? are there any overt similarities to the two of you?

tagged by @stagehunt my lover..... tagging - @lunabrae @tactition @sherez

[meta-squash]

I did a long thread on twitter analyzing/interpreting You’re My Waterloo for the fun of it, but it was mostly for the amusement/interest of myself and like one other friend on there that likes The Libertines. So I figured I’d transcribe it over here where people might get more out of it? Since it was a twitter thread, the sentences might be a bit weird and stilted, by the way. So:

I'm glad they waited to record Waterloo until 2015. I feel like any other time would have been wrong. I know Peter was playing the slow version back in at least 2007 but I think it would have been sad in a different way if they had recorded it before 2015. Like, in 2015 it's just a straight up love song that's slightly sad because, well, it's Peter. If they had recorded it before I feel like it'd have been a love song with resentment wound through it.  There's just a lot of emotion in that song and if there's one thing Peter is really really good at doing, it's Emoting Intensely. But it's not just Peter, the piano is so beautiful and the strings are beautiful and Carl's guitar solo is Intense. It's all A Lot. Like, of all the songs that Peter has written about Carl, about their relationship and career and experiences together, THIS is the one where you can feel most strongly the near-obsessive type adoration. So I’m glad they waited to record it properly when they were friends again (also I’m mildly surprised that it was Carl’s suggestion to rerecord it). Anyway.

Fuck the first verse of this song is a lot. This whole song is a lot. I mean it starts off with such a sad sentiment, it's almost a warning? "You'll never fumigate the demons / No matter how much you smoke." You can't smoke away sadness no matter how much you want to. Bitterly ironic, considering the sorts of things Peter ended up smoking etc to chase away demons, the types of extremes they both went to above and beyond just trying to fumigate. But anyway. "Just say you love me for three good reasons / And I'll throw you the rope." It's just so fucking codependent. So intensely obsessive and codependent. There was a quote, I think maybe from Roger Sargent?, about Peter crying outside a venue in like 2002 because even then he was scared about losing his friendship with Carl to the Something Bigger of fame. This feels like a desperate bid to hang on to that love. But also like Peter is so intense. Every video of interviews where he's sitting next to Carl or gigs when they're friends or reunions or whatever, he just wants to be in Carl's space and have Carl's gaze and his attention and stuff. Like a cat that sits on your work.

Again, a digression. Oops. I said I was in a mood. It's so interesting that while it's definitely a love song To Carl, the only direct mention of Love is asking for love From Carl. It's like he's working on the assumption that his feelings are obvious (they are) and desperately wants reassurance or reciprocation.

"You don't need it / Because you are the survivor / Of more than one life" We know the origin of this is apparently Carl's dead twin brother. But also the offering of a rope only to reassure that no, you don't need it is just so...I don't know...sweet? Especially because while "throw you the rope" is obviously a symbol of rescue it could just as easily be a noose. Except that it's neither. Because he doesn't need it. Because he can survive fucking anything, because they love each other--he hopes. It’s like, if you love me as much as I love you, I’ll try to help you, even though I know you don’t need me because you just need to realize you can do it on your own. "And you're the only lover I had / Who ever slept with a knife" The interview where they talk about this line is so funny. "No it's not about us. But Carl did sleep with a knife and the line about being a survivor is about Carl having a dead twin and Peter saying he was the twin reincarnated. But it’s totally not about us." Anyway. Ugh just so much of this song seems to be about Peter being Super Obvious and open about his love for Carl and Carl being more closed off. Carl being the only lover who slept with a knife; he'll accept the love but he's wary of it and wary giving it.

(By the way by love I don't necessarily mean Romantic or Sexual love. They clearly adore each other one way or another, that's obvious enough. But Best Friendship love is 100% a thing.) (However, the Judy Garland line is so funny to me because "Friend of Dorothy" was a secret code for gay men for a while. And considering the amount of queer literature etc Peter references in everything, there's no way he didn't know this.)

I can't really go in depth into the Tony Hancock line since I really don't know much about Hancock and I know that it was a real touchstone for Peter and Carl. But it plus the Judy Garland line feels like a "neither of us have ever really had a home, but we found one in each other" thing. Which is. A lot. Especially with the "until the dawn" bit, because a main component of so many stories about them from other people is the two of them staying up for days together writing and adventuring and just doing stuff and no one else being able to get in their little bubble.

I love the "ahh" after "Stone the crows" and the way the music starts to swell. It's obvious that the next verse is the Important One. And it is. There's the story about Peter crashing an event at the Old Vic while Carl was ushering to tell him they should be writing together and everyone who's there are dicks. But it's also like...so many layers of what is success and what is appreciation and how do you express love. I assume the flowers are not from his show, that he's collected them from the stage after someone else's show. But it's reusing tokens of mostly empty/superficial/performative appreciation--the tradition of tossing flowers on the stage--as a token of genuine love. Sitting through an entire performance, watching someone else's success and dreaming of being there and then using the token of appreciation for that person to instead give it to the person you yourself appreciate and love and want to succeed with. It's like a promise, a "we'll get there." But also another act of desperation because he's been sitting there for hours. Carl wasn't there to receive the gift and wasn't there to write with him. But he's been chasing words around on the page--the love-words to this song or the words to another one?--and he needs Carl there to really complete it, needs Carl there to hear it. It's very much in line with Peter yelling that they should be writing. This intense "Please be with me please accept the way I express myself please complete my incomplete bits please like me as much as I like you" etc.

And then the chorus which is so interesting. I desperately wish I understood the Gypsy Lane and Stanley Park references. I think Stanley Park is a footie reference but I’m not sure? I'm trying to do all of the interpretation off my own brain and not use the notes on the Genius website or anywhere else but I wanted to see if those two references here had been crowdsourced. Apparently both Gypsy Lane and Stanley Park are places he spent time in his childhood (and I called it on the football reference, yes!). Which is. Wow. Okay. And then there's Waterloo which is a whole thing in itself. It's Waterloo as Waterloo but also Waterloo Station. So Carl is able to be Peter's Ultimate Defeat, the thing that has the ability to ruin him. But also Waterloo Station is near the Old Vic where Carl worked & would go to theatre bars, so it's also a place of familiarity. Since I don't know anything else about the Gypsy Lane reference, I can only assume it's also a place of comfort and familiarity. So Peter's admitting to Carl's power over him, ability to hurt him, but offering to comfort him in return. (Important for later.)

"I'm so glad we know just what to do / And exactly who's to blame" I love this line because it knows it's wrong. Especially in 2015 but maybe even in the early days. They bounced blame back and forth between them for YEARS. Not to mention all the outside bullshit. And obviously they didn't know what to do. The Waterloo/Stanley Park is another reference to a familiar place and a power to hurt/offer to comfort moment. I wish I knew if there was some sort of proper football reference here (aka a QPR reference since that's Peter's team) but I know absolutely nothing about sport so idk.

"Well I'm so glad we know just what to do / And no one's left / Stumbling around / Tumbling around / Fumbling around / In the dark" The way Peter sings this sounds so hopeful and sad at the same time. It's interesting to know this line was written way, way back. Like, this song was apparently one of the first ever songs they demoed. The demo is a lot more frantic and less romantic but jesus christ. The way Peter sings it now it's like he knows that was just an unconscious self-fulfilling prophecy. Like, no, they absolutely were left in the dark, hurting each other over and over and not being able/willing to place blame or to communicate. Except now, in 2015, they're not anymore. (and especially not now in 2021). But it's also another desire for comfort. Like, Peter's offering the comfort here. But he's also just confessed the power to hurt that Carl has. So this is also a "are you going to offer me comfort the way I've offered it to you?" sort of question. 

And then there's the solo which. Woof. It feels like a response to Peter's words. Like reaching out with sound. Like a shoulder-squeeze or a hug in response, something nonverbal that’s really trying to catch up and match up to the intense emotions in the words. The music crescendos and the solo is literally waves of notes that roll up and down and up and then it crashes down but lands so softly at the feet of the chorus.

And then we have equal footing, sort of (and Carl as Jesus again). Carl is still Peter's Waterloo, his ultimate defeat (or his place of comfort). But now Peter is Carl's Calvary. Which is the place where Jesus was crucified. Peter’s been offering comfort to Carl, but suddenly Peter has power over Carl. It's like...veneration and threat at once. Carl's Jesus, the savior, but also if he doesn't love Peter, Peter has the power to crucify him (or at least threatens to have that power). Or it's another portent: Carl could be Peter's savior, except that everything falls apart and Carl ends up hurt instead. They both end up hurt instead. So then they're on equal footing.

Which brings them to the "Well I'm so glad we know just what to do," which feels a little sadder but also a little more confident than the other two. The answer is in the "Everyone's gonna be happy / But of course." They need to work to figure out how to make each other happy, how to be comfort rather than hurt. It's not that simple. It never is. The "But of course" is a sarcy acknowledgement of how difficult that actually is. But it's also that sort of quiet hopefulness that yeah, maybe soon we'll figure it out and everyone will be happy and will get to say "of course I'm happy" about it.